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Na een aantal jaren in het monumentale HAKA-gebouw opent de beurs nu haar deuren in het hart van de stad. De voormalige V&D heeft de afgelopen jaren een gedaanteverandering ondergaan en vormt als AIR Offices opnieuw een opvallend onderdeel van het centrum. Een lang weekend is het bijzondere gebouw voor bezoekers van binnen te bezichtigen. Maar liefst 150 ontwerpers op het gebied van product, verlichting, meubels, sieraden en meer tonen hier hun werk."},{"insert":"\n\n"},{"attributes":{"bold":true},"insert":"Nieuwe aanwas"},{"insert":"\nKomende editie doen er tientallen designers en labels aan de beurs mee, waarvan een flink aantal voor de eerste keer. Job van den Berg brengt een bonte mix van kunst en design, het Belgische Objects by Marie presenteert kleurrijke tafels in organische vormen en Studio Céleste Muir subtiele sieraden. Arian Brekveld toont een samenwerking met Cor Unum, ArtZaanstad en PLAY room brengen light art van Lux Vortex en Ruben de Haas een Eilamp. Opvallend zijn ook de sensuele tapijten van Hester Scheurwater, de nieuwe meubels van Kees Marcelis en de samenwerking tussen Nynke Tynagel en BOW. Beyond Space doet voor het eerst mee met een ‘boring’ presentatie en de kleurrijke, geometrische wandobjecten van Studionom. springen eruit. Ook bekende namen zien we op OBJECT terug, Aleksandra Gaca en Petra Vonk tonen nieuw textiel, Arnout Visser presenteert recent glaswerk en Ruben Warnshuis meubels. Ook Sami San, Annebet Philips, Paul & Albert en WhiteNoiseDada nemen weer deel net als aanstormende talenten Willem Zwiers, Studio der Luminaire en Floor Merjenburgh.\n\n"},{"attributes":{"bold":true},"insert":"Meer informatie over OBJECT Rotterdam 2025"},{"insert":"\nLocatie: AIR | Rodezand 46-48 | Rotterdam\nDatum & tijden: Vrijdag 14 tot en met zondag 16 februari 2025 | 11.00-18.00 uur\nTickets: Tickets zijn online en aan de deur verkrijgbaar en kosten € 17,50, kinderen onder 16 jaar gratis Website: www.objectrotterdam.com\nFacebook: https://www.facebook.com/ObjectRotterdam/\nInstagram: https://www.instagram.com/objectrotterdam/\nSamen met De Interieur Club wordt op verschillende plekken in de buurt een serie Talks around Town opgezet, zoals bij NIO, Dudok aan de Meent, Fést en bij Plaisier AvantGarde aan de Mariniersweg.\n\n"},{"attributes":{"bold":true},"insert":"Over AIR"},{"insert":"\nDe V&D werd in 1947 ontworpen door architectenbureau Kraaijvanger en was een schoolvoorbeeld van de Rotterdamse wederopbouw architectuur. 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Since for me it is clean, it is pure, it is my authentic expression. I can do anything I want and it doesn't bother me if people think other things about what I am doing cause in the end I am free in my body and I am comfortable anywhere I am. And this what matters to me… the experience that I have.”\n\n“Scheurwater reageert met haar werk op de dubbele standaard rondom vrouwelijke seksualiteit in de media. Aan de ene kant moeten vrouwen niet te preuts zijn en aan de andere kant wordt het toe-eigenen van seksualiteit gezien als zedeloosheid. In performances als ‘SLOUCH’ eisen kunstenaars de openbare ruimte terug en de macht over hoe er naar haar lichaam en seksualiteit wordt gekeken. Dit is in reactie op de censuur op sociale media en hoe het vrouwelijk lichaam wordt ingezet voor advertenties. 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Since for me it is clean, it is pure, it is my authentic expression. I can do anything I want and it doesn't bother me if people think other things about what I am doing cause in the end I am free in my body and I am comfortable anywhere I am. And this what matters to me… the experience that I have.”\n\n“Scheurwater reageert met haar werk op de dubbele standaard rondom vrouwelijke seksualiteit in de media. Aan de ene kant moeten vrouwen niet te preuts zijn en aan de andere kant wordt het toe-eigenen van seksualiteit gezien als zedeloosheid. In performances als ‘SLOUCH’ eisen kunstenaars de openbare ruimte terug en de macht over hoe er naar haar lichaam en seksualiteit wordt gekeken. Dit is in reactie op de censuur op sociale media en hoe het vrouwelijk lichaam wordt ingezet voor advertenties. 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in het voormalige postsorteercentrum bij het station van Leeuwarden .\n\nScheurwater wil in deze installatie de diffusiteit van een seksuele identiteit laten zien en de verwarring die dat kan opleveren bij de toeschouwer alsook het zelfbewustzijn van de modellen die reageerden op Scheurwaters oproep om gefotografeerd te worden bij het uiten van hun seksuele zelf en genderidentiteit. Er heerst een dubbele moraal waarin we enerzijds onszelf moeten ontplooien en onze eigen, unieke, persoonlijkheid moeten cultiveren, zonder schaamte of terughoudendheid, maar anderzijds wordt het aannemen of omarmen van een fluïde seksualiteit als aanstootgevend of zelfs bedreigend ervaren. In Sex Shooter wil Hester Scheurwater de macht over hoe er naar het lichaam en de seksualiteit wordt gekeken wordt teruggegeven aan het model, de (machts)verhouding tussen toeschouwer en object omdraaien.\n \nDe tentoonstelling, in opdracht van Noorderlicht in Leeuwarden, is onderdeel van Ulysses: European Odyssey 2022-2024. Dit door de EU gefinancierde project bestaat uit achttien kunstinterventies in evenzoveel Europese steden, waaronder Dublin en Parijs, die geïnspireerd zijn op een hoofdstuk uit de gelijknamige modernistische klassieker van James Joyce. Leeuwarden vormt het toneel voor Ulysses' ACT II, hoofdstuk 13, Nausicaa en gaat in op het thema 'Gendervrijheid in het hedendaagse Europa'.\n \nIn het controversiële dertiende hoofdstuk masturbeert de hoofdpersoon Leopold Bloom voor de aanblik van een jonge vrouw, Gerty MacDowell, die in de verte haar rok optilt en haar benen en ondergoed laat zien. Terwijl Bloom klaarkomt op het ritmische schouwspel van licht en geluid van vuurwerk dagdroomt MacDowell over wat het betekent om een verliefde vrouw te zijn en over het instituut  huwelijk. De ogenschijnlijk normatieve geslachtsverdeling: de stereotypische romantische vrouw die passief haar lichaam laat zien en de geseksualiseerde man die actief kijkt was voor Schreurwater het perfecte uitgangspunt om de rollen om te keren.\n\nHester Scheurwater richtte zich na haar afstuderen aan de KABK in Den Haag op het maken van korte films en video's die werden vertoond in binnen- en buitenland. 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Lieuwma","orientation":"Landscape","original_filename":"IMG_3541.jpeg","playback_id":null,"poster_position":0.0,"private":false,"set_id":"74c6f1a0-d4ec-44a0-84f9-fdcea03c9911","site_id":"b836c7b5-2fd9-43be-a374-78f3a298f7af","src":"https://images.fotomat.io/prod/b836c7b5-2fd9-43be-a374-78f3a298f7af/44f92cdd-05a2-4a2d-9df5-7c371349879f.jpg","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2023-03-17T12:08:24Z","weight":3,"width":4032},"imagerid_viewer_enabled":false,"video_controls":false,"menu_id":"ae0b1c7a-f3bf-42f6-a944-8f74b5e16b3a","slideshow_show_caption_enabled":true,"video_loop":true,"description_alignment":"Left","content_text_size":"One","imagegrid_columns":"L","child_ids":null,"text_enabled":false},{"text_media":"None","menu":null,"imagegrid_ratio":"1:1","slideshow_show_image_title_enabled":true,"slideshow_ratio":"4:3","index_text_media_size":"M","viewer_caption_enabled":true,"stacked":false,"inserted_at":"2022-04-14T10:41:52Z","move":null,"invert_colors":false,"horizontal_viewer_enabled":false,"online":true,"menu_representation":"page","cover_media_fit":"contain","text_media_video_url":null,"horizontalscroll_gutters":"S","text_content1":{},"imagegrid_gutters":"S","path":"news/mistler-motley","index_layout":"Grid","index_text_layout":"Center","slideshow_item_caption_enabled":false,"text_vertical_alignment":"Center","part_of_stacked_page":false,"horizontalscroll_size":"M","cta_url":null,"title":"Mistler Motley ","description_content":{"ops":[{"insert":"Een ode aan de vulva – geen pornopoezen maar lippen zonder schaamte \n"},{"attributes":{"underline":true},"insert":" Romy Zwart"},{"insert":"\n13 april 2022\n\n\nLippen die te lang zijn, te dik zijn of die uitsteken. Haar dat weggehaald moet worden, bultjes en irritatie die dan ontstaan. Er heerst veel onzekerheid als het gaat over hoe de vulva eruit moet zien. De woorden die ervoor worden gebruikt zeggen het al: schaamstreek, schaamhaar, schaamlippen. Mensen schamen zich voor hun geslachtsdeel. Labiacorrecties (operaties die de binnenste lippen verkleinen) worden steeds toegankelijker en houden deze schaamte in stand.\n\nEr heerst een vervormd beeld van hoe een vulva eruit moet zien. Dat is ook niet gek als je kijkt naar de ‘strakke pornopoezen’ die vrijwel onze enige beeldreferentie zijn naar de vulva in de media. Het geslachtsdeel lijkt voor veel mensen een mysterie vanwege het gebrek aan kennis. Er worden verkeerde benamingen gebruikt; het verschil tussen vagina en vulva is voor veel mensen onduidelijk. En velen weten onderdelen, zoals de clitoris, niet juist aan te wijzen.\n\nPsychoanalytische theorieën leggen de schaamte rondom dit onderwerp uit door het verschil tussen het mannelijke en vrouwelijke geslachtsdeel te benadrukken. Zo stelt Freud dat de penis het uitgangspunt is. Hij benadert de vrouw als ‘de ander’, zij is als het ware een gecastreerde versie van de man. De belichaming van een gebrek. Het seksualiseren en idealiseren van de vulva is een manier om de blik af te leiden van deze tekortkoming. Door de focus te leggen op de verheerlijkte schoonheid, verliest de vrouw de macht over hoe zij wordt bekeken.\n\nDe confrontatie aangaan\nEen van de bekendste geschilderde vulva’s uit de westerse kunstgeschiedenis is ‘L’origine du Monde’ van Gustave Courbet (1866). Op het doek is een liggende vrouw te zien tussen de witte lakens met haar benen wijd waar de kijker als het ware tussenin wordt geplaatst. De symmetrische vulva met een getemde bos schaamhaar is volledig in beeld gebracht. Het lichaam is vanaf de bovenbenen tot aan de ontblote borst te zien. Met het kader net boven de borst afgesneden, wordt het gezicht niet getoond. Zo blijft de persoon in het schilderij voor altijd anoniem.\n\nVoor een tijd waarin het vrouwelijke naakt vaak subtiel en elegant werd verborgen achter laurierbladeren of met de handen, was dit een choquerend beeld. Het bijna pornografische onderwerp creëert een bewustzijn bij de kijker dat hij zelf ook bekeken kan worden terwijl hij het werk aanschouwt. Er ontstaat een soort schaamte, alsof hij betrapt wordt.\n\nOp het eerste gezicht lijkt dit een typisch beeld dat het vrouwelijke lichaam verheerlijkt. Het beeld laat een vrouw vanuit de male gaze zien door haar passief en lijdzaam weer te geven. Het lichaam voldoet volledig aan de schoonheidsidealen van die tijd met de rondingen op de juiste plekken en de bleke huid. Wachtend met haar benen wijd wordt ze onderworpen aan de blik van de kijker. Door de titel verandert de lading van dit beeld echter compleet.\n\n‘De oorsprong van de wereld’ spreekt niet alleen het dominante mannelijke uitgangspunt tegen dat in die tijd heerste in de kunst, het durft zelfs de positie van God als schepper te bevragen. Courbet zet het vrouwelijke lichaam met dit werk niet neer als lustobject, maar als de bron waar iedereen vandaan komt.\n\nHet beeld laat een representatie zien van een vrouwelijk lichaam, zonder het te benaderen als een gebrek, zoals de psychoanalytische theorie dat deed.\n\nHet werk van Courbet hangt nu in Musee d’Orsay, waar de Luxemburgse kunstenaar Deborah de Robertis in 2014 een performance ensceneerde genaamd ‘Mirror of Origin’. In de video van deze opvoering is te zien hoe Robertis op de grond, voor het beroemde werk, gaat zitten. Vervolgens opent ze haar benen, spreidt ze haar lippen en laat ze haar geopende vulva zien aan het niets vermoedende publiek in de zaal. De kunstenaar stelt zelf dat ze niet haar vagina laat zien, maar dat ze toont wat het schilderij niet weergeeft: de blinde vlek in de kunstgeschiedenis, het zwarte gat dat refereert naar oneindigheid; de oorsprong van de oorsprong.\n\nDeborah de Robertis, Miroir de l’origine (2014)\nBewakers van het museum hadden Robertis al snel in de gaten en gingen voor haar staan om het zicht op de performance te belemmeren. De opvoering heeft in totaal zes minuten geduurd voordat de kunstenaar naar buiten werd geëscorteerd door de politie. Het museum liet weten dat ze de presentatie zag als schending van de regels en een vertoning van onzedelijk gedrag. Twee bewakers hebben een officiële klacht ingediend wegens seksueel exhibitionisme. Dit weerhield de kunstenaar er niet van om later soortgelijke performances uit te voeren in verschillende Parijse musea, waardoor er inmiddels meerdere rechtszaken tegen haar zijn aangespannen.\n\nOpvallend in de foto van de performance is dat de vulva van Robertis is verhuld door een zwarte stip, terwijl er in essentie hetzelfde te zien is als op het schilderij boven haar, dat niet is gecensureerd. Een groot verschil tussen de twee is dat het bij de één om een schilderij gaat met een geseksualiseerd beeld van een anoniem lichaam. Bij de ander gaat het om een mens van vlees en bloed dat voor het publiek haar geslachtsdeel laat zien. Waar de kijker bij het schilderij de blik onbezonnen over het geseksualiseerde beeld kan laten glijden, ontkracht Robertis deze scopofilische ervaring door zelf de regie te nemen. Betekent dit dat wij als kijker ons pas comfortabel voelen bij het aanzicht van een vulva als die is losgezongen van een individu?\n\nZe toont wat het schilderij niet weergeeft: de blinde vlek in de kunstgeschiedenis, het zwarte gat dat refereert naar oneindigheid; de oorsprong van de oorsprong.\n\nVergelijkbaar met de performance van Robertis is het optreden ‘SLOUCH’ van Hester Scheurwater met danseres Noemi Calzavara in de hoofdrol. Tijdens de voorstelling die in begin 2022 plaatsvond in Sexyland World, een cultureel clubhuis in Amsterdam, lag Calzavara op een kruk met enkel een trui aan. De danseres vouwde haar benen open en toonde haar blote vulva aan het publiek. Met haar benen wijd draaide ze zichzelf rond op de kruk, zodat iedereen in de zaal haar kon bekijken. De toeschouwers konden niet ongegeneerd de voyeur uithangen, want de blik van de performer hield hun nauwlettend in de gaten. De performance was confronterend, wat bleek uit de vele mensen (opvallend genoeg voornamelijk mannen) die de blikken uit de weg gingen en de ruimte verlieten.\nScheurwater reageert met haar werk op de dubbele standaard rondom vrouwelijke seksualiteit in de media. Aan de ene kant moeten vrouwen niet te preuts zijn en aan de andere kant wordt het toe-eigenen van seksualiteit gezien als zedeloosheid. In performances als ‘SLOUCH’ eisen kunstenaars de openbare ruimte terug en de macht over hoe er naar haar lichaam en seksualiteit wordt gekeken. Dit is in reactie op de censuur op sociale media en hoe het vrouwelijk lichaam wordt ingezet voor advertenties. Het geïdealiseerde beeld dat voldoet aan de schoonheidsidealen heeft geen plek in het oeuvre van Scheurwater.\n\nDe schaamte doorbreken\nDe onderwerpen in de schilderijen van Ina van Zyl worden geïsoleerd weergegeven waardoor er een bepaalde objectiviteit ontstaat. Van Zyl werkt met thema’s als seksualiteit, erotiek en schaamte die feilloos hand in hand gaan met de werken waarin ze intieme zones weergeeft. Het donkere kleurgebruik zorgt voor een geheimzinnige sfeer. Wanneer je dichterbij komt zie je in een reliëf aan verf de vulva’s. Van Zyl speelt in op het gevoel van ongemak dat dit beeld teweeg kan brengen in; schaamte isoleert ons maar is ook een belangrijke manier om onze grenzen af te tasten. Het viel de kunstenaar op dat deze emotie in Nederland negatiever te boek staat dan in Zuid-Afrika, waar ze vandaan komt.\n\nDe kunstenaar zoekt binnen haar werk ook haar eigen grenzen van schaamte op. Ze ziet de geslachtsdelen die ze schildert als kwetsbaar, maar ook als iets sterks omdat er leven uit voortkomt. Dit is precies wat de vulva’s op de schilderijen laten zien. Door de krappe, isolerende kadrering wordt de kijker uitgenodigd toe te treden tot de persoonlijke ruimte van de afgebeelde persoon. Vanwege het onderwerp heeft het werk een seksuele connotatie, maar dit wordt losgelaten wanneer de toeschouwer verdwaalt in de subtiele kleurschakeringen. Het is een constante wisseling tussen de verlegenheid waar de kijker in wordt gebracht en de fascinatie voor wat er nog meer te ontdekken valt.\n\nHannah Moghbel is een kunstenaar die sinds het begin van haar carrière een fascinatie heeft voor het schilderen van fruit. Ook al fungeren vruchten vaak als een verkapt symbool voor geslachtsdelen, verbergt Moghbel in haar serie ‘Vulva Portraits’ niets. Net als van Zyl, houdt Moghbel zich bezig met het thema schaamte. De serie is begonnen met een zelfportret van haar eigen geslachtsdeel. Als kind is de kunstenaar seksueel misbruikt en ze stelt dat het schilderen van vulva’s therapeutisch werkt omdat ze zo de macht over haar eigen lichaam herovert. Volgens haar gedijt schaamte zin stilte, dus is het tijd om die stilte te doorbreken. De portretten eisen ruimte op en zorgen dat het vrouwelijke geslachtsdeel een visuele plek krijgen, in plaats van dat ze alleen bestaan voor het plezier van een ander.\n\nDe vulva’s van Moghbel zijn niet gedecoreerd met felle kleuren of vermomd als bloemen. Ze zijn realistisch en allemaal anders, zoals ze in het echt ook zijn. Ieder heeft een eigen verhaal. De schilderijen van zowel van van Zyl als Moghbel zijn in de eerste instantie confronterend. Maar als je door dit eerste ongemak heen gaat, is er in de werken van beide kunstenaars een landschap te zien waarin je kan verdwalen. Waar van Zyl mysterieus is, legt Moghbel het beeld juist volledig bloot; niks blijft verborgen. Ze laten een gedurfde schoonheid zien; een zachtheid die gepaard gaat met kracht.\nDe portretten eisen ruimte op en zorgen dat het vrouwelijke geslachtsdeel een visuele plek krijgen, in plaats van dat ze alleen bestaan voor het plezier van een ander.\n\nDeze kunstenaars hebben ieder een eigen benadering, maar de drijfveren voor het tonen van de vulva’s zijn vergelijkbaar. Er heerst een onderdrukking, in stand gehouden door schaamte en seksualisering, van het vrouwelijke geslachtsdeel. Deze onderdrukking is een klein deel van een groter probleem: ongelijke machtsverhoudingen tussen man en vrouw. Door enkel een geïdealiseerd en geseksualiseerd beeld te laten zien van het vrouwelijke lichaam, ontstaat er onzekerheid en schaamte wanneer een lijf daar niet aan voldoet. De kunstenaars zijn het er unaniem over eens met dat het tijd is voor verandering. Ze doorbreken de stilte, nemen de macht in eigen handen en laten een ander, realistischer beeld van de vulva zien. Hiermee eigenen ze hun seksualiteit en het beeld van hun lichaam toe. Ook laten ze zien dat erotiek niet altijd de hoofdrol hoeft te spelen in beelden van het geslachtsdeel.\n\nDoor de (nu nog) provocerende beelden van vulva’s te tonen en bespreekbaar te maken, verdwijnt het stigma rondom dit onderwerp. Het gesprek over de verschillende vormen en maten van dit geslachtsdeel wordt gestart en mensen gaan inzien dat een ‘strak pornopoesje’ niet de norm is. Het normaliseren van een beeld haalt de schaamte weg en legt de macht terug in eigen handen. Deze kunstwerken laten zien dat er een nieuw tijdperk is aangebroken, maar we hebben nog een weg te gaan. Beelden van vrouwen die neergezet worden vanuit de mannelijke blik overheersen nog steeds. De male gaze die velen hebben geïnternaliseerd draagt bij aan het in stand houden van een stigma en de schaamte. Kunst biedt de ruimte om de eerste stappen te zetten in het doorbreken van taboes, maar om dit volledig te bereiken moeten ook andere beelden in de media veranderen. Hoe mooi zou het zijn: een beeldcultuur met een diverse representatie aan vulva’s, waarin er geen ondermijning is van het vrouwelijke lichaam, geen seksualisering en waar er geen schaamte heerst.\n"}]},"cover_media_navigation":false,"cover_media_size":"L","horizontalscroll_caption_enabled":false,"layout_direction":"column","cta_overlay":false,"viewer_backstory_enabled":false,"logo_disabled":false,"slideshow_size":"M","type":"row","imagegrid_layout":"Columns","content_size":"Default","cta_page_id":null,"text_columns":"One","published":true,"link_page_url":null,"viewer_image_title_enabled":true,"index_grid_item_grow":false,"imagegrid_caption_enabled":false,"slideshow_show_count_enabled":true,"menu_disabled":false,"summary":{"ops":[{"insert":"Performance Slouch by Hester Scheurwater starring Noemi Calzavara Mister Motley\n\n"}]},"cta_label":null,"image_item_caption_enabled":false,"order_date":"2022-04-14T10:41:52Z","published_at":"2022-04-14T10:41:52Z","updated_at":"2025-03-21T11:59:12Z","hide_text_in_menu":false,"position":-2147467253,"subtype":null,"text_image_enabled":false,"cover_text_color":"#ffffff","image":null,"homepage":false,"text_content2":{},"horizontalscroll_layout":"Equalheight","meta_description":"Performance Slouch by Hester Scheurwater  starring Noemi Calzavara #hesterscheurwater #noemicalzavara #artrotterdam #art #rotterdam #statement #mistermotley #beftival ","slideshow_transition":false,"viewer_video_autoplay":null,"set_id":"8919f002-7718-4f11-8b04-c906c30fc977","slideshow_show_backstory_enabled":false,"content_size_type_text":false,"slug":"mistler-motley","browser_title":null,"imagegrid_align":"Center","do_not_index":false,"set":null,"cover_media_autoplay":false,"children":null,"tag_ids":[],"description_enabled":true,"index_grid_item_width":"1/2","index_text_size":"M","cover_text_size":"M","video_autoplay":true,"alignment":"Center","text_color":null,"site":null,"image_id":null,"tags":[],"id":"48886720-8a93-4ef3-8c10-e114dc752620","site_id":"b836c7b5-2fd9-43be-a374-78f3a298f7af","imagegrid_ratio_orientation":"Landscape","cover_image_id":"855d6a29-a36f-4a46-b0fa-a2346844bff7","viewer_count_enabled":true,"index_text_vertical_alignment":"Center","viewer_size":"L","horizontalscroll_align":"Center","imagegrid_horizontal_align":"Justified","rank":null,"location":null,"icon":"none","hide_from_menu":false,"parent_id":"5f286fac-816e-4459-91c3-e3622a733622","row_description_alignment":"Center","index_caption_enabled":false,"background_color":null,"parent":null,"cover_image":{"aspect_ratio":"893:689","asset_id":null,"cover_image":true,"description":{"ops":[{"insert":""}]},"duration":0,"filename":"855d6a29-a36f-4a46-b0fa-a2346844bff7.png","filesize":750281,"height":1378,"hidden":false,"id":"855d6a29-a36f-4a46-b0fa-a2346844bff7","inserted_at":"2022-04-14T10:47:19Z","name":"","orientation":"Landscape","original_filename":"Schermafbeelding 2022-04-14 om 12.png","playback_id":null,"poster_position":0.0,"private":false,"set_id":"8919f002-7718-4f11-8b04-c906c30fc977","site_id":"b836c7b5-2fd9-43be-a374-78f3a298f7af","src":"https://images.fotomat.io/prod/b836c7b5-2fd9-43be-a374-78f3a298f7af/855d6a29-a36f-4a46-b0fa-a2346844bff7.png","status":"ready","tag_ids":[],"tags":null,"type":"photo","updated_at":"2022-04-14T10:47:19Z","weight":3,"width":1786},"imagerid_viewer_enabled":true,"video_controls":false,"menu_id":"ae0b1c7a-f3bf-42f6-a944-8f74b5e16b3a","slideshow_show_caption_enabled":true,"video_loop":true,"description_alignment":"Left","content_text_size":"One","imagegrid_columns":"M","child_ids":null,"text_enabled":false},{"text_media":"None","menu":null,"imagegrid_ratio":"1:1","slideshow_show_image_title_enabled":true,"slideshow_ratio":"4:3","index_text_media_size":"M","viewer_caption_enabled":true,"stacked":false,"inserted_at":"2022-01-25T14:05:40Z","move":null,"invert_colors":false,"horizontal_viewer_enabled":false,"online":true,"menu_representation":"page","cover_media_fit":"contain","text_media_video_url":null,"horizontalscroll_gutters":"S","text_content1":{},"imagegrid_gutters":"S","path":"news/the-ideal-woman-hester-scheurwater","index_layout":"Grid","index_text_layout":"Center","slideshow_item_caption_enabled":false,"text_vertical_alignment":"Center","part_of_stacked_page":false,"horizontalscroll_size":"M","cta_url":null,"title":"The Ideal Woman Hester Scheurwater","description_content":{"ops":[{"insert":"Coming up next … THE IDEAL WOMAN (more info coming soon)\n\nWith a donation from the ‘makersloket’ of “Droom en Daad”, I have researched into how I can make a publication as a statement, a book as a performance, a book in motion. This hybrid book should be a short film, artwork, object and pamphlet at the same time. The result is a series of dummy book printed in limited edition: THE IDEAL WOMAN designed by Studio Renate Boere.\n\nThe title 'THE IDEAL WOMAN' refers to the book “De Volmaakte Vrouw’ by gynecologist Dr. Th. Van de Velde from 1933. It is a unique book with film strips, 480 film images in flip form show exercises for the female to promote 'mating'.The form of the book is unique, the title is remarkable and his ideas are not entirely up-to-date. He knew, for example, that women did not understand the art of 'influencing sexual events in a favorable sense through their own activity'. In his book \"The Perfect Woman,\" he prescribed gymnastics to \"improve the female's ability to participate properly in mating.\" For \" Woman, much to her detriment, suffers the sexual events passively, she does not understand the art of influencing the events in a favorable sense through her own activity.\" Van de Velde” saw women, as it was customary in his time, primarily as reproductive beings\n\nFrom the moment I saw this book, I knew I had to make an answer to his book. Not from the “passive” point of view as he saw it, but from the strength of the woman herself. The filmstrips and photos of this series of dummies “THE IDEAL WOMAN” are POWER POSES of the women who have participated in this project and I see it as a territorial act to reclaim space with their naked performances.\n\nTHE IDEAL WOMAN is looking for a PUBLISHER! \nSeries dummies THE IDEAL WOMAN\nHester Scheurwater\nDesign Studio Renate Boere\nBound by Boekbinderij Roest\n398 pages\nThanks to DROOM EN DAAD\n"}]},"cover_media_navigation":false,"cover_media_size":"L","horizontalscroll_caption_enabled":true,"layout_direction":"column","cta_overlay":false,"viewer_backstory_enabled":false,"logo_disabled":false,"slideshow_size":"M","type":"row","imagegrid_layout":"Cover","content_size":"Default","cta_page_id":null,"text_columns":"One","published":true,"link_page_url":null,"viewer_image_title_enabled":true,"index_grid_item_grow":false,"imagegrid_caption_enabled":false,"slideshow_show_count_enabled":true,"menu_disabled":false,"summary":{},"cta_label":null,"image_item_caption_enabled":false,"order_date":"2022-01-25T14:05:40Z","published_at":"2022-01-25T14:05:40Z","updated_at":"2025-03-21T11:59:12Z","hide_text_in_menu":false,"position":-2147459061,"subtype":null,"text_image_enabled":false,"cover_text_color":"#ffffff","image":null,"homepage":false,"text_content2":{},"horizontalscroll_layout":"Equalheight","meta_description":"The title 'THE IDEAL WOMAN' refers to the book “De Volmaakte Vrouw’ by gynecologist Dr. Th. 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