<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>GRIOT</title>
	<atom:link href="https://griotmag.com/en/feed/" rel="self" type="application/rss+xml" />
	<link></link>
	<description>Art &#38; Culture, Music, Photography, Style, Video</description>
	<lastBuildDate>Thu, 26 Mar 2026 14:20:59 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://griotmag.com/wp-content/uploads/2021/01/cropped-favicon-32x32.png</url>
	<title>GRIOT</title>
	<link></link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Artist Ibrahim Mahama Alleges Police Assault, Demands Justice</title>
		<link>https://griotmag.com/en/ghanas-artist-ibrahim-mahama-alleges-police-assault-demands-justice/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Thu, 26 Mar 2026 10:52:28 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Ibrahim Mahama]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=38193</guid>

					<description><![CDATA[<p>Accra, Ghana – Renowned Ghanaian contemporary artist Ibrahim Mahama, celebrated internationally for his large‑scale installations and critical explorations of labour, history and global exchange, has accused members of the Ghana Police Service of assaulting him in his hometown of Tamale. The internationally acclaimed artist — whose work has been shown at major global events including [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/ghanas-artist-ibrahim-mahama-alleges-police-assault-demands-justice/">Artist Ibrahim Mahama Alleges Police Assault, Demands Justice</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Gaza Biennale 2025 Arrives in New York</title>
		<link>https://griotmag.com/en/gaza-biennale-2025-arrives-in-new-york/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 13:07:04 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[gaza biennale]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=38118</guid>

					<description><![CDATA[<p>Created by a collective of Palestinian artists and supported by an international curatorial network, the Biennale embraces a strongly horizontal organizational model. It unfolds between Gaza and a constellation of exhibition spaces, named pavilions, across 18 cities—from Athens to Berlin, Istanbul to London, New York to Padua, Valencia to Toronto. The next stop will be [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/gaza-biennale-2025-arrives-in-new-york/">Gaza Biennale 2025 Arrives in New York</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Ibraaz &#124; London’s New Arts Hub for the Global Majority and Uncensored Dialogue</title>
		<link>https://griotmag.com/en/ibraaz-londons-new-arts-hub-for-the-global-majority-and-uncensored-dialogue/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Wed, 27 Aug 2025 05:53:59 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Arts space]]></category>
		<category><![CDATA[Ibraaz]]></category>
		<category><![CDATA[Ibrahim Mahama]]></category>
		<category><![CDATA[Lina Lazaar]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37905</guid>

					<description><![CDATA[<p>At a time when many cultural institutions throughout the West are struggling to sustain artists’ freedom of expression, Ibraaz, a new arts centre in London’s Fitzrovia, is stepping in to platform their voices. And this time, the global majority will take full centre stage in the narrative, its founder say. Founded by Tunisian art critic [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/ibraaz-londons-new-arts-hub-for-the-global-majority-and-uncensored-dialogue/">Ibraaz | London’s New Arts Hub for the Global Majority and Uncensored Dialogue</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Naomi Beckwith Announces Curatorial Team for documenta 16</title>
		<link>https://griotmag.com/en/documenta-16-core-team-led-by-naomi-beckwith-announced/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Tue, 19 Aug 2025 08:35:35 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[documenta]]></category>
		<category><![CDATA[documenta 16]]></category>
		<category><![CDATA[Naomi Beckwith]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=38051</guid>

					<description><![CDATA[<p>In a pivotal step toward shaping the vision of documenta 16, Artistic Director Naomi Beckwith has unveiled the core team of collaborators who will join her in curating the landmark exhibition. The group—Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng—brings together an expansive range of expertise across curating, critical theory, publishing, and [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/documenta-16-core-team-led-by-naomi-beckwith-announced/">Naomi Beckwith Announces Curatorial Team for documenta 16</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Not All Travellers Walk Roads &#124;  100+ Artists Join 36th Bienal de São Paulo in September</title>
		<link>https://griotmag.com/en/not-all-travellers-walk-roads-100-artists-join-36th-bienal-de-sao-paulo-in-september/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Wed, 13 Aug 2025 13:20:09 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bienal de São Paulo]]></category>
		<category><![CDATA[Bonaventure Soh Bejeng Ndikung]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37950</guid>

					<description><![CDATA[<p>Conceptualised by Bonaventure Soh Bejeng Ndikung–alongside co-curators Alya Sebti, Anna Roberta Goetz, Thiago de Paula Souza, co-curator at large Keyna Eleison, and communications and strategy advisor Henriette Gallus–the 36th Bienal is inspired by the poem “Da calma e do silêncio” [Of Calm and Silence] by poet Conceição Evaristo. It is founded on active listening to [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/not-all-travellers-walk-roads-100-artists-join-36th-bienal-de-sao-paulo-in-september/">&lt;i&gt;Not All Travellers Walk Roads&lt;/i&gt; |  100+ Artists Join 36th Bienal de São Paulo in September</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Angela Harutyunyan and Paula Nascimento Appointed Curators Of Sharjah Biennial 17</title>
		<link>https://griotmag.com/en/angela-harutyunyan-and-paula-nascimento-appointed-curators-of-the-sharjah-biennial-17/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Wed, 13 Aug 2025 07:29:23 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37924</guid>

					<description><![CDATA[<p>Harutyunyan is Professor of Contemporary Art and Theory, Berlin University of the Arts and Nascimento is an independent curator and architect based in Luanda. “Since 2003, Sharjah Biennial has been a platform for creative experimentation, collaboration and social impact. Rooted in our local context, we have fostered a place of significant regional and international exchange, [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/angela-harutyunyan-and-paula-nascimento-appointed-curators-of-the-sharjah-biennial-17/">Angela Harutyunyan and Paula Nascimento Appointed Curators Of Sharjah Biennial 17</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Koyo Kouoh (1967–2025) &#124; A Worker of the Spirit</title>
		<link>https://griotmag.com/en/koyo-kouoh-1967-2025-a-worker-of-the-spirit/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Thu, 07 Aug 2025 17:41:47 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Biennale di Venezia]]></category>
		<category><![CDATA[Koyo Kouoh]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37897</guid>

					<description><![CDATA[<p>Remembering Koyo Kouoh–a visionary curator and true “worker of the spirit” whose impact on contemporary African art is profound and lasting. From her roots in Cameroon to leading Zeitz MOCAA in Cape Town, Kouoh’s journey was marked by passion, resilience, and a deep commitment to artists and communities across the continent and beyond. Her untimely [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/koyo-kouoh-1967-2025-a-worker-of-the-spirit/">Koyo Kouoh (1967–2025) | A Worker of the Spirit</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>AKKIJ  &#124; From Silence to Sign: The Art of Fathi Hassan On View</title>
		<link>https://griotmag.com/en/akkij-ffrom-silence-to-sign-the-art-of-fathi-hassan-on-view-rome/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Tue, 01 Jul 2025 08:03:52 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Akkij]]></category>
		<category><![CDATA[Fathi Hassan]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37831</guid>

					<description><![CDATA[<p>Spanning over four decades of practice, the exhibition brings together oil paintings from the 1980s–90s with large-scale works on paper from the past two years. It takes its title from a name charged with both personal and universal resonance: Akkij is the artist’s childhood name, his Nubian name. A name that, as Hassan writes, is [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/akkij-ffrom-silence-to-sign-the-art-of-fathi-hassan-on-view-rome/">&lt;i&gt;AKKIJ&lt;/i&gt;  | From Silence to Sign: The Art of Fathi Hassan On View</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>[FUORI]CAMPO &#124; Art And Denied Citizenship</title>
		<link>https://griotmag.com/en/fuoricampo-art-and-denied-citizenship/</link>
		
		<dc:creator><![CDATA[GRIOT]]></dc:creator>
		<pubDate>Fri, 30 May 2025 09:20:37 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Life + Culture]]></category>
		<category><![CDATA[Italian Citizenship Reform]]></category>
		<category><![CDATA[Italians Without Citizenship]]></category>
		<category><![CDATA[Referendum Cittadinanza]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37802</guid>

					<description><![CDATA[<p>In 2012, French artist JR joined the national campaign L’Italia sono anch’io [I, too, am Italy]—promoted by Rete G2, Arci, and other social and labor organizations—advocating for the citizenship rights of people with migration backgrounds and their children. Through the Inside Out participatory public art project, JR installed more than 1,500 large-format photographic portraits on [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/fuoricampo-art-and-denied-citizenship/">[FUORI]CAMPO | Art And Denied Citizenship</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Belinda Kazeem-Kamiński’s Aerolectics Echoes Across the Italian Alps</title>
		<link>https://griotmag.com/en/belinda-kazeem-kaminskis-aerolectics-echoes-across-the-italian-alps-insubrick-line/</link>
		
		<dc:creator><![CDATA[Johanne Affricot]]></dc:creator>
		<pubDate>Fri, 18 Apr 2025 16:03:36 +0000</pubDate>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[Aerolectics]]></category>
		<category><![CDATA[Belinda Kazeem-Kamiński]]></category>
		<guid isPermaLink="false">https://griotmag.com/?p=37711</guid>

					<description><![CDATA[<p>Belinda Kazeem-Kamiński’s first site-specific solo exhibition in Italy, Aerolectics, opens with a poem of the same name on a monumental white wall flanked by a dense soundscape that fills the entire space. Concerned with colonial subjectivities of the African diaspora in the Germanophone region of South Tyrol, the exhibition is constructed around the forgotten stories [&#8230;]</p>
<p>L'articolo <a href="https://griotmag.com/en/belinda-kazeem-kaminskis-aerolectics-echoes-across-the-italian-alps-insubrick-line/">Belinda Kazeem-Kamiński’s &lt;i&gt;Aerolectics&lt;/i&gt; Echoes Across the Italian Alps</a> proviene da <a href="https://griotmag.com/en/">GRIOT</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>
