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		<link>https://hawhsu.com/not-a-lack-of-effort-but-a-lack-of-pain/</link>
		
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		<pubDate>Mon, 23 Mar 2026 02:37:57 +0000</pubDate>
				<category><![CDATA[日常雜記]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Frida Kahlo]]></category>
		<category><![CDATA[Marina Abramović]]></category>
		<category><![CDATA[巴爾幹巴洛克]]></category>
		<category><![CDATA[精神三角形]]></category>
		<category><![CDATA[論藝術的精神性]]></category>
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		<title>被消毒的崇高：《我的完美日常》中的美學封存、勞動政治與都市淨化</title>
		<link>https://hawhsu.com/aesthetic-preservation-labor-politics-and-urban-cleansing-in-perfect-days/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sun, 15 Mar 2026 05:20:36 +0000</pubDate>
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		<category><![CDATA[階級旅遊]]></category>
		<category><![CDATA[類比媒介]]></category>
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		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Fri, 06 Mar 2026 01:49:47 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[日常雜記]]></category>
		<category><![CDATA[生成式AI]]></category>
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		<category><![CDATA[布萊希特]]></category>
		<category><![CDATA[康定斯基]]></category>
		<category><![CDATA[擴散模型]]></category>
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		<category><![CDATA[潛在空間]]></category>
		<category><![CDATA[生成對抗網絡]]></category>
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		<link>https://hawhsu.com/the-warmth-of-fiction-and-bonds-at-the-margins/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 23 Feb 2026 06:46:41 +0000</pubDate>
				<category><![CDATA[電影]]></category>
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		<category><![CDATA[租賃]]></category>
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		<category><![CDATA[近藤龍人]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=2053</guid>

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		<link>https://hawhsu.com/bernard-tschumi/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sat, 14 Feb 2026 06:06:43 +0000</pubDate>
				<category><![CDATA[Deleuze (德勒茲)]]></category>
		<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[建築]]></category>
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		<category><![CDATA[Acropolis Museum]]></category>
		<category><![CDATA[Alfred J. Lerner Hall]]></category>
		<category><![CDATA[Bernard Tschumi]]></category>
		<category><![CDATA[Binhai Science Museum]]></category>
		<category><![CDATA[Biology-Pharmacy-Chemistry Center]]></category>
		<category><![CDATA[Disjunction]]></category>
		<category><![CDATA[Event Cities]]></category>
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		<category><![CDATA[eventfulness]]></category>
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		<category><![CDATA[Fredric Jameson]]></category>
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		<category><![CDATA[千高原]]></category>
		<category><![CDATA[去脈絡化]]></category>
		<category><![CDATA[哥倫比亞大學建築學院]]></category>
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		<category><![CDATA[疊加]]></category>
		<category><![CDATA[薩克雷大學]]></category>
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		<category><![CDATA[解域化]]></category>
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		<category><![CDATA[非語意性意義]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=988</guid>

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		<link>https://hawhsu.com/alvaro-siza/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Fri, 13 Feb 2026 07:17:27 +0000</pubDate>
				<category><![CDATA[建築]]></category>
		<category><![CDATA[建築師]]></category>
		<category><![CDATA[後現代主義]]></category>
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		<category><![CDATA[Bonjour Tristesse]]></category>
		<category><![CDATA[Critical Regionalism]]></category>
		<category><![CDATA[Genius Loci]]></category>
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		<category><![CDATA[Kenneth Frampton]]></category>
		<category><![CDATA[Le Corbusier]]></category>
		<category><![CDATA[National Romantic Style]]></category>
		<category><![CDATA[picturesque]]></category>
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		<category><![CDATA[promenade architecturale]]></category>
		<category><![CDATA[Regionalism]]></category>
		<category><![CDATA[Serralves Museum of Contemporary Art]]></category>
		<category><![CDATA[Strategic Delay]]></category>
		<category><![CDATA[Tectonic]]></category>
		<category><![CDATA[Vernacular Architecture]]></category>
		<category><![CDATA[地域主義]]></category>
		<category><![CDATA[場所精神]]></category>
		<category><![CDATA[建築漫步]]></category>
		<category><![CDATA[批判性地域主義]]></category>
		<category><![CDATA[構造性]]></category>
		<category><![CDATA[構造真實性]]></category>
		<category><![CDATA[波爾圖大學建築學院]]></category>
		<category><![CDATA[海邊游泳池]]></category>
		<category><![CDATA[現象學]]></category>
		<category><![CDATA[畫景化]]></category>
		<category><![CDATA[總體藝術]]></category>
		<category><![CDATA[美術工藝運動]]></category>
		<category><![CDATA[風土建築]]></category>
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		<title>Hans Scharoun：有機烏托邦的幻象與表現主義空間的矛盾</title>
		<link>https://hawhsu.com/hans-scharoun/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 12 Feb 2026 02:17:02 +0000</pubDate>
				<category><![CDATA[建築]]></category>
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		<category><![CDATA[Albert Speer]]></category>
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		<category><![CDATA[Bruno Taut]]></category>
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		<category><![CDATA[Die Gläserne Kette]]></category>
		<category><![CDATA[Erich Mendelsohn]]></category>
		<category><![CDATA[Frank Lloyd Wright]]></category>
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		<category><![CDATA[Giovanni Battista Piranesi]]></category>
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		<category><![CDATA[Kristallisation]]></category>
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		<category><![CDATA[Ludwig Mies van der Rohe]]></category>
		<category><![CDATA[Romeo und Julia Häuser]]></category>
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		<category><![CDATA[Walter Gropius]]></category>
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		<category><![CDATA[墮落藝術]]></category>
		<category><![CDATA[威瑪共和國]]></category>
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		<category><![CDATA[建築城市]]></category>
		<category><![CDATA[德國表現主義]]></category>
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		<category><![CDATA[水晶鏈]]></category>
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		<category><![CDATA[簡化新古典主義]]></category>
		<category><![CDATA[邁向新建築]]></category>
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		<title>Charles Moore ：幽默反諷的舞台劇作家</title>
		<link>https://hawhsu.com/charles-moore/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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				<category><![CDATA[建築]]></category>
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		<category><![CDATA[後現代主義]]></category>
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		<category><![CDATA[Barbara Stauffacher Solomon]]></category>
		<category><![CDATA[collage]]></category>
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		<category><![CDATA[Kresge College]]></category>
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		<category><![CDATA[安藤忠雄]]></category>
		<category><![CDATA[後現代主義，或晚期資本主義的文化邏輯]]></category>
		<category><![CDATA[後現代主義場景化設計]]></category>
		<category><![CDATA[所指]]></category>
		<category><![CDATA[批判性地域主義]]></category>
		<category><![CDATA[拼貼]]></category>
		<category><![CDATA[現代建築批判史]]></category>
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		<category><![CDATA[觀光客視角]]></category>
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		<link>https://hawhsu.com/is-form-neutral/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Tue, 10 Feb 2026 06:45:28 +0000</pubDate>
				<category><![CDATA[建築]]></category>
		<category><![CDATA[日常雜記]]></category>
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		<category><![CDATA[Albert Speer]]></category>
		<category><![CDATA[Léon Krier]]></category>
		<category><![CDATA[Memorium Nuremberg Trials]]></category>
		<category><![CDATA[Philip Johnson]]></category>
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		<title>系統美學與不確定的詩學：Rauschenberg, Cunningham, Cage 的跨域事件與場域介面</title>
		<link>https://hawhsu.com/system-aesthetics-and-the-poetics-of-uncertainty/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 09 Feb 2026 02:03:27 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
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		<category><![CDATA[Multithreading]]></category>
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		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Stan Allen]]></category>
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				<category><![CDATA[建築]]></category>
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				<category><![CDATA[AI (人工智慧)]]></category>
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		<category><![CDATA[霍克尼與法爾科假說]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1950</guid>

					<description><![CDATA[在探討當代生成式藝術（Generative Art）與人工智慧生成內容（Artificial Intellig [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1950</post-id>	</item>
		<item>
		<title>城市作為失真介面：Wim Wenders 的觀看延遲與 Field UI 的生成前史</title>
		<link>https://hawhsu.com/the-city-as-a-distorted-interface/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 15 Jan 2026 05:04:21 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Deleuze (德勒茲)]]></category>
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		<guid isPermaLink="false">https://hawhsu.com/?p=1853</guid>

					<description><![CDATA[在當代城市理論與媒介考古學的交會位置，Wim Wenders 於一九八〇年代後期拍攝的兩部東京相關作品《城市與 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1853</post-id>	</item>
		<item>
		<title>Aldo Rossi：倨傲的前現代主義者</title>
		<link>https://hawhsu.com/aldo-rossi-the-arrogant-pre-modernist/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Fri, 09 Jan 2026 05:58:46 +0000</pubDate>
				<category><![CDATA[建築]]></category>
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		<category><![CDATA[後現代主義]]></category>
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		<category><![CDATA[Albert Speer]]></category>
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		<category><![CDATA[城市建築學]]></category>
		<category><![CDATA[城市是集體記憶的容器]]></category>
		<category><![CDATA[城市的構成性構件]]></category>
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		<category><![CDATA[類比城市]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=981</guid>

					<description><![CDATA[在回應現代主義普遍性主張的歷史脈絡中，Aldo Rossi（1931–1997）的建築思想可被視為「批判性地域 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">981</post-id>	</item>
		<item>
		<title>Frank Gehry：雕塑的霸權與功能的妥協</title>
		<link>https://hawhsu.com/frank-gehry-the-hegemony-of-sculpture-and-the-compromise-of-function/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Fri, 09 Jan 2026 03:06:39 +0000</pubDate>
				<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[建築]]></category>
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		<category><![CDATA[後現代主義]]></category>
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		<category><![CDATA[迪士尼行政大樓]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1210</guid>

					<description><![CDATA[Frank Gehry（1929–2025）無疑是數位形式主義最具代表性的實踐者之一，儘管他本人從不以此為名。 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1210</post-id>	</item>
		<item>
		<title>演算法的創造幻象：評 Marcus du Sautoy《創造力的密碼：人工智慧時代的藝術與創新》中的時間性、意圖與生成本體</title>
		<link>https://hawhsu.com/on-generative-time-in-marcus-du-sautoys-the-creativity-code/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 05 Jan 2026 05:52:44 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Deleuze (德勒茲)]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
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		<category><![CDATA[創造力的密碼]]></category>
		<category><![CDATA[創造力的密碼：AI 時代的藝術與創新]]></category>
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		<category><![CDATA[音樂骰子遊戲]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1757</guid>

					<description><![CDATA[在人類文明的長時段發展中，創造力始終被理解為難以還原、難以操作的特權。自古希臘時期對繆斯女神的信仰開始，創作被 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1757</post-id>	</item>
		<item>
		<title>延宕中的未來：從 Kandinsky 到生成式介面的設計本體論</title>
		<link>https://hawhsu.com/from-wassily-kandinsky-to-the-ontology-of-generative-interfaces/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Wed, 31 Dec 2025 02:52:00 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[建築]]></category>
		<category><![CDATA[日常雜記]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Field UI]]></category>
		<category><![CDATA[ghost in the machine]]></category>
		<category><![CDATA[Jackson Pollock]]></category>
		<category><![CDATA[Spatial Computing]]></category>
		<category><![CDATA[內在必然性]]></category>
		<category><![CDATA[論藝術的精神性]]></category>
		<category><![CDATA[點、線與面]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=2195</guid>

					<description><![CDATA[這學期在元智藝管所開設一門 Lecture（早知道開 Seminar，每週 3 小時的 non-stop ta [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2195</post-id>	</item>
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		<title>生成式藝術的時間觀：從物理時間到生成條件</title>
		<link>https://hawhsu.com/the-temporality-of-generative-art/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Tue, 30 Dec 2025 06:33:41 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
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		<guid isPermaLink="false">https://hawhsu.com/?p=1743</guid>

					<description><![CDATA[在西方藝術史的長時段敘事中，藝術作品長期被理解為在特定歷史時刻完成的靜態實體。此一理解深植於經典物理學所奠定的 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1743</post-id>	</item>
		<item>
		<title>Let the AI Dream! — 從再現機器到生成無意識</title>
		<link>https://hawhsu.com/let-the-ai-dream/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Wed, 24 Dec 2025 02:54:28 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Deleuze (德勒茲)]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
		<category><![CDATA[網路文化]]></category>
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		<category><![CDATA[AI Dreaming]]></category>
		<category><![CDATA[Aura]]></category>
		<category><![CDATA[DALL-E 3]]></category>
		<category><![CDATA[De-instrumentalization]]></category>
		<category><![CDATA[Entstehung]]></category>
		<category><![CDATA[Hallucination]]></category>
		<category><![CDATA[Latent Space]]></category>
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		<category><![CDATA[Refik Anadol]]></category>
		<category><![CDATA[Reproductive Machine]]></category>
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		<category><![CDATA[去工具化]]></category>
		<category><![CDATA[反俄狄浦斯]]></category>
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		<category><![CDATA[幻覺]]></category>
		<category><![CDATA[引導尺度]]></category>
		<category><![CDATA[德國悲劇的起源]]></category>
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		<category><![CDATA[起源]]></category>
		<category><![CDATA[迷宮之鑰]]></category>
		<category><![CDATA[靈光]]></category>
		<category><![CDATA[風格生成對抗網絡]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1704</guid>

					<description><![CDATA[在當代技術哲學與電腦科學的交會地帶，「人工智慧作夢」（AI Dreaming）並非擬人化的修辭裝飾，而是一項具 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1704</post-id>	</item>
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		<link>https://hawhsu.com/ur-world-a-study-of-the-structure-of-genesis/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sat, 20 Dec 2025 02:02:32 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[現代主義]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
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		<category><![CDATA[Chaos]]></category>
		<category><![CDATA[Cosmogony]]></category>
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		<category><![CDATA[Friedrich Schiller]]></category>
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		<category><![CDATA[Inframince]]></category>
		<category><![CDATA[Mondrian]]></category>
		<category><![CDATA[Natura Altera]]></category>
		<category><![CDATA[Natura Artificialis]]></category>
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		<category><![CDATA[Neo-Plasticism]]></category>
		<category><![CDATA[Paul Klee]]></category>
		<category><![CDATA[Ur-World]]></category>
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		<category><![CDATA[藝術的精神性]]></category>
		<category><![CDATA[軟體思維]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1690</guid>

					<description><![CDATA[在當代藝術與科技哲學的交會地帶，某種根本性的本體論失衡逐漸浮現。傳統所謂的系統藝術已難以回應人工智慧、生成式模 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1690</post-id>	</item>
		<item>
		<title>從荒原到史詩劇場：生成式 AI 的辯證介面與提示工程</title>
		<link>https://hawhsu.com/from-the-waste-land-to-the-epic-theatre/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Fri, 12 Dec 2025 01:31:35 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
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		<category><![CDATA[Aristotle]]></category>
		<category><![CDATA[Attention Mechanism]]></category>
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		<category><![CDATA[Seamful Design]]></category>
		<category><![CDATA[Seamlessness]]></category>
		<category><![CDATA[Transformer Architecture]]></category>
		<category><![CDATA[史詩劇場]]></category>
		<category><![CDATA[場域介面]]></category>
		<category><![CDATA[大型語言模型]]></category>
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		<category><![CDATA[布萊希特式提示]]></category>
		<category><![CDATA[挪用能力]]></category>
		<category><![CDATA[接縫設計]]></category>
		<category><![CDATA[氛圍]]></category>
		<category><![CDATA[沉浸]]></category>
		<category><![CDATA[注意力機制]]></category>
		<category><![CDATA[潛在空間]]></category>
		<category><![CDATA[荒原]]></category>
		<category><![CDATA[角色提示]]></category>
		<category><![CDATA[間離效果]]></category>
		<category><![CDATA[零樣本提示]]></category>
		<category><![CDATA[驗證鏈]]></category>
		<category><![CDATA[高階提示]]></category>
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		<link>https://hawhsu.com/latent-specters/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 07:33:35 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Balenciaga Pope]]></category>
		<category><![CDATA[Brando::-1]]></category>
		<category><![CDATA[Data Pigment]]></category>
		<category><![CDATA[De sterrennacht]]></category>
		<category><![CDATA[Diffusion Decay]]></category>
		<category><![CDATA[Disco Diffusion]]></category>
		<category><![CDATA[Latent Space]]></category>
		<category><![CDATA[Latent Specters]]></category>
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		<category><![CDATA[Loab]]></category>
		<category><![CDATA[Machine Hallucinations]]></category>
		<category><![CDATA[Mario Klingemann]]></category>
		<category><![CDATA[Midjourney]]></category>
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		<category><![CDATA[Refik Anadol]]></category>
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		<category><![CDATA[Supercomposite]]></category>
		<category><![CDATA[suspension of disbelief]]></category>
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		<category><![CDATA[UMAP]]></category>
		<category><![CDATA[Vincent van Gogh]]></category>
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		<category><![CDATA[潛在的幽靈]]></category>
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		<category><![CDATA[超現實主義 2.0]]></category>
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		<category><![CDATA[高斯雜訊]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1634</guid>

					<description><![CDATA[生成式人工智慧（Generative AI）的崛起，標誌圖像本體論層級的深刻轉移。圖像不再只是光線在化學感光層 [&#8230;]]]></description>
		
		
		
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		<link>https://hawhsu.com/housing-as-an-operating-system/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 27 Nov 2025 02:52:50 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[建築]]></category>
		<category><![CDATA[後人類主義]]></category>
		<category><![CDATA[後結構主義]]></category>
		<category><![CDATA[數位建築]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式住宅]]></category>
		<category><![CDATA[生成式設計]]></category>
		<category><![CDATA[網路文化]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Airbnb]]></category>
		<category><![CDATA[Ambient Intelligence]]></category>
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		<category><![CDATA[Benjamin Bratton]]></category>
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		<category><![CDATA[Freud]]></category>
		<category><![CDATA[Fun Palace]]></category>
		<category><![CDATA[Gestell]]></category>
		<category><![CDATA[ghost in the machine]]></category>
		<category><![CDATA[Gilbert Ryle]]></category>
		<category><![CDATA[H-OS]]></category>
		<category><![CDATA[Heimlich]]></category>
		<category><![CDATA[Mark Fisher]]></category>
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		<category><![CDATA[Vitruvius]]></category>
		<category><![CDATA[住宅作為操作系統]]></category>
		<category><![CDATA[住宅是居住的機器]]></category>
		<category><![CDATA[共識主動性]]></category>
		<category><![CDATA[場域條件]]></category>
		<category><![CDATA[對話理論]]></category>
		<category><![CDATA[巴西利亞]]></category>
		<category><![CDATA[平台城市主義]]></category>
		<category><![CDATA[建築的詭異]]></category>
		<category><![CDATA[建築與分離]]></category>
		<category><![CDATA[後人類居住]]></category>
		<category><![CDATA[快樂宮]]></category>
		<category><![CDATA[擴增實境]]></category>
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		<category><![CDATA[柯比意式]]></category>
		<category><![CDATA[模度]]></category>
		<category><![CDATA[機器中的幽靈]]></category>
		<category><![CDATA[混合實境]]></category>
		<category><![CDATA[演算法鄉土建築]]></category>
		<category><![CDATA[環境智慧]]></category>
		<category><![CDATA[生成式居住]]></category>
		<category><![CDATA[生成性]]></category>
		<category><![CDATA[科爾多瓦大清真寺]]></category>
		<category><![CDATA[空間運算]]></category>
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		<category><![CDATA[邁向新建築]]></category>
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		<category><![CDATA[食人主義]]></category>
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		<link>https://hawhsu.com/flux-and-genesis/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 02:32:29 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[Vibe Coding]]></category>
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		<category><![CDATA[後人類主義]]></category>
		<category><![CDATA[後現代主義]]></category>
		<category><![CDATA[後結構主義]]></category>
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		<category><![CDATA[現代主義]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式設計]]></category>
		<category><![CDATA[Andrea Palladio]]></category>
		<category><![CDATA[Animate Form]]></category>
		<category><![CDATA[Bernard Stiegler]]></category>
		<category><![CDATA[Bernard Tschumi]]></category>
		<category><![CDATA[CATIA]]></category>
		<category><![CDATA[Chora L Works]]></category>
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		<category><![CDATA[Finished Form]]></category>
		<category><![CDATA[Flux]]></category>
		<category><![CDATA[Folies]]></category>
		<category><![CDATA[FUI]]></category>
		<category><![CDATA[Future User Interface]]></category>
		<category><![CDATA[Genesis]]></category>
		<category><![CDATA[Gilbert Simondon]]></category>
		<category><![CDATA[Greg Lynn]]></category>
		<category><![CDATA[Henri Bergson]]></category>
		<category><![CDATA[Heydar Aliyev Center]]></category>
		<category><![CDATA[Jacques Derrida]]></category>
		<category><![CDATA[Le Corbusier]]></category>
		<category><![CDATA[Leon Battista Alberti]]></category>
		<category><![CDATA[Mario Carpo]]></category>
		<category><![CDATA[Marshall McLuhan]]></category>
		<category><![CDATA[Maya]]></category>
		<category><![CDATA[montage]]></category>
		<category><![CDATA[NURBS]]></category>
		<category><![CDATA[Parametric Design]]></category>
		<category><![CDATA[Parametricism]]></category>
		<category><![CDATA[Parc de la Villette]]></category>
		<category><![CDATA[Patrik Schumacher]]></category>
		<category><![CDATA[Peter Eisenman]]></category>
		<category><![CDATA[Rem Koolhaas]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[Rudolf Wittkower]]></category>
		<category><![CDATA[spline curves]]></category>
		<category><![CDATA[Villa Rotonda]]></category>
		<category><![CDATA[Villa Savoye]]></category>
		<category><![CDATA[Vitruvius]]></category>
		<category><![CDATA[Zaha Hadid]]></category>
		<category><![CDATA[加利西亞文化城]]></category>
		<category><![CDATA[參數主義]]></category>
		<category><![CDATA[參數化主義]]></category>
		<category><![CDATA[參數化設計]]></category>
		<category><![CDATA[可觸媒體]]></category>
		<category><![CDATA[圓廳別墅]]></category>
		<category><![CDATA[在場的形而上學]]></category>
		<category><![CDATA[多米諾]]></category>
		<category><![CDATA[完成形態]]></category>
		<category><![CDATA[居住的機器]]></category>
		<category><![CDATA[建築十書]]></category>
		<category><![CDATA[建築四書]]></category>
		<category><![CDATA[建築漫步]]></category>
		<category><![CDATA[形隨功能]]></category>
		<category><![CDATA[情感計算]]></category>
		<category><![CDATA[拉維萊特公園]]></category>
		<category><![CDATA[搜尋式生成]]></category>
		<category><![CDATA[新建築五點]]></category>
		<category><![CDATA[曼哈頓手稿]]></category>
		<category><![CDATA[水平窗帶]]></category>
		<category><![CDATA[第六號住宅]]></category>
		<category><![CDATA[自由平面]]></category>
		<category><![CDATA[蒂邁歐篇]]></category>
		<category><![CDATA[蒙太奇]]></category>
		<category><![CDATA[邁向新建築]]></category>
		<category><![CDATA[體素運算]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1458</guid>

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		<post-id xmlns="com-wordpress:feed-additions:1">1458</post-id>	</item>
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		<link>https://hawhsu.com/gazing-at-fxt-from-afar/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sat, 15 Nov 2025 03:30:42 +0000</pubDate>
				<category><![CDATA[鐵人生活]]></category>
		<category><![CDATA[Formosa Xtreme Triathlon]]></category>
		<category><![CDATA[FXT]]></category>
		<category><![CDATA[Scott]]></category>
		<category><![CDATA[UTMB]]></category>
		<category><![CDATA[三鐵]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=729</guid>

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		<link>https://hawhsu.com/from-screen-to-field/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[建築]]></category>
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		<category><![CDATA[生成式設計]]></category>
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		<category><![CDATA[2001 太空漫遊]]></category>
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		<category><![CDATA[Fictional User Interface]]></category>
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		<category><![CDATA[銀翼殺手]]></category>
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		<link>https://hawhsu.com/deconstructing-the-urban-vibe-map-of-blade-runner-2049/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[建築]]></category>
		<category><![CDATA[後人類主義]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[電影]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Brutalism]]></category>
		<category><![CDATA[Brutality]]></category>
		<category><![CDATA[Cyberpunk]]></category>
		<category><![CDATA[Deckard]]></category>
		<category><![CDATA[Denis Villeneuve]]></category>
		<category><![CDATA[Field UI]]></category>
		<category><![CDATA[Harrison Ford]]></category>
		<category><![CDATA[Hyperobjects]]></category>
		<category><![CDATA[Maurice Merleau-Ponty]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[Sublime]]></category>
		<category><![CDATA[Techno-Orientalism]]></category>
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		<category><![CDATA[Wallace]]></category>
		<category><![CDATA[YAML]]></category>
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		<link>https://hawhsu.com/dune-theoretical-terrains/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Tue, 30 Sep 2025 14:48:24 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Deleuze (德勒茲)]]></category>
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		<category><![CDATA[Vibe Coding]]></category>
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		<guid isPermaLink="false">https://hawhsu.com/?p=1326</guid>

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		<title>克羅諾斯、代碼與未來畫布：Heptapod 書寫、場域介面與 Vibe Coding 的生成論</title>
		<link>https://hawhsu.com/chronos-code-and-the-canvas-of-the-future/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Wed, 24 Sep 2025 15:11:15 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[Deleuze (德勒茲)]]></category>
		<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[UI/UX]]></category>
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		<link>https://hawhsu.com/the-thirteenth-floor-and-generative-ontology/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 18 Sep 2025 10:43:46 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[生成式AI]]></category>
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		<link>https://hawhsu.com/scarlett-johansson-as-interface/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 11 Sep 2025 05:28:03 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
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		<link>https://hawhsu.com/the-memory-industry-and-the-disappearance-of-aura-in-the-digital-age/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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		<link>https://hawhsu.com/when-screens-disappear/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 25 Aug 2025 06:23:46 +0000</pubDate>
				<category><![CDATA[UI/UX]]></category>
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		<link>https://hawhsu.com/posthuman-studios-and-algorithmic-governance/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[後人類主義]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
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		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
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				<category><![CDATA[AI (人工智慧)]]></category>
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		<category><![CDATA[監控資本主義時代]]></category>
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		<category><![CDATA[資料奇觀]]></category>
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		<guid isPermaLink="false">https://hawhsu.com/?p=1008</guid>

					<description><![CDATA[在二十一世紀的第三個十年，全球文化景觀出現了深刻的「沉浸式轉向」（Immersive Turn）。美術館的白盒 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1008</post-id>	</item>
		<item>
		<title>算法理性的解構：生成式藝術的批判性閱讀框架</title>
		<link>https://hawhsu.com/a-critique-of-algorithmic-rationality/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Tue, 29 Jul 2025 04:49:02 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Andersen v. Stability AI]]></category>
		<category><![CDATA[Anna Ridler]]></category>
		<category><![CDATA[Atlas of AI]]></category>
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		<category><![CDATA[Martin Heidegger]]></category>
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		<category><![CDATA[資料殖民主義]]></category>
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		<guid isPermaLink="false">https://hawhsu.com/?p=880</guid>

					<description><![CDATA[當代視覺文化的地貌正面臨劇烈位移，生成式人工智慧（Generative AI）不再只是列於創作工具清單的末端技 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">880</post-id>	</item>
		<item>
		<title>《非監督》：作為資料奇觀的政治經濟學</title>
		<link>https://hawhsu.com/unsupervised-the-political-economy-of-the-data-spectacle/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sun, 13 Jul 2025 04:05:59 +0000</pubDate>
				<category><![CDATA[AI (人工智慧)]]></category>
		<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[沉浸式藝術]]></category>
		<category><![CDATA[生成式AI]]></category>
		<category><![CDATA[生成式藝術]]></category>
		<category><![CDATA[網路文化]]></category>
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		<category><![CDATA[24/7：晚期資本主義與睡眠的終結]]></category>
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		<category><![CDATA[機械複製時代的藝術作品]]></category>
		<category><![CDATA[永恆的現在]]></category>
		<category><![CDATA[演算現實主義]]></category>
		<category><![CDATA[監控資本主義時代]]></category>
		<category><![CDATA[矽谷美學]]></category>
		<category><![CDATA[碳密集的螢幕保護程式]]></category>
		<category><![CDATA[藝術民主化]]></category>
		<category><![CDATA[靈光]]></category>
		<category><![CDATA[非同質化代幣]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=959</guid>

					<description><![CDATA[2022 年深秋，一座巨大的數位方尖碑聳立於紐約現代藝術博物館（Museum of Modern Art, M [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">959</post-id>	</item>
		<item>
		<title>Duolingo 擬人化哲學下的情感算法、治理性與數位異化</title>
		<link>https://hawhsu.com/duolingos-anthropomorphic-design-philosophy/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 26 Jun 2025 09:18:33 +0000</pubDate>
				<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[網路文化]]></category>
		<category><![CDATA[Duolingo]]></category>
		<category><![CDATA[平台資本主]]></category>
		<category><![CDATA[情感演算法]]></category>
		<category><![CDATA[情感運算]]></category>
		<category><![CDATA[應用擬人化]]></category>
		<category><![CDATA[智慧通知]]></category>
		<category><![CDATA[治理性]]></category>
		<category><![CDATA[連勝]]></category>
		<category><![CDATA[遊戲化]]></category>
		<category><![CDATA[關係技術]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=516</guid>

					<description><![CDATA[在數位時代，「陪伴」與「關係」成為界面設計的核心語彙。Duolingo 的綠色貓頭鷹 Duo 展現了情感設計與 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">516</post-id>	</item>
		<item>
		<title>後現代主義的文化邏輯與理論根源</title>
		<link>https://hawhsu.com/the-cultural-logic-and-theoretical-genealogy-of-postmodernism/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sat, 21 Jun 2025 02:34:16 +0000</pubDate>
				<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[建築]]></category>
		<category><![CDATA[後現代主義]]></category>
		<category><![CDATA[後結構主義]]></category>
		<category><![CDATA[現代主義]]></category>
		<category><![CDATA[Charles Jencks]]></category>
		<category><![CDATA[Deconstructivism]]></category>
		<category><![CDATA[différance]]></category>
		<category><![CDATA[double-coding]]></category>
		<category><![CDATA[Fredric Jameson]]></category>
		<category><![CDATA[hybridity]]></category>
		<category><![CDATA[Ihab Hassan]]></category>
		<category><![CDATA[Jacques Derrida]]></category>
		<category><![CDATA[Jean Baudrillard]]></category>
		<category><![CDATA[Jean-François Lyotard]]></category>
		<category><![CDATA[Michel Foucault]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[pastiche]]></category>
		<category><![CDATA[Robert Venturi]]></category>
		<category><![CDATA[去中心化]]></category>
		<category><![CDATA[延異]]></category>
		<category><![CDATA[建築的複雜與矛盾]]></category>
		<category><![CDATA[後現代主義建築]]></category>
		<category><![CDATA[戲仿]]></category>
		<category><![CDATA[拼貼式擬仿]]></category>
		<category><![CDATA[解構主義]]></category>
		<category><![CDATA[超真實]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1027</guid>

					<description><![CDATA[面對後現代主義建築的鮮豔色彩、矛盾構成與語彙拼接，人們往往以直覺視之為對現代主義秩序的諧仿，彷彿建築的嚴肅性在 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1027</post-id>	</item>
		<item>
		<title>介面建築學：從擬真容器到後數位時代的現象透明性與空間邏輯</title>
		<link>https://hawhsu.com/interface-architecture-from-skeuomorphic-containers/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 05 Jun 2025 02:29:21 +0000</pubDate>
				<category><![CDATA[UI/UX]]></category>
		<category><![CDATA[網路文化]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Apple Vision Pro]]></category>
		<category><![CDATA[Bauhaus]]></category>
		<category><![CDATA[Colin Rowe]]></category>
		<category><![CDATA[Flat Design]]></category>
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		<category><![CDATA[Georges Braque]]></category>
		<category><![CDATA[iOS 6]]></category>
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		<category><![CDATA[Material You]]></category>
		<category><![CDATA[Pablo Picasso]]></category>
		<category><![CDATA[Robert Slutzky]]></category>
		<category><![CDATA[Skeuomorphism]]></category>
		<category><![CDATA[Spatial Computing]]></category>
		<category><![CDATA[Steve Jobs]]></category>
		<category><![CDATA[Villa Stein]]></category>
		<category><![CDATA[字體即結構]]></category>
		<category><![CDATA[實體透明性]]></category>
		<category><![CDATA[後扁平]]></category>
		<category><![CDATA[後擬真主義]]></category>
		<category><![CDATA[德紹校園建築群]]></category>
		<category><![CDATA[扁平化設計]]></category>
		<category><![CDATA[擬真美學]]></category>
		<category><![CDATA[現象透明性]]></category>
		<category><![CDATA[空間介面]]></category>
		<category><![CDATA[空間運算]]></category>
		<category><![CDATA[量子紙張]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=818</guid>

					<description><![CDATA[數位介面設計的演變自擬真美學（Skeuomorphism）起步，以材質與光影模擬物質世界；隨後經由扁平化設計（ [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">818</post-id>	</item>
		<item>
		<title>從 Kandinsky 到李仲生：台灣戰後現代主義抽象藝術的跨國演變與本土化精神</title>
		<link>https://hawhsu.com/from-kandinsky-to-lee-chun-sheng/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Thu, 15 May 2025 07:13:01 +0000</pubDate>
				<category><![CDATA[台灣現代藝術]]></category>
		<category><![CDATA[現代主義]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[André Derain]]></category>
		<category><![CDATA[Camille Pissarro]]></category>
		<category><![CDATA[Claude Monet]]></category>
		<category><![CDATA[Clement Greenberg]]></category>
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		<category><![CDATA[Kazimir Malevich]]></category>
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		<category><![CDATA[Wassily Kandinsky]]></category>
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		<category><![CDATA[點彩派]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=760</guid>

					<description><![CDATA[抽象藝術（Abstract Art）在二十世紀現代主義脈絡中取得重新思考藝術本質的位置。創作焦點從外在世界的再 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">760</post-id>	</item>
		<item>
		<title>現代建築的死亡：戰後城市規劃的深刻反思</title>
		<link>https://hawhsu.com/the-death-of-modern-architecture/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Wed, 30 Apr 2025 09:29:08 +0000</pubDate>
				<category><![CDATA[建築]]></category>
		<category><![CDATA[現代主義]]></category>
		<category><![CDATA[Cabrini–Green]]></category>
		<category><![CDATA[Charles Jencks]]></category>
		<category><![CDATA[eyes upon the street]]></category>
		<category><![CDATA[Grands Ensembles]]></category>
		<category><![CDATA[Herman Hertzberger]]></category>
		<category><![CDATA[Jacques-Henri Labourdette]]></category>
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		<category><![CDATA[La Ville Radieuse]]></category>
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		<category><![CDATA[Le grand ensemble de Sarcelles]]></category>
		<category><![CDATA[Lewis Mumford]]></category>
		<category><![CDATA[Ludwig Mies van der Rohe]]></category>
		<category><![CDATA[New Brutalism]]></category>
		<category><![CDATA[Oscar Newman]]></category>
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		<category><![CDATA[現代主義社會住宅]]></category>
		<category><![CDATA[空中街道]]></category>
		<category><![CDATA[窮人的頂樓公寓]]></category>
		<category><![CDATA[羅賓漢花園]]></category>
		<category><![CDATA[美國大城市的生與死]]></category>
		<category><![CDATA[跳停式電梯]]></category>
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		<category><![CDATA[雷德路高樓群]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=765</guid>

					<description><![CDATA[第二次世界大戰結束後（1945–1960），美國面臨嚴峻的住房危機。大量人口湧入城市，急需居所，社會住宅需求激 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">765</post-id>	</item>
		<item>
		<title>後人類電影十論：影像中的本體論流變、技術生成與生命政治</title>
		<link>https://hawhsu.com/ten-theses-on-posthuman-cinema-ontological/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Tue, 15 Apr 2025 09:40:12 +0000</pubDate>
				<category><![CDATA[Deleuze (德勒茲)]]></category>
		<category><![CDATA[Derrida (德希達)]]></category>
		<category><![CDATA[Nolan (諾蘭)]]></category>
		<category><![CDATA[後人類主義]]></category>
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		<category><![CDATA[Cyborg]]></category>
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		<category><![CDATA[The Matrix]]></category>
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		<category><![CDATA[駭客任務]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=851</guid>

					<description><![CDATA[在二十一世紀的文化理論與哲學光譜中，「後人類」（Posthuman）已由科幻語彙轉化為重新思考人類位置的認識論 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">851</post-id>	</item>
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		<title>Montis 三瓶酒的 Olfactory Vibe Engine</title>
		<link>https://hawhsu.com/montis-wine-makers-choicetwinsalpha/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Mon, 31 Mar 2025 09:33:25 +0000</pubDate>
				<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[日常雜記]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Alpha]]></category>
		<category><![CDATA[Cabernet Sauvignon]]></category>
		<category><![CDATA[Carménère]]></category>
		<category><![CDATA[Merlot]]></category>
		<category><![CDATA[Montis]]></category>
		<category><![CDATA[Syrah]]></category>
		<category><![CDATA[Tempranillo]]></category>
		<category><![CDATA[Twins]]></category>
		<category><![CDATA[Wine Maker’s Choice]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=763</guid>

					<description><![CDATA[有些夜晚並不特別，也沒有什麼事件值得回憶。但我們總爾會開上一瓶酒，讓那天的節奏變得不那麼倉促。Montis 的 [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">763</post-id>	</item>
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		<title>漂界</title>
		<link>https://hawhsu.com/driftscape/</link>
		
		<dc:creator><![CDATA[Haw Hsu]]></dc:creator>
		<pubDate>Sat, 29 Mar 2025 06:36:31 +0000</pubDate>
				<category><![CDATA[Vibe Coding]]></category>
		<category><![CDATA[網路文化]]></category>
		<category><![CDATA[藝術]]></category>
		<category><![CDATA[Perlin Noise]]></category>
		<category><![CDATA[數位自然]]></category>
		<category><![CDATA[極簡主義]]></category>
		<guid isPermaLink="false">https://hawhsu.com/?p=1248</guid>

					<description><![CDATA[設計理念 裝置設計概念試圖建立能「回應注視」的動態數位地形，藉視覺與環境產生直接連動。觀看者不再是外部觀察者， [&#8230;]]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1248</post-id>	</item>
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