In his final show from his current trip to the East Coast, Phil regales with thoughts of Easter and tales of cherry blossoms. Dean explains why he did not see Project Hail Mary. An email from a friend of the show leads to further discussion of the 1978 sci-fi cheese-fest Starcrash and to the entire concept of “guilty pleasures” getting analyzed. An email from another good friend of the show causes Phil and Dean to go deep into dead actors taking roles away from living ones and into the exact role Doja Cat played in denying Timothee Chalamet a Best Actor Oscar. Then, Dean and Phil turn their attention to the big show biz news of the weekend: the Writers Guild of America striking an unexpected deal with the AMPTP, and the latest headlines to come out of the Justin Baldoni-Blake Lively lawsuit. Finally, the proceedings wrap up with your friends in podcasting sharing personal recollections of the 31^st greatest movie theatre in the world right now according to Time Out.

Phil is in the nation’s capital, and reveals that he really doesn’t understand much about weather at all. Dean is in Birmingham, Michigan, where the ongoing airport delays prevented him from participating in this weekend’s “No Kings” protests. Phil shares with Dean the favorite signs he saw while protesting with his in-laws! Last week, Dean and Phil discussed the 107 year-old Santa Monica Airport, soon to close operations for good and set to become public parkland. Phil regales Dean with tales of one very famous and beloved movie filmed there. This leads to a discussion about built sets that were too big for any studio soundstage to hold. After that, three very disparate, and somewhat unusual, films get analyzed: the recent Japan-set Rental Family starring Brendan Fraser, the 1978 sci-fi schlock movie Starcrash (featuring Christopher Plummer!) and the 2025 faith-based historical fiction family film Sarah’s Oil. Finally, Dean and Phil do more exploring in the Time Out list of the 100 Greatest Movie Theaters in the World RIGHT NOW. Oh, and a belated Happy National Respect Your Cat Day to all who celebrate!

This week’s episode starts off with a follow-up to a fascinating bit of silent film history discussed on this weekend’s “Celebrity Deaths” show. That leads into discussion of the landmark 107 year-old Santa Monica Airport and what is to become of that land now that the airport is (finally) shutting down. AI is creating a “new” Val Kilmer performance for an upcoming feature film. Dean and Phil have thoughts. Likewise they have thoughts about three movies: the 2016 classic zombie thriller Train to Busan, the most recent film from indie film legend Jim Jarmusch, and an all-time masterpiece from The Archers. Then, your friends in podcasting wrap up the festivities by discussing several more of the theaters that made Time Out’s list of the 100 Greatest Movie Theatres in the World RIGHT NOW!

This week’s show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25^th Anniversary of Dean’s series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood’s big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet’s comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies.

After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25^th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

Dean and Phil discuss the fallout from Paramount supposedly closing the deal to acquire Warner Bros. and its assets. They celebrate the feat that Richard Linklater became the first-ever American filmmaker to achieve this week. They review three new genre films: a horror sequel (28 Days Later: The Bone Temple), an homage/deconstruction of 1960s Eurospy movies (Reflection in a Dead Diamond), and a sci-fi comedy that gives genuine 1980s “feels” (Good Luck, Have Fun, Don’t Die). They revisit the much-loved “classic” Field of Dreams. In honor of Dean’s first wedding anniversary that takes place this month, Phil offers previews of two forthcoming cinematic marriage stories. Finally, the big casting news for the reboot of “The X-Files” gets analyzed.

After discussing the latest news regarding Netflix, their attempts to purchase Warner Bros, and what the current President of the U.S.A. is demanding they do, Dean and Phil talk about more of the intriguing movies coming out in 2026 (including period pieces, biopics, and crime films). Hollywood still hasn’t recovered from the dual strikes of a few years back, and with the negotiations for new contracts upcoming, the Writers Guild seems to be imploding. Dean and Phil analyze the latest labor strife. The recent movie Anaconda gets reviewed, and the French classic Amelie gets re-appraised in time for its 25^th anniversary. In the return of “What We’re Reading” the latest by Dan Brown and a work of historical fiction about legendary filmmaker G.W. Pabst get discussed. Finally the murders of two groundbreaking physicists has Phil troubled, so he asks Dean about whether the deaths might be part of a conspiracy. And speaking of conspiracy, Dean and Phil conclude with the latest news surrounding Ryan Coogler’s reboot of “The X-Files”.

Your friends in podcasting discuss Netflix’s (perhaps misleading) embrace of movie theaters, they celebrate the resurrection of Todd Hayne’s seemingly dead but now forthcoming detective film (with Pedro Pascal replacing Joaquin Phoenix), and an upcoming movie starring Simon Pegg, Sofia Boutella and Quentin Tarantino. Nia DaCosta’s Hedda gets analyzed, as does the Thai comedy A Useful Ghost and the Charlie Chaplin masterpiece Modern Times. More upcoming movies get previewed and the outstanding discodelic soul of Say She She gets celebrated in the return of “Live Event of the Week”.

It’s part two of a special two-part episode! 2025 was a truly great year in cinema and Dean and Phil have a great many topics to discuss as they each reveal their Top 5 films from the year that was (consult Year 19 Episode 39 for their #10 thru #6 selections). Afterwards, they take a look at, perhaps, the most promising fantasy film to be coming out in 2026! So, keep those streaming queues handy. Your friends in podcasting may just be coming up with some titles you will want to track down!

It’s part one of a special two-part episode! After a rather hilarious cold open, Dean and Phil immediately get down to the serious (ridiculous?) business of counting down their respective lists of the Top Ten Best Films of 2025. This week, they reveal #10 thru #6 on their lists. As with years past, Dean’s list includes films he has hopefully seen, and Phil’s list stretches the definition of “ten” in “Top Ten”. Because they actually accomplish this week’s task in less than an hour, Phil takes some time at the end to regale Dean with what might be the best sci-fi movies to be coming out in 2026! So, buckle up and prepare to celebrate the (recent) past AND look forward to the (near) future.