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	<title>Getting the Score</title>
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	<description>A guide to film scoring for filmmakers and composers.</description>
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		<title>I Am an Actor with Notes</title>
		<link>http://gettingthescore.com/index.php/i-am-an-actor-with-notes/</link>
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		<pubDate>Sun, 14 Jun 2015 18:52:54 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Scoring Process]]></category>

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		<description><![CDATA[I’VE COME TO THINK of my composition process  on a film as being similar to an actor’s in some ways. Let me explain by talking a bit about my process for “The Performance”, the film I...]]></description>
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		<title>Star Wars Score Study #2</title>
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		<pubDate>Thu, 11 Jun 2015 19:31:03 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Orchestration]]></category>
		<category><![CDATA[Star Wars Score Study]]></category>

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		<description><![CDATA[Here&#8217;s the second video of the planned series looking at the most famous film score ever! Enjoy! And if you find this useful don&#8217;t forget to subscribe, press like, comment and share! Alain]]></description>
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		<title>Star Wars Score Study</title>
		<link>http://gettingthescore.com/index.php/star-wars-score-study/</link>
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		<pubDate>Mon, 08 Jun 2015 23:36:49 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Orchestration]]></category>
		<category><![CDATA[Star Wars]]></category>

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		<description><![CDATA[In anticipation of the upcoming Star Wars film, and more importantly, new Star Wars SCORE!! I have started to record some short videos for YouTube to celebrate the seminal 1977 score by John Williams. These...]]></description>
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		<title>Harp Writing in Close Encounters of the Third Kind</title>
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		<comments>http://gettingthescore.com/index.php/harp-writing-in-close-encounters-of-the-third-kind/#respond</comments>
		<pubDate>Sun, 07 Jun 2015 22:00:24 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Composition]]></category>
		<category><![CDATA[Orchestration]]></category>

		<guid isPermaLink="false">http://gettingthescore.com/?p=48903</guid>
		<description><![CDATA[&#160; Go check out a cool post on the use of harmonics to create unison doubling the harp in John Williams&#8217; amazing &#8220;Close Encounters of the Third Kind&#8221;. Head over to ScoreClub.net to check it...]]></description>
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		<title>Functions of Score II: The Musical Signal</title>
		<link>http://gettingthescore.com/index.php/functions-of-the-score-ii-the-musical-signal/</link>
		<comments>http://gettingthescore.com/index.php/functions-of-the-score-ii-the-musical-signal/#respond</comments>
		<pubDate>Sun, 07 Jun 2015 16:37:33 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Functions of Score]]></category>
		<category><![CDATA[Music and Story]]></category>

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		<description><![CDATA[An important aspect of a musical score (perhaps the most important you could argue) is to tell a part of the story that either is not present on the screen, or is unclear and benefits...]]></description>
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		<title>First Steps &#8211; form and function</title>
		<link>http://gettingthescore.com/index.php/first-steps-form-and-function/</link>
		<comments>http://gettingthescore.com/index.php/first-steps-form-and-function/#comments</comments>
		<pubDate>Sun, 17 May 2015 00:15:43 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Composition Diary]]></category>
		<category><![CDATA[Score Works]]></category>
		<category><![CDATA[Scoring Process]]></category>
		<category><![CDATA[Spotting]]></category>

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		<description><![CDATA[&#160; What are the functions of a film score? In my opinion, it is the first thing you should identify in the scoring process. I am starting work on a new feature film called &#8220;The...]]></description>
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		<title>Pacing and Balance in Thomas Newman&#8217;s score for American Beauty</title>
		<link>http://gettingthescore.com/index.php/pacing-and-balance-in-thomas-newmans-score-for-american-beauty/</link>
		<comments>http://gettingthescore.com/index.php/pacing-and-balance-in-thomas-newmans-score-for-american-beauty/#comments</comments>
		<pubDate>Wed, 13 May 2015 18:52:13 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Score Works]]></category>

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		<description><![CDATA[The pacing and balance of a film score is a very important facet of the art of film-scoring. No cue we write exists in a vacuum. It is always affected by what came before and...]]></description>
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		<title>Free video lesson</title>
		<link>http://gettingthescore.com/index.php/free-video-lesson/</link>
		<comments>http://gettingthescore.com/index.php/free-video-lesson/#respond</comments>
		<pubDate>Thu, 07 May 2015 18:23:52 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Composition]]></category>

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		<description><![CDATA[As some of you know I have this new venture called ScoreClub.net, a music composition instruction website. The first course there is &#8220;Composition Training: Module I&#8221; which incorporates my thoughts and ideas on teaching composition...]]></description>
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		<title>Achieving the Organic Score for &#8220;No Letting Go&#8221;</title>
		<link>http://gettingthescore.com/index.php/achieving-the-organic-score-for-no-letting-go/</link>
		<comments>http://gettingthescore.com/index.php/achieving-the-organic-score-for-no-letting-go/#comments</comments>
		<pubDate>Mon, 27 Apr 2015 23:51:44 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[No Letting Go]]></category>

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		<description><![CDATA[While in London during the recording sessions for “Elysium&#8221; we had dinner with A-list editor Lee Smith who explained to us how Hans Zimmer, when working with Christopher Nolan, will create a 20 minute musical...]]></description>
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		<title>POV in Film Scoring &#8211; and a mother&#8217;s scream in &#8220;No Letting Go&#8221;</title>
		<link>http://gettingthescore.com/index.php/pov-in-film-scoring-and-a-mothers-scream-in-no-letting-go/</link>
		<comments>http://gettingthescore.com/index.php/pov-in-film-scoring-and-a-mothers-scream-in-no-letting-go/#respond</comments>
		<pubDate>Fri, 27 Feb 2015 07:07:44 +0000</pubDate>
		<dc:creator><![CDATA[Alain Mayrand]]></dc:creator>
				<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[No Letting Go]]></category>
		<category><![CDATA[Scene Analysis]]></category>
		<category><![CDATA[Score Works]]></category>
		<category><![CDATA[Scoring Process]]></category>

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		<description><![CDATA[POV stands for &#8220;point of view&#8221;, and is used to indicate that the audience is seeing something from a specific angle or through a particular character’s eyes. Considering POV makes a HUGE  difference in the...]]></description>
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