Graphic Design Tips Online

3D Graphic Designer in Dubai - How to hide InDesign CC Start Screen Tutorial

2016-11-29T13:17:00.003-08:00

Click on "New Features" and scroll down, then click "Getting Started" and scroll down. Check each section of the welcome screen. You could throw away the prefs, then relaunch and see if that does it. Know that this would get rid of any preferences you set in ID like units, etc.! As you launch ID, IMMEDIATELY hold down Control + Option + Command + Shift. When a dialog appears asking to reset prefs—do it. Then see if the option is in the welcome screen.

thank you was criving me crazy too. didn't know how to turn on again Adobe Stock integration, Typekit integration, eCommerce integration, contact form updates, and more. 2015.1 Release 2015.1 Release was made publicly available on February 8, 2016. Improvements included: free-form responsive web design, customizable starter designs, integrated with Adobe Stock, and more. 2015.2 Release 2015.2 Release was made publicly available on June 20, 2016. Improvements included: better collaboration with libraries, asset collector, improved Illustrator workflows, and more.

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Graphic Designer Dubai Speed Drawing Tom Hiddleston

2016-11-14T11:54:00.002-08:00

Graphic Designer Dubai Speed Drawing Tom Hiddleston

Speed painting is an artistic technique where the artist has a limited time to finish the work. The time can vary, usually a duration is set from several minutes to a few hours.^[1]^[2] Unlike sketches, speed paintings may be considered "finished" after the time limit is up- it is generally accepted among painters that if a piece is altered after the allotted time, it can no longer be truly considered a speed painting.^{[citation needed]}

Speed painting is particularly common among digital media artists,^[3] because digital painting mediums allow for a work to circumvent drying times of traditional media. Digital media artists primarily use speed painting to practice working quickly and efficiently. Speed painting techniques are also frequently used in concept art, particularly in the early stages of a production when the polish of an individual image matters less than a clear basic presentation of many candidate concepts for consideration, Graphic Designer Dubai Speed Drawing Tom Hiddleston.

Traditional media artists also use limited-time pieces as a challenge of skill, and an exercise in not over thinking their work.

Speedpainted pieces both digital and traditional are considered by artists to be an excellent exhibition of the subjective skill of a painter, as the time constraint requires efficient rendering of form and detail and a deep understanding of their chosen medium to capture a complete, strong image, and leaves little time for noticing and correcting mistakes, Graphic Designer Dubai Speed Drawing Tom Hiddleston.

Denny Dent is recognized by many to be the pioneer of speed painting in the United States, introducing speed painting in live performances in 1981.

In the past few years, the term "speedpaint" has also come to be known as a single session of a visual art program, usually sped up and set to music, showing an artwork quickly made within the program, Graphic Designer Dubai Speed Drawing Tom Hiddleston.

Graphic Designer Dubai Speed Drawing Tom Hiddleston

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How to retrieve your lost smartphone using IMEI number

2016-11-14T11:43:00.002-08:00

How to retrieve your lost smartphone using IMEI number

Your mobile phone has exclusive number along with it, called the IMEI number, that extraordinarily recognizes your apparatus inside the mobile network.

In the event that your phone gets lost or is stolen, you will need to give this IMEI number to the law enforcement associations and the telecom company for them to block your unit and spare you any other person from the use of your mobile phone on their wireless network system.

As you might already know, it's quite easy to find the IMEI number of your cell mobile phone. While there are applications that will help you recover this number with a tap, you don't really require one. Just dial *#06# and the IMEI identifier can be shown at the phone's display screen. Also, you may open gadget Settings – About Phone – Status and long press the IMEI Identifier number to duplicate it to the clipboard.

In the event that you have lost your phone and was not able to record the IMEI number, you could in still recover the IMEI out of your Google Account. Simply go to google.com/settings, signal-in with your Google account and expand the Android tab. Right here you may see of all Android gadgets which is connected to your Google Account and it will list the IMEI number of your telephone too.

Here is how to find your IMEI number on your Android Phone:

there's a number of ways to do that – by entering a special code using the device's keypad or Phone app, by digging in the handset's settings, or by checking the details stored on your user account, to give a few examples. These and other methods of finding a phone's IMEI number are described in the pictures below.

1. Dialing *#06#

As with other GSM phones, you can find your IMEI by opening your dialer and typing *#06# using the keypad. The unique number will be displayed as soon as you press the second number sign.

2. From the Settings menu

The number is also found in Settings > About Device > Status. Just scroll down until you get to the IMEI number.

Incase your mobile is iPhone, the IMEI number can be found at the box package itself. If nothing works, imply the phone's receipt – the seller may have written the IMEI number of the mobile phone at the moment of purchase. If you still haven't found the number that you need, see below for other ways to locate it.

4. Under the battery

If your phone has a removable battery, chances are that its IMEI number is printed on the label found inside of the battery compartment.

5. On the box

And if you happen to still have your phone's retail box, take a look at its side or back. Your phone's IMEI number should be printed on it.

Here is how to find your IMEI number on your IPhone:

Go to Settings > General > About and look for your device's serial number, IMEI/MEID, and ICCID. If you'd like to paste this information into Apple registration or support forms, tap and hold on the number and copy it.

Article: How to retrieve your lost smartphone using IMEI number

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Graphic Design Tips Online How to Add Contact Form in WordPress

2016-11-14T11:39:00.002-08:00

Graphic Design Tips Online How to Add Contact Form in WordPress

Graphic Design Tips Online How to Add Contact Form in WordPress
Graphic Design Tips Online How to Add Contact Form in WordPress
Graphic Design Tips Online How to Add Contact Form in WordPress

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How to Make a Car Advertisement Poster Design

2016-11-14T11:36:00.000-08:00

Creating effective advertisements is one of the biggest jobs for a graphic designer. The advertising industry is one of the largest employers of graphic designers, but creating advertisements requires a mastery of many different skills. From photo manipulation, digital painting, 3D, and vector graphics, graphic designers need to have strong skill sets in order to be able to work on a given project. Here is How to Make a Car Advertisement Poster Design.

In this Car Advertisement Poster graphic design tutorial, we’ll cover the essential advertising workflow. By following along with this Photoshop ad tutorial, you’ll see how to take just a simple stock image and build a pixel perfect artwork around it, while also communicating valuable information about the brand to viewers.

What you will be creating

How to Make a Car Advertisement Poster Design Step 1

First, we need to isolate the photo of Mercedes and put it on a white background. This will give us the base of our advertisement and a focal point to build around. The pen tool or magic wand will work best for this extraction.

Then we start to make the shadows with soft round brush. You can just paint below the extracted car layer on a new layer, based upon where you will place your light source.

How to Make a Car Advertisement Poster Design Step 2

Invert the background layer using ctrl+i and make a new layer, with soft round brush paint some blue areas behind the car. Alternately you can create your own fill layer with a different color.

After that, we use a smoke brush and add a little mist on the left.

How to Make a Car Advertisement Poster Design Step 3

To make it more realistic, I decided to add a clouds texture (http://www.shutterstock.com/pic.mhtml?id=24208522) on the background.

With the layer mask on, we erase the areas on the bottom right corner.

Next, I took a green grass texture and desaturated it using hue/saturation (ctrl+u) or ctrl+shift+u.

How to Make a Car Advertisement Poster Design Step 4

I think it is a little bit too dark, so we use the adjustment layer – curves and brighten it up.

On new layer, make the left corner a little dark, the light is not going there so strong, that is why we make it darker. You can paint it with a dark brush and set to Overlay or Soft Light.

I want to make it all in one colour pallete, so we need to use a hue/saturation, colorized check.

How to Make a Car Advertisement Poster Design Step 5

On the top of the layers we start to adding the trees (http://www.istockphoto.com/stock-photo-1204409-bonsai-tree.php?st=996a73c).

As you see, every tree is blended, so use the curves to make it darker or brighter, and hue/saturation to make it desaturated or more colorful. Don’t forget about the shadows, paint it with a soft round brush just like we did for the car shadows.

Once you’ve added some stock photos, now you can paint the rest with a small brush, use the same colours like the tree and start to paint your wooden root.

How to Make a Car Advertisement Poster Design Step 6

Now, it is time to make the base. We have a dark and relatively ugly looking grass texture. So we need to search a stock photo, on www.sxc.hu and start to blend the green grass.

Use the layer mask, and erase some areas to fit the texture more.

I found some stock photos of the stones and put it on the bottom of the project, also add one more wooden root on the left.

The same stones I put on the left background, that give as an effect, like the car is staying on rocks.

How to Make a Car Advertisement Poster Design Step 7

We add the rocks on the background from a mountain texture (http://www.sxc.hu/photo/916133). As you see they don’t fit to the image in terms of color. To fix this, we use the hue/saturation adjustment layer.

I also paint some mist with soft round brush.

The final touch is the flying birds. This is always a good thing, because birds show you the scale of the illustration… the same is with the people on the images. The human eye understands certain sizes for things, such as people, or birds, so they help establish a scale for the eye.

How to Make a Car Advertisement Poster Design Step 8

Now it its almost done, but the adjustment layers will bring it on the next level. First a little more contrast with brightness/contrast and new color pallete with a channel mixer.

Related Article: How To Make 3D Text Composition in Photoshop

How to Create Detailed Drawing of pencils in Adobe Illustrator

Hidden Dropdown Search Form Using jQuery

How to Make a Car Advertisement Poster Design

Techniques for Texturing a 3D Logo in Photoshop

2016-11-14T10:54:00.002-08:00

Techniques for Texturing a 3D Logo in Photoshop

Techniques for Texturing a 3D Logo in Photoshop Tutorial Part 2

Techniques for Texturing a 3D Logo in Photoshop Tutorial Part 3

Source

Article: Techniques for Texturing a 3D Logo in Photoshop

Jojit Dela Pena | Graphic Designer in Dubai | Graphic Designer Dubai

JOJIT DELA PENA | GRAPHIC DESIGNER IN DUBAI

Creating 2D Cartoon Cloud Poofs in Cinema 4D Part1

2016-11-12T06:26:00.000-08:00

Graphic Designer in Dubai Tutorial

Creating 2D Cartoon Cloud Poofs in Cinema 4D Part1

Graphic Designer in Dubai Tutorial

Creating 2D Cartoon Cloud Poofs in Cinema 4D Part1

In this quick tip, you’ll learn how to totally bypass Photoshop and create 2D text materials and apply it to 3D objects as textures by using Cinema 4D’s Spline Shader. Using the Spline Shader you can use text as simply as a 2D material, or get creative and use is in the bump or displacement channels of a material to get some embossed or stamped metal looks. The Spline Shader also isn’t limited to just text, you can use any spline shape to create a texture!

Since presenting for MAXON at NAB 2014, I’ve received a bunch of requests asking me to go further in depth on how I used the Cel Shader in a client spot in my presentation. In this tutorial, I’ll show you just that: how to create and apply a cool, stylistic, flat, illustrative 2D look to 3D objects in Cinema 4D. We will achieve this look by using the often overlooked Cel Shader & Spline Shader. Learning how to leverage C4D in your 2D workflow is critical when it comes to saving time creating elements and animating. If you’ve ever tried to make something look 3D with 2D objects, you know how painstaking it can be to sell the 3D depth using flat layers. I’ll also show how you can use the Cel Shader to apply shadows to objects with 100% luminance. One final note, be sure when you render to turn up the Anti-Aliasing settings as well as using a sharper Filter than Animation; such as Cubic (Still Image) or Sync so you have nice crisp edges in your animation to sell the 2D style.

Here’s the tutorial I mention in this video that shows you how to create the text material using a Spline Shader that is applied on the ribbon element:

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Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

2016-11-09T10:12:00.003-08:00

Graphic Designer in Dubai Tutorial
Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

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Graphic Designer in Dubai Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

2016-11-09T10:12:00.002-08:00

Cinema 4D Tutorial Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

Graphic Designer in Dubai Tutorial

Cinema 4D Tutorial Using Mograph Effectors Spline Editor for Custom Animations in Cinema 4D

Here’s the tutorial I mention in this video that shows you how to create the text material using a Spline Shader that is applied on the ribbon element:

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How to make a Flash Cartoon in Adobe Flash Graphic Designer Dubai

2016-09-20T15:42:00.001-07:00

How to make a Flash Cartoon!

Have you ever wanted to create your very own animated cartoon?

Well, now’s your chance! In this robust series we will go from start to finish on how to create your very own Flash animated cartoon. Steps will include scripting, drawing, animating, pacing, using audio and exporting the project for the world to see. By the time you are done with this series, you will have a strong understanding of the Flash interface, cartoon design and animation.

Drawing Your Character
Learn how to start your cartoon character in this tutorial. Then we give our new character a body in this part 2.

Drawing Your Background (2 parts)
In this lesson we design and set up an environment for our character to interact with. In Part 1 we set up the Stage and draw out the sky, hills and road. In Part 2 of designing our environment, we finish off the background by adding some clouds, a tree and a moon.

Creating a Running Animation (4 parts)
Here we learn how to create a running animation for our character. In Part 1 we setup the Stage and timeline to begin animating the character. In the second part of this lesson, we animate the armature layers to create walking cycle for our legs. In Part 3 we animate the arms to go along with the legs. Additionally, we learn how to add a bounce to the character to give the run cycle a bit more depth. In the final part of the Running Animation lesson, we put the character onto our environment and animate him running down the hill.

Drawing and Animating the Boulder (2 parts)
We need a boulder for our cartoon and in this lesson we learn how to design an animated the deadly object. In Part 1 we draw the object using a variety of tools and techniques. In the final part of this lesson we learn how to animate the boulder rolling down the hill.

Emotions and Closeups (3 parts)
We add some closeups and emotion to our character in this lesson. In this part we change the character’s expression to something more appropriate. In the second part of this lesson we animate a closeup of the character. In the final part we add some background elements to the new scene we have made.

Creating a Scrolling Background (3 parts)
In this lesson we learn how to keep our character stationary while the environment moves around him, creating the illusion that the camera is following our hero. In Part 1 we create an animated looping effect for the road. In Part 2 we animate the other elements on the environment as well as give the character and boulder some more detail to their movements. In the final part of this lesson we add a closeup to create some tension for the sequence.

With the new Tutorial platform, experience an interactive learning environment like no other! The series includes project files, notes and pause points to make your learning experience as easy as possible.

Article: How to make a Flash Cartoon!

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How to Create Double Exposure Photoshop Tutorial

2016-09-09T12:35:00.000-07:00

Create Double Exposure Photoshop Tutorial

Learn How To Create Double Exposure in Adobe Photoshop

Open up your image, make sure it either has a neutral or white background. This image below is actually quite complicated to use due to the hair, but we will get to that part later in the tutorial! We got our photo from a free stock website Here, but any photo with a neutral color background will do fine.

Step 2:

Press W and select the Magic Wand Tool, we want to select the white background behind our model, so with the magic wand tool click the white areas of your background (or whatever color you background is) until you have your background selected! This may only take one click or could be multiple if you have a more complicated background. For this image it is a simple one click selection!

Step 3: Inverse the Selection & Refine Edge

With your background selected, go to Select > Inverse (or Ctrl/Cmd + Shift + I) to inverse your selection, this is so in the next step we can create a vector layer mask for our secondary image.

With your selection now inverted, go to Select > Refine Edge. In the Edge Detection put in 1.5 and tick Smart Radius. Also, in the Output Settings select “New Layer with Layer Mask”. You should now see the image below:

The image needs some improvement before we can go any further, so in your Refine Edge Window start brushing around the edge of your image (especially if they have long and wavy hair like our subject) to make sure you don’t have any artifacts that will look bad. This is what you should try to achieve here:

Once you have brushed round the edge of your image, press OK. You should now have your focus subject on a Layer with a Layer Mask Enabled.

Step 4: Fill Background

To achieve a nice effect we are going to fill the Background Layer with #F2EDF3, this is a nice off white pink color and will go nicely with the subject image. You should now have something like the following:

Step 5:

Select your secondary image, for this we have used an image from, drag it Above your Subject Image. From here, Ctrl/Cmd + Click on the Clipping Mask you made earlier, then with your new background still selected, press the Add Layer Mask button as seen in the image below:

You should now have the following image:

Step 6:

Hide the top layer for a moment by pressing the eye icon to the left of the layer, then press your model / subject layer. To give the layer more contrast we need to first De-saturate it by going to Image > Adjustments > De-saturate or Ctrl/Cmd + Shift + U.

From here Press Ctrl/Cmd + L to open the levels Panel and drag the black marker towards the right, or put 150 into the dialog box. The purpose of this is to add some more contrast to our image before we blend the two together!

Step 7:

Now we have applied some contrast to our subject image, move it to the top of your layers (TIP: Ctrl/Cmd + Shift + ]) then set the Blending Mode to Screen. As you can tell from the image below we almost have our effect ready!

Step 8: Flip the Background Image & Increase Contrast

Ok, so as you can see we are almost there, but not quite. What you need to do next (if using the images we are using), is play around with your background image a little, we are going to flip it vertically. To move this within the mask and not mess up your composition you need to Unlink the Image from the Mask by pressing the Link Icon which sits in between. To flip the image vertically go to Edit > Transform > Flip Vertical and you should have the image below:

Step 9: Finishing touches

So we’re almost at the finish line, but there are a few finishing touches we need to add before we can say “YEAH!”. Firstly, we need to erase a certain amount of our subject by clicking the Vector Mask on that layer and using a soft Black Brush, and erase the bottom of her body and shoulder, leaving her face and neck flowing into the background image. Finally we need to increase the contrast on this image by clicking off the vector mask and onto the image then Pressing Ctrl/Cmd + L to increase the contrast slightly more.

We went one step further and color picked the turquoise color in the image #4a7975, and with the Vector Mask selected (by pressing Ctrl/Cmd + Click remember?) we used the Radial Gradient Tool to bring in some subtle color over the subjects face!

Voila! Here we have it, the finished result. We added some noise to the final result (Filter > Noise > Add Noise) and slightly sharpened it also (Filter > Sharpen > Sharpen). I hope you enjoyed this tutorial, It was fun to do, and hopefully you learnt something new, whether its how to use a vector mask, or how to use the refine edge tool to cut out complex hair! Please check back regularly for more tutorials or alternatively head back to the homepage to subscribe to the our Email list!

Article: How to Create Double Exposure Photoshop Tutorial

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Graphic Designer in Dubai - Speed Drawing Jeongyeon

2016-09-06T23:39:00.002-07:00

Graphic Designer Dubai Speed Drawing Jeongyeon

Traditional media artists also use limited-time pieces as a challenge of skill, and an exercise in not over thinking their work.

Denny Dent is recognized by many to be the pioneer of speed painting in the United States, introducing speed painting in live performances in 1981.

Graphic Designer Dubai Speed Drawing Jeongyeon

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Graphic Designer in Dubai - Speed Drawing TWICE Tzuyu

2016-09-06T23:39:00.001-07:00

Traditional media artists also use limited-time pieces as a challenge of skill, and an exercise in not over thinking their work.^[5]^[6]

Denny Dent is recognized by many to be the pioneer of speed painting in the United States, introducing speed painting in live performances in 1981.^[7]

Graphic Designer in Dubai - Speed Drawing TWICE Tzuyu

Source:

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How to Create a Stylish 'Save the Date' Card in Adobe InDesign

2016-08-18T15:24:00.001-07:00

How to Create a Stylish Save the Date Card in Adobe InDesign

1. What You’ll Need to Create Your Cards

We’ll be creating our Save the Date cards in Adobe InDesign, which will give us perfect control over the look of the typography and calendar on the front of the card. If you’re a beginner to the software, that’s no problem—we’ll walk through the process step-by-step. You’ll also need to download the following images and fonts:

We’ll also be using the font Baskerville, which should be pre-installed with your Adobe fonts.

2. Creating Your Card Template

Getting the size of your Save the Date cards is important—too large or small and they might not conform to postal standards. If you’re planning to send your cards in envelopes, you'll also need to make sure that the cards fit inside perfectly before you spend time and money designing and printing them. Here, we’ll set up the card as a maximum-size US postcard, which is 6 by 4.25 inches (152.4 mm by 107.9 mm). On the back of the card we’ll set up the design to imitate a postcard, where you can write the address of the recipient and attach a stamp. No envelope required!

Step 1

Open up Adobe InDesign and go to File > New > Document. Keep the Intent set to Print, and increase the Number of Pages to 2. Deselect Facing Pages. Under Page Size, set the Width to 152.4 mm and the Height to 107.9 mm. Add Margins of 12 mm, and a Bleed of 3 mm.

Click OK.

Step 2

Select the Page Tool (Shift-P) and click once onto Page 1 of your document to select it. Then head up to the top Controls panel and switch the Page Orientation to Landscape.

Leave Page 2 as it is.

Step 3

We can add a brown paper texture to the background of the card to give the design extra warmth and an on-trend, rustic look. If you’re on a budget and looking to print the designs from home, it’s usually better to create the paper texture digitally, rather than print the design onto brown paper stock. In this way, you’ll be able to assess how the design will look from the outset. Expand the Layers panel (Window > Layers) and double-click on the default Layer 1 name. In the Layer Options window that opens, rename the layer Brown Paper and click OK.

Step 4

Select the Rectangle Frame Tool (F) and drag onto the page, extending the edges up to the bleed on all sides. Go to File > Place, choose your brown paper texture image, and click Open. Resize the image by clicking on the Auto-Fit checkbox in the top Controls panel, so the paper fills the whole image frame. With the image frame selected, go to Object > Effects > Transparency, and reduce the Opacity to 75%.

Expand the Swatches panel (Window > Color > Swatches) and click on the New Swatch button at the bottom of the panel. Double-click on the new swatch to open the Swatch Options window. Name the swatch Brown and set the ink values to C=28 M=37 Y=47 K=15. Click OK.

Take the Rectangle Tool (M) and drag across the page to create a rectangle that matches the size of the image frame sitting below. Set the Fill Color to Brown.

Then go to Object > Effects > Transparency, set the Mode to Multiply, and pull the Opacity down to 50%. Click OK.

Click on Gradient Feather at the bottom of the left-hand menu and set the Type to Radial. Adjust the sliders, and reverse the direction of the gradient if needed, to ensure that the rectangle has a subtle gradient applied, going from more transparent in the center of the page to darker around the edges.

Step 5

Select both the image frame containing the brown paper texture and the brown rectangle and Edit > Copy. Scroll down to Page 2 of your document, and Edit > Paste. Right-Click (Windows) or Control-Click (Mac) > Transform > Rotate 90° CW or CCW.

Fit the shapes snugly onto the page.

3. Add Romantic Typography to Your Card

How to Create a Stylish Save the Date Card in Adobe InDesign

Step 1

Scroll back up to Page 1 of the document and, with your rulers visible (View > Show Rulers), drag a guide out from the left-hand ruler to the center point of the page, at 53.95 mm. This will help you to align text on the page.

Return to the Layers panel and create a second new layer. Name it Typography.

Lock the Brown Paper layer and click on the Typography layer to activate it.

Step 2

Add a new CMYK Process swatch from the Swatches panel. Name it Ivory and set the levels to C=4 M=5 Y=7 K=0.

Take the Type Tool (T) and create a new small text frame about a third of the way down the page on the left half of the page. Type in ‘Save’ and set the Font (from the top Controls panel or the Character panel [Window > Type & Tables > Character]) to Adorabelle, Size 43 pt. From the Swatches panel adjust the Font Color to Ivory.

Copy and Paste the text frame, editing the text to read ‘Date’, and position it on the right side of the page at the same horizontal alignment. Paste again, reducing the Size of the text to 25 pt, and editing the text to read ‘the’. Position it between the two other text frames, centrally on the page.

Step 3

Create another text frame using the Type Tool (T), and position it at the top left of the page. Type in ‘Dear’ and set the Font to Baskerville Italic, Size to 9 pt, Tracking to 50 and Font Color to Ivory.

Set another text frame below this, centrally, with text reading ‘Please Kindly’, set in Aleo, Size 10 pt, Tracking 50, All Caps and an Ivory Font Color.

Open the Stroke panel (Window > Stroke). Select the Line Tool (\) and, holding Shift, drag from left to right to create a straight line beneath ‘Please Kindly’. Set the Stroke Color to Ivory, Stroke Weight to 0.75 pt and Type to Solid. Copy and Paste the line, placing this to the right of ‘Dear’, to create a line for writing the recipient’s name. Adjust the Stroke Type to Japanese Dots.

4. Create a Calendar

How to Create a Stylish Save the Date Card in Adobe InDesign A calendar is a quirky way of showing your chosen wedding date. The quickest way to create the effect is to create a table in InDesign.

Step 1

First up, create a normal text frame using the Type Tool (T). Let it stretch across the width of the page between the margins, and position it below ‘Save the Date’. Click your type cursor into the text frame, and then head up to Table > Insert Table.

Set the Number of Rows to 5 and Columns to 7, and click OK.

Highlight the whole table with your cursor, and open the Table panel (Window > Type & Tables > Table). Set the Column Width to 12 mm and all the Cell Insert values to 3 mm.

Step 2

Type in the full range of numbers for the dates for your chosen month (here, I’ve put in the dates for May 2017). Set the Font to Baskerville Regular, Size 12 pt, Align Center and Font Color Ivory.

Create a new CMYK Process swatch. Name it Berry and set the ink levels to C=26 M=77 Y=38 K=17.

Highlight your chosen wedding date with your type cursor and set the Font Color to Berry. Adjust the Font Weight to SemiBold.

Step 3

Go to Window > Type & Tables > Glyphs to open up the Glyphs panel. Over on the pasteboard, next to the page, create a new text frame and set your type cursor into it. From the Controls panel at the top of the workspace, set the Font to Nexa Rust Extras and the Font Color to Berry. The Glyphs panel will fill with all the available symbols you can use from the Nexa Rust Extras font. Track down the heart glyph pictured and double-click on it to insert it into your text frame.

Go to Type > Create Outlines to transform the heart into a scalable vector shape.

Move over the top of your highlighted date on the calendar.

5. Finish Up the Typography

How to Create a Stylish Save the Date Card in Adobe InDesign

Step 1

Create another text frame, position it above the calendar, and type in the month and year. Set the Font to Aleo Bold, 10 pt, Tracking 60, Align Center and Ivory in Color.

Set up a few more text frames below the calendar in Aleo Regular and Light, with a line of text listing the names of the couple and the location (if you know it!) below.

Use the Line Tool (\) as before, to create two equal-width lines to sit to the left and right side of the top line of text.

Step 2

Set a line of text at the bottom of the page reading ‘invitation to follow’ in Baskerville Italic.

Awesome! The typography on this page is finished, and it’s all starting to come together.

All we need to add in now is a bit of floral decoration...

6. Bring in Some Floral Decoration

How to Create a Stylish Save the Date Card in Adobe InDesign Everything’s more fun with flowers! Embellishing your design with hand-painted flowers will make your design look extra appealing and evocative of your big day.

Step 1

Return to the Layers panel and lock the Typography layer. Create a new layer and name it Flowers.

Create a square image frame using the Rectangle Frame Tool (F) and position in the top-left corner of the page. File > Place and choose one of the floral PNG images from your watercolor flowers set (here I’ve gone for image 32, which has a nice shape for fitting snugly in a corner). Arrange the image proportionally in the frame.

When you’re happy, Copy and Paste the image frame, and then Right-Click (Windows) or Control-Click (Mac) > Transform > Flip Horizontal.

Position it in the top-right corner of the page.

Step 2

Select both image frames, and Copy and Paste. Right-Click (Windows) or Control-Click (Mac) > Transform > Flip Vertical.

Place it in a mirrored position at the bottom of the page.

Cool! Page 1 of your card is done and dusted—nice work.

7. Design Your Postcard

How to Create a Stylish Save the Date Card in Adobe InDesign On the reverse side of your card, we’ll set up a postcard-style design, complete with space for writing an address and attaching a stamp.

Step 1

Scroll down to Page 2 of your document, and lock the Flowers layer. Unlock the Typography layer sitting below.

Take the Line Tool (\) and, holding Shift, drag downwards to create a long vertical line. Position it just shy of halfway across the page, towards the bottom, as shown below. Set the Stroke Weight to 1 pt and Stroke Color to Ivory.

Step 2

Create a second line, horizontal this time, and position it over on the right side of the page, as shown below. Reduce the Stroke Weight to 0.75 pt and set the Type to Japanese Dots. Adjust the Stroke Color to Ivory.

Copy and Paste the line repeatedly, setting each below the previous to create a series of horizontal lines on the bottom-right section of the page. Make the final fourth line slightly shorter on the left side.

Create a solid line beneath the final dotted line.

Step 3

Use the Rectangle Tool (M) to create a small rectangle at the top-right corner of the page. Set the Fill Color to Ivory. Then head up to Object > Effects > Transparency and bring the Opacity down to 70%.

Step 4

Add a new CMYK Process swatch from the Swatches panel. Set the levels to C=85 M=78 Y=62 K=96 and name it Off Black.

Take the Type Tool (T) and create a new text frame on the left side of the page. Type in ‘Save’ and set the Font to Adorabelle, Size 55 pt and change the Font Color to Off Black.

Copy and Paste the text frame, position it underneath, and adjust the text to read ‘the’. Decrease the Font Size. Paste again, editing the text to read ‘Date’, and position it as shown below.

From either the Glyphs panel (Window > Type & Tables > Glyphs) or your keyboard, choose the tilde glyph from the Adorabelle font set, and insert it into a separate, smaller text frame. Set the Font Color to Ivory, and position it to the left side of ‘the’. Copy and Paste the text frame, and position it on the right side.

Select the ‘Save’, ‘the’ and ‘Date’ text frames and go to Object > Effects > Transparency. Choose Multiply for the Mode and reduce the Opacity to 55%.

Step 5

Lock the Typography layer and unlock the Flowers layer.

Take the Rectangle Frame Tool (F) and create a new square image frame at the top-left corner of the page. File > Place and choose a different watercolor flower image (here I’ve opted for image 31).

Rotate the image frame slightly by grabbing hold of the bottom-right corner and twisting up slightly.

The artwork for your card is now finished. Congratulations!

8. Printing Your Cards

How to Create a Stylish Save the Date Card in Adobe InDesign All that’s left for you to do now is to print your cards. You can either do this by printing them at home (in which case just head up to File > Print, and use your own printer’s settings) or exporting them ready for sending off to a professional printer. If you have the budget to do the latter, I highly recommend it—you will be able to request a proof before printing the whole batch, the print quality will be higher, and your cards will be trimmed to size.

Step 1

Go to File > Export. Choose Adobe PDF (Print) from the Format drop-down menu, give the file a name, and click Save.

Step 2

In the Export Adobe PDF window that opens, choose [Press Quality] from the Preset menu at the top.

Click on Marks and Bleeds in the left-hand menu, and check All Printer’s Marks and Use Document Bleed Settings.

Hit Export to create your print-ready PDF file. You can send this straight off to your printer of choice!

Conclusion: Your Finished Save the Date Cards

How to Create a Stylish Save the Date Card in Adobe InDesign Your Save the Date cards are finished and heading off to be printed—fantastic work! The final job to do? Posting them, of course (as well as deciding on your guest list)!

In this tutorial, you’ve learned how to create an on-trend Save the Date postcard with a contemporary brown paper finish and floral decoration. This is a lovely style for more informal or countryside ceremonies

Article: How to Create a Stylish Save the Date Card in Adobe InDesign

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What is New in Adobe Muse CC 2016

2016-08-17T14:13:00.000-07:00

What is New in Adobe Muse CC 2016

Adobe Muse is a product by Adobe Systems. The software is focused on allowing designers to create websites without having to write any code.^[3] This application is available through Adobe Creative Cloud.

What is New in Adobe Muse CC 2016

Release 1

Adobe Muse was first released on May 7, 2012.

Release 2

Release 2 was made publicly available on August 20, 2012. Improvements included: built-in contact forms, auto generated sitemaps, auto generated navigation, faster loading times, ability to attach files, and more.

Release 3

Release 3 was made publicly available on December 11, 2012. Improvements included: enhanced code quality, html5 animations, mobile layout options, and more.

Release 4

Release 4 was made publicly available on February 26, 2013. Improvements included: spelling checker, export options, code quality, and more.

Release 5

Release 5 was made publicly available on June 17, 2013. Improvements included: in-browser editing, scroll effects, layers panel, and more.

Release 6

Release 6 was made publicly available on August 13, 2013. Improvements included: parallax scrolling, and more.

Release 7

Release 7 was made publicly available on November 13, 2013. Improvements included: ability for developers to create 3rd-party widgets, social media widgets, full-screen slideshows, and more. MuseWidgets.com was created as the official source for Adobe Muse widgets.

2014 Release

2014 Release was made publicly available on June 18, 2014. Improvements included: a complete software rebuild with 64-bit support, in-app preview, HiDPI support, and more.

2014.1 Release

2014.1 Release was made publicly available on August 13, 2014. Improvements included: self-hosted web fonts, bullet and numbered lists, reCaptcha integration, and more.

2014.2 Release

2014.2 Release was made publicly available on October 6, 2014. Improvements included: SVG import, text synchronizing across desktop and mobile, secure FTP support, find and replace, and more.

2014.3 Release

2014.3 Release was made publicly available on February 11, 2015. Improvements included: usability and performance improvements, show and hide frame edges, secure FTP auto-detection, HiDPI support for Windows, and more.

2015 Release

2015 Release was made publicly available on June 15, 2015. Improvements included: Adobe Stock integration, Typekit integration, eCommerce integration, contact form updates, and more.

2015.1 Release

2015.1 Release was made publicly available on February 8, 2016. Improvements included: free-form responsive web design, customizable starter designs, integrated with Adobe Stock, and more.

2015.2 Release

2015.2 Release was made publicly available on June 20, 2016. Improvements included: better collaboration with libraries, asset collector, improved Illustrator workflows, and more.

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How to Delete the Useless Photos in your WhatsApp Automatically

2016-07-29T08:43:00.004-07:00

How to Delete the Useless Photos in your WhatsApp Automatically

Probably WhatsApp is the most memory-consuming instant messenger today. As if Good Morning messages with hot cup of coffee and a croissant or some chirping bird were insufficient, the enthusiasts are creating and sending messages for greeting “Good Afternoon” and “Good Night” too. These images and other media files start accumulating in chunks especially if you have a setting of Auto Download. These useless images eat up large space of our mobile devices leave very little space for their smart use. At times they also slow down the device performance. At some point of time it becomes very annoying.

The simplest way is to open the WhatsApp Images folder on your mobile device, Select Delete, and then select all those images you wish to delete. But this is quite time consuming job if the number of images accumulated is very large. It is very annoying to clear all WhatsApp junk this way every few days to reclaim your phone memory.

What more, if you use a File Manager App for deleting the WhatsApp Images folder, it deletes entire folder without distinguishing important photographs from useless picture forwards. Hence there is a risk of you deleting your childhood picture that your friend sent to you. Hence it is absolutely necessary to delete the useless images at a couple of clicks.

Here is the good news – You can get rid of all these useless images, videos, and audio files in a few taps using image cleaning apps. There are a wide range of cleaning apps available in market which can cleanse your WhatsApp folders in few steps.

App 1: Siftr Magic Cleaner

The ex-employees of Adobe came together to develop this one of the popular image curating apps.

It analyses the photos in chunks of 500. When you tap on the head of Dr. Kleen, it starts analyzing all pictures to find junk pictures from the authentic ones, which you want to keep safe. Just in one tap, your phone trash is gone. The best part is, the action takes place in a few seconds. More the number of photos, more is the time of analyzing them.

Siftr has developed its proprietary image-recognition engine, which analyzes the content of an image and determines if it is a junk. The image recognition engine compares a small portion of each image in the cell phone with siftr’s own image database. Hence it requires you to connect to the Internet.

It comes completely free with just one catch: you can delete only certain number of pictures per day. In addition, a downside of this app is; though it deletes photos, it leaves their thumbnails as they were. You need to delete the thumbnails manually.

App 2: WCleaner for WA

This app is developed by Evolving Technology Experience (ETX) Software Development Company based in Canada. The name itself suggests that it is meant dedicatedly for WhatsApp. It not only deletes photos but also deletes all downloaded files from WhatsApp.

It deletes all unwanted images, audio and video files, voice notes, profile pictures, backups, and saved wallpapers. You can select to delete pictures or unwanted files. You can manage wallpapers, profile photos, and voice notes efficiently with this app.

In addition, it facilitates you to delete all, delete files you selected by tapping, and delete files before a certain date.

App 3: Remo Cleaner for WhatsApp

This app is developed by an Indian software development company based in Bangalore. It offers file cleaning in three categories: Images, Audio files, and Video files.

It also provides three options of deletion: deleting a single file, deleting all files, or deleting selected files in a particular category. It enables you to view an image or video, or listen to an audio before deletion, so that you do not lose any important files.

You can view the files categorized in two simple sections: Inbox and Sent. This categorization makes you take the note of which files you are going to delete.

App 4: Media Cleaner for WhatsApp

Media Cleaner is a yet another powerful app to relieve you from accumulated unwanted files in your WhatsApp folder. This app also uses Artificial Intelligence behind the stage for recognizing the forwarded images, audio, and video files. The app employs its unique algorithms and analyses the media-related data to identify if the media files are junk or not.

It offers the options for clearing junk files in a single go. Alternatively, you can remove selected media files. You can set it to delete duplicate files without confirmation. You also have an option to mark a few files as important ones so that they are not deleted accidentally. The marked files are then not suggested for deletion in the following cleaning cycle. You can also move files to SD card for backup. The app is very light on use of resources of your phone.

What more, if your friends also have this app installed, it works even better for junk file suggestion.

App 5: Whatsapp Cleaner and Manager

It is a five-start app that saves you from the nightmares of smartphone space consumption. This mighty tool cleans and manages your WhatsApp files so that you save the space on your device. It is a simple application for cleaning shared WhatsApp files such as images, videos, and audios those are stored in your phone. You can reclaim the space consumed

by: Manesha

Article: How to Delete the Useless Photos in your WhatsApp Automatically

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How to Create an Aquarium Inside a Light Bulb with Photoshop

2016-07-19T08:24:00.001-07:00

How to Create an Aquarium Inside a Light Bulb with Photoshop

Tutorial Resources

Free stock photography can sometimes disappear. If one of the link is broken, try using the “Alternative” link instead. Many tutorials can be completed with similar stock photos.

LightBulb – LightBulb
Water Texture – Water Texture 1
Water Background – Water Texture 2 (Alternative)
Desert – Sand Texture 1
Sand – Sand Texture 2
Nemo – Fish 1
Little Nemo – Fish 2
Castle – Sand Castle
Shell – Shell
Beach – Starfish

Step 1 – Modified the lightbulb.

Open the photo with lightbulb.Make a copy of the Background layer, press Shift + T and then Flip Horizontal. Go to: Image > Adjustments > Brightness/Contrast and set the Brightness at +25.

Step 2 – Clear the lightbulb.

Pick the Brush tool (B) and with this color #f1f1f1 put the color in the area shown in the picture .

Step 3 – Create the water inside the lightbulb

Open water texture 1 and paste in the document .Go to Edit > Transform or press Ctrl+T for transform the water texture (Flip vertical and make smaller) and position the water texture to the position as seen in the image below.

Hide the layer with water texture 1 and make a path with Pen Tools (P) like in the photo .Right-click and select Make selection and set Father selection to 0,5px .

Go to Select > Inverse or press Shift+Ctrl+I to inverse the selection and hit Delete button.Set Blending Mode to Color Burn and opacity at 41%

Step 4 – Adding second water texture.

Let’s adding the second water texture so open the water texture 2 and move in the our document . Go to Edit > Transform or press Ctrl+T and transform texture like me .

Press Ctrl+Click on the thumbnail of the previous layer and go to Select > Inverse or press Shift+Ctrl+I to inverse the selection and hit the Delete button . Change Blending Mode on Multiply an Opacity 45%

Step 5

Make a new elliptical selection with Elliptical Marquee Tool on the layer with water texture 2 like in the photo and press Ctrl+C to copy and Ctrl+V to paste and move this up like in the photo .

Step 6 – Adding the sand

Open the sand texture 2 picture and press Ctrl+A and then Ctrl+C . Open the document with light bulb and press Ctrl+V to paste the texture. Go to Edit > Free Transform or press Ctrl+T to transform the texture and make it small like in the photo.

Press Ctrl+Click on the thumbnail of the “aqua background” layer and press Shift+Ctrl+I or go to Select > Inverse to inverse the selection and then go to Edit > Clear

Step 7 – Adding shadow on sand

Pick the Burn tool and set size of brush at 83px , exposure on Shadows . Use the settings show in the photo , and burn the bottom margin of the sand like me .

Step 8 – Make the sand more look 3D

Open the sand texture 1 picture and select Pen Tool (P) and make a new path like me . Right-click and select Make Selection with father 0,5 .

Copy the sand dune pressing Ctrl+C and paste it in our project pressing Ctrl+V . Go to Edit > Free Transform or press Ctrl+T and transform the sand dune like me.

Step 9

Select Elliptical Marque Tool and make an elliptical selection with father 0 . Go to Select > Inverse or press Ctrl+Shift+I and press Delete button .

Step 10

Go to Edit > Free Transform or press Ctrl+T for transform , go to Edit > Transform > Warp . Transform the sand dune like me and pull the point exactly in this order.

Step 11

Select the light bulb pressing Ctrl+click on the “aqua background” layer thumbnail . Press Ctrl+Shift+I or go to Select > Inverse and press Delete button .

Press Ctrl+click on the thumbnail of the sand dune layer an then pick the Rectangular Marquee Tool an set like me and make a new selection like me and go to Select > Inverse and press the Delete button.

And now light bulb should look like this

Not like this

Step 12

Open the sand texture 1 picture and make a new selection with Rectangular Marquee Tool like in the picture .Press Ctrl+C to copy the texture

p>Press Ctrl+V to paste the texture and the go to Edit > Free Transform or press Ctrl+T and transform the texture like me.

Step 13

Pick Pen Tool and make new path like me , press Right-Click and select make selection and set father 0,5. Press Ctrl+Shift+I to inverse selection and then press Delete button.

Go to Image > Adjustments > Brightness/Contrast and use the settings shown below .

Step 14

Pick Pen Tool an make new path like me , press Right-Click and select make selection and set father 0,5. Press Ctrl+C to copy the sand castle.

Step 15

Press Ctrl+V to paste the sand castle . Go to Edit > Free transform or press Ctrl+T and make the castle smaller like me.

Step 16

Go to Image > Auto Color or press Shift+Ctrl+B .

An now the sand castle should look like this :

Step 17

Press Ctrl+Click on the thumbnail of the layer castle.

Click on the aqua reflection layer and press Ctrl+C and take a piece of the texture and set Blending Mode of the layer on Screen and Opacity to 28%

Step 18

Open the photo with the shell . Select Pen tool and make new path like me . Right-click and select Make Selection and set father 0,5 and press Ctrl+C to cop the shell .

Step 19

Press Ctrl+V to paste the shell . Go to Edit > Free Transform or press Ctrl+T and make the shell smaller and put it where you want .

Step 20

Press Ctrl+Click on the thumbnail of the shell layer and move selection with 1px down .

Step 21

Make a new layer behind this shell layer and press Shift+F5 or go to Edit > Fill and select from menu Black and press OK . Set layer opacity to 49%

Step 22

Press Ctrl+Click on the thumbnail of the shell layer.

Click on the aqua reflection layer and press Ctrl+C and take a piece of the texture and set Blending Mode of the layer on Screen and Opacity to 33%

Step 23

Make a copy at the all layer of the shell and press Ctrl+T and transform the shell make it smaller and put where you want .

Step 24 – Put fish in the bulb

Open the photo with the little nemo and pick from menu Pen Tool (P) . With Pen tool make a new path like in the photo . Right-Click and select Make Selection and set father 0,5px and press Ctrl+C to copy the fish.

Press Ctrl+V to paste the fish in the document . Go to Edit > Free Transform or press Ctrl + T and make it smaller and put where you want .

Step 25

Pick the Pen tool from menu and make new path like me . Right-click and select make selection with father 0px . Go to Layer > New > Layer via Cut or press Shift+Ctrl+J and cut the portion that should be transparent, set the opacity at 80%

Step 26

Select the fish and click on the aqua reflection layer and press Ctrl+C and take a piece of the texture and set Blending Mode on Screen and Opacity at 65%

Step 27 – Put the second fish in the bulb

Open the photo with the second nemo fish and pick from menu Pen Tool (P) . With Pen tool make a new path like in the photo . Right-Click and select Make Selection and set father 0,5px and press Ctrl+C to copy the fish.

Press Ctrl+V to paste the fish in the document . Go to Edit > Free Transform or press Ctrl + T and make it smaller

Step 28

Ctrl+Click on thumbnail of the second nemo fish and click on the aqua reflection layer and press Ctrl+C and take a piece . Paste the texture pressing Ctrl+V and set Blending Mode of the texture on Screen and Opacity 65%

Step 29

Open the photo with the starfish, select from menu Pen Tool (P) and make a new path like in the photo . Right-Click and select Make Selection and set father 0,5px and press Ctrl+C to copy the starfish.

Step 30

Press Ctrl+V to paste the starfish in the document . Go to Edit > Free Transform or press Ctrl + T and make it smaller and set the Opacity at 62%

Step 31

Ctrl+Click on thumbnail of the starfish layer and move the selection with 1px down.

Make new layer under the layer with starfish and press Shift+D or go to Edit > Fill and select from menu Black and press OK . Set the layer Opacity at 29%

Step 32 – Make the lightbulb more shiny

Hide all the layers beside the one with the bulb. Pick Pen Tool (P) from menu and make a new path like in the image . Right-Click and select make selection with father 0,5px . Go to Layer > New > Layer via Copy or press Ctrl+J and move the copy above all of the layers .

Step 33

Go to Image > Adjustments > Brightness/Contrast and use the settings in the image below . Set Blending Mode of the layer to Overlay and Opacity at 20%

Step 34

Press Ctrl+Click on the thumbnail of the previously layer to select the lightbulb and go to Edit > Fill or press Shift+F5 , select from menu Color and put this color #808080 .

Step 35

Right-click on this layer and select Blending Option , set the Fill Opacity at 0% .

Go to Gradient Overlay and make new Gradient with this settings .

Set Blend Mode of the Gradient on Overlay , Opacity 50% , Style Radial, set Gradient on Reverse , Angle 90 degrees and Scale at 97%

Step 36

Select the lightbulb and with black brush with size around 200-300px make a shadow at the bottom of the bulb like in the photo.

Set Blending Mode of the layer on Soft Light and Opacity 45%.

Step 37

Click on the “Create new Fill > Adjustment layer ” icon and select from menu Photo Filter .

Select “Underwater” Filter and set Density at 75%.

Step 38

Select the entire surface of the water pressing Ctrl+Click on the “aqua background” thumbnail layer and go to Select > Inverse or press Ctrl+Shift+I . Click on the Layer mask thumbnail of the Photo Filter (see photo)

Go to Edit > Fill or press Shift+F5 and select from menu Black.

That was it, I hope you enjoyed this tutorial and you will manage to do your own magic world.

Final Results

By: Chitea Viorel Costin

Article: How to Create an Aquarium Inside a Light Bulb with Photoshop

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Required Filipino/Filipina 3D/Graphic Designer (UAE only)

2016-06-29T13:44:00.003-07:00

Required Filipino/Filipina 3D/Graphic Designer (UAE only)

Industry: Advertising
Career: Mid Career
Job Location: Dubai
Salary: Unspecified
Experience: 1 - 2 Years
Job Type: Full Time
Gender: Any
Email: ari@cova-sign.com
Street: Business Bay
City: Dubai

Description

Please send your CV if you are in the UAE ONLY. Thank you.

• meeting clients or account managers to discuss the business objectives and requirements of the job;
• estimating the time required to complete the work and providing quotes for clients;
• developing design briefs that suit the client’s purpose;
• thinking creatively to produce new ideas and concepts and developing interactive design;
• using innovation to redefine a design brief within the constraints of cost and time;
• presenting finalized ideas and concepts to clients or account managers;
• working with a range of media, including computer-aided design (CAD) and keeping up to date with emerging technologies;
• proofreading to produce accurate and high-quality work;
• demonstrating illustrative skills with rough sketches and working on layouts ready for print;
• commissioning illustrators and photographers;
• working as part of a team with printers, copywriters, photographers, stylists, illustrators, other designers, account executives, web developers and marketing specialists.

3D design;
communication design;
film/television;
fine art;
graphic design;
illustration;
photography;
visual art

You may send your CVs and Portfolios at ari@cova-sign.com

For Graphic Designer in Dubai, Graphic Design Jobs Dubai

Create Beams Of Light From Nothing In Photoshop

2016-06-27T15:22:00.001-07:00

Create Beams Of Light From Nothing In Photoshop

When you're seeking to add drama to a night scene, one of the most powerful approaches is to add light beams. In today's tutorial, we'll create a dramatic light beam from scratch using a series of Curves adjustment layers.

Step 1: Open a Night Scene
Open a night scene that can benefit from a dramatic light beam.

Step 2: Add a Diffuse Beam
In this step, we'll add a diffuse beam that represents the outer edge of the light's glow. Activate the Polygonal Lasso tool. Using a connect-the-dots approach, draw a triangular-shaped beam similar to the screen grab below.

Open the Adjustments panel and click on the Create a new Curves adjustment layer icon. Grab the center (midtone) point and drag up to add light to the selected region. Don't worry about perfecting the amount of light. Since this is an adjustment layer, the amount of light can be modified at any moment simply by dragging the point higher (more light) or lower (less light).

Blur the beam by choosing Filter>Blur>Gaussian Blur. Adjust the Radius until the outer edge of the beam looks realistic.

Press OK.

Step 3: Add a More Focused Beam
The center of the beam should have a more intense glow than the exterior, so we'll add a more focused beam in this step. With the Polygonal Lasso tool still active, draw a narrower triangular-shaped beam inside the original beam.

Add a Curves adjustment layer and drag the center point up a little higher than before to add slightly more intense light.

Blur the beam with Gaussian Blur using a Radius similar to the original beam.

Press OK. Keep in mind that you have the ability to adjust the intensity of each Curve at any time.

Step 4: Fade the Beam
Since light is strongest at the point of origin, we'll bring more intensity to the narrow (top) portion of the beam. With the top Curves layer (Curves 2) active, press Shift and click on the bottom Curves layer (Curves 1) to activate them both.

Now press Command-G (PC: Control-G) to place both Curves layers into a group (Group 1). Duplicate the group by pressing Command-J (PC: Control-J).

With the top group (Group 1 copy) active, click the Add layer mask icon at the base of the Layers panel. Tap D, then X to set black as the Foreground color. Select the Gradient tool. From the Gradient picker in the Options Bar, choose the Foreground to Transparent option.

Click at the base of the light beam and drag to the top to fade the lower portion of the beam.

Step 5: Add Atmosphere
Without atmospheric particles, such as dust or water, light beams are not possible. In this step, we'll add some atmosphere to the scene. Add another Curves adjustment layer. As with the previous Curves layers, drag the midtone point up. Choose Filter>Render>Clouds. This fills the mask with a cloud effect. To refine the intensity of the effect on the image, play around with the point on the curve.

If desired, the effect can be isolated to certain regions by painting with black (or gray) on the cloud-filled mask. Additionally, the clouds can be stretched using Free Transform.

Step 6: Brighten the Ground's Surface
When light strikes the ground, the surface glows. Let's bring just a touch more glow to the spot where the light strikes the rock. Add a final Curves adjustment layer. Click the hand-with-arrows icon to activate the on-image controls.

Click on a bright portion of the rock and drag upward to increase the light's intensity.

Temporarily hide the effect by pressing Command-I (PC: Control-I). Tap D to set white as the Foreground color. Grab a soft-edged brush and paint over the rock's surface to selectively add light.

Here's the image before adding the beam.

And here it is with a beam emanating from both sides.

Spice up your photos with these DIY lenses and filters

2016-06-19T16:05:00.001-07:00

Spice up your photos with these DIY lenses and filters

These DIY lenses and filters are all inexpensive and add a bit of fun to your phone photography. But if you're looking to spend some serious cash on phone lenses, take a look at the Zeiss ExoLens for iPhone or the Olloclip for iPhone or Android handsets.

DIY macro lens

This photo was taken with the DIY macro lens. Lexy Savvides/CNET

Grab a jeweller's loupe or stand magnifier for this one, as well as some mounting putty.

Make a long strip of putty that will fit around the eyepiece of the loupe and position it over the lens.

Open the camera app to properly position the loupe to ensure it's not causing vignetting.

For best results, hold the loupe close or on top of the subject you are photographing. Adjust focus as necessary using the camera app.

See some more examples of photos taken with this lens (and all the others) in the video above.

Ring light

For this DIY use an LED camping light (often called UFO light) which you can find on sites like Amazon. Grab some velcro with adhesive backing and position it on the phone case so the lens looks through the center hole of the light. The velcro helps you to reposition the light as you need and also means you can remove it easier than double-sided tape.

As the ring light provides even illumination that helps to eliminate shadows, it's useful for portraits and macro photography. Thanks to Simon Ellingworth for the inspiration on this one.

Colored filters

CNET

You will need a soft jelly case, paper fastener and colored gels or thick cellophane. Cut squares of the colored gels that will fit over the lens with enough room to fasten to the case. Mark a spot for the pin to push through both the gels and the case, then cut a small hole with a safety knife.

Attach the pin and firmly fasten at the back to keep everything together, with enough give to let the gels rotate in front of the lens freely when you pull them back and forth. Use a small piece of tape to fasten the pins to the inside of the case just so you don't scratch your phone.

Try experimenting with different color combinations or just positioning the gel in front of the camera's LED flash (rather than the lens) for a different effect.

Source: Cnet

10 Great Free Mac Applications for Graphic Designers GRAPHIC DESIGNER IN DUBAI

2015-10-31T12:59:00.001-07:00

10 Great Free Mac Applications for Graphic Designers

When it comes to designing graphics of any kind, most of the graphics and web designers prefer to use Apple Mac over a typical PC. The reason why Mac is so popular among graphic designers is its “outstanding graphics performance”, which you rarely find in other systems available in the market.

Since the launch of the Mac App Store, there are a number of applications that you can certainly use but most of them require you to shell out a few or perhaps hundreds of dollars. As not every creative is able to afford the hefty app cost, I’ve researched and gathered 15 Mac applications that are absolutely free to use for web and graphic designers. Here they are:

GIMP: