<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-752480468143384909</id><updated>2024-10-07T03:03:47.889-05:00</updated><category term="John Muir"/><category term="Carl Sagan"/><category term="Henry David Thoreau"/><category term="Ralph Waldo Emerson"/><category term="Climate Change"/><category term="Albert Einstein"/><category term="Annie Dillard"/><category term="Biosphere"/><category term="Buckminster Fuller"/><category term="NASA"/><category term="NOAA"/><category term="Magma"/><category term="Photosynthesis"/><category term="Rachel Carson"/><category term="Volcano"/><category 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H."/><category term="InSAR"/><category term="Indian Plate"/><category term="Indigenous People"/><category term="Indo-Australian Plate"/><category term="Infiltration"/><category term="Infinite"/><category term="Infradian"/><category term="Inner Core"/><category term="Insect"/><category term="Insignificance"/><category term="Interconnectedness"/><category term="Interdependence"/><category term="Interferogram"/><category term="International Space Station"/><category term="Interstellar Cloud"/><category term="Inuit"/><category term="Iris"/><category term="Iris Germanica"/><category term="Irreversibility"/><category term="Isaac Asimov"/><category term="Isaac Bashevis Singer"/><category term="Islamic Calendar"/><category term="Isua Sediments"/><category term="Ivan Aivazovsky"/><category term="J. R. R. Tolkien"/><category term="J. Roger Brothers"/><category term="J.I. Gitelson"/><category term="J.K. Rowling"/><category term="J.M.W. Turner"/><category term="JPL"/><category term="Jack Gilbert"/><category term="Jack Hills"/><category term="Jack Kerouac"/><category term="Jacob Bronowski"/><category term="Jacob's Ladder"/><category term="Jakobshavn Glacier"/><category term="James Dwight Dana"/><category term="James Hutton"/><category term="James Lovelock"/><category term="James Whitcomb Riley"/><category term="Jan van der Heyden"/><category term="Jane Austen"/><category term="Japonism"/><category term="Jason-1"/><category term="Javis Island"/><category term="Jean André Deluc"/><category term="Jean Giraudoux"/><category term="Jeff Goodell"/><category term="Jennifer K. 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Libbrecht"/><category term="Kenneth J. Lohmann"/><category term="Khyber Pass"/><category term="Kilauea"/><category term="Kilimanjaro"/><category term="King Henry VI"/><category term="Kobayashi Issa"/><category term="Kola Superdeep Borehole"/><category term="Kristiina Hurme"/><category term="Kālidāsa"/><category term="L1 Lagrange Point"/><category term="LAGEOS"/><category term="LIGO"/><category term="La Niña"/><category term="Lagrange Point"/><category term="Lake"/><category term="Lake Ecosystem"/><category term="Lake Erie"/><category term="Lake Fryxell"/><category term="Lake Ice"/><category term="Lake Suwa"/><category term="Lake Tenaya"/><category term="Lake Toba"/><category term="Land Art"/><category term="Land Plants"/><category term="Land of the Midnight Sun"/><category term="Landscape Painting"/><category term="Langavtn"/><category term="Large-Format Photography"/><category term="Laser Interferometer Gravitational-Wave Observatory"/><category term="Lateral Continuity"/><category term="Laura Gilpin"/><category term="Lauren Welbourne"/><category term="Lava Creek Tuff"/><category term="Lava Fountain"/><category term="Law of Reflection"/><category term="Lawrence Berkeley National Laboratory"/><category term="Laws of the Universe"/><category term="Leaves"/><category term="Lewis Fry Richardson"/><category term="Life on Earth"/><category term="Lifeforms"/><category term="Light Quality"/><category term="Light Waves"/><category term="Lightning"/><category term="Lion's Claw"/><category term="Literary Metaphor"/><category term="Little Missouri River"/><category term="Living Organism"/><category term="Locomotion"/><category term="Lodgepole Pine"/><category term="Logan"/><category term="Long Exposure Photograph"/><category term="Looking Glass"/><category term="Lord Dunsany"/><category term="Louis Agassiz"/><category term="Lousi Agassiz"/><category term="Lucretius"/><category term="Lucy"/><category term="Lucy Maud Montgomery"/><category term="Lucy in the Sky with Diamonds"/><category term="Luna 3"/><category term="Lunar Cycle"/><category term="Lunar Eclipse"/><category term="Lunar Horizon"/><category term="Lunar Orbiter 1"/><category term="Lunation"/><category term="Lynn Margulis"/><category term="Léon Foucault"/><category term="MITgcm"/><category term="Ma Yuan"/><category term="Macbeth"/><category term="Madame Bovary"/><category term="Madison River"/><category term="Magma Reservoir"/><category term="Magnetic Field"/><category term="Magnetic North"/><category term="Magnetic South"/><category term="Magnitude"/><category term="Main Sequence"/><category term="Makran Trench"/><category term="Mammals"/><category term="Mammatus"/><category term="Man in the Moon"/><category term="Mandelbrot"/><category term="Maniitsoq"/><category term="Map Making"/><category term="Maps"/><category term="March Hare"/><category term="Marcia McNutt"/><category term="Marco Algae"/><category term="Mariana Islands"/><category term="Marilynne Robinson"/><category term="Marine Acoustics"/><category term="Marine Microbes"/><category term="Marine Microbiology"/><category term="Marine Plants"/><category term="Marine Science"/><category term="Markus Reugels"/><category term="Mars"/><category term="Mary Oliver"/><category term="Mathematics"/><category term="Matsuo Bashô"/><category term="Matsuo Bashō"/><category term="Matthew Arnold"/><category term="Matutinal"/><category term="Maurice Krafft"/><category term="Maxent"/><category term="May Berenbaum"/><category term="Mean Sea Level"/><category term="Measurement"/><category term="Meghadūta"/><category term="Melissa Garren"/><category term="Melt-Water"/><category term="Melting"/><category term="Mesozoic"/><category term="Metazoa"/><category term="Meteor"/><category term="Meteor Shower"/><category term="Methane"/><category term="Metrodorus of Chios"/><category term="Microcystis"/><category term="Micromoon"/><category term="Migration"/><category term="Migratory Birds"/><category term="Mind and Body"/><category term="Mineral"/><category term="Miracle of Chance"/><category term="Mitch Dobrowner"/><category term="Modern Record"/><category term="Molecular Oxygen"/><category term="Molten Protoplanet"/><category term="Monadnock"/><category term="Month"/><category term="Montsechia Vidalii"/><category term="Moonlight"/><category term="Morning Glory Cloud"/><category term="Morrie Schwartz"/><category term="Morteratsch Glacier"/><category term="Mount Hoffman"/><category term="Mount Rainier"/><category term="Mount St. Helens Eruption"/><category term="Mount Tambora"/><category term="Mountain Pine Beetle"/><category term="Mountains and Rivers Without End"/><category term="Mt. Everest"/><category term="Mud Dome"/><category term="Mud Volcano"/><category term="Mudpot"/><category term="Mutualism"/><category term="NASA  Scientific Visualization Studio"/><category term="NASA Lunar Reconnaissance Orbiter"/><category term="Naming"/><category term="Nancy Newhall"/><category term="Nat King Cole"/><category term="National Geographic"/><category term="National Snow and Ice Data Center"/><category term="Natural Disaster"/><category term="Natural Selection"/><category term="Natural Wonders"/><category term="Nature Geoscience"/><category term="Nature Sound Map"/><category term="Nectar"/><category term="New Deal"/><category term="New England Seamount Chain"/><category term="Newton's Laws of Motion"/><category term="Nick Bond"/><category term="Nicolaus Copernicus"/><category term="Night Sky"/><category term="Nikolai Gogol"/><category term="Nitchita Stănescu"/><category term="Nocturnal"/><category term="Nomad"/><category term="Norman Maclean"/><category term="Notch"/><category term="Notochord"/><category term="Nova"/><category term="Novarupta-Katmai Eruption"/><category term="Nubian Plate"/><category term="Nuclear Fusion"/><category term="Nucleic Acid"/><category term="Nucleobases"/><category term="Nutrient Cycle"/><category term="Nutrient Runoff"/><category term="Nymph"/><category term="OCO-2"/><category term="Obligate Seeders"/><category term="Ocean"/><category term="Ocean Currents"/><category term="Ocean Eddies"/><category term="Ocean Robot"/><category term="Ocean Swells"/><category term="Ocean Trench"/><category term="Ocean Wave"/><category term="Oceano Dunes"/><category term="Oil Painting"/><category term="Ojibwe"/><category term="Ojos del Salado"/><category term="Oldest Tree"/><category term="Olive Trees with yellow sky and sun"/><category term="Olympus Mons"/><category term="On Floating Bodies"/><category term="On-shore Wind"/><category term="Opposites"/><category term="Orbiting Carbon Observatory-2"/><category term="Organic Compounds"/><category term="Organic Molecules"/><category term="Orientation"/><category term="Origin of Species"/><category term="Orogeny"/><category term="Orographic Cloud"/><category term="Orographic Lift"/><category term="Oswald Veblen"/><category term="Outdoor Reveries"/><category term="Over Population"/><category term="Ovule"/><category term="Oxide"/><category term="Oxygen"/><category term="Pacific Coast"/><category term="Pacific Ocean"/><category term="Pacific Oceanic Plate"/><category term="Pacific Plate"/><category term="Paleobiology"/><category term="Paleoclimate Record"/><category term="Paleoclimatology"/><category term="Paleomagnetic"/><category term="Paradox"/><category term="Parhelia"/><category term="Parhelion"/><category term="Pass"/><category term="Patrick Ness"/><category term="Paul Coelho"/><category term="Paul Crutzen"/><category term="Paulo Coelho"/><category term="Pawnee National Grassland"/><category term="Peaches"/><category term="Pebbles"/><category term="Pedosphere"/><category term="Pele's Tears"/><category term="Pendulum Day"/><category term="Percolate"/><category term="Perihelion"/><category term="Period"/><category term="Perpetual Ocean"/><category term="Perseids"/><category term="Perseus"/><category term="Perspective Effect"/><category term="Pertio Moreno Glacier"/><category term="Perturbed Polar Vortex"/><category term="Peter Kahn"/><category term="Petoskey Stone"/><category term="Phase Changes"/><category term="Phi"/><category term="Philae"/><category term="Philosophy of Nature"/><category term="Phosphorus"/><category term="Photolysis"/><category term="Phylogenetic Tree"/><category term="Physical Laws"/><category term="Piet Mondrian"/><category term="Pieter Bruegel"/><category term="Pine Cone"/><category term="Pinhole Camera"/><category term="Pipeline"/><category term="Planetoid"/><category term="Plans for Altering the River"/><category term="Plant Fossils"/><category term="Plasma"/><category term="Plato"/><category term="Platypus"/><category term="Plungepool"/><category term="Poetry"/><category term="Polar Jet Stream"/><category term="Polar Vortex"/><category term="Polaris"/><category term="Polarity"/><category term="Pollination"/><category term="Pollinator"/><category term="Polygon"/><category term="Pool"/><category term="Pope Gregory XIII"/><category term="Population Matters"/><category term="Porous"/><category term="Potsdam Gravity Potato"/><category term="Predator"/><category term="Presence"/><category term="Preserving Nature"/><category term="Pressure Ridge"/><category term="Prevailing Winds"/><category term="Prey"/><category term="Primates"/><category term="Primative Astronomy"/><category term="Primitive Life"/><category term="Prism"/><category term="Prochlorococcus"/><category term="Prokaryotes"/><category term="Protist"/><category term="Protoplant"/><category term="Proxima Centauri"/><category term="Proxima b"/><category term="Puffball"/><category term="Pyroclastic Flow"/><category term="Pyschoacoustics"/><category term="Pythagoras"/><category term="Qian Xuan"/><category term="Quartz"/><category term="R. Murray Schafer"/><category term="RAMMS"/><category term="Rabindranath Tagore"/><category term="Ray Bradbury"/><category term="Receding Glacier"/><category term="Red Dwarf Star"/><category term="Red Giant Stars"/><category term="Red-Tailed Hawk"/><category term="Redd"/><category term="Releasing the Sherpas"/><category term="Resource"/><category term="Revelation"/><category term="Rhizome"/><category term="Richard Greene"/><category term="Richter Scale"/><category term="Riffle"/><category term="Ringwoodite"/><category term="Rising Air Temperature"/><category term="Rising Land Temperature"/><category term="Rising Star Cave"/><category term="Rituals"/><category term="River Surfing"/><category term="River Town"/><category term="Robert Dziak"/><category term="Robert Macfarlane"/><category term="Robert Smithson"/><category term="Rock Debris"/><category term="Roland Barthes"/><category term="Roll Cloud"/><category term="Romeo &amp; Juliet"/><category term="Ropes of Maui"/><category term="Rosetta"/><category term="Rossby Waves"/><category term="Rudyard Kipling"/><category term="Rugosa"/><category term="Rumi"/><category term="Runoff"/><category term="Réservoir"/><category term="SDM"/><category term="Saddle Point"/><category term="Salezer Avalanche"/><category term="Salinity"/><category term="Salmon"/><category term="Salt Marsh"/><category term="Salt Water"/><category term="Saltation"/><category term="Samuel Beckett"/><category term="Samuel Taylor Coleridge"/><category term="Sand"/><category term="Sand Castle"/><category term="Sand Dune"/><category term="Sand and Foam"/><category term="Sandstone"/><category term="Sanober Kahn"/><category term="Sarah Kay"/><category term="Satellite Data"/><category term="Satellite Images"/><category term="Saturn"/><category term="Scale"/><category term="Scientific Inquiry"/><category term="Sea Cave"/><category term="Sea Foam"/><category term="Sea Ice"/><category term="Sea Level Change"/><category term="Sea Level Rise"/><category term="Sea Turtle"/><category term="Seafloor"/><category term="Sean Carroll"/><category term="Sediment Transport"/><category term="Sedimentary Rock"/><category term="Sedimentation"/><category term="Sediments"/><category term="Seeing"/><category term="Seismic Activity"/><category term="Seismology"/><category term="Self-Replication"/><category term="Self-Similarity"/><category term="Sensory Biology"/><category term="Sequester"/><category term="Sequoiadendron Giganteum"/><category term="Serac"/><category term="Serotiny"/><category term="Shawnee"/><category term="Shelf Cloud"/><category term="Shield Volcano"/><category term="Shishaldin Volcano"/><category term="Shiva Temple"/><category term="Shock Wave"/><category term="Shooting Star"/><category term="Shore"/><category term="Shoreline Break"/><category term="Shunryu Suzuki"/><category term="Siberian Snow Cover"/><category term="Siddhartha"/><category term="Sierra Juniper"/><category term="Sierras"/><category term="Silent Spring"/><category term="Simple Cells"/><category term="Sir Archibald Geikie"/><category term="Sir Harold Jeffreys"/><category term="Sisquk"/><category term="Slab Avalanche"/><category term="Slipface"/><category term="Smog"/><category term="Snake River"/><category term="Snow Cover"/><category term="Snow Crystal"/><category term="Snow Flake"/><category term="Snow Melt"/><category term="Snowflake"/><category term="Snowflake Morphology"/><category term="Snæfellsnes Peninsula"/><category term="Socrates"/><category term="Soda Butte Creek"/><category term="Solaphilia"/><category term="Solar Eclipse"/><category term="Solar Nebula"/><category term="Solar Radiation"/><category term="Solar System"/><category term="Solargraph"/><category term="Solargraphy"/><category term="Solastalgia"/><category term="Solstice"/><category term="Solstice Mission"/><category term="Somali Plate"/><category term="Sooty Tern"/><category term="Sound"/><category term="Sound Waves"/><category term="Soundscape"/><category term="Soundscape Ecology"/><category term="South America"/><category term="South Atlantic Ocean"/><category term="South Pole"/><category term="Spacetime"/><category term="Spawn"/><category term="Species Distribution Model"/><category term="Species Extinction"/><category term="Species Invasion"/><category term="Species Richness"/><category term="Specific Gravity"/><category term="Specular Reflection"/><category term="Spiral Jetty"/><category term="Srividya Srinivasan"/><category term="Stade"/><category term="Stamens"/><category term="Stanley Horowitz"/><category term="Star Formation"/><category term="Star Trails"/><category term="Steelhead"/><category term="Stellar Collision"/><category term="Stellar Dust"/><category term="Stephen Jay Gould"/><category term="Stephen McCluskey"/><category term="Steven Spielberg"/><category term="Steven Wright"/><category term="Stigma"/><category term="Still Life with Tapestry"/><category term="Stratosphere"/><category term="Stratovolcano"/><category term="Strawberry Moon"/><category term="Stray Birds"/><category term="Stream"/><category term="Striation"/><category term="Style"/><category term="Subduction"/><category term="Subduction Zone"/><category term="Subsurface Flow"/><category term="Sulfate Aerosol"/><category term="Sulfuric Gas"/><category term="Summer"/><category term="Summer in the City"/><category term="Sun Dog"/><category term="Sunrise"/><category term="Sunset"/><category term="Supereruption"/><category term="Supermoon Eclipse"/><category term="Surface Gravity"/><category term="Surface Temperature"/><category term="Surface Tension"/><category term="Surface Waves"/><category term="Surfactant"/><category term="Survival Mechanism"/><category term="Suspension"/><category term="Svalbard"/><category term="Swift-Tuttle"/><category term="Syene"/><category term="Symbolic Abstraction"/><category term="Syncline"/><category term="Systema Naturae"/><category term="Systems Thinking"/><category term="Syzygy"/><category term="Sūtra"/><category term="T.S. Elliot"/><category term="Tahereh Mafi"/><category term="Tamu Massive"/><category term="Tangent"/><category term="Taoism"/><category term="Taxonomy"/><category term="Temperature Records"/><category term="Temperature Variation"/><category term="Temperature. Snowflake Pattern"/><category term="Tennessee Williams"/><category term="Tepal"/><category term="Tephra"/><category term="Terra Firma"/><category term="Terri Swearingen"/><category term="Tetons"/><category term="The 5-Whats"/><category term="The Alchemist"/><category term="The Beatles"/><category term="The Blob"/><category term="The Book of Disquiet"/><category term="The Circle Game"/><category term="The Cloud Appreciation Society"/><category term="The Control of Nature"/><category term="The Glory of Shiva"/><category term="The God's Crossing"/><category term="The Great Oxidation Event"/><category term="The Harmony of the World"/><category term="The Moon"/><category term="The Multiverse"/><category term="The Nature of Order"/><category term="The Red Tree"/><category term="The Rime of the Ancient Mariner"/><category term="The Scorch Trials"/><category term="The Scream"/><category term="The Second Law of Thermodynamics"/><category term="The Snow Man"/><category term="The Tempest"/><category term="The Unexpected"/><category term="The Upanishads"/><category term="The Voyage of the Beagle"/><category term="The prose works of Ralph Waldo Emerson"/><category term="Theia"/><category term="Theodore Roethke"/><category term="Theodore Roosevelt"/><category term="Theory of Relativity"/><category term="Thermocline Depth"/><category term="Thom Gunn"/><category term="Thomas D. Seeley"/><category term="Thomas Fuller"/><category term="Thorung La"/><category term="Thrust Fault"/><category term="Thunderbolt"/><category term="Thunderbolt Mythology"/><category term="Thunderstorm"/><category term="Tiananmen Square"/><category term="Tidal Inlet"/><category term="Tidal Locking"/><category term="Time Dialation"/><category term="Timothy O'Sullivan"/><category term="Tolerably Insignifcant"/><category term="Tom Stoppard"/><category term="Tomás Cuadra Ordenes"/><category term="Tonga"/><category term="Topographic Saddle"/><category term="Tower Fall"/><category term="Transcendence"/><category term="Transition Zone"/><category term="Tree Line"/><category term="Trigonometry"/><category term="Trophic Cascade"/><category term="Tropical Cyclone"/><category term="Tropical Depression"/><category term="Trout"/><category term="Tsunami Waves"/><category term="Tubeworm"/><category term="Typhoon"/><category term="Typhoon Halong"/><category term="Tōhoku Earthquake"/><category term="Tōhoku Tsunami"/><category term="U.S. National Ice Center"/><category term="USDA"/><category term="Ultradian"/><category term="Umberto Eco"/><category term="Undersea Exploration"/><category term="Uniformitarianism"/><category term="Unimak Island"/><category term="Unique Hues"/><category term="Unique Yellow"/><category term="Unzen Volcano"/><category term="Ursula Le Guin"/><category term="Valley of Ten Thousand Smokes"/><category term="Van Morrison"/><category term="Venus"/><category term="Venus &amp; Jupiter Conjunction"/><category term="Vera Nazarian"/><category term="Vespertine"/><category term="Virga"/><category term="Virgil"/><category term="Vitrification"/><category term="Volcanic Belt"/><category term="Volcanic Crater"/><category term="Volcanism"/><category term="Voyager 1"/><category term="Vredefort"/><category term="Vulcanism"/><category term="Waggle Dance"/><category term="Walking on Path in Spring"/><category term="Wallace Broecker"/><category term="Wallace H. Fuller"/><category term="Wallace Stegner"/><category term="Walter Mason"/><category term="Wanderer"/><category term="Water Balance"/><category term="Water Cycle"/><category term="Water Molecule"/><category term="Water Vapor"/><category term="Water Volume"/><category term="Water as a sphere"/><category term="Watershed Management"/><category term="Wave Action"/><category term="Wave Crest"/><category term="Wave Glider"/><category term="Wave Pressure"/><category term="Weather Buoy"/><category term="Weathering"/><category term="Weltschmerz"/><category term="Wendell Berry"/><category term="Western Interior Seaway"/><category term="Wet Loose Snow"/><category term="Wet Slab"/><category term="Whale Vocalization"/><category term="What's Past is Prologue"/><category term="Wheel of the Year"/><category term="Wild Sanctuary"/><category term="Wilderness Gospel"/><category term="Will Durant"/><category term="Will Steger"/><category term="William Ashworth"/><category term="William Bradford"/><category term="William Carlos Williams"/><category term="William H. Jackson"/><category term="William James"/><category term="William Stafford"/><category term="Wilson Bentley"/><category term="Wind Canyon"/><category term="Wind Map"/><category term="Winter Solstice"/><category term="Wizard Island"/><category term="Wonderwerk Cave"/><category term="Words"/><category term="World Database on Protected Areas"/><category term="World Population Growth"/><category term="Yellowstone Hotspot"/><category term="Yellowstone Lake"/><category term="Yellowstone National Park"/><category term="Yogi Berra"/><category term="Yukio Mishima"/><category term="Yungay"/><category term="Yuval Noah Harari"/><category term="Zaria Forman"/><category term="Zeitgeber"/><category term="Zeus"/><category term="Zircon"/><category term="Zone System"/><category term="Zooplankton"/><category term="base-10 Logarithmic"/><category term="grokEarth mission"/><category term="hint.fm"/><category term="metalimnion"/><category term="opentreeoflife.org"/><category term="p-wave"/><category term="pH"/><category term="s-wave"/><category term="southern Pacific Ocean"/><category term="the Radiant"/><category term="Þingvellir"/><title type="text">GrokEarth Essays</title><subtitle type="html">verb. /gräk▪ərTH/ - to understand the earth intuitively or by empathy</subtitle><link href="http://essays.grokearth.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default?redirect=false" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default?start-index=26&amp;max-results=25&amp;redirect=false" rel="next" type="application/atom+xml"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>242</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-3583228241535301256</id><published>2016-10-22T07:39:00.000-05:00</published><updated>2016-10-22T10:23:29.528-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christopher Alexander"/><category scheme="http://www.blogger.com/atom/ns#" term="Congruence"/><category scheme="http://www.blogger.com/atom/ns#" term="Geometric Form"/><category scheme="http://www.blogger.com/atom/ns#" term="Harmony"/><category scheme="http://www.blogger.com/atom/ns#" term="Johannes Kepler"/><category scheme="http://www.blogger.com/atom/ns#" term="Nature of Life"/><category scheme="http://www.blogger.com/atom/ns#" term="Polygon"/><category scheme="http://www.blogger.com/atom/ns#" term="The Harmony of the World"/><category scheme="http://www.blogger.com/atom/ns#" term="The Nature of Order"/><title type="text">Geometric Harmony</title><content type="html">Many living organisms, inanimate objects, and geologic formations have &lt;a href="https://en.wikipedia.org/wiki/Polygon" rel="nofollow" target="_blank"&gt;polygonal&lt;/a&gt; shapes. Polygons are a chain of straight segments that form a closed chain like the hexagonal cells of honeycomb:&lt;br /&gt;
&lt;blockquote&gt;
&lt;/blockquote&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/5/5e/Honey_comb_(14068915728).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="225" src="https://upload.wikimedia.org/wikipedia/commons/5/5e/Honey_comb_(14068915728).jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Honey_comb_(14068915728).jpg" rel="nofollow" target="_blank"&gt;&lt;b&gt;Hexagonal paper wasp honeycomb&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://www.flickr.com/people/7656600@N06" rel="nofollow" target="_blank"&gt;coniferconifer&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;div&gt;
The pentagonal shape of a sweet potato flower:&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/a/ac/Sweet_Potato_Flower(Front_View).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="285" src="https://upload.wikimedia.org/wikipedia/commons/a/ac/Sweet_Potato_Flower(Front_View).jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Sweet_Potato_Flower(Front_View).jpg" rel="nofollow" target="_blank"&gt;&lt;b&gt;Pentagonal sweet potato flower&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://commons.wikimedia.org/wiki/User:Earth100" rel="nofollow" target="_blank"&gt;Earth100&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
The variably-sided segments of desiccation cracks:&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/5/58/Desiccation-cracks_hg_sharpened.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="300" src="https://upload.wikimedia.org/wikipedia/commons/5/58/Desiccation-cracks_hg_sharpened.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Desiccation-cracks_hg_sharpened.jpg" rel="nofollow" target="_blank"&gt;&lt;b&gt;Polygonal desiccation cracks in sewage plant sludge&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://commons.wikimedia.org/wiki/User:Hgrobe" rel="nofollow" target="_blank"&gt;Hannes Grobe&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Our observable universe seems characterized by a curious preponderance of geometric forms.&lt;br /&gt;
&lt;br /&gt;
Seventeenth century astronomer and mathematician Johannes Kepler wrote of the harmony and congruence in geometrical forms and physical phenomena in&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Harmonices_Mundi" rel="nofollow" target="_blank"&gt;The Harmony of the World&lt;/a&gt; (&lt;i&gt;Harmonice Mundi).&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbly5K2jB-15kxoplhhmcUigjdtJidjztKbIdojVSh0zhmsS5mQ5L7juUyfq_4-ECmPXpXamTH6dReWzaT8uaTslmBQVq5PoK6mTaFfnaSdHpjp4xJ2-xebud6o9msUXLIHVCpW5WR1bbi/s1600/Screen+Shot+2016-10-20+at+8.37.22+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbly5K2jB-15kxoplhhmcUigjdtJidjztKbIdojVSh0zhmsS5mQ5L7juUyfq_4-ECmPXpXamTH6dReWzaT8uaTslmBQVq5PoK6mTaFfnaSdHpjp4xJ2-xebud6o9msUXLIHVCpW5WR1bbi/s320/Screen+Shot+2016-10-20+at+8.37.22+AM.png" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Archimedean polyhedra used by Kepler in &lt;a href="https://en.wikipedia.org/wiki/Harmonices_Mundi" rel="nofollow" target="_blank"&gt;Harmonice Mundi &lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;blockquote&gt;
&lt;i&gt;&lt;br class="Apple-interchange-newline" /&gt;To me it seems that diversity in things is created from nowhere other than matter, or from occasions caused by matter, and where there is matter there is geometry.&lt;/i&gt;&lt;br /&gt;
—&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Johannes_Kepler" rel="nofollow" target="_blank"&gt;Johannes Kepler&lt;/a&gt;, 1601&lt;/blockquote&gt;
In &lt;a href="https://en.wikipedia.org/wiki/The_Nature_of_Order" rel="nofollow" target="_blank"&gt;The Nature of Order &lt;/a&gt;twentieth century architect and design theorist&amp;nbsp;Christopher Alexander writes of the relationship between life and space.&lt;br /&gt;
&lt;br /&gt;
Alexander argues that life is not merely in space, but &lt;i&gt;of it&lt;/i&gt;. He proposes that the nature of space accounts for the occurrence of life.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.&lt;/i&gt; 
&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Christopher_Alexander" rel="nofollow" target="_blank"&gt;Christopher Alexander&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.livingneighborhoods.org/library/part1.htm" rel="nofollow" target="_blank"&gt;Architect starts with idea that space makes life possible&lt;/a&gt;,&amp;nbsp;Kenneth Baker, Chronicle Art Critic, 2 February 2006.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.hermetics.org/pdf/astrology/Johannes_Kepler_-_Concerning_The_More_Certain_Fundamentals_of_Astrology.pdf" rel="nofollow" target="_blank"&gt;Concerning the More Certain Fundamentals of Astrology&lt;/a&gt;, Johannes Kepler, 1601.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Harmonices_Mundi" rel="nofollow" target="_blank"&gt;The Harmony of the World&lt;/a&gt; (Harmonices Mundi), Johannes Kepler, 1619.
&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.natureoforder.com/overview.htm" rel="nofollow" target="_blank"&gt;The Nature of Order&lt;/a&gt;, Christopher Alexander, Center for Environmental Structure, Berkeley, California, 2003-2004.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3583228241535301256" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3583228241535301256" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/10/geometric-harmony.html" rel="alternate" title="Geometric Harmony" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbly5K2jB-15kxoplhhmcUigjdtJidjztKbIdojVSh0zhmsS5mQ5L7juUyfq_4-ECmPXpXamTH6dReWzaT8uaTslmBQVq5PoK6mTaFfnaSdHpjp4xJ2-xebud6o9msUXLIHVCpW5WR1bbi/s72-c/Screen+Shot+2016-10-20+at+8.37.22+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-3810681858247488193</id><published>2016-10-15T11:31:00.002-05:00</published><updated>2016-10-18T17:21:21.748-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CCC"/><category scheme="http://www.blogger.com/atom/ns#" term="Civilian Conservation Corps"/><category scheme="http://www.blogger.com/atom/ns#" term="Dust Bowl"/><category scheme="http://www.blogger.com/atom/ns#" term="Fireside Chat"/><category scheme="http://www.blogger.com/atom/ns#" term="Franklin D. Roosevelt"/><category scheme="http://www.blogger.com/atom/ns#" term="New Deal"/><title type="text">Prairie Dust</title><content type="html">On &lt;a href="https://en.wikipedia.org/wiki/Black_Sunday_(storm)" rel="nofollow" target="_blank"&gt;Black Sunday&lt;/a&gt;, April 14, 1935, sixty mile per hour winds buffeted the North American prairie displacing some 300 million tons of topsoil. The term &lt;a href="https://en.wikipedia.org/wiki/Dust_Bowl"&gt;Dust bowl&lt;/a&gt; was coined by an AP reporter.&lt;br /&gt;
&lt;br /&gt;
The ecology of the plains weren't well understood. Farmers over-planted. Crops weren't rotated. Successive drought years kicked up massive dust storms that stripped topsoil.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/e/ef/Dust_Bowl_-_Dallas%2C_South_Dakota_1936.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="300" src="https://upload.wikimedia.org/wikipedia/commons/e/ef/Dust_Bowl_-_Dallas%2C_South_Dakota_1936.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Buried machinery in barn lot&lt;/b&gt;&lt;br /&gt;
Dallas, South Dakota&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Dryland_farming" rel="nofollow" target="_blank"&gt;Dryland farming&lt;/a&gt; that would have limited topsoil erosion was not commonly practiced. Thousands lost their livelihood and their property. Subsequent waves of migration contributed to joblessness, social strife, and prolonged economic depression.&lt;br /&gt;
&lt;br /&gt;
Thousands of young men were rescued from dust bowl devastation by enrolling in the &lt;a href="https://en.wikipedia.org/wiki/Civilian_Conservation_Corps#Images" rel="nofollow" target="_blank"&gt;Civilian Conservation Corps&lt;/a&gt; in the spring of 1933.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLnqfvN-JmNmbrFeB1G_8l8-KzTiKDUSf3Y3xsm9yTJaU2qgaA5niBxYNbZLwm9DgNYqTFWUQz-DWl8NeZGgGrbNjJyj9ww_nKv0PGXOkrlZotrJy-FWwixn5WFt6KqaBNWPo2xj6yXvIO/s1600/Screen+Shot+2016-10-15+at+9.25.26+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLnqfvN-JmNmbrFeB1G_8l8-KzTiKDUSf3Y3xsm9yTJaU2qgaA5niBxYNbZLwm9DgNYqTFWUQz-DWl8NeZGgGrbNjJyj9ww_nKv0PGXOkrlZotrJy-FWwixn5WFt6KqaBNWPo2xj6yXvIO/s400/Screen+Shot+2016-10-15+at+9.25.26+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: 12.8px;"&gt;&lt;b&gt;Civilian Conservation Corps Camp No. 2, J&lt;/b&gt;&lt;/span&gt;&lt;b style="font-size: 12.8px;"&gt;ackson Lake&lt;/b&gt;&lt;br /&gt;
by &lt;a href="https://en.wikipedia.org/wiki/George_A._Grant" rel="nofollow" target="_blank"&gt;George A. Grant&lt;/a&gt;, circa 1933&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The Civilian Conservation Corps, one of Roosevelt's&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/New_Deal" rel="nofollow" target="_blank"&gt;New Deal&lt;/a&gt;&amp;nbsp;social programs was an exemplary work relief initiative enacted by Congress in 1933 and operated until 1942. Nearly 3 billion trees were planted, 13,100 miles of foot trails were constructed, and more than 800 parks were developed or upgraded.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguFh58BxlVC7Cw7pRwnE9RQX9OfjoPqly6IoyXD_rAcoSnT_295dBSfLH3Ume45xKCLUQpgY6yVUUng33uD5hIhoWGhjnJsvQYcuKksD1zp0ol5C6FApP6qHeR356EPLmh4qdcLXvCILVF/s1600/Screen+Shot+2016-10-15+at+11.16.11+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguFh58BxlVC7Cw7pRwnE9RQX9OfjoPqly6IoyXD_rAcoSnT_295dBSfLH3Ume45xKCLUQpgY6yVUUng33uD5hIhoWGhjnJsvQYcuKksD1zp0ol5C6FApP6qHeR356EPLmh4qdcLXvCILVF/s400/Screen+Shot+2016-10-15+at+11.16.11+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Civilian Conservation Corps worker weeding white spruce seedlings&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
An excerpt from &lt;a href="https://en.wikipedia.org/wiki/Franklin_D._Roosevelt" rel="nofollow" target="_blank"&gt;Franklin D. Roosevelt's&lt;/a&gt; second &lt;a href="https://en.wikipedia.org/wiki/Fireside_chats" rel="nofollow" target="_blank"&gt;Fireside Chat&lt;/a&gt;:
&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;First, we are giving opportunity of employment to one-quarter of a million of the unemployed, especially the young man who have dependents, to go into the forestry and flood prevention work. This is a big task because it means feeding, clothing and caring for nearly twice as many men as we have in the regular Army itself. In creating this civilian conservation corps we are killing two birds with one stone. We are clearly enhancing the value of our natural resources, and we are relieving an appreciable amount of actual distress. This great group of men has entered upon its work on a purely voluntary basis; no military training is involved and we are conserving not only our natural resources, but also our human resources.&lt;/i&gt;
&lt;/blockquote&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.archives.gov/publications/prologue/2006/fall/ccc.html" rel="nofollow" target="_blank"&gt;Into the Woods: The First Year of the Civilian Conservation Corps&lt;/a&gt;, Joseph M. Speakman, Prologue Magazine Fall 2006, Vol. 38, No. 3.
&lt;/li&gt;
&lt;li&gt;&lt;a href="http://idahoptv.org/outdoors/shows/ccc/history/2ndfireside.html" rel="nofollow" target="_blank"&gt;What We Have Been Doing and What We Are Planning to Do&lt;/a&gt;, The Second Fireside Chat, Franklin D. Roosevelt, May 7, 1933.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3810681858247488193" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3810681858247488193" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/10/prairie-dust.html" rel="alternate" title="Prairie Dust" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLnqfvN-JmNmbrFeB1G_8l8-KzTiKDUSf3Y3xsm9yTJaU2qgaA5niBxYNbZLwm9DgNYqTFWUQz-DWl8NeZGgGrbNjJyj9ww_nKv0PGXOkrlZotrJy-FWwixn5WFt6KqaBNWPo2xj6yXvIO/s72-c/Screen+Shot+2016-10-15+at+9.25.26+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-8907452715228133585</id><published>2016-10-08T09:56:00.000-05:00</published><updated>2016-10-08T10:12:54.629-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="John Tyndall"/><category scheme="http://www.blogger.com/atom/ns#" term="Law of Reflection"/><category scheme="http://www.blogger.com/atom/ns#" term="Looking Glass"/><category scheme="http://www.blogger.com/atom/ns#" term="Reflection"/><category scheme="http://www.blogger.com/atom/ns#" term="Specular Reflection"/><category scheme="http://www.blogger.com/atom/ns#" term="Søren Kierkegaard"/><title type="text">Looking Glass Light</title><content type="html">In &lt;a href="https://ebooks.adelaide.edu.au/t/tyndall/john/six-lectures-on-light/lecture1.html" rel="nofollow" target="_blank"&gt;Six Lectures on Light: Delivered in America in 1872-1873&lt;/a&gt;, physicist &lt;a href="http://earthobservatory.nasa.gov/Features/Tyndall/" rel="nofollow" target="_blank"&gt;John Tyndall&lt;/a&gt; observed that the human construct of &lt;i&gt;Nature&lt;/i&gt; is phenomenological.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;All our notions of Nature, however exalted or however grotesque, have their foundation in experience.&lt;br /&gt;&lt;br /&gt;Out of this bias of the human mind to seek for the causes of phenomena all science has sprung.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
— John Tyndall, 1875&lt;/blockquote&gt;
Scientific inquiry sprouted from the soil of innate curiosity.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXu5HIqP3sEnoLNx2rnUXlOqwyqvcFpn1nixlz2wJRVoicg4MZ0-6mwgFd5i6dd0VjxSrZk9qCWCpZeXpk1-Lg00rvgXrvUjo3JXgr1HFA2UdHfPVsXa564teYxPdNH4Ao7U32gnCNB_m_/s1600/Cloud+Pool.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXu5HIqP3sEnoLNx2rnUXlOqwyqvcFpn1nixlz2wJRVoicg4MZ0-6mwgFd5i6dd0VjxSrZk9qCWCpZeXpk1-Lg00rvgXrvUjo3JXgr1HFA2UdHfPVsXa564teYxPdNH4Ao7U32gnCNB_m_/s400/Cloud+Pool.jpg" width="450" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Cloud Pool, &lt;a href="https://en.wikipedia.org/wiki/Grand_Marais%2C_Minnesota" rel="nofollow" target="_blank"&gt;Artist's Point&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://www.instagram.com/bobmacneal/" rel="nofollow" target="_blank"&gt;Bob MacNeal&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;
&lt;b&gt;Reflection&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The change in direction of an incoming wavefront, commonly experienced as water, sound, and light waves, is &lt;a href="https://en.wikipedia.org/wiki/Reflection_(physics)" rel="nofollow" target="_blank"&gt;reflection&lt;/a&gt;. Reflection occurs at the interface of two media like air and water.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: right;"&gt;
&lt;/div&gt;
Sunlight traveling through the air meets a still, dark pool which reflects the wavefront back into the atmosphere. &lt;br /&gt;
&lt;br /&gt;
Reflection of light must have been an early curiosity.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Light was a familiar phenomenon, and from the earliest times we find men’s minds busy with the attempt to render some account of it.&lt;/i&gt;&lt;/blockquote&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;They satisfied themselves that light moved in straight lines; they knew also that light was reflected from polished surfaces, and that the angle of incidence was equal to the angle of reflection.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
— John Tyndall, 1875&lt;/blockquote&gt;
&lt;br /&gt;
A ray from a single incoming direction reflected into a single outgoing direction is called &lt;a href="https://en.wikipedia.org/wiki/Specular_reflection" rel="nofollow" target="_blank"&gt;specular reflection&lt;/a&gt;. Specular reflection occurs in a mirror.
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mirror Reflection&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;
Mirror reflection surely was a curiosity for self-reflective animals like humans. Specular reflection requires a surface roughness that is less than the wavelength of the incoming light.&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;
The word &lt;i&gt;mirror&lt;/i&gt; was once considered&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Lowbrow" rel="nofollow" target="_blank"&gt;lowbrow&lt;/a&gt; by educated classes who preferred the more poetic&amp;nbsp;&lt;i&gt;&lt;a href="https://en.wikipedia.org/wiki/Looking_Glass" rel="nofollow" target="_blank"&gt;looking glass&lt;/a&gt;&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
The first mirrors might have been pools of dark, still water.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRL85mYVPWpNkXQimtWQnRGB_aNklYZCd5HyUaVYP9l4PpjEhLSpQ31YdJpTeDcflRk1fqK1BbxzxaKUUJMa_sqhz5MGFKUnAekC6Xm8dVUUW-vByyM5hz__5OFi20pGHM4tbVql7YRQz4/s1600/IMG_3567.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRL85mYVPWpNkXQimtWQnRGB_aNklYZCd5HyUaVYP9l4PpjEhLSpQ31YdJpTeDcflRk1fqK1BbxzxaKUUJMa_sqhz5MGFKUnAekC6Xm8dVUUW-vByyM5hz__5OFi20pGHM4tbVql7YRQz4/s400/IMG_3567.JPG" width="450" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Cloud Reflection, &lt;a href="https://en.wikipedia.org/wiki/Grand_Marais%2C_Minnesota" rel="nofollow" target="_blank"&gt;Artist's Point&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://www.instagram.com/bobmacneal/" rel="nofollow" target="_blank"&gt;Bob MacNeal&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The X-Y image reflected in a mirror hasn't been swapped from left-to-right or from top-to-bottom, rather inverted from &lt;i&gt;front-to-back&lt;/i&gt; in the Z-direction.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Life can only be understood backwards; but it must be lived forwards.&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/S%C3%B8ren_Kierkegaard" rel="nofollow" target="_blank"&gt;Søren Kierkegaard&lt;/a&gt;, 1813-1855&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Reflection_(physics)" rel="nofollow" target="_blank"&gt;Reflection&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://ebooks.adelaide.edu.au/t/tyndall/john/six-lectures-on-light/lecture1.html" rel="nofollow" target="_blank"&gt;Six Lectures on Light: Delivered in America in 1872-1873&lt;/a&gt;, John Tyndall, published 1875.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Specular_reflection" rel="nofollow" target="_blank"&gt;Specular Reflection&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8907452715228133585" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8907452715228133585" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/10/looking-glass-light.html" rel="alternate" title="Looking Glass Light" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXu5HIqP3sEnoLNx2rnUXlOqwyqvcFpn1nixlz2wJRVoicg4MZ0-6mwgFd5i6dd0VjxSrZk9qCWCpZeXpk1-Lg00rvgXrvUjo3JXgr1HFA2UdHfPVsXa564teYxPdNH4Ao7U32gnCNB_m_/s72-c/Cloud+Pool.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-2655000437089184711</id><published>2016-10-01T11:40:00.000-05:00</published><updated>2016-10-01T12:11:25.509-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Anthropocene"/><category scheme="http://www.blogger.com/atom/ns#" term="Chuquicamata"/><category scheme="http://www.blogger.com/atom/ns#" term="Dejan Stojanović"/><category scheme="http://www.blogger.com/atom/ns#" term="Holocene"/><category scheme="http://www.blogger.com/atom/ns#" term="Ice Age"/><title type="text">The Human Imprint</title><content type="html">Humans are changing Earth on a massive scale.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Nothing is made, nothing disappears. The same changes, at the same places, never stopping.&lt;/i&gt;&lt;br /&gt;
― Dejan Stojanović, &lt;a href="https://www.goodreads.com/book/show/15755645-the-shape?ac=1&amp;amp;from_search=true" rel="nofollow" target="_blank"&gt;The Shape&lt;/a&gt;&lt;/blockquote&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Anthropocene" rel="nofollow" target="_blank"&gt;Anthropocene&lt;/a&gt; is the proposed name of geologic &lt;a href="https://en.wikipedia.org/wiki/Epoch_(geology)" rel="nofollow" target="_blank"&gt;epoch&lt;/a&gt;&amp;nbsp;to mark the era when human activities began to have an observable impact on Earth's geology and ecosystems.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Busy with the ugliness of the expensive success&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;
We forget the easiness of free beauty&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;
Lying sad right around the corner,&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;
Only an instant removed,&lt;/i&gt;&lt;br /&gt;
&lt;i&gt; 
Unnoticed and squandered.&lt;br /&gt; 
&lt;/i&gt;― &lt;a href="https://en.wikipedia.org/wiki/Dejan_Stojanovi%C4%87" rel="nofollow" target="_blank"&gt;Dejan Stojanović&lt;/a&gt;&lt;/blockquote&gt;
Each year humans:&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;Emit 40 billion tons of carbon dioxide,&lt;/li&gt;
&lt;li&gt;Produce 60 billion tons of non-biodegradable plastics, and&lt;/li&gt;
&lt;li&gt;Extract and process innumerable tons of rocks and minerals.&lt;/li&gt;
&lt;/ul&gt;
A satellite image of &lt;a href="https://en.wikipedia.org/wiki/Chuquicamata" rel="nofollow" target="_blank"&gt;Chuquicamata&lt;/a&gt;, the largest open pit copper mine in the world, shows the surface impression of moving, extracting, and processing countless tons of rocks and minerals for over a century.&lt;br /&gt;
&lt;blockquote&gt;
&lt;/blockquote&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSt8T-vpezx5fzX1ErHQfcl68nF07-NFT0LxxzN5PvmC3rBhdWyQQBPTy6auAuujUdjq5x4mgfzz0aZcIblYX8aHnWRovfgOg2bBMBvHeKjd-YhNDhkuJobgSaHu3z2EgnhBgAMuLV-dT/s1600/Chuquicamata.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSt8T-vpezx5fzX1ErHQfcl68nF07-NFT0LxxzN5PvmC3rBhdWyQQBPTy6auAuujUdjq5x4mgfzz0aZcIblYX8aHnWRovfgOg2bBMBvHeKjd-YhNDhkuJobgSaHu3z2EgnhBgAMuLV-dT/s640/Chuquicamata.jpg" width="427" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Chuquicamata&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;image: ASTER/Terra/NASA&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Holocene" rel="nofollow" target="_blank"&gt;Holocene&lt;/a&gt; is the name given to the geologic epoch spanning the last 11,700 years since the &lt;a href="https://en.wikipedia.org/wiki/Ice_age" rel="nofollow" target="_blank"&gt;ice age&lt;/a&gt;. Scientists seemed poised to declare the end of the Holocene. We now exist in a geologic epoch of humankind’s making.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;We will go far away, to nowhere, to conquer, to fertilize until we become tired. Then we will stop and there will be our home.&lt;/i&gt;&lt;br /&gt;
―&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Dejan_Stojanovi%C4%87" rel="nofollow" target="_blank"&gt;Dejan Stojanović&lt;/a&gt;&lt;/blockquote&gt;
The consequences of human activities on Earth’s geophysical processes are yet fully realized.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Anthropocene" rel="nofollow" target="_blank"&gt;Anthropocene&lt;/a&gt;, Wikipeida&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.wired.com/2010/03/geoengineering-gallery/" rel="nofollow" target="_blank"&gt;6 Ways We’re Already Geoengineering Earth&lt;/a&gt;, Brandon Keim 23 March 2010.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.theguardian.com/environment/2016/sep/28/satellite-eye-on-earth-august-2016-in-pictures" rel="nofollow" target="_blank"&gt;Satellite Eye on Earth: August 2016 - in pictures&lt;/a&gt;, The Guardian.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2655000437089184711" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2655000437089184711" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/10/the-human-imprint.html" rel="alternate" title="The Human Imprint" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSt8T-vpezx5fzX1ErHQfcl68nF07-NFT0LxxzN5PvmC3rBhdWyQQBPTy6auAuujUdjq5x4mgfzz0aZcIblYX8aHnWRovfgOg2bBMBvHeKjd-YhNDhkuJobgSaHu3z2EgnhBgAMuLV-dT/s72-c/Chuquicamata.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-2734831804642822202</id><published>2016-09-24T10:59:00.000-05:00</published><updated>2016-09-24T11:02:02.845-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Benjamin R. Smith"/><category scheme="http://www.blogger.com/atom/ns#" term="Cormac McCarthy"/><category scheme="http://www.blogger.com/atom/ns#" term="Cyclogenesis"/><category scheme="http://www.blogger.com/atom/ns#" term="Edward Abbey"/><category scheme="http://www.blogger.com/atom/ns#" term="Mammatus"/><category scheme="http://www.blogger.com/atom/ns#" term="Mitch Dobrowner"/><category scheme="http://www.blogger.com/atom/ns#" term="Thunderstorm"/><title type="text">Darkness and Light</title><content type="html">Atmospheric instability is expressed in meteorology by various mathematical formulae and indices. Instability is graded as a function of temperature change over height or time. Instability causes turbulence that in moist atmospheres can whip up thunderstorms and cause &lt;a href="https://en.wikipedia.org/wiki/Cyclogenesis" rel="nofollow" target="_blank"&gt;cyclogenesis&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;
Violent storms are used in literature as a metaphor to portend evil.&lt;br /&gt;
&lt;div style="background-color: white; box-sizing: border-box; font-family: sans-serif; font-size: 10pt; font-stretch: normal; height: 1px; line-height: normal; overflow: hidden; width: 1px;"&gt;
Read more here: http://www.kansascity.com/entertainment/wizard-of-oz/article1277530.html#storylink=cpy&lt;/div&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"The darker and stormier the weather outside the more diabolical the deeds done. When the clouds roll away, however, the rain has washed away all the blood in the streets and the world is clean and new again, as if all the violence and destruction of the storm served a divine purpose."&lt;/i&gt;&lt;br /&gt;
― Benjamin R. Smith, &lt;a href="https://www.goodreads.com/book/show/13421993-atlas?ac=1&amp;amp;from_search=true" rel="nofollow" target="_blank"&gt;Atlas&lt;/a&gt;&lt;/blockquote&gt;
Writer Cormac McCarthy probes inevitable and inescapable darkness.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"By early evening all the sky to the north had darkened and the spare terrain they trod had turned a neuter gray as far as the eye could see. They grouped in the road at the top of a rise and looked back. The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place in the iron dark of the world."&lt;/i&gt;&lt;br /&gt;
― Cormac McCarthy, &lt;a href="https://www.goodreads.com/book/show/469571.All_the_Pretty_Horses?from_search=true" rel="nofollow" target="_blank"&gt;All the Pretty Horses&lt;/a&gt;&lt;/blockquote&gt;
Darkness looms in an approaching storm before breaking loose into sacred mayhem.&lt;br /&gt;
&lt;br /&gt;
Photographer &lt;a href="https://www.facebook.com/mitch.dobrowner/" rel="nofollow" target="_blank"&gt;Mitch Dobrowner&lt;/a&gt; chases apocalyptic storms that strike the rural landscapes of Kansas, Oklahoma, North Dakota and South Dakota.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCqHz1hBlZqCd0fi-22BrtlFe68VFPZGVayPo5ptrUpP7yWeEPUXZBpBUxVDcvcp65jMEmTlJZ_DBidOO1QmDGk3PsFq4ds8kKb2CRgSWFkr_8R125ZLsfOXFl9g5F9roTmAjr8jtKJa-l/s1600/Screen+Shot+2016-09-20+at+9.37.25+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCqHz1hBlZqCd0fi-22BrtlFe68VFPZGVayPo5ptrUpP7yWeEPUXZBpBUxVDcvcp65jMEmTlJZ_DBidOO1QmDGk3PsFq4ds8kKb2CRgSWFkr_8R125ZLsfOXFl9g5F9roTmAjr8jtKJa-l/s400/Screen+Shot+2016-09-20+at+9.37.25+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Mammatus, Bolton, Kansas&lt;/b&gt;&lt;br /&gt;
by &lt;a href="https://www.facebook.com/mitch.dobrowner/" rel="nofollow" target="_blank"&gt;Mitch Dobrowner&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
In Dobrowner's photograph &lt;i&gt;Mammatus, &lt;/i&gt;the unworldly and mammary-like &lt;a href="https://en.wikipedia.org/wiki/Mammatus_cloud" rel="nofollow" target="_blank"&gt;mammatocumulus&lt;/a&gt; add to the foreboding of the anvil cloud on the horizon.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbl_-T36VREO91uzwjpGOFrsmqR3cO9fCLKC9QWHMtIpE46iXYXySiKCp5e0FSYSbHk2VNwXXwMcPWluGxs5grpI90naRZWpQtpnim2iFsx8Yf_oOZefzHSYomDWgcHLGXXAqLFl9Fal8N/s1600/Screen+Shot+2016-09-24+at+10.50.28+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbl_-T36VREO91uzwjpGOFrsmqR3cO9fCLKC9QWHMtIpE46iXYXySiKCp5e0FSYSbHk2VNwXXwMcPWluGxs5grpI90naRZWpQtpnim2iFsx8Yf_oOZefzHSYomDWgcHLGXXAqLFl9Fal8N/s400/Screen+Shot+2016-09-24+at+10.50.28+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-size: 12.8px;"&gt;
&lt;b&gt;Vortex, Long Hollow, South Dakota&lt;/b&gt;&lt;/div&gt;
&lt;div style="font-size: 12.8px;"&gt;
by &lt;a href="https://www.facebook.com/mitch.dobrowner/" rel="nofollow" target="_blank"&gt;Mitch Dobrowner&lt;/a&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Dobrowner's images evoke the immediacy and magnificence of atmospheric energy as it roils over the plains.&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
Darkness and instability invariably give way to clearing skies and calm.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"Our job is to record, each in his own way, this world of light and shadow and time that will never come again exactly as it is today."&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Edward_Abbey" rel="nofollow" target="_blank"&gt;Edward Abbey&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/469571.All_the_Pretty_Horses?from_search=true" rel="nofollow" target="_blank"&gt;All the Pretty Horses&lt;/a&gt;, Cormac McCarthy.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Mammatus_cloud" rel="nofollow" target="_blank"&gt;Mammatus cloud&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.thisiscolossal.com/2016/09/ominous-storms-photographed-in-black-and-white-by-mitch-dobrowner/?utm_source=feedly&amp;amp;utm_medium=webfeeds" rel="nofollow" target="_blank"&gt;Ominous Storms Photographed in Black and White by Mitch Dobrownerby&lt;/a&gt;, Christopher Jobson, Colossal, 19 September 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.newscientist.com/article/mg23130910-100-upsidedown-clouds-grow-down-and-cascade-across-the-kansas-sky/" rel="nofollow" target="_blank"&gt;Upside-down clouds grow down and cascade across the Kansas sky&lt;/a&gt;, Emily Benson, 14 September 2016.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2734831804642822202" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2734831804642822202" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/09/darkness-and-light.html" rel="alternate" title="Darkness and Light" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCqHz1hBlZqCd0fi-22BrtlFe68VFPZGVayPo5ptrUpP7yWeEPUXZBpBUxVDcvcp65jMEmTlJZ_DBidOO1QmDGk3PsFq4ds8kKb2CRgSWFkr_8R125ZLsfOXFl9g5F9roTmAjr8jtKJa-l/s72-c/Screen+Shot+2016-09-20+at+9.37.25+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-8635260125132971299</id><published>2016-09-17T10:31:00.001-05:00</published><updated>2016-09-17T11:00:20.037-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Absorption"/><category scheme="http://www.blogger.com/atom/ns#" term="Chlorophyll"/><category scheme="http://www.blogger.com/atom/ns#" term="Ivan Aivazovsky"/><category scheme="http://www.blogger.com/atom/ns#" term="Ocean"/><category scheme="http://www.blogger.com/atom/ns#" term="Phytoplankton"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Dawkins"/><category scheme="http://www.blogger.com/atom/ns#" term="Sunlight"/><title type="text">Ocean Color</title><content type="html">&lt;i&gt;"After sleeping through a hundred million centuries we have finally opened our eyes on a sumptuous planet, sparkling with color, bountiful with life. Within decades we must close our eyes again. Isn’t it a noble, an enlightened way of spending our brief time in the sun, to work at understanding the universe and how we have come to wake up in it?"&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Richard_Dawkins" rel="nofollow" target="_blank"&gt;Richard Dawkins&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Pure water is colorless. The ocean gets its color from the &lt;a href="https://en.wikipedia.org/wiki/Absorption_(electromagnetic_radiation)" rel="nofollow" target="_blank"&gt;absorption&lt;/a&gt; of color spectra and scattering of sunlight.
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/a/a7/Aivazovsky_Ivan_Konstantinovich_Bracing_The_Waves.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="247" src="https://upload.wikimedia.org/wikipedia/commons/a/a7/Aivazovsky_Ivan_Konstantinovich_Bracing_The_Waves.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky#/media/File:Aivazovsky_Ivan_Konstantinovich_Bracing_The_Waves.jpg" rel="nofollow" target="_blank"&gt;Bracing the Waves&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky" rel="nofollow" target="_blank"&gt;Ivan Aivazovsky&lt;/a&gt;, 1890&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Romantic painter&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky" rel="nofollow" target="_blank"&gt;Ivan Aivazovsky&lt;/a&gt;&amp;nbsp;(1817-1900) is recognized as one of the most accomplished seascape artists. Scenes depicting a range of ocean moods, like the sun, low on the horizon, illuminating the breaking wave in &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky#/media/File:Aivazovsky_Ivan_Konstantinovich_Bracing_The_Waves.jpg" rel="nofollow" target="_blank"&gt;Bracing the Waves&lt;/a&gt;, constitutes the majority of his known work.&lt;br /&gt;
&lt;br /&gt;
Water molecules are known to absorb proportionally more red, yellow, and green wavelengths, leaving the shades of blues and purples that Aivazovsky depicted in &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky#/media/File:Ayvaz_sredy_voln.jpg" rel="nofollow" target="_blank"&gt;Among the Waves&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/0/02/Ayvaz_sredy_voln.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="263" src="https://upload.wikimedia.org/wikipedia/commons/0/02/Ayvaz_sredy_voln.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky#/media/File:Ayvaz_sredy_voln.jpg" rel="nofollow" target="_blank"&gt;Among the Waves&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky" rel="nofollow" target="_blank"&gt;Ivan Aivazovsky&lt;/a&gt;, 1898&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Suspended particles like sand or silt from coastal river runoff, will scatter sunlight as shown in the roiling shore break painted in &lt;a href="https://commons.wikimedia.org/wiki/File:Aivazovsky_Seascape_with_a_steamer.jpg" rel="nofollow" target="_blank"&gt;Seascape with a Steamer&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/4/4c/Aivazovsky_Seascape_with_a_steamer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="https://upload.wikimedia.org/wikipedia/commons/4/4c/Aivazovsky_Seascape_with_a_steamer.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Aivazovsky_Seascape_with_a_steamer.jpg" rel="nofollow" target="_blank"&gt;Seascape with a Steamer&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky" rel="nofollow" target="_blank"&gt;Ivan Aivazovsky&lt;/a&gt;, 1897&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Suspended &lt;a href="https://en.wikipedia.org/wiki/Phytoplankton" rel="nofollow" target="_blank"&gt;phytoplankton&lt;/a&gt; contains &lt;a href="https://en.wikipedia.org/wiki/Chlorophyll" rel="nofollow" target="_blank"&gt;chlorophyll&lt;/a&gt;. Chlorophyll&amp;nbsp;absorbs red and blue wavelengths giving the ocean a greener tint.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/4/4a/Hovhannes_Aivazovsky_-_The_Ninth_Wave_-_Google_Art_Project.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="268" src="https://upload.wikimedia.org/wikipedia/commons/4/4a/Hovhannes_Aivazovsky_-_The_Ninth_Wave_-_Google_Art_Project.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Ninth_Wave" rel="nofollow" target="_blank"&gt;The Ninth Wave&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Ivan_Aivazovsky" rel="nofollow" target="_blank"&gt;Ivan Aivazovsky&lt;/a&gt;, 1850&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;"When Rachel Carson accepted the National Book Award, she said, 'if there is poetry in my book about the sea it is not because I deliberately put it there but because no one could write truthfully about the sea and leave out poetry."&lt;/i&gt;&lt;br /&gt;
― Jim Lynch, &lt;a href="https://www.goodreads.com/book/show/94673.The_Highest_Tide?ac=1&amp;amp;from_search=true" rel="nofollow" target="_blank"&gt;The Highest Tide&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://phys.org/news/2016-09-ocean-true.html" rel="nofollow" target="_blank"&gt;Computing the ocean's true colors&lt;/a&gt;, Mark Dwortzan, Phys.org, 16 September 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://science.nasa.gov/earth-science/oceanography/living-ocean/ocean-color/" rel="nofollow" target="_blank"&gt;Ocean color&lt;/a&gt;, NASA.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8635260125132971299" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8635260125132971299" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/09/ocean-color.html" rel="alternate" title="Ocean Color" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-4281071355952750831</id><published>2016-09-10T09:41:00.001-05:00</published><updated>2016-09-12T09:31:25.873-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Anasazi"/><category scheme="http://www.blogger.com/atom/ns#" term="Anasazi Foundation"/><category scheme="http://www.blogger.com/atom/ns#" term="Ancestral Puebloans"/><category scheme="http://www.blogger.com/atom/ns#" term="Basketmaker Era"/><category scheme="http://www.blogger.com/atom/ns#" term="Basketmaker Rock Art"/><category scheme="http://www.blogger.com/atom/ns#" term="Four Corners"/><category scheme="http://www.blogger.com/atom/ns#" term="Mary Oliver"/><category scheme="http://www.blogger.com/atom/ns#" term="Susan Sontag"/><title type="text">Ancient Paths</title><content type="html">Walking into the wild, we shed unintentional living. Time expands in the wilderness. Immersed in the wild, our senses fill the emptiness of unintentional living with the fullness of being alive.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Attention is vitality. It connects you with others.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Susan_Sontag" rel="nofollow" target="_blank"&gt;Susan Sontag&lt;/a&gt;&lt;/blockquote&gt;
Poet&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Mary_Oliver" rel="nofollow" target="_blank"&gt;Mary Oliver&lt;/a&gt; wrote,&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;To pay attention, this is our endless and proper work.&lt;/i&gt;&lt;/blockquote&gt;
Setting out we notice the dull prick of grit in our hiking shoe. Some time later, we notice the smell of rain quenching arid rock.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxlpjk_cV7wUCYsIFwZVmR21NdIsL6iOc-aq_olfmqRfq6x8AdIG5MfmPoof1wCny9vHxTjwZvxd0JIk1PadskwQfzcYZ4eTTm3Mf55J9GgmFhn-ieydloh2zhF95SR3AM_tefP87Yi-F-/s1600/Screen+Shot+2016-09-10+at+7.48.25+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxlpjk_cV7wUCYsIFwZVmR21NdIsL6iOc-aq_olfmqRfq6x8AdIG5MfmPoof1wCny9vHxTjwZvxd0JIk1PadskwQfzcYZ4eTTm3Mf55J9GgmFhn-ieydloh2zhF95SR3AM_tefP87Yi-F-/s400/Screen+Shot+2016-09-10+at+7.48.25+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Bottom of Ancient Route Up&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="http://jimkrehbiel.virb.com/info" rel="nofollow" target="_blank"&gt;Jim Krehbiel&lt;/a&gt;, 9/6/2016&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
In time we turn our attention to light, wind, water, stone, plants, and other animals.&lt;br /&gt;
&lt;br /&gt;
Many of the paths we walk are ancient routes. Ancestral cultures and animals navigated these routes before we arrived. Bipedals, quadrupedals and centipedes alike, these routes are well-trodden. Descendants follow after our departure.&lt;br /&gt;
&lt;br /&gt;
In Native American tradition, how one &lt;i&gt;walks&lt;/i&gt; is a metaphor for how one conducts one's life.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq_WjqUNfaQj-jeGkWpPDJ3rdr5oboSrWH5cFai6-L6CrWcvFPWsBxJGlG7jTca1hqaBRx56LfNggGF27LsHZ4QGIHOzlBpGGg5xm7ZFdKboL_h4k_tICYDY9g7R1kJwzkRrV_EKTPMZoy/s1600/Screen+Shot+2016-09-10+at+7.43.15+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq_WjqUNfaQj-jeGkWpPDJ3rdr5oboSrWH5cFai6-L6CrWcvFPWsBxJGlG7jTca1hqaBRx56LfNggGF27LsHZ4QGIHOzlBpGGg5xm7ZFdKboL_h4k_tICYDY9g7R1kJwzkRrV_EKTPMZoy/s400/Screen+Shot+2016-09-10+at+7.43.15+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Basketmaker Rock Art&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="http://jimkrehbiel.virb.com/info" rel="nofollow" target="_blank"&gt;Jim Krehbiel&lt;/a&gt;, 9/6/2016&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Ancestral_Puebloans" rel="nofollow" target="_blank"&gt;Anasazi&lt;/a&gt;&amp;nbsp;is a Navajo word meaning&amp;nbsp;&lt;i&gt;ancient ones&lt;/i&gt;&amp;nbsp;or&amp;nbsp;&lt;i&gt;wise teachers&lt;/i&gt;. Anasazi nomads, or Ancestral Puebloans, arrived in the &lt;a href="https://en.wikipedia.org/wiki/Four_Corners" rel="nofollow" target="_blank"&gt;Four Corners&lt;/a&gt; region around A.D. 200. We know little of these people except that they made &lt;a href="https://en.wikipedia.org/wiki/Archaic%E2%80%93Early_Basketmaker_Era" rel="nofollow" target="_blank"&gt;baskets&lt;/a&gt; woven from fronds of willow.&lt;br /&gt;
&lt;br /&gt;
Much of our conduct and most of our actions are ephemeral. A few remain. Our remains become artifacts.&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote&gt;
Look for light&lt;br /&gt;
Listen for inspiration on the wind&lt;br /&gt;
Let water cleanse your soul&lt;br /&gt;
Set yourself on a firm foundation&lt;br /&gt;
Serve as the plants&lt;br /&gt;
Do not offend your fellow creatures&lt;br /&gt;
Live in harmony with all creations&lt;br /&gt;
― &lt;a href="http://www.anasazi.org/" rel="nofollow" target="_blank"&gt;Anasazi Foundation&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.ancestral.com/cultures/north_america/anasazi.html" rel="nofollow" target="_blank"&gt;Ancestral Art&lt;/a&gt;, December 2003.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/17381734-the-seven-paths" rel="nofollow" target="_blank"&gt;The Seven Paths: Changing One's Way of Walking in the World&lt;/a&gt;,
by Anasazi Foundation, 6 August 2013.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4281071355952750831" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4281071355952750831" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/09/ancient-paths.html" rel="alternate" title="Ancient Paths" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxlpjk_cV7wUCYsIFwZVmR21NdIsL6iOc-aq_olfmqRfq6x8AdIG5MfmPoof1wCny9vHxTjwZvxd0JIk1PadskwQfzcYZ4eTTm3Mf55J9GgmFhn-ieydloh2zhF95SR3AM_tefP87Yi-F-/s72-c/Screen+Shot+2016-09-10+at+7.48.25+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-7345039935584552211</id><published>2016-09-03T11:50:00.000-05:00</published><updated>2016-09-03T12:01:59.577-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Flowing Water"/><category scheme="http://www.blogger.com/atom/ns#" term="Hal Borland"/><category scheme="http://www.blogger.com/atom/ns#" term="River Town"/><category scheme="http://www.blogger.com/atom/ns#" term="Systems Thinking"/><category scheme="http://www.blogger.com/atom/ns#" term="Watershed Management"/><category scheme="http://www.blogger.com/atom/ns#" term="William Ashworth"/><title type="text">Sustenance, Transport &amp; Power</title><content type="html">Water is essential. Water is finite. Water has no substitute. Humans settled by rivers of fresh flowing water. Rivers offer sustenance, transport, and power.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Children of a culture born in a water-rich environment, we have never really learned how important water is to us. We understand it, but we do not respect it.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://www.amazon.com/William-Ashworth/e/B001IZTENA/ref=dp_byline_cont_book_1" rel="nofollow" target="_blank"&gt;William Ashworth&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2LiUnhkTZiRj-ifkeXtCTh34NykO2c2SxJaI4gO_FaDN2BHXN14GsJrOKUC6Q6vsnJFruVH-Xltp0OuS91kJvqK-_91K6A-nk8u9CeLDNP_4hxfWziXCMcm3awUs67m8fa924iwfBmy6D/s1600/IMG_3351.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2LiUnhkTZiRj-ifkeXtCTh34NykO2c2SxJaI4gO_FaDN2BHXN14GsJrOKUC6Q6vsnJFruVH-Xltp0OuS91kJvqK-_91K6A-nk8u9CeLDNP_4hxfWziXCMcm3awUs67m8fa924iwfBmy6D/s320/IMG_3351.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Wright Dam, Fergus Falls&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
To experience a river flowing through a small town or a city is to witness human nature, who we are, and what we value.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Any river is really the summation of the whole valley. To think of it as nothing but water is to ignore the greater part.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Hal_Borland" rel="nofollow" target="_blank"&gt;Hal Borland&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJRUQRn4t6oFsg3ccFO2pI9pGKsp4sMdtYdwKa-A-vE2iR_mmu1MTfxwS50mWjNPEHKLRopmZaD7vGCa68hv6HqceBFf0MYtL8k-LW5dUGC4nRMnoNCNW8V4I_f8exDlkxucXo611vui1l/s1600/IMG_3368.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJRUQRn4t6oFsg3ccFO2pI9pGKsp4sMdtYdwKa-A-vE2iR_mmu1MTfxwS50mWjNPEHKLRopmZaD7vGCa68hv6HqceBFf0MYtL8k-LW5dUGC4nRMnoNCNW8V4I_f8exDlkxucXo611vui1l/s320/IMG_3368.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Otter Tail River, Fergus Falls&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Uninhibited population growth and non-reflective consumptive patterns and behaviors spawns water contamination and ecosystem impairment.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyEdGc4HsdDZjTWeyTBH_wovS_6Nz-evYufkljGVhyphenhyphenivqjaEdm85P8A1g69ledl8-FXDI3Z5-bICS46-mVlnaWlR8-3sJg2ms1WuTv_SUXk49Lldh34q9gOzBjTzj9fhh91pWKH5K3aFbI/s1600/IMG_3397.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyEdGc4HsdDZjTWeyTBH_wovS_6Nz-evYufkljGVhyphenhyphenivqjaEdm85P8A1g69ledl8-FXDI3Z5-bICS46-mVlnaWlR8-3sJg2ms1WuTv_SUXk49Lldh34q9gOzBjTzj9fhh91pWKH5K3aFbI/s320/IMG_3397.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Mississippi River above &lt;a href="https://en.wikipedia.org/wiki/Lock_and_Dam_No._1" rel="nofollow" target="_blank"&gt;Lock and Dam No. 1&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Contamination of rivers results from a confluence of human-induced processes and patterns that call for a &lt;a href="https://en.wikipedia.org/wiki/Systems_thinking" rel="nofollow" target="_blank"&gt;systems thinking&lt;/a&gt; approach to avert and remediate. Systems thinking is a central concept of &lt;a href="https://en.wikipedia.org/wiki/Watershed_management" rel="nofollow" target="_blank"&gt;watershed management&lt;/a&gt;&amp;nbsp;that&amp;nbsp;seeks to limit further degradation and avoid causing unintended consequences.&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;
In a mucked up lovely river,&lt;br /&gt;
I cast my little fly.&lt;br /&gt;
I look at that river and smell it&lt;br /&gt;
and it makes me wanna cry.&lt;br /&gt;
Oh to clean our dirty planet,&lt;br /&gt;
now there's a noble wish,&lt;br /&gt;
and I'm puttin my shoulder to the wheel&lt;br /&gt;
'cause I wanna catch some fish.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Greg Brown, from &lt;a href="http://www.gregbrown.org/gbdream1.html" rel="nofollow" target="_blank"&gt;Spring Wind&lt;/a&gt; in Dream Cafe&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.amazon.com/Nor-drop-drink-William-Ashworth/dp/0671459503" rel="nofollow" target="_blank"&gt;Nor Any Drop to Drink&lt;/a&gt;, William Ashworth, 1982.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Systems_thinking" rel="nofollow" target="_blank"&gt;Systems Thinking&lt;/a&gt;, Wikipedia&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.gregbrown.org/gbdream1.html" rel="nofollow" target="_blank"&gt;Spring Wind&lt;/a&gt;, lyrics by Greg Brown.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.amazon.com/This-Hill-Valley-American-Classics/dp/0801840201" rel="nofollow" target="_blank"&gt;This Hill, This Valley&lt;/a&gt;, Hal Borland, May 1, 1990.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://books.google.com/books?id=NpDbCwAAQBAJ&amp;amp;pg=PR7&amp;amp;lpg=PR7&amp;amp;dq=Any+river+is+really+the+summation+of+the+whole+valley.+To+think+of+it+as+nothing+but+water+is+to+ignore+the+greater+part.+%E2%80%94+(Hal+Borland,+This+Hill,+This+Valley&amp;amp;source=bl&amp;amp;ots=4Z3kvzoLtq&amp;amp;sig=tQllyOdwOLMOp1t_q77PFr-ENfU&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwi6lbqvvPPOAhVL6yYKHVOIAScQ6AEIHjAB#v=onepage&amp;amp;q=Any%20river%20is%20really%20the%20summation%20of%20the%20whole%20valley.%20To%20think%20of%20it%20as%20nothing%20but%20water%20is%20to%20ignore%20the%20greater%20part.%20%E2%80%94%20(Hal%20Borland%2C%20This%20Hill%2C%20This%20Valley&amp;amp;f=false" rel="nofollow" target="_blank"&gt;Watershed Management&lt;/a&gt;, Timothy Randhir, March 2011&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/7345039935584552211" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/7345039935584552211" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/09/sustenance-transport-and-power.html" rel="alternate" title="Sustenance, Transport &amp; Power" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2LiUnhkTZiRj-ifkeXtCTh34NykO2c2SxJaI4gO_FaDN2BHXN14GsJrOKUC6Q6vsnJFruVH-Xltp0OuS91kJvqK-_91K6A-nk8u9CeLDNP_4hxfWziXCMcm3awUs67m8fa924iwfBmy6D/s72-c/IMG_3351.JPG" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-8854298159304523260</id><published>2016-08-27T09:46:00.003-05:00</published><updated>2016-08-27T10:17:48.157-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Carl Sagan"/><category scheme="http://www.blogger.com/atom/ns#" term="European Southern Observatory"/><category scheme="http://www.blogger.com/atom/ns#" term="Exoplanet"/><category scheme="http://www.blogger.com/atom/ns#" term="Extraterrestrial"/><category scheme="http://www.blogger.com/atom/ns#" term="Metrodorus of Chios"/><category scheme="http://www.blogger.com/atom/ns#" term="Proxima b"/><category scheme="http://www.blogger.com/atom/ns#" term="Proxima Centauri"/><category scheme="http://www.blogger.com/atom/ns#" term="Red Dwarf Star"/><title type="text">Outward &amp; Inward Exploration</title><content type="html">With an estimated &lt;a href="http://www.space.com/25959-how-many-stars-are-in-the-milky-way.html" rel="nofollow" target="_blank"&gt;100 to 400 million solar masses&lt;/a&gt; in the Milky Way, our outward search to identify solar systems with Earth-like &lt;a href="https://en.wikipedia.org/wiki/Exoplanet" rel="nofollow" target="_blank"&gt;exoplanets&lt;/a&gt;, and by extension Earth-like biospheres, is driven by an inward exploration of what it means to be human.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;In the deepest sense the search for extraterrestrial intelligence is a search for ourselves.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Carl_Sagan" rel="nofollow" target="_blank"&gt;Carl Sagan&lt;/a&gt;, The Quest for Extraterrestrial Intelligence&lt;/blockquote&gt;
For centuries philosophers have posited that there are planetary systems clustered around stars like our Sun in the fervent hope that we might some day connect with life beyond Earth and beyond the solar system.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Through all of our history we have pondered the stars and mused whether mankind is unique or if, somewhere else out there in the dark of night sky, there are other beings who contemplate and wonder as we do - fellow thinkers in the cosmos.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Carl_Sagan" rel="nofollow" target="_blank"&gt;Carl Sagan&lt;/a&gt;, The Quest for Extraterrestrial Intelligence&lt;/blockquote&gt;
The thought that the finite biosphere surrounding Earth is the only such habitable life raft in the universe is as astonishing and as awesome as the notion that there might be others.
&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Sometimes I think we're alone in the universe, and sometimes I think we're not. In either case the idea is quite staggering.
&lt;/i&gt;&lt;br /&gt;
— attributed to &lt;a href="https://en.wikipedia.org/wiki/Arthur_C._Clarke" rel="nofollow" target="_blank"&gt;Arthur C. Clarke&lt;/a&gt;&lt;/blockquote&gt;
The pursuit of extraterrestrial life is a quest to reconcile our significance — however insignificant.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;To consider the Earth as the only populated world in infinite space is as absurd as to assert that in an entire field sown with millet, only one grain will grow.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Metrodorus_of_Chios" rel="nofollow" target="_blank"&gt;Metrodorus of Chios&lt;/a&gt;, 4th century BCE.&lt;/blockquote&gt;
Astronomers at the &lt;a href="http://www.eso.org/public/" rel="nofollow" target="_blank"&gt;European Southern Observatory&lt;/a&gt; in Chile have detected the influence of, but not observed directly, an exoplanet called &lt;a href="https://en.wikipedia.org/wiki/Proxima_Centauri_b" rel="nofollow" target="_blank"&gt;Proxima b&lt;/a&gt; on the closest star to our sun, a &lt;a href="https://en.wikipedia.org/wiki/Red_dwarf" rel="nofollow" target="_blank"&gt;red dwarf&lt;/a&gt; star called &lt;a href="https://en.wikipedia.org/wiki/Proxima_Centauri" rel="nofollow" target="_blank"&gt;Proxima Centauri&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Proxima b is more massive than Earth and it orbits the &lt;a href="https://en.wikipedia.org/wiki/Circumstellar_habitable_zone" rel="nofollow" target="_blank"&gt;circumstellar habitable zone&lt;/a&gt; around Proxima Centauri. The habitable zone is where the surface temperature is suitable for liquid water to exist.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/a/ae/Artist's_impression_of_the_planet_orbiting_Proxima_Centauri.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="258" src="https://upload.wikimedia.org/wikipedia/commons/a/ae/Artist's_impression_of_the_planet_orbiting_Proxima_Centauri.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Artist's rendition of red dwarf star Proxima Centauri&lt;br /&gt;imagined from the surface of Proxima b&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;source: &lt;a href="https://www.eso.org/public/images/eso1629a/" rel="nofollow" target="_blank"&gt;European Southern Observatory&lt;/a&gt;, August 2016&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Proxima b lies some 4.2 light-years from our solar system at a distance 266,000 times the distance between the Earth and the Sun. Whether or not there is evidence of life on Proxima b remains a mystery.
&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"Every aspect of Nature reveals a deep mystery and touches our sense of wonder and awe. Those afraid of the universe as it really is, those who pretend to nonexistent knowledge and envision a Cosmos centered on human beings will prefer the fleeting comforts of superstition. They avoid rather than confront the world. But those with the courage to explore the weave and structure of the Cosmos, even where it differs profoundly from their wishes and prejudices, will penetrate its deepest mysteries."&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Carl_Sagan" rel="nofollow" target="_blank"&gt;Carl Sagan&lt;/a&gt;, Cosmos&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.cnn.com/2016/08/24/health/proxima-b-centauri-rocky-planet-habitable-zone-neighbor-star/" rel="nofollow" target="_blank"&gt;Closest potentially habitable planet to our solar system found&lt;/a&gt;, Ashley Strickland, CNN, 24 August 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/55030.Cosmos" rel="nofollow" target="_blank"&gt;Cosmos&lt;/a&gt;, Carl Sagan, Random House, May 2002.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.space.com/25959-how-many-stars-are-in-the-milky-way.html" rel="nofollow" target="_blank"&gt;How Many Stars in the Milky Way&lt;/a&gt;, Elizabeth Howell, Space.com, 21 May 2014.&lt;/li&gt;
&lt;li&gt;The Quest for Extraterrestrial Intelligence, Carl Sagan, Smithsonian Magazine, &lt;a href="http://www.bigear.org/vol1no2/sagan.htm" rel="nofollow" target="_blank"&gt;reproduced online&lt;/a&gt;, May 1978.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8854298159304523260" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8854298159304523260" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/08/outward-inward-exploration.html" rel="alternate" title="Outward &amp; Inward Exploration" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-5151521843168737569</id><published>2016-08-20T11:08:00.002-05:00</published><updated>2016-08-20T12:54:02.882-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Arthur Wesley Dow"/><category scheme="http://www.blogger.com/atom/ns#" term="Clarence Dutton"/><category scheme="http://www.blogger.com/atom/ns#" term="Katsushika Hokusai"/><category scheme="http://www.blogger.com/atom/ns#" term="Landscape Painting"/><category scheme="http://www.blogger.com/atom/ns#" term="Mythology"/><category scheme="http://www.blogger.com/atom/ns#" term="Shiva Temple"/><category scheme="http://www.blogger.com/atom/ns#" term="The Glory of Shiva"/><category scheme="http://www.blogger.com/atom/ns#" term="The Upanishads"/><title type="text">The Glory of Shiva</title><content type="html">&lt;a href="https://en.wikipedia.org/wiki/Arthur_Wesley_Dow" rel="nofollow" target="_blank"&gt;Arthur Wesley Dow&lt;/a&gt; was influenced by the shapes, flatness, and stark lights and darks of the Japanese woodblock prints he saw at the &lt;a href="http://www.mfa.org/" rel="nofollow" target="_blank"&gt;Museum of Fine Arts&lt;/a&gt; in Boston in 1891.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTInGsB9e15WepI4ITefD5r-M_kDnbB_ckdd3gYkrGbe5SoI89yhP_DGFLYrgTesZdDP6XiCcplJZC8itvbFJYQpj99-JbYAp8iRQnfDfWFrMkD4KY4v1MHi-6wyqykDvXPjj3aF0MQ8bI/s1600/Screen+Shot+2016-08-20+at+9.59.02+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTInGsB9e15WepI4ITefD5r-M_kDnbB_ckdd3gYkrGbe5SoI89yhP_DGFLYrgTesZdDP6XiCcplJZC8itvbFJYQpj99-JbYAp8iRQnfDfWFrMkD4KY4v1MHi-6wyqykDvXPjj3aF0MQ8bI/s400/Screen+Shot+2016-08-20+at+9.59.02+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Thirty-six Views of Mount Fuji, no. 32.&lt;/b&gt;&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Hokusai" target="_blank"&gt;Katsushika Hokusai&lt;/a&gt;, circa 1830&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Dow applied and refined these principles to New England landscapes for two decades, developing his work into a uniquely sensual, non-representational style, before traveling west to to paint the Grand Canyon in 1911 and 1912.&lt;br /&gt;
&lt;br /&gt;
Dow painted a view of Shiva Temple. Shiva Temple is an isolated limestone cliff that rises 1,200 feet above the floor of the Grand Canyon.
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DSrH9KnDCL__WxiKmS4jiEVdtIK7Wrc90QQaM6tBjWFWYg2SveY-_Oj6-3BH4QaMreiQ8mPaWR7huH2cE5UFFDzmEepPpcpCasYdzv-gDSrUbygU7Wwy6efcS1mNgu-SJ05qntly8diu/s1600/Screen+Shot+2016-08-20+at+8.42.08+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DSrH9KnDCL__WxiKmS4jiEVdtIK7Wrc90QQaM6tBjWFWYg2SveY-_Oj6-3BH4QaMreiQ8mPaWR7huH2cE5UFFDzmEepPpcpCasYdzv-gDSrUbygU7Wwy6efcS1mNgu-SJ05qntly8diu/s400/Screen+Shot+2016-08-20+at+8.42.08+AM.png" width="295" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;The Glory of Shiva&lt;/b&gt;&lt;br /&gt;
Shiva Temple, Grand Canyon&lt;br /&gt;
Arthur Wesley Dow, 1912&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Dow baths the shadowed canyon in purple hues that are surmounted by crimson sunlight striking the cliff.&lt;br /&gt;
&lt;br /&gt;
Geologist &lt;a href="https://en.wikipedia.org/wiki/Clarence_Dutton" rel="nofollow" target="_blank"&gt;Clarence Dutton&lt;/a&gt; named this formation after the Hindu god. Dutton drew from literary and mythological references to name geologic features. Surveying for the USGS in 1881, Dutton drew from his interest in eastern religions to name the Hindu, Vishnu and Shiva Temple sites in the Grand Canyon.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Fire is His head, the sun and moon His eyes, space His ears, the Vedas His speech, the wind His breath, the universe His heart. From His feet the Earth has originated. Verily, He is the inner self of all beings.&lt;/i&gt;&lt;br /&gt;
― Anonymous, &lt;a href="https://www.goodreads.com/book/show/290882.The_Upanishads" rel="nofollow" target="_blank"&gt;The Upanishads&lt;/a&gt;&lt;/blockquote&gt;
&lt;i&gt;The Glory of Shiva&lt;/i&gt; sold to a private collector in 2012 for $120,000.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"Dow took on a fugitive effect of sunlight viewed at the cusp of the day, knowing that within moments the light would alter irrevocably."&lt;/i&gt; ― Gene Shannon, Auctioneer&lt;/blockquote&gt;
Twenty million years ago a river began carving the Grand Canyon. Rising to lofty heights above the canyon floor, these cliffs now assume the almost mythological character conveyed in Dow's paintings.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"The little space within the heart is as great as the vast universe. The heavens and the earth are there, and the sun and the moon and the stars. Fire and lightening and winds are there, and all that now is and all that is not."&lt;/i&gt;&lt;br /&gt;
― Swami Prabhavananda, &lt;a href="https://www.goodreads.com/book/show/290882.The_Upanishads" rel="nofollow" target="_blank"&gt;The Upanishads&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.grandcanyontreks.org/place.htm" rel="nofollow" target="_blank"&gt;Grand Canyon Place Names&lt;/a&gt;, Grand Canyon Treks.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.nature.com/nature/journal/v140/n3543/abs/140537c0.html" rel="nofollow" target="_blank"&gt;Shiva's Temple, Arizona&lt;/a&gt;, Nature 140, 537-538, 25 September, 1937.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://kaibab.org/kaibab.org/kolb/10.html" target="_blank"&gt;The Kolb Diaries: Chapter 10, 1930-1950, The Depression Years&lt;/a&gt;, Grand Canyon Explorer.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://new.artsmia.org/stories/the-tao-of-arthur-wesley-dow/" rel="nofollow" target="_blank"&gt;The Tao of Arthur Wesley Dow&lt;/a&gt;, Minneapolis Institute of Arts, July 2016.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/5151521843168737569" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/5151521843168737569" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/08/the-glory-of-shiva.html" rel="alternate" title="The Glory of Shiva" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTInGsB9e15WepI4ITefD5r-M_kDnbB_ckdd3gYkrGbe5SoI89yhP_DGFLYrgTesZdDP6XiCcplJZC8itvbFJYQpj99-JbYAp8iRQnfDfWFrMkD4KY4v1MHi-6wyqykDvXPjj3aF0MQ8bI/s72-c/Screen+Shot+2016-08-20+at+9.59.02+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-1944854466607910093</id><published>2016-08-13T11:19:00.003-05:00</published><updated>2016-08-13T11:34:30.105-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Biocapacity"/><category scheme="http://www.blogger.com/atom/ns#" term="Earth Overshoot Day"/><category scheme="http://www.blogger.com/atom/ns#" term="Global Footprint Network"/><title type="text">Regenerative Capacity</title><content type="html">Last Monday, 221 days into the year, &lt;a href="http://www.footprintnetwork.org/en/index.php/GFN/page/earth_overshoot_day/" rel="nofollow" target="_blank"&gt;Earth Overshoot Day&lt;/a&gt; was reached.&lt;br /&gt;
&lt;br /&gt;
Earth Overshoot Day occurs on the computed number of days into a year that human consumption exceeds the regenerative &lt;a href="http://www.footprintnetwork.org/ecological_footprint_nations/biocapacity_per_capita.html" rel="nofollow" target="_blank"&gt;biocapacity&lt;/a&gt; of the biosphere.&lt;br /&gt;
&lt;br /&gt;
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td rowspan="2" style="padding-right: 4px;"&gt;Earth Overshoot Day =&lt;/td&gt;&lt;td style="border-bottom: solid 1px black;"&gt;Earth’s Biocapacity&lt;/td&gt;&lt;td rowspan="2" style="padding-left: 4px;"&gt;x 365&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;Humanity’s Ecological Footprint&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
For the remainder of 2016, demand &lt;i&gt;outstrips&lt;/i&gt; supply.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"Humanity is living off its ecological credit card."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="http://www.footprintnetwork.org/en/index.php/GFN/page/our_team/" rel="nofollow" target="_blank"&gt;Mathis Wackernagel&lt;/a&gt;, founder of the&amp;nbsp;&lt;a href="http://www.footprintnetwork.org/ecological_footprint_nations/biocapacity_per_capita.html" rel="nofollow" target="_blank"&gt;Global Footprint Network&lt;/a&gt;&lt;/blockquote&gt;
&lt;a href="https://en.wikipedia.org/wiki/Ecological_footprint" rel="nofollow" target="_blank"&gt;Ecological footprint&lt;/a&gt; is the aggregated area of land and sea needed to supply resources to a human population. The &lt;a href="http://www.footprintnetwork.org/ecological_footprint_nations/biocapacity_per_capita.html" rel="nofollow" target="_blank"&gt;Global Footprint Network&lt;/a&gt; estimates that, as of 2007, humans consume natural capital 1.5 times faster than it's renewed.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDdq38trmtWYvdRUJ6XRiaKCfS0gIQau9V9zC3kdyoPU-aW8L4xPG-uXZ5YCVglU30LU9InuTWgVcR8KDLxTTQs66g-cvevzYQBMEQzJwdg0pcJqJdWL4f9hcglNOM6C6AybfYArQUdjHo/s1600/IMG_3033+%25281%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDdq38trmtWYvdRUJ6XRiaKCfS0gIQau9V9zC3kdyoPU-aW8L4xPG-uXZ5YCVglU30LU9InuTWgVcR8KDLxTTQs66g-cvevzYQBMEQzJwdg0pcJqJdWL4f9hcglNOM6C6AybfYArQUdjHo/s400/IMG_3033+%25281%2529.JPG" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Sunshower&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by Bob MacNeal&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;i&gt;"The insufferable arrogance of human beings to think that Nature was made solely for their benefit, as if it was conceivable that the sun had been set afire merely to ripen men's apples and head their cabbages."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Cyrano_de_Bergerac" rel="nofollow" target="_blank"&gt;Savinien de Cyrano de Bergerac&lt;/a&gt;, 1650&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Ecological_footprint" rel="nofollow" target="_blank"&gt;Ecological Footprint&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.footprintnetwork.org/en/index.php/GFN/" rel="nofollow" target="_blank"&gt;Global Footprint Network&lt;/a&gt;.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.footprintnetwork.org/download.php?id=303" rel="nofollow" target="_blank"&gt;Living Planet Report 2006&lt;/a&gt;&lt;span id="goog_17006534"&gt;&lt;/span&gt;&lt;span id="goog_17006535"&gt;&lt;/span&gt;&lt;a href="https://draft.blogger.com/"&gt;&lt;/a&gt;, Global Footprint Network.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Comical_History_of_the_States_and_Empires_of_the_Moon" rel="nofollow" target="_blank"&gt;The Other World: Comical History of the States and Empires of the Moon&lt;/a&gt;, Savinien de Cyrano de Bergerac, 1650.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1944854466607910093" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1944854466607910093" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/08/regenerative-capacity.html" rel="alternate" title="Regenerative Capacity" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDdq38trmtWYvdRUJ6XRiaKCfS0gIQau9V9zC3kdyoPU-aW8L4xPG-uXZ5YCVglU30LU9InuTWgVcR8KDLxTTQs66g-cvevzYQBMEQzJwdg0pcJqJdWL4f9hcglNOM6C6AybfYArQUdjHo/s72-c/IMG_3033+%25281%2529.JPG" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-3694873717118951572</id><published>2016-08-06T10:03:00.000-05:00</published><updated>2016-08-06T11:32:24.877-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Arthur Wesley Dow"/><category scheme="http://www.blogger.com/atom/ns#" term="Biosphere"/><category scheme="http://www.blogger.com/atom/ns#" term="Diapason"/><category scheme="http://www.blogger.com/atom/ns#" term="Dynamic Constraints"/><category scheme="http://www.blogger.com/atom/ns#" term="Ecological Constraints"/><category scheme="http://www.blogger.com/atom/ns#" term="Grand Canyon"/><category scheme="http://www.blogger.com/atom/ns#" term="John Wesley Powell"/><title type="text">Constraints &amp; Consequences</title><content type="html">&lt;a href="https://en.wikipedia.org/wiki/John_Wesley_Powell" rel="nofollow" target="_blank"&gt;John Wesley Powell&lt;/a&gt;, early expedition leader of the American West, wrote of the range of sounds he experienced exploring the Grand Canyon by boat:&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"...sounds that span the diapason from tempest to tinkling raindrop, from cataract to bubbling fountain."&lt;/i&gt;— &lt;a href="https://en.wikipedia.org/wiki/John_Wesley_Powell" rel="nofollow" target="_blank"&gt;John Wesley Powell&lt;/a&gt;&lt;/blockquote&gt;
In his poetic description of sounds, Powell used the word &lt;i&gt;diapason&lt;/i&gt;, a musical term denoting the interval of an octave.&lt;br /&gt;
&lt;br /&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Powell_Geographic_Expedition_of_1869" rel="nofollow" target="_blank"&gt;Powell Geographic Expedition&lt;/a&gt; of 1869 chronicled the first recorded passage through the the Grand Canyon by men of European origin.
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/6/64/'Noon_Day_Rest_in_Marble_Canyon'_from_the_second_Powell_Expedition_1872.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://upload.wikimedia.org/wikipedia/commons/6/64/'Noon_Day_Rest_in_Marble_Canyon'_from_the_second_Powell_Expedition_1872.jpg" width="224" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://commons.wikimedia.org/wiki/John_Wesley_Powell#/media/File:%27Noon_Day_Rest_in_Marble_Canyon%27_from_the_second_Powell_Expedition_1872.jpg" rel="nofollow" target="_blank"&gt;&lt;b&gt;The Boats in Marble Canyon&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;John Wesley Powell's 2nd expedition, 1872&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Diapason is a word also used in the metaphoric sense of a &lt;i&gt;grand swelling of harmony&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
Harmony with nature is a popular human construct. The General Assembly of the United Nations established &lt;a href="https://en.wikipedia.org/wiki/International_Mother_Earth_Day" rel="nofollow" target="_blank"&gt;International Mother Earth Day&lt;/a&gt; in 2009 to recognize &lt;i&gt;"the Earth and its ecosystems are our home."&lt;/i&gt; The General Assembly resolved that &lt;i&gt;"it is necessary to promote harmony with nature and the Earth."&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Promoting harmony is a compelling, but idealized fiction. Organisms, and in particular humans, follow few if any altruistic rules. Organisms exist within dynamic constraints like &lt;a href="https://en.wikipedia.org/wiki/Predation" rel="nofollow" target="_blank"&gt;predation pressure&lt;/a&gt; and food supply.&lt;br /&gt;
&lt;br /&gt;
The biosphere is made up of dynamic and inter-dependent constraints. Constraints in the biosphere are more complex but not unlike the consumer economics concept of &lt;i&gt;supply and demand&lt;/i&gt;. As early as the &lt;a href="https://en.wikipedia.org/wiki/Neolithic_Revolution" rel="nofollow" target="_blank"&gt;first agricultural revolution&lt;/a&gt;, humans have sought to defy constraints from an unpredictable food supply to the force of gravity.&lt;br /&gt;
&lt;br /&gt;
Since the transition from mobile scavenging communities of hunter gatherers to the more predictable and geographically stationary communities of crop cultivation around 10,000 BC, humans have been shedding constraints and burning up resources with little recognition of the consequences.&lt;br /&gt;
&lt;br /&gt;
To humans, the available resources to exploit seemed limited by ingenuity, rather than by the recognition of finite supply. Animals often act against their interests when constraints diminish. When predation pressure from foxes diminishes, herbivores like rabbits might spike in population, then overgraze a finite range of plants.&lt;br /&gt;
&lt;br /&gt;
Dispassionate examination of ecological dynamics is more instructive and essential to our viability than the romantic allure of proposing to &lt;i&gt;live in harmony with nature&lt;/i&gt;. Our existential plight depends on our recognition of the consequences of pursuing our desires with few constraints beyond the degradation of the biosphere and the hard stop of finite resources.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/6/6f/Arthur_Wesley_Dow_-_The_Derelict_(The_Lost_Boat)_-_Google_Art_Project.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://upload.wikimedia.org/wikipedia/commons/6/6f/Arthur_Wesley_Dow_-_The_Derelict_(The_Lost_Boat)_-_Google_Art_Project.jpg" width="220" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/6/6f/Arthur_Wesley_Dow_-_The_Derelict_%28The_Lost_Boat%29_-_Google_Art_Project.jpg" rel="nofollow" target="_blank"&gt;&lt;b&gt;The Derelict (The Lost Boat)&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Arthur_Wesley_Dow" rel="nofollow" target="_blank"&gt;Arthur Wesley Dow&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The challenge of our time is recognizing the grand swelling of harmony in each moment with the full range of our senses, while simultaneously recognizing the compass of consequences of self-serving behavior.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Diapason" rel="nofollow" target="_blank"&gt;Diapason&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.quora.com/Why-is-the-human-race-unable-to-live-in-harmony-with-nature-and-itself-like-animals/answer/Steven-McQuinn?srid=wVK" rel="nofollow" target="_blank"&gt;Why is the human race unable to live in harmony with nature and itself, like animals?&lt;/a&gt;, Steven McQuinn, Quora.com, 17 April 2015.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3694873717118951572" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3694873717118951572" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/08/constraints-consequences.html" rel="alternate" title="Constraints &amp; Consequences" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-4415631858144530992</id><published>2016-07-30T07:49:00.000-05:00</published><updated>2016-07-30T09:03:11.543-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Albert Einstein"/><category scheme="http://www.blogger.com/atom/ns#" term="Art"/><category scheme="http://www.blogger.com/atom/ns#" term="Arthur Wesley Dow"/><category scheme="http://www.blogger.com/atom/ns#" term="Arts &amp; Crafts Movement"/><category scheme="http://www.blogger.com/atom/ns#" term="Composition in Art"/><category scheme="http://www.blogger.com/atom/ns#" term="Henri Poincaré"/><category scheme="http://www.blogger.com/atom/ns#" term="Japonism"/><category scheme="http://www.blogger.com/atom/ns#" term="John Wesley Powell"/><category scheme="http://www.blogger.com/atom/ns#" term="Mathematics"/><category scheme="http://www.blogger.com/atom/ns#" term="Painting"/><category scheme="http://www.blogger.com/atom/ns#" term="Scientific Inquiry"/><category scheme="http://www.blogger.com/atom/ns#" term="Symbolic Abstraction"/><title type="text">Grand Harmonies</title><content type="html">Mathematician&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Henri_Poincar%C3%A9" rel="nofollow" target="_blank"&gt;Henri Poincaré&lt;/a&gt; believed we study science and natural phenomena because we take pleasure in it. We take pleasure in natural phenomena because they're beautiful. On the motivation behind scientific inquiry Poincaré wrote:&lt;br /&gt;
&lt;br /&gt;
"&lt;i&gt;If nature were not beautiful it would not be worth knowing, and life would not be worth living."&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Henri_Poincar%C3%A9" rel="nofollow" target="_blank"&gt;Henri Poincaré&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/c/c6/'Lavender_and_Green'_by_Arthur_Wesley_Dow%2C_Dayton_Art_Institute.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="280" src="https://upload.wikimedia.org/wikipedia/commons/c/c6/'Lavender_and_Green'_by_Arthur_Wesley_Dow%2C_Dayton_Art_Institute.JPG" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/c/c6/%27Lavender_and_Green%27_by_Arthur_Wesley_Dow%2C_Dayton_Art_Institute.JPG" rel="nofollow" target="_blank"&gt;Lavender and Green&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;Arthur Wesley Dow&lt;br /&gt;1912&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Poincaré delineated between the beauty of &lt;i&gt;appearances&lt;/i&gt; and the beauty of intellectual abstractions like the mathematics undergirding science.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;I am not speaking, of course, of the beauty which strikes the senses, of the beauty of qualities and appearances. I am far from despising this, but it has nothing to do with science. What I mean is that more intimate beauty which comes from the harmonious order of its parts, and which a pure intelligence can grasp.&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Henri_Poincar%C3%A9" rel="nofollow" target="_blank"&gt;Henri Poincaré&lt;/a&gt;&lt;/blockquote&gt;
Drawing these distinctions was Poincaré's preference. At some level, these distinctions becomes immaterial. Perception is subjective whether born from sensual input from natural phenomena or from the symbolic abstractions crafted to model the behavior of some natural phenomena. Sublimity is sublimity. Beauty is beauty.&lt;br /&gt;
&lt;br /&gt;
Geologist and early expedition leader in the American west &lt;a href="https://en.wikipedia.org/wiki/John_Wesley_Powell" rel="nofollow" target="_blank"&gt;John Wesley Powell&lt;/a&gt; wrote of the harmony of form, color, and sound he experienced after he explored the Grand Canyon:&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;The glories and the beauties of form, color, and sound unite in the Grand Canyon - forms unrivaled even by the mountains, colors that vie with sunsets, and sounds that span the diapason from tempest to tinkling raindrop, from cataract to bubbling fountain.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Arthur_Wesley_Dow" rel="nofollow" target="_blank"&gt;John Wesley Powell&lt;/a&gt;&lt;/blockquote&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/d/d4/Arthur_Wesley_Dow_-_The_Destroyer_-_2009.62_-_Minneapolis_Institute_of_Arts.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://upload.wikimedia.org/wikipedia/commons/d/d4/Arthur_Wesley_Dow_-_The_Destroyer_-_2009.62_-_Minneapolis_Institute_of_Arts.jpg" width="239" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Arthur_Wesley_Dow_-_The_Destroyer_-_2009.62_-_Minneapolis_Institute_of_Arts.jpg" rel="nofollow" target="_blank"&gt;The Destroyer&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;Arthur Wesley Dow&lt;br /&gt;circa 1911-13&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
American artist &lt;a href="https://en.wikipedia.org/wiki/Arthur_Wesley_Dow" rel="nofollow" target="_blank"&gt;Arthur Wesley Dow&lt;/a&gt; argued against the shallow pursuit of painting imitative likenesses of nature. Rather he advocated for composition: the harmonious use of line, color, and shading.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Composition, building up of harmony, is the fundamental process in all the fine arts. I hold that art should be approached through composition rather than through imitative drawing.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Arthur_Wesley_Dow" rel="nofollow" target="_blank"&gt;Arthur Wesley Dow&lt;/a&gt;&lt;/blockquote&gt;
&lt;a href="https://commons.wikimedia.org/wiki/File:Arthur_Wesley_Dow_-_The_Destroyer_-_2009.62_-_Minneapolis_Institute_of_Arts.jpg" rel="nofollow" target="_blank"&gt;The Destroyer&lt;/a&gt;, a curvilinear composition of the Grand Canyon is an exquisite example of Dow's use of line, color, and shading.&lt;br /&gt;
&lt;br /&gt;
Dow's painting evokes a sensual experience of the Grand Canyon that arguably would've been absent in a &lt;a href="https://en.wikipedia.org/wiki/Representation_(arts)" rel="nofollow" target="_blank"&gt;representational&lt;/a&gt; painting.&lt;br /&gt;
&lt;br /&gt;
Dow was influenced by Japanese art. He was taken by the compositional freedom that encouraged off-center subject matter. He was inspired by the use of flat areas of strong color, simplified shapes, and patterns of darks and lights — elements that also influenced the &lt;a href="http://www.metmuseum.org/toah/hd/acam/hd_acam.htm" rel="nofollow" target="_blank"&gt;arts and crafts movement&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/7/76/Arthur_Wesley_Dow-_August_Moon%2C_1905.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="253" src="https://upload.wikimedia.org/wikipedia/commons/7/76/Arthur_Wesley_Dow-_August_Moon%2C_1905.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Arthur_Wesley_Dow-_August_Moon,_1905.jpg" rel="nofollow" target="_blank"&gt;August Moon&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;Arthur Wesley Dow&lt;br /&gt;circa 1905&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Simplicity is revealed by complexity. Harmony emerges from discord. Both await our discovery.&lt;br /&gt;
&lt;blockquote&gt;
Three Rules of Work:&lt;br /&gt;
&lt;i&gt;Out of clutter find simplicity.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;From discord find harmony.&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;In the middle of difficulty lies opportunity.
&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Albert_Einstein" rel="nofollow" target="_blank"&gt;Albert Einstein&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://books.google.com/books?id=9GAAAAAAYAAJ&amp;amp;printsec=frontcover&amp;amp;source=gbs_ge_summary_r&amp;amp;cad=0#v=onepage&amp;amp;q&amp;amp;f=false" rel="nofollow" target="_blank"&gt;Composition, a Series of Exercises in Art Structure for the Use of Students&lt;/a&gt;, Arthur Wesley Dow, Doubleday Page &amp;amp; Co, 1916.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://new.artsmia.org/stories/the-tao-of-arthur-wesley-dow/" rel="nofollow" target="_blank"&gt;The Tao of Arthur Wesley Dow&lt;/a&gt;, Minneapolis Institute of Arts, July 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://archive.org/details/sciencemethod00poinuoft" rel="nofollow" target="_blank"&gt;Science and Method&lt;/a&gt;, Henri Poincaré, Thomas Nelson and Sons, 1916.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4415631858144530992" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4415631858144530992" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/07/grand-harmonies.html" rel="alternate" title="Grand Harmonies" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-1126419563836714696</id><published>2016-07-23T11:45:00.001-05:00</published><updated>2016-07-23T12:53:37.839-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Agricultural Revolution"/><category scheme="http://www.blogger.com/atom/ns#" term="Anthropogenic"/><category scheme="http://www.blogger.com/atom/ns#" term="Human Activity"/><category scheme="http://www.blogger.com/atom/ns#" term="Humanity"/><category scheme="http://www.blogger.com/atom/ns#" term="Hunter-gatherer"/><category scheme="http://www.blogger.com/atom/ns#" term="Plans for Altering the River"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Hugo"/><title type="text">Vagaries of Habitat</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/1/10/Agriculture%3B_two_Egyptian_fellahin_with_a_plough_in_the_left_Wellcome_V0025708.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="112" src="https://upload.wikimedia.org/wikipedia/commons/1/10/Agriculture%3B_two_Egyptian_fellahin_with_a_plough_in_the_left_Wellcome_V0025708.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://commons.wikimedia.org/wiki/File:Agriculture;_two_Egyptian_fellahin_with_a_plough_in_the_left_Wellcome_V0025708.jpg" rel="nofollow" target="_blank"&gt;Egyptian peasant farmers&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
The transition from human subsistence on foraging and hunting to crop farming communities began around 10,000 B.C.&lt;br /&gt;
&lt;br /&gt;
Humans have been moving, tilling, diverting, mining, burning, fabricating, fouling and laying waste unabated ever since.&lt;br /&gt;
&lt;br /&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Agricultural_revolution" rel="nofollow" target="_blank"&gt;agricultural revolution&lt;/a&gt; was born from an aspiration to exercise sufficient control over our habitat to ensure a predictable supply of food.&lt;br /&gt;
&lt;br /&gt;
Human impact on the biosphere is often ignored, downplayed, or denied, but that doesn't comport with the evidence. Humans have a knack for engineering and adapting the natural environment to changing needs and desires.&lt;br /&gt;
&lt;br /&gt;
In &lt;i&gt;Plans for Altering the River&lt;/i&gt;, poet &lt;a href="https://en.wikipedia.org/wiki/Richard_Hugo" rel="nofollow" target="_blank"&gt;Richard Hugo&lt;/a&gt; writes of the human propensity to engineer habitat. Hugo explores the vagaries and absurdities of altering a river.&lt;br /&gt;
&lt;blockquote&gt;
&lt;b&gt;&lt;a href="http://www.poetryfoundation.org/features/audio/detail/76524" rel="nofollow" target="_blank"&gt;Plans for Altering the River&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by Richard Hugo&lt;/small&gt;&lt;br /&gt;
&lt;br /&gt;
Those who favor our plans to alter the river&lt;br /&gt;
raise your hand. Thank you for your vote.&lt;br /&gt;
Last week, you'll recall, I spoke about how water&lt;br /&gt;
never complains. How it runs where you tell it,&lt;br /&gt;
seemingly at home, flooding grain or pinched&lt;br /&gt;
by geometric banks like those in this graphic&lt;br /&gt;
depiction of our plan. We ask for power:&lt;br /&gt;
a river boils or falls to turn our turbines.&lt;br /&gt;
The river approves our plans to alter the river.&lt;br /&gt;
&lt;br /&gt;
Due to a shipwreck downstream, I'm sad to report&lt;br /&gt;
our project is not on schedule. The boat&lt;br /&gt;
was carrying cement for our concrete rip rap&lt;br /&gt;
balustrade that will force the river to run&lt;br /&gt;
east of the factory site through the state-owned&lt;br /&gt;
grove of cedar. Then, the uncooperative&lt;br /&gt;
carpenters union went on strike. When we get&lt;br /&gt;
that settled, and the concrete, given good weather&lt;br /&gt;
we can go ahead with our plan to alter the river.&lt;br /&gt;
&lt;br /&gt;
We have the injunction. We silenced the opposition.&lt;br /&gt;
The workers are back. The materials arrived&lt;br /&gt;
and everything's humming. I thank you&lt;br /&gt;
for this award, this handsome plaque I'll keep&lt;br /&gt;
forever above my mantle, and I'll read&lt;br /&gt;
the inscription often aloud to remind me&lt;br /&gt;
how with your courageous backing I fought&lt;br /&gt;
our battle and won. I'll always remember&lt;br /&gt;
this banquet this day we started to alter the river.&lt;br /&gt;
&lt;br /&gt;
Flowers on the bank? A park on Forgotten Island?&lt;br /&gt;
Return of cedar and salmon? Who are these men?&lt;br /&gt;
These Johnnys-come-lately with plans to alter the river?&lt;br /&gt;
What's this wild festival in May&lt;br /&gt;
celebrating the runoff, display floats on fire&lt;br /&gt;
at night and a forest dance under the stars?&lt;br /&gt;
Children sing through my locked door, 'Old stranger,&lt;br /&gt;
we're going to alter, to alter, alter the river.'&lt;br /&gt;
Just when the water was settled and at home.&lt;/blockquote&gt;
&lt;br /&gt;
Hugo personifies water, writing&amp;nbsp;&lt;i&gt;water never complains&lt;/i&gt; and it &lt;i&gt;runs where you tell it&lt;/i&gt;. The natural world seems to comply to the whims of the plan.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUSq_-7S3k_U8fQSneP6vFXqgFjWnjBnr_tq4WGEYsmP3R7g1YIluLDOkdBwWa3fcppJJyW7CSdDlP2ah9YuAr43Vk2JoYoNwicbrcIEe5O54KbvvrghGSPfCjfyeiX2I6akq12FXFaVE/s1600/Screen+Shot+2016-07-23+at+11.07.32+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUSq_-7S3k_U8fQSneP6vFXqgFjWnjBnr_tq4WGEYsmP3R7g1YIluLDOkdBwWa3fcppJJyW7CSdDlP2ah9YuAr43Vk2JoYoNwicbrcIEe5O54KbvvrghGSPfCjfyeiX2I6akq12FXFaVE/s400/Screen+Shot+2016-07-23+at+11.07.32+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Los Angeles Aqueduct&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://en.wikipedia.org/wiki/Jet_Lowe" rel="nofollow" target="_blank"&gt;Jet Lowe&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Despite our inclination to control, our most careful plans are subject to the unforeseen like &lt;i&gt;a shipwreck downstream&lt;/i&gt; or &lt;i&gt;uncooperative carpenters&lt;/i&gt;. Eventually it seems we must alter what's already been altered, &lt;i&gt;"Just when the water was settled and at home".&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.poetryfoundation.org/features/audio/detail/76524" rel="nofollow" target="_blank"&gt;Plans For Altering The River&lt;/a&gt;, Richard Hugo, audio recording, PoetryFoundation.org.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1126419563836714696" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1126419563836714696" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/07/vagaries-of-habitat.html" rel="alternate" title="Vagaries of Habitat" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUSq_-7S3k_U8fQSneP6vFXqgFjWnjBnr_tq4WGEYsmP3R7g1YIluLDOkdBwWa3fcppJJyW7CSdDlP2ah9YuAr43Vk2JoYoNwicbrcIEe5O54KbvvrghGSPfCjfyeiX2I6akq12FXFaVE/s72-c/Screen+Shot+2016-07-23+at+11.07.32+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-2503166079314537033</id><published>2016-07-16T10:42:00.004-05:00</published><updated>2016-07-16T11:17:21.428-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Albatross"/><category scheme="http://www.blogger.com/atom/ns#" term="Arctic Tern"/><category scheme="http://www.blogger.com/atom/ns#" term="Bird Migration"/><category scheme="http://www.blogger.com/atom/ns#" term="Jennifer K. Sweeney"/><category scheme="http://www.blogger.com/atom/ns#" term="Sooty Tern"/><title type="text">Birds in Flight</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/0/05/Sterna_fuscata_flight.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="https://upload.wikimedia.org/wikipedia/commons/0/05/Sterna_fuscata_flight.JPG" width="145" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;&lt;a href="https://en.wikipedia.org/wiki/Sooty_tern" rel="nofollow" target="_blank"&gt;Sooty Tern&lt;/a&gt; in Flight&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="https://commons.wikimedia.org/wiki/File:Sterna_fuscata_flight.JPG" rel="nofollow" target="_blank"&gt;Duncan Wright&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Many species of bird travel north and south along flyways between seasonal breeding and wintering grounds. Bird migration was recorded by &lt;a href="https://en.wikipedia.org/wiki/Homer" rel="nofollow" target="_blank"&gt;Homer&lt;/a&gt; and &lt;a href="https://en.wikipedia.org/wiki/Aristotle" rel="nofollow" target="_blank"&gt;Aristotle&lt;/a&gt; 3,000 years ago.&lt;br /&gt;
&lt;br /&gt;
Seasonal migration is driven by the availability of food and by the suitability of nesting sites.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Arctic_tern" rel="nofollow" target="_blank"&gt;Arctic Terns&lt;/a&gt; makes the longest yearly journey, flying from Arctic breeding grounds to the Antarctic.&lt;br /&gt;
&lt;br /&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Southern_royal_albatross" rel="nofollow" target="_blank"&gt;Southern Royal Albatross&lt;/a&gt; circles the Earth over the southern oceans. The &lt;a href="https://en.wikipedia.org/wiki/Sooty_tern" rel="nofollow" target="_blank"&gt;Sooty Tern&lt;/a&gt;&amp;nbsp;spends months at sea before returning to land to breed.&lt;br /&gt;
&lt;br /&gt;
Migration is often arduous and carries the existential threats of predation and mortality.&lt;br /&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;blockquote&gt;
&lt;b&gt;In Flight&lt;/b&gt;&lt;br /&gt;
by &lt;a href="https://en.wikipedia.org/wiki/Jennifer_K._Sweeney" rel="nofollow" target="_blank"&gt;Jennifer K. Sweeney&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The Himalayan legend says&lt;br /&gt;
there are beautiful white birds&lt;br /&gt;
that live completely in flight.&lt;br /&gt;
They are born in the air,&lt;br /&gt;
&lt;br /&gt;
must learn to fly before falling&lt;br /&gt;
and die also in their flying.&lt;br /&gt;
Maybe you have been born&lt;br /&gt;
into such a life&lt;br /&gt;
&lt;br /&gt;
with the bottom dropping out.&lt;br /&gt;
Maybe gravity is claiming you&lt;br /&gt;
and you feel&lt;br /&gt;
ghost-scripted.&lt;br /&gt;
&lt;br /&gt;
For the one who lives inside the fall,&lt;br /&gt;
the sky beneath the sky of all.&lt;/blockquote&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7wRJpYkP5vQsRDbPrq5MZ9rvCZ2jjnkBbTKwG3L-X6UqiumOntzgZ8vlnnXMJHaP2odHmqHxxKhE5HLU5PlyEyT8CjgCLOPbai9az_zjeYMqXgti6AGp0mBh2vQL3JmTkrtIqWxMRjwbo/s1600/migrationpaths.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7wRJpYkP5vQsRDbPrq5MZ9rvCZ2jjnkBbTKwG3L-X6UqiumOntzgZ8vlnnXMJHaP2odHmqHxxKhE5HLU5PlyEyT8CjgCLOPbai9az_zjeYMqXgti6AGp0mBh2vQL3JmTkrtIqWxMRjwbo/s400/migrationpaths.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: right;"&gt;&lt;small&gt;by &lt;a href="https://commons.wikimedia.org/wiki/File:Migrationroutes.svg" rel="nofollow" target="_blank"&gt;L. Shyamal&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Bird_migration" rel="nofollow" target="_blank"&gt;Bird Migration&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://silverbirchpress.wordpress.com/2013/05/24/in-flight-poem-by-jennifer-k-sweeney/" rel="nofollow" target="_blank"&gt;In Flight&lt;/a&gt;, Jennifer K. Sweeney, 24 May 2013.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Seabird" rel="nofollow" target="_blank"&gt;Seabird&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2503166079314537033" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2503166079314537033" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/07/in-flight.html" rel="alternate" title="Birds in Flight" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7wRJpYkP5vQsRDbPrq5MZ9rvCZ2jjnkBbTKwG3L-X6UqiumOntzgZ8vlnnXMJHaP2odHmqHxxKhE5HLU5PlyEyT8CjgCLOPbai9az_zjeYMqXgti6AGp0mBh2vQL3JmTkrtIqWxMRjwbo/s72-c/migrationpaths.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-6532767939601472667</id><published>2016-07-09T10:58:00.001-05:00</published><updated>2016-07-09T11:46:21.289-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ann Druyan"/><category scheme="http://www.blogger.com/atom/ns#" term="Bioluminescence"/><category scheme="http://www.blogger.com/atom/ns#" term="Carl Sagan"/><category scheme="http://www.blogger.com/atom/ns#" term="Firefly"/><category scheme="http://www.blogger.com/atom/ns#" term="Jonathan Safran Foer"/><title type="text">Life's Glow</title><content type="html">This time of year in temperate regions, many harken the arrival of firefly mating. Their chemically produced light appears like tiny lanterns floating over the landscape.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5hM_gtEuKjyoiwmgjhGiPh_EfxZ2Ihvllt1HQCCOO1pAPSa1ueB1Mw1SFs1wB-zNFSMpJ4PzNqZKiUq6DrFzRGNfi7ndJjRj3bAjw-Jc2wn9obgdRkgRFjJWoTUUSRBHpOBvj_j_gqRyQ/s1600/Screen+Shot+2016-07-09+at+9.55.51+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5hM_gtEuKjyoiwmgjhGiPh_EfxZ2Ihvllt1HQCCOO1pAPSa1ueB1Mw1SFs1wB-zNFSMpJ4PzNqZKiUq6DrFzRGNfi7ndJjRj3bAjw-Jc2wn9obgdRkgRFjJWoTUUSRBHpOBvj_j_gqRyQ/s400/Screen+Shot+2016-07-09+at+9.55.51+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Hotaria parvula of Kurayoshi&lt;/b&gt;&lt;br /&gt;
by &lt;a href="http://photohito.com/photo/5770744/" target="_blank"&gt;hm777&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
In their mating ritual, fireflies emit &lt;a href="https://en.wikipedia.org/wiki/Bioluminescence" rel="nofollow" target="_blank"&gt;bioluminescent&lt;/a&gt; light from their abdomens during twilight.&lt;br /&gt;
&lt;br /&gt;
Mating is a curiosity. In a summary account of more than a billion years of an evolutionary life force,&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Carl_Sagan" rel="nofollow" target="_blank"&gt;Carl Sagan&lt;/a&gt;&amp;nbsp;and his spouse&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Ann_Druyan" rel="nofollow" target="_blank"&gt;Ann Druyan&lt;/a&gt;, explore the ever-elusive &lt;i&gt;purpose&lt;/i&gt; of life:&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;“Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. 
&lt;br /&gt;&lt;br /&gt;
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 
&lt;br /&gt;&lt;br /&gt;
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. 
&lt;br /&gt;&lt;br /&gt;
They've served their purpose. 
&lt;br /&gt;&lt;br /&gt;
Nature is unsentimental. 
&lt;br /&gt;&lt;br /&gt;
Death is built in.”&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Carl_Sagan" rel="nofollow" target="_blank"&gt;Carl Sagan&lt;/a&gt; and &lt;a href="https://en.wikipedia.org/wiki/Ann_Druyan" rel="nofollow" target="_blank"&gt;Ann Druyan&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
Male fireflies emit light to attract a female mate. When a female detects a male emitting a recognized and favorable wavelength, she'll respond with her own light to signal her receptiveness to a reproductive liaison.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16kR2Nb-VBqgH7fCIGaQxA6q2qyi0bI88N2fXySl66dC_XjkUApTSSVyAGt4uBK4oueyQxWlSGu7-OpPy1UJqhcVDPT3DifM6MKXakYi5mTXqq5mffgjY9XDivQLxBpa0Cengt0MgbE4_/s1600/Screen+Shot+2016-07-09+at+10.57.18+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi16kR2Nb-VBqgH7fCIGaQxA6q2qyi0bI88N2fXySl66dC_XjkUApTSSVyAGt4uBK4oueyQxWlSGu7-OpPy1UJqhcVDPT3DifM6MKXakYi5mTXqq5mffgjY9XDivQLxBpa0Cengt0MgbE4_/s400/Screen+Shot+2016-07-09+at+10.57.18+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Summer Night&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="http://photohito.com/photo/5786412/" rel="nofollow" target="_blank"&gt;Yasushi Kikuchi&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Nature is unsentimental, but poetic. Still, "death is built in". Fireflies live for about 10 days.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;
"Well, what I don't get is why do we exist? I don't mean how, but why.' I watched the fireflies of his thoughts orbit his head. He said, 'we exist because we exist. . .we could imagine all sorts of universes like this one, but this is the one that happened."&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Jonathan_Safran_Foer" rel="nofollow" target="_blank"&gt;Jonathan Safran Foer&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/4588.Extremely_Loud_and_Incredibly_Close" rel="nofollow" target="_blank"&gt;Extremely Loud and Incredibly Close&lt;/a&gt;, Jonathan Safran Foer, Mariner Books, 2006.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.thisiscolossal.com/2016/07/2016-summer-firefly-photos/" rel="nofollow" target="_blank"&gt;Magical Photographs of Fireflies from Japan’s 2016 Summer&lt;/a&gt;, Christopher Jobson, Colossal, 7 July 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/1331580.Shadows_Of_Forgotten_Ancestors" rel="nofollow" target="_blank"&gt;Shadows Of Forgotten Ancestors: A Search For Who We Are&lt;/a&gt;, Carl Sagan and Ann Druyan, Ballantine Books, 1992.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.mnn.com/earth-matters/animals/stories/why-do-fireflies-glow" rel="nofollow" target="_blank"&gt;Why do fireflies glow?&lt;/a&gt;, Chanie Kirschner, Mother Nature Network, 7 May 2013.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/6532767939601472667" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/6532767939601472667" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/07/life-glow.html" rel="alternate" title="Life's Glow" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5hM_gtEuKjyoiwmgjhGiPh_EfxZ2Ihvllt1HQCCOO1pAPSa1ueB1Mw1SFs1wB-zNFSMpJ4PzNqZKiUq6DrFzRGNfi7ndJjRj3bAjw-Jc2wn9obgdRkgRFjJWoTUUSRBHpOBvj_j_gqRyQ/s72-c/Screen+Shot+2016-07-09+at+9.55.51+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-881502948803249576</id><published>2016-07-02T12:19:00.000-05:00</published><updated>2016-07-02T20:03:54.745-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ancient Civilizations"/><category scheme="http://www.blogger.com/atom/ns#" term="Archaeoastronomy"/><category scheme="http://www.blogger.com/atom/ns#" term="Cross-Quarter"/><category scheme="http://www.blogger.com/atom/ns#" term="Equinox"/><category scheme="http://www.blogger.com/atom/ns#" term="Hopi"/><category scheme="http://www.blogger.com/atom/ns#" term="Jim Krehbiel"/><category scheme="http://www.blogger.com/atom/ns#" term="Nomad"/><category scheme="http://www.blogger.com/atom/ns#" term="Orientation"/><category scheme="http://www.blogger.com/atom/ns#" term="Primative Astronomy"/><category scheme="http://www.blogger.com/atom/ns#" term="Shawnee"/><category scheme="http://www.blogger.com/atom/ns#" term="Solstice"/><category scheme="http://www.blogger.com/atom/ns#" term="Stephen McCluskey"/><category scheme="http://www.blogger.com/atom/ns#" term="Time"/><category scheme="http://www.blogger.com/atom/ns#" term="Wanderer"/><category scheme="http://www.blogger.com/atom/ns#" term="Wheel of the Year"/><title type="text">Marking Time</title><content type="html">The word &lt;i&gt;planet&lt;/i&gt; is derived from the ancient Greek &lt;a href="http://www.wordsense.eu/%CF%80%CE%BB%CE%B1%CE%BD%CE%AE%CF%84%CE%B7%CF%82/#Ancient_Greek" rel="nofollow" target="_blank"&gt;πλανήτης&lt;/a&gt; (planētēs) meaning nomad or wanderer. Nomad and wanderer are fitting metaphors for Earthborn observers on a life raft orbiting the Sun.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtR2DYsgTfpEZJbSjGy7uMOPTBMz62yAGaHl7IT3lawzAFl_4N6T7WGJnE7kHaktSlIawrWfdxSTb6KerCcrjWnoiLMhyphenhyphenbjChr6HtvZIzeOuktQjlWMW74wwLf7gkgRlBezOVaMW9yfmo5/s1600/Screen+Shot+2016-07-02+at+11.29.42+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtR2DYsgTfpEZJbSjGy7uMOPTBMz62yAGaHl7IT3lawzAFl_4N6T7WGJnE7kHaktSlIawrWfdxSTb6KerCcrjWnoiLMhyphenhyphenbjChr6HtvZIzeOuktQjlWMW74wwLf7gkgRlBezOVaMW9yfmo5/s400/Screen+Shot+2016-07-02+at+11.29.42+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption"&gt;&lt;div&gt;
&lt;div style="float: left; text-align: left;"&gt;
&lt;b&gt;&lt;a href="http://jimkrehbiel.virb.com/archaeoastronomy-pieces#/id/i11154827/full" rel="nofollow" target="_blank"&gt;Points to Eastern Horizon&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;archival pigmented print&lt;/small&gt;&lt;/div&gt;
&lt;div style="float: right;"&gt;
&lt;a href="http://jimkrehbiel.virb.com/info" rel="nofollow" target="_blank"&gt;Jim Krehbiel&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The construct of time, the narrative element of &lt;i&gt;marking&lt;/i&gt; time, and the construct of orientation are traceable to the human experience of a random and arbitrary astronomical phenomenon: The elliptical circuit Earth travels around the Sun.&lt;br /&gt;
&lt;br /&gt;
A 365° elliptical circuit of the Sun is the astronomical metronome that provides the clicks and markers for perhaps the most persistent human narratives which are the marking of time and a sense of direction.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX7HsnmI7kQdIiB30ZnQIxmt0KgBKTe4CJhVgvXZUcbpLhhZOLhLuIAcZDkgAutgea33a-IjnrCD64Oav4aJP28XRqGNgTlKdiSzCfBTqpd1Vk4MPbp_FudPP7AV6OpQV2hgbAEM1ojgKq/s1600/Screen+Shot+2016-07-02+at+10.21.58+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX7HsnmI7kQdIiB30ZnQIxmt0KgBKTe4CJhVgvXZUcbpLhhZOLhLuIAcZDkgAutgea33a-IjnrCD64Oav4aJP28XRqGNgTlKdiSzCfBTqpd1Vk4MPbp_FudPP7AV6OpQV2hgbAEM1ojgKq/s400/Screen+Shot+2016-07-02+at+10.21.58+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption"&gt;&lt;div&gt;
&lt;div style="float: left; text-align: left;"&gt;
&lt;b&gt;&lt;a href="http://jimkrehbiel.virb.com/archaeoastronomy-pieces#/id/i11154821/full" rel="nofollow" target="_blank"&gt;Cross-quarter Sun by the Crescent Moon&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;archival pigmented print&lt;/small&gt;&lt;/div&gt;
&lt;div style="float: right;"&gt;
&lt;a href="http://jimkrehbiel.virb.com/info" rel="nofollow" target="_blank"&gt;Jim Krehbiel&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;br /&gt;
Years are marked by a lap around the Sun. A year is segmented into seasons. Earth proceeds counter-clockwise through eight spatial milestones marking the beginning, midpoint and end of each season. The eight positions are visualized as spokes on what is considered the &lt;a href="https://en.wikipedia.org/wiki/Wheel_of_the_Year" rel="nofollow" target="_blank"&gt;Wheel of the Year&lt;/a&gt; by modern Pagans.&lt;br /&gt;
&lt;br /&gt;
Last month, Earth traveled through its&amp;nbsp;&lt;a href="https://en.wikipedia.org/wiki/Summer_solstice" rel="nofollow" target="_blank"&gt;Summer Solstice&lt;/a&gt;. Next month Earth passes through the cross-quarter called &lt;a href="https://en.wikipedia.org/wiki/Lughnasadh" rel="nofollow" target="_blank"&gt;Lughnasadh&lt;/a&gt;,&amp;nbsp;corresponding to a Gaelic festival marking the beginning of the harvest. September brings the &lt;a href="https://en.wikipedia.org/wiki/Equinox" rel="nofollow" target="_blank"&gt;Autumnal Equinox&lt;/a&gt;, followed by the cross-quarter &lt;a href="https://en.wikipedia.org/wiki/Samhain" rel="nofollow" target="_blank"&gt;Samhain&lt;/a&gt;,&amp;nbsp;corresponding to a Gaelic festival marking the end of the harvest.&lt;br /&gt;
&lt;br /&gt;
December harkens the arrival of &lt;a href="https://en.wikipedia.org/wiki/Winter_solstice" rel="nofollow" target="_blank"&gt;Winter Solstice&lt;/a&gt;, followed by the cross-quarter &lt;a href="https://en.wikipedia.org/wiki/Imbolc" rel="nofollow" target="_blank"&gt;Imbolc&lt;/a&gt; in February, corresponding to a Gaelic festival marking the beginning of spring. March brings the &lt;a href="https://en.wikipedia.org/wiki/Equinox" rel="nofollow" target="_blank"&gt;Vernal Equinox&lt;/a&gt;, followed by the cross-quarter &lt;a href="https://en.wikipedia.org/wiki/Beltane" rel="nofollow" target="_blank"&gt;Beltane&lt;/a&gt;, corresponding to a Gaelic May day festival. Completing the circuit brings us back to the Summer Solstice.&lt;br /&gt;
&lt;br /&gt;
A rising and setting Sun is a predictable orientational prop. The force of gravity plays the principal role in our orientational fiction for &lt;i&gt;up&lt;/i&gt; and &lt;i&gt;down&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
Earth's orbit of the Sun provides an additional framework for directional orientation. In native American cultures, notably the &lt;a href="https://en.wikipedia.org/wiki/Hopi" rel="nofollow" target="_blank"&gt;Hopis&lt;/a&gt;, direction is derived from observable phenomena rather than intellectual abstraction.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;The four cardinal directions of Hopi cosmology, and apparently those of many other American Indian cosmologies, are not the four directions which the European tradition derives from an abstract geometrization of space. Rather their cardinal directions are empirically observable ones defined by observations of sunrise and sunset at the winter and summer solstices. The four solstitial directions not only provide a stable empirical framework within which astronomical observations are made, but they also provide a general cosmological framework which draws apparently unrelated natural phenomena into an organic unity.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://www.archaeological.org/lecturer/stephenmccluskey" rel="nofollow" target="_blank"&gt;Stephen C. McCluskey&lt;/a&gt;&lt;/blockquote&gt;
Ancient humans gazed up at the night sky to observe sparkling bodies overhead seemingly stationary, but to the patient observer, moving. Our ancient ancestors would have noticed the phases of the Moon because of the opportunities and threats an illuminated Moon might have posed to them.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEbvJLYh0wP2yOhhS6sEJjonpo_WQM79PlcJcede7E1ASEkl3HIasDwtmaFDw863SYoxbbKedtbYaF3HKJDj9QsPHSvXbLfnkjPjxX1-vQTyB-y1xjhDwTvS3aPrQWWLmiL5TVYkaeVHhJ/s1600/Screen+Shot+2016-07-02+at+11.45.50+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEbvJLYh0wP2yOhhS6sEJjonpo_WQM79PlcJcede7E1ASEkl3HIasDwtmaFDw863SYoxbbKedtbYaF3HKJDj9QsPHSvXbLfnkjPjxX1-vQTyB-y1xjhDwTvS3aPrQWWLmiL5TVYkaeVHhJ/s400/Screen+Shot+2016-07-02+at+11.45.50+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption"&gt;&lt;div&gt;
&lt;div style="float: left; text-align: left;"&gt;
&lt;b&gt;&lt;a href="http://jimkrehbiel.virb.com/archaeoastronomy-pieces#/id/i11153660/full" rel="nofollow" target="_blank"&gt;Antares over Moonhouse&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;archival pigmented print&lt;/small&gt;&lt;/div&gt;
&lt;div style="float: right;"&gt;
&lt;a href="http://jimkrehbiel.virb.com/info" rel="nofollow" target="_blank"&gt;Jim Krehbiel&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
With unaided eye, our ancient ancestors would have also noticed faster moving bodies in the sky which we now know were the planets Mercury, Venus, Mars, Jupiter, and Saturn. They likely would have noted sunlight and shadow aligning, striking, and passing across targets aligned with equinox, solstice, and cross-quarter sunrises and sunsets.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;We are all one child spinning through Mother Sky.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Shawnee" rel="nofollow" target="_blank"&gt;Shawnee&lt;/a&gt; proverb&lt;/blockquote&gt;
To ancient civilizations awed by cyclical astronomical phenomena, the ability to predict and mark such events was prized and sacred knowledge.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Archaeoastronomy" rel="nofollow" target="_blank"&gt;Archaeoastronomy&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.cambridge.org/us/academic/subjects/astronomy/astronomy-general/archaeoastronomy-new-world-american-primitive-astronomy" rel="nofollow" target="_blank"&gt;Archaeoastronomy in the New World: American Primitive Astronomy&lt;/a&gt;, Anthony F. Aveni, Cambridge University Press, 1982.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/881502948803249576" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/881502948803249576" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/07/marking-time.html" rel="alternate" title="Marking Time" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtR2DYsgTfpEZJbSjGy7uMOPTBMz62yAGaHl7IT3lawzAFl_4N6T7WGJnE7kHaktSlIawrWfdxSTb6KerCcrjWnoiLMhyphenhyphenbjChr6HtvZIzeOuktQjlWMW74wwLf7gkgRlBezOVaMW9yfmo5/s72-c/Screen+Shot+2016-07-02+at+11.29.42+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-8927374324507527524</id><published>2016-06-25T05:28:00.000-05:00</published><updated>2016-06-25T05:28:03.887-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="June Solstice"/><category scheme="http://www.blogger.com/atom/ns#" term="Neil deGrasse Tyson"/><category scheme="http://www.blogger.com/atom/ns#" term="Strawberry Moon"/><title type="text">Many Moons</title><content type="html">Full moons during the year have many different names in many different cultures.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Most people want something in the sky to be special and unique to their lifetime on Earth. An Earth that has been here for four and a half billion years.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Neil_deGrasse_Tyson" rel="nofollow" target="_blank"&gt;Neil deGrasse Tyson&lt;/a&gt;&lt;/blockquote&gt;
Traditional Native American names for the moons:&lt;br /&gt;
&lt;center&gt;
&lt;table cellpadding="4px" cellspacing="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;January&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Difficulty, Black Smoke&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;February&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Raccoon, Bare Spots on the Ground&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;March&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Wind, Little Grass, Sore-Eye&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;April&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Ducks, Goose-Eggs&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;May&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Green Grass, Root-Food&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;June&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Corn-Planting, Strawberry&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;July&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Buffalo (Bull), Hot Sun&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;August&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Harvest, Cow Buffalo&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;September&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Wild Rice, Red Plum&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;October&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Leaf-Falling, Nuts&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;November&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Deer-Mating, Fur-Pelts&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="border-bottom: silver 1px solid; font-weight: bold; text-align: right;"&gt;December&lt;/td&gt;&lt;td style="border-bottom: silver 1px solid;"&gt;Wolves, Big Moon&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/center&gt;
&lt;br /&gt;
From Earth, the &lt;a href="https://en.wikipedia.org/wiki/Full_moon" rel="nofollow" target="_blank"&gt;full moon&lt;/a&gt; appears fully illuminated because it is positioned directly opposite the Sun.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7SNb-4qaWtL_DWvulr-bC7W_rMTt318bbyBCgt_zsFNMR52k87zD_5fZ4ngH7HMspjALx7sPUJG22_LMMElz99WIEMI3xf475VQxfIILmUgaknl0Ru0l06wsnL8T_2fQUl7ov7lzYNvi8/s1600/Screen+Shot+2016-06-23+at+1.56.29+PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="343" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7SNb-4qaWtL_DWvulr-bC7W_rMTt318bbyBCgt_zsFNMR52k87zD_5fZ4ngH7HMspjALx7sPUJG22_LMMElz99WIEMI3xf475VQxfIILmUgaknl0Ru0l06wsnL8T_2fQUl7ov7lzYNvi8/s400/Screen+Shot+2016-06-23+at+1.56.29+PM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Strawberry Moon&lt;/b&gt;&lt;br /&gt;
Park Point, Duluth, Minnesota, 20 June 2016&lt;br /&gt;
&lt;small&gt;Photograph: &lt;a href="https://www.facebook.com/grantjohnsonphotography/photos/ms.c.eJw9zMENAzAIQ9GNKmwwkP0XaxVKjk~;f4IhzYEakOuvjY3Y75fhZwTxOkKx47uo~_YeuY7uMyXGeuOdbr9975N2av3cNupz9Pr7UUknr~;IafjC~_o3KY4~-.bps.a.314990995499201.1073741838.183569115308057/314991028832531/?type=3" rel="nofollow" target="_blank"&gt;Grant Johnson&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
The June full moon is called the Strawberry Moon. Because the June full moon never gets comparatively high above the horizon, nor does the Sun get comparatively low below the horizon, the Strawberry moon is characterized by its reddish to honey-colored tint from sunlight filtered through our atmosphere.
&lt;br /&gt;
&lt;br /&gt;
This year the Strawberry Moon coincided with the &lt;a href="https://en.wikipedia.org/wiki/June_solstice" rel="nofollow" target="_blank"&gt;June Solstice&lt;/a&gt; in the northern hemisphere. A Strawberry Moon on the summer solstice hasn't happened since 1948.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.space.com/33240-delicious-strawberry-full-moon-wows-stargazers.html" rel="nofollow" target="_blank"&gt;Delicious 'Strawberry Moon' Photos: Rare Solstice Lunar Show Wows Stargazers&lt;/a&gt;, Calla Cofield, Space.com 21 June 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.youtube.com/watch?v=g7OMgsD7T74&amp;amp;feature=youtu.be" rel="nofollow" target="_blank"&gt;Neil deGrasse Tyson Explains The "Strawberry Moon"&lt;/a&gt;, video clip from The Late Show with Stephen Colbert 
The Late Show with Stephen Colbert, 23 June 2016.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8927374324507527524" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/8927374324507527524" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/06/many-moons.html" rel="alternate" title="Many Moons" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7SNb-4qaWtL_DWvulr-bC7W_rMTt318bbyBCgt_zsFNMR52k87zD_5fZ4ngH7HMspjALx7sPUJG22_LMMElz99WIEMI3xf475VQxfIILmUgaknl0Ru0l06wsnL8T_2fQUl7ov7lzYNvi8/s72-c/Screen+Shot+2016-06-23+at+1.56.29+PM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-7656345759735036662</id><published>2016-06-18T08:36:00.000-05:00</published><updated>2016-06-18T10:16:23.305-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Albert C. Peale"/><category scheme="http://www.blogger.com/atom/ns#" term="Ferdinand Hayden"/><category scheme="http://www.blogger.com/atom/ns#" term="Hayden Geological Survey 1871"/><category scheme="http://www.blogger.com/atom/ns#" term="Henry Miller"/><category scheme="http://www.blogger.com/atom/ns#" term="William H. Jackson"/><category scheme="http://www.blogger.com/atom/ns#" term="Yellowstone Lake"/><title type="text">Journey to a Lake</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/e/ec/LangfordYellowstoneLakeMap.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="https://upload.wikimedia.org/wikipedia/commons/e/ec/LangfordYellowstoneLakeMap.JPG" width="171" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Yellowstone Lake Map, 1870&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
The forests, peaks, and valleys surrounding &lt;a href="https://en.wikipedia.org/wiki/Yellowstone_Lake" rel="nofollow" target="_blank"&gt;Yellowstone Lake&lt;/a&gt; have been inhabited by humans for more than 11,000 years.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/John_Colter" rel="nofollow" target="_blank"&gt;John Colter&lt;/a&gt;, a member of the &lt;a href="https://en.wikipedia.org/wiki/Lewis_and_Clark_Expedition" rel="nofollow" target="_blank"&gt;Lewis and Clark Expedition&lt;/a&gt;, is believed the first non-native to see Yellowstone Lake circa 1807-08.&lt;br /&gt;
&lt;br /&gt;
Fur trading brought trappers to the lake. Mountain man &lt;a href="https://en.wikipedia.org/wiki/Osborne_Russell" rel="nofollow" target="_blank"&gt;Osborne Russell&lt;/a&gt; wrote:&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"The lake is about 100 miles in circumference, bordered on the east by high ranges of mountains whose spurs terminate at the shore and on the west by a low bed of piney mountains. Its greatest width is about fifteen miles, lying in an oblong form south to north, or rather in the shape of a crescent. Near where we encamped were several hot springs which boiled perpetually."&lt;/i&gt;&lt;br /&gt;
— journal entry, 1836&lt;/blockquote&gt;
&lt;br /&gt;
The U.S. Congress appropriated $40,000 in 1871 to underwrite a survey led by geologist &lt;a href="https://en.wikipedia.org/wiki/Ferdinand_Vandeveer_Hayden" rel="nofollow" target="_blank"&gt;Ferdinand Hayden&lt;/a&gt; to explore and document the northwestern region of the &lt;a href="https://en.wikipedia.org/wiki/Wyoming_Territory" rel="nofollow" target="_blank"&gt;Territory of Wyoming&lt;/a&gt;. 
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmKcTDnIQx4sF6GMKWRGMtn5E7wByxzXIi0LsXPOlCiuYaAV8kjnYHQf1nqo-pYnTaFvyU4CQ8OZ3xImz3XR_A3L3uTM8lTpqlt6CUTZrSIJxeQ9FWTjLKeaJ-LPC7k_SkKWgFx61xla0b/s1600/YellowstoneLakeWHJackson.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmKcTDnIQx4sF6GMKWRGMtn5E7wByxzXIi0LsXPOlCiuYaAV8kjnYHQf1nqo-pYnTaFvyU4CQ8OZ3xImz3XR_A3L3uTM8lTpqlt6CUTZrSIJxeQ9FWTjLKeaJ-LPC7k_SkKWgFx61xla0b/s400/YellowstoneLakeWHJackson.jpg" width="456" /&gt;&lt;/a&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Yellowstone Lake, Hayden Geological Survey&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;&lt;a href="https://www.nps.gov/features/yell/slidefile/history/moranandotherart/Images/02937.jpg" rel="nofollow" target="_blank"&gt;Original painting&lt;/a&gt; by &lt;a href="https://en.wikipedia.org/wiki/William_Henry_Jackson" rel="nofollow" target="_blank"&gt;William H Jackson&lt;/a&gt;, 1871&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="clear: both;"&gt;
&lt;/div&gt;
&lt;br /&gt;
A year later in 1872, Congress passed legislation that was signed into law by President &lt;a href="https://en.wikipedia.org/wiki/Ulysses_S._Grant" rel="nofollow" target="_blank"&gt;Ulysses Grant&lt;/a&gt; to create Yellowstone National Park.
&lt;br /&gt;
&lt;br /&gt;
From Hayden's correspondence to &lt;a href="https://en.wikipedia.org/wiki/Spencer_Fullerton_Baird" rel="nofollow" target="_blank"&gt;Spencer Baird&lt;/a&gt;, of the &lt;a href="https://en.wikipedia.org/wiki/Smithsonian_Institution" rel="nofollow" target="_blank"&gt;Smithsonian Institution&lt;/a&gt;, regarding the survey of Yellowstone Lake:&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;Dear Professor Baird,
&lt;br /&gt;&lt;br /&gt;
Your letters of June 6th and July 3rd were brought us from Fort Ellis by Lt. Doane who has just arrived to take command of our escort and accompany my party the remainder of the season.&lt;br /&gt;&lt;br /&gt;

We arrived at the banks of the Yellow Stone Lake July 26th and pitched our camp near the point where the river leaves the Lake. Hence we brought the first pair of wheels that ever came to the Lake with our Odometer. We launched the first Boat on the Lake, 4.5 feet wide and 11 feet long, with sails and oars.&lt;br /&gt;&lt;br /&gt;
A chart of this soundings will be made. Points have been located with a prismatic compass all around the Lake. A man stands on the shore with a compass and takes a bearing to the man in the Boat as he drops the lead, giving a signal at the time. Then a man in the Boat takes a bearing to the fixed point on the shore where the first man is located and thus the soundings will be located on the chart. Henry Elliot and Mr. Carrington have just left in our little boat, the Annie. [They] will make a systematic sketch of the shore with all its indentations, with the banks down, indeed, making a complete topographical as well as pictorial sketch of the shores as seen from the water, for a circuit--of at least 130 miles.

&lt;br /&gt;&lt;br /&gt;
One of the islands has been explored. We have called it Stevenson's Island as he was undoubtedly the first human that ever set foot upon it.&lt;br /&gt;&lt;br /&gt;
We found everything in the Geyser region even more wonderful than it has been represented.&lt;br /&gt;&lt;br /&gt;I send this back to you by James [Stevenson] who returns to our permanent camp for supplies.&lt;br /&gt;&lt;br /&gt;We hope to reach Fort Ellis about the 1st or 5th of September. Schönborn does splendid Topographical work. Write at once.&lt;br /&gt;&lt;br /&gt;Yours Truly,&lt;br /&gt;F. V. Hayden&lt;br /&gt;&lt;br /&gt;
I will send you some Photographs soon.&lt;/i&gt;&lt;/blockquote&gt;
Accompanying Hayden on the expedition was American painter, Civil War veteran, and geological survey photographer &lt;a href="https://en.wikipedia.org/wiki/William_Henry_Jackson" rel="nofollow" target="_blank"&gt;William H. Jackson&lt;/a&gt;, and mineralogist &lt;a href="https://en.wikipedia.org/wiki/Albert_Charles_Peale" rel="nofollow" target="_blank"&gt;Albert C. Peale&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://www.nps.gov/features/yell/slidefile/history/jacksonphotos/Images/17958.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="265" src="https://www.nps.gov/features/yell/slidefile/history/jacksonphotos/Images/17958.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;The "Annie", an early and perhaps first boat on Yellowstone Lake&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;Photograph by &lt;a href="https://en.wikipedia.org/wiki/William_Henry_Jackson" rel="nofollow" target="_blank"&gt;William H Jackson&lt;/a&gt;, 1871&lt;/small&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
At nearly a mile and a half above sea level Yellowstone Lake is the largest freshwater lake above 7,000 ft in North America.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;As I write now, the moon is shining brightly and is reflected from the surface of the water, which is now considerably quieter, the wind having gone down.  The lake is 7,000 feet above the sea.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Albert_Charles_Peale" rel="nofollow" target="_blank"&gt;Albert C. Peale&lt;/a&gt;, journal entry 28 July 1871  
&lt;/blockquote&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj18DHO9jh7t09LTxU3mWxFzGVxndKy6R6QGwCNI0D8R64uOr0Y9YyYuXy6eqMP9qQycUXpNvIRDQuVXOY6xVSzSiN9IbSWbRHoneTjuBAFfpCgsJr8o7GBWZbt4WForM8m9M2L3fOWSKjG/s1600/Screen+Shot+2016-06-18+at+9.01.51+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj18DHO9jh7t09LTxU3mWxFzGVxndKy6R6QGwCNI0D8R64uOr0Y9YyYuXy6eqMP9qQycUXpNvIRDQuVXOY6xVSzSiN9IbSWbRHoneTjuBAFfpCgsJr8o7GBWZbt4WForM8m9M2L3fOWSKjG/s400/Screen+Shot+2016-06-18+at+9.01.51+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Ice Out, Yellowstone Lake&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;Bob MacNeal, May 2012&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;Ice, nearly 3 ft thick in some areas, covers most of Yellowstone Lake between December and May, except in shallow water near hot springs. Freeze over typically occurs in early December. Ice out typically occurs in late May or early June.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"One's destination is never a place, but a new way of seeing things."&lt;/i&gt;&lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Henry_Miller" rel="nofollow" target="_blank"&gt;Henry Miller&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Hayden_Geological_Survey_of_1871" rel="nofollow" target="_blank"&gt;Hayden Geological Survey of 1871&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://35676566.weebly.com/up-the-river-to-the-lake.html" rel="nofollow" target="_blank"&gt;Up the River to the Lake&lt;/a&gt;, Paul Harness.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Yellowstone_Lake" rel="nofollow" target="_blank"&gt;Yellowstone Lake&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.nps.gov/features/yell/slidefile/history/jacksonphotos/Page-3.htm" rel="nofollow" target="_blank"&gt;Yellowstone's Photo Collection&lt;/a&gt;, Jackson's Photos, Yellowstone National Park.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/7656345759735036662" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/7656345759735036662" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/06/journey-to-lake.html" rel="alternate" title="Journey to a Lake" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmKcTDnIQx4sF6GMKWRGMtn5E7wByxzXIi0LsXPOlCiuYaAV8kjnYHQf1nqo-pYnTaFvyU4CQ8OZ3xImz3XR_A3L3uTM8lTpqlt6CUTZrSIJxeQ9FWTjLKeaJ-LPC7k_SkKWgFx61xla0b/s72-c/YellowstoneLakeWHJackson.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-2459854557017968018</id><published>2016-06-11T12:33:00.002-05:00</published><updated>2016-06-11T15:37:19.580-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Edvard Munch"/><category scheme="http://www.blogger.com/atom/ns#" term="Glenn Albrecht"/><category scheme="http://www.blogger.com/atom/ns#" term="Solaphilia"/><category scheme="http://www.blogger.com/atom/ns#" term="Solastalgia"/><category scheme="http://www.blogger.com/atom/ns#" term="The Scream"/><category scheme="http://www.blogger.com/atom/ns#" term="Weltschmerz"/><title type="text">Creative &amp; Destructive Forces</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://www.nasa.gov/sites/default/files/thumbnails/image/violinglacier.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="149" src="https://www.nasa.gov/sites/default/files/thumbnails/image/violinglacier.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Violin Glacier, Greenland&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;photo by &lt;a href="https://www.nasa.gov/image-feature/fjord-and-glacier-in-east-central-greenland" rel="nofollow" target="_blank"&gt;NASA's IceBridge&lt;/a&gt;&lt;br /&gt;19 May 2016&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Melancholia caused by the unprecedented human-induced environmental degradation is called &lt;a href="https://en.wikipedia.org/wiki/Solastalgia" rel="nofollow" target="_blank"&gt;solastalgia&lt;/a&gt;. Solastalgia is a compound word made from the Latin &lt;i&gt;solacium&lt;/i&gt; meaning comfort, and &lt;i&gt;-algia&lt;/i&gt;, the Greek root for pain.&lt;br /&gt;
&lt;br /&gt;
Coined by transdisciplinary philosopher &lt;a href="https://en.wikipedia.org/wiki/Glenn_Albrecht" rel="nofollow" target="_blank"&gt;Glenn Albrecht&lt;/a&gt;, solastalgia is our emotional response (e.g., distress, angst, unhappiness, weltschmerz) to rapid changes to our habitat at all scales — from observing perennial flowers blooming earlier and earlier over successive years to the accelerated warming of the biosphere — by &lt;i&gt;forces beyond our control&lt;/i&gt;.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;b&gt;weltschmerz&lt;/b&gt;&amp;nbsp;is German for &lt;i&gt;world pain&lt;/i&gt;. It describes the weariness felt from a perceived mismatch between an ideal image of how the world should be with how it is.&lt;/blockquote&gt;
The &lt;i&gt;forces beyond our control&lt;/i&gt; range from our neighbors spreading fertilizer and weedkiller on their lawns, to large-scale extraction, transformation, and fouling of natural resources, upward to biospheric-scale climate change from human activities.&lt;br /&gt;
&lt;br /&gt;
Degradation from oil spills, open pit mining, clear cut forests, plastic waste in the oceans, or garbage littered landscapes evoke a similar kind of grief.&lt;br /&gt;
&lt;br /&gt;
Albrecht describes an age-old human drama between the forces attempting to create and the forces attempting to destroy.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN8_3xKJn84MRzH7p5-5EOfRtcoijmd2EdllrfuHUsTbZsBj_WxK3rsBE1vPjPuv8ksPfdjFGCXCegv-u3VQBnP0Fsha3sw0T9m6ECsoCLKJTd1bZbosihc1Voe5zE5asgR-GgVewDhMaG/s1600/Edvard_Munch_-_The_Scream_-_Google_Art_Project.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN8_3xKJn84MRzH7p5-5EOfRtcoijmd2EdllrfuHUsTbZsBj_WxK3rsBE1vPjPuv8ksPfdjFGCXCegv-u3VQBnP0Fsha3sw0T9m6ECsoCLKJTd1bZbosihc1Voe5zE5asgR-GgVewDhMaG/s200/Edvard_Munch_-_The_Scream_-_Google_Art_Project.jpg" width="158" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Scream" rel="nofollow" target="_blank"&gt;&lt;b&gt;The Scream&lt;/b&gt; &lt;/a&gt;(1893)&lt;br /&gt;
&lt;small&gt;Edvard Munch&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;i&gt;"In the past, as a patch disturbing species, we've been able to disturb a patch and move on...&lt;br /&gt;Now the patch is the whole planet."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Glenn_Albrecht" rel="nofollow" target="_blank"&gt;Glenn Albrecht&lt;/a&gt;, TEDxSydney talk&lt;/blockquote&gt;
The tension between creation and destruction are themes represented in art and literature.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;"One evening I was walking along a path, the city was on one side and the fjord below. I felt tired and ill. I stopped and looked out over the fjord—the sun was setting, and the clouds turning blood red. I sensed a scream passing through nature; it seemed to me that I heard the scream. I painted this picture, painted the clouds as actual blood. The color shrieked. This became &lt;a href="https://en.wikipedia.org/wiki/The_Scream" rel="nofollow" target="_blank"&gt;The Scream&lt;/a&gt;."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Edvard_Munch" rel="nofollow" target="_blank"&gt;Edvard Munch&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Albrecht studies the relationship between humans and the built and natural environment focusing on our psychological well-being. Albrecht has introduced the opposing term &lt;i&gt;solophilia&lt;/i&gt; which is the love and responsibility for place and planet.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://www.youtube.com/watch?v=-GUGW8rOpLY" rel="nofollow" target="_blank"&gt;Environment Change, Distress &amp;amp; Human Emotion Solastalgia&lt;/a&gt;, Glenn Albrecht, TEDxSydney, 1 June 2010.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.theguardian.com/books/2016/apr/01/generation-anthropocene-altered-planet-for-ever" rel="nofollow" target="_blank"&gt;Generation Anthropocene: How humans have altered the planet for ever,&lt;/a&gt; Robert Macfarlane, The Guardian, 1 April 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://mentalfloss.com/article/58230/how-tell-whether-youve-got-angst-ennui-or-weltschmerz" rel="nofollow" target="_blank"&gt;How to Tell Whether You've Got Angst, Ennui, or Weltschmerz&lt;/a&gt;, Arika Okrent, Mental Floss, 6 August 2014.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2459854557017968018" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/2459854557017968018" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/06/creative-and-destructive-forces.html" rel="alternate" title="Creative &amp; Destructive Forces" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN8_3xKJn84MRzH7p5-5EOfRtcoijmd2EdllrfuHUsTbZsBj_WxK3rsBE1vPjPuv8ksPfdjFGCXCegv-u3VQBnP0Fsha3sw0T9m6ECsoCLKJTd1bZbosihc1Voe5zE5asgR-GgVewDhMaG/s72-c/Edvard_Munch_-_The_Scream_-_Google_Art_Project.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-1149772546736161380</id><published>2016-06-04T11:23:00.001-05:00</published><updated>2016-06-04T18:59:08.172-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Blue Stem Grass"/><category scheme="http://www.blogger.com/atom/ns#" term="E. Parker Jaques"/><category scheme="http://www.blogger.com/atom/ns#" term="Environmental Generational Amnesia"/><category scheme="http://www.blogger.com/atom/ns#" term="Francis Lee Jaques"/><category scheme="http://www.blogger.com/atom/ns#" term="John Muir"/><category scheme="http://www.blogger.com/atom/ns#" term="Mary Hunter Austin"/><category scheme="http://www.blogger.com/atom/ns#" term="Outdoor Reveries"/><category scheme="http://www.blogger.com/atom/ns#" term="Peter Kahn"/><title type="text">Connection and Reverie</title><content type="html">Our forebears had a more immediate and abiding connection with the natural world than we do. &lt;a href="https://en.wikipedia.org/wiki/Mary_Hunter_Austin" rel="nofollow" target="_blank"&gt;Mary Hunter Austin&lt;/a&gt; (1868–1934), a nature writer from the American Southwest wrote:&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;Man is not himself only. ...He is all that he sees; all that flows to him from a thousand
sources, half noted, or noted not at all except by some sense that lies too deep for naming.
He is the land, the lift of its mountain lines, the reach of its valleys; his is the rhythm
of its seasonal processions, the involution and variation of its vegetal patterns.&lt;/i&gt;&lt;/blockquote&gt;
Psychologist &lt;a href="http://faculty.washington.edu/pkahn/cv.shtml" rel="nofollow" target="_blank"&gt;Peter Kahn&lt;/a&gt; coined the term &lt;i&gt;&lt;a href="http://naturalhistoriesproject.org/conversations/environmental-generational-amnesia" rel="nofollow" target="_blank"&gt;environmental generational amnesia&lt;/a&gt;&lt;/i&gt; to describe the narrative construct formed by each generation during childhood around what's environmentally &lt;i&gt;normal&lt;/i&gt;. Kahn argues that each generation's experience of the natural world becomes successively mediated and augmented by technology — much to the detriment of our mental and physical well-being (cf. &lt;a href="https://mitpress.mit.edu/books/technological-nature" rel="nofollow" target="_blank"&gt;Technological Nature: Adaptation and the Future of Human Life&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t2f771b67;view=1up;seq=5" rel="nofollow" target="_blank"&gt;Outdoor Reveries&lt;/a&gt;, published in 1920, is a compilation of pleasant thoughts and daydreams in the form of meditative poems by father E. Parker Jaques accompanied by illustrations made by his son &lt;a href="https://en.wikipedia.org/wiki/Francis_Lee_Jaques" rel="nofollow" target="_blank"&gt;Francis Lee Jaques&lt;/a&gt;. The elder Jaques' poems are interspersed with his progeny's exquisite illustrations of the natural world encountered.&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfFG6FC4sxuRjNzm12wX1dsuU9d3jT2gRjau0i36CmvaWS0wsCabprfftAzfu7w2ZsKc1hE8jWpoUAAhZwqjNVkjLKJ_oKs21d8DDL1lmMelRakz45kJPLdVQm_FEUB8Tj4K8L6i9yFbr/s1600/Screen+Shot+2016-06-04+at+9.57.09+AM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfFG6FC4sxuRjNzm12wX1dsuU9d3jT2gRjau0i36CmvaWS0wsCabprfftAzfu7w2ZsKc1hE8jWpoUAAhZwqjNVkjLKJ_oKs21d8DDL1lmMelRakz45kJPLdVQm_FEUB8Tj4K8L6i9yFbr/s400/Screen+Shot+2016-06-04+at+9.57.09+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Opening poem from &lt;a href="https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t2f771b67;view=1up;seq=15" rel="nofollow" target="_blank"&gt;Outdoor Reveries&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by E. Parker Jaques&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/a/ae/Out-door_reveries_(1920)_(14786967813).jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://upload.wikimedia.org/wikipedia/commons/a/ae/Out-door_reveries_(1920)_(14786967813).jpg" width="168" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t2f771b67;view=1up;seq=29" rel="nofollow" target="_blank"&gt;Illustration page 25&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;Francis Lee Jaques&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Outdoor Reveries exemplifies the sensual grace of first-hand experience, observation, and reflection. The poems and illustrations are inspired by an immediacy with nature.&lt;br /&gt;
&lt;br /&gt;
The Jaqueses' poems and illustrations remind us of the time and space necessary to observe and absorb nature with sensual acuity.&lt;br /&gt;
&lt;br /&gt;
In the opening poem,&amp;nbsp;&lt;i&gt;Birth of Poetry&lt;/i&gt;, E. Parker Jaques writes of the rhythm of nature in the wind. Jaques has the time and inclination to watch &lt;a href="https://en.wikipedia.org/wiki/Schizachyrium_scoparium" rel="nofollow" target="_blank"&gt;prairie blue stem grasses&lt;/a&gt; bending&amp;nbsp;&lt;i&gt;to and fro&lt;/i&gt; from the passing breezes.&lt;br /&gt;
&lt;br /&gt;
Indeed the elder Jaques muses that the poem itself must have been born &lt;i&gt;by the margin of a river.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
A direct and abiding connection with the natural world characterizes the experiences of many our of forebears a few generations past. The natural world effected many in profound and visceral ways.&lt;br /&gt;
&lt;br /&gt;
Nature has long been a wellspring of well-being.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"As we build bigger cities, we're not aware how much and how fast we're undermining our connection to nature, and more wild nature—the wellspring of our existence."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="http://faculty.washington.edu/pkahn/cv.shtml" rel="nofollow" target="_blank"&gt;Peter Kahn&lt;/a&gt;
&lt;/blockquote&gt;
As we are drawn to population centers, it becomes critical for urban dwellers to escape their anthropogenic cocoons to experience the natural world in reverie.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"Only spread a fern-frond over a man's head and worldly cares are cast out, and freedom and beauty and peace come in."&lt;/i&gt;
&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/John_Muir" rel="nofollow" target="_blank"&gt;John Muir&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://books.google.com/books?id=4yB7y-hgT8gC&amp;amp;pg=PA12&amp;amp;lpg=PA12&amp;amp;dq=Man+is+not+himself+only...He+is+all+that+he+sees;+Austin&amp;amp;source=bl&amp;amp;ots=hdqoU-F_RL&amp;amp;sig=QJKafWu-IZVo6Ta2HP_N3E42VgU&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwj9uL2j647NAhUYLVIKHTW4BcIQ6AEIHDAA#v=onepage&amp;amp;q=Man%20is%20not%20himself%20only...He%20is%20all%20that%20he%20sees%3B%20Austin&amp;amp;f=false" rel="nofollow" target="_blank"&gt;Beyond Borders: The Selected Essays of Mary Austin&lt;/a&gt;, Mary Austin Hunter.
&lt;/li&gt;
&lt;li&gt;&lt;a href="http://naturalhistoriesproject.org/conversations/environmental-generational-amnesia" rel="nofollow" target="_blank"&gt;Environmental, generational amnesia&lt;/a&gt;, sound recording of Peter H. Kahn, The Natural Histories Project.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://phys.org/news/2016-06-nature-cities-key-healthy-urban.html" rel="nofollow" target="_blank"&gt;Finding connections to nature in cities is key to healthy urban living&lt;/a&gt;, Michelle Ma, Phys.org, 3 June 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t2f771b67;view=1up;seq=5" rel="nofollow" target="_blank"&gt;Outdoor Reveries&lt;/a&gt;, E. Parker Jaques and Francis Lee Jaques, 1920.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://mitpress.mit.edu/books/technological-nature" rel="nofollow" target="_blank"&gt;Technological Nature: Adaptation and the Future of Human Life&lt;/a&gt;, Peter H. Kahn, MIT Press, February 2011.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1149772546736161380" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/1149772546736161380" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/06/connection-and-reverie.html" rel="alternate" title="Connection and Reverie" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfFG6FC4sxuRjNzm12wX1dsuU9d3jT2gRjau0i36CmvaWS0wsCabprfftAzfu7w2ZsKc1hE8jWpoUAAhZwqjNVkjLKJ_oKs21d8DDL1lmMelRakz45kJPLdVQm_FEUB8Tj4K8L6i9yFbr/s72-c/Screen+Shot+2016-06-04+at+9.57.09+AM.png" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-6673348218821327131</id><published>2016-05-28T10:57:00.002-05:00</published><updated>2016-05-28T12:36:53.579-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Charles Simic"/><category scheme="http://www.blogger.com/atom/ns#" term="David Stevenson"/><category scheme="http://www.blogger.com/atom/ns#" term="Earth's Core"/><category scheme="http://www.blogger.com/atom/ns#" term="Kola Superdeep Borehole"/><category scheme="http://www.blogger.com/atom/ns#" term="Magnetic Field"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Feynman"/><category scheme="http://www.blogger.com/atom/ns#" term="Theory of Relativity"/><category scheme="http://www.blogger.com/atom/ns#" term="Time Dialation"/><title type="text">Core Understanding</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/d/d5/Geodynamo_Between_Reversals.gif" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="https://upload.wikimedia.org/wikipedia/commons/d/d5/Geodynamo_Between_Reversals.gif" width="180" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;Flow model of Earth's liquid core&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="http://es.ucsc.edu/~glatz/" rel="nofollow" target="_blank"&gt;Gary A. Glatzmaier&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Earth's core generates a high magnitude &lt;a href="https://en.wikipedia.org/wiki/Earth%27s_magnetic_field" rel="nofollow" target="_blank"&gt;magnetic field&lt;/a&gt; that acts as a shield deflecting lethal solar and cosmic radiation.&lt;br /&gt;
&lt;br /&gt;
The invisible magnetic field extends from Earth's inner core into space.&lt;br /&gt;
&lt;br /&gt;
Surprisingly little is understood about the physics of Earth's core.&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;"We do not understand how the Earth’s magnetic field has lasted for billions of years. We know that the Earth has had a magnetic field for most of its history. We don’t know how the Earth did that."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://www.gps.caltech.edu/content/david-j-dave-stevenson" rel="nofollow" target="_blank"&gt;David Stevenson&lt;/a&gt;, California Institute of Technology&lt;br /&gt;
&lt;br /&gt;
Planets in our solar system with weaker magnetic fields and less capacity to deflect lethal radiation (Mars and Venus), don't appear suitable to support life.&lt;br /&gt;
&lt;br /&gt;
Our extra-terrestrial understanding rapidly advances because we've launched exploratory probes into space and because the universe weaves a narrative from various forms of electromagnetic radiation — principally light. Our subterranean understanding, our knowledge about the machinations of Earth's core, slowly plods along because of the physical and practical limits of sub-surface exploration.&lt;br /&gt;
&lt;br /&gt;
Existential curiosity constrained by the practical limits of experiential discovery has been fodder for poets for millennia, like &lt;a href="https://en.wikipedia.org/wiki/Charles_Simic" rel="nofollow" target="_blank"&gt;Charles Simic&lt;/a&gt;'s contemplation of a stone:&lt;br /&gt;
&lt;center&gt;
&lt;table border="0"&gt;
&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;From the outside the stone is a riddle:&lt;br /&gt;
No one knows how to answer it.&lt;br /&gt;
Yet within, it must be cool and quiet&lt;br /&gt;
Even though a cow steps on it full weight,&lt;br /&gt;
Even though a child throws it in a river,&lt;br /&gt;
The stone sinks, slow, unperturbed&lt;br /&gt;
To the river bottom&lt;br /&gt;
Where the fishes come to knock on it&lt;br /&gt;
And listen.&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Charles_Simic" rel="nofollow" target="_blank"&gt;Charles Simic&lt;/a&gt;, excerpt from the poem Stone&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/center&gt;
&lt;br /&gt;
All the deepest tunnels, mines, and borings are made within the confines of Earth's crust. All Earth's deepest caves and chasms exist within the crust, yet the crust is like an eggshell compared to Earth's immense interior. &lt;br /&gt;
&lt;br /&gt;
If Earth were the size of an apple, one of the deepest exploratory holes (the &lt;a href="https://en.wikipedia.org/wiki/Kola_Superdeep_Borehole" rel="nofollow" target="_blank"&gt;Kola Superdeep Borehole&lt;/a&gt;), wouldn't pierce the skin of the apple.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"There is a danger that we will compartmentalize our understanding of an aspect of the universe by saying to ourselves, ‘OK, we know we can’t go there, so we’re going to build this elaborate story of what’s there based on remote observations.’ And this is what we do for the Earth."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://www.gps.caltech.edu/content/david-j-dave-stevenson" rel="nofollow" target="_blank"&gt;David Stevenson&lt;/a&gt; 
&lt;/blockquote&gt;
While exploration and direct experience are often the preferred pillars of discovery, much of scientific theory advances by posing plausible models and by forming mathematical constructs often without the aid of exploration or direct experience.&lt;br /&gt;
&lt;br /&gt;
Researchers have calculated the relative age of Earth's crust compared to its core. From their calculation, they proposed that core is 2.5 years younger than its crust. Their calculation is based on a construct from the &lt;a href="https://en.wikipedia.org/wiki/Theory_of_relativity" rel="nofollow" target="_blank"&gt;theory of relativity&lt;/a&gt; called &lt;a href="https://en.wikipedia.org/wiki/Time_dilation" rel="nofollow" target="_blank"&gt;time dilation&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Relativity posits that massive bodies, like planets, warp spacetime. The spacetime warp causes a gravitational pull that necessitates the slowing of time since gravity is a function of mass and acceleration (which includes a component of time). A hypothetical clock placed on the crust (larger mass) would run faster than one placed near the core (smaller mass).&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;"Trying to understand the way nature works involves a most terrible test of human reasoning ability. It involves subtle trickery, beautiful tightropes of logic on which one has to walk in order not to make a mistake in predicting what will happen."&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://en.wikipedia.org/wiki/Richard_Feynman" rel="nofollow" target="_blank"&gt;Richard Feynman&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://discovermagazine.com/2014/julyaug/13-journeys-to-the-center-of-the-earth" rel="nofollow" target="_blank"&gt;Journeys to the Center of the Earth&lt;/a&gt;, Tim Folger, Discovery Magazine, 14 July 2014.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://phys.org/news/2016-05-earth-core-younger-thought.html" rel="nofollow" target="_blank"&gt;New Calculations Show Earth's Core is Much Younger than Thought&lt;/a&gt;, Bob Yirka, Phys.org, 26 May 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.poets.org/poetsorg/poem/stone" rel="nofollow" target="_blank"&gt;Stone&lt;/a&gt;, a poem by Charles Simic.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/6673348218821327131" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/6673348218821327131" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/05/core-understanding.html" rel="alternate" title="Core Understanding" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-4024776082990447241</id><published>2016-05-21T08:07:00.000-05:00</published><updated>2016-05-21T08:07:46.674-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Lewis Thomas"/><category scheme="http://www.blogger.com/atom/ns#" term="Metazoa"/><category scheme="http://www.blogger.com/atom/ns#" term="Molecular Oxygen"/><category scheme="http://www.blogger.com/atom/ns#" term="Oxide"/><category scheme="http://www.blogger.com/atom/ns#" term="Photosynthesis"/><category scheme="http://www.blogger.com/atom/ns#" term="Plate Tectonics"/><category scheme="http://www.blogger.com/atom/ns#" term="Protist"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Dawkins"/><category scheme="http://www.blogger.com/atom/ns#" term="The Great Oxidation Event"/><title type="text">Oxygen-Rich Atmosophere</title><content type="html">&lt;a href="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Lungs_diagram_detailed.svg/510px-Lungs_diagram_detailed.svg.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Lungs_diagram_detailed.svg/510px-Lungs_diagram_detailed.svg.png" style="cursor: move;" width="120" /&gt;&lt;/a&gt;Hundreds of species of bacteria, unicellular &lt;a href="https://en.wikipedia.org/wiki/Protist" rel="nofollow" target="_blank"&gt;protists&lt;/a&gt; and deep-sea worms evolved to exist without oxygen. Most multicellular &lt;a href="https://en.wikipedia.org/wiki/Animal" rel="nofollow" target="_blank"&gt;metazoa&lt;/a&gt; however, with rare exception, require oxygen.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"Oxygen flooded into the atmosphere as a pollutant, even a poison, until natural selection shaped living things to thrive on the stuff and, indeed, suffocate without it." 
&lt;/i&gt; ― &lt;a href="https://en.wikipedia.org/wiki/Richard_Dawkins" rel="nofollow" target="_blank"&gt;Richard Dawkins&lt;/a&gt;&lt;/blockquote&gt;
Oxygen is produced as a byproduct of &lt;a href="https://en.wikipedia.org/wiki/Photosynthesis" rel="nofollow" target="_blank"&gt;photosynthesis&lt;/a&gt;. Microbes in the oceans produce half of Earth's atmospheric oxygen. Macro algae, like kelp, and land plants provide the remainder.&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;"...the life of the planet began the long, slow process of modulating and regulating the physical conditions of the planet. The oxygen in today's atmosphere is almost entirely the result of photosynthetic living, which had its start with the appearance of blue-green algae among the microorganisms."&lt;/i&gt; ― &lt;a href="https://en.wikipedia.org/wiki/Lewis_Thomas" rel="nofollow" target="_blank"&gt;Lewis Thomas&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://upload.wikimedia.org/wikipedia/commons/b/be/Top_of_Atmosphere.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img alt="" border="0" height="265" src="https://upload.wikimedia.org/wikipedia/commons/b/be/Top_of_Atmosphere.jpg" title="Top of the Earth's atmosphere" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;b&gt;View of the crescent moon through the top of the Earth's atmosphere&lt;/b&gt;&lt;br /&gt;
&lt;small&gt;by &lt;a href="http://eol.jsc.nasa.gov/SearchPhotos/photo.pl?mission=ISS013&amp;amp;roll=E&amp;amp;frame=54329" rel="nofollow" target="_blank"&gt;NASA Earth Observatory&lt;/a&gt;&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
About 20 percent of the atmosphere consists of free molecular oxygen O&lt;sub&gt;2&lt;/sub&gt; not bound to another element like atmospheric gases carbon dioxide and sulfur dioxide. Much of Earth's total oxygen is sequestered in oxides in rocks buried deep in Earth's interior.&lt;br /&gt;
&lt;br /&gt;
How did Earth's initially oxygen-free atmosphere change to its oxygen-rich state?&lt;br /&gt;
&lt;br /&gt;
Geological, isotopic, and chemical evidence suggest a &lt;a href="https://en.wikipedia.org/wiki/Great_Oxygenation_Event" rel="nofollow" target="_blank"&gt;Great Oxidation Event&lt;/a&gt; occurred about 2.3 billion years ago, although the actual causes remain contested and inconclusive.&lt;br /&gt;
&lt;br /&gt;
A multidisciplinary team of researchers recently published &lt;a href="https://draft.blogger.com/%22http://www.nature.com/ngeo/journal/vaop/ncurrent/full/ngeo2707.html" rel="nofollow" target="_blank"&gt;findings&lt;/a&gt; that suggest the rise of atmospheric oxygen that occurred during the Great Oxidation Event, then again roughly 2 billion years later during deep-ocean oxygenation that coincided with the rise of animal life, resulted from the growth of continents in the presence of carbon life forms.&lt;br /&gt;
&lt;br /&gt;
In &lt;a href="http://www.nature.com/ngeo/journal/vaop/ncurrent/full/ngeo2707.html" rel="nofollow" target="_blank"&gt;Two-step rise of atmospheric oxygen linked to the growth of continents&lt;/a&gt;, the authors propose that the initiation of plate tectonics lead to a change in the composition of Earth's crust that, in turn, decreased the oxidative efficiency of Earth's surface, thus allowing molecular oxygen from photosynthesis to accumulate in the atmosphere:&lt;br /&gt;
&lt;blockquote class="tr_bq"&gt;
&lt;i&gt;In the first stage, the change in composition of Earth's crust from iron- and magnesium-rich mafic rocks to feldspar- and quartz-rich felsic rocks could have caused a decrease in the oxidative efficiency of the Earth's surface, allowing atmospheric O2 to rise. Over the next billion years, as carbon steadily accumulated on the continents, metamorphic and magmatic reactions within this growing continental carbon reservoir facilitated a gradual increase in the total long-term input of CO2 to the ocean–atmosphere system. Given that O2 is produced during organic carbon burial, the increased CO2 input may have triggered a second rise in O2. A two-step rise in atmospheric O2 may therefore be a natural consequence of plate tectonics, continent formation and the growth of a crustal carbon reservoir. &lt;/i&gt;&lt;br /&gt;
―&lt;a href="http://www.nature.com/ngeo/journal/vaop/ncurrent/full/ngeo2707.html" rel="nofollow" target="_blank"&gt;Two-step rise of atmospheric oxygen linked to the growth of continents&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://essays.grokearth.com/2012/06/where-does-earths-oxygen-come-from.html" rel="nofollow" target="_blank"&gt;Atmospheric Oxygen&lt;/a&gt;, GrokEarth, 16 June 2012.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/141634.Late_Night_Thoughts_on_Listening_to_Mahler_s_Ninth_Symphony?ac=1&amp;amp;from_search=true" rel="nofollow" target="_blank"&gt;Late Night Thoughts on Listening to Mahler's Ninth Symphony&lt;/a&gt;, Lewis Thomas, Penguin Books, 1995.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.sciencedaily.com/releases/2016/05/160516151935.htm" rel="nofollow" target="_blank"&gt;New answer to why Earth's atmosphere became oxygenated&lt;/a&gt;, Science Daily, 16 May 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.nature.com/ngeo/journal/vaop/ncurrent/full/ngeo2707.html" rel="nofollow" target="_blank"&gt;Two-step rise of atmospheric oxygen linked to the growth of continents&lt;/a&gt;, Cin-Ty A. Lee, Laurence Y. Yeung, N. Ryan McKenzie, Yusuke Yokoyama, Kazumi Ozaki &amp;amp; Adrian Lenardic, Nature Geoscience, 16 May 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.quora.com/Is-there-a-living-thing-on-our-planet-that-doesnt-require-oxygen-to-survive" rel="nofollow" target="_blank"&gt;The first metazoa living in permanently anoxic conditions&lt;/a&gt;, 
Roberto Danovaro, Antonio Dell'Anno, Antonio Pusceddu, Cristina Gambi, Iben Heiner and Reinhardt Møbjerg Kristensen,
BMC Biology,6 April 2010.
&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/6117055-the-greatest-show-on-earth?from_search=true&amp;amp;search_version=service" rel="nofollow" target="_blank"&gt;The Greatest Show on Earth: The Evidence for Evolution&lt;/a&gt;, Richard Dawkins, Bantam Press, 2009.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4024776082990447241" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/4024776082990447241" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/05/oxygen-rich-atmosophere.html" rel="alternate" title="Oxygen-Rich Atmosophere" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-3260085895951302235</id><published>2016-05-14T09:35:00.001-05:00</published><updated>2016-05-14T09:35:48.771-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bill McKibben"/><category scheme="http://www.blogger.com/atom/ns#" term="Climate Change"/><category scheme="http://www.blogger.com/atom/ns#" term="Ed Hawkins"/><category scheme="http://www.blogger.com/atom/ns#" term="Greenhouse Gas"/><category scheme="http://www.blogger.com/atom/ns#" term="Human Activity"/><category scheme="http://www.blogger.com/atom/ns#" term="Industrial Revolution"/><title type="text">Bringing Heat</title><content type="html">&lt;a href="https://en.wikipedia.org/wiki/Greenhouse_gas" rel="nofollow" target="_blank"&gt;Greenhouse gases&lt;/a&gt; trap heat in the atmosphere by absorbing it. Without greenhouse gases, the mean temperature on Earth's surface would be 0°F rather than 59°F.&lt;br /&gt;
&lt;br /&gt;
Over a century of mean temperature data plotted over time demonstrates the increasing rate of the rise.&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;The pace of change is immediately obvious, especially over the past few decades.&lt;/i&gt;&lt;br /&gt;
— &lt;a href="https://twitter.com/ed_hawkins" rel="nofollow" target="_blank"&gt;Ed Hawkins&lt;/a&gt;&lt;/blockquote&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiat8FLoSVVJdDxVbLTbuzgXB7x7eYIpyZ7rKYXsQ5bCQNj7OxzDpnqmTJsUKFB6YmtvM9JDEeI3zsXi6SesQpmikne5ODWxxI8UGWVaO9YCvylo6LK3oQSrz65CrUt-fzM4YUfmnccIdwq/s1600/5_9_16_Andrea_TempSpiralEdHawkins.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiat8FLoSVVJdDxVbLTbuzgXB7x7eYIpyZ7rKYXsQ5bCQNj7OxzDpnqmTJsUKFB6YmtvM9JDEeI3zsXi6SesQpmikne5ODWxxI8UGWVaO9YCvylo6LK3oQSrz65CrUt-fzM4YUfmnccIdwq/s320/5_9_16_Andrea_TempSpiralEdHawkins.gif" width="296" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;by Ed Hawkins, &lt;a href="https://www.ncas.ac.uk/index.php/en/" rel="nofollow" target="_blank"&gt;National Centre for Atmospheric Science &lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Humans have spiked a 40% increase in the atmospheric carbon dioxide concentration since 1750, the approximate outset of the &lt;a href="https://en.wikipedia.org/wiki/Industrial_Revolution" rel="nofollow" target="_blank"&gt;industrial revolution&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://en.wikipedia.org/wiki/Water_vapor" rel="nofollow" target="_blank"&gt;Water vapor&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Carbon_dioxide" rel="nofollow" target="_blank"&gt;carbon dioxide&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Methane" rel="nofollow" target="_blank"&gt;methane&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Nitrous_oxide" rel="nofollow" target="_blank"&gt;nitrous oxide&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Ozone" rel="nofollow" target="_blank"&gt;ozone&lt;/a&gt;, and &lt;a href="https://en.wikipedia.org/wiki/Chlorofluorocarbon" rel="nofollow" target="_blank"&gt;chlorofluorocarbons&lt;/a&gt; are the greenhouse gases in order of abundance in the atmosphere. The anthropogenic spike in greenhouse gases comes primarily from human activities (power generation, transportation, and industrial agriculture).&lt;br /&gt;
&lt;blockquote&gt;
&lt;i&gt;“Thus human beings are now carrying out a large scale geophysical experiment of a kind that could not have happened in the past nor be reproduced in the future. Within a few centuries we are returning to the atmosphere and oceans the concentrated organic carbon stored in sedimentary rocks over hundreds of millions of years.”&lt;/i&gt; &lt;br /&gt;
― &lt;a href="https://en.wikipedia.org/wiki/Bill_McKibben" rel="nofollow" target="_blank"&gt;Bill McKibben&lt;/a&gt;&lt;/blockquote&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.climatecentral.org/news/2015-hottest-year-2016-could-surpass-19929" rel="nofollow" target="_blank"&gt;2015 Shatters Hottest Year Mark; 2016 Hot on its Heels?&lt;/a&gt; by Andrea Thompson, 20 January 2016, Climate Central.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://en.wikipedia.org/wiki/Greenhouse_gas" rel="nofollow" target="_blank"&gt;Greenhouse Gas&lt;/a&gt;, Wikipedia.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.metoffice.gov.uk/hadobs/hadcrut4/" rel="nofollow" target="_blank"&gt;HadCRUT4.4&lt;/a&gt;, Temperature data from Jan 1850 – Mar 2016.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.climate-lab-book.ac.uk/2016/spiralling-global-temperatures/" rel="nofollow" target="_blank"&gt;Spiralling global temperatures&lt;/a&gt;, Ed Hawkins, Climate Lab Book.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://news.discovery.com/earth/global-warming/see-earths-temperature-spiral-toward-2c-160511.htm" rel="nofollow" target="_blank"&gt;See Earth's Temperature Spiral Toward 2°C&lt;/a&gt;, by Andrea Thompson, 11 May 2016, Climate Central.
&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.goodreads.com/book/show/12066696-the-global-warming-reader" rel="nofollow" target="_blank"&gt;The Global Warming Reader: A Century of Writing about Climate Change&lt;/a&gt;, Bill McKibben, OR Books 2011.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3260085895951302235" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/3260085895951302235" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/05/bringing-heat.html" rel="alternate" title="Bringing Heat" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiat8FLoSVVJdDxVbLTbuzgXB7x7eYIpyZ7rKYXsQ5bCQNj7OxzDpnqmTJsUKFB6YmtvM9JDEeI3zsXi6SesQpmikne5ODWxxI8UGWVaO9YCvylo6LK3oQSrz65CrUt-fzM4YUfmnccIdwq/s72-c/5_9_16_Andrea_TempSpiralEdHawkins.gif" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-752480468143384909.post-5562410923781207095</id><published>2016-05-07T11:55:00.003-05:00</published><updated>2016-05-07T12:12:22.193-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Burning Pitch"/><category scheme="http://www.blogger.com/atom/ns#" term="Chinese Cosmology"/><category scheme="http://www.blogger.com/atom/ns#" term="E. Pauline Johnson"/><category scheme="http://www.blogger.com/atom/ns#" term="Fire"/><category scheme="http://www.blogger.com/atom/ns#" term="Fire Flowers"/><category scheme="http://www.blogger.com/atom/ns#" term="Fort McMurray Wildfire of 2016"/><category scheme="http://www.blogger.com/atom/ns#" term="Obligate Seeders"/><category scheme="http://www.blogger.com/atom/ns#" term="Yin and Yang"/><title type="text">Obligate Seeders</title><content type="html">&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQnTGIt2u9ktmw65XEuIl2FL6MS-NsTEmaRttCyLRosbaNPJW9RhyphenhyphenW3pIFPYAYyeTkNC7HrqSrLLY-nDwEHvJTmP5bwORFau_3M6kdMWUKhmDo4_U9wDdoZf2MmO84qJ_tlR3iwWlRgELL/s1600/Screen+Shot+2016-05-07+at+11.01.52+AM.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQnTGIt2u9ktmw65XEuIl2FL6MS-NsTEmaRttCyLRosbaNPJW9RhyphenhyphenW3pIFPYAYyeTkNC7HrqSrLLY-nDwEHvJTmP5bwORFau_3M6kdMWUKhmDo4_U9wDdoZf2MmO84qJ_tlR3iwWlRgELL/s200/Screen+Shot+2016-05-07+at+11.01.52+AM.png" width="230" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="http://www.bbc.com/news/world-us-canada-36235175" rel="nofollow" target="_blank"&gt;Fort McMurray&lt;/a&gt; wildfires&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
Smoke travelled 1130 miles overnight from the &lt;a href="http://www.bbc.com/news/world-us-canada-36235175" rel="nofollow" target="_blank"&gt;Fort McMurray&lt;/a&gt; wildfires, drifted into the window before daybreak, bringing the scent of burning pitch.&lt;br /&gt;
&lt;br /&gt;
In &lt;a href="https://en.wikipedia.org/wiki/Chinese_spiritual_world_concepts" rel="nofollow" target="_blank"&gt;Chinese cosmology&lt;/a&gt;, &lt;a href="http://www.goldenelixir.com/taoism/yin_and_yang.html" rel="nofollow" target="_blank"&gt;Yin and Yang&lt;/a&gt; is a metaphorical construct of opposing but complimentary forces. The continuous joining and separation of Yin and Yang regulates the rise and disappearance of all entities and phenomena in the cosmos.&lt;br /&gt;
&lt;br /&gt;
A theme in the poem &lt;a href="https://books.google.com/books?id=j6LkYtNJXnoC&amp;amp;pg=PA100&amp;amp;lpg=PA100&amp;amp;dq=Emily+Pauline+Johnson+fire+flowers+meaning&amp;amp;source=bl&amp;amp;ots=3IcEwMilxX&amp;amp;sig=WCMKjAB1rNe23YZoyigz8B9PimI&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjHxbfFocjMAhWLth4KHQgTAC8Q6AEIOzAE#v=onepage&amp;amp;q=Emily%20Pauline%20Johnson%20fire%20flowers%20meaning&amp;amp;f=false" rel="nofollow" target="_blank"&gt;Fire Flowers&lt;/a&gt; by E. Pauline Johnson, first printed in a Canadian newspaper in December 1894, is that from desolation comes renewal.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwASdx9YuGshEaFkCU_3hObYF3QG2GHs0Tm9nfV5IzE4CLdvf73LAUBhQ1u5UYDa0S1xDsBQvzdq-lzi7GSXafWqjSmSBzTREnMoQM6JIgLXLkwH7mhOA4MZpNfWM3f_-PG5TmhbZoj5V6/s1600/Screen+Shot+2016-05-07+at+10.23.34+AM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwASdx9YuGshEaFkCU_3hObYF3QG2GHs0Tm9nfV5IzE4CLdvf73LAUBhQ1u5UYDa0S1xDsBQvzdq-lzi7GSXafWqjSmSBzTREnMoQM6JIgLXLkwH7mhOA4MZpNfWM3f_-PG5TmhbZoj5V6/s320/Screen+Shot+2016-05-07+at+10.23.34+AM.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
The poet's personified purple-headed wild flowers emerge from the desolation of fire. Life &lt;i&gt;revives&lt;/i&gt;. Life's resilience is its wonder.&lt;br /&gt;
&lt;br /&gt;
If Yin is the tender green shoot, then Yang is the fire's heat that melted its seed coat.&lt;br /&gt;
&lt;br /&gt;
In apparent cyclical perpetuity, death is the catalyst. Plants with fire-activated seed coats germinate and grow soon after the fire recedes. Such plants are called &lt;i&gt;obligate seeders&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibJVBeB2DDt-6D7qWzacJpipUCdyXLLiyFNMBuU0FvNjlpZganQwhZmC04wK9Rtn7udm2a-_FEiDyhWmiw2j9SrZCVTVvVnsGhWLkfAsLLKIDoiGerFAqtF7wDhJYM466OnClrMyJNrJs_/s1600/Deerfire_high_res_edit.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibJVBeB2DDt-6D7qWzacJpipUCdyXLLiyFNMBuU0FvNjlpZganQwhZmC04wK9Rtn7udm2a-_FEiDyhWmiw2j9SrZCVTVvVnsGhWLkfAsLLKIDoiGerFAqtF7wDhJYM466OnClrMyJNrJs_/s400/Deerfire_high_res_edit.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="https://commons.wikimedia.org/wiki/Wildfire#/media/File:Deerfire_high_res_edit.jpg" rel="nofollow" target="_blank"&gt;Elk Bath&lt;/a&gt;&lt;br /&gt;
A wildfire in the Bitterroot National Forest&lt;br /&gt;
&lt;small&gt;by John McColgan&lt;/small&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br class="Apple-interchange-newline" /&gt;
Obligate means to oblige, compel or commit, which are actions with an implied &lt;i&gt;interdependence&lt;/i&gt; like the continuous joining and separation of Yin and Yang. In a analogous way, all living things become obligate seeders.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;REFERENCES&lt;/b&gt;&lt;br /&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://www.bbc.com/news/world-us-canada-36235175" rel="nofollow" target="_blank"&gt;Canada's Fort McMurray wildfire 'to double in size'&lt;/a&gt;, BBC News, 7 May 2016.&lt;/li&gt;
&lt;li&gt;Fire Flowers, &lt;a href="https://books.google.com/books?id=j6LkYtNJXnoC&amp;amp;pg=PA100#v=onepage&amp;amp;q&amp;amp;f=false" rel="nofollow" target="_blank"&gt;E. Pauline Johnson, Tekahionwake: Collected Poems and Selected Prose&lt;/a&gt;, by E. Pauline Johnson, Carole Gerson, Veronica Jane Strong-Boag.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://www.goldenelixir.com/taoism/yin_and_yang.html" rel="nofollow" target="_blank"&gt;Yin and Yang&lt;/a&gt;, by Fabrizio Pregadio, The Golden Elixir.&lt;/li&gt;
&lt;/ul&gt;
&lt;div style="clear: both; height: 30px;"&gt;
&lt;/div&gt;
</content><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/5562410923781207095" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/752480468143384909/posts/default/5562410923781207095" rel="self" type="application/atom+xml"/><link href="http://essays.grokearth.com/2016/05/obligate-seeders.html" rel="alternate" title="Obligate Seeders" type="text/html"/><author><name>Bob MacNeal</name><uri>http://www.blogger.com/profile/10801726652392064788</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQnTGIt2u9ktmw65XEuIl2FL6MS-NsTEmaRttCyLRosbaNPJW9RhyphenhyphenW3pIFPYAYyeTkNC7HrqSrLLY-nDwEHvJTmP5bwORFau_3M6kdMWUKhmDo4_U9wDdoZf2MmO84qJ_tlR3iwWlRgELL/s72-c/Screen+Shot+2016-05-07+at+11.01.52+AM.png" width="72"/></entry></feed>