<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-2935236098526226304</atom:id><lastBuildDate>Mon, 10 Jun 2013 15:29:36 +0000</lastBuildDate><title>Guido's Hand</title><description>News from the Oberlin Conservatory Library</description><link>http://oberlinconservatorylibrary.blogspot.com/</link><managingEditor>noreply@blogger.com (conlib)</managingEditor><generator>Blogger</generator><openSearch:totalResults>462</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/GuidosHand" /><feedburner:info uri="guidoshand" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-9043093069567253588</guid><pubDate>Mon, 10 Jun 2013 15:29:00 +0000</pubDate><atom:updated>2013-06-10T10:29:36.055-05:00</atom:updated><title>Is YouTube Destroying Music?</title><description>&lt;div style="color: white; font-size: 12pt; margin: 0in 0in 0pt;"&gt;
&lt;span style="font-family: 'Arial','sans-serif';"&gt;&lt;b&gt;Pianist Chastises Smart Phone Recordist&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;img align="left" alt="KrystianZimerman_6-7-13" border="0" height="150" hspace="5" name="13f1fd2693aa213a_ACCOUNT.IMAGE.1087" src="http://ih.constantcontact.com/fs146/1103196797455/img/1087.jpg" vspace="5" width="107" /&gt;P&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;ianist Krystian Zimerman declared from the stage that YouTube was "destroying music," according to reports from his June 3&lt;sup&gt;rd&lt;/sup&gt; concert at the Ruhr Piano Festival in Essen, Germany.&lt;/span&gt;&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;His
 comment was prompted by a smart phone user Zimerman had spotted during 
his performance. The offender was recording. "Would you please stop 
that?," the pianist asked while still at the keyboard.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;i&gt;The Guardian&lt;/i&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;
 reports that the 56-year-old pianist continued to play but soon left 
the stage, "evidently agitated."&amp;nbsp;When he returned he told the audience 
he had lost out on recording contracts because, the business folk told 
him, &amp;nbsp;his performances were already on YouTube.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;He
 finished the concert but refused to play an encore, despite the 
enthusiastic reception. He also canceled a post-concert reception.&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt; font-weight: normal;"&gt;&amp;nbsp;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/06/is-youtube-destroying-music.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-2907161423396923835</guid><pubDate>Wed, 29 May 2013 22:33:00 +0000</pubDate><atom:updated>2013-05-29T17:33:01.765-05:00</atom:updated><title>Henri Dutilleux, Leading French composer, Dies at Age 97 </title><description>&lt;div class="article-description"&gt;
      &lt;a href="http://1.bp.blogspot.com/-mlr8TOXBS0M/UaaB5YX1uHI/AAAAAAAABY8/GHCU-s8ML6Y/s1600/dutilleux.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-mlr8TOXBS0M/UaaB5YX1uHI/AAAAAAAABY8/GHCU-s8ML6Y/s200/dutilleux.jpg" width="182" /&gt;&lt;/a&gt;Henri Dutilleux, one of France’s leading composers, died Wednesday in Paris at the age of 97, his family said.&lt;br /&gt;
&lt;br /&gt;

    &lt;/div&gt;
Known for his symphonies, concertos and other orchestral 
pieces, he was prized for his subtle blends of ear-catching colors and 
formal rigor. Though steeped in the French modernist tradition that 
spans Debussy through Messiaen and Boulez, Dutilleux was also notably 
independent minded, unwilling to chase the latest fashions in 
composition.&lt;br /&gt;
&lt;br /&gt;

During his nearly eight-decade career, Dutilleux composed pieces for 
many prominent soloists and ensembles including the soprano Renée 
Fleming, cellist Mstislav Rostropovich, Juilliard String Quartet, 
violinist Anne-Sophie Mutter, the Cleveland Orchestra and the Boston 
Symphony Orchestra.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/may/22/henri-dutilleux-french-composer-dies-age-97/"&gt;Read&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/henri-dutilleux-leading-french-composer.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-mlr8TOXBS0M/UaaB5YX1uHI/AAAAAAAABY8/GHCU-s8ML6Y/s72-c/dutilleux.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1070744507089010382</guid><pubDate>Wed, 29 May 2013 22:30:00 +0000</pubDate><atom:updated>2013-05-29T17:30:35.512-05:00</atom:updated><title>Using Bike Share to Get to the Concert on Time in NY</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-jjUCqdfEe_E/UaaBXBSlQII/AAAAAAAABY0/Butrk3KjEiA/s1600/IMG_0802.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="117" src="http://4.bp.blogspot.com/-jjUCqdfEe_E/UaaBXBSlQII/AAAAAAAABY0/Butrk3KjEiA/s200/IMG_0802.JPG" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
Even the most punctual concertgoers have had the frustrating experience 
of being stuck on a delayed subway or halted in gridlocked traffic while
 trying to make a 7:30 pm recital or opera. And don't even get crosstown
 commuters started. So with &lt;a href="http://www.wnyc.org/blogs/transportation-nation/2013/may/24/your-bikeshare-questions-answered/" target="_blank"&gt;the introduction&lt;/a&gt;
 of the nation’s largest bike-sharing program on Monday, New Yorkers now
 have another way to try and make the curtain and avoid ushers' scowls.&amp;nbsp;&lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/may/27/using-bike-share-get-concert-time/"&gt; Read&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/using-bike-share-to-get-to-concert-on.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-jjUCqdfEe_E/UaaBXBSlQII/AAAAAAAABY0/Butrk3KjEiA/s72-c/IMG_0802.JPG" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-376127326152881726</guid><pubDate>Wed, 29 May 2013 18:00:00 +0000</pubDate><atom:updated>2013-05-29T13:05:01.390-05:00</atom:updated><title>SongWorks for Children:  A Video Library of Children Making Music</title><description>&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://1.bp.blogspot.com/-pDnsOGC7fTA/UaZCzInWlvI/AAAAAAAABYk/4kBhJdpd4Y4/s1600/resize_image.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-pDnsOGC7fTA/UaZCzInWlvI/AAAAAAAABYk/4kBhJdpd4Y4/s1600/resize_image.jpg" /&gt;&lt;/a&gt;Peggy D. Bennett, Professor of Music Education at the Conservatory of Music at Oberlin College is the Director of the early childhood MusicPlay program (grades PK-5). The MusicPlay program is based on her distinguished pedagogical research that has been published under the title &lt;a href="http://www.peggydbennett.com/"&gt;SongWorks.&lt;/a&gt;&amp;nbsp; This video library is of video clips taken from eleven years of the MusicPlay program.&amp;nbsp; You will see teachers and parents being playful, interacting with children and music in ways that capture imaginations, focus attentions, stimulate senses, and elicit responsiveness.&amp;nbsp; You will see three-, four-, and five-year-old children “being themselves” as they make music in Oberlin’s MusicPlay classes.&amp;nbsp; &lt;br /&gt;
&lt;br /&gt;
Each clip is categorized by music genre (Classics, Foreign&lt;br /&gt;
Language Songs, Nursery Rhymes, Pops, or Singing Games) and activity (fingerplay, reading, playlet, movement, and so on). Videos are further searchable by a feature (Behavior, Feedback, Imagination, Literacy, Music Skills, Questions, and Social Skills).&amp;nbsp; The site includes some 700 clips in the video library that will be a valuable resource for music teachers, early childhood caregivers, classroom teachers, teacher educators, and parents. Print sources for activities are cited with nearly every video description. &lt;br /&gt;
&lt;br /&gt;
First-time visitors should start by clicking on the About MusicPlay and SongWorks as well as the Voices from MusicPlay as they will find delightful comments from teachers and parents.&amp;nbsp; This project was funded by a grant from the Andrew W. Mellon Foundation to the Five Colleges of Ohio.&amp;nbsp; Check it out &lt;a href="http://www.oberlin.edu/library/digital/songworks/index.html"&gt;SongWorks for Children:&amp;nbsp; A Video Library of Children Making Music&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/songworks-for-children-video-library-of.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-pDnsOGC7fTA/UaZCzInWlvI/AAAAAAAABYk/4kBhJdpd4Y4/s72-c/resize_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-7244662159156836803</guid><pubDate>Fri, 03 May 2013 18:21:00 +0000</pubDate><atom:updated>2013-05-03T13:21:16.552-05:00</atom:updated><title>Osmo Vänskä Threatens to Resign</title><description>&lt;table bgcolor="#ffffff" border="0" cellpadding="5" cellspacing="0" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; width: 100%px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" bgcolor="#CC3333" colspan="1" height="20" rowspan="1" style="margin: 0px;" width="100%"&gt;&lt;span style="font-family: arial;"&gt;&lt;span style="font-family: arial, sans-serif;"&gt;&lt;div style="color: white; font-size: 12pt; margin: 0in 0in 0pt;"&gt;
&lt;span style="font-family: Arial, sans-serif;"&gt;&lt;strong&gt;Osmo Vänskä Threatens to Resign&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" colspan="1" rowspan="1" style="font-family: Arial, Helvetica, sans-serif; font-size: 10pt; margin: 0px; text-align: left;" valign="top" width="100%"&gt;&lt;span style="color: windowtext; font-family: arial, sans-serif; font-size: 10pt;"&gt;&lt;div align="left" style="margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;span style="color: windowtext; font-size: 10pt;"&gt;&lt;img align="right" alt="OsmoVanska_5-3-13" border="0" height="120" hspace="5" name="13e6b942a0c94ead_ACCOUNT.IMAGE.1003" src="http://ih.constantcontact.com/fs146/1103196797455/img/1003.jpg" vspace="5" width="150" /&gt;&lt;span style="color: windowtext; font-family: Arial, sans-serif; font-size: 10pt;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-size: 10pt;"&gt;Minnesota Orchestra music director Osmo Vänskä has tightened the screws on the dispute between players and management, threatening to resign if the lockout is not resolved soon.&lt;/span&gt;&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span lang="EN-GB" style="background-color: white; font-size: 10pt;"&gt;In a letter to the orchestra's board sent on Tuesday, he says the dispute has already cost the orchestra several of its players and concertmaster Erin Keefe had told him she has been offered positions elsewhere. No concertmaster, no music director, Vänskä told the board, stating: "my own position as music director may become unsustainable."&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="background-color: white; background-position: initial initial; background-repeat: initial initial; margin: 0in 0in 0pt;"&gt;
&lt;span lang="EN-GB" style="background-color: white; font-size: 10pt;"&gt;The tipping point for Vänskä will be if the orchestra loses four planned concerts at Carnegie Hall starting November.&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/osmo-vanska-threatens-to-resign.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-4416208881368797704</guid><pubDate>Thu, 02 May 2013 22:42:00 +0000</pubDate><atom:updated>2013-05-02T17:42:28.747-05:00</atom:updated><title>Now Minnesota loses its principal clarinet</title><description>&lt;a href="http://2.bp.blogspot.com/-4hnvzTuCOM4/UYLrlZ5DHWI/AAAAAAAABYA/bFLXh98eRgU/s1600/burt-hara.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-4hnvzTuCOM4/UYLrlZ5DHWI/AAAAAAAABYA/bFLXh98eRgU/s1600/burt-hara.jpg" /&gt;&lt;/a&gt;We hear that&amp;nbsp;Burt Hara, principal clarinet of the locked out Minnesota 
Orchestra, has won the audition for&amp;nbsp;Associate Principal Clarinet of the 
Los Angeles Philharmonic. It will mean a sunnier life for Burt and his 
family, but it’s another sickening for Minnesota, which is &lt;a href="http://www.artsjournal.com/slippeddisc/2013/04/minnesota-orch-is-dwindling-away-musician-by-musician.html"&gt;shedding more and more of its best players&lt;/a&gt; in the unending lockout. &lt;a href="http://www.artsjournal.com/slippeddisc/2013/05/now-minnesota-loses-its-principal-clarinet.html"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/now-minnesota-loses-its-principal.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-4hnvzTuCOM4/UYLrlZ5DHWI/AAAAAAAABYA/bFLXh98eRgU/s72-c/burt-hara.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1920932715378824310</guid><pubDate>Thu, 02 May 2013 15:52:00 +0000</pubDate><atom:updated>2013-05-02T10:52:59.565-05:00</atom:updated><title>Cellist Raphaël Merlin has instrument seized at Paris Charles de Gaulle Airport</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-CIbQau5GRFM/UYKL0G4PdnI/AAAAAAAABXw/A6_X__PZpOk/s1600/80.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-CIbQau5GRFM/UYKL0G4PdnI/AAAAAAAABXw/A6_X__PZpOk/s200/80.jpg" width="160" /&gt;&lt;/a&gt;&lt;/div&gt;
Customs officers at Charles de Gaulle Airport, Paris, seized&amp;nbsp;Raphaël 
Merlin’s cello on the morning of 27 April. The cellist was returning to 
his native France after a US tour with the Ébène Quartet. He has still 
not recovered the 1680 Andrea Guarneri instrument (pictured, with 
Merlin), which he has played for the past four and a half years.&amp;nbsp; &lt;a href="http://www.thestrad.com/latest/news/cellist-rapha-l-merlin-has-instrument-seized-at-paris-charles-de-gaulle-airport"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/05/cellist-raphael-merlin-has-instrument.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-CIbQau5GRFM/UYKL0G4PdnI/AAAAAAAABXw/A6_X__PZpOk/s72-c/80.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5882143939883057398</guid><pubDate>Tue, 30 Apr 2013 12:47:00 +0000</pubDate><atom:updated>2013-04-30T07:47:58.959-05:00</atom:updated><title>Jonas Kaufmann Gets (Another) Opera Award</title><description>&lt;div&gt;
&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;span style="font-size: 12pt;"&gt;&lt;img align="right" alt="JonasKaufmann_8-10-12" border="0" height="150" hspace="5" name="13e47877edaf4060_ACCOUNT.IMAGE.604" src="http://ih.constantcontact.com/fs031/1103196797455/img/604.jpg" vspace="5" width="118" /&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;U.K.&lt;/span&gt;&lt;span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;'s &lt;span style="font-family: 'Arial','sans-serif';"&gt;&lt;em&gt;Opera&lt;/em&gt;&lt;/span&gt;
 magazine has jumped on the annual award bandwagon, with Oper Frankfurt 
and tenor Jonas Kaufmann among the first recipients, for "opera company"
 and "male singer," respectively. The awards, at a gala dinner in 
London, are to be known as "the Operas" and were established by the 
magazine's editor, John Allison, and British businessman Harry Hyman. 
There are 23 categories in all, with "accessibility" going to the 
Metropolitan Opera, presumably for the HD initiative. Among other 
winners were the Cape Town Opera in the chorus category, Salzburg as 
opera festival, Antonio Pappano as conductor, George Benjamin's &lt;span style="font-family: 'Arial','sans-serif';"&gt;&lt;em&gt;Written on Skin&lt;/em&gt;&lt;/span&gt; as world premiere, Nina Stemme as female singer, and the MET Orchestra for opera orchestra.&lt;/span&gt;
&lt;div style="margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Among
 the ten jurors, the majority of them male, were San Francisco Opera 
Artistic Director David Gockley; Salzburg Easter Festival Managing 
Artistic Director Peter Alward; Joan Matabosch, artistic director of the
 Gran Teatre del Liceu; Guus Mostart, manager of the Nationale Reisopera
 in Enschede; and Brit journalists Hugh Canning, Rupert Christiansen, 
and Andrew Clements.&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/jonas-kaufmann-gets-another-opera-award.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-4676892358149776019</guid><pubDate>Mon, 29 Apr 2013 15:30:00 +0000</pubDate><atom:updated>2013-04-29T10:30:04.389-05:00</atom:updated><title>Watch: Boston Symphony Musicians Pay Tribute to Marathon Bombing Victims</title><description>
    













    


  &lt;br /&gt;
&lt;br /&gt;&lt;div class="story-longimage"&gt;
    

    &lt;img alt="Boston Symphony assistant principal viola Cathy Basrak and principal violist Steven Ansell play in marathon gear" height="189" src="http://www.wnyc.org/i/620/372/l/80/1/bso_marathon_1.jpg" title="Boston Symphony assistant principal viola Cathy Basrak and principal violist Steven Ansell play in marathon gear" width="320" /&gt;
      




&lt;span class="caption"&gt;Boston Symphony assistant principal viola Cathy Basrak and principal violist Steven Ansell play in marathon gear&lt;/span&gt;


&lt;span class="credit"&gt;
(Stu Rosner)
&lt;/span&gt;




      &lt;/div&gt;
&lt;div class="article-description"&gt;
      With security in Symphony Hall increased in the wake of the 
Boston Marathon bombings, the Boston Symphony Orchestra paid tribute to 
the victims of the attacks and their families during its concert 
Thursday night.&lt;br /&gt;

    &lt;/div&gt;
&lt;br /&gt;
A video supplied to WQXR by the BSO shows the orchestra's 
assistant principal   violist, Cathy Basrak, who ran the marathon on 
Monday, introducing the concert from the stage. Wearing her marathon 
jacket and a running watch over her black evening gown, Basrak reads a &lt;a href="http://www.goodreads.com/quotes/423737-this-will-be-our-reply-to-violence-to-make-music" target="_blank"&gt;quote&lt;/a&gt; from Leonard Bernstein and leads a moment of silence.&amp;nbsp;&lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/apr/19/boston-symphony-musicians-pay-tribute-marathon-bombing-victims/"&gt; More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/watch-boston-symphony-musicians-pay.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-2119230516510543999</guid><pubDate>Mon, 29 Apr 2013 15:27:00 +0000</pubDate><atom:updated>2013-04-29T10:27:38.001-05:00</atom:updated><title>iTunes Celebrates a Decade, Faces New Challenges </title><description>&lt;div class="article-description"&gt;
      &lt;a href="http://4.bp.blogspot.com/-vzA5BpoLnho/UX6RYOgojvI/AAAAAAAABXg/AUkKYUY4FeA/s1600/itunes_screen.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="153" src="http://4.bp.blogspot.com/-vzA5BpoLnho/UX6RYOgojvI/AAAAAAAABXg/AUkKYUY4FeA/s200/itunes_screen.JPG" width="200" /&gt;&lt;/a&gt;&lt;span&gt;NEW YORK     (AP) -- &lt;/span&gt;&lt;span&gt;When Apple launched its
 iTunes music store a  decade ago amid the ashes of Napster, the music 
industry - reeling from  the effects of online piracy - was anxious to 
see how the new music  service would shake out.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;

    &lt;/div&gt;
&lt;span&gt; &lt;/span&gt;&lt;br /&gt;

"The sky was falling,  and iTunes provided a place where we were 
going to monetize music and in  theory stem the tide of piracy. So, it 
was certainly a solution for the  time," said Michael McDonald, who 
co-founded ATO Records with Dave  Matthews and whose Mick Management 
roster includes John Mayer and Ray  LaMontagne.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/apr/26/itunes-celebrates-decade-faces-new-challenges/"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/itunes-celebrates-decade-faces-new.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-vzA5BpoLnho/UX6RYOgojvI/AAAAAAAABXg/AUkKYUY4FeA/s72-c/itunes_screen.JPG" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5578311832044680524</guid><pubDate>Mon, 29 Apr 2013 15:25:00 +0000</pubDate><atom:updated>2013-04-29T10:25:33.181-05:00</atom:updated><title>Janos Starker, A Master Of The Cello, Dies At 88</title><description>&lt;a href="http://4.bp.blogspot.com/-JTjCzZlnc1U/UX6Q08TrZnI/AAAAAAAABXY/Z56OjyyzJXU/s1600/starker_vert-29aab382e933ae90df08e524dc99ea44c64622e2-s3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-JTjCzZlnc1U/UX6Q08TrZnI/AAAAAAAABXY/Z56OjyyzJXU/s200/starker_vert-29aab382e933ae90df08e524dc99ea44c64622e2-s3.jpg" width="150" /&gt;&lt;/a&gt;Cellist Janos Starker has died at 88, ending a life and career that 
saw him renowned for his skills as a soloist, his prodigious work with 
orchestras, and his commitment to teaching. Starker was born in Budapest
 in 1924; his path to becoming an international star included surviving 
life in a Nazi labor camp.&lt;br /&gt;
&lt;br /&gt;
   Prolific as well as talented, 
Starker's recording career spanned more than 50 years. His discography 
numbers more than 165 recordings, according to his .&lt;br /&gt;
&lt;br /&gt;
   "Among his
 most acclaimed discs are the Bach cello suites and the Dvořák concerto,
 both recorded for Mercury Living Presence," reports , "and the 1992 Grammy Award winning recording of the Bach suites for RCA."&amp;nbsp;&lt;a href="http://www.npr.org/blogs/thetwo-way/2013/04/28/179666890/janos-starker-a-master-of-the-cello-dies-at-88"&gt; More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/janos-starker-master-of-cello-dies-at-88.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-JTjCzZlnc1U/UX6Q08TrZnI/AAAAAAAABXY/Z56OjyyzJXU/s72-c/starker_vert-29aab382e933ae90df08e524dc99ea44c64622e2-s3.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8267124006752093171</guid><pubDate>Wed, 03 Apr 2013 21:23:00 +0000</pubDate><atom:updated>2013-04-03T16:23:37.077-05:00</atom:updated><title>Composer, educator Robert Ward dies </title><description>
            
            
            &lt;a href="http://2.bp.blogspot.com/-qJu3R5p5GQg/UVydt2PRLCI/AAAAAAAABXI/Pg9tkQ5_6Jk/s1600/sy3BH.AuSt.156.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="134" src="http://2.bp.blogspot.com/-qJu3R5p5GQg/UVydt2PRLCI/AAAAAAAABXI/Pg9tkQ5_6Jk/s200/sy3BH.AuSt.156.jpeg" width="200" /&gt;&lt;/a&gt;&lt;span class="dateline"&gt;DURHAM&lt;/span&gt; —  Robert Ward, grand old man of American opera and a major figure in North Carolina music since the 1960s, has died.&lt;br /&gt;
&lt;br /&gt;
Ward
 passed early Wednesday morning at his apartment in a Durham retirement 
home, after a period of failing health. He was 95 years old.&lt;br /&gt;
&lt;br /&gt;
Ward 
remains best known for composing the music to the opera version of 
Arthur Miller’s “The Crucible,” which won the Pulitzer Prize in 1962. He
 also wrote another seven operas, seven symphonies and numerous choral 
works and chamber-music pieces.&amp;nbsp;&amp;nbsp; &lt;a href="http://www.newsobserver.com/2013/04/03/2799101/composer-educator-robert-ward.html"&gt;more&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: black; font: 10pt sans-serif; height: 1px; overflow: hidden; text-align: left; text-transform: none; width: 1px;"&gt;
&lt;br /&gt;Read more here: http://www.newsobserver.com/2013/04/03/2799101/composer-educator-robert-ward.html#storylink=cpy&lt;/div&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/composer-educator-robert-ward-dies.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-qJu3R5p5GQg/UVydt2PRLCI/AAAAAAAABXI/Pg9tkQ5_6Jk/s72-c/sy3BH.AuSt.156.jpeg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1283221978072070852</guid><pubDate>Wed, 03 Apr 2013 19:56:00 +0000</pubDate><atom:updated>2013-04-03T14:56:00.610-05:00</atom:updated><title>Library of Congress Adds Glass Opera, Van Cliburn to Recording Registry </title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-r0D_YulmWRw/UVnmC1xbQvI/AAAAAAAABW4/TfyaudJww4I/s1600/EINSTEIN__BER3344.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://3.bp.blogspot.com/-r0D_YulmWRw/UVnmC1xbQvI/AAAAAAAABW4/TfyaudJww4I/s320/EINSTEIN__BER3344.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="article-description"&gt;
      “Einstein on the Beach” is headed to the Library of Congress. On Thursday, the library announced its 25 newest additions to the &lt;a href="http://www.loc.gov/rr/record/nrpb/" target="_blank"&gt;National Recording Registry&lt;/a&gt;. Among them is the landmark multimedia opera by Philip Glass and Robert Wilson.&lt;br /&gt;
&lt;/div&gt;
The library selects said it selects albums for “their cultural, artistic and historic importance to the nation's aural legacy."&lt;br /&gt;
&lt;br /&gt;

Also  among the new additions is a recording from April 1958 of Van 
Cliburn,  then 23 years old,  performing Tchaikovsky’s Piano Concerto 
No. 1 for  the finals of the  Tchaikovsky International Piano 
Competition in  Moscow. And a 1959 "A Program of Song" by the soprano 
Leontyne Price was also added.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/mar/21/library-congress-adds-glass-opera-cliburn-national-recording-registry/"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/library-of-congress-adds-glass-opera.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-r0D_YulmWRw/UVnmC1xbQvI/AAAAAAAABW4/TfyaudJww4I/s72-c/EINSTEIN__BER3344.JPG" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-331071795888918340</guid><pubDate>Mon, 01 Apr 2013 19:53:00 +0000</pubDate><atom:updated>2013-04-01T14:53:39.939-05:00</atom:updated><title>Steinway to Sell West 57th St. Showroom to Condo Developer </title><description>&lt;div class="article-description"&gt;
      &lt;a href="http://1.bp.blogspot.com/-avVnkFDUZ1Y/UVnluiAum4I/AAAAAAAABWw/PXSw9MrtNSQ/s1600/Steinway_Hall_New_York_City.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-avVnkFDUZ1Y/UVnluiAum4I/AAAAAAAABWw/PXSw9MrtNSQ/s200/Steinway_Hall_New_York_City.jpg" width="107" /&gt;&lt;/a&gt;Steinway Musical Instruments Inc. is selling its stake in the 
Steinway  Hall building in New York to JDS Development Group for about 
$46  million.&lt;br /&gt;
&lt;br /&gt;

    &lt;/div&gt;
The musical instrument maker said Tuesday that 
247,000-square-foot,  16-story office building is home to its flagship 
retail showroom.  Steinway Hall opened in 1925 and is located on West 
57th St. in  Manhattan.&lt;br /&gt;
&lt;br /&gt;

The deal gives Steinway, which is best known for its pianos, the  
right to occupy the building rent free for 14 months after closing and  
to extend the occupancy an additional four months subject to an agreed  
upon rent.&lt;br /&gt;
&lt;br /&gt;

Steinway expects cash proceeds of about $43 million from the sale at 
 closing after paying transfer taxes. It expects to recognize a taxable 
 gain of $22 million once the deal closes. The transaction is expected 
to  close in the second quarter.&amp;nbsp;&lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/mar/27/steinway-sell-west-57th-st-showroom-condo-developer/"&gt; More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/steinway-to-sell-west-57th-st-showroom.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-avVnkFDUZ1Y/UVnluiAum4I/AAAAAAAABWw/PXSw9MrtNSQ/s72-c/Steinway_Hall_New_York_City.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1977069671519946453</guid><pubDate>Mon, 01 Apr 2013 19:51:00 +0000</pubDate><atom:updated>2013-04-01T14:51:32.349-05:00</atom:updated><title>The Gospel According to the Other Mary received its New York premiere </title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-MJkFimYeevk/UVnlLwDv5qI/AAAAAAAABWo/-7HtQEfFShw/s1600/Adams2creditMargarettaMitchell.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-MJkFimYeevk/UVnlLwDv5qI/AAAAAAAABWo/-7HtQEfFShw/s200/Adams2creditMargarettaMitchell.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="color: windowtext; font-family: 'arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;NEW YORK -- John Adams's &lt;i&gt;The Gospel According to the Other Mary&lt;/i&gt;
 received its New York premiere Wednesday night in Avery Fisher Hall 
with Gustavo Dudamel conducting soloists, dancers, the Los Angeles 
Master Chorale, and the Los Angeles Philharmonic. It was quite a 
spectacle.&lt;/span&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Like Adams's &lt;i&gt;El Niño&lt;/i&gt;,
 the piece has an inspired and inventive musical score wedded to a 
libretto assembled by Peter Sellars that mixes biblical scenes with what
 naysayers might call bleeding-heart-liberal expressions of solidarity 
with the downtrodden and the oppressed, whether by virtue of economic 
injustice or discrimination--perennial Sellars themes.&amp;nbsp;Political views 
aside, one can wince at a passion story that juxtaposes Jesus's 
arraignment before Pilate with negotiations between César Chavez, 
representing farm workers, and the Teamsters. Dramatic coherence and 
structural shape are simply not present.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/the-gospel-according-to-other-mary.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-MJkFimYeevk/UVnlLwDv5qI/AAAAAAAABWo/-7HtQEfFShw/s72-c/Adams2creditMargarettaMitchell.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1096212035938991815</guid><pubDate>Mon, 01 Apr 2013 19:43:00 +0000</pubDate><atom:updated>2013-04-01T14:43:12.413-05:00</atom:updated><title>Met Announces Sills Award Winner</title><description>&lt;span style="color: windowtext; font-family: 'arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;img align="left" alt="BryanHymel_3-29-13" border="0" height="150" hspace="5" name="13db75413b3587d6_ACCOUNT.IMAGE.926" src="http://ih.constantcontact.com/fs146/1103196797455/img/926.jpg" vspace="5" width="150" /&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Tenor
 Bryan Hymel has joined a rather distinguished group of singers in 
receiving the eighth annual Beverly Sills Artist Award for young 
singers.&amp;nbsp;Overseen by the Metropolitan Opera, named for the famed 
vocalist/arts administrator, funded by an endowment gift from the late 
Agnes Varis, the $50,000 award is for singers between ages 25 and 40 who
 are considered "extraordinarily gifted" and have already sung a major 
role at the Met.&lt;/span&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Hymel made his house debut earlier this season, a last-minute replacement for Marcello Giordani singing Aeneas in Berlioz's &lt;i&gt;Les Troyens. &lt;/i&gt;Ultimately,
 he took over the full run (including the HD broadcast), when Giordani 
decided to "retire" the role from his repertoire. It was a stroke of 
luck for Hymel, and his debut was a triumph.&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/04/met-announces-sills-award-winner.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-2163167942194947901</guid><pubDate>Wed, 20 Mar 2013 14:26:00 +0000</pubDate><atom:updated>2013-03-20T09:26:58.475-05:00</atom:updated><title>'Anna Nicole' @ NY City Opera in September </title><description>&lt;a href="http://2.bp.blogspot.com/-9EuvXTHdgYo/UUnHJxxMd0I/AAAAAAAABWY/1DYiE40-Nrk/s1600/annanicole_.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-9EuvXTHdgYo/UUnHJxxMd0I/AAAAAAAABWY/1DYiE40-Nrk/s200/annanicole_.jpg" width="125" /&gt;&lt;/a&gt;Anna Nicole is coming to New York City Opera! Mark-Anthony Turnage’s 
opera about the former Playboy playmate and tabloid fixture was a smash 
hit at the Royal Opera House in London two seasons ago. It will open the
 2013-2014 &lt;a href="http://www.nycopera.com/" target="_blank"&gt;City Opera&lt;/a&gt; season in September in a co-production with Brooklyn Academy of Music.&lt;br /&gt;
&lt;br /&gt;

Details were announced a press conference on Tuesday morning at New York City Center.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/operavore/2013/mar/19/anna-nicole-coming-city-opera-september/"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/03/anna-nicole-ny-city-opera-in-september.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-9EuvXTHdgYo/UUnHJxxMd0I/AAAAAAAABWY/1DYiE40-Nrk/s72-c/annanicole_.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8236786320749686277</guid><pubDate>Wed, 20 Mar 2013 14:25:00 +0000</pubDate><atom:updated>2013-03-20T09:25:07.005-05:00</atom:updated><title>San Francisco Symphony Cancels Carnegie Hall Dates as Strike Continues </title><description>&lt;div class="article-description"&gt;
      &lt;a href="http://4.bp.blogspot.com/-WGFvonM4nKU/UUnGpKp-QEI/AAAAAAAABWQ/r2SCt4AK0UY/s1600/559696_475006329221136_669446886_n-620x462.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="149" src="http://4.bp.blogspot.com/-WGFvonM4nKU/UUnGpKp-QEI/AAAAAAAABWQ/r2SCt4AK0UY/s200/559696_475006329221136_669446886_n-620x462.jpg" width="200" /&gt;&lt;/a&gt;The San Francisco Symphony's east coast tour, which was to 
include a two-night stand at Carnegie Hall on Wednesday and Thursday, 
has been canceled as a result of its five-day-old strike.&lt;br /&gt;
&lt;br /&gt;

    &lt;/div&gt;
The orchestra announced shortly before 8 pm ET Sunday that the 
two sides had been unable to reach an accord, and remain far apart on 
issues of pay and benefits.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/mar/17/san-francisco-symphony-strike/"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/03/san-francisco-symphony-cancels-carnegie.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-WGFvonM4nKU/UUnGpKp-QEI/AAAAAAAABWQ/r2SCt4AK0UY/s72-c/559696_475006329221136_669446886_n-620x462.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-248870775372891443</guid><pubDate>Wed, 20 Mar 2013 14:23:00 +0000</pubDate><atom:updated>2013-03-20T09:23:27.914-05:00</atom:updated><title>Violin That Was Played as Titanic Sank Found, Auction House Says </title><description>&lt;div class="article-description"&gt;
      &lt;a href="http://3.bp.blogspot.com/-76uJzIg8UCM/UUnGV5ur0NI/AAAAAAAABWI/MIyBhNOtX-E/s1600/Titanic.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-76uJzIg8UCM/UUnGV5ur0NI/AAAAAAAABWI/MIyBhNOtX-E/s1600/Titanic.jpg" /&gt;&lt;/a&gt;&lt;span&gt;The violin played by the bandmaster of the  Titanic as 
the oceanliner sank has been unearthed, a British auction  house said 
Friday.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;

    &lt;/div&gt;
Survivors of the  Titanic have said they remember the band, led
 by Wallace Hartley,  playing on deck even as passengers boarded 
lifeboats after the ship hit  an iceberg.&lt;br /&gt;
&lt;br /&gt;

Hartley's violin was believed lost  in the 1912 disaster, but 
auctioneers Henry Aldridge &amp;amp; Son say an  instrument unearthed in 
2006 and has undergone rigorous testing and  proven to be Hartley's.&lt;br /&gt;

"It's been a long haul," said auctioneer Andrew Aldridge, explaining the find had initially seemed "too good to be true."&lt;br /&gt;
&lt;br /&gt;

The  auction house spent the past seven years and thousands of pounds
  determining the water-stained violin's origins, consulting numerous  
experts including government forensic scientists and Oxford University.&amp;nbsp; &lt;a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/mar/15/violin-was-played-titanic-sank-found-auction-house-says/"&gt;More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/03/violin-that-was-played-as-titanic-sank.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-76uJzIg8UCM/UUnGV5ur0NI/AAAAAAAABWI/MIyBhNOtX-E/s72-c/Titanic.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5967174325919375553</guid><pubDate>Sun, 17 Feb 2013 16:39:00 +0000</pubDate><atom:updated>2013-02-17T11:39:17.994-05:00</atom:updated><title>Musicians Are Probably Smarter Than The Rest Of Us </title><description>&lt;a href="http://4.bp.blogspot.com/-hFd6zldrgRs/USEHqePstAI/AAAAAAAABVA/c_L1UkQK2UU/s1600/s-MUSIC-INTELLIGENCE-large.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="146" src="http://4.bp.blogspot.com/-hFd6zldrgRs/USEHqePstAI/AAAAAAAABVA/c_L1UkQK2UU/s200/s-MUSIC-INTELLIGENCE-large.jpg" width="200" /&gt;&lt;/a&gt;Want to keep your mind healthy and sharp throughout your life? Pick 
up an instrument. A new study found that musicians might have brains 
that function better than their peers well into old age. Bet you wish 
you stuck with those piano lessons after all.&lt;br /&gt;
&lt;br /&gt;


Researchers tested the mental abilities of senior citizens and 
discovered that musicians performed better at a number of tests. In 
particular, musicians excelled at visual memory tasks. While musicians 
had similar verbal capabilities to non-musicians, the musicians’ ability
 to memorize new words was markedly better, too. Perhaps most 
importantly, the musicians’ IQ scores were higher overall than those who
 spent their lives listening to music rather than performing it.&amp;nbsp;&lt;a href="http://www.huffingtonpost.com/2011/07/20/music-intelligence_n_904124.html?utm_hp_ref=fb&amp;amp;src=sp&amp;amp;comm_ref=false"&gt; More&lt;/a&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/musicians-are-probably-smarter-than.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-hFd6zldrgRs/USEHqePstAI/AAAAAAAABVA/c_L1UkQK2UU/s72-c/s-MUSIC-INTELLIGENCE-large.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8382991370336488265</guid><pubDate>Fri, 15 Feb 2013 20:12:00 +0000</pubDate><atom:updated>2013-02-15T15:12:12.472-05:00</atom:updated><title>Berlin's Lutosławski Tribute kicks off with Dvořák</title><description>&lt;span style="font-size: 12pt;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div&gt;
&lt;span style="font-size: 10pt;"&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;a href="http://www.blogger.com/blogger.g?blogID=2935236098526226304" name="13cdf429369e4f8a_LETTER.BLOCK14"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;table border="0" cellpadding="5" cellspacing="0" style="width: 100%px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" bgcolor="#CC3333" colspan="1" height="20" rowspan="1" width="100%"&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" colspan="1" rowspan="1" style="font-family: Arial,Helvetica,sans-serif; font-size: 10pt;" valign="top" width="100%"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;img align="left" alt="RebeccaSchmid_7-6-12" border="0" height="150" hspace="5" name="13cdf429369e4f8a_ACCOUNT.IMAGE.574" src="http://ih.constantcontact.com/fs031/1103196797455/img/574.jpg" vspace="5" width="110" /&gt;&lt;/span&gt;&lt;strong&gt;From Berlin Times by Rebecca Schmid&amp;nbsp;&lt;/strong&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-top: 0px;"&gt;
The Berlin Philharmonic is 
celebrating the centenary of Lutosławski with several concerts this 
month. The first of the series on February 7-featuring his Concert for 
Orchestra-opened appropriately with Anne-Sophie Mutter, who premiered 
one of his most important works, &lt;em&gt;Chain Two&lt;/em&gt;, in 1988. In an &lt;a href="http://r20.rs6.net/tn.jsp?e=001-oUW80G8RBwjNMx-oodQ5b_cNidRyn1mUgDy9eXnX6HVX9SoC8GzieeUI31PNvKoP_reCTA3D9inIL3AV7OUVBFyVLTDaFaeNJm6Ec1kNm6Ij6n-dGgQ9LvC3xi139Fm6jqbdUqQVrvV84Hef5iXVAk0e4Y_7zqGatPnbaQ-STCKJsk1yuTco_m8ZFieFccV9MG_b-ArwHBe8TRbZHYdAd3BWMXoXjn1c6Y8sGslLL5L3Zsa_F3d5ndB-eskquTsxlpRbIFJDGqriczN_KT8BPON00JNmwaOMFoaqNTPH6j69zHipidE2oWh3pnHAMBK" shape="rect" target="_blank"&gt;interview &lt;/a&gt;I
 conducted two years ago, the violinist recalled how seeing the score 
triggered a passion for contemporary music which she continues to 
nurture. Her appearance at the Philharmonie alongside guest conductor 
Manfred Honeck took an unrelated historic twist with a performance of 
Dvořák's Romance in F-minor, although the Czech composer's innovative 
integration of folk music can be seen to have foreshadowed composers 
such as Bartok and Lutosławski. The last violinist to perform this work 
with the Philharmonic is Carl Flesch, in 1909. As Mutter also explained 
to me, she considers herself a kind of 'great-grandchild' of the 
legendary violinist given that Flesch taught her mentor Aida Stücki.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/berlins-lutosawski-tribute-kicks-off.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5298805996680652602</guid><pubDate>Fri, 15 Feb 2013 20:10:00 +0000</pubDate><atom:updated>2013-02-15T15:10:53.016-05:00</atom:updated><title>Yannick &amp; Philly to Record on DG</title><description>&lt;div&gt;
&lt;div&gt;
&lt;span style="font-family: 'Arial','sans-serif';"&gt;
&lt;div&gt;
&lt;span style="font-family: 'Arial','sans-serif';"&gt;
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&lt;span style="font-family: 'Arial','sans-serif';"&gt;
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&lt;span style="font-family: 'Arial','sans-serif'; font-weight: normal;"&gt;
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&lt;span style="font-family: 'Arial','sans-serif'; font-weight: normal;"&gt;
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&lt;span style="font-family: 'Arial','sans-serif'; font-weight: normal;"&gt;
&lt;div&gt;
&lt;span style="font-family: 'Arial','sans-serif'; font-weight: normal;"&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;div&gt;
&lt;span&gt;
&lt;div&gt;
&lt;span style="font-family: 'Arial','sans-serif'; font-weight: normal;"&gt;&lt;strong&gt;&lt;strong&gt;&lt;b&gt;
&lt;div style="color: white; font-size: 12pt; line-height: normal; margin: 0in 0in 0pt;"&gt;
&lt;span color="#000000" style="font-family: 'Arial','sans-serif';"&gt;&lt;b&gt;Yannick &amp;amp; Philly to Record on DG&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/b&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span style="font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;img align="left" alt="Yannick_2-15-13" border="0" height="146" hspace="5" name="13cdf429369e4f8a_ACCOUNT.IMAGE.848" src="http://ih.constantcontact.com/fs146/1103196797455/img/848.jpg" vspace="5" width="150" /&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Last
 summer, Deutsche Grammophon signed Philadelphia Orchestra Music 
Director Yannick Nézet-Séguin to a long-term agreement. Yesterday, the 
orchestra announced that his first project for the label would be a 
recording in Verizon Hall of Stravinsky's &lt;i&gt;The Rite of Spring, &lt;/i&gt;set to be issued in the fall&lt;i&gt;. &lt;/i&gt;&lt;/span&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;The
 iconic work, in its centennial year, was premiered in 1922 in the U.S. 
by none other than the Philadelphia Orchestra, under then music director
 Leopold Stokowski.&amp;nbsp;The collaborators also made the first American 
recording of the piece, in 1930. This marks the orchestra's first 
major-label project since 1997, also with DG.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;These
 days, very few U.S. orchestras record for major labels. It's worth 
noting that DG also signed Gustavo Dudamel very early in his 
relationship with the Los Angeles Philharmonic.&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/yannick-philly-to-record-on-dg.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-30982588490137900</guid><pubDate>Fri, 15 Feb 2013 20:08:00 +0000</pubDate><atom:updated>2013-02-15T15:08:15.108-05:00</atom:updated><title>Teachers at U.K. Music School Charged with Sex Abuse</title><description>
          
          
            
                
                
                
              &lt;a href="http://www.blogger.com/blogger.g?blogID=2935236098526226304" name="13cdf429369e4f8a_LETTER.BLOCK10"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;table bgcolor="#ffffff" border="0" cellpadding="5" cellspacing="0" style="display: table; width: 100%px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td align="left" bgcolor="#CC3333" colspan="1" height="20" rowspan="1" width="100%"&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td align="left" colspan="1" rowspan="1" style="font-family: Arial,Helvetica,sans-serif; font-size: 10pt; text-align: left;" valign="top" width="100%"&gt;&lt;span style="color: windowtext; font-family: 'arial','sans-serif'; font-size: 10pt;"&gt;
&lt;div style="color: white; font-size: 12pt; margin-bottom: 0px; margin-top: 0px;"&gt;
&lt;span style="color: windowtext; font-family: 'arial','sans-serif'; font-size: 10pt;"&gt;&lt;img align="left" alt="ChethamsSchool_2-15-13" border="0" height="87" hspace="5" name="13cdf429369e4f8a_ACCOUNT.IMAGE.850" src="http://ih.constantcontact.com/fs146/1103196797455/img/850.jpg" vspace="5" width="150" /&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;Manchester's
 Chetham's School of Music is caught in an explosion of allegations of&amp;nbsp; 
sex abuse. Reports in the media seem to have encouraged increasing 
numbers of students to come forward with their own stories of teachers 
who abused them in the past.&lt;/span&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;On
 Feb. 8, Michael Brewer, the former director of music at the school, was
 found guilty of "indecent assault" of a former pupil, who committed 
suicide after testifying against him.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0pt;"&gt;
&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;&lt;a href="http://r20.rs6.net/tn.jsp?e=001-oUW80G8RByvHl3KQdb0KaS1XFVcRpfoxpwiXkpwSoN9qwQFPs8n1GVMd-sdvs0meVEHroBZWwNr-MOR54lkCpk5SV9qWar4iUKGNLBxhNUdumwHpuEyx27DOMpUAVI2_7cd5fVsyBvFz55-GQWxD8MCDdF9X-XBMvqJC44zON5xlRmQtITnuoaz89jpTaQaVg-F6sew7sYDpZynYDxOCoT0kB3fdduOOn_5UctXon-11W_t9R7xBlkP9bAiLAXhEWEJUeAFtgzZXuUsvvAo534pnIIa-SwoHpOgkr8TWiJ4cqIwAfy0pCqJ9u_KiVoqmescLaXWhmY=" shape="rect" target="_blank"&gt;&lt;i&gt;&lt;span style="color: windowtext; text-decoration: none;"&gt;The Guardian&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-family: 'Arial','sans-serif'; font-size: 10pt;"&gt;
 now reports that five women have come forward with allegations of sex 
abuse during the 1970s by the late Ryszard Bakst, a piano teacher at 
Chetham and at the Royal Manchester College of Music.&amp;nbsp;All claim to have 
made complaints to the school, to no avail.&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/teachers-at-uk-music-school-charged.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-4324818671159632308</guid><pubDate>Mon, 11 Feb 2013 14:28:00 +0000</pubDate><atom:updated>2013-02-11T09:28:47.733-05:00</atom:updated><title>Congratulation eighth blackbird on your Grammy!!!</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-Llazmv4D5v0/URj-xDa8SWI/AAAAAAAABT4/0rHqF_eO0qA/s1600/about_page.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="182" src="http://3.bp.blogspot.com/-Llazmv4D5v0/URj-xDa8SWI/AAAAAAAABT4/0rHqF_eO0qA/s200/about_page.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;a href="http://www.eighthblackbird.org/"&gt;blackbirds&lt;/a&gt; have done it, again! Check out this&lt;a href="http://www.latimes.com/entertainment/arts/culture/la-et-cm-grammy-awards-metropolitan-operas-ring-eighth-blackbird-win-20130210,0,4652838.story"&gt; story&lt;/a&gt; on them from the LA Times. &amp;nbsp;Congratulations from the Oberlin Conservatory Library! xo</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/congratulation-eighth-blackbird-on-your.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Llazmv4D5v0/URj-xDa8SWI/AAAAAAAABT4/0rHqF_eO0qA/s72-c/about_page.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-753298819313577120</guid><pubDate>Mon, 11 Feb 2013 14:20:00 +0000</pubDate><atom:updated>2013-02-11T09:20:19.601-05:00</atom:updated><title>Grammy Winners 2013: The Full List</title><description>&lt;a href="http://3.bp.blogspot.com/-QTSCjiPlzD8/URj95Gu4SWI/AAAAAAAABTs/rLU7QUN018I/s1600/300px-Grammy8.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-QTSCjiPlzD8/URj95Gu4SWI/AAAAAAAABTs/rLU7QUN018I/s200/300px-Grammy8.jpg" width="150" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="border: 0px; font-family: Georgia, 'Times New Roman', serif; font-size: 18px; line-height: 24px; margin-bottom: 15px; margin-top: 15px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; word-wrap: break-word;"&gt;
The 55th annual Grammys are over, and unlike last year, a wide range of artists is heading home with hardware.&lt;/div&gt;
&lt;div style="border: 0px; font-family: Georgia, 'Times New Roman', serif; font-size: 18px; line-height: 24px; margin-bottom: 15px; margin-top: 15px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;a class="exit_trigger_set" href="http://www.forbes.com/profile/adele/" style="border: 0px; color: #666666; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Adele&lt;/a&gt;&amp;nbsp;&lt;a class="exit_trigger_set" href="http://www.forbes.com/sites/zackomalleygreenburg/2012/02/13/the-top-earning-grammy-winners/" style="border: 0px; color: #666666; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;" target="_blank"&gt;stole the show in 2012&lt;/a&gt;, winning all six awards for which she was nominated. In 2013, Dan Auerbach and the Black Keys were the biggest winners, taking home four trophies.&amp;nbsp;&lt;a class="exit_trigger_set" href="http://www.forbes.com/profile/skrillex/" style="border: 0px; color: #666666; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Skrillex&lt;/a&gt;&amp;nbsp;claimed three, as did Gotye,&amp;nbsp;&lt;a class="exit_trigger_set" href="http://www.forbes.com/profile/jay-z/" style="border: 0px; color: #666666; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Jay-Z&lt;/a&gt;&amp;nbsp;and Kayne West.&lt;/div&gt;
&lt;div style="border: 0px; font-family: Georgia, 'Times New Roman', serif; font-size: 18px; line-height: 24px; margin-bottom: 15px; margin-top: 15px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;a href="http://www.forbes.com/sites/zackomalleygreenburg/2013/02/11/grammy-winners-2013-the-full-list/"&gt;Check out the entire list!&lt;/a&gt;&lt;/div&gt;
</description><link>http://oberlinconservatorylibrary.blogspot.com/2013/02/grammy-winners-2013-full-list.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-QTSCjiPlzD8/URj95Gu4SWI/AAAAAAAABTs/rLU7QUN018I/s72-c/300px-Grammy8.jpg" height="72" width="72" /></item></channel></rss>
