How was Hastings Headway established?

Andrea: Hastings Headway was established in 1995 by the Hastings Parents and Carers Support Group, as there were no services for young people with a brain injury in the Hastings. People who suffered some sort of trauma were sent to Sydney hospitals, and when they returned home, there was very little or no support for them.

When the people came home from Sydney after they’d had their accidents, the only places they could go were mixed in with intellectual disabilities or the aged. There was nothing for brain injury, and people with a brain injury just did not fit in to these particular groups.

In June 1996 Hastings Headway Inc. was granted funding for a Community Access Program, which used the service of volunteers. It was not until May 24, 2000 that Hastings Headway Inc. was granted recurrent funding from the Department of Ageing and Disabilities.

Hastings Headway is a not-for-profit organisation, how do you source funds? 

Andrea: The Community Access program, which is funded through ADHC (Department of Ageing, Disability and Home Care) receives block funding – it doesn’t matter how many clients we have, we receive one lot of money. With Hastings Headway, we have a lot of clients who are high care – clients in wheelchairs and so forth. To try and give them one on one support with the kind of funding we get is very difficult.

Jo: Funding is still an ongoing battle – it’s an uphill battle all the time. We have people with multiple disabilities – physical, verbal – we have people who have difficulty understanding, so when they’re out in the community, they need a support worker with them. We hold fundraisers – like BBQs at Bunnings. We hold an annual garage sale that incorporates a raffle.

Andrea: We’ve also held BBQs at Harvey Norman in the past. We fundraise mainly for the extras – like giving the clients a holiday. To get a supported holiday is very expensive. We’ve organised a holiday for our clients to go up to Labrador, and the fundraising allows us to pay for their accommodation and the wages for the support people.

What services does Hastings Headway provide?

Andrea: We have a group here on a Monday, a Living Skills group, with different speakers coming in to talk to the clients. We’ve had dieticians, the fire department – even basic first aid. We have educational programs, music and art workshops, cooking. We have a [Nintendo] Wii as well. Sometimes our clients don’t get to move around very much, if they’re in a wheelchair, and the Wii helps with coordination.

Jo: We’re working on a project for water conservation in October. There’s a massage clinic, computer skills, typing and gardening. We’re always working on something!

How many clients attend your groups?

Andrea: Basically, out of our boys (all of our clients are men at the moment), around ten come on Mondays. We have around 17 clients in all, but not all of them come to the functions. We have a Thursday group and a Friday group – some of our clients go to these, and some of our clients will just come and visit now and again.

Are these services provided free to clients?

If someone wanted to come to Hastings Headway on Monday or Thursday, there wouldn’t be any fee – we only charge a small amount ($7) for lunch. If someone needed to be picked up, we would charge $5 for transport – but mobility allowance more than covers this cost.

If a one-on-one service is needed, we’re very limited with funding. In the case of people who have compensation, for example, there would be a charge. For someone in dire need, without compensation, we would take this case to our management committee and look at ways we can provide the one-on-one service. The funding is just so tight. There is also accommodation support. There are people supported in their own homes, this is different from a lot of people who are supported in group homes. We support people in their homes, to live as independently as possible. It’s best for those concerned to come in and talk to us about the available options and their individual circumstances.

What are your roles at Hastings Headway?

Andrea: I’m the Coordinator. We look after the admin, the pays, rosters, liaise with carers, support workers, doctors and other health professionals. We network with other organisations and attend forums, to keep up with what’s happening in the industry with disabilities and the services available.

I’m on an accommodation placement committee; I travel regularly to Coffs Harbour to attend meetings to prioritise people for accommodation.

Jo: I’m the Assistant Coordinator / Case Manager. Everything’s ongoing, because people and their needs change. We look after the staff – the support workers and organise meetings and training. The job incorporates so much – from buying sausages for BBQs, to attending the fundraisers and selling the sandwiches! We’re always looking for new and exciting ways to approach things.

Andrea: Jo also looks at what goals the clients have, and she monitors them and keeps in contact with both the clients and the support workers to see how things are going.

Jo: Currently we’re working on one-page profiles at the moment – and they’re working out very well. When we have our meetings, everyone contributes to what they like about one particular person who’s there – and it’s all about being positive. These profiles are providing a way of gaining positive feedback about each other – and it’s really empowering.

What is the Community Access program?

Andrea: On Tuesdays for example, we support the clients by taking them to Hydrotherapy at the Port Macquarie Base Hospital’s pool. This gives them exercise, plus they’re getting out in the public. We assist with shopping, banking, budgeting, getting them to the library or to visit their families.

Jo: The Thursday group gets out into the public; for example, we’ve been down to see a motorbike museum at Nabiac. We’ve had BBQs at Kempsey. It’s not only about getting our boys out into the public, but getting the public to accept the guys as well. The more exposure they have, the more accepted the guys become.

Andrea: There are so many different degrees of brain injury as well – they’re all different. Because some of our boys need wheelchairs and walking frames, we found that there were some places we couldn’t go. So, we started the Friday group for those people who had a brain injury, but didn’t have a physical disability. We’re finding that through that Friday group, there are some really good friendships developing.

Another really important thing we do is our school program. Some of our boys go out and visit the schools and talk to the pupils about their accidents and what happened to them. They talk about things like peer pressure.

The boys also talk at the Traffic Offenders program – and it’s very, very effective. Sometimes we hear of people in tears after they hear the boys. It’s great for the boys too, as it helps their self esteem and makes them feel as if they’re doing something worthwhile.

How are people suffering from brain damage referred to your services?

Andrea: Referrals come from different areas. We get referrals from hospitals, from BIR (Brain Injury Rehabilitation), doctors, self referrals – we’ve even had referrals from Centrelink. Sometimes we actually get people who might come and see us, but they don’t want to be in a group. Someone with a very mild type of brain injury might just need help with their memory, or filling out forms for Centrelink, advice or someone to talk to, who understands what they’re going through.

How can the community actually help you to continue providing these services?

Jo: Donations are always welcome – and not just money, but time. Volunteering time. These guys absolutely love to meet fresh faces and tell their stories.

Andrea: Also, acceptance is a big thing. There are still a lot of people out there who do not accept.

The Hastings Older Women’s Network have adopted Hastings Headway as their charity – it’s wonderful! They came out and visited us here, and the boys loved it. The women got so much out of it too.

If we could get more volunteers – that would be great. They would be someone our boys could communicate with – and the boys would love it. Just be aware that all volunteers have to be put through a police check for safety.

Thank you Andrea and Jo.

Hastings Headway Inc. can be contacted on 6581 0180; email: headway@bigpond.net.au

Interview by Jo Atkins.

The approaching cooler weather and lower temperatures should not be a reason to hang up the beer coolie and change the drink of choice to a red wine or port. Beer offers up perfect partners for when the thermometer readings start dropping. A raft of red, ruby, and black ales get dusted off, their best before dates checked and made ready for whatever occasion awaits.

There are two main key characteristics that make for a good ‘winter warmer’. The first is a big malty body that can handle being drunk at a slightly warmer temperature. The second is that warm glow you experience after drinking an ale with a heightened alcohol content, and if you’re going to be warmed by anything alcohol, would be second on my list.

A great experiment to highlight the affect of temperature on taste involves buying a big wholesome Irish or English Ale. The choice of glassware is key. A big brandy bowl or large wine glass is perfect, or simply find something that doesn’t leak. The experiment requires the same beer to be tasted at three different temperatures.

Drinking your chosen brew straight from the fridge: you should note the mouth-feel and flavour of the beer. It is not a lot different from drinking a lager, only darker. There may be some chocolate or coffee flavours, but nothing of note. By cupping your hands around the glass, in a beer cuddle, you can warm the beer over 5 -10 minutes. The beer should taste dramatically different. The initial sharpness should have gone, the malt used to craft the beer should be more evident and the mouth-feel thicker.

Many brewers will include ‘Suggested Serving Temperatures’ on the label of their bottles, (ales in the range of 7 – 12 degrees), with this in mind. The final taste should only be attempted if you are extremely game, or English. Drink the beer at room temperature. You will notice the beer change yet again. The malt will continue to be prominent, but there may be an accompanying warmth from the alcohol. Here ends the lesson; repeat as necessary.

The first Beer In Mind beer appreciation night was held on 8 March at TGs. It was a great success and lots of fun. It was attended by 40 ‘beer appreciators’, who were treated to seven beers matched with six courses (somebody got too excited and organised one more beer than there were courses). There were some outstanding beers, many of which were limited releases and new, even to the seasoned beer lovers. The food and beer matches worked perfectly, with a noticeable mention going to the Hunter Brewing Company’s ‘Cranky Pants’, a 5.8% India Pale Ale, which was matched with Spiced Chicken with Potato Rosti.

Everyone aced the Pilsner tasting challenge (note to self – make it harder next time), but were more challenged with the beer trivia. The reward for the win in the form of a yet to be released Oyster Stout (yes, brewed with real oysters). The great TGs staff were given a much needed break when Black Duck Brewery served their Dark Ale (paired with tasty marinated beef strips on baked Parmesan wafer), as those who had never poured a beer were given the opportunity. A full wrap up of the evening can be viewed on the Beer In Mind Facebook page, by requesting it via email at beerinmind@gmail.com

The biggest Australian beer festival on the calendar is just around the corner. The first Great Australian Beer SpecTapular (www.thelocal.com.au/gabs) is on from May 11 – 13 in Melbourne. The festival is all about ‘What Beer Can Be’. Twenty breweries from NZ and 40 from Australia have been requested to brew something specifically for the festival. Some of the more exotic examples are ‘Beetroot Belgian Ale’, ‘Smoking Swine’, and ‘Chilli Stout’.

One of our local breweries, The Little Brewing Company, are contributing a 6.2% Robust Porter, the first time that this beer has been brewed by them. According to Kylie at the brewery, it’s amazing, demonstrating smooth, full bodied, chocolate and mocha flavours. The nature of the beer festival means that it cannot be sold prior to 13 May, but they will have limited stock available in bottles at the cellar door following it. I would highly recommend getting along to try some.

I have booked my tickets for GABS and hope to be able to bring some of the exciting creations back to Port Macquarie for our next Beer In Mind appreciation night. Please email beerinmind@gmail.com or ‘Like’ the Beer In Mind Facebook page to be included in regular updates.

Beer In Mind … Cola has more carbohydrates than beer; make the switch today!

This story was published in issue 78 of Port Macquarie Focus 

We were fortunate enough to not only have the pleasure of hosting such a talented and interesting woman at our restaurant, but also to be able to head down to the Glasshouse and see her show.

Now, my grasp on Charles Dickens’ literature is slippery to say the least, but Miriam’s performance was so completely compelling and I was in total awe of the presence of such amazing talent right there before me, that I was utterly captivated by the show.

And what struck me then was, how lucky are we to have such illustrious visitors gracing our town?

The show Dickens’ Women has toured extensively around the world since it was first launched at the Edinburgh Festival back in1989, and I had to pinch myself that it was all there before me on a rainy Wednesday afternoon in Port Macquarie, in the comfort of our very own Glasshouse.

These kinds of special events are no longer few and far between, but happening all the time. As we speak, we at the Mullet are getting ready to host 6 young and hot Hunter Valley winemakers for the second year in a row for a brilliant ‘Pop up Wine Dinner’ on 15 May.

Such wine making talent as Andrew Thomas of Thomas Wines, Andrew Margan of Margan Wines and Rhys Eather of Meerea Park will be stopping in to dine with us and as many local patrons as we can cram in to the restaurant, as part of their ‘Caravan of Courage’, heading up the coast from Melbourne to Noosa.

We are looking forward to seeing these boys again and having another memorable, or should I say, foggy evening? As they say on their website: “Lock up your Daughters and open your wine vaults”.

This event is so special in that it brings the wine and the people who created it directly to the people … or rather, it removes some of the mystique and let’s call it ‘pomp’ surrounding wine and teaches us all that there are no rules or specific etiquette when it comes to exploring wines. There really is only an obligation to try different wines, enjoy them in good company and to have a darn good time doing so.

Indeed, we are blessed to live in a place now considered big enough to attract noteworthy local and international talent, but still small enough that we can wander down Horton St, saying hello to people we know as we go.

It still just takes 7 minutes to drive from home at Lighthouse Beach to the Mullet. And every day we get to gaze at that beautiful coastline and breathe fresh sea air. We really do have it all.

And all we need to do to keep the ball rolling with attracting all this talent is to keep supporting it when it graces our fair shore. So, keep your eyes and ears peeled to what’s happening around town and buy those tickets as soon as they go on sale.

I’ll say it again. How lucky are we?

Please note: since this article was published, the ‘Pop up Wine Dinner’ has regrettably sold out.

This story was published in issue 78 of Port Macquarie Focus 

I think … no, I KNOW … I’m in total denial that we’re almost halfway through the year! I seriously haven’t gotten over Christmas and am still gobbling chocolate Easter eggs at an illegal pace, and May is here! Really, May! Already? I bemoan the change of season every year, farewell to fashion, the sun kissed bikini and Havaianas and a begrudging nod and dreary return to jeans and scratchy woollies. The only saviour for this gloomy time of year is the acceptable increase in hot chocolate consumption and the delicious fashion for the feet! Let the festival of the boot begin!

Yasmin Rumjahn and Tyerell Allen were married at a ceremony at Emerald Downs Golf Course (developed by the groom’s late grandfather, Todd Roods) in mid March, with a reception to follow in the waterfront function rooms at Rydges. The bride looked radiant in an off the shoulder ivory Charlie Brown gown and was attended by best friend, Grace Lee. Tyerell was attended by his older brother Ryan. The bride changed into another stunning floor length Charlie Brown red gown for the reception and set to work to party with their 75 guests, enjoying a four-course feast and a wedding cake designed and made by the bride. Guests were given miniature jars of Ricardoes strawberry jam in keeping with the red theme. The couple filled the event with personal touches, with Tyerell designing stationery and invitations, flowers and decorations. Guests travelled from San Francisco, New Zealand and Sydney to celebrate on the coast. The couple ended the night with some fun fancy dress shots with their guests and jetted off to Hawaii for their honeymoon. Aloha, Yasmin and Tyerell!

Raffaella Galli-Hurdwell from Bluebird and Blossom recently held a fab website launch at her boutique in the Garrison Building. This place is one of my favourite haunts, filled with wonderful treats including Samantha Wills Jewellery (a personal fave), beautiful leather goods (including my beloved boots!) and one off fashion pieces. You can check out all of Raffi’s treasures at www.bluebirdandblossom.com.au

Tess Worthing and Coby Meehan were married on a gorgeous sunny day in late March in Smithtown, followed by a relaxed reception for 90 guests at Hat Head Surf Club. Tess, who works in PR for local government and Coby in the hardware industry, met as children while rowing surf boats together in Hat Head.

The pair went on their separate ways and didn’t see each other again until uni was over and they were both working in hospitality back in the Macleay. It was serendipitous that the couple crossed paths again, fell in love and celebrated their wedding, all where it first began in Hat Head. Tess and Coby’s love of nature meant they chose a tree theme for their wedding, which was highlighted by their bonbonniere of timber coasters cut and oiled by Coby using timber from his family farm, a wedding tree guest book, where all of their guests recorded their fingerprint and name, a gorgeous timber branch cake stand and stunning local flannel flowers from Stuarts Point. All invitations and place cards were printed on recycled paper.

Guests enjoyed canapés in the gardens of the surf club followed by a main course from SilverSpoon Catering, and their wedding cake with vanilla bean ice-cream and berries. Congrats to a really lovely couple – wishing you every happiness in your life together.

The delightful Briannah Berne celebrated her 13^th birthday with a fabulous party on April 21 at Zebu, with a High Tea Party for 13 of her closest girlfriends. The girls enjoyed mini cupcakes, finger sandwiches, decadent chocolate caramel tarts and scrummy hot chocolates. The event was organised by Mum Kylie Berne, with the girls all attending in the best party frocks! Happy birthday Miss Briannah!

Speaking of High Teas – I stepped back in time and had a delightful experience at Tea and Treasures with hosts John and Trish!

Creative couple Fiona Joy Hawkins and Bas Gross celebrated their wedding on Saturday 21 April with a cocktail celebration at their stunning home set on a hillside in Kendall. Fiona and Bas chose a Casablanca Nightclub feel for their event, with theming in black, white and red. The 130 guests enjoyed a musical and culinary feast, with as many as 5 different artists performing throughout the evening and over 14 different bite size morsels of SilverSpoon delicacies with little noodle boxes of yumminess to finish. Fiona designed a fabulous 200 piece cupcake wedding cake also made by Lauren from SilverSpoon, including hazelnut fudge, banana banofi and my personal favourite, red velvet cupcakes. The eclectic and beautifully attired guests tangoed the night away, with many guests including artists, performers, sculptors and writers all in attendance to celebrate with the happy couple. Bas, a vintage car enthusiast, restored a stunning old Bristol that whisked the couple away immediately after their ceremony. Congratulations to a hugely talented and much loved couple!

Happy birthday to my beloved mother-in-law, Pam Foye, who recently celebrated her 60^th birthday with the event we now refer to as the ‘Festival of Pam’! The almost week long celebration was co-ordinated by my co-conspirator Terry Foye, who organised a covert mission to execute a cocktail event at Zebu for 30 guests complete with delicious chocolate truffle cake from Burkhardts Bakery, followed by a surprise getaway to South West Rocks on the Saturday to follow and a dinner for 20 guests at the Seabreeze Hotel.

All the guests made a weekend of it, with the surprise being partially blown by Pam looking out the window at the exact moment I stepped out of my highly conspicuous van with a giant and supremely delicious chocolate birthday cheesecake! Cover blown and party started! South West Rocks proved as always to be heaven on a stick! Happy birthday, Pammy!

Slice of Haven festival is set to hit the shores of the Camden Haven on Sunday 27 May. This is one of my favourite local fests, celebrating great food, wine, beer and of course, CUPCAKES! Some may think I have the pram for transporting a much loved little one from stall to stall – it is really to stash obscene amounts of cupcakes into every pouch and crevice! Have wheels and sugar addiction –  will travel! ‘til next month!

Kate.

This story was published in issue 78 of Port Macquarie Focus 

Q.We have decided to sell our home and have received conflicting advice from agents on the best way to market it. When we last sold about ten years ago, the only place we advertised was in the local paper. Our son thinks listing online is all that is needed nowadays. What do you think?

A: Property marketing methods have developed a great deal. Your son is correct in highlighting the importance of a strong online presence.

Real estate print advertising is still significant, so to ignore this medium would reduce your exposure to some buyers.

You certainly do not need to spend large amounts of money. The key to successful property marketing is to attract and influence the right buyers and to minimise your selling costs.

Today, online advertising is an important part of the marketing mix for most vendors. It’s an effective way to target local buyers, investors and those looking to move to the area.

Many potential buyers will make an online visit to your home – in fact, an online inspection is often the first inspection a buyer will make of a property.

Make sure you maximise the visual appeal of your property for both print and online. Professional, powerful photography is a must and will be central to converting casual interest into action.

An increasing number of potential buyers also search property websites from their mobile phone, so make sure your property is featured with a compatible application.

Rest assured, while real estate marketing has changed, it does not have to be complicated or expensive. Good marketing starts with creative ideas and ends with great service – and that hasn’t changed.

Answers are general comment, and readers should always seek their own independent professional advice.

Send your real estate questions to
greg@gregtrembath.com.au
Greg Trembath is Principal/Licensee at Greg Trembath Real Estate.
Licensed Real Estate Agent – Licensed Auctioneer.

This story was published in issue 78 of Port Macquarie Focus 

How are you both associated with the Wauchope Show Society?

Janice: We’re members of the Wauchope Show Society.

Garry: We’ve only actually been in Wauchope for 24 years – which is a distinct contrast to most of the Show people, whose families have been there for generations; for example, the Lindsay family, who’ve been associated with local shows for 113 years.
Where did the idea come from to write the book?

Garry: We’d written one book previously, for the Centenary of Bain Bridge, in 2007. This book is now out of print, but it’s available in the local libraries and at the schools. We felt that the Show Society needed to do this Centenary book – other shows have had books written to celebrate their Centenary.

Janice: We had been asked back in 2010; we were asked if we could write a book for the Centenary Show– we laughed and said, “Not for this Show!” The Show Society came back to us at a later date and asked again if we would consider writing a book a few months before the 2011 Show, and we again thought we wouldn’t have enough time to write the book before the Show began.

I don’t think anyone realised just how much work would be involved or how long it would take to write the book.

Garry: Our good friend, Hazel Suters, who passed away in 2010, had helped us with the Bain Bridge book. Hazel was a granddaughter of Duncan Bain, and she had, herself, written a book about the Wauchope Show in 1973. Hazel knew another book needed to be written about the Show, and she had also asked us if we would do it. At the time, we didn’t commit ourselves to the task. We thought maybe someone better qualified would do it.

Janice: At a later date, we went to visit Hazel again. She’d been sick – she was 97 at the time – and as we got up to leave, she said to us: “Now, you two promise me you will do that book for the Show”. The sad thing is, that’s the last time we saw her – so these were her parting words to us. She was an inspiration for us to go ahead and write the book.

Garry: I think she’d be so glad we’ve finally accomplished it. We dedicated our previous book on the Bain Bridge to her – she was a marvellous lady. She didn’t have a lot of schooling, because back in her day, there was no high school in Wauchope or Port Macquarie, so she had to travel by train to Kempsey. But she was always interested in history and kept a diary from when she started school.

Lots of people would consult with her on historical matters – she had a great memory. We feel very privileged to have known her.
You said your interest is local history … are you involved with any historical groups, and did this help with your research for the book?

Garry: I’m a member of the Wauchope Historical Society. Most of the information and research for the book came from the local papers – the Wauchope Gazette and the Port Macquarie News. We had to actually track down any old photos available – one particular photo we knew about, but it took us 3 months to find it. It was taken at the very first Wauchope Show in 1910, and we found it down at Tea Gardens. We really had to work to get interviews with people – a lot of the people you want to interview aren’t the type to put themselves forward to be in a book.

Janice: It was an interesting process, because right at the end we were getting pointed towards stories we hadn’t included … we just ran out of time.
How long did it take to research and write the book?

Janice: It took about 15 months, but there was a trip overseas to visit our son in Ireland during this time, so in actual time it was about 12 months.

Garry: It includes information about the Port Macquarie Show too, which started in 1884 and went through until 1914. We feel the start of the War may have had something to do with the Show ending, but by then the Wauchope Show was going. We actually have an early photo of the committee men from the Port Macquarie Show.
You mentioned interviewing people and photographs, but how have you compiled all of this information?

Janice: We didn’t want to compile a book that was just a list of names of past winners and events from the Shows; we wanted it to be a book that people would want to read.

Our friend, Trevor Thatcher, recorded the interviews with us to save writing. He Photoshopped all the photos and did all the technical things that were needed.

Garry: We started off doing a history of the area and the early pioneers and wrote about Robert Davidson and Duncan Bain; Bain gave the land for the Showground and Davidson was President of the Port Macquarie Show in 1900. They had a very interesting history, so it seemed logical to include them in the book. We’ve interspersed the interviews and stories we’ve been told throughout the book, so it’s more interesting than just a history of the Show itself.

The book is 200 pages, with over 200 photos. This book is probably a book like no other Show book. Because we did it voluntarily and we weren’t given any guidelines, it was left up to us how we wrote it.
What was the most rewarding part of the whole researching and writing process?

Garry: Finishing the book! (Laughs). And it gave us a feeling of accomplishment.

Janice: Meeting such an enormous range of people we wouldn’t normally have met and hearing their stories.
How many copies of the book will be available, and where can they be sourced?

Garry: The Royal of the North was printed by M&S Printing in Wauchope, and the Show Society has ordered 1,000 copies. They will sell for $20 each, plus a small extra charge for postage if needed.

The book is available through Saddle World, High Street, Wauchope and Wauchope Stock and Estate Agents.

Thanks Garry and Janice.

Interview by Jo Atkins.

Marita, tell us a bit about your family background and schooling …

Four years before I was born, my parents married, then moved to Cairns from Hong Kong to start a new life together. A month after I was born, my parents got divorced. My mum took my brother and I to a women’s shelter and lived there for a few months, bathing me in the tiny bathroom sink.

I grew up in housing commission. My mum believed in education and worked 7-day weeks, first as a kitchen hand and then as a room attendant, in order to ensure that my brother and I got the best education she could afford.

We went to Catholic schools, took piano lessons, Japanese lessons, maths, and even basketball, soccer and swimming. Mum put every single dollar of hers into our educations, so that our lives would be better than hers.

And it wasn’t just money. After I started learning the piano, for the first few years my mum drove me to my piano teacher’s house every day, because we couldn’t afford a piano at home. In return, we were expected to work hard, so that all her efforts were not in vain.

You had a love of reading at a young age that sparked your imagination …

When I was 9, I was handed a book by my school for National Book Week. It was The Sorcerer’s Apprentice from the Teen Power Inc series – a crime-solving adventure book. I read the entire book and was instantly entranced by reading. I read the rest of the books in the series, and then anything and everything I could get my hands on.

Reading enabled me to access information and learn what my mother couldn’t teach me. It enabled me to learn beyond the scope of what my classroom could teach me, about the world and all the different places and things that I had never done and experienced.

We went to the library every single week, and I borrowed as many books as I could – 20 each week, and then I would sit there and devour them for hours and hours each day. This education has given me a most vivid imagination.

Despite my love of reading, I knew that I wanted a career in the maths and sciences, because I liked the fact that if you used the rules and principles, you could come up with a consistent outcome every time and that you could contribute to those rules and principles and add to the body of knowledge in the world.

Where did the interest in engineering begin?

A few things helped me make my decision to study engineering. I knew that you needed maths and science for it, that there were worldwide travel opportunities, there was no set career path, it paid well, and that you could work on interesting and world-changing projects … and they all sounded like good things.

The other thing was attending an outreach program, a weeklong engineering camp called the ‘Engineering Link Project’, where I spent 4 days learning about 4 different disciplines of engineering. I had a really awesome time there and was very inspired by all the possibilities of engineering.

My mum thought I should study medicine, because it leads to a really prestigious, stable and well-paying job as a doctor, and it has a really clear career path, where you study at uni, do a residency, become a doctor, then study some more and become a specialist. It’s just all laid out for you.

So in December, just after I’d finished Year 12, I came down to Melbourne to do an interview for medicine at Monash University. At the interview, they gave me a scenario that they told me to react to. John’s parents wanted him to study law, but he wanted to study history. What should John do? While they were telling the story, I squirmed uncomfortably in my seat. They had found out I was a fake! So I said, “John should study history, because that’s his passion”. After the interview ended, I called my mum and said that I was going to do engineering, and that was that.

Tell us about Robogals …

During my second year of university, I was in the winning team of an entrepreneurship competition, and the head of the electrical engineering department, Professor Jamie Evans, presented the award. I approached him afterwards and asked whether his department would be able to provide some funding for my friends and I to build a simple robot. He said that he was looking for a group of engineering students to go to a school and teach classes of 12-year-olds robotics.

Between the ages of 10-14, students haven’t decided on their senior-year subjects and still have the power to determine what they study in the future. We could actually make a difference to the number of girls who chose to study engineering at university! I went away and thought, if we can teach girls at one school, why don’t we just teach girls at all the schools? I recruited my friends, and we designed robotics lessons, called schools and recruited even more volunteers. And so … Robogals was born.

Robogals aims to get girls interested in engineering and technology tertiary studies and careers. Our primary activity is running robotics workshops for girls using LEGO NXT robots, while explaining what engineering is. We introduce engineering into students’ vocabulary from a young age;  we tell them engineering is the practical application of science to make things in the world better. We run fun activities to engage students in engineering topics.

In the first three months, Robogals taught 124 girls from 5 schools in Melbourne. At the end of that year, I empowered a new President and left Robogals Melbourne to run without me, while I went on exchange for 10-months to Imperial College, London. It was so overwhelming being in such a large city that even though I wanted to start up a Robogals chapter there, I didn’t know how to begin!

I realised that there was nothing like Robogals in London; so, if I wanted to make a difference to the young girls there, I would need to be the one who did it. No one showed up to the first two Robogals meetings I held in London, but I persisted, and finally, many volunteers and many months later, I found two very committed female engineering students, who spearheaded the organisation in the UK.

While in the UK, I noticed that student organisations tended to not only be in one university: they tended to be national – probably because England is so small. I decided that was what I wanted for Robogals in Australia. If we were national, we would make an even bigger impact.

I contacted 4 other universities in Australia to gauge their responses – all were positive! After months of back-and-forth emails and planning, we held the first Robogals Conference at Melbourne University in September 2009, just 13 months after Robogals was born.

We now have new Robogals chapters at the University of New South Wales, University of Queensland, University of Adelaide and University of Western Australia.

We have also developed the Robogals Rural and Regional program, and introduced the Robogals Science Challenge, a national competition for girls aged 5 -18, where girls find problems in their schools, homes and communities, create a project to solve the problem, and then film a 4-minute video of their project to win some great prizes.

In 2012 you were named the Young Australian of the Year. How has this affected you?

It’s given me this fantastic opportunity to travel around the country and meet people from all walks of life. I’ve been able to meet and befriend business and thought leaders in the country who can make changes that affect the direction of the country. As well, I think it’s helped give Robogals and me credibility in our vision, how we’re choosing to execute on that vision and our ability to do so. It’s an amazing opportunity and honour, and I’m still coming to terms with it all!

Thanks Marita.

Please give us a brief bio of yourself as an artist ..

I moved to Elands in 1970 after attending the National Art School (East Sydney Tech). My interest in sculpture came from meeting Bert Flugelman, who was an inspiring teacher and taught me in my first year there.

I started making sculpture seriously about 12 years ago and entering competitions and shows when sculpture became popular and there were more opportunities to show the works. My first public sculpture was the Centenary of Federation sculpture in Victoria St Taree, Balancing Act 2001.

What type of artworks do you typically create?

I make sculptures in steel or wood and installations of short-term site-specific works produced for shows like ‘Sculpture by the Sea’ and ‘Aquasculpture’ etc. These are made from whatever material is available and appropriate: saplings, rope, nets, aluminium- foil pie plates.

How did the opportunity to create the large sculpture adjacent to the new entrance to Port Macquarie on the Oxley Highway come about?

I was one of four sculptors invited to submit a proposal to produce a work as a ‘Gateway’ to Port. We each created a model and responded to the brief. The models were presented to the adjudicating committee, we sold our ideas, and mine was chosen.

Describe the logistics of creating thepiece …
What was the inspiration behind this work … and what does it represent?

The brief was complex, and there were a lot of things the sculpture was meant to represent

– including the 2030 strategic plan for the shire. It’s typical of public art that it is meant to represent just about everything that is noble, civic, just and good, as well as being durable, maintenance free and graffiti proof.

The sculpture is a development of a series of works I had created using hardwood saplings. The brief stipulated durable, low maintenance materials, so the flagpoles were the obvious choice and suited the roadside site. The avenue of flagpoles is a common entrance strategy.

The sculpture is a unique welcome to this beautiful and sophisticated riverside city.

The symbolism in a sculpture is secondary to the actual experience of viewing the work, which is unique for each person. The sculpture is a response to the site i.e. the roundabout. It is circular, see-through and lightweight; it gives the illusion of movement as you drive past it.

The best interpretation of the symbolism I have heard is the Feng shui version: the upper cone reaches out to the Cosmos and draws in positive energy, while the lower cone holds that energy in place, thereby bringing wellbeing to the people of Port Macquarie (Bee Teck Lim). But it’s really for the viewer to decide. It is called the ‘Port Gateway’.

The sculpture was made with the assistance of a number of people: Rob Butler – tech and 3D drawings; Alan Taylor Assoc – engineering, RPE engineering; Ace Flagpoles – supplied and tapered the aluminium tubes; Decke Sheetmetal – the aluminium and steel fabrication; MVP – powder-coating; AJS Welding – onsite installation; RTA – funding; Hastings Council – administration; Greg Wilson – best boy; and special thanks
– Saarasa Madden.

I had the idea, did some drawings, made a model, liaised with the suppliers, woke at 3am worrying about it all, put it all together in the backyard, numbered the pieces, deconstructed it, and trucked it to the site. From contract to completion was about 10 months. Made of steel and aluminium, it weighs about 2 tonnes. It is fully demountable.

What was the biggest challenge for you in terms of creating the roadside sculpture?

The biggest challenge, always, is coming up with an idea that is worth the effort that goes into the making. The next biggest challenge was communicating with the collaborators.

How much did you enjoy creating the work, and did you learn anything from the process?

Each work is a learning experience. Lesson number one: don’t be too precious. Getting to the end of the job and seeing the finished product is pretty enjoyable.

As with all artistic endeavours, we have to be prepared to accept both praise and criticism for our work. How do you deal with negative feedback for your creations (if any)?

Negative feedback is just part of the deal and is often the result of misunderstanding the role of art in society – and a feeling that someone is trying to make a fool of you and you just don’t get it. There is no secret.
It’s just one more thing in the landscape … another piece of the jigsaw.

The signs on top of the Roadhouse, or McDonald’s, have a bigger footprint than the sculpture has. The difference is, the sculpture is not selling anything. It’s free! ‘And just a little bit classy’!

Some people resent the fact that Councils spend big on art, while the infrastructure crumbles. In fact, the funding comes from outside sources, so there is a net benefit to the ratepayers – and if more local contractors were prepared to play, more of the money would stay in the shire.

‘No Art’ doesn’t mean the roads will be repaired.

What other projects do you have in the pipeline at the moment?

I am doing oil paintings and making small sculptures for a show at Gallery Aloft in Rozelle in May.

Where can people view your other work?

There are Flood-markers in North Haven, Laurieton and Dunbogan (sculpted poles with steel fish and flood levels). The Windmill hill sculpture, ‘Foley’, AKA The Pencil.

There was (in living memory), a sculpture at the Sovereign Hills development, ‘the River’, soon to be relocated to a secret site outside the Shire.

Sculptures in Taree: Outside the Gallery, ‘The Weight’ and ‘Lizard Lounge’; and in Victoria St, ‘Balancing Act’.

My website is www.rickreynolds.info

Email:rick.reynolds@bigpond.com

Thanks Rick.

Interview by Jo Atkins.

This story was published in issue 78 of Port Macquarie Focus 

Tell us a little about yourself and why you are running for Council.

I was born here in Port Macquarie and have lived in Bonny Hills all my life,  recently making the move to Lake Cathie.

In my free time, you can find me bike riding, fishing, catching a movie or out on the streets talking to people. I first discovered my ability for leadership when I was asked to join the Student Council in Year 8, where I was an active member until being selected as Captain for Years 11 and 12. Through these roles, I developed a desire for entering politics.

As a person who is known to be very interested in politics, people would talk to me about certain issues that they come across and after consultation with some close family and friends, I decided that I can be one of those 9 Councillors that people will find easy to talk to and willing to do what has to be done to help and serve this community.

I enjoy the skill of listening to people, and I am always seeking wisdom and guidance from those around me. I believe the best Council is one that is diverse and represents all parts of the community.

What are some of your policies leading into the election?

A few of my policies include building stronger relationships with our local community groups, businesses and neighbouring Councils. Building upon existing promotional campaigns for the Hastings to increase the exposure of our community in an attempt to boost our tourism industry.

One policy that I am very passionate about is to try and increase employment for the youth. I feel that increased employment levels for the youth will contribute to lowering levels of anti-social behaviour and give the local economy a little kick – more youth with money is more money spent in the local area.

This is just the tip of the iceberg of my policy plan, but over the next few weeks I will be hosting information sessions where people can find out more, as well as launching my campaign, when my complete policy plan will be released.

If you could fix just one pressing issue for the Hastings immediately, what would it be?

I would like to see some common sense and realism returned to the Council. Most of the issues I have been looking into could simply be solved by giving it some real thought and practical action, which would lead to positive and win-win results. I know Council is often doing what they think is right but as a concerned resident, I think some changes in this regard are necessary.

What is your overall vision for our area heading towards 2020/2030?

My main overall vision is for the Hastings to have a stronger economic status, with our $95 million debt reduced in a fair, manageable and positive way.

I want to see the roads repaired properly and carefully maintained. I believe that the flow on effect from seeing these two visions become reality will be very beneficial for all the people of the Hastings. They don’t necessarily represent the individual views of each resident, but a happy and healthy economy can offer a lot to the community – more than debt can.

Do you feel any pressure from the community at the possibility of being one of the first publicly elected Councillors in almost 5 years?

There is no doubt that I feel some pressure, but I feel that I am stepping forward for the right reasons and overall, I do have a plan. Some may say that a person of my age lacks the experience, particularly ‘business experience’ as a required key or asset to be a good Councilor.

I think most people would agree that that particular asset didn’t work out too well for the last Council. Importantly, it’s not my goal to elect ‘Team Luke’, but to elect a group of capable people who know how to connect with each other and build relationships with our community at large.

As an 18 year old candidate, do you view life experience as a key attribute for candidates to have?

This has been put to me by a few people in the community recently and while I think life experience is important and has its benefits, I don’t think it is the key to a good Council. I want to remind everybody that it is a Council that is being elected, not the Prime Minister, and I think it is important that Council has a large diverse group that will represent the diversity in the area.

I often think, where is our Council now? Where did their years of experience take them? Life experience or not, anybody can still make big mistakes. In life it is unavoidable, and it is not up to us to be solo leaders; we are a team whose task is to listen to the people. One of the huge challenges for youth today is that no one is willing to take them on and give them a go. It is not age that gives someone wisdom and experience; it is the experiences they live and encounter day to day. Many elderly people have had experiences that I will not be able to comprehend right now, but in my few 18 years I have done some pretty amazing things also.

What would you say to people considering putting their hand up to run?

I would say stand up and have a go. The people in this community deserve a large range of candidates, and I think there are lots of people out there who have a lot to offer this community if they choose to. I also think it is important that they start getting out and about now, so the community has a chance to really get to know them.

What’s something most people don’t know about you?

I think one thing would be that as a young contender, I have more ability than the community may assume I have, and I am so ready to build on that ability – which is fuelled by a desire to make our home area greater.

Thanks Luke.

Contact Luke
Email: luke_hadafield@hotmail.com
Mob: 0408 461 038
Facebook: ‘Luke Hadfield for Port Macquarie Hastings Council’.

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Are you standing?
Are you thinking of standing in the next Port Macquarie-Hastings election? Like to be interviewed in FOCUS? Email us:
editor@focusmag.com.au/

This story was published in issue 78 of Port Macquarie Focus 

Have you had any education related to photography, or have you naturally taken to it?  

I have been asked this question a lot , and the answer is, no, I’ve never taken a course, or read one book on photography. I’m self taught and learning something new every shoot!

My mother has been into photography for a long time; she takes amazing landscape photography, so I learnt a lot from her.

My photography is 100% passion driven, and I love incorporating my own style into every image.

I’m constantly being inspired by the photography world to learn and try new things, challenging myself and finding new ways to make my camera rock every shot.

Your main focus in photography is maternity and newborn shots. Have you always had an interest in this type of photography? 

Yes! My heart has always been with pregnancy and newborns; nothing is more of an absolute miracle than falling pregnant and having a baby, and I get to capture that!

I love meeting with excited first-time mums, last-time mums and mothers who have tried to conceive for years and being able to celebrate with them.

My maternity sessions are becoming more and more popular, as women see that pregnancy is beautiful and should be celebrated and remembered. Nine months feels so long when you are waiting for baby, but in the whole picture, it all goes so fast.

Newborn sessions are not for the faint hearted; they require a lot of time, patience and sensitivity. I’m well aware at every newborn shoot that I have been entrusted with this couple’s whole world, and always follow babies’ lead with lots of cuddles and newborn safety practised at all times. Every newborn, even in those early days, has their own personality. I spend many a session in giggles with their antics; they are nothing short of amazing.

What do you enjoy the most about your job?

The thing I enjoy more than anything else, without a doubt, would have to be meeting my clients and hearing their stories. I meet people at the most exciting times in their lives, waiting for their child, and then those early days when baby arrives. We all see the end result of the image of the mother and father smiling down at their perfect newborn, and so often we don’t hear the amazing stories that got them there. I love hearing them.

Falling pregnant can sometimes be a journey of heartbreaks, loss and love but most of all, full of hope. I’ve made some incredible friends along the way, I could write a book just with the clients I have met already – such inspiring stories … that and of course, getting to snuggle gorgeous newborns all day.

What is the feedback from your photography like, and does that influence the way you take your photographs?

My ‘fans’ feedback drives me every day! Their thoughts and words are so encouraging, and I love reading their every comment. They don’t steer my design, but their encouragement is what makes me want to do so much more than what I would ever had hoped or dreamed of doing.

I love the feel and community of my Facebook page. When a newborn baby’s photo hits the Facebook page, I love how people who have never even met the parents of this child will still leave comments of adorations and congratulations – it’s incredibly heart warming. They are an amazing cheer squad, and I’m grateful to every one of them.

I receive countless emails and messages from my thankful clients that I keep to read back over; it’s nice to know that by simply doing something I love, I can bring a huge smile to people’s lives.

What is the best age to photograph newborn babies?  

This varies for each photographer, but for me and the style of my images, it’s in those first 12 days, when bub is sleepy and content and happy to be fed and sleep.

I know for a lot of people they remember their first 2 weeks with their newborn to be crazy and wonder how they would find the time to fit portraits in, but I love that for a couple of hours my new parents have a chance to sit and just take a moment with their new addition – it’s a great excuse for them to stop their busy morning just to baby gaze.

Do you have a favourite photograph?

Not one particular image, but I love a photograph that tells a story or captures a genuine connection in that exact moment. These are the ones my clients and I treasure the most.

Myself personally, it would be an image I have of our son, Noah. He was born incredibly ill, with no hope of survival. He beat the odds and as soon as we were able to finally bring him home from hospital, I immediately took a picture, raced down to have it printed and framed it – it still hangs in our home 5 years later.

What motivates you in your job?  

The people I get to meet and work with. There have been very busy weeks where in extreme tiredness I ask myself, “Why?” The answer is always the same; I am able to capture little pieces of these people’s story … that’s a pretty great job!

My husband and two children motivate me to be bigger and better constantly and remind me every day how precious life is … and just the adventure of it all! I am a creative person who is now able to create; I love that!

When you are not taking photographs, what do you do with your spare time?

Spare time? I think I handed that phrase in when we had our son 5 years ago, followed by our daughter, Isabella, two years later! But when I’m not photographing, I’m being a mum – my most favourite role ever.

We live in such a beautiful place, so we love to spend days doing the simple things that matter the most: beach, ice blocks and painting, shopping and movies and spending time with family and friends.

People often ask me what I do in general conversation, to which I always reply I am a mother raising two gorgeous children, who also takes maternity and newborn photos.

No matter how much I love my job, which I do, I’m always living life inspired by the quote: “If I fail to raise my children, nothing else I accomplish really matters”.

Thanks Verity.

This story was published in issue 78 of Port Macquarie Focus 

How long have you been a chef?
I have grown up helping my mother and father in their restaurant, but when I was 18, I did all the correct courses to become a fully qualified chef.

What do you love most about your job?
I just love cooking and decorating the food. I like to try a bit of everything and work with all sorts of ingredients to create new dishes.

What are some of the most popular Thai dishes that you sell at the Thai orchid?
Definitely Massaman Curry. Everyone just raves about it, and also, coming in second would have to be Pad Thai. They are both our specialties here. The third best seller would have to be stirfried chicken and cashew.

What is one ingredient that you can’t go without using?
Chilli is definitely something we use in a lot of things, but I would have to say herbs. We use lots of fresh herbs in everything. That is why Thai food is so healthy, ‘cause all the herbs are really good for your digestive system. We use all different fresh herbs like lemongrass, mint, basil, coriander, ginger and many more. We don’t tend to use as much chilli in our dishes over here as we would back in Thailand, as it is generally too hot.

What does the future hold for the restaurant?
At the moment, we are looking at doing some renovations outside to make it look more traditional Thai and more outdoorsy.

What makes the Thai Orchid stand out above the rest?
I think because we have such a nice big restaurant, and we have a good atmosphere. The price of our food is very reasonable for the large portion sizes. Also, our food is 100% fresh.

We only cook it as it is ordered; no pre cooking takes place. That is why sometimes it may take a little longer for our meals to come out, but they are of the freshest quality.
You have been a finalist for the best Thai Restaurant in the North Coast for the past 5 years. What is the criteria that you have to pass to become a finalist?
They come in and check the food, service, portion sizes, restaurant, kitchen, table setting the lot; it is very strict.

How long has the Thai orchid been open?
Six years, and hopefully we have another 7 or so years in us.

Thank you May.

This story was published in issue 78 of Port Macquarie Focus 

Hi Richard. Where did you grow up?

I was born in Bowraville. We moved around a lot when I was a kid – we lived in Forster, Redfern, Blacktown, trying to stay one step ahead [of the authorities]. In 1966, they caught up to us – me, my older brother and 3 younger girls – and I was in a boys’ home until I was about 18.

What is your tribal background?

Dunghutti on my father’s side and Gumbaynggirr on my mother’s side.             The stories of the Dreamtime from those two different tribes – are they so very different?

Most of the Dreamtime stories connect to each Country – they’re all similar stories.

When did your interest in art begin? Did you draw as a child?

Yes. The old man used to make boomerangs and shields. I’d sketch some things and he’d burn them on the items, and I’d colour them in afterwards.

I used to draw and sketch a lot in the boys’ home to pass the time too and to keep my mind occupied.

What kind of style do you like to paint with, and who inspires you?

European and also traditional. I’d like to think I’ve created my own style of painting; it’s a unique style. I really like Lin Onus … he was an Indigenous artist from Victoria, but he did a little bit more European than what I do. He was a famous artist and passed away a few years ago, at a quite young age.

Also, my older cousin, Robert Campbell Junior, who painted in more of an Indigenous style … but I really like to think I’ve created my own style.

What do you like to communicate with your paintings – what stories do you tell? There appears to be quite a spiritual element to some of your paintings as well.

They’re often based on my own stories … how I was taken away, my mother’s stories, my father’s stories … stories of the Dreamtime.

I met my sisters again about 15 years after we were taken away. About 12 years ago, two of my younger sisters started working for the Catholic system. I was living in Newcastle then, and I had a few paintings in an exhibition in Maitland. One of my sisters saw the paintings – she didn’t know I could paint – and she rang me up and told me she knew a priest who would like me to do some spiritual art.

I worked with the connection between the Dreamtime stories and the spirituality, and that’s where the spiritual paintings all started.

What are you working on at the moment?

I’m working with a school to do a painting of a story where someone stops to help an injured man [a bible story] – I do a lot of work with schools. A lot of my work is commission work.

When you present your coffee morning at the Glasshouse, what will you be talking about?

I have my artwork on a USB stick, and I’m hoping to project the images up on the wall and talk about them and what they mean.

I’m also exhibiting at the Glasshouse. The works are called the Creation Series, and I’ll talk about these artworks as well. There are 10 paintings in the series, and they took nearly 12 months to complete. I like exhibitions like this.

I did one for Deakin University in Geelong, which also took me around 12 months to do. I really enjoy this work.

Your works are very striking and unusual. If someone would like to commission you for a painting, how do they get in touch with you?

They can call my mobile: 0421 757 184.

Thanks Richard.

This story was published in issue 78 of Port Macquarie Focus 

What first caused you to develop an interest in photography? 

I have always loved photography and decided to study it, making it my profession about 5 years ago. At the same time, my girlfriend Jess started to develop her skills, studied graphic design and now specialises in pet portraits.

I strongly believe that as a professional photographer, you need to keep developing your skills and keep up with new technology.

What training/on the job experience have you had that’s helped you develop your skills as a photographer?

Most of my training has happened through workshops and courses by David Hobby and Joe McNally. I’m inspired by their skills, which not only cover weddings or portraits, but allow me to branch into many other fields. I’ve also taken courses with Scott Kelby, who is a famous photographer and an inspiring teacher.

Like most photographers, I’ve learned a lot by trial and error. Almost all the books I read are material on photography techniques, and I follow many teaching blogs of well known photographers and teachers. I relish having my work honestly critiqued and strive to improve myself to provide my clients with memorable, artistic and exciting photography.

Being thrown into the deep end at many motorsports events has also taught me to work under pressure. In fact, I prefer to work this way now.

What are some of your favourite subjects to shoot?

Without reservation, I can honestly say that my passion lies with cars and races. Being an automotive enthusiast makes every shoot a special treat for me – and something I never seem to get tired off.

I love getting into the thick of it, capturing the action and emotions that happen on a race track. I also love the challenge of photographing something so fast, the adrenalin rush that goes along with being within a metre or so of such rapidly moving and sometimes out of control cars. I’m always looking forward to the next big race.

I also like to shoot people and have been building my portrait portfolio of late. Shooting portraits really lets me pay close attention to every detail before I take a photograph, composing the story of the individual personality of the subject.
What do you feel are the most important elements in capturing a great shot?

Without question, it is the light. It really is important to understand how light affects your subject. However beautiful your subject, how stunning your landscape or exciting the action is you want to capture, if the lighting is not right, a photo can become boring, a person’s face looks flat and the photo might not even able to be ‘rescued’ by somebody with excellent Photoshop skills.

The next thing would be the subject itself. Without an interesting subject, you won’t have an interesting photo – it can be that simple.

I also pay a lot of attention to the composition of my work. Composition can draw you into a photo and focus your eye on a single element or one element after another, tell a story, or show the personality of a subject.
What camera gear would you never be without on a shoot?

That depends on what I’m shooting. For motorsports, I wouldn’t leave home without my Sigma 70 – 200 mm f/2.8 lens; my Nikon D300 and battery grip are also a must, due to the high frame rate and ergonomics.

When shooting portraits, my ‘go to’ camera and lens combo are a Nikon D300 and a Nikon 85 mm f/1.8. However, I couldn’t shoot portraits without my Nikon flashes and 72 cm softbox.

What’s the most interesting, unusual or exciting thing you’ve ever had to photograph?

The most exciting thing would have been the ‘Powercruise’ at Eastern Creek Raceway. Having media credentials and being able to get close to some of the fastest, loudest and most powerful cars in the country was an amazing experience.
How important is the editing process to you in order to produce just the right image?

With motorsport photography, most of the work is done with the camera, and I only apply little tweaks like sharpening, colour profiles, cropping and contrast adjustments to the image in Adobe Lightroom.

When it comes to portrait photography, there is quite a bit more processing involved, such as contrast, saturation adjustments, cloning, selective sharpening and selective white balance. We calculate that if we spend 8 hours at a wedding, then we will have to spend about double that amount of time in front of the computer afterwards.

Where would you like to see your photography taking you over the next few years?

Over the next few years, I would love to travel around Europe, take photos of the amazing history and different cultures. I also want to shoot motorsports full-time, and I’m trying to steer my business in that direction.

If people would like to commission you for some work, how do they go about this?

They can contact me via my website:
www.DylanMiazekPhotography.com
email me at: Dylan.Miazek@gmail.com or by
phone: 0408 067 753.

I also have a Facebook page through which people can follow my work and news:
www.facebook.com/Dylan.Miazek.Photography

Thanks Dylan.

Interview by Jo Atkins.

This story was published in issue 78 of Port Macquarie Focus 

What many of you may not know is that this block of land has a wonderful family history and has been in the hands of the same family for many years – and despite the multi-million dollar development happening there right now, there are no plans to change the ownership. Nev Jones from Better Homes and Shevaun Bruun, one of the property developers, fill us in …

How long has the property at 2 Swift Street been in your family?

Shevaun: My grandfather, William McLellan, bought the land, and he started construction on the home in 1949. As far as we can tell, he originally owned all the land right along Swift Street, from top to bottom, but he ended up gradually selling off the blocks and keeping the 6 blocks we still own today, which cover from the top of Swift Street, to Pacific Drive and across to Wesley Avenue. The blocks have always been vacant land, except for the block where the original house still stands.

The house on the property was built as a holiday home, as my grandfather was a very keen fisherman. He kept his house in Sydney – the same as we still do today – and he would come here to Port Macquarie regularly for holidays.

I never actually got to meet my grandfather, and when he passed away, my father, who was an only child, inherited the property. My father continued the family tradition of holidaying here – in fact, he spent his honeymoon here. My dad passed away 24 years ago, but we’ve continued to holiday here.

My brother, Andrew McLellan, and I play tag team holidaying here, with he and his family of 4 children and 1 grandchild and me and my family of 2 children taking turns to holiday here over the years. My mother, Diana McLellan, still owns the block, but she has been encouraging us to do something with the land.

It was always Dad’s little bit of paradise – he travelled around a lot selling cameras and always visited here at least once a month. While Dad was alive, he maintained the property, and it always looked like a Botanical Garden. But gradually over the years, the building and the grounds began to deteriorate … We have some funny stories about using gaffer tape to hold things together; or we’d come to visit and the lights would’ve blown, or a tap would be turned on and blow off, or the hot water heater wouldn’t work. My mother, brother and I decided we had to do something … and that’s where the idea of the development all began! We ultimately want to spend more time in Port Macquarie and less in Sydney, but we want to maintain control of the property and the development and keep it in the family.
What have been some of the best memories for you holidaying here?

Shevaun: I’ve been visiting since I was a baby – just as my children have done. We were here every school holidays – so around 12 weeks per year. My dad would use this place as a base while he travelled around for work. We used to have watermelon parties in the backyard, and all the local kids would come. My brother and I learned to drive a Land Rover around the property in circles, and we’d both spend hours riding a mini bike around the property. Dad was a keen fisherman too, so we’d use the Land Rover to drive to Lighthouse and fish from sunup to sunset.

So, what is the development you and your brother Andrew are proposing for the site?

Shevaun: The plans have evolved over time. We started off thinking we might only build 3 or 4 houses, plus two separate residences for Andrew and me and our respective families. The plan was designed so we can all holiday here together and not have to tag team anymore!

Nev: Andrew and Shevaun started developing the plans two years ago and the initial concept has changed quite considerably. There has been a lot of discussion back and forth and a lot of consultation with Shevaun, Andrew and the Council, but we are all determined to get the development right. The development as it stands now has 10 homes – the 2 homes for Shevaun and Andrew, 6 x 3-bedroom townhouses and two more 4-bedroom, two-storey houses. There is the ability for the block to carry an even higher density development, but the family have always been determined that the development would suit the local area and the beach lifestyle. The land itself is around an acre with 3 or 4 fantastic street frontages, so there’s a great opportunity to design and develop something that looks fantastic.

Shevaun: We’ve had a lot of input from our Building Designer James Collins, and the concept has changed multiple times. We didn’t want to end up with something that looked like a resort with swimming pools and acres of concrete, and we didn’t want to overdevelop the land. At least a third of the land has been kept for the 2 houses Andrew and I will own, which will be built where the existing old home stands now. We’re pretty sad at the thought of demolishing the old house, but we know it will have to go eventually.
The development project will obviously unfold in stages, so in what order will the buildings be erected?

Nev: The development will unfold in 3 stages.  The first buildings to be constructed will be the 6 townhouses, facing onto Wesley Street, then the other two houses, followed lastly with the two private residences. The first component of the construction is the civil work, which is the sewer work, storm water, electricity and kerb and guttering. This is being done in two stages, with the first stage happening in conjunction with the construction of the 6 townhouses. The second stage of the civil works will cover the remaining 4 homes.

Shevaun: We wanted the development to unfold this way, because we want the old house to remain standing as long as possible. We want to be able to keep coming to stay while the development is being carried out!
What stage is the construction up to at present, and how long do you believe it will take to complete?

Nev: The dwellings have only just started to be constructed, with the pouring of the slabs for the 6 townhouses occurring during April. It will be full steam ahead from there! There will be supervisory and carpentry teams on site full-time from now on. As stage one takes shape, we’ll continue to refine the plans for stage two.

Shevaun: It will probably be a good two years before we get to the stage of finishing the two private residences.

What is the purpose of the 8 buildings that won’t be used by the family as private residences? 

Nev: The first 8 homes have been approved as tourist accommodation, which will be professionally managed as boutique accommodation. Knowing that the family is retaining the whole development to run as a business – which is a pretty rare thing – it’s important to have the accommodation cater for a cross section of the market. Five of the townhouses will be the same, and the sixth is slightly larger. Then you move up to the two 4-bedroom homes, which will be able to accommodate up to 8-10 people. The plan is to get the business side up and running first, so there is some income coming in to support the rest of the development.

Shevaun: Escape at Nobbys is what we’ve decided to call the tourist accommodation. The 6 townhouses will be beautifully appointed, and the two 4-bedroom homes will be yet another step above in terms of quality and fittings. They’ll have beautiful views and be in an amazing location. We don’t want to compete with the resorts in the area by offering pools and a children’s playground; we see ourselves as offering more of a home-away-from-home environment that is quiet and relaxing. The beach playground is right across the road!

It would be wonderful to have Escape at Nobbys Stage 1 finished by this time next year (April), but we don’t want to rush things, as everything needs to be perfect before we open for guests.
What do you have in mind for the two private residences?

Shevaun: They are going to be really special … amazing! The garages will be underneath, with two storeys of living space above.

Nev: They are really going to look the part on the corner (Pacific Drive and Swift Street). They will be large homes – upmarket, modern, contemporary beach style.

Where can people find out more about your plans for the property and Escape at Nobbys?

Shevaun: We have a Facebook page and a website that is still under construction: www.escapeatnobbys.com.au

Thanks Shevaun and Nev. Good luck with the development!

Interview by Jo Atkins.

This story was published in issue 78 of Port Macquarie Focus 

How long has the group been around?

Greg: The group’s been going since about 1989. It started with about 14 members, and today we have about 44 members.

How did you become involved?

Greg: I moved here in 1994. Prior to this, I discovered an interest in model railways in Orange through a friend of mine. When I moved to Port Macquarie, I was introduced to Peter Gannon, who owned Ezy Video Repairs – he had a model railway shop as well. He helped everyone with buying things and becoming involved with the club.

Ross: I’ve been a member since 2006, so around 6 years. My son had met Greg through his work, and we were introduced. We actually had a trip together on the old Tin Hare down to Newcastle in 2006.

I’ve been interested in model trains since I was about 18. I had an old Triang Hornby as a kid, and I never grew out of it.

Are the very impressive model train layouts you have now your first?

Greg: No, this is about number 4. Sometimes you keep going until you get it right – you can be lucky sometimes and get it right first time, but this is number 4 for me.

Ross: This is my first big layout. The other one I had was only a table-top set – a piece of Masonite on the dining table, and the trains only travelled around in a circle.

Describe your setup for us …

Greg: It’s an HO gauge with a double main line and a branch line. There’s quite a large holding yard and quite a bit of variety with the type of engines and trains. It’s taken about 6 or 7 years to get to this stage. This varies for everyone – I’m still working, so I don’t get as much time to spend on it as others do.

Ross: I’ve been working on mine since 2006. It’s an HO gauge, the same as Greg’s, which is 1:87 scale.

I was born and bred in Geelong, so my rolling stock is all Victorian. I have an 8 car set of the Overland, which went from Melbourne to Adelaide. I have a 6 car set of the Victorian red passenger cars, a B Class locomotive and blue and gold Victorian rolling stock.

Is there a train in your layout that’s a particular favourite?

Greg: I have quite a few … any one of the steam models. There are a lot more on the market today that are available from Australian manufacturers. The quality now is great – you can have lights and sound, which are just like the real thing.

People in the club have so much variety in what they’ve done. Some people have layouts based just on certain types of trains, but it depends very much on what each individual wants to achieve.

Where do you source all of your equipment?

Greg: Originally from Peter Gannon’s shop. He’d often buy collections off people and then sell them to others. I also buy things off eBay or direct from the manufacturers.

The beauty of model railway is that everyone can choose how much or how little they want to put into it – if their layout ends up too large, they can on-sell parts of it and downsize, or start again with something else.

What materials have you constructed your scenery, the hills and grounds from?

Greg: Styrofoam and plaster, with a scattering of different materials to provide colour. The grass is a special anti-static product that stands up to give a three dimensional look. There are so many different ways – even using rocks and dirt – depending on what it is you want to achieve.

Ross: It’s constructed out of styrene with plaster cloth over the top, or even some blue Chux. I’ve also used aluminium fly wire, which can be crunched and shaped before the plaster is placed over the top. I’ve used real stones, gravel and twigs. A lot of my trees I’ve made out of twisted wire coated with No More Gaps, which is then painted with colour.

I want to be able to control all of my trains from one handpiece, which I’ve been able to do so far.

What do you personally enjoy about owning a model railway?

Greg: It’s a good de-stresser! It’s hands on – you’re doing a bit of carpentry, electrical work, through to creating scenery, so there’s plenty of variety.

Ross: The relaxation. It’s fun to see things working as you hope they’ll work. When they don’t, it can be frustrating!

How often does the group meet?

Greg: We meet every third Saturday at various members’ places on a roster basis. Sometimes we might go to the Taree model train club for a visit, or we might go to the Dorrigo Steam Museum, or an exhibition in Sydney or Newcastle. It really depends on what members would like to do.

We stay in touch with members via email and the monthly meetings. If there’s something special happening, we may ring members to let them know.

We’re not a formal club, but a group of people who share an interest and enthusiasm for model railway who like to share ideas and experiences. The membership age is open, and we encourage the younger model train lovers to come along.

Why should people interested in model railways join the group?

Ross: It’s a great fun day out together. It’s good company.

Before I joined the group, I didn’t have any idea how I was going to do any scenery – not a clue! Then I saw how other people did it, and I put it all together. There are different levels of interest too – it’s not necessary to have your layout up to exhibition standard, but you can if you want to. With your own layout, you can do what you want.

Contact details for the club?

Phone Greg on: 0408 281 908 or email: gneegreg@bigpond.net.au

Thanks Greg and Ross.

Interview by Jo Atkins.

This story was published in issue 78 of Port Macquarie Focus