GalileoPix Blog

Hazel Hankin exhibiting in "Thrills" Opening June 26th - Smart Clothes Gallery, New York

noreply@blogger.com (Unknown) — Wed, 26 Jun 2013 03:04:00 +0000

"THRILLS"

June 26-July 28, 2013

SMART CLOTHES GALLERY

154 Stanton Street, NY 10002

Reception for the artists: Wednesday, June 26 6-9pm

MARIE A. ROBERTS ran away from sideshow/freakshow parents to pursue life as a painter, becoming artist in residence at Coney Island, USA

Photographer and writer CHARLES DENSON is executive director of the Coney Island History Project

HAZEL HANKIN invites the viewer into a fun house of excitement and wonder

MARC KEHOE celebrates the world of snake charmers and magicians

JANE DICKSON’s work focuses on prefab entertainment zones, from Times Square and Street Fairs

LAURENCE BERZON’s “The Divinity”, neither tells the future nor the past. A scantily clad vixen beckons…“Come Closer"

PHILOMENA MARANO and RICHARD EAGEN co-founded the Coney Island Hysterical Society and the Mermaid Parade.

Coney Island by Hazel Hankin Featured in Life Force Magazine

noreply@blogger.com (Unknown) — Fri, 07 Sep 2012 07:58:00 +0000

Life Force Magazine, an online monthly reportage magazine which celebrates the art form of the photo essay featured Hazel Hankin's Photographs of Coney Island in their September, 2012 issue:

Polar Express Disco Ride, 1985 © Hazel Hankin

"As a kid growing up in Brooklyn, Coney Island was a place of wonder. Alluring yet a little scary, it seemed to exist outside of normal life. It was a dazzle of exotic sights, sounds and tastes. In my teens I went with friends to scream on the Cyclone, to swing high above the ground on the Wonder Wheel, to wolf down Nathan's delicious franks, fries and clams. When I became serious about photography in the late 1970s, Coney Island became the subject for my first long-term project. Now, on top of the amusement park theatrics, I was touched by Coney's air of faded glory, amused by its visual ironies, and heartened at the persistence of its unique brand of popular culture, carrying on stubbornly in the face of poverty and neglect. This was no Disneyland: no slick, sanitized, carefully packaged corporate resort. I loved Coney Island for its pluck, for its funk. In the 1980s I became part of the Coney Island Hysterical Society, a pioneering troupe of visual artists who created art in, for and about Coney Island. Like New York City itself, Coney Island has multiple layers of history and character. Like the City, its tawdriness is part of its richness and charm. But today powerful real estate interests and the politicians who serve them are gradually hollowing out New York, and those same forces now threaten Coney Island. America's beloved, iconic amusement beach is under attack by forces that would destroy it in order to "save" it. I truly hope that whatever happens on that stretch of shore, Coney Island will survive; that its spirit will live on for future generations of New Yorkers and the world."

Click here to see all the photographs

GalileoPix Photographer, Hazel Hankin Featured in New York Times' Lens Blog

noreply@blogger.com (Unknown) — Mon, 25 Jun 2012 18:04:00 +0000

Piel Canela Performance Group © Hazel Hankin

Hazel Hankin's images of Mambo dancers are featured in today's New York Times Lens Blog.

The images are from Hazel's ongoing project, Mi Mambo.

The project brings together two of Hazel's passions — social dancing and photography. Work from this series was exhibited in a one-person show at the Houston Center for Photography and has been featured in a DoubleTake magazine cover story, the Spanish photography magazine, La Fotografía, and the German magazine, Aufbau.

“I wanted to show what it felt like to be dancing. It’s extremely visual. It’s a challenge to capture things in motion. When I first started it was hard, because you don’t know what’s going to happen next. When things are in flux, to get a good picture requires everything coming together in a certain way.”

New York Times Lens Blog 06/24/2012

View lightbox

Steve Giovinco Radio Interview Feb 24 at 12:30 EST & Exhibition at Sheldon Art Galleries

noreply@blogger.com (Unknown) — Fri, 24 Feb 2012 06:27:00 +0000

Steve Giovinco and curator, Olivia Lahs-Gonzaleswill be interviewed tomorrow about his exhibition at the Sheldon Art Galleries, Edge of Darkness: Edge of Darkness: Photographs by Steve Giovinco and Tim Simmons.

The exhibition pairs the work of two photographers who have each independently investigated the quality of light and its psychological implications in the moment that is the edge of darkness. New York artist Steve Giovinco renders the mysterious qualities of ambient light in the landscape, producing works that are both cinematic and literary. Giovinco's photographs have been exhibited nationally and internationally. His works are in the collections of The Museum of Fine Arts, Houston; The Brooklyn Museum of Art; and Yale University Museum of Art.

Tim Simmons' hauntingly beautiful, ethereal landscapes examine the multilayered relationship we have with our physical environment. Taken in natural settings and lit artificially, the landscapes he renders take on a surreal, otherworldly quality. Born in 1955 in London, England, Simmons has exhibited his work internationally. Installations and projections of his work have been shown in Los Angeles, Philadelphia, Grand Rapids and Kaunas Lithuania. He lives and works in Norfolk, England.

Radio Interview:
Friday, February 24, 12:30am EST
KWMU 90.7 FM
Streaming online at http://kwmu.org/listen.php.

Exhibition:
Edge of Darkness: Photographs by Steve Giovinco and Tim Simmons
February 17 - May 12, 2012
Sheldon Art Galleries
3648 Washington Boulevard
St. Louis, MO 63108

Michael Moore Speaking at Occupy Wall Street by David Stock

noreply@blogger.com (Unknown) — Fri, 07 Oct 2011 06:58:00 +0000

David Stock photographed Michael Moore speaking to the crowd at Occupy Wall Street in New York City, October 5, 2011

Remembering 9/11 - Hazel Hankin's images of the vigil in support of Rescue Squad 1 in Brooklyn

noreply@blogger.com (Unknown) — Fri, 09 Sep 2011 05:50:00 +0000

September 14, 2001, Brooklyn, New York - Hazel Hankin photographed Park Slope residents' candlelight vigil in support of their local firehouse, Rescue Squad 1, which lost twelve of its thirty firefighters in the September 11 attacks.

We honor all the brave heroes of 9/11. Our hearts go out to all who lost so much on that day.

The middle photograph and many other others from the HERE IS NEW YORK: A DEMOCRACY OF PHOTOGRAPHS collection are on exhibit in New York at the International Center of Photography's exhibition, REMEMBERING 9/11, a collaboration between ICP and the National September 11 Memorial Museum (NS11MM).
September 9, 2011 through January 8, 2012
ICP - 1133 Avenue of the Americas at 43rd Street, New York, 212-857-0000

This photograph is also part of the exhibition at the School of Visual Arts, HERE IS NEW YORK: REVISITED,
September 6 - 17, 2011
Reception: Friday, September 9, 6-8pm.
SVA Westside Gallery, 133/141 West 21 Street New York, 212-592-2145

Photographs © Hazel Hankin, all rights reserved.

Steve Giovinco - Psychologically Intimate Photographs of Couples at Smith College - April 27 - August 30, 2011

noreply@blogger.com (Unknown) — Wed, 04 May 2011 05:39:00 +0000

Steve Giovinco is having a one-man show of his Psychologically Intimate Photographs of Couples at Smith College's Oresman Gallery.

April 27-August 30, 2011
Mon-Fri 10-4
Lecture: April 27, 5pm
Oresman Gallery of Art
Hillyer Art Building
Smith College Northampton, MA

Psychologically intimate and emotional relations between couples are the focus of Steve Giovinco’s exhibition and lecture at Smith College. Unlike other photographers, Steve not only takes the photographs—he’s in them with his wife. The subjects are unguarded moments taken from daily life, and since he doesn’t see what is being photographed, Steve relies on intuition and spontaneity. Influences are the films of Fassbinder and Ingmar Bergman and renaissance and Nineteenth Century painting.

Steve says: “I see what is in front of me, feel an emotional and visceral connection, and capture this in photographs. Documenting how people live their lives, my photographs trace the poetry and lyricism of daily life.”

Read more about the show on Steve Giovinco's blog.

Joseph Sohm's Visions of America - iPad Vook

noreply@blogger.com (Unknown) — Sun, 30 Jan 2011 00:03:00 +0000

Joseph Sohm's VISIONS OF AMERICA book is now available in iPad Vook format from the iTunes Store!

VISIONS OF AMERICA addresses a single question: How do you photograph democracy? After all, democracy is an "idea," and not something one can easily wrap one's lens around. But photographing democracy is indeed what Joseph Sohm has done in this epic journey across the fifty states. Spanning three decades, tens of thousands of images were assembled in what becomes a compelling mosaic.

Visions of America is a perceptive work about both the photographer and the photographed. Reflecting on the wisdom of the founders, coupled with personal observations about American history, Sohm takes us on an insightful journey down the back roads and byways of the U.S., ultimately leading to a deeper understanding and appreciation of who we are as a nation and a people. Visions of America is a sweeping portrait of life in this American democracy, a portrait that shows us US, the United States.

VIEW JOSEPH SOHM'S IMAGES ON GALILEOPIX

Steve Giovinco in 100 PORTRAITS/100 PROJECTS at FotoWeekDC

noreply@blogger.com (Unknown) — Sat, 06 Nov 2010 01:39:00 +0000

STEVE GIOVINCO's work included in the 100 PORTRAITS/100 PHOTOGRAPHERS at FotoWeekDC, NOV 6-13, 2010.

Photographs will be projected on the outside of the Corcoran Gallery of Art and at three other locations from 6:00 to 11:00 pm starting Saturday evening Nov. 6th through Nov. 13th, as part of NightGallery@thecorcoran. It is curated by Andy Adams | Flak Photo and Indie Photobook Library creator Larissa Leclair.

There will be a free lecture Saturday, November 6 at 2:30pm at the Corcoran about the NightGallery projections.

Other photographers include:
Brian Ulrich
Chris Verene
Doug Dubois
Jen Davis
Jessica Todd Harper
Justine Reyes
Mona Kuhn
Todd Hido
Zoe Strauss
Zwelethu Mthethwa
+90 others

David Stock Exhibits at PowerHouse Arena

noreply@blogger.com (Unknown) — Mon, 27 Sep 2010 06:06:00 +0000

A photograph by David Stock has been selected to appear in the Capture Brooklyn exhibition.

Capture Brooklyn: Exhibition
September 26—October 15
PowerHouse Arena
37 Main Street in Dumbo, Brooklyn

Capture Brooklyn, a new initiative by the New York Photo Festival, is a juried exhibition of contemporary photography that seeks to capture the spirit and essence of Brooklyn.

Opening at A.M. Richard Fine Art - June 25th, 2010

noreply@blogger.com (Unknown) — Sun, 27 Jun 2010 00:36:00 +0000

David Stock exhibits at A.M. Richard Fine Art

noreply@blogger.com (Unknown) — Sun, 13 Jun 2010 22:45:00 +0000

Dynel Coat; Abstract #2. Both from 1972. Type 52 Polaroid film for use in 4X5 view camera back
© David Stock

Polaroid: Instant Joy! - curated by Andrew Garn

June 19 - July 31, 2010
Opening reception: June 25, 6-8pm
A.M. Richard Fine Art
328 Berry Street
Brooklyn, NY 11211
L to Bedford; J, M, Z to Marcy Ave; B61 to Driggs and South 4th street
www.amrichardfineart.com
917-570-1476

“The pictures come out like presents…”- William Wegman

When Edwin Land introduced Polaroid Instant Film in 1947, he was unaware that he would anticipate two revolutions in photography. The first was instant photography, where both photographer (and human subject) could sample their image immediately. The second was digital photography, with a different -- and less expensive -- type of instant image. Ironically, this alternative hastened the demise of Polaroid.

What is the allure and fascination of the Polaroid? Beyond the sheer magic of seeing an image appear from nothingness, the prints could be remarkably rich, vibrant and resolute, rivaling and sometimes surpassing the finest silver or color prints. The Polaroid print was a living object: you shook it in the air or held it in the warmth of your armpit to accelerate development. With the sharing of the image and the subsequent marvel, taking a picture became an interactive experience.

The unpredictability of the process could be a thrill or an aggravation, the medium always a bit out of one’s control. Polaroids were notoriously persnickety, but once the artist learned the rules and limitations, few things could compare to the joyous experience of pulling the print from the negative sheet or watching it slide out of the camera with that magic whirring sound.

From the beginning, Polaroid had mass appeal; by 1962, the company had produced its four millionth camera. In 1965, the $19.95 Swinger, with a squeezable shutter button that flashed “Yes” or “No” sold for the company another four million units.

Offering free samples and attentive technical assistance, Polaroid began marketing their cameras to artists in the late 1960s; this encouraged experimentation. With the introduction of the elegant and foldable SX-70 in 1972, artists were awed by the intense saturated colors and a new twist -- the possibility of image manipulation.

Walker Evans, known primarily for black and white documentary work, was given a
large quantity of color SX-70 film by the company. He became entranced with the deep hyper-real color, photographing hundreds of still lives and abstract street scenes. Lucas Samaras made groundbreaking self-portraits with colored gels and purposely scratched emulsions. Andy Warhol made thousands of Polaroids, famous for his self-portraits and celebrites, he appreciated the speed and ease of capturing images.

Throughout its history, photographers have used the Polaroid for myriad reasons. Often the goal is to make certain in the here and now that “they got the shot,” i.e., to achieve a simulation of real life. Chuck Close has used the vivid large format 20" x 24” Polaroids both for documentation and as studies for his larger paint canvases. Other artists have shot with Polaroids for the opposite purpose, to achieve something unknown or unfamiliar. How might a Polaroid reinterpret and change reality? Ellen Carey takes this exploration to its rawest level, unconcerned with camera image. Carey uses the color dye pods as starting points for abstract smears, always unexpected, but definitively recognizable as a Polaroid.

Because of their instantaneity, Polaroids were also widely used for commercial purposes, such as passport photos and insurance documentation. They were also popular with fashion industry and nightclub photographers. Many of these images were deceivingly modest; witness Jimmy Baynes beautiful 4x5 portraits of ladies out for a night on the town in early 1960’s Cleveland. William Coupon frequently used Polaroids as gifts for his primitive tribal subjects, to break down the barrier caused by their fear of the medium.

A Polaroid is vital, the swollen dye pods bursting with possibilities. A Polaroid, by way of its immediacy, is held up to a higher scrutiny; conversely, it can be immediately critiqued in order to improve the next one.

Lately, young photographers have been revisiting the wonders and quirkiness of Polaroid film. Using expired Spectra film, and a new film manufactured in a former bankrupt Polaroid plant in Belgium, this generation has created a novel vernacular language in instant photography. Blog sites of Polaroid art have sprung up on the Internet. With a new generation of advocates, the continuation of Polaroid art seems assured.

Although space restrictions have not allowed a complete survey of Polaroid art, this show attempts to capture the range of vision, spontaneity and experimentations possible with the Polaroid. The artists selected include Lynka Adams, Michael Anton, Jimmy Baynes, Todd Boebel, Ellen Carey, Brendan Carroll, Chuck Close, William Coupon, Melanie Einzig, Andrew Garn, Stan Gregory, Jack Johnston, Till Krautkraemer, Eric Kroll, Richard McCabe, Barbara Mensch, Ber Murphy, Nagatani/ Tracey, Bill Ray, David Stock, Molly Surno, Jennifer Trausch, Robert Vizzini, Robert Warhover and William Wegman.

Special thanks to Chuck Close, William Wegman, Ellen Carey, Luc Sante, A.M. Richard, Jennifer Trausch, Rachel Weingeist, Jayne Baum, and Bill and Marlys Ray.

AG, June 2010

Steve Giovinco Exhibits at Lohin Geduld Gallery

noreply@blogger.com (Unknown) — Thu, 10 Jun 2010 23:52:00 +0000

"Portrayal," curated by Marianne Gagnier and Ro Lohin
June 10 through July 10

Opening reception Saturday, June 12 from 5-7

Lohin Geduld Gallery

531 West 25th Street
New York, NY

"Portrayal – from the Latin verb protrahere, to draw forward (pro- forward + trahere- to draw)

To make a portrait is to engage in a close and risky relationship with the subject. The process, bringing forward knowledge, can collapse social norms of comfortable distance. The portrayal of a living subject allows for limitless surprise and for the unknown to appear even in a beloved face and form.

The artists participating in “Portayal” have captured a connection between artist and subject. This relation is real, but cannot be pinned on likeness or mood. It is the opposite of anonymity. Arising from the complexity of a two-way encounter, the work does not partake of narrative or easily identified emotion.

Empathy, frailties and strengths, and individuality are made concrete by these portraits. But the telling mark or method of this accomplishment cannot be ascertained. Mysterious as the intimate can be, these portraits are an antidote to our daily bath in data, information without intelligence. They draw forth questions." - Marianne Gagnier June 2010

Steve Giovinco Exhibits at Jim Kemper Fine Art

noreply@blogger.com (Unknown) — Thu, 03 Jun 2010 18:19:00 +0000

ABOUT TIME
June 3-July 16th, 2010
Opening Reception: June 3, 6-8pm

With Eduardo del Valle and Mirta Gòmez, Gianfranco Gorgoni, Tanja Alexia Hollander, Chris Becker

Jim Kempner Fine Art 501 West 23 Street New York, NY 10011
(212) 206-6872 - dru@jimkempner.com - www.jimkempnerfineart.com

Steve Giovinco Joins GalileoPix

noreply@blogger.com (Unknown) — Thu, 03 Jun 2010 17:59:00 +0000

STEVE GIOVINCO earned his MFA in photography from Yale University in 1989, and a BA in history from Washington University in 1982.

His photographs have been exhibited in solo museum shows, including those at: California Museum of Photography; the Butler Institute of American Art; Fotogalerie Wien, Vienna; the VELAN Center, Torino, Italy; and the University of the Arts, Philadelphia.

He has had solo exhibitions at Jim Kempner Fine Art and Dru Arstark Fine Art, both in New York. Group exhibitions include: the Brooklyn Museum; the Contemporary Art Center, Cincinnati; the Winnipeg Art Gallery, with Jeff Wall, Sam Taylor Wood; Sadler’s Wells, London, with Thomas Joshua Cooper and Richard Billingham; Exit Art, New York; and White Columns, curated by Gregory Crewdson. Besides more than a dozen group gallery shows in New York, other gallery shows have been in Spain, Chicago, and Miami. He received Yaddo artist residency fellowships in 2001 and 2002.

Museums collecting his work have included: The Museum of Fine Arts, Houston; The Brooklyn Museum of Art; Yale University Museum of Art; The Butler Institute of Art; The California Museum of Photography; the Winnipeg Art Gallery; and The Lowe Art Museum, Miami, among others.

Reviews have been published in Art in America, Tema Celeste and Zoom magazine and his work has appeared in the New York Times. He has self published three books, and his work as been published in many catalogues, most recently in 2009 for the Lowe Art Museum, Miami. He has also participated in many art fairs, and his photographs have been auctioned at Sotheby’s and elsewhere.

VIEW IMAGES BY STEVE GIOVINCO

- website

Hazel Hankin exhibits at AM Richard Fine Art

noreply@blogger.com (Unknown) — Wed, 03 Jun 2009 20:48:00 +0000

ALL ROADS LEAD TO CONEY ISLAND curated by Andrew Garn

Contemporary works of art, paintings, sculpture, films, photographs and historical ephemera.

Works by robert & robbie bailey, todd boebel, matilde damele, françois deschamps,richard eagan, emily feinstein, hazel hankin, robert hickman, hawley hussey, bill jacobson, marc kehoe, salem krieger, laure leber,andrew lichtenstein, doni lucas, ingrid ludt, barbara mensch, philomena marano,ann murphy, bethany obrecht, james reeder, arthur robins, molly schwartz, susan shapiro and robert vizzini.

On view MAY 29th – JULY 12th, 2009
Fri-Sun 1-6pm

Special Event: RICHARD EAGAN & PHILOMENA MARANO founders of The Coney Island Hysterical Society in conversation Saturday June 13th at 4pm

A.M. Richard Fine Art
328 Berry Street, 3rd Floor
(Between South 4th and South 5th Streets)
Brooklyn, NY 11211
Tel: (917) 570-1476

L to Bedford; J,M,Z to Marcy ave; B61 to Driggs & South 4th street

www.amrichardfineart.com

Photograph © Hazel Hankin

Hazel Hankin's photographs on view at CONEY ISLAND MAYBE Exhibition

noreply@blogger.com (Unknown) — Mon, 03 Nov 2008 21:24:00 +0000

Several of HAZEL HANKIN'S Coney Island images are on view in an exhibition about Coney Island

Opening reception: Saturday, November 8 from 6-9 pm

CONEY ISLAND MAYBE

The Puffin Room, 435 Broome Street, NYC (bet. Broadway & Crosby)

November 8 - December 14

Hours: Thursday-Sunday 12-6 pm

-> NEW YORK TIMES REVIEW

Hazel Hankin winner of Honorable Mention in Px3's Human Condition Competition, Prix de la Photographie Paris.

noreply@blogger.com (Unknown) — Sat, 25 Oct 2008 18:36:00 +0000

Combining elements of fine art and documentary photography, HAZEL HANKIN'S work has been widely published and is represented in the permanent collections of the Brooklyn Museum of Art, Museum of the City of New York, Houston Museum of Fine Arts, JGS Inc., and the MAK Center for Art & Architecture. In addition to her personal projects, Hazel carries out a variety of freelance assignments and teaches photography at the City College of New York (CCNY).

Hazel photographed regularly in Cuba In the 1990s. Graphis Press published work from her photo essays on Cuban life in a time of economic crisis and on Muhammad Ali’s humanitarian aid tour of Havana in their books of international photojournalism entitled, The Human Condition. A shot of Ali with Fidel Castro was included in Life's Album of the Year in 1996 and that image and others are included in a traveling photo exhibit on Muhammad Ali (currently at the Hofstra Museum) in 2008.

Hazel’s images of the innovative architecture of Cuba’s National Art Schools were published by the World Monument Fund’s magazine, Icon and appear in the book, Revolution of Forms: Cuba’s Forgotten Art Schools by Princeton Architectural Press. They have been exhibited in Havana, Los Angeles, New York and Vienna, and Lehigh University Art Galleries included several images from this series in a 2006 exhibit entitled Viajeros: North American Artist/Photographers’ Images of Cuba.

Hazel’s ongoing project, Rhythm & Rapture, brings together two of her life’s passions — social dancing and photography — in images of salsa, swing and tango dancers. Work from this series was exhibited in a one-person show at the Houston Center for Photography and has been featured in a DoubleTake magazine cover story, the Spanish photography magazine, La Fotografía, and the German magazine, Aufbau. She is currently working on an in-depth photo essay exploring New York’s pioneering salsa/mambo scene, seen from the perspective of a long-time participant.

http://www.px3.fr/winners/hc/zoom.php?eid=2178-07&uid=3225638

-> website

Tibor Bognar Joins GalileoPix

noreply@blogger.com (Unknown) — Sat, 25 Oct 2008 17:30:00 +0000

TIBOR BOGNAR is of Hungarian origin and lived in several European countries before settling in Canada. After getting an undergraduate degree in electrical engineering, he worked for about a dozen years as a professional musician before he became interested in photography. Since he had already became addicted to traveling as a musician, it seemed natural to combine travel and photography.

In the years since making the decision to devote himself to photography, Tibor Bognar has photographed in well over 100 countries. He has published a coffe-table book about Japan, "Japon, visages de le metamorphose", Editions Vilo, Paris, 2006, in collaboration with his wife, writer Teresa Perez. The two have collaborated on many travel-related articles for European and Asian magazines.

-> website

Israel "Cachao" López by Hazel Hankin

noreply@blogger.com (Unknown) — Sat, 22 Mar 2008 22:20:00 +0000

Hazel Hankin photographed Israel "Cachao" López performing at the Blue Note in New York City.

Bassist and composer Israel "Cachao" López, born in 1918 in Havana, Cuba, is credited as the inventor of the mambo. Considered a master of the Latin jam session known as “descarga,” Cachao has won several Grammy awards and has a star on the Hollywood Walk of Fame. Cachao died on March 22, 2008 at the age of 89.

-> website

David Stock's Urban Landscapes

noreply@blogger.com (Unknown) — Thu, 13 Mar 2008 18:50:00 +0000

David Stock brings his finely tuned senses for composition, color and irony to his images of city street scenes.

-> website

David Stock Joins GalileoPix

noreply@blogger.com (Unknown) — Fri, 07 Mar 2008 22:30:00 +0000

We are pleased to welcome David Stock to GalileoPix. David Stock has been photographing since the age of fourteen. He went on to study photography at Harvard College. Among his professors were Arthur Siegel and Aaron Siskind, who was a particular influence.

In addition to creating images, Stock has a longstanding commitment to darkroom craft and extending the capabilities of fine art digital printmaking.

Stock’s images have been widely exhibited in museums and galleries in the United States and abroad. These venues include the Fogg Art Museum, The California Museum of Photography, the Museet for Fotokunst (Denmark), the Long Beach Museum of Art, the Blue Sky Gallery, the Santa Monica College Photography Gallery, The University of Sinalóa (UNAM), the Kerckhoff Art Gallery (UCLA), Casa da Fotografia FUJI (Brazil), the Angels Gate Cultural Center, and the Colorado Photographic Arts Center.

Stock’s photographs have also been featured in many publications, such as Canon Chronicle (worldwide in 5 languages), Z Magazine (cover), Long Beach Museum Quarterly (cover), Arts Rag (cover), Forward Motion, Blue Sky, La Fotografía Actual (Spain), Fotopozytyw (Poland), the Boston Phoenix and the New York Times.

- portrait © Hazel Hankin

-> website

Fidel Castro and Muhammad Ali by Hazel Hankin

noreply@blogger.com (Unknown) — Wed, 20 Feb 2008 22:32:00 +0000

Hazel Hankin accompanied Muhammad Ali on trip to Cuba in 1996 and photographed Ali playing around with Fidel Castro as Teofilo Stevenson looks on.

-> website