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	<title>HESO Magazine</title>
	
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		<title>Modern Japan Photographed with Holga 120S</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/0Daq6xa4TyE/</link>
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		<pubDate>Fri, 03 Feb 2012 13:15:56 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Photo of the Week]]></category>
		<category><![CDATA[Photographic]]></category>
		<category><![CDATA[All Content © Manny Santiago]]></category>
		<category><![CDATA[HESO Magazine]]></category>
		<category><![CDATA[Holga]]></category>
		<category><![CDATA[Holga 120S]]></category>
		<category><![CDATA[Holgagraphy]]></category>
		<category><![CDATA[Manny Santiago Photography]]></category>
		<category><![CDATA[Modern Japan]]></category>
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		<guid isPermaLink="false">http://hesomagazine.com/?p=3966</guid>
		<description>&amp;#160; In part II of the series Manny Santiago looks at Modern Japan via the Holga 120S. Part I, III, IV, V, VI and VII are viewable here.&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/0Daq6xa4TyE" height="1" width="1"/&gt;</description>
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		<title>Pop Zeitgeist Day of the Locust</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/vjc_85yoWUE/</link>
		<comments>http://hesomagazine.com/books/pop-zeitgeist-day-of-the-locust/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 13:55:09 +0000</pubDate>
		<dc:creator>Sean Lotman</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Pop Zeitgeist]]></category>
		<category><![CDATA[1930s era Hollywood]]></category>
		<category><![CDATA[American Literature]]></category>
		<category><![CDATA[Day of the Locust]]></category>
		<category><![CDATA[Faye Greener]]></category>
		<category><![CDATA[Fire]]></category>
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		<category><![CDATA[Hollywood]]></category>
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		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[Nathanael West]]></category>
		<category><![CDATA[Pop Zeitgeist by Sean Lotman]]></category>
		<category><![CDATA[Riots]]></category>
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		<guid isPermaLink="false">http://hesomagazine.com/?p=3797</guid>
		<description>Of all the major metropolitan cities in America, none deserve the misanthrope’s fury more than Los Angeles. After all, what urban area better represents the false promises of contemporary American Dreams than the one that declares you’re special and deserve your own TV show, only to exchange that dangling carrot for a dishwasher’s rag or [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/vjc_85yoWUE" height="1" width="1"/&gt;</description>
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		<title>HESO Photo of the Week from Arnaud De Grave</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/-lGqhaq2PWQ/</link>
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		<pubDate>Fri, 20 Jan 2012 16:57:13 +0000</pubDate>
		<dc:creator>Arnaud De Grave</dc:creator>
				<category><![CDATA[Photo of the Week]]></category>
		<category><![CDATA[Arnaud De Grave]]></category>
		<category><![CDATA[British Columbia]]></category>
		<category><![CDATA[Canada]]></category>
		<category><![CDATA[Ecosystem Restoration]]></category>
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		<category><![CDATA[HESO Photo of the Week]]></category>
		<category><![CDATA[Lillooet]]></category>
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		<category><![CDATA[Riparian Zone]]></category>
		<category><![CDATA[Sekw'el'was tribe]]></category>
		<category><![CDATA[Sustainable Forestry]]></category>
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		<guid isPermaLink="false">http://hesomagazine.com/?p=4125</guid>
		<description>Cultural river bank restauration in Lillooet, BC In Lillooet, British Columbia, about 250 km north of Vancouver, I was involved in helping a small group of First Nations&amp;#8217; volunteers from the Sekw&amp;#8217;el&amp;#8217;was tribe and some conservationist scholars who had been working to restore a riparian (i.e. a piece of land close to water, a river, [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/-lGqhaq2PWQ" height="1" width="1"/&gt;</description>
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		<title>A Study of American Power by BBC Documentary Filmmaker Adam Curtis</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/j7F12NnrKBw/</link>
		<comments>http://hesomagazine.com/film/a-study-of-american-power-by-bbc-documentary-filmmaker-adam-curtis/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 17:50:27 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Adam Curtis]]></category>
		<category><![CDATA[ALL WATCHED OVER BY MACHINES OF LOVING GRACE]]></category>
		<category><![CDATA[American Power]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[BBC Current Affairs]]></category>
		<category><![CDATA[British BAFTA winning documentarian]]></category>
		<category><![CDATA[Century of the Self]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Every Day Is Like Sunday]]></category>
		<category><![CDATA[It Felt Like a Kiss]]></category>
		<category><![CDATA[Politics of Fear]]></category>
		<category><![CDATA[The Power of Nightmares]]></category>
		<category><![CDATA[The Trap — What Happened to our Dream of Freedom]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=1464</guid>
		<description>&amp;#8220;Nothing is true. Everything is permitted.&amp;#8221;                                                         — Hassan-i Sabbah Henry Kissinger called power the ultimate aphrodisiac. We can see how power attracts all sorts of people toward [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/j7F12NnrKBw" height="1" width="1"/&gt;</description>
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		<title>HESO Photo of the Week from SNJEZANA JOSIPOVIC</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/lfJaziZPH0E/</link>
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		<pubDate>Thu, 12 Jan 2012 22:21:10 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Photo of the Week]]></category>
		<category><![CDATA[Snjezana Josipovic]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=4279</guid>
		<description>HM: Looking through your photos, there is a sense of a powerful personal aspect at work here. SJ: That is intentional, because I do make photos for myself. And because of myself and maybe, I don’t know, but I’m trying to find something out about myself. Then comes everything else. It is that connection between [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/lfJaziZPH0E" height="1" width="1"/&gt;</description>
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		<title>Sobazushi at Owariya Soba in Kyoto</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/2ZMDm8LyZQk/</link>
		<comments>http://hesomagazine.com/eat-me-drink-me/sobazushi-at-owariya-soba-in-kyoto/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 00:51:19 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Eat Me Drink Me]]></category>
		<category><![CDATA[Buckwheat]]></category>
		<category><![CDATA[Buckwheat Noodles]]></category>
		<category><![CDATA[Confectionery]]></category>
		<category><![CDATA[Honke Owariya]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Japanese culture]]></category>
		<category><![CDATA[Japanese Imperial Family]]></category>
		<category><![CDATA[Kyōto]]></category>
		<category><![CDATA[Onin war]]></category>
		<category><![CDATA[Soba]]></category>
		<category><![CDATA[Soba Noodles]]></category>
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		<guid isPermaLink="false">http://hesomagazine.com/?p=4043</guid>
		<description>Visualize if you will, a spry young man in his work kimono, made of an easy to clean light fabric, walking down the dirt-paved roads of the old capital Kyōto to the clickety-clackety of hundreds of Japanese sandal-wearing passers-by as they go about their daily business, smiling and nodding while the deciduous trees rain orange [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/2ZMDm8LyZQk" height="1" width="1"/&gt;</description>
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		<title>Modern Japan Photographed with Lomo LC-A</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/yYgAGtrQwOw/</link>
		<comments>http://hesomagazine.com/photographic/modern-japan-via-lomo-lc-a/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 18:16:04 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Photo of the Week]]></category>
		<category><![CDATA[Photographic]]></category>
		<category><![CDATA[All Content © Manny Santiago]]></category>
		<category><![CDATA[HESO Magazine]]></category>
		<category><![CDATA[Holga]]></category>
		<category><![CDATA[Lomography]]></category>
		<category><![CDATA[Manny Santiago Photography]]></category>
		<category><![CDATA[Modern Japan]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=3964</guid>
		<description>In part I of the series Manny Santiago looks at Modern Japan via the Lomo LC-A. Part II, III, IV and V are viewable here.&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/yYgAGtrQwOw" height="1" width="1"/&gt;</description>
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		<slash:comments>2</slash:comments>
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		<title>Pop Zeitgeist American Spring Imminent</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/WIzvey-vRDk/</link>
		<comments>http://hesomagazine.com/pop-zeitgeist/pop-zeitgeist-american-spring-imminent/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 15:07:04 +0000</pubDate>
		<dc:creator>Sean Lotman</dc:creator>
				<category><![CDATA[Pop Zeitgeist]]></category>
		<category><![CDATA[American Spring]]></category>
		<category><![CDATA[Discontent in America]]></category>
		<category><![CDATA[free market capitalism]]></category>
		<category><![CDATA[French Revolution]]></category>
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		<category><![CDATA[Occupy WallStreet]]></category>
		<category><![CDATA[OWS]]></category>
		<category><![CDATA[Pop Zeitgeist by Sean Lotman]]></category>
		<category><![CDATA[Poverty in America]]></category>
		<category><![CDATA[Sean Lotman]]></category>
		<category><![CDATA[The Protester]]></category>
		<category><![CDATA[Zuccotti Park]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=4226</guid>
		<description>When we consider a society of grotesque economic contrasts, Paris, autumn, 1788, is a fine starting point. France had its own 99%&amp;#8211;in fact, less than one half of one percent of the population belonged to a noble family. They sequestered themselves in large estates or the proverbial ivory tower. Imagine starving mobs roaming septic gutters [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/WIzvey-vRDk" height="1" width="1"/&gt;</description>
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		<title>Mochitsuki New Year in Japan Making Mochi</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/vvINeI37iM4/</link>
		<comments>http://hesomagazine.com/eat-me-drink-me/mochitsuki-new-year-in-japan-making-mochi/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 14:18:14 +0000</pubDate>
		<dc:creator>Marshall Samson</dc:creator>
				<category><![CDATA[Eat Me Drink Me]]></category>
		<category><![CDATA[anko]]></category>
		<category><![CDATA[Happy New Year Japan]]></category>
		<category><![CDATA[Japanese culture]]></category>
		<category><![CDATA[Japanese New Year]]></category>
		<category><![CDATA[Japanese Ricecake]]></category>
		<category><![CDATA[Japonica]]></category>
		<category><![CDATA[kinako]]></category>
		<category><![CDATA[Kine]]></category>
		<category><![CDATA[mitsuba]]></category>
		<category><![CDATA[Mochi]]></category>
		<category><![CDATA[Mochitsuki]]></category>
		<category><![CDATA[Mortar and pestle]]></category>
		<category><![CDATA[natto]]></category>
		<category><![CDATA[nori]]></category>
		<category><![CDATA[shoyu]]></category>
		<category><![CDATA[Usu]]></category>
		<category><![CDATA[yuzu]]></category>
		<category><![CDATA[zoni]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=4041</guid>
		<description>Come the Japanese New Year, when some particularly enthusiastic families and co-workers across the archipelago once again dust off their bamboo rice steamers, big wooden hammers, not forgetting the Sake, and head off to the local community center, school, or as in my case, the abandoned yacht club, it raises the hairs on the neck [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/vvINeI37iM4" height="1" width="1"/&gt;</description>
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		<item>
		<title>I Wrote This For You</title>
		<link>http://feedproxy.google.com/~r/HesoMagazine/~3/jEwREFWds7c/</link>
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		<pubDate>Tue, 20 Dec 2011 16:54:36 +0000</pubDate>
		<dc:creator>Manny Santiago</dc:creator>
				<category><![CDATA[Interviews]]></category>
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		<category><![CDATA[Analog Photography]]></category>
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		<category><![CDATA[I Wrote This For You]]></category>
		<category><![CDATA[I Wrote This For You Book Launch]]></category>
		<category><![CDATA[Iain Thomas]]></category>
		<category><![CDATA[Jon Ellis]]></category>
		<category><![CDATA[Please Find This]]></category>

		<guid isPermaLink="false">http://hesomagazine.com/?p=4236</guid>
		<description>It goes like the joke: A guy walks into a bar in Tokyo, orders a beer and looks around for people, mostly men, fondling, mostly large, black, analog, cameras. Eyes peer up over pint glasses as the man approaches with his own large, black, analog camera and sets it and the beer down with satisfying [...]&lt;img src="http://feeds.feedburner.com/~r/HesoMagazine/~4/jEwREFWds7c" height="1" width="1"/&gt;</description>
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