ghostcapital

Carnival Dragons

noreply@blogger.com (nicholab) — Sun, 11 Mar 2012 15:47:00 +0000

Took my kid to the carnival last night. It was fun, and I did this with my phone.

Bessie Jones - So Glad I'm Here : Songs and Games from the Georgia Sea Islands (Rounder Records 2015, *1975)

noreply@blogger.com (nicholab) — Wed, 07 Mar 2012 17:57:00 +0000

"From the end of the Civil War until the '30s, these islands enjoyed a period of isolation from mainland life. During these years, a further cultural blend took place between the descendents of two sets of former slaves: the Afro-Americans and a huge group of former slaves from the Bahamas who traveled there following the abolishment of slavery in the British empire.

The Sea Islanders, having suffered captivity, enjoyed the release of their bonds and created a music of endurance and freedom utilizing the unique dialect of the islands. There was a strong influence of the Bahamas in this music. And although all American folk music has been influenced by various types of African music, the African content of the Georgia Sea Islands is of a much purer variety; the result is a style of music unlike any other in America or the world.

Jones became a shining representative of this musical heritage, singing in a Bahamian accent accompanied by wild, outrageous African handclap rhythms. In the '60s, she helped form the Georgia Sea Island Singers, recording both with them and as a soloist. The material in both cases includes both songs and a selection of musical games for children that she recalled from her past. These performances brought audiences face to face with a distinct culture from another century. Jones published a book entitled Step It Down, which is a collection of such children's games as well as various stories from her life. Her performances, recordings, and educational programs earned many awards, including a National Heritage Fellowship from the National Endowment for the Arts. Like all great folk artists, her voice has continued ringing on since her death. She perhaps may not have had much in common with the rap and techno music of the '90s, but the techno recording artist Moby chose to sample her voice on his recordings." (Eugene Chadbourne, All Music)

So, my lovely and discerning girlfriend Alley picked up this fantastic LP a couple of weeks ago, during our first visit to the newly opened Little Axe Records here in Portland. Great shop. And thanks for lending this, Alley! These tracks were all recorded live on July 30 # 31 at the St Simons Island Church of God in Christ, in GA, by Bruce Kaplan & Bill Nowlin. 320 Vinyl rip by yours truly. FYI, there are many streams of Bessie Jones with Alan Lomax currently available via the Lomax archive at the Association for Cultural Equity. Dig it.

Bessie Jones - So Glad I'm Here : Songs and Games from the Georgia Sea Islands (Rounder Records 2015, *1975)

1. So Glad I'm Here
2. Johanna
3. Yonder Comes Day
4. Kindlin' Wood
5. Shoo Turkey
6. Turn My Body Round
7. Riley
8. Titanic
9. Amazing Grace
10. You Better Mind
11. Oh Death
12. Daniel in the Lion's Den
13. May Be the Last Time, I Don't Know

Bud Tutmarc - Sacred Hawaiian Melodies (Sacred Productions, LPS-7-6027)

noreply@blogger.com (nicholab) — Mon, 05 Mar 2012 20:10:00 +0000

"Whenever lovers of Sacred music think of Hawaiian-style melodies and electric steel guitars, they think of Sol Hoopii. Since that renknowned Hawaiian music-maker has been called to Heaven, his mantle seems to have fallen upon Bud Tutmarc, Seattle, Washington...and accomplished musician...a fervent Christian layman...Bud was a long-time friend of Sol Hoopii, and learned many of the great master's techniques. He is at his best in this album, providing Hawaiian-style music that is both artistically beautiful and spiritually inspiring." - Phil Kerr, back cover

"In 1942, Bud met the famous Hawaiian artist Sol Hoopii. They became close friends and appeared together often in public performances. Bud was present at the bedside at the time of Sol's death where Sol willed his own personal instrument to Bud." -back cover

Currently slowing my roll to these mellow "Hawaiian" electric relaxations from Bud Tutmarc & guitar. Perfect reverbs for this blue monday or a Sunday morning coming down. Sacred Hawaiian Melodies is one of a handful of rewarding Portland thrift scores made just last week. 320 vinyl rip by yours truly. Enjoy.

DL: Bud Tutmarc - Sacred Hawaiian Melodies (Sacred Productions, LPS-7-6027)

A1 My Beautiful King Of King (Hoopii)
A2 In Love With The Lover Of My Soul (Kerr)
A3 End Of The Trail (Hoopii)
A4 He Hideth My Soul (Kirkpatrick)
A5 After (Clarke)
A6 When They Ring The Golden Bells (DeMarbelle)
B1 Be Ready (Hoopii)
B2 Hold My Hand (Main)
B3 Nail Scarred Hand (McKinney)
B4 One Master (Davidson)
B5 No One Ever Cared (Weigle)
B6 Melody Divine (Kerr)

PS- THANK YOU so much for your helpful and encouraging donations, friends. Its been a boon in more ways that I can even say. For those of you who've lent some pennies, be on the lookout for a special snail mail thank you in the coming weeks. And for inquiring minds, it looks like I'm about a quarter of the way toward the most important upgrades; Turntable & Laptop, items which will doubtless serve to increase the quality and quantity of the uploads offered right here. You folks are really the best. I mean that from the bottom of my heart.

And to contributors with re-up requests: Expect an email in the next two two days. (My weekend starts tomorrow)

Jah bless....

Sandwidi Pierre - Le Troubadour de la Savane (Production Kouri, PK 002 : Nigeria, 1984?)

noreply@blogger.com (nicholab) — Wed, 29 Feb 2012 01:36:00 +0000

Fresh Nigerian recorded synth-funk from Sandwidi Pierre (of Burkina Faso), possibly released in 1984. Groovy dancing sounds and killer keys. And the slow burners are all killing me softly. Le Troubadour de la Savane is part of a small stack of amazing wax recently lent to me by my pal Jason Urick of Galaxy My Dear. Big thanks! 320 vinyl rip by yours truly.

Sandwidi Pierre - Le Troubadour de la Savane (Production Kouri, PK 002 : Nigeria, 1984?)

Side A

Nab Wind Sigda
Fils du Sahel (Wenega)
Mousso Gwe (Balafon)

Side B

Pang Nooma (Calao)
Je Suis un Salaud (Slow)
Lucie (Slow Disco)

New Posts or Reposts?

noreply@blogger.com (nicholab) — Mon, 27 Feb 2012 21:27:00 +0000

OK friends, please pardon the epic sabbatical. My high hopes of returning full force this January were wounded by Google's sudden deletion of Holywarbles (RIP), not to mention the fullforce federal takedown of Megaupload. For me, these things amounted, respectively, to a mournful tragedy and one major inconvenience. It's been hard to summon inspiration since then, but here I am missing that thing that I do, ready to exert the overpowering musical wanderlust that seems to persist somewhere in the mix between my head, heart & gut.

Here's my first question for you folks: Should I focus more right now on fresh rips (See the photo above: Ghostcapital's partial vinyl backlog currently in queue) or mediafire re-ups?

See now, my time for gratis vinyl ripping is limited. Now, more than ever. And likewise, the time has come when I need a new computer, a new turntable, needles, and a scanner. I've been posting from much of the same equipment since the get-go, and things are getting laborious and slow. I profit not from this endeavor and I'd like to ask for just a little help, because I can't afford to fund this much needed overhaul alone. I don't want adds here, do you?

So, If you like what I do, and want me to keep it fresh, please do consider a humble donation to keep this ship afloat. FYI, Re-up requests will be more promptly addressed via PayPal message. I mean that with love.

Paz.

Shajariyan-Payvar Ensemble : Dashti (Taraneh Enterprises CS, 1989)

noreply@blogger.com (nicholab) — Thu, 19 Jan 2012 20:27:00 +0000

Siamak Shajarian born in the city of Mashad in northeastern Iran, is arguably the most accomplished Persian traditional singer living in the United States. He has performed with such masters as Jalil Shanaz, Faramarz Payvar, Mohammad Ali Kiani-nejad, Mohammad Esmaeli, and Farhang Sharif.

Shajarian's public musical life began when he was sponsored by the Ministry of Culture and the Arts in Mashhad at age eleven. He inherited his talents in singing from his father and in calligraphy from his mother. He studied the Persian vocal art (avaz) and its Radif with Ghafoorian and Gholam Hossein Zahiredini, and completed his studies under the direction of his brother, Mohammad Reza Shajarian and Esmaeel Mehrtash. In addition to mastering the vocal Radif of Persian traditional music, Shajarian has also studied Tar, Santur and Tombak.

In 1977, he moved to the United States. Soon after he joined Oshagh Ensemble and gave numerous concerts across the U.S. and Canada... Currently he lives in Los Angeles where he teaches Persian traditional vocal Radif. (Source)

Quite the stirring traditional Persian (by way of California) sounds. This old tape was a discerning thrift score recently mailed out west by my cousin Jess in Savannah, GA. Good looking out! Big thanks also to Mr. Saadoun Al-Bayati for the helpful phonetic assistance with the Farsi up above. 320 mp3 transfer by yours truly.

Shajariyan-Payvar Ensemble : Dashti (Taraneh Enterprises CS, 1989)

Street Muse documentary, featuring Gull

noreply@blogger.com (nicholab) — Wed, 11 Jan 2012 20:14:00 +0000

My good friends Nate Rappole (Gull) & Len Albright are in the home stretch for Kickstarting their Street Muse documentary project in East Africa. Fingers crossed...They've got four days left to raise just under $5,000 to make it happen. Check the rundown:

"The Street Muse Project is a documentary project exploring the culture of street and public music around the World. This component of the project will document street performances in Africa. In addition, Gull will perform on the street throughout the project as an offering and thank you to those who are sharing their talents and energy with us. The documentary will be the first in a series.

Why Street Music?

Have you ever stopped and listened to a street musician, maybe given them a dollar, and wondered about their story? What are their musical influences? What can their life and art open to you about the World? That's the goal of the Street Muse Project...to capture and share these stories and use them as a springboard for education. Many countries in East and West Africa are facing incredible humanitarian and political challenges. We see public music as a way to help inspire education and foster a sense of mutual humanity.

Over the last 5 years Gull (Nate Rappole) has been performing as a street musician across much of the United States and Mexico. He is known for his percussion project that involves the simultaneous playing of the drums and guitar. Through his travels, Nate has come to see the importance of street music as a public display of emotion and how it can be used to break down social barriers and constraints. The street can serve as a public venue for artistic experimentation and social/political creativity. In the Spring of 2011, Nate was joined on a tour of the American South by Len Albright, who had recently completed a PhD in urban sociology. They discussed the possibility of interviewing musicians on the streets in other parts of the world and how the sharing of this could open pathways for creative politics and experiences across the globe. The Street Muse Project was born." (More here)

Paul Ngozi - The Ghetto (Zambia, 1976 + Shadoks, 2011)

noreply@blogger.com (nicholab) — Sun, 08 Jan 2012 09:31:00 +0000

"Paul Ngozi (Nogozi means danger) with his band gave a popular voice to what later was called 'Zamrock,' a cool fusion of older African rhythms and '70s rockish underground modes -- never too polished, but with a tightness that might have made Anglo groups up in London sit up and take notice. The guitars are razor-sharp here which sounds great next to the harder rhythms at the bottom, and the album's mix of English and Zambian lyrics. Paul Ngozi recorded at least ten albums, another one which is famous among collectors is Chrissy Zebby Tembo & Ngozi Family. You will love this one if you liked the Witch and Amanaz. Great album, great artwork, a masterpiece from Zambia." (Promo hype)

Hey there. Long time no see. Happy 2012. Much like my good compadre, Owl, these blog efforts ran aground for a spell in a much needed holiday from ye olde internet responsibilities. As a bona fide labor of love, rendered gratis for all you friends and dreamers out there, this humble adventure became a bit burdensome to maintain over the course of December. Inspiration, energy, money and time just sort of ebbed. Well, I'm back in the saddle, and happy as can be to greet the new year with this auspicious slab of newly reissued, primo Zamrock fuzz. Paull Ngozi's The Ghetto should prove an essential addition to the canon. Hope you folks dig this goodness for real. 320 vinyl rip by yours truly. 2011 Shadoks limited edition reissue. Word.

And by the way, I might mention that I've come up with a sort of New Year's type resolution related to this blog: I'm going to really do my best to start responding to you folks who've emailed or dropped in good comments. Its hard to overstate how much the feedback is appreciated. That said, it's true I've been downright terrible about getting back to you folks sending in requests, questions, etc. I'ma get on it.

DL: Paul Ngozi - The Ghetto (Zambia, 1976 + Shadoks, 2011)

A1 In The Ghetto
A2 Help Me
A3 Anasoni
A4 Who Will Know
B1 Suicide
B2 Bamayo
B3 Can't You Hear Me
B4 Ulesi Tileke
B5 Jesus Christ

Chief Brigadier Olu Oni & His Marathon System - Juju-Marathon System Vol. 1 (Nigeria, 197x + Klimt, 2011)

noreply@blogger.com (nicholab) — Fri, 09 Dec 2011 04:57:00 +0000

A heavy juju set from Chief Brigadier Oluoni – working here in a version of the style that's much grittier than mainstream recordings you might know! The record features one "Juju Marathon System Jam" that spans the course of both sides – a very offbeat version of the juju groove that often has a spacey sound in the echo, and lots of weirdly-tuned guitar parts that give the recording a very dark edge – even in some of the brighter moments! Vocals have lots of odd echo too, and when they drop out, the guitar parts get even weirder – making for some especially great instrumental moments over the driving rhythms of the track (Dusty Groove)

Relentlessly off-kilter 70's Nigerian Juju. 2011 Klimt LP reissue. 320 vinyl rip by yours truly.

Chief Brigadier Olu Oni & His Marathon System - Juju-Marathon System Vol. 1 (Nigeria, 197x + Klimt, 2011)

A: Jam 1
B: Jam 2

Luk Thung 45 : Riam Daranoi - Chan Ru Than "I Know What You're Up To" + Don Denduang - Suai Ching Muai "Muai, The True Beauty" (LK 154)

noreply@blogger.com (nicholab) — Tue, 22 Nov 2011 22:04:00 +0000

I scored this Luk Thung 45 (LK 154) from a bargain bin 1ast week and just had to share it, pronto. Look at the front jacket! Easily one of the wildest covers in my collection.

The thing is, the record that came with it (LK 094) doesn't match. This might've been a source of eternal lament if the mismatched record wasn't itself such a pearl. To get the real scoop on these, I sought the expert counsel of my good pal Peter over at monrakplengthai. Enormous thanks, man. Knowing the deal makes this artwork even stranger. Check it:

"the jacket advertises the song "kot mai fai daeng (law of the "red light" [period])" by phanida sutthicharoen... and yes, that's "period" as in menstruation.. thus the blood-soaked cover: bizarre!

...the record inside is "chan ru than (i know what you're up to)" by riam daranoi, who shows up on both of chris menist's recent compilations for soundway (DL) & finders keepers. she is great! the b-side is "suai ching muai (muai, the true beauty)" by don denduang. both songs are with the "sit suraphon (suraphon's disciples)" band (after "king of luk thung" suraphon sombatcharoen)"

So, Thai speakers, please pardon the somewhat false inclusion of the Red Light cover. The image was just too astounding not to include here. I'm have every hope that one day we're able to hear The Law Of The Red Light LK 094, but in the meantime....Enjoy LK 154. 320 vinyl rip by yours truly.

Riam Daranoi - Chan Ru Than "I Know What You're Up To" + Don Denduang - Suai Ching Muai "Muai, The True Beauty" (Luk Thung 45 - LK 154)*

*Featuring Sit Suraphon (Suraphon's Disciples)

(V/A) Hits From Telugu Films Vol. 5 (Odeon/EMI - India, 1967)

noreply@blogger.com (nicholab) — Fri, 18 Nov 2011 03:19:00 +0000

"Melodies From N. T. Rama Rao Starrer Pictures"

An exquisite collection of classic Telugu playback tracks from the 1950s & 60s, all of which were originally featured in the films of N.T. Rama Rao. All legendary songs, with no filler. Heavy on the Ghantasala and P. Susheela, which is a very good thing. 320 vinyl rip by yours truly. Highly recommended!

(V/A) Hits From Telugu Films - Volume 5 : Melodies From N. T. Rama Rao Starrer Pictures (Odeon/EMI - India, 1967)

3AEX.9013

1. Kalavaramayemadhilo (Film: Pathala Bhairavi) -- Ghantasala & P. Susheela
2. Lechindi Mahila Lokam (Film: Gundamma Katha) -- Ghantasala
3. Brindavanamidhi (Film: Missamma) -- A.M. Raja & P. Susheela
4. Janani Sivakamini (Film: Narthanasala) -- P. Susheela
5. Kanupa Pa (Film: Chiranjeevulu) -- Ghantasala & P. Leela
6. Adakaichina (Film: Dagudu Moothalu) -- Ghantasala & P. Susheela
7. Ravoyee Chandamama (Film: Missamma) -- A. M. Raja & P. Leela
8. Anthaka Nanuchoodaku (Film: Manchi Manishi) -- Ghantasala & P. Susheela
9. Edu Kondalavada (Film: Pellichesichoodu) -- P. Leela Ghantasala
10. Athey Athey (Film: Ramudu Bheemudu) -- P. Susheela & Ghantasala
11. Amma Nanna (Film: Panduranga Mahatmyam) -- Ghantasala
12. Lahiri Lahiri (Film: Maya Bazaar) -- Ghantasala & P. Susheela

Unrelated to the Telugu record above, but reasonably still on-topic -- Check out this Cubano flavored playback stunner from Puthiya Paravai. This jam is dynamite:

Guitar Slim Green's "Stone Down Blues" -- With Johnny and Shuggie Otis (Kent, 1970)

noreply@blogger.com (nicholab) — Thu, 17 Nov 2011 05:40:00 +0000

"A great deal has been written about the blues and the people who sing them. Most enthusiasts are familiar with the names of Elmore james, Muddy Waters, Sonnyboy Williamson, Lightnin' Hopkins and Little Walter, for these are the names of artists who have won wide recognition for their talents and their contributions not only to the blues, but to Rock & Roll as well.

However, one should be aware that there were others, some still around, that were equally as talented, but not as fortunate. All too often their contributions were quickly recognized, borrowed or stolen and the artists themselves ignored and forgotten. Such was almost the tragedy that occured with GUITAR SLIM GREEN..." (Cover notes)

I've said it before, the Boogie Blues aren't generally my thing. I tend to be fairly selective. This 1970 Kent outing by Norman "Guitar Slim" Green is good & solid, though. Kept me steady rocking through a huge load of dishes tonight, with no complaints. (Well, aside from the dishes.) The back-up from Johnny and Shuggie Otis doesn't hurt much, either. 320 vinyl rip by yours truly. Word.

Guitar Slim Green's "Stone Down Blues" -- With Johnny and Shuggie Otis (Kent, 1970)

KST-549

1. Shake 'Em Up 2:11
2. Bumble Bee Blues 3:26
3. Make Love All Night 2:36
4. My Little Angel Child 3:57
5. 5th Street Alley Blues 3:13
6. Old Folks Boogie 2:13
7. This War Ain't Right 3:04
8. You Make Me Feel So Good 2:05
9. Big Fine Thing 2:48
10. Play On Little Girl 3:10

Pepe de Almeria -- Guitara Flamenca : 45 Tours (196x - Symphonium, SEP 6)

noreply@blogger.com (nicholab) — Wed, 16 Nov 2011 08:23:00 +0000

Real-deal flamenco dynamite from heroic Spanish Gitan, Sr. Pepe de Almeria. Blazing hot, folks. Legendary axe. 45 rpms. 320 vinyl rip by yours truly.

Pepe de Almeria -- Guitara Flamenca : 45 Tours (196x - Symphonium, SEP 6)

1. Malaguena
2. Soleares

Les 4 Guaranis - Musique Folklorique d'Amerique Latine (BAM, 1953 *Paraguay)

noreply@blogger.com (nicholab) — Wed, 16 Nov 2011 00:01:00 +0000

Another early & great 4 Guaranis release. Romantic folk harmonies and more from this versatile Paraguayan string band. Recorded in 1953. Cool Paraguayan harps in many spots. 10" microgroove LP release on the french label, La Boite a Musique. 320 vinyl rip by yours truly.

Les 4 Guaranis - Musique Folklorique d'Amerique Latine (BAM, 1953 *Paraguay)

1. El Chupino 1:48
2. El Humahuaqueño 2:26
3. Musiqueada Jazmin Guype 3:18
4. Viva Jujui 2:09
5. Entre San Juan y Mendoza 2:26
6. Chococué Purajhei 2:26
7. Mazamorreando 2:24
8. El Arriero 4:12
9. Pájaro Campana 3:09
10. Guapo Mi Viejo Buey 3:16
11. Grito del Pueblo
2:19

Farid El Atrache -- Original Soundtrack Album From: El Hob El Kebir + El Khourouj Men El Gana (Voice of Lebabon, VLMX. 17)

noreply@blogger.com (nicholab) — Sat, 12 Nov 2011 07:32:00 +0000

Greek-pressed Lebanese LP of classic Egyptian film songs from the immortal Farid Al Atrache. The slick cover of him by the hi-fi is not to be trifled with. Thanks to David H for this record. 320 vinyl rip by yours truly.

Farid El Atrache -- Original Soundtrack Album From: El Hob El Kebir + El Khourouj Men El Gana (Voice of Lebabon, VLMX. 17)

1. Bitomor Al Rass Oul Eyn 6:17
2. Ya Weili Men Hobbo 9:16
3. Ala Bali Ala Bali 6:28
4. Adnaytani Bil Hajr 10:01
5. La Ouaeynayki 5:59
6. Ana Ouenta Ou Ba Bass 8:29

The Childrens Bizarre: The Story of Fire + The Story of Thunder & Lightning (Child Guidance Records)

noreply@blogger.com (nicholab) — Thu, 10 Nov 2011 01:10:00 +0000

Folks, after obsessing for months over the visual amazements on display over at the incredible 50 Watts, I've humbly decided to start a new blog that's heavy on oddball visual culture. I'm calling it The Childrens Bizzare. It'll be dedicated entirely to weirdo kids ephemera. Basically, I want to feature illustrations, books, toys, music and videos, originally made by or marketed to kids, which come across as particularly strange or even creepy, bordering on inappropriate. I do find it somewhat funny that, now that I have a three year old son, I've up & started collecting the sort of vintage kids stuff that I feel compelled to hide from him. Go figure. Literally top-shelf artifacts, with plenty of Hi Resolution Scans. And reader submissions are VERY welcome. If you have any specific ideas for content, please drop a comment at the new spot, or email me at this brand new address: childrensbizarre[at]hotmail[dot]com

With that, I present TCB's very first LP rip. The Story of Fire + Thunder & Lightning must be one of the most frightening & inept story-time educational records ever made. Its one in a series by "Famous" Child Guidance Records of Philadelphia, PA. They "Make Learning Fun". Just listen to these highlights, and try not to get the creeps.

Download: The Story of Fire + The Story of Thunder & Lightning (@ The Childrens Bizarre)

http://childrensbizarre.blogspot.com/

The banner is still in-progress, but I've definitely decided to retain the Bizzare misspelling. Seems like a kind of a Bob Ross flavored "happy accident."

Edmundo P. Zaldivar -- Carnavalitos (Pampa, LRS 15021 *Argentina)

noreply@blogger.com (nicholab) — Wed, 09 Nov 2011 17:02:00 +0000

Edmundo P. Zaldivar seems to be a a deeply revered purveyor of the celebratory Andean-Argentinian folksong known as the Carnavalito. At least, that's what I think the back cover says. I personally have a deep love for Andean melodies, and was more than a little pleased with the magic of the arrangements herein. The occasional addition of piano, violin, dulcimer(?) & bassoon(?) seems to offer a charming, otherworldly sense of surprise to the sound of Zaldivar's wonderful conjunto. Spanish/English bilterates, if any of you have the time & energy, I would truly love to know what these cover notes are telling us. Just found this luminous treasure for only 3 bucks a few weeks back. !0" microgroove. Year unknown. 320 rip by yours truly. Enjoy.

DL: Edmundo P. Zaldivar -- Carnavalitos (Pampa, LRS 15021)

01 El Humahuaqueño
02 Palomitay
03 Gallito Ciego
04 Mañana al Alba
05 Carnavalito
06 Albahaquita
07 Soy Carnaval
08 Cholita

Celeste Rodrigues - Lisbon's Great Celeste Rodrigues (Capitol, 1958)

noreply@blogger.com (nicholab) — Sun, 06 Nov 2011 21:15:00 +0000

Born in Lisbon in 1923, Celeste Rodrigues's professional singing career did not start until 1951. As good a singer as she was, her name always stood in the larger-than-life shadow of her older sister Amália, with whom she remained very close through the years. Although she did have a few hits ("Fado Celeste," "Lenda das algas"), she did not record very extensively, preferring the warmth and intimacy of live performances. She spent some time in Canada in the 1970s, and throughout her career, she appeared at important concert halls in places like Paris and Rome. Unlike Amália, whose singing style was more commercial, Celeste will always be associated with a more traditional kind of fado, the so-called fado castiço: "It was [in Lisbon] that Portuguese ships set out in the fifteenth century to navigate the world," she says, "and it was in the heart of a sailor that fado was born." (All This Is Fado)

An intimate live performance of Celeste Rodrigues' mournful and romantic fado, recorded beautifully in Lisbon by Rui Valentim in 1958. Has a handful of charming audience sing a long moments, too. Wonderful stuff. 320 vinyl rip by yours truly.

DL: Celeste Rodrigues - Lisbon's Great Celeste Rodrigues (Capitol, 1958)

"Exciting Portuguese Songs Actually Recorded 'Live' At the Viela, Rua das Taipas, 14."

T 10153

1. Vira Do Mondego 2:53
2. Vento 3:53
3. Romarias Do Norte 2:16
4. Igreja De St. Estavao 4:27
5. Antigamente 2:56
6. Uma Casa Portuguesa 4:13
7. Maria Do Outeiro 3:59
8. Mira Me Miguel 1:58
9. Festa Na Aldeia 3:25
10. Conta Errada 3:11
11. Senhor Da Serra 2:30
12. Vira Da Minha Rua 3:04

John Jacob Niles - Sings American Folk Songs (1956 - RCA Camden, CAL 245)

noreply@blogger.com (nicholab) — Sat, 05 Nov 2011 17:15:00 +0000

"Over coffee and liqueurs we would sometimes listen to John Jacob Niles' recordings. Our favorite was 'I Wonder As I Wander,' sung in a clear, high-pitched voice with a quaver and a modality all his own. The metallic clang of his dulcimer never failed to produce ecstasy. He had a voice which summoned memories of Arthur, Merlin, Guinevere. There was something of the Druid in him. Like a psalmist, he intoned his verses in an ethereal chant which the angels carried aloft to the Glory seat. When he sang of Jesus, Mary and Joseph they became living presences. A sweep of the hand and the dulcimer gave forth magical sounds which caused the stars to gleam more brightly, which peopled the hills and meadows with silvery figures and made the brooks to babble like infants. We would sit there long after his voice had faded out, talking of Kentucky where he was born, talking of the Blue Ridge mountains and the folk from Arkansas..." --Henry Miller, Plexus pp. 366-367

Niles is in classic form on this spectral cycle of American ballads released by RCA Camden in 1956. Can't find much of anything written about this one. I'm wondering if its simply a volume of earlier recordings resourced into a collection. Maybe you've noticed that I'm not including a scan of the back cover. That's because its really just a catalog of Classical and Light Concert LPs available from Camden at the time. Nothing helpful. FYI, Niles is in fact the songwriter of the seminal classics Black Is The Color Of My True Love's Hair & Go Way From My Window. Never knew that until today. Had simply assumed anonymous authorship on both counts. 320 vinyl rip by yours truly. Enjoy.

DL: John Jacob Niles - Sings American Folk Songs (1956 - RCA Camden, CAL 245)

1. You Got To Cross That Lonesome Valley 2:49
2. The Lass From The Cow Countree 2:33
3. Black Is The Color Of My True Love's Hair 2:10
4. Go 'Way From My Window / One Morning in May 3:13
5. The Wife Of Usher's Well 3:22
6. The Death Of Queen Jane 2:45
7. Little Mattie Groves 8:20
8. The Gypsy Laddie 3:27
9. My Little Mohee 2:16
10. I Wonder As I Wander Out Under The Sky 2:16
11. Lulle Lullay 2:25
12. The Seven Joys Of Mary 4:52
13. The Ballad Of Barberry Ellen 4:57

Les Petits Chanteurs-Danseurs de Kenge: La Vie En Brousse / Young Congo Sings (Philips 840 264 BY)

noreply@blogger.com (nicholab) — Thu, 03 Nov 2011 03:22:00 +0000

A Dutch Catholic missionary, Bernard van Der Boom arranged and directed this choir of about 70 Congolese schoolboys from the Kenge area in the mid 1960s. While I'm assuming that this sort of African chorus is something of a colonial relic, the hypnotic musical result certainly resonates with the charm and energy of youth. I've found very little in the way of actual biography for van Der Boom or Les Petits Chanteurs. Would love to get some more education here. Thanks to David H for lending me this excellent record. Year unknown. 320 vinyl rip by yours truly. Enjoy.

DL: Les Petits Chanteurs-Danseurs de Kenge: La Vie En Brousse / Young Congo Sings (Philips 840 264 BY)

1. Elé Elé Mamiami - Male Kulipopo 3:21
2. Mwana Nkento 1:41
3. Imbie Imbie - Ya Ngo, Ya Ngo - Ukwenda-Tukwenda - Eh Mbisi Eto 5:33
4. Nkanda Ukambulula - Nguba zi Mama - Ankak-Ankak Petsom - Tata Mitondue 5:45
5. Mama Butidi Bana Bole - Ngudi Tsimba - Tutu-Tutu 5:37
6. Ayi Komema - Mono Kivonga 4:11
7. Meli Bamutoba 1:43
8. Tse-Tse Kadinga - O Matika - E Yambole - Nzeka Nzenzele 6:46

Action Patrol : 1993-96 On Patrol (Whirled Records, WR-11)

noreply@blogger.com (nicholab) — Wed, 02 Nov 2011 02:07:00 +0000

Gotta say, I'm sort of stunned by the range and caliber of the compact discs routinely turning up in thrift stores these days. It seems hard to believe that, I don't know, K Records, Nonesuch and Luaka Bop discs are all just hanging around together with Bjork and Radiohead in the 2 dollar bargain bins. Not that I need 'em. And maybe that's just Portland. Is it this way everywhere? And, don't get me wrong-- I totally TOTALLY get that blogspot, file sharing, iTunes, etc have rendered these plastic packages functionally obsolete. Once uploaded, a disc basically destined to gather dust or live on as a coffee coaster. Maybe this is my 30+, Andy Rooney side beginning to take root. I just can't help but wonder, will CDs eventually go the way of cassettes today, and become retrospectively cool in, say 20 years?

So anyway, I found this Action Patrol disc at the Goodwill the other day. I live in Portland, OR, but AP were my other favorite local punk band from yonder high school days back in southeast VA. My skater-dude friends and I even put on their second to last show at the roller rink in my hometown. It was awesome. Admittedly, I hardly listen to much of anything that involves hardcore/screaming these days. That shit just works by nerves. Action Patrol & Mens Recovery Project, however, both get a pass from me. Oh, lets add Bad Brains, Minor Threat and The Nation of Ulysses to that list. Local sentiment, I know, but that's just how it is. Or maybe its digging a semblance of iconoclastoc wit over boring meathead hardcore posturing. Hmmm. And, ok, I'm down too with a lot of those early SST & Homestead bands, not to mention The Wipers, Negative Approach, The Zero Boys, Naked Raygun, etc. Plenty of room to expand, though hardly worth it right here. Anyway, after copping this here RVA throwback, I just had to up & share it. Ready or not. 320 kbps. Word.

DL: Action Patrol : 1993-96 On Patrol (Whirled Records, WR-11)

(V/A) -- Christ Was Born On Christmas Morn (Historical, 1971 **HLP-34)

noreply@blogger.com (nicholab) — Tue, 01 Nov 2011 18:18:00 +0000

"It is almost axiomatic that religion finds its most eloquent expression in the lives of those peoples who are systematically exploited and whose greatest hopes lie in the promise of a future life free of injustice." (Richard Spottswood, cover notes)

1971 LP collection of pre-war gospel perfections. With the recent cultural enthusiasm for all things "American Primitive", most, if not all, of these cuts have since resurfaced in various collections from the likes of Document, Dust-To-Digital (+), Revenant etc. This record still stands as a crucial artifact, and the depth & power of its music no doubt speaks for itself. If you don't know it, Mother's Prayer is just astounding. Dick Spottswood pens the cover notes, here. As a personal rule, I will immediately grip anything that has that fellow's name on it. 320 vinyl rip by yours truly. Enjoy.

DL: (V/A) -- Christ Was Born On Christmas Morn (Historical, 1971 **HLP-34)

Cotton Top Mountain Sanctified Singers (featuring Frankie Half-Pint Jaxon and Punch Miller)
- Christ Was Born On Christmas Morn
- She's Coming 'Round The Mountain

Blind Willie Johnson
- The Soul Of A Man
- Take Your Stand

Blind Mamie Forehand & A.C. Forehand
- Wouldn't Mind Dying If Dying Was All
- Mothers Prayer
- I'm So Glad Today, Today

Laura Henton
- He's Coming Soon

Blind Willie McTell
- We Got To Meet Death One Day
- Ain't It Grand To Be A Christian
- Lay Some Flowers On My Grave

Arizona Dranes
- He Is My Story
- I Shall Wear A Crown

Edward W. Clayborn
- Jesus Will Make It Allright

Rooseveldt Graves & Brother
- I'll Be Rested (When The Roll Is Called)
- Wake Up This Morning (With My Mind On Jesus)

Brazilian Guitar Fuzz Bananas - The Movie @KICKSTARTER

noreply@blogger.com (nicholab) — Tue, 01 Nov 2011 17:06:00 +0000

Hey friends, just dropping off a quick word of Kickstarter support for the enthusiastic & talented crate diggers over at Tropicalia in Furs. These cats are hoping to produce a cool documentary on their efforts to reveal the yet uncharted climes of Psicodelia Brasileira. For all you penny pinchers out there, just $10 bucks pledged will yield for you a custom digital mixtape of rare Brazillian fuzz selected by none other than Joel "Stones" Oliveira. Big thanks to Adam Garsh of TIF for getting in touch. Best of luck, dudes....

What is Brazilian Guitar Fuzz Bananas- The Movie?

A documentary film that follows record store owner, producer and vinyl archaeologist Joel Stones as he explores uncharted territories of psychedelic Brazilian music. Following the success of his sold-out compilation Brazilian Guitar Fuzz Bananas, Joel travels to Brazil in search of visionary and chaotic artists that have been overlooked by mainstream culture. Sonic rarities remind us of the great expanse of music history, with unique stories hovering behind every song. Armed with a wild afro, a box of 45s and an infectious personality, Joel pulls these secret histories through the cracks of Brazilian music. Brazilian Guitar Fuzz Bananas- The Movie contains stories of people known and unknown, brought to life in shocking technicolor sound! ***READ MORE

The Falcons - You're So Fine : The Falcons' Story Part One (Flick 8005)

noreply@blogger.com (nicholab) — Mon, 31 Oct 2011 21:22:00 +0000

"The Falcons were certainly one of the most underrated and unappreciated of the hundreds of vocal groups who recorded rhythm and blues in the mid-to-late 1950's. Usually ignpred by ardent fans of r&b group harmony who preferred the smooth stylings of the Moonglows, Five Keys, or Spaniels to the rougher, gospel-tinged tones of the Falcons, the guys from Detroit are more often venerated for the great lead singers who once sang with the group. How many other r&b groups could boast both an Eddie Floyd and a Wilson Pickett, not to mention the great Joe Stubbs, lead on "You're So Fine," or Mack Rice, later of "Mustang Sally" fame?...

This, the first Falcons' album ever, spotlights the versatility and talent of Eddie Floyd and Joe Stubbs, two powerful lead voices who could shine on any kind of r&b songs. Whether it be traditional group harmony ballads, jumps, or the gospel-influenced melodies of "You're Mine" or "You're So Fine," the raw talent and professionalism of the group are evident....[T]his LP contains ten unreleased songs by the group from their first recording sessions in the late fifties." (Cover Notes)

"Often credited as having cut the first true soul record in 1959 with "You're So Fine," a host of '60s soul stars called themselves Falcons at one time or another, including founder Eddie Floyd, Wilson Pickett, Sir Mack Rice, and 100 Proof Aged in Soul's Joe Stubbs. Originally an integrated R&B group headed by Floyd, the Falcons debuted on Mercury in 1955. Under the production aegis of Robert West, the Falcons' sound became more gospel-based as time passed, and with Stubbs as lead, the seminal "You're So Fine" was a major hit in 1959." - Bill Dahl

Rare & killer r&b from Detroit's Falcons, whom, retrospectively, can easily be considered something of an early soul supergroup. 320 vinyl rip by yours truly.

DL: The Falcons - You're So Fine : The Falcons' Story Part One (Flick 8005)

1. You're So Fine 2:27
2. Please Don't Leave Me Dear 2:13
3. Just For Your Love 2:12
4. (When) You're In Love 2:33
5. Girl Of My Dreams 2:02
6. LetItBeMe 2:29
7. Goddess Of Angels 2:47
8. Sent Up 2:37
9. You're Mine 2:17
10. Baby That's It 2:13
11. Anytime, Anyplace, Anywhere 2:04
12. I Wonder 2:27
13. Juke Hop 1:45
14. No Time For Fun 1:57
15. Whose Little Girl Are You 2:22
16. I'll Never Find Another Girl Like You 2:09

(V/A) -- Unholy Hymns: Written in Blood Vol. 6 (Left-Handed Label, 2011)

noreply@blogger.com (nicholab) — Sun, 30 Oct 2011 18:39:00 +0000

As Samhain rapidly approaches, the one & only Nate Ashley has just dropped off a surprise 6th volume in his essential Written In Blood soundtrack series. Dig:

"In keeping with the rest of the Written In Blood series, Unholy Hymns offers more classic, out-of-print, or unreleased horror soundtrack music. Taken from DVD or VHS sources when unattainable elsewhere; I tried to get the best quality available to provide an enjoyable listening exprience for the music connoisseur. Charles Berstein and Stelvio Cipriani were stand out composers for me on this volume, while Luchi De Jesus's track "Diggin' For Parts" proved to be nearly impossible to find, but worth every funky second. Hope you have a horribly fun time with these sinfully good songs." ~ Nate

DL: (V/A) -- Unholy Hymns: Written in Blood Vol. 6 (Left-Handed Label, 2011)

1. The Fog (Main theme/Reprise) / John Carpenter
2. Incubi Ricorrenti 1 (Opening Titles) / Stelvio Cipriani & Goblin
3. Inside Out / Michelini, Luciano
4. Night Stalker / Gil Melle
5. Cambi di Umore (Valentina) / Ferrio, Gianni
6. The Secret Of Dorian Gray / Peppino De Luca
7. Vento Dautunno / Bruno Nicolai
8. Non Puo' Essere Vero / Ennio Morricone
9. Seq. 7 / Gianfranco Coletta & Mauro Lusini (as Trans Europa Express)
10. Werewolves On Wheels (edit) / Don Gere
11. Underwater Mood / Stelvio Cipriani
12. Fixed Idea / Pulsar Music Ltd.
13. Zombie Parade / Nico Fidenco
14. Matthias the Victor (edit) / Ron Grainer
15. Seq. 17 / Gianfranco Coletta & Mauro Lusini (as Trans Europa Express)
16. Indagando / Luis Bacalov
17. Diggin' For Parts / Luchi De Jesus
18. The Other Face (9) / Roma Violenta
19. From Another World / Nico Fidenco
20. Malcontento Popolare / Alessandro Alessandroni
21. Blue Song (#3) / Guido E Maurizio De Angelis
22. End Credits / Charles Bernstein
23. It's Still Alive / Michelini, Luciano
24. Silent Hill / Stanton Shows
25. Opening / Jeff Grace
26. Voci Dal Nulla / Fabio Frizzi
27. Pursuited - Jennifer's Recall / Bruno Nicolai