<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-36921766</atom:id><lastBuildDate>Fri, 27 Jan 2012 20:27:42 +0000</lastBuildDate><category>The 40-Year-Old Virgin</category><category>The Golden Compass</category><category>I'm Not There</category><category>4 Months 3 Weeks and 2 Days</category><category>Golden Globes</category><category>Things We Lost in the Fire</category><category>Kevin Smith</category><category>Judd Apatow</category><category>)</category><category>Before the Devil Knows You're Dead</category><category>Peter Jackson</category><category>Walk Hard</category><category>Writers Strike</category><category>Transformers</category><category>Sweeney Todd</category><category>Redacted</category><category>Saw</category><category>Marion Cotillard</category><category>Margot at the Wedding</category><category>There Will Be Blood</category><category>Tyler Perry's Why Did I Get Married</category><category>Lions for Lambs</category><category>Peter Berg</category><category>Lars Von Trier</category><category>The Bucket List</category><category>film scores</category><category>M. Night Shyamalan</category><category>Cloverfield</category><category>La Vie En Rose</category><category>American Gangster</category><category>Knocked Up</category><category>Charlie Wilson's War</category><category>David Lynch</category><category>Lust Caution</category><category>Persepolis</category><category>Independent Spirit Awards</category><category>Private Fears in Public Places</category><category>Michael Clayton</category><category>contest</category><category>Craig Zobel</category><category>Jamia Simone Nash</category><category>horror films</category><category>Beowulf</category><category>Benicio Del Toro</category><category>Lars and the Real Girl</category><category>Ryan Gosling</category><category>Gone Baby Gone</category><category>Great World of Sound</category><category>Indiana Jones IV</category><category>Atonement</category><category>The Kite Runner</category><category>Oscars</category><category>No Country for Old Men</category><category>August Rush</category><category>Mark Wahlberg</category><category>Into the Wild</category><category>Cate Blanchett</category><category>The Assassination of Jesse James by the Coward Robert Ford</category><category>SECCA</category><category>Ratatouille</category><category>The Kingdom</category><category>Juno</category><category>Gotham Awards</category><category>Enchanted</category><category>ANNIE Awards</category><category>The Lovely Bones</category><category>Zodiac</category><category>Julie Christie</category><category>Spider-Man 4</category><category>30 Days of Night</category><category>Casey Affleck</category><category>Ridley Scott</category><category>The Happening</category><category>Ben Affleck</category><category>box office</category><category>National Board of Review</category><category>Lynch:  The Documentary</category><category>Love in the Time of Cholera</category><category>The Other Boleyn Girl</category><category>In the Valley of Elah</category><category>oscar predictions</category><category>300</category><category>Halle Berry</category><category>The Dark Knight</category><category>The Chronicles of Narnia:  Prince Caspian</category><category>The Diving Bell and the Butterfly</category><category>Steve Jablonski</category><title>From the Front Row</title><description>Movie News, Reviews, and Commentary
by Matthew Lucas</description><link>http://www.fromthefrontrow.net/</link><managingEditor>noreply@blogger.com (Matthew Lucas)</managingEditor><generator>Blogger</generator><openSearch:totalResults>2175</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/FromTheFrontRow" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="fromthefrontrow" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">FromTheFrontRow</feedburner:emailServiceId><feedburner:feedburnerHostname xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://feedburner.google.com</feedburner:feedburnerHostname><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif">Subscribe with My Yahoo!</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://www.newsgator.com/images/ngsub1.gif">Subscribe with NewsGator</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://feeds.my.aol.com/add.jsp?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://o.aolcdn.com/favorites.my.aol.com/webmaster/ffclient/webroot/locale/en-US/images/myAOLButtonSmall.gif">Subscribe with My AOL</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.bloglines.com/sub/http://feeds.feedburner.com/FromTheFrontRow" src="http://www.bloglines.com/images/sub_modern11.gif">Subscribe with Bloglines</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.netvibes.com/subscribe.php?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://www.netvibes.com/img/add2netvibes.gif">Subscribe with Netvibes</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://fusion.google.com/add?feedurl=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://buttons.googlesyndication.com/fusion/add.gif">Subscribe with Google</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.pageflakes.com/subscribe.aspx?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://www.pageflakes.com/ImageFile.ashx?instanceId=Static_4&amp;fileName=ATP_blu_91x17.gif">Subscribe with Pageflakes</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://my.feedlounge.com/external/subscribe?url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://static.feedlounge.com/buttons/subscribe_0.gif">Subscribe with FeedLounge</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.live.com/?add=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://tkfiles.storage.msn.com/x1piYkpqHC_35nIp1gLE68-wvzLZO8iXl_JMledmJQXP-XTBOLfmQv4zhj4MhcWEJh_GtoBIiAl1Mjh-ndp9k47If7hTaFno0mxW9_i3p_5qQw">Subscribe with Live.com</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.flurry.com/pushRssFeed.do?r=fb&amp;url=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://www.flurry.com/images/flurry_rss_logo2.gif">Subscribe with Flurry</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.addtoany.com/?linkname=From%20the%20Front%20Row&amp;linkurl=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow&amp;type=feed" src="http://www.addtoany.com/addfr-b.gif">Add to Any Feed Reader</feedburner:feedFlare><feedburner:feedFlare xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" href="http://www.fwicki.com/users/default.aspx?addfeed=http%3A%2F%2Ffeeds.feedburner.com%2FFromTheFrontRow" src="http://www.fwicki.com/images/ui/fwicki_clicklet.png">Subscribe with fwicki</feedburner:feedFlare><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-8008055908108665873</guid><pubDate>Thu, 26 Jan 2012 00:01:00 +0000</pubDate><atom:updated>2012-01-25T19:12:21.808-05:00</atom:updated><title>Blu-ray Review | "The Cinema of Jean Rollin"</title><atom:summary>Jean Rollin is not exactly a household name, even among cinephiles. His unique brand of vampire erotica has long been unavailable in the United States outside of VHS bootlegs, which garnered Rollin the cult following he enjoys today. In fact, Rollin himself encouraged the bootlegs, contributing short introductions to each film that are included in Kino Lorber's new blu-ray releases of five of his</atom:summary><link>http://www.fromthefrontrow.net/2012/01/blu-ray-review-cinema-of-jean-rollin.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-SubI_mJFeJ8/TyAxSQ5CZ6I/AAAAAAAAJPg/gmb57eYPY-c/s72-c/81Lq7eoKy%252BL._AA1500_.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=e5i6IwI-evU:sAla0Pb3Mio:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e5i6IwI-evU:sAla0Pb3Mio:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4340076132613924715</guid><pubDate>Wed, 25 Jan 2012 20:38:00 +0000</pubDate><atom:updated>2012-01-25T15:40:39.664-05:00</atom:updated><title>Oscar Nominated Shorts Available Online</title><atom:summary>Out of all the Oscar categories, the short films are usually the most obscure, with very few critics, let alone audience members ever getting to lay eyes on them.



This year, the National Film Board of Canada is making two of the nominated animated shorts, Sunday and Wild Life available for a limited time. It's completely free and legal, and you can check them out below.







</atom:summary><link>http://www.fromthefrontrow.net/2012/01/oscar-nominated-shorts-available-online.html</link><author>noreply@blogger.com (Matthew Lucas)</author><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=e3CA84lvjRA:mZdfOgXxX84:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=e3CA84lvjRA:mZdfOgXxX84:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-7329585964339324957</guid><pubDate>Wed, 25 Jan 2012 19:04:00 +0000</pubDate><atom:updated>2012-01-25T14:05:24.680-05:00</atom:updated><title>On "The Artist"</title><atom:summary>


From The Dispatch:

Ultimately, it's a loving mishmash of styles and eras, and while it never quite fully adheres to its own conceit, it's still a lot of fun. Best picture of the year? Hardly. But few other films of this past year were so effervescent or so joyously entertaining. It's a refreshing step back in time that I wish were not such a rarity. 
Click here to read my full review.</atom:summary><link>http://www.fromthefrontrow.net/2012/01/on-artist.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-1D9ezx-lxbo/TyBSQgBlkMI/AAAAAAAAJP0/6V0Q2XvaiSM/s72-c/the-artist-movie1.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=6R_-q1OOb10:5b8qUjUMmSA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6R_-q1OOb10:5b8qUjUMmSA:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-3895072075556552312</guid><pubDate>Wed, 25 Jan 2012 07:17:00 +0000</pubDate><atom:updated>2012-01-25T18:59:56.545-05:00</atom:updated><title>Review | "Coriolanus"</title><atom:summary>

When the average moviegoer thinks about Shakespeare, they probably imagine dry, overly dramatic line readings accompanied by silly costumes and men in tights. The vitality and the urgency of Shakespeare's words have long been buried beneath stodgy interpretations and a fundamental misunderstanding of their bawdy, often violent roots.

Ralph Fiennes' Coriolanus is at once a thrilling repudiation</atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-coriolanus.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-2FvjOF7TPf8/Tx1r0CuFnJI/AAAAAAAAJOQ/s8ga2BeDcvw/s72-c/coriolanus.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=LSsQUTRoutE:3sXoKLydKsk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=LSsQUTRoutE:3sXoKLydKsk:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1510438579470838578</guid><pubDate>Tue, 24 Jan 2012 16:39:00 +0000</pubDate><atom:updated>2012-01-24T11:43:45.961-05:00</atom:updated><title>Oscar Nominations - A Commentary</title><atom:summary>
BY JESSE TAYLOR


The 84th Annual Academy Award nominations were announced this morning by Tom Sherak, president of the Academy, and one of last year’s nominees for Best Actress, Jennifer Lawrence. We all were expecting a boring, predictable slate this year, but luckily there were some surprises to wake us up.




Oscar®-nominated actress Jennifer Lawrence (left) and Academy President Tom Sherak</atom:summary><link>http://www.fromthefrontrow.net/2012/01/oscar-nominations-commentary.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-XyzoR2j1fOg/Tx7eQjy10lI/AAAAAAAAJOo/hn1Xn3JR9Vo/s72-c/120124A_0003.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=g8_QrOeBIZY:lbwb4Es6CDs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=g8_QrOeBIZY:lbwb4Es6CDs:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1605459181128793976</guid><pubDate>Tue, 24 Jan 2012 14:15:00 +0000</pubDate><atom:updated>2012-01-24T09:27:35.070-05:00</atom:updated><title>84th Annual Oscar Nominations</title><atom:summary>There were quite a few surprises when Oscar nominations were announced this morning. Martin Scorsese's Hugo led with 11 nominations, followed by The Artist with 10.




Nominations I'm most delighted about - The Tree of Life for Best Picture, Demian Bichir for A Better Life, Rooney Mara for The Girl with the Dragon Tattoo, Gary Oldman, Tinker Tailor Soldier Spy, A Separation for Best Original </atom:summary><link>http://www.fromthefrontrow.net/2012/01/84-annual-oscar-nominations.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-bqr-P-qhgqU/Tx67N6Il6-I/AAAAAAAAJOg/YG8ZnOrqNlk/s72-c/2011_hugo_001.jpg" height="72" width="72" /><thr:total>2</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=lklo5HY8KI4:GRg9Pz4zQ6I:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=lklo5HY8KI4:GRg9Pz4zQ6I:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1073700054976906403</guid><pubDate>Sun, 22 Jan 2012 22:07:00 +0000</pubDate><atom:updated>2012-01-22T17:50:56.758-05:00</atom:updated><title>Review | "Norwegian Wood"</title><atom:summary>

"Please always remember that I existed."

Those words, whispered by a teenage girl in Tran Anh Hung's Norwegian Wood, seem to perfectly sum up its wistful, melancholy heart.

Tran, the Vietnamese filmmaker behind 1993's Oscar nominated The Scent of Green Papaya (which received an excellent blu-ray release from Kino just this past year), has a naturally intoxicating style that seems perfectly </atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-norwegian-wood.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-JGj9WgLjvus/TxmcBgV2RxI/AAAAAAAAJNs/tLiA8DAlY7k/s72-c/noruwei_no_mori_ver3.jpg" height="72" width="72" /><thr:total>2</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=rWe2KVdUwvc:mtnA46Bw2s8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=rWe2KVdUwvc:mtnA46Bw2s8:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4290943197566498184</guid><pubDate>Sun, 22 Jan 2012 06:51:00 +0000</pubDate><atom:updated>2012-01-22T01:51:33.709-05:00</atom:updated><title>"The Artist" Tops Producers Guild</title><atom:summary>Can anyone beat The Artist at this point? It's looking less and less likely.




Here are this year's PGA winners:

Theatrical Feature: The Artist 
Animated Feature: The Adventures of Tintin 
Documentary Feature: Beats, Rhymes and Life: The Travels of a Tribe Called Quest

Click here to see the full list, including TV awards.</atom:summary><link>http://www.fromthefrontrow.net/2012/01/artist-tops-producers-guild.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Xzzh7x6rfKI/Txux1gv4I1I/AAAAAAAAJN8/aT-MB4i-xtc/s72-c/the-artist-poster.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=QDhWAkbAzgM:A_vlvRdKIOY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=QDhWAkbAzgM:A_vlvRdKIOY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-2414856684829290282</guid><pubDate>Wed, 18 Jan 2012 19:45:00 +0000</pubDate><atom:updated>2012-01-18T14:47:58.276-05:00</atom:updated><title>On "Extremely Loud &amp; Incredibly Close"</title><atom:summary>


From The Dispatch:

It's an almost cathartic experience, a powerful and liberating distillation of post-9/11 angst into something uplifting and ultimately redemptive. Daldry finds hope amongst despair, light amid the darkness. It's a film about recovery from tragedy, and while Daldry occasionally pushes the emotional buttons a bit too hard, "Extremely Loud &amp; Incredibly Close," released 10 </atom:summary><link>http://www.fromthefrontrow.net/2012/01/on-extremely-loud-incredibly-close.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-UndXkKXzlTs/Txchay6WhXI/AAAAAAAAJNY/kp9EnpCVfsA/s72-c/2011_extremely_loud_and_incredibly_close_001.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=afcx7QRlL8E:pKxOTPskQis:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=afcx7QRlL8E:pKxOTPskQis:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-6858051841956787983</guid><pubDate>Wed, 18 Jan 2012 19:21:00 +0000</pubDate><atom:updated>2012-01-18T14:21:30.695-05:00</atom:updated><title>9 Films Advance in Foreign Language Race</title><atom:summary>AMPAS released its shortlist of nine films that will compete for five nomination slots when the nominations are announced Tuesday morning.




A SEPARATION.

There are some circles protesting the absence of Mexico's Miss Bala and Finland's wonderful Le Havre, but with Iran's A Separation on the list I can't really complain.



Here is this year's shortlist:



Belgium, "Bullhead," Michael R. </atom:summary><link>http://www.fromthefrontrow.net/2012/01/9-films-advance-in-foreign-language.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-29LSZ0595RU/TxcbSz6GpNI/AAAAAAAAJNQ/tZ1EvM3d8XY/s72-c/1.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=MovG0Lsb_vs:o5vAY2-L0RQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=MovG0Lsb_vs:o5vAY2-L0RQ:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-431728743456888180</guid><pubDate>Tue, 17 Jan 2012 22:50:00 +0000</pubDate><atom:updated>2012-01-17T18:05:40.786-05:00</atom:updated><title>Blu-ray Review | "Belle de Jour"</title><atom:summary>

Luis Buñuel's Belle de Jour (1967) opens on what will become one of many of its heroine's sadomasochistic fantasies. A horse drawn carriage, accompanied by the incessant and ever louder sound of sleigh bells (a recurring signal that this is all imaginary), brings  Séverine Serizy (Catherine Deneuve) and her husband, Pierre (Jean Sorel), to a secluded wooded area, where he forces her to get out </atom:summary><link>http://www.fromthefrontrow.net/2012/01/blu-ray-review-belle-de-jour.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-6hDvUu3TT1s/TxW9xrkU9jI/AAAAAAAAJM0/AbkuJCe8Z1w/s72-c/Belle+De+Jour_BD+cover.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=laqN1MkjkhI:ool345TIyz4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=laqN1MkjkhI:ool345TIyz4:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-4714643878061015218</guid><pubDate>Tue, 17 Jan 2012 06:18:00 +0000</pubDate><atom:updated>2012-01-17T01:21:13.020-05:00</atom:updated><title>Review | "Albatross"</title><atom:summary>

Somewhere along the line something went very, very wrong with Albatross. Not that the ingredients were ever particularly promising, but the final result reeks of such indie laziness and naivete that it feels like a kind of prototypical indie film - the template from which all Sundance hits are built.

The film centers around a troubled young girl (is there any other kind in films like this?) </atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-albatross.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-fBzuwJmD2o0/Tw-Sv5EcgOI/AAAAAAAAJKU/l0dzaGsBph8/s72-c/11767905-albatross-movie-poster.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=nxcFWRNXS9w:UiWYshYr6-Y:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=nxcFWRNXS9w:UiWYshYr6-Y:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1881355024454998707</guid><pubDate>Mon, 16 Jan 2012 16:20:00 +0000</pubDate><atom:updated>2012-01-16T12:06:06.187-05:00</atom:updated><title>Doomed Cruise Ship was Setting for "Film Socialisme"</title><atom:summary>Remember the cruise ship from Jean-Luc Godard's Film Socialisme? That glittering bastion of excess and capitalist greed? It turns out that ship was the Costa Concordia, which ran aground and sank off the coast of Italy Friday evening.



A scene from Godard's FILM SOCIALISME.



The Concordia sinks in the Mediterranean.

The story has gotten a lot of press over the weekend in an age when such sea</atom:summary><link>http://www.fromthefrontrow.net/2012/01/doomed-cruise-ship-was-setting-for-film.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-7U5izVxX3lE/TxRObvf0ZiI/AAAAAAAAJMc/qggMLsR1G-c/s72-c/A-still-from-Film-Sociali-007.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=fvFzwPCKk3Y:yjNeYRrRlx4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=fvFzwPCKk3Y:yjNeYRrRlx4:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1737532156756736356</guid><pubDate>Mon, 16 Jan 2012 07:02:00 +0000</pubDate><atom:updated>2012-01-16T02:02:12.489-05:00</atom:updated><title>The Court Jester Speaks the Truth</title><atom:summary>


"For any of you who don't know, the Golden Globes are just like the Oscars, but without all that esteem. The Golden Globes are to the Oscars what Kim Kardashian is to Kate Middleton. A bit louder, a bit trashier, a bit drunker, and more easily bought. Allegedly. Nothing's been proved." - Ricky Gervais</atom:summary><link>http://www.fromthefrontrow.net/2012/01/court-jester-speaks-truth.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Cc8zQp8EcIU/TxPLDz0yU-I/AAAAAAAAJMU/lMtWgvWfGkU/s72-c/page_18661326680618.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=HyY5t-K2kb0:ISrIYGSu8nY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=HyY5t-K2kb0:ISrIYGSu8nY:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5871895440815028114</guid><pubDate>Mon, 16 Jan 2012 05:08:00 +0000</pubDate><atom:updated>2012-01-16T00:24:51.740-05:00</atom:updated><title>Golden Globe Winners</title><atom:summary>The Golden Globes actually offered up a few surprises amongst the usual suspects tonight, handing out awards to The Adventures of Tintin for Best Animated Feature (besting frontrunner Rango), Madonna for Best Song for "W.E." and Martin Scorsese the trophy for Best Director over presumed frontrunner Michel Hazanavicius. They did little to clear up the awards race, as The Descendants, The Artist, </atom:summary><link>http://www.fromthefrontrow.net/2012/01/golden-globe-winners.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-eIurLz3EWRI/TxOvcWjwPfI/AAAAAAAAJMM/lu1pQYnwaqo/s72-c/page_18671326680620.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=khFR4-PVOm8:1mHuBwGKwzc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=khFR4-PVOm8:1mHuBwGKwzc:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5315547584152623678</guid><pubDate>Sun, 15 Jan 2012 06:46:00 +0000</pubDate><atom:updated>2012-01-15T12:50:55.930-05:00</atom:updated><title>The Top Ten Blu-Rays of 2011</title><atom:summary>
1

CITIZEN KANE/THE MAGNIFICENT AMBERSONS
(Warner Bros.)



There's a reason why it's considered the greatest film ever made. And while I still consider The Passion of Joan of Arc to be cinema's supreme work, watching Citizen Kane today it feels just as fresh and vibrant as ever. Greg Toland's cinematography is made even more impressive through the HD transfer, and the sumptuous packaging befits</atom:summary><link>http://www.fromthefrontrow.net/2012/01/top-ten-blu-rays-of-2011.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-hC8l9bHTXFo/TxIbVBjl2dI/AAAAAAAAJKs/3zQr5mS9Y1k/s72-c/81VhBjo3EbL._AA1500_.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=6L47YCyAfNA:mBJCmIC90JI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=6L47YCyAfNA:mBJCmIC90JI:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5335519997003620875</guid><pubDate>Sun, 15 Jan 2012 00:45:00 +0000</pubDate><atom:updated>2012-01-14T19:50:25.601-05:00</atom:updated><title>Golden Globe Predictions</title><atom:summary>Predicting the Golden Globes can be a fool's game,  even more so than predicting the Oscars. The Hollywood Foreign Press Association has a notorious track record for ignoring buzz and handing out trophies to the biggest stars. But here is my shot at reading the Globe tea leaves, complete with my own preferences.




BEST PICTURE: DRAMA 
The Descendants 
The Help 
Hugo 
The Ides of March 
</atom:summary><link>http://www.fromthefrontrow.net/2012/01/golden-globe-predictions.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-f7SUOIhj3is/TxIhhxBBNFI/AAAAAAAAJL8/1CgfgJs8uRk/s72-c/The_Descendants_1-620x386.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=xEoVuaYqh2Y:1ZTWJE3QKQs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=xEoVuaYqh2Y:1ZTWJE3QKQs:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-2014979159796331425</guid><pubDate>Sat, 14 Jan 2012 16:48:00 +0000</pubDate><atom:updated>2012-01-14T11:49:09.995-05:00</atom:updated><title>"Iron Lady" Campaign Embraces Thatcher Hate</title><atom:summary>In an interesting (and possibly brilliant) marketing move, the Weinstein Company is embracing anti-Thatcher sentiment in its campaign for Phyillida Lloyd's The Iron Lady.




What makes these posters so clever is they aren't vilifying Thatcher directly, rather portraying the strong feelings often generated by Thatcher, and leaving the reaction up to the eye of the beholder. It's an especially </atom:summary><link>http://www.fromthefrontrow.net/2012/01/iron-lady-campaign-embraces-thatcher.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-QiNXY4_W-OI/TxGwkPbVDeI/AAAAAAAAJKk/dt0UUAXKgUU/s72-c/thatcher-1.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=0xPwb4ANSDU:5dN-th_hX_Q:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=0xPwb4ANSDU:5dN-th_hX_Q:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5614453189480757369</guid><pubDate>Fri, 13 Jan 2012 18:28:00 +0000</pubDate><atom:updated>2012-01-13T13:28:36.429-05:00</atom:updated><title>Critics Choice Award Winners</title><atom:summary>The 16th annual Critics Choice awards were announced last night, in probably one of the worst awards shows I have ever seen. I know people always complain about awards shows, but I generally enjoy them regardless of the typical internet snark. Last night's show, however, was painful. With its awful hosts and tasteless "best deaths reel" making fun of In Memoriam montages, the Critics Choice </atom:summary><link>http://www.fromthefrontrow.net/2012/01/critics-choice-award-winners.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-iojuHrtf0nE/TxB3hqQk_gI/AAAAAAAAJKc/HZitFSgNH5o/s72-c/The-Artist-Jean-Dujardin-e1314351354357.jpeg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=_Xs57zoQ9wA:W6JvIhLSGTs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_Xs57zoQ9wA:W6JvIhLSGTs:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-1327899270350343396</guid><pubDate>Fri, 13 Jan 2012 00:50:00 +0000</pubDate><atom:updated>2012-01-12T19:51:32.623-05:00</atom:updated><title>In Which I Join GALECA</title><atom:summary>It's been a big day here at From the Front Row. In yet another new development, I found out today that I have been accepted for membership into the Gay and Lesbian Entertainment Critics Association.




GALECA's mission statement is "to remind the world of our community’s influence on the screen arts and society at large as taste-makers and trendsetters.

To champion the art of witty, wise and </atom:summary><link>http://www.fromthefrontrow.net/2012/01/in-which-i-join-galeca.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-i6AQusPqd20/Tw9_A7GK5JI/AAAAAAAAJKM/ZsTtmH6sMUs/s72-c/GALECALOGO.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=VfFQDhJZxMU:0WM81I0cWY0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=VfFQDhJZxMU:0WM81I0cWY0:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5768138453832104523</guid><pubDate>Thu, 12 Jan 2012 16:30:00 +0000</pubDate><atom:updated>2012-01-12T11:37:51.813-05:00</atom:updated><title>Jesse Taylor Joins From the Front Row</title><atom:summary>

From the Front Row just keeps growing. After the addition of our first staff critic, Charles Lyons, back in December, we are pleased to welcome a new contributor to the Front Row family, Jesse Taylor.

Jesse is a cinema buff taking his first stab at the blogoverse. Writing independently for many years, he has finally decided to get his voice out there and From the Front Row is helping him do so</atom:summary><link>http://www.fromthefrontrow.net/2012/01/jesse-taylor-joins-from-front-row.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Dg0gqRWkf_g/Tw8Kry4Ph0I/AAAAAAAAJJ8/94phtvHHpoE/s72-c/bw.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=uQUEfMm_fZY:_twqPLDscgQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=uQUEfMm_fZY:_twqPLDscgQ:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-6216844297925611553</guid><pubDate>Thu, 12 Jan 2012 15:45:00 +0000</pubDate><atom:updated>2012-01-12T11:10:51.873-05:00</atom:updated><title>DVD Review | "Aurora"</title><atom:summary>


NOTE: This is a reprint of my original review, from June 25, 2011. An addendum has been added to reflect the DVD release.

Director Cristi Puiu's The Death of Mr. Lazarescu was the first feature film that heralded to the world that arrival of the so-called Romanian New Wave in 2005 (it didn't arrive on US shores until 2006).

The movement would continue with other filmmakers such as Cristian </atom:summary><link>http://www.fromthefrontrow.net/2012/01/dvd-review-aurora.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-0WBvKHdtyhY/Tw7w2eDsBrI/AAAAAAAAJJ0/5RWBU3lgcHs/s72-c/aurora_ver2.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=_bI9UZoibjM:c_Z2OXDk2A0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=_bI9UZoibjM:c_Z2OXDk2A0:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-6530299821918349208</guid><pubDate>Thu, 12 Jan 2012 03:16:00 +0000</pubDate><atom:updated>2012-01-11T22:17:39.569-05:00</atom:updated><title>On "The Iron Lady"</title><atom:summary>


From The Dispatch:

This is Streep's show from the first frame to the last. She commands the film with a power and a grace that is as rare as it is breathtaking. It is in her performance that we find the true Thatcher, neither the monster nor the saint that her critics and supporters often insist she is. Instead we find a flawed, determined and, yes, great woman who stood up for what she </atom:summary><link>http://www.fromthefrontrow.net/2012/01/on-iron-lady.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-i3ifQ5yW-u4/Tw5QiJ-BdwI/AAAAAAAAJJs/QhGS-tFcAss/s72-c/2011_the_iron_lady_001.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=Ja_BgqjafVQ:drjVJVN8fRc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=Ja_BgqjafVQ:drjVJVN8fRc:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-833150672338237189</guid><pubDate>Wed, 11 Jan 2012 17:39:00 +0000</pubDate><atom:updated>2012-01-11T12:39:16.370-05:00</atom:updated><title>ASC Nominations</title><atom:summary>The American Society of Cinematographers announced their yearly nominations today, and while there were no real surprises among them, this is a very strong bunch, even if The Tree of Life is the clear winner here.




The nominees are:


Guillaume Schiffman, AFC (The Artist) 
Jeff Cronenweth, ASC (The Girl with the Dragon Tattoo) 
Robert Richardson, ASC (Hugo) 
Hoyte van Hoytema, FSF, NSC (Tinker</atom:summary><link>http://www.fromthefrontrow.net/2012/01/asc-nominations.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-uX_xTvNOmU8/Tw3ImKH3rzI/AAAAAAAAJJk/EyZiJrvRz2w/s72-c/tumblr_ljymj8Ep2h1qiotuao1_1280.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=d0-lxU2q15g:VifVhgSvmFc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=d0-lxU2q15g:VifVhgSvmFc:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-36921766.post-5938648523919691286</guid><pubDate>Wed, 11 Jan 2012 08:45:00 +0000</pubDate><atom:updated>2012-01-11T03:54:24.587-05:00</atom:updated><title>Review | "Lula, Son of Brazil"</title><atom:summary>

Luiz Inacio Lula da Silva, affectionately known as Lula, was perhaps one of the most popular presidents in Brazilian history, serving the country from January 1, 2003 until December 31, 2010.

His popularity and stature on the world stage is undeniable, but that seems as if that is all the film has going for it, and indeed its only real reason for being. The advertisements for Fábio Barreto's </atom:summary><link>http://www.fromthefrontrow.net/2012/01/review-lula-son-of-brazil.html</link><author>noreply@blogger.com (Matthew Lucas)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/--oy-OrNaiY8/TwzdRQSQStI/AAAAAAAAJJM/LOg1zWKbLHQ/s72-c/Lula_poster%25281%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?i=j6bfAra2DWM:v919a-dC3XA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/FromTheFrontRow?a=j6bfAra2DWM:v919a-dC3XA:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/FromTheFrontRow?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description></item></channel></rss>

