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Ujjain Kal Bhairava Temple

noreply@blogger.com (bhavi) — Sun, 14 Sep 2014 08:40:00 +0000

Kal Bhairava Temple: -

The worship of the eight Bhairavas is a part of Saivite tradition and the chief among them is Kal Bhairava, believed to have been built by King Bhadresen, on the banks of the Shipra. There is mention of a Kal Bhairva temple in the Avanti Khanda of the Skanda Purana. Worship of Kal
Bhairava is believed to have been a part of the Kapalika and Aghora sects. Ujjain was a prominent centre of these two sects. Even today, liquor is offered as a part of the ritual to Kal Bhairava Beautiful paintings in the Malwa style once decorated the temple walls, only traces of which are visible. These intricate paintings are a speciality of this temple.

Ujjain Maha kali

noreply@blogger.com (bhavi) — Sat, 13 Sep 2014 08:38:00 +0000

Ujjaini Maha kali:-

Maha kali temple is in Ujjain. Here the devi is called as Hara Sidhi Mata and if you ask by Maha kali temple people may not be able to tell about this. Though it is a shakti peetha people are not aware of this.People are confused with Ujjaini Maha Kali temple at Secuderabad in Andhra Pradesh.

The Maha kali (hara sidhi mata) was the aradhana devi of The great King Vikramadithya. It is said that King Vikramadithya has offered his head (sirassu) by cutting 11 times to devi and all those times devi made him live by jointing it back. We will find his portrait a hall next to the temple.

About Goddess Mahakali:-

Goddess Mahakali is also known as Rakt Dantika or Chamnuda. Mahakali appeared to kill the demon Andhakasur.

Andhakasur, the ruler of Ujjaini in those days, was blessed with a power that every drop of his blood that touched the ground would produce a new Andhakasur. When Lord Shiva pierced him with his trishul, Mahakali appeared and drank all the blood and ate all the new Andhakasurs. The demon finally accepted his defeat and the world became free of demons.

Harsiddhi Temple (or)MahaKali Temple:-

This temple occupies a special place in the galaxy of ancient sacred spots of Ujjain. Seated between the idols of Mahalaxmi and Mahasaraswati, the idol of Annapurna is painted in dark vermilion colour. The Sri Yantra, the symbol of power or shakti, is also enshrined in the temple.According to the Shiva Purana, when Shiva carried away the burning body of Sati from the sacrificial fire, her elbow dropped at this place. There is an interesting legend in the Skanda Purana about the manner in which the Goddess Chandi acquired the epithet of Harsiddhi. Once when Shiva and Parvati were alone on Mount Kailash, two demons called Chand and Prachand tried to force their way in. Shiva called upon Chandi to destroy them which she did. Pleased, Shiva bestowed upon her the epithet of 'one who vanquishes all'.The temple was reconstructed during the Maratha period and the two pillars adorned with lamps are special features of Maratha art. These lamps, lit during Navaratri, present a glorious spectacle. There is an ancient well on the premises, and an artistic pillar adorns the top of it.

Sthala purana:-

Mahakali is described as Rakta dantika/Chamunda in Skanda purana.

Demon Andhakasura, the ruler of Ujjaini in olden days, has a special power. In the battle field if his blood touches the earth, from each drop of blood a new Andhakasura will develop. Lord Shiva opposed Andhakasura pleased by the prayers of gods. Maha vinayaka (Sthirman ganesh) controlled the demon. Shiva pierced the chest of the demon with his Trishula. The blood produced numerous new Andhakasuras. With her Matrikas Mahakali appeared. All of them drank the blood. Mahakali drank all the blood and ate all the new Andhakasuras developed. Shiva lifted the demon in to the sky and burned him with the fire from his Third eye. Andhakasura accepted the defeat. prąyed the Lord. Shiva transformed him in to Bhringi and blessed him. The whole world became free of demons.

some of the important festivals celebrated at Ujjain Mahakali Shakti Peeth-

    Chaitra Navratri
    Ashwin Navratri
    Durga Puja
    Shivratri
    Magha Purnima
    Falguna Purnima
    Paush Purnima
    Shravan Month
    Maha Kumbh Mela

How To Reach:-

By Air:-
Indore is the nearest airport, which is well connected to major cities like Delhi, Mumbai, Bhopal and Gwalior.

By Rail:-
The railway station in Ujjain connects it with the major cities of the country.

By Road:-
A good network of road makes Ujjain easily accessible from cities like Bhopal. Delhi,Mumbai, Indore, Gwalior and Khajuraho.

Accomodation:-
Mahakal temple is located in Ujjain town. Here Madhya Pradesh Tourism Department Hotels "Shipra Residency" & "Hotel Avantika" are the ideal options for accommodation of tourists. In addition to them some budget category private guest houses and hotels are also their. Here we can't expect various options in different category. If visitor is looking for luxury option then it will be better to look for hotel in Indore city(65kms) and visit temple as excursion tour.

Hanuman ji

noreply@blogger.com (Chandresh Dedhia) — Sat, 14 Sep 2013 11:04:00 +0000

durga maa

noreply@blogger.com (Chandresh Dedhia) — Tue, 10 Sep 2013 12:01:00 +0000

Nageshwar-Parshwanath-ji-Nageshwar

noreply@blogger.com (Chandresh Dedhia) — Thu, 05 Sep 2013 12:56:00 +0000

Parshwanath ji photo

noreply@blogger.com (Chandresh Dedhia) — Thu, 05 Sep 2013 12:50:00 +0000

Ganesh ji of Lalbaug

noreply@blogger.com (Chandresh Dedhia) — Sat, 31 Aug 2013 13:53:00 +0000

Pawapuri Jal Mandir of Mahavir Swami

noreply@blogger.com (Chandresh Dedhia) — Sat, 17 Mar 2012 11:44:00 +0000

Pawapuri was at this place that Lord Mahavira, the twenty fourth Tirthankar attained “Nirvana” or eternal salvation from the cycle of death and birth in the year 527 BC. The Pictures shows the “Charan Paduka” housed in Jal Mandir, one of the 5 main temples in Pawapuri. It marks the spot where the mortal remains of the Lord Mahavira was creamated.

Pawapuri is situated in Bihar, India and its proximity to the capital city, Patna makes it approachable to pilgrims and tourists alike. It is situated on the Patna-Ranchi road and can be approached either from Nawadah or Bihar Sharif.

During ancient times about 2600 year ago, Pawapuri was the part of Magadha Kingdom and was called “Madyama Pawa” or “Apawapuri”, Ajatshatru, the son of King Shrenik who was one of the greatest disciples of Lord Mahavira was the King of Magadh during the lifetime of Mahavir. During the reign of Ajatshatru King Hastipal was the King of Pawapuri. When Lord Mahavira came to Pawapuri he stayed in King Hastipal’s “Rajikshala”.

There are five main temples in Pawapuri – the Jal Mandir,the Gaon Mandir,the Samosaran,the New Samosaran and another temple built by Bibi Mehetab Kumari. Apart from these temples there is a Digamber Mandir near Jal mandir.

jal-mandir-featured

Jal mandir as the name suggests is a temple in the middle of a lake blooming with lotuses. The main deity of the beautiful temple is a very old “Charan Paduka” of Lord Mahavira. It marks the spot where the mortal remains of Lord Mahavira was cremated. It is believed that this temple was built by King Nandivardhan, elder brother of Lord Mahavira.

Jal Mandir is built in the shape of “Vimana” and there is a stone bridge about 600 feet in length across it from the bank to the temple.
According to the legend, the concourse of the people who attended the funeral ceremony of Lord Mahavira , was so large that the mere act of their taking a pinch of ashes created such a big hollow over the place that it transformed into present tank.

The sheer beauty , along with the peace and tranquility of this temple is a treat to the eyes of the visitors.

DSC00248

The Gaon mandir or the village temple marks the spot where Lord Mahavira breathed his last. It is said that this temple was built by King Nandivardhan, elder brother of Lord Mahavira. It is at this spot where the Lord addressed his last preachings our “updesha” . This “updesha” was supposed to be attended by many people, from across the country and from different walks of life. Knowing that his end was not far, Mahavira started his last “updesha” . He continued to preach till he gained “Nirvana” . Unable to bear the loss of the Lord all the people present there illuminated “diyas” (lamps) fuelled by ghee to lighten the atmosphere of sorrow. This tradition has continued till day.

Gaon mandir has a big compound along with a huge Dharamshala with all the neccessary basic amneties catering to the comfort of the pilgrims. The dedicatory stone of the temple records the restoration of Pawapuri during the reign of Emperor Shah Jahan in 1641 AD by Swetamabri Sangh of Bihar under Acharya Jina RajaSuri

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Sametshikhar Shikharji Parasnath Hill

noreply@blogger.com (Chandresh Dedhia) — Wed, 07 Mar 2012 11:00:00 +0000

Shikharji or Sametshikhar also known as the Parasnath Hill, located in Giridih district in Jharkhand, India, is a major Jain pilgrimage destination and is the most sacred place for Jains in the world. According to Jain belief, twenty of the twenty-four Tirthankaras (teachers of the Jains) attained Moksha (Nirvana) from this place. Parasnath Hill with a height of 1,350 metres (4,430 ft)) make up the highest mountain in the state of Jharkhand.

Shri Sammed Shikharji attracts pilgrims from across India.

The number of Tirthankars who attained nirvana at Shri Sammet Shikharji is 20. For each of them there is a shrine on the hill.

The hill is also known as Parasnath, a name derived from Parshva, the 23rd Tirthankara who attained Nirvana there. His present temple is not very old, although the idol in the main temple is ancient. The Sanskrit inscriptions at the foot of the images indicate that they were put in the temple in 1678 A.D.

Archaeologists believe some of the existing temple edifices on Parasnath Hill date from 1765 A.D. although the place is of greater antiquity. It is certain that the present edifices replace older edifices, which were demolished. Jain temples are often pulled down and re-built.

Each tirtha (pilgrimage site) represents centuries of devotion, which found expression in temple-building, and to this day are at the centre of pilgrimages and festivals at frequent intervals. Although many of the temples may seem complicated in appearance, each is designed on the principles common to the religious architecture of the late medieval period, the elaborations being due to such factors as the addition of supplementary shrines, second stories, and adding pillared cloisters around all the larger examples. One variation unique to Jain temples is the frequent production of a class of temple known as chaumukh, or four-faced.

There is a Temple of Bhomiyaji at the start of the Hills (Termed as Taleti) and it is said that once you bow your head at this temple and start the journey towards the top of the hill, there is no way you can be mislead in the journey. The moment you forget the way, there will be Dogs who will guide you the way and will soon disappear fast once you are back on track.

Tirthankaras attaining Nirvana at Shri Sammed Shikharji

Shri Ajitnath Ji
Shri Sambhavanath Ji
Shri Abhinandannath Ji
Shri Sumatinath Ji
Shri Padmaprabha Ji
Shri Suparshvanath Ji
Shri Chandraprabha Ji
Shri Suvidhinath Ji
Shri Sheetalnath Ji
Shri Shreyansanath Ji
Shri Vimalnath Ji
Shri Anantnath Ji
Shri Dharmanath Ji
Shri Shantinath Ji
Shri Kunthunath Ji
Shri Aranath Ji
Shri Mallinath Ji
Shri Munisuvrata Ji
Shri Naminatha ji
Shri Parshva Ji
One can also pay a visit to Palganj Ji, which is just 12 km away from Madhuban (place from where this journey begins). This temple has a sculpture of Shri Parasnath Bhagwan which was from 4th Century, also the priest of the temple narrates story about this temple which is worth to listen.

Shikharji temples

Following are temples at Shikharji. The actual temples are not numbered; hence there may be minor differences in the numbering of temples in various guidebooks and literature. The following numbering is based on the guidance provided by the local Shikharji resident supervisor.

Shri Gautam Swami (Ghandhar)
Shri Kunthunath Prabhu (17th Tirthankar)
Shashvat Jin Shri Rishbhanan Prabhu
Shashvat Jin Chandranan Prahbu
Shri Naminath Prabhu (21st Tirthankar)
Shri Arnath Prahbu (18th Tirthankar)
Shri Mallinath Prabhu (19th Tirthankar)
Shri Shreyansnath Prabhu (11th Tirthankar)
Shri Suvidhinath Prabhu (9th Tirthankar)
Shri Padam Prabhu (6th Tirthankar)
Shri Munisuvrat Prabhu (20th Tirthankar)
Shri Chandrah Prabhu (8th Tirthankar)
Shri Adinath Prabhu (1st Tirthankar)
Shri Anantnath Prabhu (14th Tirthankar)
Shri Sheetalnath Prabhu (10th Tirthankar)
Shri Sambhavnath Prabhu ( 3rd Tirthankar)
Shri Vasupujya Prabhu (12th Tirthankar)
Shri Abhinandan Prabhu ( 4th Tirthankar)
Shri Shubh Swami Ghandhar
Jal Mandir
Shri Dharamnath Prabhu (15th Tirthankar)
ShashvatJin Shri Vardhman Prabhu
ShashvatJin Shri Varishen Prabhu
Shri Sumatinath Prabhu (5th Tirthankar)
Shri Shantinath Prabhu (16th Tirthankar)
Shri Mahavir Prabhu (24th Tirthankar)
Shri SuParshavnath Prabhu (7th Tirthankar)
Shri Vimalnath Prabhu (13th Tirthankar)
Shri Ajitnath Prabhu (2nd Tirthankar)
Shri Neminath Prabhu (22nd Tirthankar)
Shri Parshavnath Prabhu (23rd Tirthankar)

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Palitana Shatrunjaya Giriraj

noreply@blogger.com (Chandresh Dedhia) — Wed, 07 Mar 2012 10:14:00 +0000

Palitana is located in Gujarat, 51 km south west of Bhavnagar. The town has a good road and rail network that connects it to the other cities of Gujarat. Bhavnagar, the nearest airport lies at a distance of 60 kilometer from Palitana. Siddha Kshetra Shri Shatrunjaya Teerth is situated on a hill, which is decorated by 3500 temples. Spires of the temples attract pilgrims from a far distance. Nagarjuna founded Palitana, which derives its name from Guru Padalipta or politta. The chief attraction here is the holy Jain shrine Shatrunjay Hill, 3 km away from the railway station.

On the top of the hill 873 temples were built of white marble, the work beginning in the 11th century and continuing for 900 long' years. However, destroyed by the Muslim invasions in 14th and 15th centuries, the temples were built anew in 1500. They are unique- in their architecture and sculpture. The ornamented temples look like ivory miniatures in the sunlight, seems to be wedding cake. Notable among the temples are Adinath, Kumarpal, Sampriti Raj, Bimal Shah. The holiest temple among the cluster, according to the Jain pilgrims, is the temple of Adishwar, the first Jain Tirthankar. It is also the most beautifully wrought. The marble image of the deity is bedecked with gold ornaments studded with precious jewels. The largest temple built in 1618 is that of 4-faced Adinath, the first Tirthankara.

Bhagawan AdishvarJain Teerth:

Steps :- 3364
Height:- 2000 ft
mile:- 7.5
Idols :- 27007
Jain Mandir :- 3507
Pagla:- 1500

It is on the Shetrunjaya Mountain at a distance of nearly six kilometers near the city of the bank of the river Shetrunjaya.

The artistry and sculpture of these temples aptly illustrate the ancient art.
Historical Details: This tirth is known as the eternal tirth. The ancient name of the city of Palitana was Padliptapur. In olden times this mountain was also called Pundarikgiri. Palitana is a city of temples.

The temple was renovated 16 times as under.
First Renovation : By Chakravarti Bharat, the son of Bhagawan Adinath.
Second Renovation : By the King named Dandavirya.
Third Renovation : By Shri Ishaneshvar in the interim period between the times of the first and the second Tirthankaras.
Fourth Renovation : By Mahendra of the fourth upper world (dev-loko).
Fifth Renovation : By Brahmendra of the fifth upper world.
Sixth Renovation : By Chamarendra, Indra of Bhavanapatis.
Seventh Renovation : By Sagar Chakravarti, the second Chakravarti of the times of Bhagawan Ajitnath. Eighth Renovation : By Vyantarendra in the times of Abhinandan Swami.
Ninth Renovation : By King Chandrayasha in the times of Chandraprabh Swami.
Tenth Renovation: By Chakradhar, the son of Bhagawan Shantinath in the times of Bhagawan Shantinath. Eleventh Renovation : By Ramchandraji and Lakshamanji in the times of Munisuvrat Swami.
Twelfth Renovation : By the five Pandavas in the times of Bhagawan Neminathji.
Thirteenth Renovation : By Sheth Javed Shah of Mahuva in the year 108 of the Vikram era. He spent a million gold mohurs.
Fourteenth Renovation : By the advisor Bahud in the times of Kumarpal in the year 1213 of the Vikram era. Fifteenth Renovation : By Shri Samara Shah in the year 1371 of the Vikram era.
Sixteenth Renovation : By Shri Karama Shah of Chitod on the auspicious sixth day of the dark half of the month of Vaishakh in the year 1587 of the Vikram era.

Managing Trust:
Shri Anandji Kalyanji Pedhi Management
:Shri Anandji Kalyanji Pedhi, Taleti Road, Palitana- 364270. Dist Bhavnagar, Gujarat
Trust: -Shree Digambar Jain Siddhaksetra Sathrunjaya ji, P.O-Palitana, District-Bhavnagar, Gujrat Pin-364270
Trust:- Shree Palitana Desha Humad Digambar Jain Mandir Trust,
Phone: -02848-252547
Boarding Lodging in Dharamshala in the city near Mandvi.

Picture of Palitana jian tirth

Chidambaram Temple

noreply@blogger.com (bhavi) — Thu, 29 Dec 2011 08:26:00 +0000

Chidambaram Temple is about 200 kilometers south of Chennai in Tamil Nadu, South India. Nataraja temple is located in the centre of the town of Chidambaram and covers an area of 40 acres.

It is one of the ancient temples of Tamil Nadu. The roof of the sanctum sanctrorum is covered with gold plates. The Eastern tower rises to a height of 40.8 metres. 108 Bharatha Natyam Dance gesture can be seen on the Eastern tower as well as on Western tower. The Northern tower rises to height of 42.4 metres.The Sivakamiamman temple, the Sivaganga tank, the thousand pillar hall are other important features of the Temple.

Chidambaram is associated with Nataraja, or Shiva in his Ananda Tandava pose (the Cosmic Dance of bliss) in the cosmic golden hall and the hall of consciousness (Chit Sabha). The word "Koyil" or temple in the Tamil Saivaite tradition refers to none other than the Chidambaram Nataraja temple.

Chidambaram is one of the Panchabhoota Stalams signifying the five elements of wind (Kalahasti), water (Tiruvanaikka), fire (Tiruvannamalai), earth (Kanchipuram) and space (Chidambaram).

Four most revered Saivaite Saints (Appar, Sundarar, Sambandar and Manikkavachakar) have worshipped at Chidambaram, and the bulk of Manikkavachakar's work is in praise of Shiva at Chidambaram. Accordingly, their images are placed in the temple entrances corresponding to their points of entry into the temple. (Sambandar - South, Appar - West, Sundarar - North and Manikkavachakar - East).

This temple is home to Chidambara Rahasyam, concept of nothingness (aroopam). Shiva is said to have revealed a vision of his cosmic dance to Patanjali, Vyagrapadar and to all the Devas here. In terms of its antiquity, richness in terms of worship & festival traditions, in architectural & sculptural splendour, in its association with music & dance, Chidambaram is a center second to none in truly representing the rich Indian cultural heritage.

PLACES OF INTEREST

Kali Temple: The Thillaikaliamman temple is on the northern end of the town. It was built by Kopperunjingan, who ruled between 1229 AD and 1278 AD.

Annamalai University: It is a residential University founded by the Raja Sir Annamalai Chettiar. It is a great centre of Tamil learning and carnatic music; now offers educational facilities in various disciplines including Medicine, Agriculture, Engineering etc.

Pichavaram: Pichavaram, 16 kms. east of Chidambaram, ranks among the most exquisite scenic spot with abundant and varied tourism resources. The backwaters which are interconnected by the Vellar and Kollidam system offer abundant scope for water sports - parasailing, rowing and canoeing.

Neyveli: It is about 30 kms. from Chidambaram via Vadalur. It is one of the biggest industrial complexes in the country. The lignite mined here is used for thermal power generation. Apart from fertilisers ceramic wares and Leco (cooking coal), a number of by-products are also produced from lignite.

Kalvarayan Hills: The Kalvarayan hills are situated 150 kms north west of Chidambaram on the western side of Kallakurichi Taluk. Spread over an area of 600 sq. kms. approximately with the height ranging from 315 mts. to 1190 mts. these hills offer a temperate climate and quiet solititude. There is a botanical garden on the hills. There are two waterfalls here. The area is ideal for trekking. A summer Festival is also held every year in May.

Tarangambadi: Once the site of a Danish settlement, Tarangambadi has the remains of the Dansborg fort built by Ore Gedde, the commander of the Royal Dutch Navy, in the 17th century. The fort constructed in 1620 with two storeys was the most important building which housed the top echelons of the Danish officials. Apart from the ramparts, the rest of the buildings are in good condition.

Arunachaleswara Temple in Tiruvannamalai is dedicated to Lord Siva

noreply@blogger.com (bhavi) — Thu, 29 Dec 2011 08:24:00 +0000

Arunachaleswara Temple in Tiruvannamalai is dedicated to Lord Siva and it is one of the largest temples in India . Arunachaleswara temple is one of the "Panch Boodha Sthalams" and it is "Agni" Sthalam. It has also the importance as "Padal Petra Sthalam". That is the four famous 'Saiva Saints and Poets' such Appar, Sundarar, Manichkavasakar and Thirugnana Sambandar made several poems on Lord Arunachaleswara.

Tiruvannamalai is one of the greatest Saivite shrines in India, on a sprawling 24 acre temple campus, drawing hundreds of thousands of pilgrims every full moon. The hill here is considered to be a manifestation of Shiva. Tiruvannamalai is one of the Panchabhoota Stalams signifying the 5 elements of wind (Kalahasti), water (Tiruvanaikka), fire (Tiruvannamalai), earth (Kanchipuram) and space (Chidambaram). Kartikai Deepam festival here is of great significance. Manikkavacakar composed his Tiruvempavai here.The Paatala Linga shrine is connected with the spritual savant Ramana Maharishi. Arunagiri Nathar began composing his Tiruppukazh here at this temple.

Legend here goes that Shiva assumed the form of a huge column of fire, whose origins Bhramma and Vishnu failed to trace.

When we observe the general structure of the temple, we notice that there are five small gopurams on the inner boundary and four big gopurams on the outer boundary. The inner gopurams are known as Kitti gopurams. There are two gopurams in the East and one gopuram each for the other three directions. The first of the two Eastern gopurams is called Kili gopuram. There are indications that this was built in the 11th century. The gopurams built during this period have no more than five stories. The Kili gopuram was built by Veera Rajendra Chozhan around 1063 A.D. He is referred to as Maharaja Thiribuvana Chakravarthigal in the inscription.This name was also given to the gopuram. The Kitti (smaller) gopurams, except the top of the western one, were built by the Hoysala King Vallala Maharaja III. His name is given to the biggest Kitti gopuram which is in the East.

In the outer gopurams, historians say the western gopuram is the oldest. The base was built by Vallala Maharaja. The top belongs to a later style. Inscriptions attribute this to Krishna Deva Raya of Vijayanagar. This king had undertaken important construction work in this temple. It is said, he built the base of the other three gopurams. But the architectural style of the base of the Western gopuram was constructed first and then those of the South, East and North. Though the Eastern gopuram, known as the Rajagopuram looks older, it was built after the Western one. This was constructed by Krishna Deva Raya and renovated by king Sevappa Naicker of Tanjore. There is another view that this was completely built by Sevappa Naicker. Tamil and Sanskrit inscriptions on the Western gopuram dated 1690 A.D. bear witness to this. Krishna Deva Rayer of Vijayanagar also constructed the hundred pillared and thousand pillared halls in the temple. He dug the Sivagangai Thirtham in front of the thousand pillared hall. As mentioned earlier, he built the base of the three gopurams and either began or finished the Eastern Rajagopuram with eleven stories.

All the kings mentioned above and chieftains like Kadava Raya, Sambuvaraya and Banas expressed their devotion to Arunachaleswara by building small temples inside the Arunachaleswara temple as well as around the mountain and elsewhere in the town. These kings were also responsible for digging many ponds in this region. To the devotees visiting the town and the temple, its architectural splendor and sculptured beauty, its rich lands and ponds, its jewels and appurtenances, the inscriptions and the wealth of literature praising the glory of Arunachaleswara are glowing evidence of the love that the lord has commanded in the minds of kings and commoners through the centuries. Critics may take exception to the absence of continuity in the architectural style but there is no lack of continuity in the depth of piety of the kings who built it.

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SiddhiVinayak temple at Prabhadevi in Mumbai.

noreply@blogger.com (bhavi) — Tue, 27 Dec 2011 07:06:00 +0000

The temple was first consecrated on Thursday 19'h November 1801. The idol made of black stone was placed in a small structure; the existing temple was rebuilt on the site of a 200-year old temple. The narrow lane outside the temple is the 'Phool galli' lined with innumerable stalls selling tulsi flower garlands, coconuts, an array of sweets including the pear shaped favourite yellow sweet of Lord Ganesha, the 'modak', and a range of religious paraphernalia.

SiddhiVinayak temple at Prabhadevi in Mumbai. This Vinayak temple in Mumbai is one of the oldest temples of the city. On Tuesdays, the serpentine queue of worshippers is almost over 2kms long. There are a lot of pujas performed in the temple, as the lord here is believed to remove obstacles in every ones way. Sankata Chathurhi, and Ganesh Chathurthi are celebrated with a lot of pomp here. An estimated 1.5-to 2-lakh people visit this temple every Tuesday.

The sanctum here houses a small mandapam enshrining Siddhi Vinayak. The inner roof of the sanctum is plated with gold, and the wooden doors to the sanctum are carved with images of Ashta Vinayak.
The idol of Ganpati has four arms therefore He is also called Chaturbhuj. A lotus is held in the upper right hand and a small axe in the upper left, holy beads are held in the lower right and a bowl full of Modaks (a delicacy which is a perennial favorite with Sri Siddhivinayak) in the lower left. Flanking the deity on both sides are Riddhi and Siddhi, goddesses signifying sanctity, fulfilment, prosperity and riches. On the forehead of the deity there is an eye, which resembles the third eye of Lord Shiva. Most icons of Ganapati depict the elephant faced God with his trunk curled towards his left. Siddhi Vinayak in Mumbai, Siddhi Vinayak at Siddhatek in Maharashtra as well as Karpaka Vinayakar at Pillayarpatti in Tamilnadu are depicted with a trunk pointing to the right (Valampuri).

The temple as it stands now was re-constructed five years ago after deliberations with experts on Hindu religion and customs, so as to maintain the sanctity of the idol as per the Hindu Shastras. The temple has a Kalash, which is a pointed dome of 12 feet high Gabhara (sanctum sanctorum) weighing 1500Kgs and plated in gold. The Kalash, which adorned the earlier temple was lowered with proper rituals and is kept as an exhibit within the temple premises. The devotees earn the satisfaction of seeking the blessing of The Lord by taking a devoted look at the Kalash. The idol has not been touched in the process of rebuilding the temple, so as to ensure that there is no human transgression in the area from the point at which the idol is situated. The Gabhara of the new temple structure has been designed with an aim to attain maximum convenience and comfort for the devotees. It is a spacious enclosure with 3 main doors of about 13 feet height. This facilitates the 'Darshan' of Sri Siddhivinayak from either the area surrounding the Gabhara or the stage (Sabha Mandap) constructed to conduct pujas and festivities.

The area surrounding the Gabhara has been designed as a sitting area and the stage adjoining the same is utilised as a platform for common Darshan sought by the devotees who are unable to spend hours in serpentine queues to go inside the Gabhara. It is an octagonal enclosure, about 10 feet wide consisting of a silver plated Makhar (a smaller structure within the Gabhara housing the idol of The Lord). The dome inside the Gabhara is gold plated - designed to enhance the beauty of the idol. An exquisite chandelier lights up the Gabhara, making it a sight never to be forgotten. The three main doors, which are used for entry and exit by the devotees, are made of perforated wood, depicting Ashta Ganapati, Ashta Laxmi and Dashavatar.

Amarnath Cave Temple

noreply@blogger.com (bhavi) — Mon, 26 Dec 2011 12:53:00 +0000

Amarnath Temple is a highly revered Cave Temple dedicated to Lord Shiva situated around 141 km from Srinagar in Jammu and Kashmir, India. Situated at an altitude of 3,888 m above the sea level, the Amarnath Caves stand at the end of Lidder Valley. The main Amarnath Cave Temple is the abode of Lord Shiva who is formed naturally of an ice – stalagmite. This Lingam is believed to grow and disappear with the phases of the moon. As such, the lingam excels on the full moon day and slowly diminishes and disappears on the new moon day. According to Hindu mythology, Amarnath is the cave used by Lord Shiva to explain the secret of life and eternity to his divine consort Goddess Parvati Devi. On the left side of the Shivling is an ice formation of Lord Ganesha and on the right are ice formations of Parvati and Bhairava.

Amarnath Yatra – Pilgrimage to Amarnath Temple

Amarnath Yatra is an important pilgrimage for Hindus. According to Hindu belief, the Amarnath Cave Temple Yatra begins on Ashadha Purnima (Full Moon day in the month of Ashadha) and ends on Shravana Purnima (Full Moon day in the Hindu month of Shravana). That is, the annual yatra is performed during July and August. This year, the Amarnath Yatra 2011 begins on 29th June 2011 and concludes on 13th August 2011 on Raksha Bandhan festival day.

Amarnath Pilgrimage Journey

The pilgrimage generally starts from the 42 km travel on foot from the town of Pahalgam, (about 96 km from Srinagar) and lasts for four to five days. The traditional trek route is Pahalgam – Chandanwari – Pissu Top – Sheshnag – Panchtarni – Amarnath Cave. The Amarnath Cave is reached on the full moon day and the pilgrimage is complete. Another route is the shorter route from the town of Baltal.

About 400,000 people visit the Amarnath Cave Temple, during the 45 days Amarnath Yatra pilgrimage season.

History of Amarnath Temple

Amarnath Cave Temple is believed to be of 5,000 years old. Legend says that a Muslim shepherd named Buta Malik discovered this Holy Cave. He was given a bag full of coal by a saint. The shepherd went home and opened the bag. He found that the bag was full of gold coins which made him happy. He went back to thank the Saint. But he found that the Saint had disappeared and noticed The Holy Cave. Thereafter this has become the holy place of pilgrimage.

Another legend about Amarnath Cave Temple says that the valley of Kashmir was beneath water and it was the sage Kashyap who drained the water through rivers and rivulets. Bhrigu Rishi who was on his way to The Himalyas was the first person to have found this Holy Cave and the Lingam.

According to Hindu Myth, Lord Shiva was looking for a secret isolated place to tell the "Amar Katha" to Goddess Parvathi and thus he selected the Amarnath Cave. He left his vehicle Nandi, the celestial bull, in Pahalgam, released the moon from his hair at Chandanwari and on the banks of Lake Sheshnag, he released the snakes. He left his son, Lord Ganesh, at Mahagunas Parvat and at Panjitarni, he left Five Elements of life - earth, water, air, fire and sky. At last he created Rudra named Kalagni and ordered him to fire up and remove every living thing in and around the holy cave. Then the Lord took Goddess Parvathi inside the cave to narrate the Amar Katha.

How to reach Amarnath Temple

By Air

The nearest airport is at Srinagar, around 141 km away from Amarnath Temple.

Jammu (300 km) serves as the nearest railhead and bus station. Jammu and Srinagar are connected through road services.

By Train / Bus

Jammu (300 km) serves as the nearest railhead and bus station. Jammu and Srinagar are connected through road services.

Maa Durga Aarti

noreply@blogger.com (bhavi) — Sat, 15 Oct 2011 12:34:00 +0000

Maa Durga Aarti

Goddess Durga Maa Photo

Goddess Durga Maa Aarti
Jai Ambe Gauri maiya, jaa Shyama Gauri
Nishdin tumko dhyavat, Hari Brahma Shivji,
Jai Ambe....

Mang sindur birajat, tiko mrigmadko,
ujjvalse dou naina, chandravadan niko,
Jai Ambe....

Kanak saman kalevar, raktambar raje,
Raktapushp galmala, kanthhar saje,
Jai Ambe....

Kehari vahan rajat, khadg khappar dhari
sur nar munijan sevat, tinke dukhahari,
Jai Ambe....

Kanan kundal shobhit, nasagre moti
Kotik chandra divakar, samrajat jyoti,
Jai Ambe....

Shumbh- nishumbh vidare, MahishaSur ghatia
Dhumra-vilochan naina, nishdin madmati
Jai Ambe....

Brahmani, Rudrani tum Kamala Rani,
Agam-nigam bakhani. turn Shiv patrani,
Jai Ambe....

Chaunsath yogini gavat, nritya karat Bhairon,
Bajat tab mridanga, aur bajat damru,
Jai Ambe...

Tum ho jag ki mata, tum hi ho bharta,
Bhaktan ki dukh harta, sukh sampati karta,
Jai Ambe....

Bhuja char ati shobhit, var mudra dhari,
Manvanchhit phal pavat, sevat nar nari,
Jai Ambe....

kanchan thal virajat, agaru kapur bati
Malketu men rajat, kotiratan jyoti,
Jai Ambe....

Kali Maa Aarti

noreply@blogger.com (bhavi) — Sat, 15 Oct 2011 12:22:00 +0000

Kali Maa Aarti

Goddess Kali Maa Photo

Goddess Kali Maa Aarti

Ambe Tu he Jagad Ambe Kaali
Jai Durge Gabbar waali
Tere hi gun gaaye Bhaarti
O Maiyaa hum sab utaren Teri Aarti

Tere bhaktjano par Mata
ghir padi hai bhaari
Daanav dal par tut pado
Maa kar ke sinha sawaari

So So sinho se hai balsaali
Hai Das bhujaa waali
dukhiyon ke dukh nivaarti
O Maiyaa ............

Maa bete ka hai is jag main
Badaa hi nirmal naataa
pUt kapoot sune hai par naa
Maata suni Kumaataa

Sab pe karunaa barsaane waali
Amrit barsaane waali
dukhiyon ke dukh nivaarti
O Maiyaa ............

Naa mange hum dhan aur daulat
naa chaandi naa sonaa
hum to mange Maa Tere man main
Ek chotaa saa kaunaa
sabki bigdi banane waali
laaj bachaane waali
Sation ke sat ko sanwaarti
O Maiyaa .........................

Other Aarti of Maa Kali

Prema Sahitaa Nita Karun Aarti
Mahaakaalii Maiyaa Ki

Ari Dala Daranii Mangalaa Bharanii
Dukhaaharinii Sukhadaiyaa Ki

Tuma Hii Agama Bhava Bharane Waali
Tuma Hii Jagataa Laya Karane Waali

Tuma Hii Kashta Lakhi Nija Bhaktana Para
Aakara Turata Sahaiyaa Ki

Tumhin Prabala Ho Hari Kii Shakti
Rudra Bhava Shankaraa Kii Bhakti

Tumhin Janani Patavaara Banii

Laxmi Maa Aarti

noreply@blogger.com (bhavi) — Sat, 15 Oct 2011 12:16:00 +0000

Laxmi Maa Aarti

Goddess Kali Maa Photo

Goddess Lakshmi Maa Aarti
Jai lakshmi maataa, Maiyaa jaya lakshmi maataa
Tumako nishadina dhyaavata, Hara vishnu vidhaataa
Om Jai Laxmi Mata

Brahmaanii, rudraanii, kamalaa, Tuuhii hai jaga maataa
Suurya chandramaa dhyaavata, Naarada rishi gaataa
Om Jai Laxmi Mata

Durgaa ruupa nirantara, sukha sampati daataa
Jo koi tumako dhyaavata, riddhi siddhi dhana paataa
Om Jai Laxmi Mata

Tuuhii hai paataala basantii, Tuuhii shubha daataa
Karma prabhaava prakaashaka, Jaganidhi ke traataa
Om Jai Laxmi Mata

Jisa ghara mein tuma rahatii, saba sadaguna aataa
Kara sake koii kara le, mana nahin ghabaraataa
Om Jai Laxmi Mata

Tuma bina yagya na hove, Vastra na koii paataa
Khaana paana kaa vaibhava, Saba tumase hii aataa
Om Jai Laxmi Mata

Shubha guna mandira sundara, Kshirodadhi jaataa
Ratana chaturdasha tuma hii, Koii nahiin paataa
Om Jai Laxmi Mata

Aartii lakshmii jii kii, Jo koii nara gaataa
Ura aananda umanga ati, Paapa utara jaataa
Om Jai Laxmi Mata

Saraswati Maa Aarti

noreply@blogger.com (bhavi) — Sat, 15 Oct 2011 12:13:00 +0000

Saraswati Maa Aarti

Goddess Saraswati Mata Photo

Goddess Saraswati Maa Aarti

Jai Sarasvati mata, jai he Sarasvati mata
Sadgun vaibhav shalini, tribhuvan vikhyata,
Jai Sarasvati....

Chandravadani padmasini dyuti mangalakare,
Sohe shub hansa savare, atul tejdhari,
Jai Sarasvati....

Baen kar men vina, daen kar mala,
Shish mukut mani sohe, gal motiyan mala,
Jai Sarasvati....

Devi sharan jo ae, unka uddhar kiya,
Paithi Manthra dasi, Ravan sanhar kiya,
Jai Sarasvati....

Vidya gyan pradayini, jag men gyan prakash bharo,
Moh aur agyan timir ka jag se nash karo,
Jai Sarasvati....

Dhup dip phal meva, man svikar karo,
Gyanchakshu de mata, jag nistar karo,
Jai Sarasvati..,.

Man Sarasvati ki arti jo koi jan gave,
Hitkari sukhkari, gyan bhakti pave,
Jai Sarasvati....

51 Shakti peethas

noreply@blogger.com (bhavi) — Mon, 08 Aug 2011 12:23:00 +0000

51 Shakti peethas

51 Shakti Peeths are very important and ancient Hindu religious pilgrims. The story of formation of these shakti peeths comes in Purans as

Devi Parvati in her last birth as the daughter of Daksha was married to Lord shiva. Once her father daksha was promoted to head of Prajapati by lord Brahaman ( his father). He got too much pride and hosted a Yagya, in which he didn’t invite his daughter Sati and Lord Shiva as he was having grievences with Lord Shiva. When Sati saw the Planes going in the sky she asked her husband Lord Shiva about the planes. Lord Shiva told her all the story.

She became very happy and sought his permission to attend the yagya. Lord shiva refused and said, “He has not invited us; so we must not go. Although we can go to our parents home with out invitation,yet if some one has rivalery or grievences with us , we must not go there.

Sati was not satisfied with all this and was adamond to go there. Seeing her so much interest Lord Shiva allowed her to go and sent her ganas with her.

When Sati reached there she saw that there is no part of lord shiva in the Yagya and she was greeted by anyone except mother. Her sisters met her very tauntingly laughing. She felt very much insulted not seeing the part of Lord shiva in the Yagya and left her Prana (died by Yoga). The ganas of Lord Shiva started destroying the yagya. The purodha of the yagya Rishi Bhirigu saved the yagya by creating Kritika, and kritika shunted out all the ganas of lord Shiva and they went to lord shiva and told him the whole story.

Lord Shiva became very violent and took his Mahakal posture. He destroyed the whole Yagya and slaughtered the head of Daksha. But his anger was not still pacified. He lifted the dead body of Devi Parvati on his shoulder and started Tandav.

The whole of the world became terrified and all the gods went to Lord Vishnu and sought his help. Vishnu went there and he was also not able to pacify Lord Shiva. He then ordered His Chakra and chakra started chopping the parts of the dead body of Sati one by one.

When nothing was left on the shoulder of Lord Shiva he was also pacified. There were 51 parts in total made of the dead body and the places where these parts of body fell are recognized as the Shakti Peeths.

"Shakti" refers to the Goddess worshipped at each location, all being manifestations of Dakshayani, Parvati or Durga;

"Bhairava" refers to the corresponding consort, each a manifestation of Shiva;

"Body Part or Ornament" refers to the body part or piece of jewellery that fell to earth, at the location on which the respective temple is built.

Sr. No.	Place	Body Part or Ornament	Shakti	Bhairava
1	Kanchipuram, Kamakshi temple, Kamakoti Peetam mentioned in Lalita Sahasram, Trishati, Astothram etc.	Ottiyana (Ornament covering stomach)	Kamakshi	Kaal Bhairav
2	Sri Lanka, in Nainativu, Jaffna	Anklets	Indrakshi (more commonly known as Nagapooshani in Tamil)	Rakshaseshwar (Nagathambiran)
3	Shivaharkaray, a little distance from Sukkur Station from Karachi, Pakistan	Eyes	Mahishmardini	Krodhish
4	Sugandha, situated in Shikarpur, Gournadi, about 20 km from Barisal town, Bangladesh, on the banks of Sonda river.	Nose	Sugandha	Trayambak
5	Amarnath in Kashmir, India from Srinagar through Pahalgam 94 km by Bus, Chandanwari 16 km by walk	Throat	Mahamaya	Trisandhyeshwar
6	Jwalamukhi, Kangra, India from Pathankot alight at Jwalamukhi Road Station from there 20 km	Tongue	Siddhida (Ambika)	Unmatta Bhairav
7	Ambaji, at Anart, Gujarat, India	Heart	Ambaji
8	Nepal, near Pashupatinath Temple at Guhyeshwari Temple	Both knees	Mahashira	Kapali
9	Manas, under Tibet at the foot of Mount Kailash in Lake Mansarovar, a piece of Stone	Right hand	Dakshayani	Amar
10	Bardhaman in West Bengal, India	Navel	Mata Sarbamangala Devi	Bhagwan Shiv/Mahadev
11	Gandaki in Pokhara, Nepal about 125 km on the banks of Gandaki river where Muktinath temple is situated	Temple	Gandaki Chandi	Chakrapani
12	Bahula, on the banks of Ajay river at Ketugram, 8 km from Katwa, Burdwan, West Bengal, India	Left arm	Goddess Bahula	Bhiruk
13	Ujaani, 16 km from Guskara station under Burdwan district of West Bengal, India	Right wrist	Mangal Chandika	Kapilambar
14	Udaipur, Tripura, at the top of the hills known as Tripura Sundari temple near Radhakishorepur village, a little distance away from Udaipur town of Tripura, India	Right leg	Tripura Sundari	Tripuresh
15	On Chandranath hill near Sitakunda station of Chittagong District, Bangladesh. The famous Chandranath Temple on the top of the hill is the Bhairav temple of this Shakti Peetha, not the Shakti Peeth itself.	Right arm	Bhawani	Chandrashekhar
16	Locally known as Bhramari Devi. Behind a rice mill, near Jalpesh Temple in Jalpaiguri, West Bengal, India.	Left leg	Bhraamari	Ambar
17	Kamgiri, Kamakhya, in the Neelachal hills near Guwahati, capital of Assam, India	Genitals	Kamakhya	Umanand
18	yoga adya at Khirgram under Burdwan district, West Bengal, India	Big Toe (Right)	Jugaadya	Ksheer Khandak
19	Kalipeeth, (Kalighat, Kolkata), India	Right Toes	Kalika	Nakuleshwar
20	Prayag near Sangam at Allahabad, Uttar Pradesh, India	Finger	Alopi Devi Mandir or Madhaveswari	Bhava
21	Jayanti at Kalajore Baurbhag village of Falzur Pargana under Jayantia Thana of Sylhet district, Bangladesh. This Shakti Peetha is locally known as Falizur Kalibari.	Left thigh	Jayanti	Kramadishwar
22	Kireet at Kireetkona village, 3 km from Lalbag Court Road station under district Murshidabad, West Bengal, India	Crown	Vimla	Sanwart
23	Varanasi at Manikarnika Ghat on banks of the Ganges at Kashi, Uttar Pradesh, India	Earring	Vishalakshi & Manikarni	Kalbhairav
24	Kanyashram, Kanyakumari the Bhadrakali temple within the precincts of Kumari temple, Tamil Nadu, India (also thought to be situated in Chittagong, Bangladesh)	Back	Sarvani	Nimish
25	Present day Kurukshetra town or Thanesar ancient Sthaneshwar, at Haryana, India	Ankle bone	Savitri	Sthanu
26	Manibandh, at Gayatri hills near Pushkar 11 km north-west of Ajmer, Rajasthan, India	Two Bracelets	Gayatri	Sarvanand
27	Shri Shail, at Joinpur village, Dakshin Surma, near Gotatikar, 3 km north-east of Sylhet town, Bangladesh	Neck	Mahalaxmi	Sambaranand
28	Kankalitala, on the banks of Kopai River 10 km north-east of Bolpur station in Birbhum district, Devi locally known as Kankaleshwari West Bengal, India	Bone	Devgarbha	Ruru
29	Kalmadhav on the banks of Shon river in a cave over hills near to Amarkantak, Madhya Pradesh, India	Left buttock	Kali	Asitang
30	Shondesh, at the source point of Narmada River in Amarkantak, Madhya Pradesh, India	Right buttock	Narmada	Bhadrasen
31	Ramgiri, at Chitrakuta on the Jhansi Manikpur railway line in Uttar Pradesh, India	Right breast	Shivani	Chanda
32	Vrindavan, near new bus stand on Bhuteshwar road within Bhuteshwar Mahadev Temple, Vrindavan, Uttar Pradesh, India http://www.katyayanipeeth.org.in/	Ringlets of hair	Uma	Bhutesh
33	Shuchi, in a Shiva temple at Suchindrum 11 km on Kanyakumari Trivandrum road, Tamil Nadu, India	Upper teeth	Narayani	Sanhar
34	Panchsagar exact location not known (thought to be near Haridwar)	Bottom teeth	Varahi	Maharudra
35	Bhabanipur union, at Karatoyatat, 28 km distance from interior Sherpur upazila, Bogra District, Bangladesh	Left anklet (ornament)	Arpana	Vaman
36	Shri Parvat, near Ladak, Kashmir, India. Another belief: at Srisailam in Shriparvat hills under Kurnool district, Andhra Pradesh, India	Right anklet (ornament)	Shrisundari	Sundaranand
37	Vibhash, at Tamluk under district Purba Medinipur, West Bengal, India	Left ankle	Kapalini (Bhimarupa)	Sarvanand
38	Prabhas, 4 km from Veraval station near Somnath temple in Junagadh district of Gujarat, India	Stomach	Chandrabhaga	Vakratund
39	Bhairavparvat, at Bhairav hills on the banks of Shipra river a little distance from Ujjaini town, Madhya Pradesh, India	Upper lips	Avanti	Lambkarna
40	Goddess Saptashrungi (Goddess with seven arms), at Vani in Nasik, Maharashtra, India	Chin (2 parts)	Bhramari	Vikritaksh
41	Sarvashail or Godavaritir, at Kotilingeswar temple on the banks of Godavari river near Rajamundry, Andhra Pradesh, India	Cheeks	Rakini or Vishweshwari	Vatsnabh or Dandpani
42	Birat, near Bharatpur, Rajasthan, India	Left toes	Ambika	Amriteshwar
43	Locally known as Anandamayee Temple. Ratnavali, on the banks of Ratnakar river at Khanakul-Krishnanagar, district Hooghly, West Bengal, India	Right Shoulder	Kumari	Shiva
44	Mithila, near Janakpur railway station on the border of India and Nepal	Left shoulder	Uma	Mahodar
45	Nalhati, known as "Nalateshwari Temple" near Nalhati station of Birbhum district, West Bengal, India	Vocal chord with part of the tracheae	Kalika Devi	Yogesh
46	Karnat, Kangra, himachalpradesh.	Both ears	Jayadurga	Abhiru
47	Bakreshwar, on the banks of Paaphara river, 24 km distance from Siuri Town, district Birbhum, 7 km from Dubrajpur Rly. Station West Bengal, India	Portion between the eyebrows	Mahishmardini	Vakranath
48	Jessoreswari, situated at Ishwaripur, Shyamnagar, district Satkhira, Bangladesh. The temple complex was built by Maharaja Pratapaditya, whose capital was Ishwaripur.	Palms of hands and soles of the feet	Jashoreshwari	Chanda
49	Attahas village of Dakshindihi in the district of Bardhaman, near the Katwa railway station, in West Bengal, India	Lips	Phullara	Vishvesh
50	Sainthia, locally Known as "Nandikeshwari" temple. Only 1.5 km from the railway station under a banyan tree within a boundary wall, Birbhum district, West Bengal, India	Necklace	Nandini	Nandikeshwar
51	Hinglaj (Or Hingula), southern Baluchistan a few hours North-east of Gawadar and about 125 km towards North-west from Karachi, Pakistan	Bramharandhra (Part of the head)	Kottari	Bhimlochan
52	Danestwari (Kuldevi Of Bastar state ), Dantewada 80 km from Jagdalpur Tehsil, Chhattisgarh	Daant (teeth)	Danteshwari	Kapalbhairv
53	Vajreshwari , Kangra 18 km from Dharamshala Tehsil, Kangra	left Breast (teeth)	Vajreshwari	Kalbhairv
53	[Padmavati Devi] (Padmavatipuri Dham), Panns 80 km from Satna Madhya Pradesh	Padm	Padmavati Devi	Kapalbhairv
54	Tarapith, on the banks of Dwarka river, about 6 km from Rampurhat sub-division, Birbhum district, West Bengal, India	Third eye or spiritual eye (Tara)

Char Dham

noreply@blogger.com (bhavi) — Mon, 08 Aug 2011 12:14:00 +0000

In the top of the list are Char Dhams.

1. Badrinath dham

2. Dwarika Puri Dham

3. Jaggannath Puri Dham
4. Rameshwaram

Adi guru Shankaracharya revived Hindu religion and grouped four sacred places as Char dham related to Lord Visnu avatar (Incarnation). These Char hams make a perfect square as two of them Badrinath and Rameshwaram falls in the same longitude and Puri and Dwarika falls In the same latitude representing farthest north, east, west and south points.

Badrinath Dham is in the uttarakhan state garhwal hills on the bank of Alaknanda River. It is between nar and narayan hills.

Badri means Berri and nath means lord. Here berry is found very abundantly naturally. It is said adi shankracharya found a black stone image of Lord Badri Narayan made of Shaligram stone in Alaknanda river and established in a cave which was later on shifted to present temple by King of Garhwal in the sixteenth century.

Dwarika is in the west in the Gujarat state.dwarika derived its name from the Sanskrit word dvar which means Gate. Here Gomti river enters the gulf of Kuch nearby.

It is the wetern most state of India. Dwarika is said to be the dwelling place of Lord krishana. It is said that Dwarika was damaged six times by the sea water and the today’s Dwarika is the seventh.

Puri in the east is in the state of Orissa and is one of the oldest city of India. it is situated on the bay of Bengal.

It is dedicated to Lord Krishana and called Jaggannath. It is the only place in India Where Lord Krishana Is worshiped with her sister Subhadra and elder brother Balbhadra or Lord Balrama. The temple is believed to be 1000 years old and was constructed by Raja Choda Ganga Deva and Raja Tritiya Ananga Bhima Deva

Rameshwaram in the south is in the Indian state of Tamilnadu and is the southern most point of India and is situated on the Gulf of Mannar. It is the place where Lord Rama made bridge Ram Setu to Lanka in the war with Ravana. The Ramanatha Swamy Temple occupies the most area of Rameshwaram and is dedicated to Lord Shiva and is believed to be consecrated by Lord Rama. It is believed that pilgrimage to Banaras is incomplete without the Pilrimage of Rameshwaram.

One thing is common in all the four Dhams that all the four are related to Lord Vishnu.

In Rameshwaram although the Place is dedicated to Lord Shiva and temple of Lord Shiva is there. But that place is more famous for Lord Rama And the Shiva Linga Statue of Lord Shiva was consecrated by Lord Rama Himself.

Three of the Dhams are on sea shore and the forth that is Badrinath Dham which is in the North and couldnot have been on the sea shore is on the bank of river Alaknanda a very sacred River in Hindu Religion. A great importance was given to water or god of water which is one of the most important means for life.

Gangotri Temple

Char Dham in the Himalayas or Chota Char Dham these dhams as the name suggests are in the north and situated in Mountains of Himalayas and are:-

Badrinath, Kedarnath, gangotri and Yamunotri.

Ekaveera Devi

noreply@blogger.com (bhavi) — Mon, 08 Aug 2011 12:12:00 +0000

As per Sri Adi Shankarachrya's shaktipeethas shlok the 8th Shakti peethas is 'Mahurye Ekaveerika'

Ekaveerika devi temple is in Mahur , Maharashtra. The deity here is called Ekaveerika mata. The temple is in Yavatmal district in Maharashtra. It is 50 km from Kinwat and 126 km from Nanded. Nagpur is 210 km by road from Mahur. Sati's Right shoulder has fallen here.

Mahur is famous for Renuka Devi temple and very few people are knowing about Ekaveerika devi temple and mostly they call Renuka devi temple as shakti peeth. It is said that Ekaveerika Devi is the elder sister of Renukadevi. Renuka devi temple is 800 years old.

one of the 18Shaktipeethas, it known as " Mahurye Ekaveerika" Ekaveera Mayura; or Ekaveera Mata, or Goddess Ekaveera Mata temple at Mahur, Nanded dist. Also called Mayura Kshetram or Matru Patanam.This temple 19/,23kms, from Mahur village, on the bank of Pen ganga (Pancha ganga river), in the fields. The temple has the' head' of the deity goddess .Near by hill and surroundings have numerous temples, viz. Renuka mata temple; parasurama temple;Dattreya Swami temple; Anasuya mata temple; Atri Maharishi Temple; Matru thirtha; Devdeveshwar mandir;Mahur Fort This place is also called Heure 2 19kms from Mahur. By and large this temple is more known as Ekaveera, locally, as i learnt from a bank manager of Nanded. Not as known as Ekavenika devi, localy, and mostly frquented by people from Andhra than mahara- stra.

About Ekavenika devi Temple:-

Mahur is famous for Renuka Devi temple and very few people are knowing about Ekaveerika devi temple and mostly they call Renuka devi temple as shakti peeth. We find more rush at Renuka devi temple than Ekaveerika mata temple. It is said that Ekaveerika Devi is the elder sister of Renukadevi. Renuka devi temple is 800 years old.

Prasad being grinded Here pan patta and supari are grinded as paste and offered as prasad. There are many important temples and sightseeing places on the top of hill, and in the deep forest.

Ekaveera mata temple :-

It is present on the bank of Pen Ganga river (Pancha Ganga river). It is about 30 to 40 minutes distance from Mahur. The temple is present in the fields of near by Village. The temple is very small. We will see only the head of Goddess here.

Goddess Renuka is associated with the Goddess Yellamma worship in Karnataka and parts of Andhra Pradesh, Maharashtra and Tamil Nadu. Goddess Renuka is believed to be an incarnation of Goddess Durga and is popular in rural culture as the Mother Goddess and is worshipped as Amma, Yellamma, Duggavva, Dyaamavva and Marikamba. Her name and attributes changes from region to region.

Legend has it that Renuka was the wife of Sage Jamadagni and he suspected her of infidelity and ordered Parashurama to behead her. Lord Parashurama obeyed his father and when Sage Jamadagni wanted to reward his son, Lord Parashurama asked him to bring back his mother. Thus Renuka, the mother of Lord Parashurama, was brought back to life.

This story found numerous interpretations in rural culture and Renuka is believed to be an incarnation of Goddess Durga and in this incarnation she represented the fate of many rural women who were falsely accused of infidelity or other crimes.

Goddess Renuka performs the role of Mother Goddess and is responsible for the welfare of her devotees, for curing diseases and protecting the cattle. A large number of Goddesses worshipped in rural culture are forms of Goddess Durga. She is given different rural names and characteristics but her role remains the same that of the Mother Goddess

Story of Ekaveerika Devi:-

Renuka was the daughter of the king Renu of Kubaj country and the wife of the sage Jamadagni. When the king Sahastrarjuna paid a visit to Jamadagni in his abode, he was taken by surprise by the hospitality of the sage. When asked about the same, the sage told him that it is all because of the Kamadhenu, i.e., cow that fulfils the desires of the owner given to him by Indra, the king of the Gods.

Thinking that if the Kamadhenu was in his possession he would be able to maintain his vast army easily, the king Sahastrarjuna tried to seize the Kamadhenu from the sage by farce when his request to hand over the Kamadhenu to him was turned down by the sage. In the scuffle that ensued the sage died and his wife Renuka was injured due to 21 wounds she had received at the hands of the king. At this juncture many soldiers appeared on the scene from the body of the Kamadhenu by divine magic and farced the king to retreat.

On coming to know of the above incident Parasuram, the son of Jamadagni who rushed there vowed to defeat and punish the king 21 times. His mother asked him to cremate his father. He carried his father and mother to Mahur and cremated his father there. His mother became a sati.

The religious rites were conducted on this occasion by the God Sri Dattatreya himself. However, after everything was over Parasuram was stricken by grief and at this time a voice from the heavens told him that his mother would came out from the earth but he should not look behind. Being eager to see his mother, Parasuram just saw behind far a fraction of a second to find the mother's face aver the earth. The upper facet is the present upper facet of the Renukadevi.

Renukadevi is adorned with various gold ornaments such as the golden flowers to be used as earrings, gold garlands (putal mal candrahar, jaymal, etc.), nose-ring (nath), etc.

Route:-

By Air :- Nearest Airport is Nagpur, 200 kms

By Road :- Mumbai - Ahmednagar - Paithan - Jalan - Washim - Pusad - Mahur, 717 kms. Mahurgad - Kinwat, 50 kms.

By Rail :- The nearest railway station is Kinwat which is 50 KM away, but Nanded which is 126 KM. is the more convenient railway station on South Central railway

content taken from http://indianmandirs.blogspot.in

Shri Manasa Devi

noreply@blogger.com (bhavi) — Mon, 08 Aug 2011 12:11:00 +0000

Shri Manasa Devi: Shri Manasa devi is considered as the Serpent Goddess or the Queen of Serpent Gods. She was the daughter of Kasyapa muni and Kadru, the sister of the serpent King Sesha. She is also considered as the goddess of fertility. Some people say that she is a pre-Aryan goddess. She is is worshipped mostly in the eastern parts of India.
Shri Manasa devi is associated with earth and higher knowledge of nature. She is said to have special powers that can fulfill the wishes of her devotees and protects them against snakebite. She cures infectious diseases and showers the devotee with wealth and prosperity. She is worshiped with rituals and sacrifices in the rainy season, as this is the time when snakes are most active in this season.

Shri Ballaleshvara Ashtavinayak

noreply@blogger.com (bhavi) — Mon, 09 May 2011 13:32:00 +0000

Ballaleshvara at Pali is one among the Ashtavinayak (Eight temples of Lord Ganesha in Maharashtra). Ballaleshwar idol is 3 feet high and it faces east and its trunk turns towards the left. The navel and eyes of the idol are studded with precious stones. Lord Ganesh in this aspect appeared as a Brahmin and so this is one of those rare statues where Ganesh is shown wearing clothes as Brahmins do. On both sides of the idol are statues of Riddhi and Siddhi.

Shri Vighneshwara’s Ashtavinayak

noreply@blogger.com (bhavi) — Mon, 09 May 2011 13:32:00 +0000

Vighneshwara’s temple is situated on the banks of river Kukadi. Among Ashtavinayak places, Ozhar Vighneshwara Temple is the only temple with golden dome and pinnacle.

Shri Varad AshtaVinayak

noreply@blogger.com (bhavi) — Mon, 09 May 2011 13:30:00 +0000

Shri Varad Vinayak, one of the Ashtavinayak temple is in Mahad village set in the hilly region of Konkan in the Raigarh district and the Khalapur Taluka of Maharastra.