<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-22357389</id><updated>2025-06-17T23:46:54.697-04:00</updated><title type='text'>Good with Words</title><subtitle type='html'>Welcome to Ingrid Sapona&#39;s business communications blog: &quot;You don&#39;t say ...&quot;.&#xa;&#xa;Clearly written ... easily understood -- that&#39;s my motto!</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://blog.goodwithwords.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default?alt=atom'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default?alt=atom&amp;start-index=26&amp;max-results=25'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>115</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-22357389.post-296577475122228668</id><published>2024-10-20T09:17:00.002-04:00</published><updated>2024-10-20T09:17:47.409-04:00</updated><title type='text'>TCFD Report information comes to life</title><content type='html'>&lt;p&gt;A recent news story about the U.S. being short on critical
IV fluid surprised me. It turns out Baxter produces about 60% of the U.S.
supply of IV products at a plant in North Carolina. That plant was damaged by
Hurricane Helene a few weeks ago. (The FDA has authorized temporary import of
Baxter fluids from other countries while Baxter works to restore production in
North Carolina.) (Here’s a recent &lt;a href=&quot;https://www.nytimes.com/2024/10/10/health/florida-iv-bags-shortages.html?searchResultPosition=3&quot;&gt;New York Times article&lt;/a&gt; about it.)&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;I know virtually nothing about Baxter, but I wondered
whether they had published at TCFD report (Task Force on Climate-Related Financial
Disclosure) and if so, how they describe the climate-related risk to their
facilities. They published their first TCFD in Dec. 2023 (for 2022) and they don’t
mince words. (You can find Baxter’s TCFD report &lt;a href=&quot;https://www.baxter.com/baxter-newsroom/baxter-publishes-task-force-climate-related-financial-disclosures-tcfd-report-and&quot;&gt;here&lt;/a&gt;.) In Section 2 (Strategy) they note that they consider the physical risk to “increased
severity of hurricanes/cyclones/typhoons” to be Acute. Bonus points to Baxter
for its accuracy!&amp;nbsp;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;Given that TCFD reports are financial disclosure documents, institutional
investors (really all investors), not to mention the medical community that
relies on Baxter products, should not have been as surprised as I was of the news
of the impact of Helene on the supply of IV bags. (One can hope…)&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;I’ve worked on a few TCFD reports from the
writing/publication side and I believe they provide useful disclosure. But, sometimes
in reading them, it’s hard to connect them to real life. So, I thought this real life example was worth highlighting.&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/296577475122228668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/296577475122228668'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2024/10/tcfd-report-information-comes-to-life.html' title='TCFD Report information comes to life'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-2871741418247781236</id><published>2023-06-30T12:18:00.001-04:00</published><updated>2024-03-29T12:19:05.035-04:00</updated><title type='text'>On being … outlook influenced</title><content type='html'>&lt;p&gt;&amp;nbsp;By Ingrid Sapona&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;Do you notice your moods? (I’m not asking if you think you’re moody – that’s a WHOLE different can of worms and I’m most definitely not going there!) I think I’m pretty average at identifying my moods. But, I’m definitely better at identifying bad moods and things that trigger them (traffic, politics, injustice, incompetence, etc.). Fortunately, I’ve found some things that are pretty reliable mood improvers, such as baking and turning on one of my favourite playlists.&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;What I hadn’t really been aware of until recently is how my outlook can have an impact on my mood. Last week I took the car in for an oil change and checkup. I hadn’t taken it in for about nine months (I’m not driving as much) and the car is old – not “officially” vintage, but close. I was quite nervous about what the bill might be, but I need to keep her running and I trust Gord, my mechanic.&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;When I handed him the keys, I gave him the usual marching orders: “Oil change and a check of whatever you feel you need to check Gord, but don’t find anything.” He laughed and went away. When he was done, he came back and said “$96.05”. I was so relieved I let out a little “Yeah, I can afford that” as I tapped my credit card. Later that day a friend who knew I was taking the car in phoned and asked how the checkup went. I enthused: “Great – $96!” adding, “It’s not too often I’m pleased to pay nearly $100 for something, but I sure was this morning!”&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;My friend chalked up my glee to having managed my expectations. That’s a topic he and I have talked about many times before. He believes that by consciously keeping expectations low, you’re less likely to be disappointed. I buy into that philosophy to some extent, as I’ve certainly noticed a correlation between high expectations and disappointment. But low expectations aren’t a recipe for actually elevating one’s mood. In any event, that’s not how I’d characterize why I was in such a good mood on learning that the car cost $96. The anxiety I felt about possibly facing a biggish maintenance bill for my car wasn’t an attempt at expectation setting; it was about expenses and cash flow. My happiness was a function of being pleasantly surprised about the cost and the car’s continued reliability.&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;The very next day I noticed my mood was also lifted by a letter I received. It was a pension statement from a place I worked at briefly a few years ago. I was only in the pension plan for about 15 months, so the pension is very small. It’s been a few years since I last got a pension statement and I was surprised to see the amount I’ll get on retirement is a bit more than I thought. (The slight increase is because it’s indexed to inflation, which I hadn’t included in my estimates.)&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;Mind you, I admit that for a minute I felt a pang of regret when I considered what the payments might be if I’d been at that company for, say, 15 years instead of 15 months. But, I let go of that thought pretty quickly as I remembered how unhappy I was working there. So, as I filed the statement in my retirement folder, I realized I was smiling because it kind of felt like found money. Though I know the amount wouldn’t even count as pocket change to the majority of the pensioners from that company, I was still tickled.&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;These two incidents – minor as they were – helped me realize the role my outlook plays in my mood. In a way, these incidents can be characterized as “looking at the up side, rather than the down”. In other words: yes, the car cost me nearly $100 – but it’s better than what it could have been had it needed other repairs. And though I’ll be getting a minuscule amount from that pension – especially by comparison to my former colleagues – “every penny counts” and anything is better than nothing.&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;So, since we’re at the mid-point of the year, I’ve decided that for the rest of 2023 I’m going to make a concerted effort to focus on the up side of things. And, as the year progresses, I’m going to monitor whether doing so yields a shift in outlook that produces an overall lighter, brighter, more consistently positive mood. I’m betting it will…&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;Care to join me in this challenge??&amp;nbsp;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;&amp;nbsp;2023 Ingrid Sapona&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2871741418247781236'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2871741418247781236'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2023/06/on-being-outlook-influenced_30.html' title='On being … outlook influenced'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-8345719365370156605</id><published>2023-05-29T14:11:00.001-04:00</published><updated>2023-05-29T14:36:17.904-04:00</updated><title type='text'>Choices you have when writing</title><content type='html'>&lt;p&gt;I subscribe to a variety of newsletters and blogs, including
Dr. Nancy Tuten’s &lt;a href=&quot;https://getitwriteonline.com/blog/&quot;&gt;Get It Write blog&lt;/a&gt;.&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;I enjoy Nancy’s blog and always learn something. Her most
recent post was called: &lt;a href=&quot;https://getitwriteonline.com/bi-or-semi/&quot;&gt;Bi and Semi as Prefixes&lt;/a&gt;. Having scratched my head about
whether bimonthly means two times a month or every two months, I was keen to read
Nancy’s take on it. I was kind of relieved to see that I’m not the only person
confused and that, in fact, there&#39;s good reason to be confused.&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;Nancy explains the differences and concludes with this advice:&amp;nbsp;&lt;/p&gt;&lt;blockquote style=&quot;border: none; margin: 0 0 0 40px; padding: 0px;&quot;&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;text-align: left;&quot;&gt;“When we mean &lt;i&gt;twice&lt;/i&gt;&amp;nbsp;(“as in “twice a week” or “twice a month”), we can avoid ambiguity by using the prefix &lt;i&gt;semi (&lt;/i&gt;as in &lt;i&gt;semiweekly&lt;/i&gt; for “twice a
week” and &lt;i&gt;semimonthly&lt;/i&gt; for “twice a month”).&quot;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&lt;/blockquote&gt;&lt;p class=&quot;MsoNormal&quot;&gt;Simple, right?&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot;&gt;Well, I smiled when I read Nancy&#39;s suggestion because she&#39;s a
specialist in English grammar, mechanics, and usage and her advice reflects
that. But, as a &lt;b&gt;plain language practitioner&lt;/b&gt;, I’d argue that for the sake
of a few extra words, the best way to avoid confusing the reader is to avoid
the prefixes “bi” and “semi” altogether and simply write “two times a month” or
“every two months”, depending on what you really mean.&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8345719365370156605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8345719365370156605'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2023/05/choices-you-have-when-writing.html' title='Choices you have when writing'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3124708887942026191</id><published>2019-08-01T10:30:00.000-04:00</published><updated>2019-08-01T10:30:10.381-04:00</updated><title type='text'>Better Writing Boot Camp  –  Session 12: Finishing Touches on Long Documents   </title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Welcome to the LAST session in this boot camp! In this
session we’re going to cover what I think of as finishing touches. These are
things not all documents necessarily need, but that are especially useful for
long documents: Opening (or Executive) Summaries and Tables of Contents.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Opening Summaries&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
When you have a long document and you know some readers are
mainly interested in the conclusions, consider including an opening or
“executive” summary. (Executive summaries were originally meant to provide
executives with essential information and specific recommendations about
business decisions they’d be making.) Executive summaries aren’t just for execs,
however. They’re for everyone who wants to understand the issues and
conclusions without necessarily reading the entire document.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
People often ask me how long an executive summary should be.
There’s no definitive answer. Instead of worrying about the ideal length, focus
on providing information the reader needs in a clear, concise manner. If you
do, you’ll always end up with summaries that are the right length.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Treat Summaries as
Stand-Alone Documents&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Though executive summaries are usually included as part of
the document, you should treat them as stand-alone documents. In other words,
you should give the reader enough information to understand the issues without
having to read the underlying document. So, for example, if you use jargon or
any acronyms in the summary, you must define them in the summary. (You cannot
rely on the fact that you defined them in the main document because not all
readers will read the full document.) Also, if your summary is longish, the
summary should include headings and sub-headings. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
At a minimum, the summary should contain a description of
the issues and your conclusions related to the issues. As well, the summary
should include information that helps the reader decide if they agree with the
conclusions you’ve come to.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
It’s customary to present the arguments and ideas in the
summary in the same order you presented them in the underlying document. Doing
so makes it easier for readers to find details in the main document. Similarly,
if you included headings in the summary, they should parallel those in the main
document so that readers can cross-reference them. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Tables of Contents&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
A Table of Contents is basically a list of the document’s main
headings and sub-headings, along with page numbers showing where to find them.
Tables of Content (ToCs for short) are especially important in longer documents
because they help readers find specific information quickly. But that’s not the
only reason they’re useful. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
If you crafted meaningful headings and sub-headings, the
Table of Contents will provide a quick overview of the topics and arguments in
the document. As the author, review the ToC carefully – considering both
whether the headings are helpful AND whether the topics are in a logical order.
A critical review of the ToC may also help you spot weaknesses or information
that’s missing and that you should further revise. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Closing Thoughts
About the Boot Camp…&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
We covered a lot of ground in the 12 sessions. I imagine you
found some topics easy – probably more of a refresher – and others that were more
challenging for you. Regardless, just keep at it, consciously focusing on all the
things we covered. If you do, I’m sure your writing will continue to improve.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
And finally, always remember that the true key to better
writing is to write with the reader in mind. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3124708887942026191'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3124708887942026191'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/08/better-writing-boot-camp-session-12.html' title='Better Writing Boot Camp  –  Session 12: Finishing Touches on Long Documents   '/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-230880348705018567</id><published>2019-07-22T10:30:00.000-04:00</published><updated>2019-07-22T10:30:10.667-04:00</updated><title type='text'>Better Writing Boot Camp – Session 11: Revising, Copy Editing, and Proofreading </title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Welcome to Session 11 of the Better Writing Boot Camp. This
is the second-last session, so we’re in the home stretch. But, don’t let your
energy or focus relax just yet – the remaining couple of topics are also
important.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Today we’re looking at the differences between revising, copy
editing, and proofreading. I find that when writers understand the differences
– and approach each as a separate task – their writing is much clearer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Many writers talk about “editing” their work. Usually
they’re talking about basically the second last step they take before giving
the document to the end reader. In other words, it’s a step that can include everything
from revising, to clarifying, to tidying up the document. Because the skills,
techniques, and attention involved in revising, copy editing, and proofreading
are different, you should treat them as separate steps. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Revising&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Revising involves reading the document from the perspective
of the reader. In other words, when revising, you should ask yourself whether:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpFirst&quot; style=&quot;margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;you’ve included all the information the reader
needs – if not, now’s the time to fill in the gaps in the analysis&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;all the information is clear to the reader &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpMiddle&quot; style=&quot;margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;the information is in an order that makes sense
to the reader – if not, take time to rearrange the information &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpLast&quot; style=&quot;margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style=&quot;font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;the information is sufficiently detailed but concise
– if not, focus the information by trimming out anything that is unimportant&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Writers sometimes gloss over this important step. They may do
so because they feel they’ve been paying attention to these things as they were
writing. Or, if they took time to create an outline before they started, they
feel they considered these things at that point. But, regardless of how careful
and thoughtful you were when writing, of necessity, your focus was from the
storyteller’s perspective. Revising is about analysing the information from the
reader’s perspective so you must approach revising as a distinct task.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Sometimes writers are not able to objectively review their
writing from the reader’s perspective. This can happen, for example, if you’ve
been working on a document for some time or have written many preliminary
drafts. If this is the case, you should find someone who can read it and
provide honest, objective feedback. (In the world of professional editing, what
you’d be looking for is someone skilled at “substantive” or “content” editing.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
After you’ve finished revising the document and have a more-or-less
final draft, it’s time for copy editing.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Copy Editing versus
Proofreading&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Many folks use copy editing and proof reading
interchangeably. Strictly speaking, they are not the same. Copy editing is
editing for grammar, spelling, punctuation, and checking for formatting inconsistencies,
repetition, and so on. Copy editing also includes fact checking and verifying
references and citations.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Proofreading is a separate step that’s done after you’ve
revised the document and after it’s been copy edited. Strictly speaking, proofreading
happens after a manuscript is printed but before it is distributed. It is
basically a final read to catch typos, inconsistent spellings, bad line or page
breaks, missing pages, and so on. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
That said, a skilled copy editor will often be sufficient to
catch proofreading-type errors in standard business documents. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Closing thoughts…&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Revising and copy editing are important steps in creating a
document. Don’t skip either of them. Revising helps ensure your writing is
clear, with all the sentences, paragraphs, and ideas working together to make
the reader’s trip toward understanding effortless. Copy editing helps uphold
your reputation as a skilled, knowledgeable professional.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/230880348705018567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/230880348705018567'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/07/better-writing-boot-camp-session-11.html' title='Better Writing Boot Camp – Session 11: Revising, Copy Editing, and Proofreading '/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-2060250178289061220</id><published>2019-07-05T10:30:00.000-04:00</published><updated>2019-07-05T10:30:00.513-04:00</updated><title type='text'>Better Writing Boot Camp – Session 10: How to Craft Bullet Lists </title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In the last Boot Camp session we looked at why you should
use bullet lists in your business writing. In this session, we’ll focus on how
to craft a good bullet list. I’ll also give you my quick-and-dirty “rules of
thumb” related to bullet lists – including my suggestions for punctuating them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Structuring a
Vertical List&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
There are two parts to a bullet list: the preamble and the
bullet points themselves. As I mentioned in the last Boot Camp session, the
preamble introduces each item on the list. The preamble can be a single word, a
phrase, or a full sentence. Here’s a bullet list from the beginning of Session
9:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I’m a big fan of vertical lists. A well-crafted list is a
terrific way to:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;provide visual appeal&lt;/li&gt;
&lt;li&gt;draw attention to particular information&lt;/li&gt;
&lt;li&gt;reinforce relationships among ideas/items&lt;/li&gt;
&lt;li&gt;limit repetitious wording&lt;/li&gt;
&lt;/ul&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
“A well-crafted list is a terrific way to:” is the preamble of
that list.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Crafting the Preamble&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The most important thing to remember about the preamble is
that it must work for EVERY item on the list. So, when you read the preamble’s
words together with the words in an item on the list, you have a grammatically
correct, complete idea. When crafting a list, it’s important to test each
bullet with the preamble. By doing this, you will be able to tell right away if
an item doesn’t work. And, if an item doesn’t work, it’s up to you to:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;omit the item from the list, or&lt;/li&gt;
&lt;li&gt;modify the preamble.&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here’s what the preamble test for the two-item bullet list
above looks like:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
… it’s up to you to omit the item&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
… it’s up to you to modify the preamble&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Whew, both items work with the preamble.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Crafting the Items in
the List&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Regarding the bulleted items themselves, every item must be:
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ol&gt;
&lt;li&gt;structured the same grammatically, and &lt;/li&gt;
&lt;li&gt;related to the other items listed (in terms of content). &lt;/li&gt;
&lt;/ol&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In terms of grammatical structure, the two items in the
number list above are similarly structured (for example, both initial
adjectives end in “ed”). In the numbered list under the heading: &lt;b&gt;Crafting the Preamble&lt;/b&gt;, on the other
hand, both items started with an infinitive form of the verbs.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Both items on the numbered list are contextually related
because both are criteria that each bulleted item must satisfy. Of course, when
the list is short, there’s less of a chance you’ll include something that
doesn’t relate to the other item(s). If you find items that don’t belong, don’t
include them in the list. (If many items don’t work with the preamble or don’t
seem to relate to the other items, consider ditching the list.) &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;u&gt;Exercise&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here’s an example of a poorly crafted bullet list from a
bank’s Human Resources manual. Can you tell what’s wrong with it? How would you
fix it?&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 10.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 7.7pt; vertical-align: baseline;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;A personal banking officer (PBO):&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 10.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 7.7pt; vertical-align: baseline;&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;Provides customers
with one-stop shopping for all retail product sales;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;R&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;esponsible for
identifying, understanding and meeting customers’ financial needs;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;F&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;ollows a disciplined
approach to proactive sales activities;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;Generally located in
a private cubical.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: 11.0pt;&quot;&gt;The Problems&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The list has two problems:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ol&gt;
&lt;li&gt;The structure of the items is not the same. &lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;mso-bidi-font-weight: bold;&quot;&gt;The last item isn’t
directly related to the others&lt;b&gt; &lt;/b&gt;&lt;/span&gt;– three are responsibilities of a
PBO but the last is about where the PBO sits! &lt;/li&gt;
&lt;/ol&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;u&gt;&lt;span lang=&quot;EN-US&quot;&gt;Solution&lt;/span&gt;&lt;/u&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-size: 11.0pt; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;&quot;&gt;Here’s how I would fix the list:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: .0001pt; margin: 0cm; vertical-align: baseline;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;A personal banking
officer’s (PBO’s) responsibilities include:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;vertical-align: baseline;&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;providing customers
with one-stop shopping for all retail product sales;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;identifying,
understanding, and meeting customers’ financial needs; and&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;color: black; font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11.0pt;&quot;&gt;following a
disciplined approach to proactive sales activities.&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 11pt;&quot;&gt;PBOs
are generally located in a private cubical.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Rules of Thumb&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Since bullet lists aren’t grammatical constructs, there are
no strict rules related to punctuating them. But, there are some “best
practices” that I can share with you. These rules of thumb fall into two
categories: some I believe you must follow and some that are strong suggestions.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
When creating a Bullet List, you &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;must&lt;/b&gt; follow these rules:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;The preamble must make sense for &lt;u&gt;every&lt;/u&gt; item in the
list.&lt;/li&gt;
&lt;li&gt;The end punctuation of the preamble must be a colon.&lt;/li&gt;
&lt;li&gt;The items in the list must be structured the same.&lt;/li&gt;
&lt;li&gt;The items must be contextually related.&lt;/li&gt;
&lt;/ul&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
When creating a Bullet List, I recommend you also follow these
rules:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;If every item in the list is short (fewer than three
words), you don’t need any punctuation. Alternatively, if you want to, you can
use a comma at the end of each item and a period on the last item.&lt;/li&gt;
&lt;li&gt;If the items are long but none are complete sentences, use
a semicolon at the end of each and a period on the last item.&lt;/li&gt;
&lt;li&gt;If any of the items contain punctuation within them, use
semicolons at the end of each and a period on the last item.&lt;/li&gt;
&lt;li&gt;If the items are full sentences, begin each with initial
caps and end each with a period.&lt;/li&gt;
&lt;li&gt;If items are not complete sentences, you can use initial
lower case letters.&lt;/li&gt;
&lt;li&gt;Don’t use numbers or letters (instead of bullets) unless
you have a reason to. For example, if you want to draw the reader’s attention
to the fact that there are four rules, by all means, number them.&lt;/li&gt;
&lt;/ul&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;A last word on
formatting&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Many word processing programs indent bullets. Such
formatting is terrific because it adds to the visual appeal and so on. If your
program isn’t set up to automatically indent bullets, see if you can change the
default settings.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
©
2019 Good with Words&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2060250178289061220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2060250178289061220'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/07/better-writing-boot-camp-session-10-how.html' title='Better Writing Boot Camp – Session 10: How to Craft Bullet Lists '/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3898585360719610001</id><published>2019-07-02T10:30:00.000-04:00</published><updated>2019-07-02T10:30:02.515-04:00</updated><title type='text'>Better Writing Boot Camp – Session 9: Using Bullet Lists to Your Advantage </title><content type='html'>Bullet lists – also called vertical lists – are a useful,
popular writing tool. Indeed, wide-spread adoption of PowerPoint in the
business world is probably one of the reasons bullet lists are so widely used. (The
default setting for many PowerPoint templates is a title and then a bullet
list.)&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I’m a big fan of vertical lists. A well-crafted list is a terrific
way to:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;provide visual appeal&lt;/li&gt;
&lt;li&gt;draw attention to particular information&lt;/li&gt;
&lt;li&gt;reinforce relationships among ideas/items&lt;/li&gt;
&lt;li&gt;limit repetitious wording&lt;/li&gt;
&lt;/ul&gt;
I’ll talk a bit about each of these pluses in a minute. But,
before I do, did you notice that I specifically said a “well-crafted” list? I
draw your attention to this because a poorly crafted bullet lists can be
confusing and frustrating for readers.&amp;nbsp;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;(They also make the writer seem lazy or
careless.)&amp;nbsp;&lt;/span&gt;Here’s an example of a poorly crafted bullet
list:&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here are some of the actions developers use that can be
beneficial to the developer and community members:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;Showing a commitment to two-way communication &lt;/li&gt;
&lt;li&gt;Straightforward, timely, accurate information about the
proposed project&lt;/li&gt;
&lt;li&gt;Public information meetings to explain proposed projects&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;b&gt;Visual Appeal&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The visual appeal I’m talking about isn’t because you’ve
chosen nice looking symbols to mark the list items. The visual appeal comes
from the fact that with a vertical list there is more white space on the page. More
white space makes the document look more welcoming to readers, which is very
important.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Drawing Attention to
Information&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The added white space provided by a vertical list also helps
draw the reader’s attention to the information contained in the list. Bullet
lists are a visual cue that readers remember – even if they don’t remember the
specific information provided in a vertical list. So, if they go back and look
for information, it’s more likely they’ll find it by looking for a list.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Think about a list of items you’re enclosing or attaching. By
listing them vertically – instead of in a sentence with a commas between items
– readers immediately sense how many (or few) items there are. As well, readers
can quickly scan the list for an idea of what’s included. And, if they go back
to find the list, it’ll jump out at them because of the vertical formatting.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Reinforcing
Relationships&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
When a reader sees a bullet list, they automatically assume
the items are related. This helps increase their understanding and can help
them make connections and remember the points listed. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Limiting repetition&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Because the items in a vertical list are related, they have
something in common. So, the list’s introduction – the “preamble” – should contain
the words/ideas each item has in common. As a result, the preamble replaces
words you’d otherwise write with respect to each item. The result: no
repetition.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Why Folks Struggle
with Crafting Bullet Lists&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Many business writers have trouble crafting bullet lists.
This is probably because they were never taught how to. One reason no one taught
you how to structure – or punctuate – a bullet list is because such lists
aren’t – strictly speaking – a grammatical construct. As a result, there are no
universal rules about how to craft them. (Unlike, for example, the rule about
ending sentences with something that demonstrates a full stop, like a period,
question mark, or exclamation mark.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In the next Boot Camp session – which I’ll post later this
week – we’ll talk about how to craft a good bullet list.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
©
2019 Good with Words&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3898585360719610001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3898585360719610001'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/07/better-writing-boot-camp-session-9.html' title='Better Writing Boot Camp – Session 9: Using Bullet Lists to Your Advantage '/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-7974237798433039315</id><published>2019-06-29T20:03:00.001-04:00</published><updated>2019-06-29T20:03:10.853-04:00</updated><title type='text'></title><content type='html'></content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7974237798433039315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7974237798433039315'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/06/blog-post.html' title=''/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-853481295779221553</id><published>2019-06-11T11:30:00.000-04:00</published><updated>2019-06-11T11:30:00.570-04:00</updated><title type='text'>Better Writing Boot Camp – Stretch Break</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
We’re over half way through the boot camp – good job! How
are you feeling about your progress so far?&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;While
you’re taking a bit of a stretch break, I thought I’d make a couple general
comments. These might be obvious, but I think they’re worth specifically
pointing out.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;It’s all about the reader&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;First
and foremost, I’m hoping you’ve realized that the real secret to being a better
writer is to focus on your reader’s needs. What we’re doing with each session
is focusing on one thing that – if done well – will help your readers. In each Session
I try explaining how or why improving in that one way will help make the
reader’s job easier. For example, using transitions (Session 3) is a way to
help guide the reader through your argument or idea. They help ensure the
reader doesn’t veer off course – or miss any important points. Using active
voice (Session 5) isn’t just about making things livelier – it makes clear to
readers who’s responsible for actions or decisions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Indeed,
helping readers get through your document and understand the points you’re
making is good for business. At a minimum, it shows you care and respect your
readers. It also empowers them to make reasoned decisions and to take action. And,
it makes you look smart – smart enough to share your knowledge and expertise in
a way that they understand.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Don’t be a slave to old rules&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;The
other point you may have noticed is that it’s ok to break some of the “rules”.
Indeed, after the very first Session I got an email from a reader chiding me
for splitting an infinitive. (If you missed it, the last sentence of Session 1 had
the split infinitive that didn’t sit right with the reader.) You probably
noticed in Session 2 that I ended a sentence with a preposition – another
alleged grammar no-no. (Here’s the sentence: “&lt;/span&gt;The key to clear
paragraphs is making sure each sentence relates to the theme or thesis you’re
writing about.”)&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
There’s evidence that these “rules” were created by folks
who were trying to make English grammar conform to Latin grammar. But, we’re
living in the 21&lt;sup&gt;st&lt;/sup&gt; century so there’s a strong argument these rules
are irrelevant. Furthermore, applying them can result in awkward – or clumsy –
sentences. For example, to ensure the correct emphasis, it’s often absolutely necessary
to split an infinitive. Similarly, if it’s more natural to end a sentence with
a preposition, feel free to.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Another
rule I routinely break relates to starting sentences with conjunctions like
“and” or “but”. &lt;/span&gt;Many folks learned it’s incorrect to do so. I’ll bet you
learned this “rule” in elementary school. There’s no basis in English grammar
for this supposed rule, however. Teachers made this rule up to prevent you from
making another grammatical mistake. Teachers thought that that by starting with
“and” or “but”, students were more likely to write a sentence fragment. To
prevent that possibility, they created the “rule” about not starting with those
words. As long as you’re careful about crafting a sentence that includes a full
thought, feel free to disregard what your elementary school teacher said.&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Don’t be shy about
sending feedback&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;And
finally, I want to thank the readers who have dropped me a line. The feedback
is great. It helps me understand what you’re finding useful, and what you might
appreciate my help with. So, keep the feedback coming!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Until
next session, keep up the terrific work!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/853481295779221553'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/853481295779221553'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/06/better-writing-boot-camp-stretch-break.html' title='Better Writing Boot Camp – Stretch Break'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-9147832612920546868</id><published>2019-05-28T10:30:00.000-04:00</published><updated>2019-06-03T15:14:36.752-04:00</updated><title type='text'>Better Writing Boot Camp – Session 7: Reducing Jargon</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Jargon is a word or phrase that has a special meaning when
used in a particular technical field, industry, group, or situation. Jargon can
be useful shorthand, so long as you’re sure everyone you’re talking to or
writing knows and understands the precise meaning.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
People often think jargon must sound technical or exotic. Legal
maxims spouted in Latin are often what folks point to when asked to define
jargon. The Latin phrase &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;res ipsa loquitur&lt;/i&gt;,
for example, is exotic-sounding jargon a lawyer might use when talking about
evidence. (The phrase basically means something speaks for itself.) &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
But, what many folks don’t realize is that common words can
be jargon too. Take a simple word like “sheet” – depending on the context, it
can be jargon. How, you ask? If someone says, “pass me that sheet”, they might
be referring to one of (at least) four different things:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; text-indent: -18pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: 7pt; font-stretch: normal; line-height: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;a piece of paper&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; text-indent: -18pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: 7pt; font-stretch: normal; line-height: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;a bed covering&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; text-indent: -18pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: 7pt; font-stretch: normal; line-height: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;a piece of glass&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; text-indent: -18pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot;; font-size: 7pt; font-stretch: normal; line-height: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;a rope&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
The last example comes from the sailing world, where certain
ropes are “sheets”. Indeed, learning to sail isn’t just about learning to
handle a boat – it’s also about learning a new language. So long as everyone on
board speaks sailing, using sailing jargon saves time and reduces the chance
something might go wrong!&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Why do people use
jargon?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
As noted, jargon can function as shorthand that can save
time, which can be crucial in emergency situations. Some professionals use jargon
specifically to differentiate themselves or to exclude others. And yes, that
often means professionals judge peers and colleagues based on whether they’re
fluent with the jargon of their field. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Problems with Jargon&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Using jargon can create a variety of problems, however. The
most obvious problem is when you use jargon and the person hearing it (or
reading it) doesn’t understand it. (Using &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;res
ipsa loquitur &lt;/i&gt;in a non-legal document is an example.) Of course, by taking
the time to define the jargon for your audience you can solve part of the
communication problem. But, simply defining the term doesn’t address another
problem: using jargon often alienates folks, which is never a good
communication outcome. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another problem with using jargon is that the same word or
phrase can mean different things to different people. Of course, in many
situations, there are other clues that help minimize the confusion. If you’re
standing near a photocopy machine when someone says “pass me the sheet”, you’d
realize they’re not talking about a rope. But making assumptions based on
circumstances is always dangerous. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
A separate, but related problem can occur with jargon when
someone doesn’t appreciate the technical sense the speaker/writer intends. This
is more likely to happen when the jargon you are using involves common words. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another problem with jargon that many fail to appreciate is
that jargon can be confusing even among members of the same profession. Take,
for example, a situation where a tax attorney was making a presentation at a
tax conference. One of her key arguments was that a particular transaction was
favourable because of the capital gains treatment. She didn’t realize, however,
that some lawyers in the audience were from countries where the capital gains
treatment was very different. It never occurred to her to explain how she
calculated the capital gain because she assumed all the lawyers were on the
same page. The end result was that some considered her analysis flawed because
they were mentally applying their country’s capital gains calculation.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Dealing with Jargon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Given
the name of today’s boot camp session, I believe the best way to avoid
confusion is to not use jargon. Of course, in certain situations and at certain
times, you may decide using jargon is fine, or even preferred. In those
situations, ask yourself the following:&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;Will
everyone understand the term is jargon?&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;W&lt;/span&gt;&lt;span style=&quot;text-indent: -18pt;&quot;&gt;ill
everyone understand the meaning I intend?&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
If the
answer to either question is no – or even “maybe not” – then take the time to
define for the audience what you mean. (If you don’t want to break up the flow,
consider providing the definition in a footnote or glossary.) I promise you, no
one will object to you setting out your meaning and you’ll enhance your
reputation as a clear communicator.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/9147832612920546868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/9147832612920546868'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/05/better-writing-boot-camp-session-7.html' title='Better Writing Boot Camp – Session 7: Reducing Jargon'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-1791905803830130465</id><published>2019-05-09T11:00:00.000-04:00</published><updated>2019-05-09T21:20:44.437-04:00</updated><title type='text'>Better Writing Boot Camp – Session 6: Passive Resistance</title><content type='html'>&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Have you ever read a sentence in a business communication
and thought to yourself: “Who says?” or “Who did that?” or “Who made that
decision?” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here are a few examples:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence A&lt;/u&gt;: A mistake in
processing your order was made.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence B&lt;/u&gt;: Your
application has been reviewed and it is denied. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Both these sentences are in passive voice and so they leave
the reader not knowing who took the actions. In Sentence A we don’t know who
made the mistake and in Sentence B we don’t know who reviewed the application
or who denied it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Why use active voice?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Sentences written in active voice are more interesting.
Consider these sentences:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence C&lt;/u&gt;: Gretzky scored
the game winning goal. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence D&lt;/u&gt;: The game
winning goal was scored by Gretzky.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Both provide the same information. But, Sentence C, which is
in active voice, is livelier. Why? The subject of the sentence – Gretzky – took
the action – he scored the goal. With passive voice, the subject of the
sentence is not the actor. In Sentence D, the subject is the goal. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here’s another pair of sentences:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence E&lt;/u&gt;: A pail of
water from atop the hill was fetched by Jack and Jill.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
&lt;u&gt;Sentence F&lt;/u&gt;: Jack and Jill
went up the hill to fetch a pail of water.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Sentence E is passive: the subject of the sentence is the
pail – and a pail can’t take an action. Instead, the pail was acted on – it was
fetched – by Jack and Jill. In Sentence F – the one in active voice – Jack and
Jill are the subject and they took the action. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Some business writers think that by writing in passive
voice, a statement seems less personal or less pointed. That argument doesn’t
necessarily hold up. If I were on the receiving end of a processing mistake, I
would rather be told: “We made a mistake in processing your order.” Though I
don’t know specifically who the “we” is – active voice at least tells me the
company is claiming responsibility for the mistake. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another plus with sentences written in active voice is they are
shorter, which, as you remember from anther Boot Camp Session, is better.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Recognizing passives&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
To recognize passive voice, look for the following two
things in the sentence:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpFirst&quot; style=&quot;mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Some form of “to be” – for example:&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;“as”, “are”, “is”, “was”, “were”, and so on&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: &amp;quot;symbol&amp;quot;; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;A past participle – usually a verb ending in
“ed” or “en”&lt;/li&gt;
&lt;/ul&gt;
&lt;!--[if !supportLists]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoListParagraphCxSpLast&quot; style=&quot;mso-list: l0 level1 lfo1; text-indent: -18.0pt;&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In Sentence E, for example, “was” is the “to be” verb and “fetched”
is the participle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
You can also enable Word’s grammar function to spot
passives. Whenever Word flags a passive, I take a moment to review the sentence
and figure out what makes it passive. Then, unless I have a good reason to leave
it in passive voice, I re-cast it in active voice. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Fixing passive
sentences&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I’ll admit that writing in active voice doesn’t always come
natural to me. As a result, I put a lot of effort into spotting my passive
sentences and correcting them. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
If you use active voice as much as possible, you’ll be a
better writer. Your writing will be more concise and you’ll leave readers with
fewer questions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/1791905803830130465'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/1791905803830130465'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/05/better-writing-boot-camp-session-6.html' title='Better Writing Boot Camp – Session 6: Passive Resistance'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3105242239634501030</id><published>2019-04-26T11:30:00.000-04:00</published><updated>2019-05-11T14:54:01.437-04:00</updated><title type='text'>Better Writing Boot Camp – Session 5: Making Things Personal</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
By now, I hope you’ve realized that the skills you’re honing
each session are building on each other. With that in mind, in this session
we’re focusing on making things personal. In other words, using pronouns like “I”,
“we”, and “our” to refer to your business or the viewpoint you’re presenting in
your documents. We’ll also look at why you should refer to the reader as “you”,
or their proper name, if appropriate. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Many people were taught that business writing is “supposed
to be more formal” than other kinds of writing. As a result, they think that using
first person – referring to their business as “we” or “us” – is unacceptably
informal. As we noted in Session 4, the argument that writing should be more
formal than spoken language is no longer relevant. And, because there’s nothing
sacred about business writing, there’s no reason it should be more formal than
any other writing.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In fact, there are lots of reasons to use first person in
business writing. First person is direct and more authentic because it reminds
the reader someone is behind the information. In a business-to-business
context, using first person signals to customers that there are people behind
the goods or services the business offers. First person is also more
authoritative, which is especially important when the document sets out your
professional opinion, for example. Using first person reinforces the fact that
you stand by your statement. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
If you’ve noticed that others in your company or
organization use the formal third person, find out why. Chances are people have
assumed there was some corporate dictate about avoiding first person because
everyone seems to avoid it. It’s also likely that no formal decision to refrain
from first person was ever made. If your organization is one of the few that has
an actual policy requiring third person, set to work trying to revise it. You
can start by using first person and if someone tells you to change it, explain
the benefits of first person. You may not win the argument in the short term,
but keep at it – it’s a fight worth having.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Writers who are reluctant to use first person also often
avoid referring to the reader as “you” – in other words, in the second person. Say,
for example, you’re writing a letter offering someone employment. If the person
you’re writing takes the job, the offer letter is, in effect, a contract. After
the initial greeting (the salutation) – don’t do what many do, which is refer
to the person as “the employee” rather than the familiar “you”. How impersonal
can you get? Do you want to work for someone who thinks of you simply as “the
employee”? I don’t…. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Referring to the reader as “you” is more direct and it helps
involve the reader. It’s especially important when the purpose for your
document is to get the reader to take action&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Gaining comfort – and confidence – using I, we, and you will
help make your writing more conversational and easier for readers to
understand. It will also help you avoid the passive voice, which we’ll discuss
in an upcoming session.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3105242239634501030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3105242239634501030'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/04/better-writing-boot-camp-session-5.html' title='Better Writing Boot Camp – Session 5: Making Things Personal'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-6281934465744262850</id><published>2019-04-04T13:30:00.000-04:00</published><updated>2019-04-04T13:30:03.179-04:00</updated><title type='text'>Better Writing Boot Camp -- Session 4: Using Plain, Simple Words</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
This session we look at using ordinary, simple words in
business writing. Somewhere early in their career, many business folks get in the
habit of using formal words when they write. When I ask why, the most common
response is that they learned writing is supposed to be more formal than
speaking. Interestingly, they don’t seem to think about where that idea may
have originated. It probably goes back to times when folks wrote on parchment
or papyrus – or when they literally carved words into stone. But in the
twenty-first century, the expectation that people use more formal language in
writing is no longer true.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I also think business people use non-ordinary words out of
insecurity and a misplaced belief they sound professional or authoritative. Others
use formal language because their colleagues do and they think they must do so to
fit in. Laziness is also involved. If you’ve picked up work-related vocabulary,
it’s easier to go with the flow. Also, translating concepts and ideas into
ordinary words can be time consuming. Why bother when no one else in your
office does? Mindless acceptance of MS Word’s Spelling &amp;amp; Grammar
recommendations can also cause introduction of overly formal word choices. For
example, my version always suggests using “therefore” instead of “so”. That’s
ridiculous. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Wonder if I’m talking to you? I am if you’ve ever written a
client or colleague something like: “the meeting will commence at 10”.
Commence? Would you tell your spouse that you daughter’s play date commences at
10? No – you’d say it starts at 10. Or, have you ever written something like
this: “When queried, Arlene said I need to furnish the information on or before
noon.” Queried? Furnish? On or before? Why not: “I asked Arlene and she said I
must give her the information by noon.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Or maybe you’ve written something like this in a business
letter: “Pursuant to our discussion, please furnish us with the aggregate
amount per annum that your team spent on securing assistance with payroll.” Why
not: “As we discussed, please give us the total amount per year that your team
spent for help with payroll. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here are some words and phrases you can practice making
plainer: elect, ameliorate, in the event, subsequent, prior, aggregate,
implement, necessitate, sufficient, exhaustive, pursuant to, consensus. If you
have trouble coming up with a plain alternative for a word, look up synonyms of
the word. (I turn to merriam-webster.com for this kind of help all the time.
Just look up the word and click on the “synonyms and antonyms” link.)&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Using ordinary words isn’t about dumbing down information.
It’s about making information understandable to as wide an audience as
possible. If that’s not a good enough reason to work at using plain language,
there’s something in it for you too. You’ll find that translating concepts into
ordinary words tests your understanding of what you’ve written. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In a future session we’ll focus on avoiding jargon – that’s
an even trickier issue to deal with. But, you’ll be in better shape for that
workout if you practice – and master – using plain words in your business
writing.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/6281934465744262850'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/6281934465744262850'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/04/better-writing-boot-camp-session-4.html' title='Better Writing Boot Camp -- Session 4: Using Plain, Simple Words'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-5905994008248270698</id><published>2019-03-19T13:30:00.000-04:00</published><updated>2019-03-19T13:30:10.460-04:00</updated><title type='text'>Better Writing Boot Camp -- Session 3: Using Transitions</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Like a fitness boot camp, each week builds on the previous
weeks’ work. So, by this point you’re probably good at spotting long sentences
and shortening them. You should also be used to crafting solid paragraphs.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
This session we turn our attention to using transitions –
words and phrases like: “as a result”, “in fact”, “but”, “even so”, and so on. Transitions
help readers understand how the ideas set out in the paragraphs are connected.
They express relationships between ideas and signal how the author’s ideas
flow. Think of them as the mortar between the paragraph building blocks.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Business writers are sometimes reluctant to use transitions
because they think the ideas they’re writing about are obvious. In other words,
they believe the reader doesn’t need help making the mental connection. Writers
who’ve been working on a document for some time are more likely to come to this
mistaken conclusion. They forget the poor reader is new to the information and don’t
realize readers appreciate it when connections are clear.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another excuse writers sometimes give for not including
transitions is they want to be concise. While striving to be concise is good, making
things easy for readers by adding a few words is just as important.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Generic transitions are cues that keep readers on track.
They signal contrast (“on the other hand”), comparison (“similarly”), emphasis
(“in fact”), conclusions (“in short”), cause and effect (“therefore”), and so
on. Choose transitions carefully because they carry subtly different meanings.
For example, “earlier” and “since” both convey timing, but they mean very
different things.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Substantive transitions provide connection and new content.
With these, the author usually reiterates or refers to a point previously made
and then adds to it. Here’s an example:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
The trainer’s methods were
complicated and involved a lot of equipment. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Though the methods&lt;/i&gt; yielded results, no one signed up for the
advanced camp.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The italicized transition refers back to an idea in the
first sentence but the rest of the sentence then off&lt;span style=&quot;background-color: white;&quot;&gt;ers a contrast.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;background-color: white;&quot;&gt;Because transitions are cues for readers, the best place to
put them is at the point of connection. Here’s an example: &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: 36.0pt;&quot;&gt;
The participants were tired and
frustrated. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;As a result&lt;/i&gt;, they all
quit.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
There’s no reason for not using transitions generously.
After all, they help readers follow your line of thinking, which is the goal of
all business writing.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
©
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/5905994008248270698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/5905994008248270698'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/03/better-writing-boot-camp-session-3.html' title='Better Writing Boot Camp -- Session 3: Using Transitions'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3675655137383970189</id><published>2019-02-27T13:30:00.000-05:00</published><updated>2019-02-27T13:30:08.525-05:00</updated><title type='text'>Better Writing Boot Camp -- Session 2: Crafting Paragraphs</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In this session we turn our attention to paragraphs. They’re
the building blocks writers use to present information. A paragraph is a
grouping of sentences that relate to an idea, theory, or argument. (Of course,
you can have single sentence paragraphs, but here we’re focusing on
multi-sentence paragraphs.)&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The key to clear paragraphs is making sure each sentence
relates to the theme or thesis you’re writing about. If a sentence does not
directly support the theme, it doesn’t belong in the paragraph. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
To figure out if each sentence supports the theme, first
identify the paragraph’s topic sentence. If none of your sentences set out your
main thesis, you’ll need to craft one that does. Once you have a topic
sentence, make sure each sentence clearly relates to it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
When you find a sentence that doesn’t directly support the
topic sentence, remove it from the paragraph. If you take a sentence out of a
paragraph that doesn’t mean you must delete it from the document. You may find
the sentence includes an idea worthy of being the topic sentence of a new
paragraph. Or perhaps the removed sentence supports some other paragraph. If
so, move it there.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Though content drives paragraph length, paragraphs with many
sentences require special attention. Besides making sure each sentence supports
the paragraph’s thesis – ask yourself whether the order of the sentences makes
sense. You can order the sentences in a variety of ways: chronologically, by
cause/effect, by argument/counter-argument, and so on. When choosing the
sentence order, be sure the ordering will make sense to the reader.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
And finally, like long sentences, long paragraphs are
difficult for readers. Paragraphs should present information in digestible
chunks. Most long paragraphs can be easily broken into two paragraphs. Of
course, you may have to craft a new topic sentence for the second paragraph.
You can usually do this by simply paraphrasing the original topic sentence.
Then review the two paragraphs, making sure the order of the sentences in each
paragraph makes sense. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Invest the time in critically analyzing every paragraph you
write. Your writing will be clearer and your readers will be grateful.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;©&lt;/span&gt;
2019 Good with Words&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3675655137383970189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3675655137383970189'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/02/better-writing-boot-camp-session-2.html' title='Better Writing Boot Camp -- Session 2: Crafting Paragraphs'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-8625501353511536133</id><published>2019-02-04T16:54:00.002-05:00</published><updated>2019-02-07T17:05:13.254-05:00</updated><title type='text'>Better Writing Boot Camp -- Session 1: Keeping Sentences Short</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Have you ever taken a fitness boot camp? If so, you probably
noticed that most of the activities are things you did in elementary school.
(You probably also noticed those moves are a LOT harder on older knees than
they were on 10-year-old knees!) By the end of boot camp you’re stronger
because you’ve reconnected with muscles you hadn’t focused on for some time.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
In coaching professionals interested in making their
business-related writing better, I’ve noticed big payoffs come from focusing on
a few basics. So, I’m launching a digital writing boot camp designed to help
you whip your writing into better shape. The boot camp will be a series of
short blog posts. Each post will cover one basic practice that will improve
your writing – if you’re willing to really focus on it. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Ready? Ok, here goes …&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Session 1: Keeping Sentences
Short&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
An excellent first principle to focus on is keeping
sentences short. Shorter sentences are easier for readers. Long sentences –
even when grammatically flawless – require a lot from readers. Business writers
seem to forget that readers don’t know the point you’re making until they
finish reading the sentence. With long sentences, readers must hold a lot in
their head before making sense of the idea you’re presenting. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another problem with long sentences is that they’re more
likely to be grammatically flawed. And, when you write a long sentence, you
increase the chance of creating confusion and ambiguity. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
How short? My rule of thumb is sentences should be under 25 words.
I know, that seems like a lot of words – and it is. But, you’d be surprised at
how many sentences in business documents are 30, 40, even 50 or more words
long. Professionals often think that long sentences show off their expertise.
Instead, it shows their laziness and lack of care about the reader. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
So, any time your sentence spills beyond one line of type,
take the time to check how many words it is. (It’s easy to check word counts in
MS Word. All you do is highlight the sentence and in the lower left corner
you’ll see the sentence’s word count.) It’s a bit time consuming to do for
every sentence, but don’t skip this necessary step. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Any time you have a sentence that’s over 25 words – shorten
it! Start by ruthlessly trimming unnecessary words. If that’s not enough,
re-cast the sentence. Sometimes the easiest solution is to chop the sentence
into two. Sure, you may have to repeat the subject of the sentence, but that’s
a small price for clarity and ease of reading.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I challenge you to diligently focus on writing shorter
sentences for a month. Do it for your readers – and for yourself.&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
©
2019 Good with Words&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8625501353511536133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8625501353511536133'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2019/02/better-writing-boot-camp-session-1.html' title='Better Writing Boot Camp -- Session 1: Keeping Sentences Short'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-2133126312638944187</id><published>2014-07-21T11:40:00.001-04:00</published><updated>2014-07-21T11:40:09.851-04:00</updated><title type='text'>Word Crimes?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;37&quot; Name=&quot;Bibliography&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:&quot;Table Normal&quot;;
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Being in the business, I’ve always found grammar inherently
interesting and fun. Now, thanks to Weird Al Yankovic, I am sure others will find it fun
too!&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here it is: &lt;a href=&quot;https://www.youtube.com/watch?v=8Gv0H-vPoDc&quot;&gt;Word Crimes&lt;/a&gt; – enjoy!&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2133126312638944187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2133126312638944187'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2014/07/word-crimes.html' title='Word Crimes?'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-7980347295510899459</id><published>2013-10-25T08:25:00.002-04:00</published><updated>2013-10-25T08:25:27.837-04:00</updated><title type='text'>Reflecting on Reflexive Pronouns</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;div class=&quot;MsoNormal&quot;&gt;
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&lt;div class=&quot;MsoNormal&quot;&gt;
I’ll admit it up front: misusing reflexive pronouns (which
are pronouns that end in –self or –selves) is a pet peeve of mine, so when I read
this sentence from a letter written by Toronto’s mayor, I cringed:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: .5in;&quot;&gt;
“Mr. [X] has demonstrated to myself
that he has a great work ethic and has always shown tact and diplomacy.” &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
As the name implies, reflexive pronouns reflect back on the
subject of the sentence. Here’s a simple example: She bathes herself. I like
this example because the mental image it presents makes it easy to envision the
subject of the sentence doing something to herself. &lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Another way of describing when it’s ok to use a reflexive
pronoun is when the subject and object are the same entity. In the mayor’s
sentence, the subject (Mr. X) and the object (the author of the sentence – in this
case, the mayor) are not the same entity, so “myself” is clearly wrong. The
proper pronoun in that sentence is “me”: “Mr. X demonstrated to me that he has
a great work ethic…”&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
If these explanations don’t make use of reflexive pronouns
clear enough, here’s how MS Word’s grammar help explains why “myself” is incorrect
in a sentence like the one the mayor wrote: &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: .5in;&quot;&gt;
Reflexive Pronoun Use: It is
incorrect to use &quot;myself&quot; alone as a subject, as in &quot;Jake and
myself went to town,&quot; or alone as an object, as in &quot;You will talk
only to myself.&quot;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Pronouns ending in –self (or –selves) can also be used to
emphasize something, in which case grammarians call them &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;intensive pronouns&lt;/i&gt; (rather than reflexive pronouns). As the name
“intensive pronouns” implies, such pronouns are inserted for emphasis – to make
you take notice of the noun or pronoun they go with.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Here’s an example: Tom himself did the
laundry. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Given how simple the rules for using reflexive pronouns are
(or, looked at it another way, the relatively few situations when using
reflexive pronouns makes sense), I wonder why they are so often misused. In &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Grammatically Correct: The Writer’s Essential
Guide to punctuation, spelling, style, usage and grammar&lt;/b&gt;, Anne Stilman
suggested that one reason writers might insert reflexive pronouns where they
don’t belong is because they may think that “it sounds more important or
genteel to say myself than plain &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I &lt;/i&gt;or
&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;me &lt;/i&gt;would do”.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;That may be the case, but it certainly
backfires because doing so only makes the writer seem illiterate.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
So, next time you’re tempted to tack a “–self” or “–selves”
onto a pronoun, stop and be sure to consider whether doing so is correct. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7980347295510899459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7980347295510899459'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/10/reflecting-on-reflexive-pronouns.html' title='Reflecting on Reflexive Pronouns'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-2362103786400396677</id><published>2013-10-07T20:11:00.000-04:00</published><updated>2013-10-07T20:11:07.314-04:00</updated><title type='text'>PLAIN Language International’s Upcoming Conference</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
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&lt;span style=&quot;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;I’m
a member of &lt;a href=&quot;http://www.plainlanguagenetwork.org/index.html&quot;&gt;PLAIN&lt;/a&gt;&lt;/span&gt;,
the international association for plain language professionals. PLAIN’s &lt;a href=&quot;http://www.plain2013.org/&quot;&gt;20thAnniversary Conference&lt;/a&gt; is coming up in Vancouver from Oct. 10-13, 2013. In the
lead-up to the conference there have been many interesting discussions in the
Member’s message forum.&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 15.0pt; mso-outline-level: 4;&quot;&gt;
In one of the discussions, William DuBay, of &lt;a href=&quot;http://www.impact-information.com/impactinfo/services.htm&quot;&gt;Impact Information Plain Language Services&lt;/a&gt;,
offered up a great description of our profession. I thought I’d share it with
readers as we mark International Plain Language Day (October 11). Here’s what Bill
said:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 15.0pt; mso-outline-level: 4;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #333333; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;“We are indeed a unique profession. We are not about writing; we are not
about reading. We are at the point where these two activities intersect, at the
point where comprehension takes place, where the rubber hits the road.”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 15.0pt; mso-outline-level: 4;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #333333; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;I often describe plain language as reader-focused writing, which is what
I think Bill is getting at when he talks about plain language practitioners being
concerned with making sure the reader understands what’s written.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 15.0pt; mso-outline-level: 4;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #333333; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;If you’d like to learn more about plain language – or better yet, if you’d
like to join the conversation – I encourage you to join PLAIN.&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2362103786400396677'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/2362103786400396677'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/10/plain-language-internationals-upcoming.html' title='PLAIN Language International’s Upcoming Conference'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-8244096781107771427</id><published>2013-08-28T22:18:00.001-04:00</published><updated>2013-08-28T22:18:18.678-04:00</updated><title type='text'>The Benefits of Hearing Your Text Read Aloud</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Today I was doing some on-line research on a grammar issue and
I happened on a terrific writing web site: &lt;a href=&quot;http://www.dailywritingtips.com/&quot;&gt;DailyWritingTips&lt;/a&gt;. There’s lots of
very useful information on the site on a wide range of topics. I clicked on a
few topics that were of general interest to me and then I noticed an item
titled: &lt;a href=&quot;http://www.dailywritingtips.com/34-writing-tips-that-will-make-you-a-better-writer/&quot;&gt;34 Writing Tips that Will Make You a Better Writer&lt;/a&gt;. Curious, I clicked
on it.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The 2007 article was based on tips from readers. While all the
tips were good advice – most are conventional wisdom.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;But Tip #30, apparently submitted by E.I. Sanchez,
offered a fantastic idea that I’ll certainly put into practice – and so I
wanted to share it.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Here’s Tip 30:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: .5in;&quot;&gt;
&lt;strong&gt;“30. E. I. Sanchez &lt;/strong&gt;&lt;br /&gt;
For large documents, I use Word’s Speech feature to have the computer read the
article back. This allows me to catch errors I have missed – especially missing
words or words that ’sort of sound the same’ but are spelled differently (e.g.
Front me instead of ‘From me’).”&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3;&quot;&gt;
I had never heard of Microsoft Word’s Speech feature and I
didn’t know if Word 2010 – the version I’m running – had the feature. With a
bit more on-line research I found a &lt;a href=&quot;http://www.blogger.com/(http://bdmtech.blogspot.ca/2011/12/add-quick-text-to-speech-button-to.html&quot;&gt;simple description&lt;/a&gt; &lt;span style=&quot;mso-bidi-font-weight: bold; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;of how to enable it – and I did. I’m thrilled to
say that the text-to-speech feature works really well.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Reading your writing aloud has always been a terrific way of
catching clumsy writing and even some typos. Indeed, it is a practice I employ
often. But, I’ve found that when I read my own writing aloud, I don’t always catch
typos because I read too quickly and because my mind knows what I meant to
write and so that’s what I “read” – even though that might not be exactly what’s
on the page.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Word’s Speech function reads at a more reasonable pace than
I read my own stuff, and it read exactly what’s written. I’ve found that by
reading the document on-screen as the document is read aloud to you, there’s a
darned good chance you’ll catch things you wouldn’t catch if you simply read it
aloud yourself.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Give it a try – I think you’ll find it as helpful as I
do.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;Thank you E.I. Sanchez!&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8244096781107771427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/8244096781107771427'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/08/the-benefits-of-hearing-your-text-read.html' title='The Benefits of Hearing Your Text Read Aloud'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-5516594321673121319</id><published>2013-07-23T11:16:00.001-04:00</published><updated>2013-07-23T11:17:32.566-04:00</updated><title type='text'>Speaking my language</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I was reading the latest &lt;a href=&quot;http://www.powerauthority.on.ca/news/opa-news-online-volume-6-issue-2-march-2013&quot;&gt;Ontario Power Authority’s NewsOn-line newsletter&lt;/a&gt; and it had a terrific example of plain language principles
that I thought I must share with you. It was a story about the recent rain
storm that hit Toronto, dumping the most one-day rainfall ever recorded in
Toronto. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The paragraph in the story that made me cheer was this:&lt;/div&gt;
&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Tahoma&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;About 100 millimetres (four
inches) of rain fell during the storm that struck during the evening commute on
July 8. It is the heaviest one-day rainfall recorded in Toronto.&lt;/span&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Why do I love that simple two-sentence paragraph? Because it
helped me understand what 100 millimetres of water is – it’s about 4 inches. I
can’t tell you how many articles I’ve read recently about flooding in Alberta,
for example, that have only provided the rainfall in millimeters – a concept I
simply can’t wrap my mind around. (I know I should be able to comprehend what a
millimeter is, since Canada uses the metric system. But, I grew up in the
non-metric world and so a millimetre of water simply doesn’t mean much to me.)&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
By including that additional information in simple
parentheses the writer helped me – and I suspect many other readers – immeasurably.
And, as you can see – the additional parenthetical information didn’t disrupt
the flow of the story or add much to the length.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
That’s good business writing! &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Plain Language writing is all about expressing information
in ways so that different readers can understand it.&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/5516594321673121319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/5516594321673121319'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/07/speaking-my-language.html' title='Speaking my language'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-7706132319414679096</id><published>2013-05-28T09:34:00.002-04:00</published><updated>2013-05-28T09:34:42.137-04:00</updated><title type='text'>The different meanings of shall</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
A client and I were discussing the edits of a document the
other day and I suggested replacing the word “shall” with a different word. The
client hesitated and said that that morning he and others on the management
team were working on firm policy statements and the issue of the mandatory
nature of “shall” came up. He said that his understanding is that you should
use “shall” when you want to ensure there is no wiggle room.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
I then explained, in fact, there’s a push to eliminate use
of “shall” because using it does not necessarily imply something is mandatory.
The client clearly was sceptical about my comment. I then went on to explain
that this isn’t just limited to a few writing consultants recommend – it’s
something folks who draft legislation and contracts are also behind. (Folks
like &lt;a href=&quot;http://www.lawprose.org/bryan_garner/about.php&quot;&gt;Brian Garner&lt;/a&gt;, for example.)&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
That discussion reminded me that my clients don’t read or
follow all the language news that I do. (They’re too busy keeping up-to-date
with their own industry, of course.) So, after the meeting I sent my client a
copy of a &lt;a href=&quot;http://www.goodwithwords.com/select_writing_samples.htm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Writer’s Edge&lt;/b&gt;&lt;/a&gt; article I
recently wrote about ambiguity. In that article I provided some examples of the
different ways “shall” can be interpreted.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
Since I suspect many readers of this blog may also think
that using “shall” helps bullet-proof their writing, I thought I’d share examples
of the different meanings for “shall” here:&lt;/div&gt;
&lt;div class=&quot;MsoFootnoteText&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;margin-left: 27.0pt; mso-list: l0 level1 lfo1; text-indent: -9.0pt;&quot;&gt;
&lt;span style=&quot;font-family: Symbol; font-size: 8.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12.0pt;&quot;&gt;Father said we shall go see Grandma on Sunday. Here it
means we will go see Grandma on Sunday.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoFootnoteText&quot; style=&quot;margin-left: 27.0pt; mso-list: l0 level1 lfo1; text-indent: -9.0pt;&quot;&gt;
&lt;span style=&quot;font-family: Symbol; font-size: 8.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;&quot;&gt;&lt;span style=&quot;mso-list: Ignore;&quot;&gt;·&lt;span style=&quot;font: 7.0pt &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12.0pt;&quot;&gt;The provinces shall have the power to amend the law.
Here it means the provinces may amend the law.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7706132319414679096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/7706132319414679096'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/05/the-different-meanings-of-shall.html' title='The different meanings of shall'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-175449837513146345</id><published>2013-04-12T10:39:00.000-04:00</published><updated>2013-04-12T10:39:08.440-04:00</updated><title type='text'>The Comma that Opened Airspace?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
An interesting March blog about the consequences of a poorly
placed comma came to my attention recently and I thought I’d share it. &lt;a href=&quot;http://blogs.reuters.com/india/2013/03/08/the-comma-that-let-a-malaysian-airline-sneak-in/#comments&quot;&gt;The post&lt;/a&gt;, which was by Tony Tharakan, editor of Reuters’
India Online, tells about &lt;a href=&quot;http://www.business-standard.com/article/economy-policy/airasia-tata-jv-gets-fipb-green-signal-113030600131_1.html&quot;&gt;India’s approval&lt;/a&gt; of a controversial
proposal by a Malaysian airline (AirAsia) for a new airline to operate in
India. The proposed airline will be a joint venture (JV) between AirAsia and
India’s Tata group and other Indian investors.&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
The controversy arose when some wondered whether the proposal
complied with a September 2012 government press note outlining the rules for
foreign direct investment in aviation in India.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;Here’s a portion of the sentence in the September press note with the whose
interpretation was open to debate:&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-left: .5in;&quot;&gt;
&lt;span style=&quot;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;“The government of India has
reviewed the position in this regard and decided to permit foreign airlines
also to invest, in the capital of Indian companies, operating scheduled and
non-scheduled air transport services, up to the limit of 49% of their paid-up
capital…”&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;AirAsia will only own 49% of the JV, so the issue wasn’t
about the amount of foreign investment. Instead, &lt;a href=&quot;http://articles.economictimes.indiatimes.com/2013-03-07/news/37531757_1_fipb-air-asia-aviation-ministry-officials&quot;&gt;officials from the aviation authority&lt;/a&gt;&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;argued that
the policy referred to in the press note allowed foreign airlines to invest in
existing carriers, not start new ones up.&lt;span style=&quot;color: red;&quot;&gt; &lt;/span&gt;But, India’s
&lt;/span&gt;Department of Industrial Policy &amp;amp; Promotion (DIPP) interpreted the sentence
to mean that foreign airlines were allowed to take up to a 49% stake in
existing Indian carriers and new airlines being set up. &lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;Tharakan commented that the problematic comma in
the quoted sentence was the one after the word “companies”. He said: “Had there
been no comma after “companies”, things would have been clear. It would have
meant foreign airlines could only invest in existing carriers….” &lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-CA; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: EN-CA;&quot;&gt;Personally, I think the confusion is attributable to
the comma after “invest’ and the comma after “companies”. In any event, I think
much of the confusion could have been avoided by application of the plain
language principle of using short, clear sentences rather than long,
comma-filled passages. What do you think?&lt;/span&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/175449837513146345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/175449837513146345'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2013/04/the-comma-that-opened-airspace.html' title='The Comma that Opened Airspace?'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3195170532958022142</id><published>2012-02-29T13:14:00.005-05:00</published><updated>2012-02-29T17:14:15.511-05:00</updated><title type='text'>One set of eyes just isn&#39;t enough!</title><content type='html'>Talk about life&#39;s lessons... &lt;br /&gt;&lt;br /&gt;I sent out an announcement to clients this morning about some seminars I&#39;m launching and -- wouldn&#39;t you know it -- the announcement had a typo. Instead of Plain Language, I typed: Plan Language.  Of course the spell checker didn&#39;t flag that because &quot;plan&quot; is a perfectly fine word, as far as the spell check program is concerned!&lt;br /&gt;&lt;br /&gt;Well, nothing I can do about it now other than use this as a &quot;teachable moment&quot; and a chance to remind everyone that if it&#39;s something important you&#39;re putting out -- it&#39;s always best to ask someone else to proofread it before you send it. I know, finding someone to proof something isn&#39;t always easy, especially if you fly solo, like I do. But, live and learn... (and try to find someone next time!)</content><link rel='replies' type='application/atom+xml' href='http://blog.goodwithwords.com/feeds/3195170532958022142/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/22357389/3195170532958022142' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3195170532958022142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3195170532958022142'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2012/02/one-set-of-eyes-just-isnt-enough.html' title='One set of eyes just isn&#39;t enough!'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22357389.post-3555044404629052656</id><published>2011-10-21T19:49:00.003-04:00</published><updated>2011-10-21T19:54:36.398-04:00</updated><title type='text'>Supreme Court of Canada Rules on Hyperlinks and Defamation</title><content type='html'>If you’ve ever blogged or created content and inserted a hyperlink to information on the Web, a recent Supreme Court of Canada (SCC) case should help you sleep better, knowing it’s unlikely you’ll be liable for defamation. In &lt;a href=&quot;http://scc.lexum.org/en/2011/2011scc47/2011scc47.html&quot;&gt;Crookes v. Newton&lt;/a&gt; the SCC considered whether a hyperlink to allegedly defamatory material amounted to “publishing” the defamatory material. &lt;br /&gt;&lt;br /&gt;In Canada, for someone to succeed in bringing a defamation action they must prove that the defamatory words were “published”. To be published the words must be communicated to at least one person other than the person claiming defamation. &lt;br /&gt;&lt;br /&gt;The SCC concluded that hyperlinking is not, in and of itself, publication of the content to which the link refers.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-weight:bold;&quot;&gt;The Facts of the Case&lt;/span&gt;&lt;br /&gt;Crookes brought a series of law suits against people he claimed were responsible for allegedly defamatory articles published on various websites. Newton, who owns and operates a website containing commentary on various issues, posted an article on his web site that had hyperlinks to other web sites, which in turn contained information about Crookes. &lt;br /&gt;&lt;br /&gt;Crookes sued Newton on the basis that two hyperlinks Newton inserted linked to defamatory material and that by using those hyperlinks, Newton was publishing the defamatory information.  One of the hyperlink was a “shallow” hyperlink, which means it simply took the reader to web page where the articles were posted. The other was a “deep” hyperlink, which took readers directly to a specific article. In essence, Crookes argued that a person who includes a hyperlink on a webpage publishes any defamatory remarks found on the linked page because the person inserting the link has done something that has the effect of transferring the defamatory information to anyone who clicks on the link.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-weight:bold;&quot;&gt;The Majority’s Decision&lt;/span&gt;&lt;br /&gt;Justice Abella, writing for the six-justice majority, concluded that hyperlinks are like references and a reference to other content is fundamentally different from other acts involved in publication. According to Abella, it is the actual creator or poster of the defamatory words in the linked material who is publishing the libel when a person follows a hyperlink to that content&lt;br /&gt;&lt;br /&gt;Abella concluded, “Making reference to the existence and/or location of content by hyperlink or otherwise, without more, is not publication of that content. Only when a hyperlinker presents content from the hyperlinked material in a way that actually repeats the defamatory content, would that content be considered to be “published” by the hyperlinker.” [Paragraph 42 of the judgement]&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-weight:bold;&quot;&gt;The Concurring Opinions&lt;/span&gt;&lt;br /&gt;In a concurring opinion, Justices McLachlin and Fish were not willing to absolve all hyperlinkers from possible liability for defamation. Instead, McLachlin and Fish concluded that there could be some cases where the combined text and the hyperlink may amount to publication of defamatory material contained in the hyperlinked text. “If the text communicates agreement with the content linked to, then the hyperlinker should be liable for the defamatory content.” [Paragraph 48]&lt;br /&gt;&lt;br /&gt;In a lengthy separate opinion, Justice Deschamps disagreed with the approach taken by the other justices. Instead, Deschamps favoured a “more nuanced approach” under which a reference to defamatory content could satisfy the first component of publication if it makes defamatory information readily available to a third party, if the act was deliberate. [Paragraphs 106 and 107] And, if the first component is met, the court should then turn to the second component, which is whether a third party received and understood the defamatory information. Deschamps then set out some of the factors a court could consider in determining whether to infer that a third party clicked on the hyperlink and read and understood the linked information. [Paragraph 110] Applying her approach to the facts of the case, however, Deschamps concluded that Crookes did not establish facts supporting the second component and so she too found in favour of Newton. &lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-weight:bold;&quot;&gt;Conclusion:  Hyperlinks are Crucial to the Flow of Information Over the Web&lt;/span&gt;&lt;br /&gt;The SCC’s decision is obviously comforting to bloggers and others who use hyperlinks. It should also be welcome by all who use the Internet as it reflects the reality that hyperlinks are crucial to the flow of information. As Justice Abella put it, “The Internet cannot, in short, provide access to information without hyperlinks. Limiting their usefulness by subjecting them to the traditional publication rule would have the effect of seriously restricting the flow of information and, as a result, freedom of expression.” [Paragraph 36]</content><link rel='replies' type='application/atom+xml' href='http://blog.goodwithwords.com/feeds/3555044404629052656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/22357389/3555044404629052656' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3555044404629052656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22357389/posts/default/3555044404629052656'/><link rel='alternate' type='text/html' href='http://blog.goodwithwords.com/2011/10/supreme-court-of-canada-rules-on.html' title='Supreme Court of Canada Rules on Hyperlinks and Defamation'/><author><name>Ingrid Sapona</name><uri>http://www.blogger.com/profile/09277312044485677643</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://2.bp.blogspot.com/_Z3cJ8LVOpto/Sm347-8XCaI/AAAAAAAAAAU/3Klx9iAAeHc/S220/IMG_3195+head+only.JPG'/></author><thr:total>0</thr:total></entry></feed>