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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-2935236098526226304</atom:id><lastBuildDate>Thu, 26 Jan 2012 20:47:16 +0000</lastBuildDate><title>Guido's Hand</title><description>News from the Oberlin Conservatory Library</description><link>http://oberlinconservatorylibrary.blogspot.com/</link><managingEditor>noreply@blogger.com (conlib)</managingEditor><generator>Blogger</generator><openSearch:totalResults>357</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/GuidosHand" /><feedburner:info uri="guidoshand" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1130940174307485298</guid><pubDate>Thu, 26 Jan 2012 20:47:00 +0000</pubDate><atom:updated>2012-01-26T15:47:16.752-05:00</atom:updated><title>Huang Ruo (OC '00) Sings His Top Five Favorite Chinese Folk Songs</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;Huang Ruo (OC class of 2000), has written works for  every conceivable format including orchestra, chamber ensemble, piano  and the opera stage. While he employs Western instruments and techniques  he also edited the anthology &lt;em&gt;Selection of Classic Chinese Folk Songs&lt;/em&gt;.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/articles/top-5-105/2012/jan/26/huang-ruo-sings-his-top-five-chinese-folk-songs/"&gt;Read more&lt;/a&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://1.gvt0.com/vi/oqHlO7SMZRE/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oqHlO7SMZRE&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/oqHlO7SMZRE&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-1130940174307485298?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/huang-ruo-oc-00-sings-his-top-five.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5295130604255538396</guid><pubDate>Wed, 18 Jan 2012 15:33:00 +0000</pubDate><atom:updated>2012-01-18T10:33:00.961-05:00</atom:updated><title>Garbage Pickup Announced with Classical Music!</title><description>&lt;div class="article-description"&gt;       &lt;a href="http://3.bp.blogspot.com/-yW4hFp5yfZc/TxWU94uKR6I/AAAAAAAAA_M/qCWpMtOdorA/s1600/garbage_truck_medium_image.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-yW4hFp5yfZc/TxWU94uKR6I/AAAAAAAAA_M/qCWpMtOdorA/s200/garbage_truck_medium_image.jpg" width="149" /&gt;&lt;/a&gt;Garbage trucks in Taiwan have a curious way of announcing their  presence: by loudly playing classical music standards like Beethoven’s &lt;em&gt;Für Elise&lt;/em&gt;.  It’s not unlike the bleating of ice cream trucks in the US every  summer, universally recognized and calling people out of their homes and  to the curb.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;Although this has been going on for some time, it recently came to wider attention as several videos began appearing online.&lt;br /&gt;
&lt;br /&gt;
The musical garbage truck scheme began in the 1980s when Taiwan's  Environmental Protection Administration was seeking a novel way to  eliminate the vermin and odors that plagued the country's designated  outdoor public trash disposal areas. This way, residents are notified to  bring their rubbish directly to the trucks and the trash never touches  the ground (unlike Mister Softee trucks, which seem to appear out of  nowhere on hot summer days, the musical garbage trucks run on a set  schedule).&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2012/jan/10/classical-garbage-pickup/"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-5295130604255538396?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/garbage-pickup-announced-with-classical.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-yW4hFp5yfZc/TxWU94uKR6I/AAAAAAAAA_M/qCWpMtOdorA/s72-c/garbage_truck_medium_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8214248634014410692</guid><pubDate>Tue, 17 Jan 2012 15:29:00 +0000</pubDate><atom:updated>2012-01-17T10:29:30.852-05:00</atom:updated><title>Classical Music Played on Stricken Italian Cruise Ship</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-HdNJvJuW-BY/TxWTzit6hvI/AAAAAAAAA_E/FmdufONrQSI/s1600/136991282__long_image.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="112" src="http://1.bp.blogspot.com/-HdNJvJuW-BY/TxWTzit6hvI/AAAAAAAAA_E/FmdufONrQSI/s200/136991282__long_image.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;According to its Web site, Costa Concordia offered nightly  Broadway-style shows, singers, acrobats and musicians playing everything  from the latest popular dance hits to -- believe it or not -- classical  music. It’s unclear if any classical performances were taking place at  the time of the accident but several online videos show what appears to  be a &lt;a href="http://www.youtube.com/watch?v=7fUrQLSbvwA&amp;amp;feature=related" target="_blank"&gt;violin recital in the ship’s Atene Theater&lt;/a&gt;, its three-story, 800-seat venue.&amp;nbsp;&lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2012/jan/15/classical-music-played-stricken-italian-cruise-ship/"&gt; Read more&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-8214248634014410692?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/classical-music-played-on-stricken.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-HdNJvJuW-BY/TxWTzit6hvI/AAAAAAAAA_E/FmdufONrQSI/s72-c/136991282__long_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-3805322710296401518</guid><pubDate>Tue, 17 Jan 2012 15:11:00 +0000</pubDate><atom:updated>2012-01-17T10:11:26.637-05:00</atom:updated><title>Violinist Joshua Bell: 'French Impressions,' Yesterday And Today</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Cx1KWcHKuf0/TxWPgOmTY6I/AAAAAAAAA-8/wqkih1xrhsY/s1600/bell_wide.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="112" src="http://2.bp.blogspot.com/-Cx1KWcHKuf0/TxWPgOmTY6I/AAAAAAAAA-8/wqkih1xrhsY/s200/bell_wide.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;When Joshua Bell was 21, he recorded an iconic piece of chamber music  for piano and violin — the Sonata in A major by Cesar Franck. Today,  Bell is 44 and he's recorded it again. It's on his new album, &lt;em&gt;French Impressions&lt;/em&gt;, with pianist Jeremy Denk.&amp;nbsp; &lt;a href="http://www.npr.org/blogs/deceptivecadence/2012/01/16/145191200/violinist-joshua-bell-french-impressions-yesterday-and-today"&gt;Read more and listen to the NPR story&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-3805322710296401518?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/violinist-joshua-bell-french.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Cx1KWcHKuf0/TxWPgOmTY6I/AAAAAAAAA-8/wqkih1xrhsY/s72-c/bell_wide.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8671006789691264149</guid><pubDate>Tue, 10 Jan 2012 16:45:00 +0000</pubDate><atom:updated>2012-01-10T11:45:53.015-05:00</atom:updated><title>Digital downloads overtake physical music sales in the US for first time</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-LcJQDafv2Hc/TwxrMPMFN8I/AAAAAAAAA-0/vuLvG-DQF2s/s1600/mouse.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://2.bp.blogspot.com/-LcJQDafv2Hc/TwxrMPMFN8I/AAAAAAAAA-0/vuLvG-DQF2s/s200/mouse.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Ten years after Steve Jobs promised to reinvent the &lt;a href="http://www.guardian.co.uk/business/musicindustry" title="More from guardian.co.uk on Music industry"&gt;music industry&lt;/a&gt; with the &lt;a href="http://www.guardian.co.uk/technology/ipod" title="More from guardian.co.uk on iPod"&gt;iPod&lt;/a&gt;, digital &lt;a href="http://www.guardian.co.uk/music/downloads" title="More from guardian.co.uk on Downloads"&gt;downloads&lt;/a&gt; have overtaken physical sales of singles and albums for the first time in the US.&lt;br /&gt;
&lt;br /&gt;
Digital downloads accounted for a record 50.3% of all music sales in the US last year, &lt;a href="http://finance.yahoo.com/news/The-Nielsen-Company-Billboard-bw-3137090198.html" title=""&gt;according to an annual report by Nielsen and Billboard&lt;/a&gt;, contributing to a rise in total album sales for the first time since 2004.&lt;br /&gt;
&lt;br /&gt;
The  report shows digital album sales passed the 100m mark for the first  time in 2011, as London-born Adele dominated the US charts. Individual  digital track downloads also set a new record, reaching 1.27bn sales  last year – an increase of 100m sales compared to 2010.&lt;br /&gt;
&lt;br /&gt;
However,  while music fans flocked to the internet in record numbers, the report  shows that vinyl also had something of a resurgence. Vinyl album sales  topped 3.9m last year, accounting for a tiny 1.2% of all album sales but  shattering the previous record of 2.8m LP sales.&lt;br /&gt;
&lt;br /&gt;
Total US digital sales were up 8.4% year on year in 2011, while physical sales fell 5% to 228m.&amp;nbsp; &lt;a href="http://www.guardian.co.uk/media/2012/jan/06/downloads-physical-sales-us"&gt;Read more&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-8671006789691264149?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/digital-downloads-overtake-physical.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-LcJQDafv2Hc/TwxrMPMFN8I/AAAAAAAAA-0/vuLvG-DQF2s/s72-c/mouse.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-4978714244686839470</guid><pubDate>Fri, 06 Jan 2012 16:24:00 +0000</pubDate><atom:updated>2012-01-06T11:24:16.997-05:00</atom:updated><title>Double-Blind Violin Test: Can You Pick The Strad?</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-edIcUhfQids/TwcgE110LyI/AAAAAAAAA-s/ajviYLx0DgA/s1600/stradivari-solomon-ex-lambert_wide.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="111" src="http://3.bp.blogspot.com/-edIcUhfQids/TwcgE110LyI/AAAAAAAAA-s/ajviYLx0DgA/s200/stradivari-solomon-ex-lambert_wide.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;In the world of violins, the names Stradivari and Guarneri are  sacred. For three centuries, violin-makers and scientists have studied  the instruments made by these Italian craftsmen. So far no one has  figured out what makes their sound different. But a new study now  suggests maybe they aren't so different after all.&lt;br /&gt;
&lt;br /&gt;
OK,  here's a test. Clip one is a musical phrase from Tchaikovsky's Violin  Concerto in D Major. Clip two is the same phrase. The same musician  plays both. But one is on a Stradivarius violin, the other on a violin  made in 1980. See if you can tell the difference.&amp;nbsp;&lt;a href="http://www.npr.org/blogs/deceptivecadence/2012/01/02/144482863/double-blind-violin-test-can-you-pick-the-strad"&gt; Listen and Read Here!&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-4978714244686839470?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/double-blind-violin-test-can-you-pick.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-edIcUhfQids/TwcgE110LyI/AAAAAAAAA-s/ajviYLx0DgA/s72-c/stradivari-solomon-ex-lambert_wide.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-689960173835132290</guid><pubDate>Tue, 03 Jan 2012 16:54:00 +0000</pubDate><atom:updated>2012-01-03T11:54:25.132-05:00</atom:updated><title>Operatic Drinking Songs</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cpbbiYUNOeI/TwMys4XEshI/AAAAAAAAA-k/gHgfJCA46u8/s1600/champagne_glasses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-cpbbiYUNOeI/TwMys4XEshI/AAAAAAAAA-k/gHgfJCA46u8/s200/champagne_glasses.jpg" width="198" /&gt;&lt;/a&gt;&lt;/div&gt;With one of the year's biggest drinking holidays just behind us, it seems appropriate to take a look at operatic drinking songs.&amp;nbsp; WQXR in New York has done just that.&amp;nbsp; Enjoy!&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/operavore/2011/dec/28/top-10-operatic-drinking-songs/"&gt;Read the list and watch the video clips here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-689960173835132290?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/operatic-drinking-songs.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-cpbbiYUNOeI/TwMys4XEshI/AAAAAAAAA-k/gHgfJCA46u8/s72-c/champagne_glasses.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8424332740427962895</guid><pubDate>Tue, 03 Jan 2012 16:48:00 +0000</pubDate><atom:updated>2012-01-03T11:48:48.438-05:00</atom:updated><title>Top Five Special Anniversaries of 2012</title><description>&lt;a href="http://1.bp.blogspot.com/-l4mJJ_LoVWY/TwMxX6M8ptI/AAAAAAAAA-Y/dXlEcv0V26Y/s1600/j0309665.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="142" src="http://1.bp.blogspot.com/-l4mJJ_LoVWY/TwMxX6M8ptI/AAAAAAAAA-Y/dXlEcv0V26Y/s200/j0309665.jpg" width="200" /&gt;&lt;/a&gt;Adios, Liszt and Mahler. With the New Year comes a new group of top  composers (and one piece) that will be marking major milestones this  year:&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;1. Claude Debussy&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;2. John Cage&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;3. Conlon Nancarrow&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;4. Philip Glass&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;5. Schoenberg's &lt;em&gt;Pierrot Lunaire&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.wqxr.org/#/articles/top-5-105/2012/jan/02/top-five-special-anniversaries-2012/"&gt;&lt;i&gt;&lt;strong&gt;&lt;em&gt;Read more here. &lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/i&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-8424332740427962895?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2012/01/top-five-special-anniversaries-of-2012.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-l4mJJ_LoVWY/TwMxX6M8ptI/AAAAAAAAA-Y/dXlEcv0V26Y/s72-c/j0309665.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-7332483542070275633</guid><pubDate>Thu, 15 Dec 2011 15:15:00 +0000</pubDate><atom:updated>2011-12-15T10:16:19.799-05:00</atom:updated><title>Visual Violinist Hahn-Bin is clearly out to define himself on his own terms</title><description>&lt;div class="article-description"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-nsIsMopgTPc/TudyHbYaIsI/AAAAAAAAA-M/ySZmZtCl19Q/s1600/KEY_8216_storyslide_image.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="180" src="http://1.bp.blogspot.com/-nsIsMopgTPc/TudyHbYaIsI/AAAAAAAAA-M/ySZmZtCl19Q/s320/KEY_8216_storyslide_image.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;Hahn-Bin, the eyeliner-wearing Juilliard-trained violinist, debuted his original production &lt;i&gt;Till Dawn Sunday&lt;/i&gt;  last Tuesday night at Joe’s Pub. Accompanied on stage by his longtime  pianist, John Blacklow, with occasional (non-musical) cameos by the  actor Peter Samelson, Hahn-Bin performed 16 works by nearly 20 composers  including Piazzolla, Liszt, Gershwin and Ravel.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;A conventional violin recital, this was not.&lt;br /&gt;
&lt;br /&gt;
The program note for &lt;i&gt;Till Dawn Sunday&lt;/i&gt; includes a mock obituary from &lt;i&gt;The New York Times&lt;/i&gt;.  According to the obituary, Hahn-Bin committed suicide after the murder  of his ex-lover; the title reads “Hahn-Bin, The World’s Saddest Clown,  Dies at 24.” The production (which repeats on Dec. 13), is loosely based  on one Saturday night in Bin’s life, while he was preparing for his  debut at Carnegie’s Zankel Hall, and living on the Lower East Side.  While sometimes difficult to follow, it is told through sequenced  musical performances and a few lines of monologue.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/dec/12/visual-violinist/"&gt;Read More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-7332483542070275633?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/visual-violinist-hahn-bin-is-clearly.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-nsIsMopgTPc/TudyHbYaIsI/AAAAAAAAA-M/ySZmZtCl19Q/s72-c/KEY_8216_storyslide_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-4796506319305975184</guid><pubDate>Tue, 13 Dec 2011 15:37:00 +0000</pubDate><atom:updated>2011-12-13T10:37:03.052-05:00</atom:updated><title>Copland and gay and the Republicans and ...</title><description>&lt;a href="http://www.therestisnoise.com/.a/6a00d83451cb2869e20162fda503db970d-pi" style="display: inline;"&gt;&lt;img alt="Scan" class="asset  asset-image at-xid-6a00d83451cb2869e20162fda503db970d" src="http://www.therestisnoise.com/.a/6a00d83451cb2869e20162fda503db970d-400wi" style="width: 360px;" title="Scan" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;em&gt;From Copland's FBI file. Click to enlarge.&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
A few days ago, I &lt;a href="http://twitter.com/#%21/alexrossmusic/status/144577973968834560" target="_blank"&gt;mentioned&lt;/a&gt;  a musical irony undercutting an odious new TV ad by Rick Perry, the  Texas governor and presidential aspirant. While Perry bemoans the fact  that openly gay men and women are now allowed to serve in the American  armed forces, the soundtrack gestures toward the "Americana" style of  Aaron Copland, and in particular his immortal &lt;em&gt;Appalachian Spring&lt;/em&gt;. You can see what I mean by comparing the &lt;a href="http://www.youtube.com/watch?v=0PAJNntoRgA&amp;amp;feature=youtu.be" target="_blank"&gt;ad itself&lt;/a&gt;  — if anyone has moral qualms about accumulating hits for Gov. Perry,  there is the option to vote "dislike," as more than half a million  people have already done — to the &lt;a href="http://www.youtube.com/watch?v=9IFY1DN-qM4&amp;amp;t=2m15s" target="_blank"&gt;opening&lt;/a&gt; and &lt;a href="http://www.youtube.com/watch?v=vE6n2q7ebdI&amp;amp;feature=related&amp;amp;t=4m56s" target="_blank"&gt;closing&lt;/a&gt; sections of &lt;em&gt;Appalachian Spring&lt;/em&gt;. This observation is now making the rounds, although it's been somewhat distorted in the process: the music is not &lt;em&gt;by&lt;/em&gt; Copland, although it certainly attempts to get close.&amp;nbsp; &lt;a href="http://www.therestisnoise.com/2011/12/copland-and-the-republicans.html"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-4796506319305975184?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/copland-and-gay-and-republicans-and.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1362707782586630503</guid><pubDate>Tue, 13 Dec 2011 15:34:00 +0000</pubDate><atom:updated>2011-12-13T10:34:18.094-05:00</atom:updated><title>Time ... to return your library materials!</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-1WN7tbrHbZk/TudwBRmOYCI/AAAAAAAAA-E/E-vOlH78mzo/s1600/time.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-1WN7tbrHbZk/TudwBRmOYCI/AAAAAAAAA-E/E-vOlH78mzo/s200/time.JPG" width="193" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; line-height: 20px;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;Library  materials that students have been using for the semester are officially  due on December 15, 2011. These do not include shorter-term loan  materials such as OhioLINK, ILL, reserve, periodicals, and recordings  which have their own specific due dates. You can see everything you have  checked out to you, and when it is due, by viewing &lt;/span&gt;&lt;a href="https://obis.oberlin.edu/patroninfo" style="background-color: white; color: #990033; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px; text-decoration: none;"&gt;your library record&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;.&lt;/span&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;We  recognize that some of you need to keep using your material through  exams -- if this is the case, you may keep your semester-loan materials  (books and scores due on December 15) until you have finished with them.&lt;/span&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;Many materials are renewable starting on December 12; please read our advice about &lt;/span&gt;&lt;a href="http://www.oberlin.edu/library/circ/fall/renewals.html" style="background-color: white; color: #990033; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px; text-decoration: none;"&gt;renewing materials&lt;/a&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;.&lt;/span&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;br style="background-color: yellow; color: #660000; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;span class="Apple-style-span" style="background-color: yellow; color: #660000; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;&lt;/span&gt;&lt;b style="background-color: yellow; color: #660000;"&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Finally, remember to be sure you return all the parts for chamber music!!&lt;/span&gt;&lt;/b&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;br style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;span class="Apple-style-span" style="background-color: white; color: #333333; font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif; line-height: 20px;"&gt;All the best at this busy time!&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-1362707782586630503?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/time-to-return-your-library-materials.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-1WN7tbrHbZk/TudwBRmOYCI/AAAAAAAAA-E/E-vOlH78mzo/s72-c/time.JPG" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-2751295218011989831</guid><pubDate>Thu, 08 Dec 2011 19:15:00 +0000</pubDate><atom:updated>2011-12-08T14:15:51.098-05:00</atom:updated><title>Composer Scammed for $20M</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zZDZ7KrEiKo/TuEM0uj9o0I/AAAAAAAAA98/ZE2-xkZMEsg/s1600/Scam.gif" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-zZDZ7KrEiKo/TuEM0uj9o0I/AAAAAAAAA98/ZE2-xkZMEsg/s200/Scam.gif" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="dateline"&gt;WHITE PLAINS, NY –&lt;/div&gt;&lt;div class="article-description"&gt;  &lt;span&gt;A wealthy musician lost $20 million over six years to   scammers  who persuaded him - after finding a virus on his computer - of   threats  against him coming out of Central America, Opus Dei and the  CIA,  a  prosecutor said Tuesday.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;Westchester  District Attorney Janet DiFiore said a Chappaqua man  was indicted last  week in a scam targeting Roger Davidson, a pianist  and composer from  Katonah, a small town north of New York City.  Davidson is founder and  president of the Society for Universal Sacred  Music. His  great-grandfather and great-uncle founded the oil services  company  Schlumberger Ltd.&lt;br /&gt;
&lt;br /&gt;
&lt;span&gt; &lt;/span&gt;&lt;br /&gt;
The district attorney said  Vickram Bedi, 37, was  arraigned Tuesday on a charge of grand larceny.  His computer services  business in Mount Kisco was also indicted. Bedi  pleaded not guilty and  was held on $5 million bail.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/dec/08/ny-prosecutor-says-composer-scammed-20m/"&gt;Read more&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-2751295218011989831?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/composer-scammed-for-20m.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-zZDZ7KrEiKo/TuEM0uj9o0I/AAAAAAAAA98/ZE2-xkZMEsg/s72-c/Scam.gif" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-6613131261269174148</guid><pubDate>Wed, 07 Dec 2011 14:58:00 +0000</pubDate><atom:updated>2011-12-07T09:58:20.118-05:00</atom:updated><title>City Opera Seeks Federal Mediator</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mdNoagSbWuU/Tt9_AUUkFpI/AAAAAAAAA90/YMnQdq7w40A/s1600/mediation-arbitration.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-mdNoagSbWuU/Tt9_AUUkFpI/AAAAAAAAA90/YMnQdq7w40A/s200/mediation-arbitration.jpg" width="152" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="article-description"&gt;  Nearly a week after declaring an impasse in negotiations with its   orchestra and chorus, New York City Opera is looking into getting a   federal mediator involved. Dan Batchelder, the company's principal   trumpeter, is encouraged by that move.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;"We think it's a very positive, hopeful sign," he said. "We had   offered mediation last month, and management wasn't interested in that.   So now it sounds as though management may have re-examined their  options  and they're interested in coming to a deal, and that's all  pretty  good."&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/dec/06/city-opera-seeks-federal-mediator/"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-6613131261269174148?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/city-opera-seeks-federal-mediator.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-mdNoagSbWuU/Tt9_AUUkFpI/AAAAAAAAA90/YMnQdq7w40A/s72-c/mediation-arbitration.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-273125800545780011</guid><pubDate>Mon, 05 Dec 2011 12:34:00 +0000</pubDate><atom:updated>2011-12-05T07:34:00.635-05:00</atom:updated><title>The Worst Classical Album Covers Of All Time. Ever. Really.</title><description>From KUSC Blog: &lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-WD20cTXDaMM/TtjhxCRg-JI/AAAAAAAAA9k/KiZjPRtO7mE/s1600/vidgame1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://1.bp.blogspot.com/-WD20cTXDaMM/TtjhxCRg-JI/AAAAAAAAA9k/KiZjPRtO7mE/s200/vidgame1.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Recently I received a copy of the London Philharmonic Orchestra’s latest CD, &lt;i&gt;The Greatest Video Game Music,&lt;/i&gt;  in the mail. The cover art features a soldier in full military garb  playing a flaming cello against the backdrop of a vast war-torn  wasteland.&amp;nbsp; &lt;a href="http://www.kusc.org/Blog/kusc/blogentry.aspx?BlogEntryID=10312566"&gt;There's a lot more here!&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-273125800545780011?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/worst-classical-album-covers-of-all.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-WD20cTXDaMM/TtjhxCRg-JI/AAAAAAAAA9k/KiZjPRtO7mE/s72-c/vidgame1.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-7166331926796481969</guid><pubDate>Fri, 02 Dec 2011 15:03:00 +0000</pubDate><atom:updated>2011-12-02T10:04:59.558-05:00</atom:updated><title>Philip Glass spoke to an Occupy Wall Street demonstration at Lincoln Center</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ryIFdjD1L5E/TtjontAKlpI/AAAAAAAAA9s/U_xPXmOORkI/s1600/6a00d83451cb2869e2015437b4e7ff970c-400wi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="150" src="http://3.bp.blogspot.com/-ryIFdjD1L5E/TtjontAKlpI/AAAAAAAAA9s/U_xPXmOORkI/s200/6a00d83451cb2869e2015437b4e7ff970c-400wi.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;From&lt;span style="font-size: small;"&gt;&lt;a accesskey="1" href="http://www.therestisnoise.com/"&gt;&amp;nbsp; Alex Ross: The Rest Is Noise&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
As promised, Philip Glass spoke to an Occupy Wall Street demonstration at Lincoln Center tonight, after a performance of &lt;i&gt;Satyagraha&lt;/i&gt;  at the Met. The protest, which was directed not at the opera itself but  at a certain disparity between its lofty moral message and the  machinery of corporate arts funding, got under way during the third act;  police cleared everyone from the plaza, loitering music critics  included (I had gone to the Mahler Tenth at the New York Philharmonic),  and so the crowd assembled on the sidewalk at the foot of the steps.  When the &lt;i&gt;Satyagraha&lt;/i&gt; listeners emerged from the Met, police  directed them to leave via side exits, but protesters began encouraging  them to disregard the police, walk down the steps, and listen to Glass  speak. Hesitantly at first, then in a wave, they did so. The composer  proceeded to recite the closing lines of &lt;i&gt;Satyagraha&lt;/i&gt;, which come from the &lt;i&gt;Bhagavad-Gita&lt;/i&gt;  (after 3:00 in the video above): "When righteousness withers away and  evil rules the land, we come  into being, age after age, and take  visible shape, and move, a man  among men, for the protection of good,  thrusting back evil and setting  virtue on her seat again."&amp;nbsp; &lt;a href="http://www.therestisnoise.com/2011/12/the-satyagraha-protest.html"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-7166331926796481969?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/philip-glass-spoke-to-occupy-wall.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ryIFdjD1L5E/TtjontAKlpI/AAAAAAAAA9s/U_xPXmOORkI/s72-c/6a00d83451cb2869e2015437b4e7ff970c-400wi.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-1395621887954927309</guid><pubDate>Fri, 02 Dec 2011 14:29:00 +0000</pubDate><atom:updated>2011-12-02T09:29:58.607-05:00</atom:updated><title>Symphony Goers, Start Your Smart Phones</title><description>&lt;div class="article-description"&gt;  &lt;a href="http://2.bp.blogspot.com/-5NLacBGiLLk/Ttjg2EM6QTI/AAAAAAAAA9c/pI2366ITTo8/s1600/tweet_image.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-5NLacBGiLLk/Ttjg2EM6QTI/AAAAAAAAA9c/pI2366ITTo8/s200/tweet_image.jpg" width="200" /&gt;&lt;/a&gt;To Tweet or Not to Tweet.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;It’s a question that has confronted a number of American  orchestras as they try to connect with a population more accustomed to  getting information from the touch of a button on smart phones than  through things like program books and pre-concert lectures.&lt;br /&gt;
&lt;br /&gt;
Now the Cincinnati Symphony Orchestra has established "TweetSeats," a  section of Music Hall in Cincinnati where audience members can bring  out their iPhones, Androids and tablets and Tweet along with the music.&lt;br /&gt;
&lt;br /&gt;
Patrons who sit in this special section can use a hashtag -- #CinSym –  to engage with others during the concert and better share the  experience. During its latest installment, on Thursday night, some 10 to  15 Twitter users sat in their own Tweet section while the orchestra’s  assistant conductor Will White and associate conductor Robert Trevino  also sent out messages about the music they were hearing from backstage.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/28/symphony-goers-start-your-smart-phones/"&gt;Read More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-1395621887954927309?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/12/symphony-goers-start-your-smart-phones.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-5NLacBGiLLk/Ttjg2EM6QTI/AAAAAAAAA9c/pI2366ITTo8/s72-c/tweet_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5591622422267235687</guid><pubDate>Thu, 01 Dec 2011 20:36:00 +0000</pubDate><atom:updated>2011-12-02T10:05:35.789-05:00</atom:updated><title>Job Opening - Reference Assistant - Conservatory Library</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-7pUIoUsr7g4/Tsq2Lsc2GVI/AAAAAAAAA88/YkdT1OjpSB4/s1600/livepreview.aspx.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://1.bp.blogspot.com/-7pUIoUsr7g4/Tsq2Lsc2GVI/AAAAAAAAA88/YkdT1OjpSB4/s640/livepreview.aspx.jpg" width="429" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-5591622422267235687?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/job-opening-reference-assistant.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-7pUIoUsr7g4/Tsq2Lsc2GVI/AAAAAAAAA88/YkdT1OjpSB4/s72-c/livepreview.aspx.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-6727124351254829936</guid><pubDate>Wed, 30 Nov 2011 15:27:00 +0000</pubDate><atom:updated>2011-11-30T10:27:34.376-05:00</atom:updated><title>Job Opening - Student Assistant for Jazz Collections - Conservatory Library</title><description>&lt;span style="font-size: large;"&gt;CON LIBRARY JOB&lt;br /&gt;
Student Assistant for Jazz Collections&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
APPLICATION DEADLINE: Monday Dec 12, 2011&lt;br /&gt;
START DATE: winter term or spring semester&lt;br /&gt;
HOURS: minimum of 6 hours/week. More can be assigned.&lt;br /&gt;
PAY RATE: $7.70/hour&lt;br /&gt;
&lt;br /&gt;
RESPONSIBILITIES:&lt;ul&gt;&lt;li&gt;Assist with inventorying and digitizing the recently-arrived Neumann jazz collection (ca. 40,000 LPs, ca. 5,000 78s, and hundreds of jazz and blues periodicals).&lt;/li&gt;
&lt;li&gt;Special projects as needed.&lt;/li&gt;
&lt;/ul&gt;&lt;br /&gt;
QUALIFICATIONS:&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Willingness to ask questions, to continue learning and growing with the job, and to accept increasing responsibility.&lt;/li&gt;
&lt;li&gt;Reliability and punctuality.&lt;/li&gt;
&lt;li&gt;Favorable references.&lt;/li&gt;
&lt;li&gt;Ability to handle meticulous and detailed work independently and with accuracy. A short proofreading test will be given at time of interview.&lt;/li&gt;
&lt;li&gt; Knowledge of jazz and/or recording technologies desirable.&lt;/li&gt;
&lt;li&gt; Familiarity with word processing, data entry, and spreadsheet development desirable.&lt;/li&gt;
&lt;/ul&gt;&lt;br /&gt;
Applications are available at the Conservatory Library Circulation Desk.&lt;br /&gt;
Leave completed applications (attn. Jeremy Smith) in the box marked “Completed Applications.”&lt;br /&gt;
&lt;br /&gt;
Questions? Contact Jeremy Smith: jeremy.smith@oberlin.edu ~ 775-5181&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Oberlin College Library actively seeks a diverse student staff.&lt;br /&gt;
Oberlin College is an affirmative action, equal opportunity employer&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-6727124351254829936?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/job-opening-student-assistant-for-jazz.html</link><author>noreply@blogger.com (conlib)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-2917602930037010406</guid><pubDate>Sun, 27 Nov 2011 14:12:00 +0000</pubDate><atom:updated>2011-11-27T09:12:00.087-05:00</atom:updated><title>A Mysteriously Lost Sibelius Symphony Emerges</title><description>&lt;div class="article-description"&gt;  &lt;a href="http://1.bp.blogspot.com/-aesKRZ4631I/Tsut5L3lowI/AAAAAAAAA9U/3sGW0wDGc2c/s1600/Sibelius_1889-90_medium_image.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-aesKRZ4631I/Tsut5L3lowI/AAAAAAAAA9U/3sGW0wDGc2c/s200/Sibelius_1889-90_medium_image.jpg" width="200" /&gt;&lt;/a&gt;In a new &lt;a class="external-link" href="http://www.hs.fi/kulttuuri/Soiko+HSfin+videolla+Sibeliuksen+kadonnut+sinfonia/a1305548269034" target="_blank"&gt;video&lt;/a&gt;  featuring the Helsinki Philharmonic, sketches of what are believed to  be Jean Sibelius's mysteriously unfinished Eighth Symphony are heard for  the first time in history.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;Sibelius scholars may never get their answer to the question:  "What happened to the Eighth Symphony?" Left unfinished, the manuscripts  were assumed to have burned in an infamous fire at the composer’s home.  But hundreds of pages of sketches by Sibelius exist in the Finnish  National Library, including a significant amount from the time period  when Sibelius was known to be working on his illusive Eighth.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/16/mysteriously-lost-sibelius-symphony-emerges/"&gt;Read More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-2917602930037010406?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/mysteriously-lost-sibelius-symphony.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-aesKRZ4631I/Tsut5L3lowI/AAAAAAAAA9U/3sGW0wDGc2c/s72-c/Sibelius_1889-90_medium_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-8680467804472407066</guid><pubDate>Tue, 22 Nov 2011 14:11:00 +0000</pubDate><atom:updated>2011-11-22T09:11:31.638-05:00</atom:updated><title>Boston Symphony Announces 75th Anniversary Season at Tanglewood</title><description>&lt;div class="article-description"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-9yiES8Hv7nU/TsutJC8Dw4I/AAAAAAAAA9M/zJQZ0oVUu94/s1600/OzawaHall%2528Steve_Rosenthal%2529.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-9yiES8Hv7nU/TsutJC8Dw4I/AAAAAAAAA9M/zJQZ0oVUu94/s200/OzawaHall%2528Steve_Rosenthal%2529.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;One of the most storied concerts in the history of the Tanglewood  Festival took place on Aug. 12, 1937, when a violent thunderstorm broke  out at the beginning of an all-Wagner program by the Boston Symphony. As  rain poured on the enormous canvas tent under which the musicians  played, even the &lt;i&gt;Ride of the Valkyries&lt;/i&gt; couldn’t compete, and  the concert was stopped several times. By the end, the tent was in  tatters, audiences were soaked and the orchestra resolved to build a  permanent shed, which stands to this day.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;On July 21, 75 years later, the BSO will reproduce the program  during the latest edition of the Tanglewood Music Festival -- though  “hopefully without the storm,” said Mark Volpe, the orchestra’s managing  director in an interview. The concert will be one of many special  events planned for the 75th anniversary season, which runs from June 22  to Sept. 2 in the Berkshire Hills of western Massachusetts.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/17/boston-symphony-announces-75th-anniversary-season-tanglewood/"&gt;Read More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-8680467804472407066?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/boston-symphony-announces-75th.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-9yiES8Hv7nU/TsutJC8Dw4I/AAAAAAAAA9M/zJQZ0oVUu94/s72-c/OzawaHall%2528Steve_Rosenthal%2529.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5197374675017654285</guid><pubDate>Tue, 22 Nov 2011 14:06:00 +0000</pubDate><atom:updated>2011-11-22T09:06:52.510-05:00</atom:updated><title>Broadway's Porgy and Bess Drops New Happy Ending</title><description>&lt;div class="article-description"&gt;  &lt;a href="http://4.bp.blogspot.com/-ZWjU1GvwgC0/TsusW1BocnI/AAAAAAAAA9E/WlYmcraAT4g/s1600/porgy_2_medium_image.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-ZWjU1GvwgC0/TsusW1BocnI/AAAAAAAAA9E/WlYmcraAT4g/s200/porgy_2_medium_image.jpg" width="175" /&gt;&lt;/a&gt;The forthcoming Broadway production of The Gershwins' &lt;em&gt;Porgy and Bess&lt;/em&gt; has dropped plans for a new happy ending, following public criticism from composer Stephen Sondheim.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;In August, the creative team behind the show described making  significant changes to the 1935 opera in the hope of reframing it for a  contemporary Broadway audience. That included punching up some dialogue,  inventing new biographical details and adding a final scene that  indicated that sought to lessen the ambiguity about whether Porgy and  Bess would be reunited.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/15/broadways-emporgy-and-bessem-drops-new-happy-ending/"&gt;Read more&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-5197374675017654285?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/broadways-porgy-and-bess-drops-new.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-ZWjU1GvwgC0/TsusW1BocnI/AAAAAAAAA9E/WlYmcraAT4g/s72-c/porgy_2_medium_image.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-6976925250980371336</guid><pubDate>Thu, 10 Nov 2011 16:48:00 +0000</pubDate><atom:updated>2011-11-10T11:48:21.913-05:00</atom:updated><title>Red flag: Louisville Orchestra looking for nonunion players</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-GHY_XdMynJw/TrwASGhq6CI/AAAAAAAAA80/93J95XoI0Q0/s1600/red-flag.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-GHY_XdMynJw/TrwASGhq6CI/AAAAAAAAA80/93J95XoI0Q0/s200/red-flag.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;The embattled Louisville Orchestra, which has filed for bankruptcy and canceled its entire season through December, &lt;a href="http://www.courier-journal.com/article/20111024/NEWS01/310240056" target="_blank"&gt;is seeking replacements &lt;/a&gt;for its union musicians. Despite mediation, the management and musicians &lt;a href="http://www.courier-journal.com/article/20111031/SCENE05/310310060" target="_blank"&gt;failed to come to an agreement by the Oct. 31 deadline&lt;/a&gt;. Management was asking to reduce the size of the orchestra from 71 to 50 players, and for other concessions.&amp;nbsp; &lt;a href="http://cincinnati.com/blogs/arts/2011/11/07/red-flag-to-ccm-louisville-orchestra-looking-for-nonunion-players/"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-6976925250980371336?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/red-flag-louisville-orchestra-looking.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-GHY_XdMynJw/TrwASGhq6CI/AAAAAAAAA80/93J95XoI0Q0/s72-c/red-flag.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-3934616018868664115</guid><pubDate>Wed, 09 Nov 2011 11:59:00 +0000</pubDate><atom:updated>2011-11-09T09:42:38.829-05:00</atom:updated><title>Beethoven Workout Mix</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-sYuKuE6K94E/TrlSLywSuAI/AAAAAAAAA8s/iICxaPCgPa4/s1600/max200.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-sYuKuE6K94E/TrlSLywSuAI/AAAAAAAAA8s/iICxaPCgPa4/s200/max200.gif" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;In celebration of the&amp;nbsp; New York City Marathon and WQXR's &lt;a href="http://8tracks.com/mixes/songs/Beethoven" title="Search for mixes with Beethoven"&gt;Beethoven&lt;/a&gt; Awareness Month, they created a mixtape to get you over the finish line - or just through your daily workout.&amp;nbsp; &lt;a href="http://8tracks.com/wqxrclassical/beethoven-workout-mix"&gt;Listen here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-3934616018868664115?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/beethoven-workout-mix.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-sYuKuE6K94E/TrlSLywSuAI/AAAAAAAAA8s/iICxaPCgPa4/s72-c/max200.gif" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-5808851031817040538</guid><pubDate>Tue, 08 Nov 2011 15:53:00 +0000</pubDate><atom:updated>2011-11-08T10:53:16.929-05:00</atom:updated><title>German Minister Combats Road Rage with Mozart</title><description>&lt;div class="dateline"&gt;BERLIN –&lt;/div&gt;&lt;div class="article-description"&gt;  &lt;a href="http://2.bp.blogspot.com/-ImfL5Z71-mg/TrlQX0GgkoI/AAAAAAAAA8k/eXjEyZYOC6g/s1600/roadrage72_7.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="150" src="http://2.bp.blogspot.com/-ImfL5Z71-mg/TrlQX0GgkoI/AAAAAAAAA8k/eXjEyZYOC6g/s200/roadrage72_7.jpg" width="200" /&gt;&lt;/a&gt;Germany's transport  minister is sharing one of his own  stress-reducers -  the slow movements  of Mozart's piano concertos -  with drivers in hopes  the soothing music  will help reduce road rage on  the nation's autobahn  freeways.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;A  new CD called "Adagio in the Automobile" features Transport  Minister  Peter Ramsauer playing part of Mozart's Piano Concerto Nr. 21   accompanied by the orchestra of Berlin's Deutsche Oper.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/04/german-minister-combats-road-rage-mozart/"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-5808851031817040538?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/german-minister-combats-road-rage-with.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ImfL5Z71-mg/TrlQX0GgkoI/AAAAAAAAA8k/eXjEyZYOC6g/s72-c/roadrage72_7.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-2935236098526226304.post-9209540015209816827</guid><pubDate>Tue, 08 Nov 2011 15:50:00 +0000</pubDate><atom:updated>2011-11-08T10:50:57.675-05:00</atom:updated><title>For Top Salaries in Classical Music, Head to Los Angeles</title><description>&lt;div class="article-description"&gt;  &lt;a href="http://4.bp.blogspot.com/-Fh9K4ZNWNlY/TrlP1KLUewI/AAAAAAAAA8c/4fYth3-O8Ec/s1600/65851067.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="104" src="http://4.bp.blogspot.com/-Fh9K4ZNWNlY/TrlP1KLUewI/AAAAAAAAA8c/4fYth3-O8Ec/s200/65851067.jpg" width="200" /&gt;&lt;/a&gt;In the worst case scenario, a &lt;a href="http://www.wqxr.org/blogs/wqxr-blog/2011/sep/26/colorado-symphony-musicians-agree-pay-cuts-while-board-flees/"&gt;poorly-managed orchestra&lt;/a&gt; cuts musicians' pay to compensate for budgetary shortfalls. In the best case scenario, you are the Los Angeles Philharmonic.&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;Newly available tax returns reveal the generous compensation the  Los Angeles Philharmonic awards its top artistic and chief executives:  Gustavo Dudamel and Deborah Borda, respectively. The numbers were &lt;a href="http://articles.latimes.com/2011/nov/04/entertainment/la-et-dudamel-earnings-20111104" target="_blank"&gt;reported by the &lt;em&gt;Los Angeles Times&lt;/em&gt;&lt;/a&gt;.&amp;nbsp; &lt;a href="http://www.wqxr.org/#/blogs/wqxr-blog/2011/nov/07/top-salaries-classical-music-los-angeles/"&gt;More&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2935236098526226304-9209540015209816827?l=oberlinconservatorylibrary.blogspot.com' alt='' /&gt;&lt;/div&gt;</description><link>http://oberlinconservatorylibrary.blogspot.com/2011/11/for-top-salaries-in-classical-music.html</link><author>noreply@blogger.com (conlib)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Fh9K4ZNWNlY/TrlP1KLUewI/AAAAAAAAA8c/4fYth3-O8Ec/s72-c/65851067.jpg" height="72" width="72" /></item></channel></rss>

