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  <title>hatsbyrosieboylan - News</title>
  <updated>2017-12-05T10:19:00+11:00</updated>
  <author>
    <name>hatsbyrosieboylan</name>
  </author>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/raffia-understanding-fibres</id>
    <published>2017-12-05T10:19:00+11:00</published>
    <updated>2017-12-06T10:17:17+11:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/raffia-understanding-fibres"/>
    <title>Raffia - understanding fibres</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <content type="html">
      <![CDATA[<p> </p>
<p>Raffia is a native palm of the African subcontinent with the island of Madagascar as the centre of the raffia hat trade.</p>
<p>The raffia palm has long branches that can grow up to 18 metres in length. Each branch is made of nearly 100 fronds which are harvested then cut into strands to dry in the sun.</p>
<p>Once dried,the raffia is graded and bundled ready to be crafted or for export.</p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/files/images-11_large.jpeg?v=1512358878" alt="" width="318" height="178"> </p>
<p>The processed fiber is pliable, durable and responsive to dyes, widely used in the making of ropes, hats, shoes, baskets, mats and textiles.</p>
<p> <img src="//cdn.shopify.com/s/files/1/0878/6718/files/raffia_large.jpg?v=1512358863" alt="" width="318" height="212"></p>
<p>Raffia fibre is versatile. It can fabricated in a number of ways to make headwear and I source a variety of styles for my collection.</p>
<p>The Hampton is an example of a hand crochet technique. This hat is very durable, breathable and with a filament in the edge, a robust option.</p>
<p> <img src="//cdn.shopify.com/s/files/1/0878/6718/products/Hampton_large.jpg?v=1476244589" alt="" width="317" height="317"></p>
<p><a href="https://hatsbyrosieboylan.com/products/crochet-snap">https://hatsbyrosieboylan.com/products/crochet-snap</a></p>
<p> The Lennox style below is made of a raffia cloth which is cut and sewn into a hat form. This allows the hat to be folded and come back into shape, making it a good travel option.</p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/products/spice_narrow_grey_2fabde11-2fd7-4f9f-937a-b3b560901ad5_large.jpg?v=1511998942" alt="" width="316" height="316"></p>
<p><a href="https://hatsbyrosieboylan.com/products/lennox-w">https://hatsbyrosieboylan.com/products/lennox-w</a></p>
<p>The Wheatfields hat below is constructed from a woven raffia plait that is stitched into a spiral. It is art finished with an ombre dye technique to give a subtle graduation of colour between brim and crown.</p>
<p> <img src="//cdn.shopify.com/s/files/1/0878/6718/products/Wheatfields_large.jpg?v=1476250747" alt="" width="314" height="314"></p>
<p><a href="https://hatsbyrosieboylan.com/products/wheatfields">https://hatsbyrosieboylan.com/products/wheatfields</a></p>
<p>These three styles and other raffia hat options are available in the Newtown retail store.</p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/mens-hat-etiquette-in-the-modern-age</id>
    <published>2017-11-29T07:49:00+11:00</published>
    <updated>2017-12-06T11:10:36+11:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/mens-hat-etiquette-in-the-modern-age"/>
    <title>Men&apos;s hat etiquette in the modern age</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <content type="html">
      <![CDATA[<p>As the modern man embraces the wearing of hats I am often asked “what is the contemporary etiquette in men’s headwear…. should hats be removed when entering buildings…. how should I hold my hat when I am not wearing it….?”</p>
<p>I have chatted to a number of men about this.</p>
<p>Older guys respect some notions of hats off indoors but younger ones seem less concerned about this old sartorial practice.</p>
<p> Legal Ethicist and committed hat-wearer, Neil Watt has honed his hat wearing practices to a fine art:</p>
<p>“For me, it’s all about showing respect – and avoiding disrespect.</p>
<p>So, when entering a private space (such as a home, or a private room such as a hospital room) I do remove my hat at the door. This does not apply to public spaces, like office buildings, shops or cafes (though higher-end restaurants may require a hat to be removed and I do remove my hat when entering a private office).</p>
<p>My mother would have slapped me for wearing a hat at the table and, while I adhere to this as a general rule, I’m happy to leave the hat on in a burger shop.</p>
<p>Sacred places, however, generally require removal of a hat – except for synagogues where the opposite applies!”</p>
<p> Rosie says: “As a hat maker I agree that it is about the wearer showing their respect with the way they wear their hat, and I would say that it is also about respect for the hat itself – a good hat has a great presence and needs to be looked after.”</p>
<p>The dilemma for the modern man out and about in a hat is where to stow it if needing to remove it indoors. In the old days a hat and coat were taken by staff at reception and placed in a cloakroom until departure – but cloakrooms no longer exist.</p>
<p>Steven Lewis, owner of a copywriting agency explains: “I wasn't around when wearing a hat was the norm, not the exception. But I imagine in those days the etiquette went both ways: you removed your hat and your host provided somewhere to put it safely. That is something I've said in more than one RSL or restaurant: you want me to take it off but you're offering me nowhere to put it. With a cap, I can put it in my bag (but that's something many men don't carry) but with a Borsalino, I'm not putting it on the floor to get dirty or be trodden on! When I'm going somewhere like that, I try to remember to wear a hat I can stow easily.”</p>
<p>Neil Watt has come up with his own solution to this problem.</p>
<p>“I’ve taken to swapping my brief case and satchel for a canvas bag when I’m dining out. It’s big enough to stow my hat in and I hang it off my chair. When travelling I have a fabulous old Stetson roll-up fedora. Otherwise I place my hat on my lap for the duration of a flight (and stick it on my head when the tray table is down) or I wear a cap (8 panel, not baseball!). I never place a hat in the overhead locker.”</p>
<p> Steven Lewis adds:</p>
<p>“In a place where I'm not asked to remove my hat, I generally won't because it's part of who I am. I'm not a clotheshorse. I put on a hat because I want to wear it, so that's what I'm going to do! But, frankly, I'm annoyed when asked to remove my hat because I've felt like I'm being treated as if I'm rude or disrespectful when my host has no intention of living up to their side of the arrangement."</p>
<p> Web designer, Simon Judge wistfully reflects that:</p>
<p>“Gone are the days when a man learned the art of doffing their hats or touching their hats when greeting a woman in the street.  All that hat etiquette has disappeared in this new millennium. I am often asked why a man is supposed to eat bare-headed in a restaurant while a woman may wear her hat.  Well, the answer is simple.  The man's hat is supposed to be a practical head covering; the women more often than not is decoration.”</p>
<p> Neil adds: “I remove my hat when being introduced to a woman for the first time (again, it’s a respect thing). Subsequent meetings with the same person receive a ‘tip of the hat’. Yes it’s old-school but it still has charm. In the glory days of the hat the rules were many and complicated but I suggest you keep it simple – be respectful – and leave it at that.”</p>
<p> With the casualization of dress and changed attitudes around gender roles, these sartorial rules are no longer compulsory, but they might suit the way you want to project yourself.</p>
<p>Rules aside, I believe there is a psychological notion of taking a hat off indoors to bear oneself truthfully or equally to others in the room - no obstruction to eye contact.</p>
<p> For the modern man hats are often a definer of their character. I believe the modern etiquette is defined by the motivation of the wearer. Hats can be worn as an expression of the individual – stating ‘this is who I am’ and the hat-wearer will find their own individual language about when and how to wear it.</p>
<p>What are your views on this?</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/panama-understanding-fibres</id>
    <published>2017-11-24T12:56:00+11:00</published>
    <updated>2017-12-07T21:10:17+11:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/panama-understanding-fibres"/>
    <title>PANAMA - understanding hat fibres</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <content type="html">
      <![CDATA[<p> </p>
<p> </p>
<p><a href="https://www.evernote.com/OutboundRedirect.action?dest=https%3A%2F%2Fhatsbyrosieboylan.com%2Fproducts%2Farturo"><img src="//cdn.shopify.com/s/files/1/0878/6718/files/IMG_7515_large.JPG?v=1510879939" alt="" width="307" height="436"></a></p>
<p>The Panama hat is woven from the fronds of the Toquilla palm that grow on the equatorial plains of Ecuador in South America.</p>
<p>The fibre is harvested, processed and transported to the Andean mountain towns where the local Quechua people weave it into fine hats. The centre of the panama hat industry is based in the mountain city of Cuenca.</p>
<p> Popular all over the world, panama hats are in high demand.They are considered the finest of hat fibres to wear because they are breathable, lightweight and have a distinctive waxy finish, perfect for summer days.</p>
<p>The quality of the hat is defined by the fineness of the weave and extra fine hats [fino’s] fetch high prices.</p>
<p>The main industry is in commercial grade fibres woven in the Cuenca or Briza weaves.</p>
<p>A number of my hat styles for both women and men are made of panama fibre. They are available in a range of colours and grades of weave. They can be purchased online or in store where a selection of customised trimmings are available.</p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/files/Rosie_Boylan_Sirocco_large.jpg?v=1510880767" alt="" width="308" height="308"><a href="https://hatsbyrosieboylan.com/products/sirocco">https://hatsbyrosieboylan.com/products/sirocco</a></p>
<p> </p>
<p> <a href="https://hatsbyrosieboylan.com/products/eduardo"><img src="//cdn.shopify.com/s/files/1/0878/6718/products/pan_large_a_black_cord_large.jpg?v=1476248226" alt="" width="306" height="306"></a></p>
<p><a href="https://hatsbyrosieboylan.com/products/eduardo">https://hatsbyrosieboylan.com/products/eduardo</a></p>
<p> </p>
<p> </p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/sisal-understanding-hat-fibres</id>
    <published>2017-11-14T09:54:00+11:00</published>
    <updated>2017-12-06T10:20:31+11:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/sisal-understanding-hat-fibres"/>
    <title>SISAL - understanding hat fibres</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <content type="html">
      <![CDATA[<p> </p>
<p>Sisal is a strong and versatile fibre grown in many countries throughout the world.</p>
<p>It is used to make rope, twine, floor coverings, paper, cloth and hats. Hat Sisal is grown mostly in the Philippines and China.</p>
<p>With headwear it is finely woven to create lightweight hats with a linen finish like the Lily style featured below.</p>
<p> </p>
<p><a href="https://hatsbyrosieboylan.com/products/lily" title="link to product page Lily hat"><img src="//cdn.shopify.com/s/files/1/0878/6718/files/Rosie_Boylan_Lily_large.jpg?v=1510612199" alt="" width="302" height="302"></a></p>
<p>I use sisal to make men’s and women’s headwear because of its affinity to absorb dye and to easily stretch and form over hat blocks.</p>
<p>The video link shows the harvesting and processing procedures of Sisal.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/ijHvfn2vcss" frameborder="0" allowfullscreen=""></iframe></p>
<p>Check out two of my hats made with Sisal available online and in store.</p>
<p><a href="https://hatsbyrosieboylan.com/products/flute">https://hatsbyrosieboylan.com/products/flute</a></p>
<p><a href="https://hatsbyrosieboylan.com/products/lily">https://hatsbyrosieboylan.com/products/lily</a></p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/our-brush-with-alien-covenant</id>
    <published>2017-05-15T12:12:00+10:00</published>
    <updated>2017-05-15T13:20:17+10:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/our-brush-with-alien-covenant"/>
    <title>OUR BRUSH WITH ALIEN COVENANT</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <content type="html">
      <![CDATA[<p> In early January 2016 when Sydney was lost in deep summer, Cheryl and I embarked on our first expedition into science fiction headwear for Ridley Scott’s <em>Alien Covenant</em>.</p>
<p> Collaborating with costume designer, Janty Yeats and her design team, we were commissioned to create headwear for one segment of the movie. Our primary reference material being the work of French illustrator, Moebius.</p>
<p>Janty’s vision for the Covenant players was for stylish but practical work wear in the French Foreign Legion style, garments that could be worn while scoping the pristine wilderness of a newly discovered planet.</p>
<p>It was a natural choice to select moleskin and oilcloth as our base fibres, durable staples of Australian outback apparel.</p>
<p>With Moebius as our guide, we created a range of fitted explorer caps. Art finished with badges and metallic elements that themed with the explorer wear.</p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/files/Alien-2017-02-28-at-7.39.32-PM_large.jpg?v=1494555044" alt="Covenant crew exploring the wilderness in Ridley Scott's Alien"></p>
<h5>Pictured are Katherine Waterson as Daniels and Michael Fassbender as Walter</h5>
<p>It was a privelidge to collaborate with the British crew on this big feature film and be part of the Ridley Scott juggernaut.</p>
<p> Delighted to see our headwear in action in the wilderness of New Zealand’s spectacular Milford Sound.</p>
<p> Sadly many of the players in this plot come to a sticky end. However most performers like to go down well dressed.</p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/selecting-a-sumer-straw-hat</id>
    <published>2016-08-12T16:56:00+10:00</published>
    <updated>2016-08-12T17:18:17+10:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/selecting-a-sumer-straw-hat"/>
    <title>HAT WEAVES FROM AROUND THE GLOBE</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <summary type="html">
      <![CDATA[<p>In the lead up to the summer hat season I fill my studio with a range of straw hats in a myriad of colours, textures and patterns in preparation for designing my new summer styles.</p>
<p>I take delight in the variety of fibres, their properties and counties of origin…. then delight again when the right person turns up to purchase the hat.</p>
<div></div><p><a class="read-more" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/selecting-a-sumer-straw-hat">More</a></p>]]>
    </summary>
    <content type="html">
      <![CDATA[<p>In the lead up to the summer hat season I fill my studio with a range of straw hats in a myriad of colours, textures and patterns in preparation for designing my new summer styles.</p>
<p>I take delight in the variety of fibres, their properties and counties of origin…. then delight again when the right person turns up to purchase the hat.</p>
<p> There are finely woven vintage sisal pieces from ‘Formosa”</p>
<p>(now Taiwan)sourced in Tokyo, waxy and sophisticated</p>
<p>panamas, from the highland towns of the Ecuadorian Andes.</p>
<p>Robust and sturdy raffias from Madagascar for the hottest of summer’s days…. or New Zealand flax weaves in vibrant colours…. and bold weaves.</p>
<p>The newest fibre in my range is the versatile and supple Pacific pandanus that easily rolls up to be stowed in the summer</p>
<p>travellers bag and this year I will feature pandanus as part of</p>
<p>my summer range.</p>
<p>This world of fibres, with all of their unique qualities and cultural stories, have found their way into my studio, and they are waiting for you - to try on the style that is right for you.</p>
<p>Come on down to the shop in spring and hear more stories about your hat’s provenance and qualities.</p>
<h6><span style="color: #444444;">Pictured below, Rosie watching Rachel weave a pandanus hat in Vanuatu May 2016</span></h6>
<p style="text-align: left;"><img alt="Rosie watching Rachael weave a pandanus straw hat in Vanuatu" src="//cdn.shopify.com/s/files/1/0878/6718/files/IMG_5558_large.JPG?680404249853081512" style="float: none;" width="272" height="309"> </p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/108991558-rosie-boylan-chats-to-living-room-theatre-about-her-world-of-hat-making</id>
    <published>2016-05-12T16:47:00+10:00</published>
    <updated>2016-08-12T17:37:38+10:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/108991558-rosie-boylan-chats-to-living-room-theatre-about-her-world-of-hat-making"/>
    <title>ROSIE BOYLAN CHATS TO LIVING ROOM THEATRE ABOUT HER WORLD OF HAT MAKING</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <summary type="html">
      <![CDATA[<p>Rosie Boylan has built an amazing career out of hats. She’s created some of the most beautiful headwear you’ve seen for movies like The Great Gatsby, Australia and Moulin Rouge. Now, Rosie sells her creations from her shop in Newtown and continues to be kept very busy with private commissions. The Living Room Theatre is delighted to announce that in March Rosie Boylan will be one of the collaborators on She Only Barks at Night.</p>
<div></div><p><a class="read-more" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/108991558-rosie-boylan-chats-to-living-room-theatre-about-her-world-of-hat-making">More</a></p>]]>
    </summary>
    <content type="html">
      <![CDATA[<p>Rosie Boylan has built an amazing career out of hats. She’s created some of the most beautiful headwear you’ve seen for movies like The Great Gatsby, Australia and Moulin Rouge. Now, Rosie sells her creations from her shop in Newtown and continues to be kept very busy with private commissions. The Living Room Theatre is delighted to announce that in March Rosie Boylan will be one of the collaborators on She Only Barks at Night.</p>
<p><br>WHERE DOES YOUR PROCESS BEGIN?<br><br>It depends on the arena that I’m working in. When I’m making hats for stage or screen there’s usually a character brief, or if I’m making a commissioned work there’s usually the person’s physical characteristics and an occasion. If I’m making something to sell in my shop it’s much more spontaneous. For the stage and screen work there’s usually a lot of discussion around character, their motivation and who they are. Across all arenas, headwear helps to define character.<br><br>IS THERE ONE OF THOSE FIELDS YOU PREFER TO WORK IN?<br><br>I like diversity, doing it all! But I think I probably work at my highest order on film. When you see your work on the cinema screen it is very big! On a project of that scale there is a need for the headwear to be right and there’s usually budgets that allows you to take the time to get character looks right. Film is where I can have the most process with what I create.<br><br>COULD YOU TELL US A BIT ABOUT YOUR FILM WORK?<br><br>The biggest thing I’ve done recently was the headwear for the feature film The Great Gatsby. For which, the costumes won an Oscar and a BAFTA this year. I’ve worked on a lot of feature films. I created hats for Moulin Rouge, Australia, Oscar and Lucinda, Babe to name a few- I’ve been making hats for stage and screen for thirty years in Sydney so I’ve got quite a substantial CV.<br><br>WHAT WAS THE GREAT GATSBY LIKE TO WORK ON?<br><br>It was an amazing project in terms of budget, scale, and creativity. We made over 500 hats and wrangled a further 500. Gatsby was set in a time that celebrated a freedom of expression – people were busting out of the formality of the Victorian age – and they were expressing that in their dress. So it was a very joyful era to spend some time immersed in. Even though, all the people in the hat department absolutely worked their arses off. We coined it The Great Hatsby!<br><br>ARE THERE ANY SPECIFIC MATERIALS THAT INSPIRE YOU OR THAT YOU GET EXCITED TO WORK WITH?<br><br>My inspiration comes from my materials. I can pick up a fibre or a piece of bling and it will tell me what to make. I also love the classic fibres that milliners work with- fur felt, (generally made from rabbit fur) and straw. I particularly love making straw hats because they range in a variety of textures and fibres that I source from all over the world. The fibres all respond differently to hand manipulation. I enjoy exploring new textiles too – recently I went to Samoa and worked with a Tapa cloth maker. I am always on the lookout for new textiles and fibres that I can incorporate into my hat making.<br><br>HOW WOULD YOU APPROACH MAKING SOMETHING FOR FILM DIFFERENTLY TO MAKING SOMETHING FOR THEATRE?<br><br>Between the two art forms there are different construction and stylistic approaches.<br>For theatre you make things bold. You have to heighten lines and details to give more punch, because of the physical distance of the audience to the stage. You construct the headwear to be robust because a show has a season to run, often doing eight performances a week. Whereas, in film the camera zooms in and out so you have to be careful with the detail. There can’t be a whisker out of place. Often in film a moment is captured in one shot so the construction can be light and fluid.<br><br>WHAT'S IT LIKE WORKING WITH PERFORMERS?<br><br>I see them a bit like racehorses coming into the stables for grooming, they kick their hooves against the stable walls, a bit frisky. We calm them down, preen and polish and brush their manes and then they prance off for their race. As a backstage person you’re there to serve the production, to make the performers look good, feel comfortable and confident in their characters’ persona. The fitting room is a unique working environment where we collectively imagine and realise a character and the world of their play,<br><br>WHAT ARE YOU LOOKING FORWARD TO ABOUT WORKING ON SHE ONLY BARKS AT NIGHT?<br><br>I’m really excited! I haven’t worked with anyone who has a process quite like Michelle. It appears completely organic. So I’m looking forward to that. And, I’m really excited about the taxidermy themes. In Victorian times there was plenty of dead animals going onto big hats. There are some parallels in taxidermy and millinery construction techniques which I hope to explore in our Living Room Theatre collaboration. I think it’s going to be a great theatrical, expressive moment.</p>
<p>Pictured are Rosie's creations for Living Room Theatre's production of She Only Barks At Night, Macleay Museum Sydney June 2015<br><img src="//cdn.shopify.com/s/files/1/0878/6718/files/Photo_Sharyn_Smith_large.jpg?16917156745488312580" alt=""></p>]]>
    </content>
  </entry>
  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/107930886-png-bilum-headwear-features-in-vogue-australia</id>
    <published>2016-05-10T09:41:00+10:00</published>
    <updated>2016-12-22T12:11:05+11:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/107930886-png-bilum-headwear-features-in-vogue-australia"/>
    <title>PNG BILUM HEADWEAR FEATURES IN VOGUE AUSTRALIA</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <summary type="html">
      <![CDATA[<p>Recently I have been been working with Bilum weaving communities in the Papua New Guinea highlands, developing handicraft products  for export, connecting regional co-operatives to international markets.</p><p><a class="read-more" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/107930886-png-bilum-headwear-features-in-vogue-australia">More</a></p>]]>
    </summary>
    <content type="html">
      <![CDATA[<p> </p>
<p>Recently I have been been working with Bilum weaving communities in the Papua New Guinea highlands, developing handicraft products  for export, connecting regional co-operatives to international markets. </p>
<p> In remote Mt Hagen I collaborated with Bilum weavers to interpret traditional practices into contemporary pull-on headwear, beanies and berets. Reinterpreting skills that had been passed down and shared by generations of women before them, the small group of weavers spontaneously morphed two dimensional bag techniques into three dimensional hat forms before my very eyes.</p>
<p> </p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/files/IMG_3027-300x225_large.jpg?229803731184765379" alt="" style="display: block; margin-left: auto; margin-right: auto;"></p>
<p>Pictured with Miriam Joshua, making a Bilum beanie.</p>
<p>Coincidentally back in Australia, local fashion magazines were seeking beanies and berets for their upcoming editorial photo shoots.</p>
<p>The 2016 March issue of Vogue Australia featured the work of Barbra Pagasa from Mt Hagen, her bilum hat paired with a contemporary Chanel suit, modelled by French actress Mathilde Ollivier.</p>
<p> <img src="//cdn.shopify.com/s/files/1/0878/6718/files/1120001-1_og_gallery_large.jpg?229803731184765379" alt="" style="display: block; margin-left: auto; margin-right: auto;"></p>
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<p> While Australia and Papua New Guinea are geographically close, they are worlds apart. Bringing these two worlds together expresses an openness of spirit to fuse innovations from afar.</p>
<p>Thank you Vogue Australia for inviting PNG women into the Australian fashion conversation.</p>
<p>The black nylon beret pictured has a sleek texture and is ideal for day or evening wear for both men and women. PNG Bilum beanies and berets from Goroka and Mt Hagen are now on sale in my retail store on Saturdays 10am-5pm or by appointment.</p>
<p> </p>
<p><a href="http://www.rosieboylan.com">www.rosieboylan.com</a></p>
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  <entry>
    <id>https://hatsbyrosieboylan.myshopify.com/blogs/news/98967046-celebrating-national-designer-awards-with-macgraw</id>
    <published>2016-03-24T14:29:00+11:00</published>
    <updated>2016-09-14T15:10:12+10:00</updated>
    <link rel="alternate" type="text/html" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/98967046-celebrating-national-designer-awards-with-macgraw"/>
    <title>CELEBRATING NATIONAL DESIGNER AWARDS WITH MACGRAW</title>
    <author>
      <name>Rosie Boylan</name>
    </author>
    <summary type="html">
      <![CDATA[<p><em>“Collaborating with emerging Australian design talent keeps me in step with contemporary fashion, and has been one of my professional pathways since the 1980’s" </em>says Rosie Boylan at hatsbyrosieboylan</p><p><a class="read-more" href="https://hatsbyrosieboylan.myshopify.com/blogs/news/98967046-celebrating-national-designer-awards-with-macgraw">More</a></p>]]>
    </summary>
    <content type="html">
      <![CDATA[<p><em>“Collaborating with emerging Australian design talent keeps me in step with contemporary fashion, and has been one of my professional pathways since the 1980’s"</em>says Rosie Boylan at hatsbyrosieboylan</p>
<p><img src="//cdn.shopify.com/s/files/1/0878/6718/files/Macgraw-crop_large.jpg?9974125506411662162" alt="runway"></p>
<p>In August last year I had a call from the Australian fashion label, Macgraw wanting some bespoke hats for their upcoming season. Sisters Tessa and Beth Macgraw sent through a series of links to images of their work and we set a date to meet.</p>
<p>I was just back from a grueling international travel schedule and wanted to connect back in OZ to working on home ground. This seemed a good lead to follow.</p>
<p>When they arrived at my studio in Australia St Newtown, we discussed their needs. They were surprised I had not looked at any of the links they had sent for me to verify their work, simply taking them on face value. Instinctively I liked these sisters.</p>
<p>We set about creating a series of hats based on equestrienne jockey helmets.</p>
<p>I trawled my hat block library and found a 1960’s crown shape to base the silhouette on. Then into pom pom making to finish the hats with a distinctive top knot.</p>
<p>I am delighted that 6 months later these girls have just won the Tiffany and Co National Designer Awards 2016. Congratulations Beth and Tessa.</p>
<p>The Macgraw sisters are already selling their clothing and headwear to international retailers in Europe, USA and Asia. Their designs speak a strong, feminine and elegant voice.</p>
<p>I am proud to be supportive of their vision and the Australian fashion industry in the international arena.</p>
<p> </p>
<p><a href="https://hatsbyrosieboylan.com">hatsbyrosieboylan.com</a></p>
<p><a href="http://www.macgraw.com.au">www.macgraw.com.au</a></p>]]>
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