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"In Turin on 3rd January, 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, the driver of a hansom cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene, throwing his </atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-turin-horse.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-xKVANkcCJ1g/TzU3Udn9EYI/AAAAAAAAJW8/7tCGy9fTvJ4/s72-c/turin_horse_ver2.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-8338469044571758502</guid><pubDate>Sat, 11 Feb 2012 03:00:00 +0000</pubDate><atom:updated>2012-02-10T22:04:56.116-05:00</atom:updated><title>Review | 2012 Best Documentary Short Nominees</title><atom:summary>

Every year, millions of people watch the Academy Awards, but when the short categories are announced many head to the kitchen to get a snack, because few if any of the viewers at home have even heard of, let alone actually seen, any of the nominees.

Magnolia Pictures and Shorts International are hoping to change that, and have been releasing the short film nominees theatrically for the past </atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-2012-best-documentary-short.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-M_MoRkh9Nck/TzNR5QnbshI/AAAAAAAAJVc/RWKsXgs7nbY/s72-c/The_Barber_of_Birmingham_filmstill1_Mr.Armstrong_byRobinFryday.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4857929075939740427</guid><pubDate>Fri, 10 Feb 2012 14:26:00 +0000</pubDate><atom:updated>2012-02-10T09:35:59.602-05:00</atom:updated><title>Review | The 2012 Best Animated Short Nominees</title><atom:summary>BY JESSE TAYLOR




DIMANCHE / SUNDAY 
(Canada, Dir. Patrick Doyon) 

One of two nominees this year from Canada, Dimanche / Sunday is Patrick Doyon’s nine-minute debut short about a young boy’s usual Sunday routine. He suffers through church and relatives, but it’s his wild imagination that provides the fun. Between watching his grandfather’s mounted bear head plaque come to life and flattening </atom:summary><link>http://www.fromthefrontrow.net/2012/02/by-jesse-taylor-dimanche-sunday-canada.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-_9FqMTPK1P8/TzUmPb5sX-I/AAAAAAAAJWU/xZ4QyRLjZmU/s72-c/SundayDimanche.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=c5NkKfBxX5w:cqAq0PguVMM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=c5NkKfBxX5w:cqAq0PguVMM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5087043417388750258</guid><pubDate>Fri, 10 Feb 2012 03:59:00 +0000</pubDate><atom:updated>2012-02-09T23:06:11.078-05:00</atom:updated><title>Review | "The Miners' Hymns"</title><atom:summary>

Everyone wants to be remembered.

Whether it is through enduring fame, important works, or through friends and family, there is something innately human and the desire the continue on after we're gone. To have mattered. To have made a difference.

"Found footage" is a term that has come to define a subgenre of film where "home video" footage is used to tell a story as if it was captured by the </atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-miners-hymns.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-dOvSVjuIP0Y/TzRurm5uMfI/AAAAAAAAJWE/93c0hUNq7W0/s72-c/uploadedfile_129733091060097636-001.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4119843809046277448</guid><pubDate>Thu, 09 Feb 2012 20:18:00 +0000</pubDate><atom:updated>2012-02-09T15:18:17.121-05:00</atom:updated><title>Jean Dujardin Auditions for Villain Roles</title><atom:summary>I know I've been hard on The Artist, but I really do like it. I'm glad that America is finally discovering Jean Dujardin, who was so wonderful in the OSS 117 films. I hope it inspires people to check them out (especially the first one, OSS 117: Cairo, Nest of Spies).

This Funny or Die sketch featuring Dujardin auditioning for the role of the villain in such films as James Bond: Skyfall, Mission:</atom:summary><link>http://www.fromthefrontrow.net/2012/02/jean-dujardin-auditions-for-villain.html</link><author>noreply@blogger.com (Matthew Lucas)</author><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-3795568954435893369</guid><pubDate>Thu, 09 Feb 2012 05:14:00 +0000</pubDate><atom:updated>2012-02-09T00:27:14.016-05:00</atom:updated><title>On "Chronicle"</title><atom:summary>


From The Dispatch:

Making this a "normal" movie rather than a "found footage" movie might have alleviated some of the character problems. And while the characters' superpowers free it somewhat from the genre's typical camera limitations (allowing the camera to float and move around), the format seems like more of a hindrance, a pointless gimmick that ultimately leads nowhere. 
Click here to </atom:summary><link>http://www.fromthefrontrow.net/2012/02/on-chronicle.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-p_Z_h-cQpqw/TzNWMXFEbzI/AAAAAAAAJVk/vxGj_6NgVes/s72-c/2012_chronicle_002.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=C13nVnZdxxY:v9pCjd6kavc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=C13nVnZdxxY:v9pCjd6kavc:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-7362600117716860844</guid><pubDate>Wed, 08 Feb 2012 07:42:00 +0000</pubDate><atom:updated>2012-02-08T02:45:43.758-05:00</atom:updated><title>Blu-ray Review | "A Star is Born"</title><atom:summary>

At this point, Hollywood has remade A Star is Born so many times that its plot may seem a bit trite and overly familiar. Even Michel Hazavicius' much balleyhooed (and current Oscar) The Artist borrows heavily from its classic rags to riches story. Remade by George Cukor in 1954 with Judy Garland and James Mason, and again in 1976 by Frank Pierson with Barbra Streisand and Kris Kristofferson, </atom:summary><link>http://www.fromthefrontrow.net/2012/02/blu-ray-review-star-is-born.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-p3V3np_Ntnw/TzGJnQEBCLI/AAAAAAAAJU8/0kfAu0YGq3s/s72-c/Star_is_Born_Bluray.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=RCDy8Ae2Sts:RSD0nGEBFW8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=RCDy8Ae2Sts:RSD0nGEBFW8:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-728519710872351756</guid><pubDate>Tue, 07 Feb 2012 20:20:00 +0000</pubDate><atom:updated>2012-02-08T02:30:23.677-05:00</atom:updated><title>Blu-ray Review | "La Jetée"/"Sans Soleil"</title><atom:summary>

There are few achievements more unique in the history of cinema than the works of French director Chris Marker. While his name may be unfamiliar to most (even among cinephiles), the influence of his work is undeniable.

The Criterion Collection released his two most famous works, La Jetée (1963) and Sans Soleil (1983) on DVD in 2007, and have followed up with an excellent blu-ray edition. While</atom:summary><link>http://www.fromthefrontrow.net/2012/02/blu-ray-review-la-jeteesans-soleil.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-FxFojRi6_aw/TzEsjQ0Q9gI/AAAAAAAAJUc/V2QGfBDZz_o/s72-c/387_BD_box_348x490.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5980463839456593284</guid><pubDate>Sat, 04 Feb 2012 20:55:00 +0000</pubDate><atom:updated>2012-02-04T19:55:34.729-05:00</atom:updated><title>Review | "Perfect Sense"</title><atom:summary>

If the movies (and street preachers) are to be believed, the end is clearly nigh.

It may be the one thing Hollywood and the religious right have in common. But religious conviction has little to do with filmmakers' fascination with the end times - disasters sell tickets. On a more personal level, however, they're a perfect vessel for exploring the deepest recesses of human emotions.

Recent </atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-perfect-sense.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-6mgBjK2noi8/TyzJDNtN0VI/AAAAAAAAJUE/_xmGY77rI70/s72-c/PERFECT+SENSE_HIGH+RES.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1663649540457773010</guid><pubDate>Sat, 04 Feb 2012 05:51:00 +0000</pubDate><atom:updated>2012-02-04T00:53:15.792-05:00</atom:updated><title>Review | "Kill List"</title><atom:summary>

Good horror films are hard to find. It is perhaps the most critically unappreciated genre while simultaneously being one of the most widely popular. The problem for critics is tha horror films are so rarely great art anymore, and often rely on cheap jump scares and gore. But the bottom line is that while critics may not care for them, audiences love a good scare.

Ben Wheatley's Kill List </atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-kill-list.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-TOHaBXn5dnM/Tyy2jHr_QJI/AAAAAAAAJTs/lFl9gtqpggc/s72-c/KillList_poster.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-6010417776058712499</guid><pubDate>Fri, 03 Feb 2012 02:47:00 +0000</pubDate><atom:updated>2012-02-02T22:08:26.518-05:00</atom:updated><title>Review | "Carol Channing: Larger Than Life"</title><atom:summary>

There are few figures in the world of film, television, or theatre more inherently likable than Carol Channing.

Perhaps best known for originating the role of the plucky Dolly Levi from Hello, Dolly!, Channing, now nearly 90, still commands the screen with the same effortless charm as she did when she first took Broadway by storm decades ago.

Dori Berinstein's new documentary, Carol Channing:</atom:summary><link>http://www.fromthefrontrow.net/2012/02/review-carol-channing-larger-than-life.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-rvpXTa3qELc/TysX4e20y0I/AAAAAAAAJTU/5_RS_araskM/s72-c/carol_channing_larger_than_life_xlg.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-2848519234968992511</guid><pubDate>Wed, 01 Feb 2012 20:17:00 +0000</pubDate><atom:updated>2012-02-01T15:17:52.140-05:00</atom:updated><title>On "The Grey"</title><atom:summary>


From The Dispatch:

There's something intensely primal about this conflict between man and animal, and director Carnahan ("Narc," "The A-Team") maximizes the sense of isolation to great effect. It's a surprisingly character driven piece, relying more on atmosphere and character drama rather than cheap thrills, although it has thrills a plenty. Part horror, part drama, part thriller, "The Grey"</atom:summary><link>http://www.fromthefrontrow.net/2012/02/on-grey.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-YrnUCqTXQ7g/TymZ5KJeMLI/AAAAAAAAJTM/oyNigjnoXto/s72-c/2012_the_grey_001.jpg" height="72" width="72" /><thr:total>1</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5568506067961010682</guid><pubDate>Wed, 01 Feb 2012 06:28:00 +0000</pubDate><atom:updated>2012-02-01T01:36:48.351-05:00</atom:updated><title>Blu-ray Review | "Annie Hall/Manhattan"</title><atom:summary>

It may come as a shock to people of my generation and younger who grew up in a time where Woody Allen has released a string of substandard product, from Melinda &amp; Melinda to Scoop to The Curse of the Jade Scorpion, to encounter the greatness of his early work for the first time. His most recent film, Midnight in Paris may have brought back a glimmer of his former glory, but nothing really comes</atom:summary><link>http://www.fromthefrontrow.net/2012/02/blu-ray-review-annie-hallmanhattan.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-tGElsbYZqbU/TyiviBr2wMI/AAAAAAAAJSs/LheM9Nbw65c/s72-c/81yXLJYxIpL._AA1500_.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=74rd8Wxar1U:qnuLHNNKAfg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=74rd8Wxar1U:qnuLHNNKAfg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-683894280678209553</guid><pubDate>Wed, 01 Feb 2012 02:46:00 +0000</pubDate><atom:updated>2012-01-31T21:53:02.617-05:00</atom:updated><title>The Top Ten Scores of 2011</title><atom:summary>
1

W.E.(Abel Korzeniowski)



The man behind the best score of 2009, A Single Man, returns with another lushly melodic work that simultaneously recalls Yann Tierson's Amelie, Philip Glass' Mishima, and Korzeniowski's own work from A Single Man. At once mesmerizing and thrilling, W.E. stands strong as the year's most accomplished piece of film music.



2

EXTREMELY LOUD &amp; INCREDIBLY CLOSE(</atom:summary><link>http://www.fromthefrontrow.net/2012/01/top-ten-scores-of-2011.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-9aLJS2tKqLA/TyihFfMsDZI/AAAAAAAAJRc/xZ6MVrPbHgc/s72-c/we_soundtrack_news.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=GuOdNLsLC4E:k1ms50QTXL8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=GuOdNLsLC4E:k1ms50QTXL8:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-3905161418051384795</guid><pubDate>Mon, 30 Jan 2012 03:55:00 +0000</pubDate><atom:updated>2012-01-30T00:25:14.401-05:00</atom:updated><title>SAG Award Winners</title><atom:summary>The Help had a big night at the Screen Actors Guild awards tonight, taking home awards for Best Cast, Best Actress, and Best Supporting Actress. While Plummer and Spencer remain sure bets for Oscar wins, their choices for Actor and Actress have made races out of both categories, with Dujardin now George Clooney's chief competition and Davis giving Streep a run for her money.






Here are the </atom:summary><link>http://www.fromthefrontrow.net/2012/01/sag-award-winners.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-MdlPRfjaijA/TyYUE508H9I/AAAAAAAAJRU/aiEjlEQ95qk/s72-c/2011_the_help_010.jpg" height="72" width="72" /><thr:total>2</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=unWHZ2CoicI:3j3U1qLpa7c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=unWHZ2CoicI:3j3U1qLpa7c:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4615807222225889629</guid><pubDate>Sun, 29 Jan 2012 19:52:00 +0000</pubDate><atom:updated>2012-01-29T14:52:10.238-05:00</atom:updated><title>"Watch your words, for they become actions..."</title><atom:summary /><link>http://www.fromthefrontrow.net/2012/01/watch-your-words-for-they-become.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/GSXYHqs0KPo/default.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=9-cs9XoK_EQ:fSo8pts5zU8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=9-cs9XoK_EQ:fSo8pts5zU8:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-34835212886440596</guid><pubDate>Sun, 29 Jan 2012 07:24:00 +0000</pubDate><atom:updated>2012-01-29T15:34:17.823-05:00</atom:updated><title>Michel Hazanavicius Wins DGA</title><atom:summary>History repeats itself in an interesting bit of irony as Tom Hooper (The King's Speech), last year's DGA winner, presented Michel Hazanavicius (The Artist) the Directors Guild of America award for director of the year.




This is the second year in a row that a solid but unremarkable film has beat out a crop of much stronger directorial voices on an unstoppable march to the Oscars. I honestly </atom:summary><link>http://www.fromthefrontrow.net/2012/01/michel-hazanavicius-wins-dga.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-eZmMeaHgTY0/TyTyCdCV1HI/AAAAAAAAJRM/8q0TSi_BYw0/s72-c/michel-530.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=Ax7fZ_Csd28:UjbOwRyC_wo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ax7fZ_Csd28:UjbOwRyC_wo:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-8008055908108665873</guid><pubDate>Thu, 26 Jan 2012 00:01:00 +0000</pubDate><atom:updated>2012-01-25T19:12:21.808-05:00</atom:updated><title>Blu-ray Review | "The Cinema of Jean Rollin"</title><atom:summary>Jean Rollin is not exactly a household name, even among cinephiles. His unique brand of vampire erotica has long been unavailable in the United States outside of VHS bootlegs, which garnered Rollin the cult following he enjoys today. In fact, Rollin himself encouraged the bootlegs, contributing short introductions to each film that are included in Kino Lorber's new blu-ray releases of five of his</atom:summary><link>http://www.fromthefrontrow.net/2012/01/blu-ray-review-cinema-of-jean-rollin.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-SubI_mJFeJ8/TyAxSQ5CZ6I/AAAAAAAAJPg/gmb57eYPY-c/s72-c/81Lq7eoKy%252BL._AA1500_.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=e5i6IwI-evU:sAla0Pb3Mio:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4340076132613924715</guid><pubDate>Wed, 25 Jan 2012 20:38:00 +0000</pubDate><atom:updated>2012-01-25T15:40:39.664-05:00</atom:updated><title>Oscar Nominated Shorts Available Online</title><atom:summary>Out of all the Oscar categories, the short films are usually the most obscure, with very few critics, let alone audience members ever getting to lay eyes on them.



This year, the National Film Board of Canada is making two of the nominated animated shorts, Sunday and Wild Life available for a limited time. It's completely free and legal, and you can check them out below.







</atom:summary><link>http://www.fromthefrontrow.net/2012/01/oscar-nominated-shorts-available-online.html</link><author>noreply@blogger.com (Matthew Lucas)</author><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=e3CA84lvjRA:mZdfOgXxX84:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-7329585964339324957</guid><pubDate>Wed, 25 Jan 2012 19:04:00 +0000</pubDate><atom:updated>2012-01-25T14:05:24.680-05:00</atom:updated><title>On "The Artist"</title><atom:summary>


From The Dispatch:

Ultimately, it's a loving mishmash of styles and eras, and while it never quite fully adheres to its own conceit, it's still a lot of fun. Best picture of the year? Hardly. But few other films of this past year were so effervescent or so joyously entertaining. It's a refreshing step back in time that I wish were not such a rarity. 
Click here to read my full review.</atom:summary><link>http://www.fromthefrontrow.net/2012/01/on-artist.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-1D9ezx-lxbo/TyBSQgBlkMI/AAAAAAAAJP0/6V0Q2XvaiSM/s72-c/the-artist-movie1.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=6R_-q1OOb10:5b8qUjUMmSA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-3895072075556552312</guid><pubDate>Wed, 25 Jan 2012 07:17:00 +0000</pubDate><atom:updated>2012-01-25T18:59:56.545-05:00</atom:updated><title>Review | "Coriolanus"</title><atom:summary>

When the average moviegoer thinks about Shakespeare, they probably imagine dry, overly dramatic line readings accompanied by silly costumes and men in tights. The vitality and the urgency of Shakespeare's words have long been buried beneath stodgy interpretations and a fundamental misunderstanding of their bawdy, often violent roots.

Ralph Fiennes' Coriolanus is at once a thrilling repudiation</atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-coriolanus.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2FvjOF7TPf8/Tx1r0CuFnJI/AAAAAAAAJOQ/s8ga2BeDcvw/s72-c/coriolanus.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=LSsQUTRoutE:3sXoKLydKsk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1510438579470838578</guid><pubDate>Tue, 24 Jan 2012 16:39:00 +0000</pubDate><atom:updated>2012-01-24T11:43:45.961-05:00</atom:updated><title>Oscar Nominations - A Commentary</title><atom:summary>
BY JESSE TAYLOR


The 84th Annual Academy Award nominations were announced this morning by Tom Sherak, president of the Academy, and one of last year’s nominees for Best Actress, Jennifer Lawrence. We all were expecting a boring, predictable slate this year, but luckily there were some surprises to wake us up.




Oscar®-nominated actress Jennifer Lawrence (left) and Academy President Tom Sherak</atom:summary><link>http://www.fromthefrontrow.net/2012/01/oscar-nominations-commentary.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-XyzoR2j1fOg/Tx7eQjy10lI/AAAAAAAAJOo/hn1Xn3JR9Vo/s72-c/120124A_0003.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1605459181128793976</guid><pubDate>Tue, 24 Jan 2012 14:15:00 +0000</pubDate><atom:updated>2012-01-24T09:27:35.070-05:00</atom:updated><title>84th Annual Oscar Nominations</title><atom:summary>There were quite a few surprises when Oscar nominations were announced this morning. Martin Scorsese's Hugo led with 11 nominations, followed by The Artist with 10.




Nominations I'm most delighted about - The Tree of Life for Best Picture, Demian Bichir for A Better Life, Rooney Mara for The Girl with the Dragon Tattoo, Gary Oldman, Tinker Tailor Soldier Spy, A Separation for Best Original </atom:summary><link>http://www.fromthefrontrow.net/2012/01/84-annual-oscar-nominations.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-bqr-P-qhgqU/Tx67N6Il6-I/AAAAAAAAJOg/YG8ZnOrqNlk/s72-c/2011_hugo_001.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1073700054976906403</guid><pubDate>Sun, 22 Jan 2012 22:07:00 +0000</pubDate><atom:updated>2012-01-22T17:50:56.758-05:00</atom:updated><title>Review | "Norwegian Wood"</title><atom:summary>

"Please always remember that I existed."

Those words, whispered by a teenage girl in Tran Anh Hung's Norwegian Wood, seem to perfectly sum up its wistful, melancholy heart.

Tran, the Vietnamese filmmaker behind 1993's Oscar nominated The Scent of Green Papaya (which received an excellent blu-ray release from Kino just this past year), has a naturally intoxicating style that seems perfectly </atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-norwegian-wood.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-JGj9WgLjvus/TxmcBgV2RxI/AAAAAAAAJNs/tLiA8DAlY7k/s72-c/noruwei_no_mori_ver3.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4290943197566498184</guid><pubDate>Sun, 22 Jan 2012 06:51:00 +0000</pubDate><atom:updated>2012-01-22T01:51:33.709-05:00</atom:updated><title>"The Artist" Tops Producers Guild</title><atom:summary>Can anyone beat The Artist at this point? It's looking less and less likely.




Here are this year's PGA winners:

Theatrical Feature: The Artist 
Animated Feature: The Adventures of Tintin 
Documentary Feature: Beats, Rhymes and Life: The Travels of a Tribe Called Quest

Click here to see the full list, including TV awards.</atom:summary><link>http://www.fromthefrontrow.net/2012/01/artist-tops-producers-guild.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Xzzh7x6rfKI/Txux1gv4I1I/AAAAAAAAJN8/aT-MB4i-xtc/s72-c/the-artist-poster.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
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