Los Angeles–based singer, songwriter, and producer Merce just released her highly anticipated single “In Time, On Time“.  Her new release is a cinematic musical embrace. Featuring Merce’s breathtakingly stunning vocals over lush instrumentation, the single blends neo-soul with alternative R&B, pop and electronic for a one-of-a-kind listen. She shares, “In Time, On Time is the first song me and my co-producer, Kush Oxford, worked on together.  The lyrics and melody came to me very quickly and we built the song from there.  For me, it’s a message of inspiration, encouragement and instruction on how to stay grounded in the present moment while moving forward in faith, hoping that I, that we, will arrive where we’re meant to be, in time, on time.”

Merce first emerged as a founding member of The Jazzyfatnastees, a group that helped shape the neo-soul movement of the late ’90s and early 2000s. She went on to collaborate with artists including The Roots, Stevie Wonder, and De La Soul, while performing on international stages such as the Montreux Jazz Festival and London’s Jazz Café.

Los Angeles–based singer, songwriter, and producer Merce creates music that moves fluidly across genre and emotion, blending alternative soul, pop, and electronic textures into immersive and cinematic songs that linger long after the music ends. With a voice that drifts between ethereal warmth and rich harmonic layering, her music invites listeners into a deeply personal yet sonically adventurous world, where curiosity and authenticity lead the way.

Raised in a musically rich home, Merce was immersed in rhythm, melody, and performance through her father, a Cuban salsa musician, singer, and composer who played bass and flute. Classically trained in piano, she developed a strong musical foundation while absorbing the eclectic sounds of the ’80s and ’90s, an influence that continues to shape her genre-fluid approach today. Her professional journey began at sixteen, when she joined the vocal group Shy!?, developed under the mentorship of acclaimed musician, producer, and educator Reggie Andrews who has collaborated with the likes of Rick James, The Pharcyde, Kamasi Washington, The Dazz band and more.

In 1992, Merce, performing under her given name, Mercedes Martinez, became a founding member of the quartet The Jazzyfatnastees. The group signed to Fathouse, an imprint of Tommy Boy Records, led by her brother, JSw!ft, producer of the seminal West Coast hip-hop album Bizarre Ride II the Pharcyde. The Jazzyfatnastees recorded an unreleased album at Fathouse before departing the label.

Positioned at the rich intersection of ’90s R&B and hip-hop, and at the genesis of what would become the neo-soul movement, The Jazzyfastnastees were invited to collaborate with The Roots and relocated to Philadelphia. Amid industry and personal transitions, the quartet ultimately evolved into a duo alongside Tracey Moore. They would become some of the most sought-after background vocalists of the late ’90s and early 2000s, collaborating with artists including Eric Benét, Meshell Ndegeocello, De La Soul, Stevie Wonder, and The Brand New Heavies.

Their debut album, The Once and Future, released on Motive Records (The Roots’ imprint on MCA), featured contributions from Questlove and producer Scott Storch. The Jazzyfatnastees released three albums to critical acclaim and performed internationally at renowned stages, including the Montreux and North Sea Jazz Festivals and London’s Jazz Café. In 1999, they were nominated for a Soul Train Lady of Soul Award and received press coverage from major publications such as Billboard, Time, Vibe, The Source, and USA Today. They also appeared on the soundtracks for The Hurricane and In Too Deep.

In addition to the success of The Jazzyfatnastees, the group, alongside their manager and producer Richard Nichols, co-founded the influential Black Lily, a women-centered live music series dedicated to artist development and creative community. Blending a house band, artist residencies, and a signature open-mic format, Black Lily became a vital platform for emerging and established artists alike.

Launched in 1999 at New York’s famed Wetlands, the series later found its home at The Five Spot in Philadelphia and also hosted events in San Francisco and Washington, D.C. What began as a grassroots movement quickly grew internationally, with Black Lily events in France and Japan. The platform later evolved into two Black Lily Film & Music Festivals, featuring artists such as Toshi Reagon, Amy Winehouse, Alice Smith, Jean Grae, Jill Scott, and Kindred the Family Soul.

Now, with her debut solo project ALIVE, Merce steps fully into her own artistic voice, marking a profound turning point both creatively and personally. Written after the loss of her partner in life and music, Richard Nichols, the album became a source of strength during a period of uncertainty while navigating life as a solo parent caring for their son with autism and developmental disabilities. ALIVE represents Merce’s journey through grief, resilience, self-discovery, and renewal.

Created with longtime collaborators Rick Friedrich (The Roots) and Kush Oxford (Estelle), ALIVE moves seamlessly between acoustic and electronic elements, grounded in her signature harmonies and emotionally resonant plainspoken lyricism. 

It is her most introspective work to date, as she takes full creative control as an independent artist, creator, and producer, shaping not only the sound, but also her visual and live performance experience through multimedia expression.

The leading single “My Guy” is a slow-burning atmospheric musical embrace. Merce confides, “My Guy is less about a guy I didn’t align with and more about reassuring myself that there’s no need to cry.  Who or what is meant for me will not pass me by.  The music is atmospheric and moody with a march-like quality that feels like the path I’m on, the twisting, winding road to my highest good.”

Second single “In Time, On Time” is a cinematic musical embrace. Featuring Merce’s breathtakingly stunning vocals over lush instrumentation, the track blends neo-soul with alternative R&B, pop and electronic for a one-of-a-kind listen. She shares, “In Time, On Time is the first song me and my co-producer, Kush Oxford, worked on together.  The lyrics and melody came to me very quickly and we built the song from there.  For me, it’s a message of inspiration, encouragement and instruction on how to stay grounded in the present moment while moving forward in faith, hoping that I, that we, will arrive where we’re meant to be, in time, on time.”

With ALIVE, Merce enters a new phase, one defined by clarity, authenticity, and creative freedom. It is the sound of an artist stepping fully into herself, embracing all the possibilities ahead.

Connect:

https://www.instagram.com/mercesingerwriter

A degree in Maritime Management Technology might seem an unexpected starting point for a recording artist and label founder. But for Onwuka Obinna Idika, known on stage as Obinna aka Bigo3, the road from the Federal University of Technology, Owerri (FUTO), to the stage reflects a willingness to chase a bigger vision.

Born in Aba and raised between Port Harcourt and Ahoada, he started out as a church instrumentalist. In 2022 he founded Obinna Records, launching with “Man Up,” featuring Oxlade and produced by Duktorset. The follow-up, “Mind,” paired production from Flobeat with co-production from Duktorset. Both tracks were mixed and mastered by STG, opening the first chapter of an independent journey.

The ambition reaches beyond releasing records. By using his own career as the blueprint, he is building the firsthand experience needed to develop the artists who will one day join the label’s roster.

That builder’s mindset carries into business. Obinna is Production & Operations Manager at Omega Furniture Global Resources, a bespoke furniture, interior décor and smart-home company with showrooms in Port Harcourt and Abuja, whose handcrafted Thinking Chair set now ships worldwide. He is also CEO of Oval Furniture NG, a fitted-kitchen and joinery brand.

Now, attention turns to *Abuja Fever*, his new EP, out today, 9 November 2026. The six-track project features Kcee on “Jollof,” Iyanya on “Holy Father” and Blaqjerzee on “Games,” alongside “Natural,” “For You” and “Shuperu.”

It arrives with real momentum. This year he shared the stage with Kcee at The Bragga in Enugu and appeared with Iyanya, Ycee and Zlatan at shows across Abuja. A Kcee repost and a Tunde Ednut feature carried his music to a much wider audience.

At the heart of it all is a purpose rooted in faith and possibility. Grateful to God for the journey so far, he hopes to show young Nigerians that their dreams are valid and worth pursuing.

His invitation is simple: “Go check me out. Make sure to check out my new music.”

Follow Obinna aka Bigo3 on Instagram: @bigvibeso3

With his signature “Audio Cinema” sound, Int’l Lee is transforming music into an immersive experience, taking listeners on a journey far beyond the ordinary.

For rising recording artist Int’l Lee (International Lee), music is more than something you hear—it’s somewhere you go.

Blending vivid storytelling, infectious hooks, and cinematic soundscapes, Int’l Lee has developed a distinctive creative approach he calls “Audio Cinema.” His vision is simple yet ambitious: create music that transports listeners to different places, captures unforgettable moments, and makes every song feel like a scene from a movie.

Now, the innovative artist is bringing that vision to life with his debut six-track EP, “ABSOLUTELEE,” released through NFT Music Group.

The project takes listeners on a musical road trip, beginning with “Fresno” and “California” before moving into “559 Ways,” featuring West Coast rap veteran Suga Free. The journey continues with “Weekend in Vegas,” featuring legendary rapper Suga T, before exploring the unique atmosphere of “Yamsterdam” and closing with “32nd of the Month.”

But what makes ABSOLUTELEE stand out is more than its collection of songs. Through carefully crafted cinematic transitions, environmental sounds, and immersive production, Int’l Lee connects each track into a larger musical experience. Every destination has its own personality, creating the feeling of traveling through different cities, stories, and moments without ever leaving your headphones.

Rooted in personal expression but driven by a global imagination, Int’l Lee is carving out his own creative lane in today’s music industry. Rather than simply releasing songs, he’s building a world listeners can step into.

With ABSOLUTELEE, Int’l Lee isn’t just asking audiences to listen to his music—he’s inviting them to experience the journey.

And if this debut project is any indication, the journey is just getting started.

Follow Int’l Lee on Instagram at https://www.instagram.com/nft_music_group

Marcia Arnsparger Santiagio, Klosetslayer CEO Makeup Artist: Anais Urena-Gonzalez

Marcia has entered a new chapter to the biography of Klosetslayer… a Latin infused fashion campaign jam packed with celebrity endorsements including Pretty Lou, Tony Sunshine, and Nu Jerzey Devil, to name a few.

DJ Pretty Lou

DJ Pretty Lou is a renowned radio personality for SiriusXM and HipHopNation. He is also a long-time affiliate of Terror Squad and The Heavy Hitter DJs. Pretty Lou has been a big inspiration and voice for NYC. As a cancer survivor, party MC, DJ, and radio personality, Pretty Lou was the perfect selection for a celebrity endorsement for Klosetslayer’s Latin Campaign!

Tony Sunshine, Singer/Songwriter

Tony Sunshine, a prominent singer from NYC, is also one of the celebrity endorsements of which Marcia has obtained! He is known for his presence & talent with Terror Squad; Fat Joe & Big Pun. Tony Sunshine has worked with Swizz Beatz, Lumidee, Chris Rivers, and more. He has continued to thrive in the music industry garnering status and a large fan base that has strives to support his music endeavors. As pictured above, Tony has been vocal and public about his support for Klosetslayer!

Nu Jerzey Devil, Producer, artist, DJ, actor

Nu Jerzey Devil is among many of the endorsements Marcia has acquired for Klosetslayer’s new campaign. He has worked with notorious hip hop artists such as Lil Wayne, Rick Ross, and Scott Storch. He has traveled globally and continues to make waves in the music industry with his craft.

Klosetslayer is a combination of culture, fashion, and influence, all of which opens the door for possibilities. Marcia always has her eyes on the future while making it a point to embrace her culture. Recently, she has added up and coming independent Latin artists to her fashion line to further enhance Klosetslayer’s audience, appeal, and support while simultaneously providing the same to these musicians.

Juno Lost Kause, Chicago Latin Artist

Juno Lost Kause, a Chicago Latin artist, has poured his life experiences into his music landing him several opportunities at an array of events, festivals, and music projects. Due to his rise to success, he sparks the attention of fans and businesses. Klosetslayer is proud to announce Juno Lost Kause as a component of the new campaign!

Kruziano, Music Artist

Kruziano is an artist from St. Croix who has become a renowned music figure for his ability to conjoin Dancehall and reggae with his Puerto Rican roots. He is the perfect addition to the Klosetslayer family as he defines his music with love, culture, and positivity.

ALGARIII, Chicago music artist

ALGARIII, a Chicago artist orginially from Puerto Rico, has recently been added to the lineup of artists who form Klosetslayer’s campaign! He headlines Chicago’s Puerto Rican Day Festival, and the Aurora Porchlight Arts Festival! ALGARIII is also active in local Chicago Advocacy.

Mel V Blaze, Latin Urban Artist

Mel V Blaze is among the variety of artists who have become a fashion figure for Klosetslayer! Mel V Blaze is well known for his ability to fuse hip hop, trap, and his native tongue together to provide his audience with a one-of-a-kind experience. He fits perfectly into Marcia’s vision for the campaign!

With celebrity endorsements, independent music artists entering the movement, billboards in Times Square, and a fierce presence during New York Fashion Week, Klosetslayer will undoubtedly enter a new level of affluence. Be sure to follow Klosetslayer and all its endorsers as they prepare for a campaign that has never been witnessed!

KLOSETSLAYER INSTAGRAM<——– CLICK HERE

KLOSETSLAYER WEBSITE<———CLICK HERE

Philadelphia is a smaller musical-market than people may assume, but the last decade has influenced a bubbling movement of young stars busting out of the city’s limits, and West Philadelphia native Surf7 is truly nothing short of a shining prime example from the new wave of notable voices. Breaking the ice immediately with his viral debut single “Goose Coat” earlier this year, his raspy, gritty, bold voice brings the essence of his lyricism and beat selection together into a distinctive listening experience. Listeners can witness this in Surf7’s debut album WHOVILLE, a 17-track collective highlighting the young Philly bubbling star and an overall introduction to the journey of Surf7.

Recently signed to 300 Ent, Surf7 is having a guaranteed breakout year all from taking a chance on himself with “Goose Coat.”
To further cement the organic audience he’s amassed all of 2026, in October, he headlined his sold-out show “A Night In WHOVILLE” at WorldStage in Philadelphia. Fans were in for a special treat, as special guests included Kur, Skrilla, Yxng K.A and Spazz Vet. With a promising road ahead of him, this was just one of many sold-out shows and stellar projects to come. New to Surf7? Check him out right here on HipHopSince1987.

An anomaly in the airwaves, Queens native Shawny Binladen has remained one of the most persistent figures in New York City’s hip-hop scene over the last decade. It would be difficult for music lovers to overlook his influence, particularly when considering his foundational role in popularizing New York’s sample drill movement. The sound he and renowned producer Cash Cobain cultivated in the town eventually seeped into the city’s broader hip-hop landscape and beyond, becoming a defining part of the era and further cementing Shawny’s place within it. Recently, he unleashed a new mixtape-style project, W.i.C.K (War Is Constant Kid), alongside legendary DJ Whoo Kid.

What makes Shawny particularly interesting is the distinct sonic identity he has maintained throughout his catalog. His raspy, whispery voice, beat selections, sample choices and overall production aesthetic carry a recognizable quality that separates his music from the broader sounds surrounding him. Even as similar production styles and drum patterns have found their way into the work of other artists, Shawny has maintained an approach that feels distinctly his own.

His more recent releases also suggest a subtle shift in direction. He’s exploring a sound that draws from his familiar elements while carving out a lane of his own, yet again. That balance between familiarity and experimentation becomes especially apparent across the project’s track-list. Records like “POP iT” ft. Four50 and “STiLL GOTTA G.R.i.N.C.H” deliver the familiar elements longtime listeners have come to associate with Shawny, while “I CANT LEAVE HER” and “PUT HER IN BOTTEGA VENETA” venture into territory that feels less confined to the traditional boundaries of what fans expect.

Between W.i.C.K, Wick the Wizard 2, and Last Grinch Standing, Shawny Binladen has delivered a compelling run of releases this year, continuing to expand upon a sound that remains distinctly his own. With winter approaching, it’ll be interesting to see what the Queens native has up his sleeve next — especially considering the Grinch has become just as much a part of his identity as the music itself, and Christmas is on the way.

North Philadelphia phenom KiFromJerome is back with his latest album Die2Myself — a 7-track collective that highlights the depths of hip-hop’s roots alongside its new intricate influences. But more importantly, Die2Myself is truly a body of work that tells the story of so many marginalized young black men in America. A creative jazz-influenced ensemble, with a mix of melody, poetry, skits, monologues and an overall scope of reality for the Philly gem — Die2Myself is a testimonial to surviving, and also homage to the overall lived experience of some African Americans. Speaking from the heart of hearts for brothers, friends, and peers growing up in the same streets, Die2Myself is more than just a listen but a world listeners can audibly walk into.  

To set the tone, in the beginning of track 2, “JUST A CLICHÉ” KiFromJerome says, “Echoes from the ghettos…where greatness lives and dies. It’s a boy down the street with an amazing story to tell, but he ain’t gon’ make it to tell you — ” which is just one sentence from a monologue I the beginning of the song. The depth of this statement is the easiest way to explain how KiFromJerome sets the scenery for a world widely spoken but only known to its born and sworn in beings. Carefully curated throughout the track list, he uses the real stories and ways of life the world would otherwise make seem like a entertaining spectacle. Other records like “Omertà”, “USUAL SUXPEK” and the album’s focus track, “FOLLOWED YOU HOME”, fully encompass the message of a young man trying to outsmart his given circumstances, and battling with survival he knows vs the tactics meant to save him in the long run. 

From his 2023 debut Thanks To Jerome St to three years later with Die2Myself, KiFromJerome has delivered a stellar body of work for listeners to appreciate and digest and newcomers to be introduced to. Might we add, if Die2Myself is your first introduction to KiFromJerome, welcome to a trippy ride with a very talented kid from Jerome St. 

Omaha, Nebraska has something to say, and Loso Tha Artist is making sure the world hears it! Known for his authentic storytelling, undeniable confidence, and ability to blend street-rooted hip-hop with soulful R&B influences, the Midwest recording artist returns with his brand-new four-track EP, “Mr Official,” delivering a grown, smooth, and seductive soundtrack that proves there’s more than one side to his artistry.

Leading the charge is “Only One,” featuring T.J. Saddler, a sexy, late-night offering made especially for the ladies. With its intimate energy, smooth chemistry, and undeniable grown-folks appeal, the record finds Loso trading the hard edges for something more personal. T.J. Saddler brings his own flavor to the collaboration, helping create the kind of record that belongs on those midnight playlists, during candlelit encounters, or cruising through the city with somebody special riding shotgun.

And Loso isn’t stopping at the music. Accompanying the lead offering is a stylish new visualizer shot by Woolrich Media, bringing the record’s sensual atmosphere to life through cinematic nightlife imagery, romantic undertones, and an upscale aesthetic. It’s a visual experience that complements the music’s mood while showcasing Loso’s growing attention to presentation and creative direction.

For those who’ve followed his journey, this latest release represents another chapter in an already diverse catalog. From emotionally charged records like “His Perception” to the unapologetic confidence displayed in “Flawless Victory,” Loso has continued to demonstrate his ability to move between introspection, street narratives, and relationship-driven music without sacrificing his identity. His previous collaboration with T.J. Saddler, “Keep In Touch,” also introduced listeners to their natural chemistry, making this latest reunion feel like a continuation of something special.

But don’t mistake this smoother direction for a permanent change of pace. While Mr Official caters to the lovers, the ladies, and those late-night vibes, Loso is simultaneously preparing another major statement with Chicago producer and recording artist Uncle JoNH III.

The two are gearing up for their highly anticipated collaborative album, “Before The Shine,” a project entirely produced by Uncle JoNH III that promises to explore the grind, sacrifice, personal growth, and real-life experiences behind the pursuit of success. With the soulful production signature of Uncle JoNH III meeting Loso’s raw perspective and Midwest authenticity, the upcoming album is shaping up to be another important chapter in his musical journey.

For now, though, it’s all about setting the mood. Four records, one confident artist, and a reminder that hip-hop can still make room for romance, sophistication, and a little after-hours magic.

“Mr Official” is OUT NOW on streaming platforms, while the lead offering “Only One” featuring T.J. Saddler and its Woolrich Media visualizer are available to experience now on YouTube. WATCH HERE: https://www.youtube.com/watch?v=6OHfBiH6I64

Omaha, stand up. Loso Tha Artist is making his presence official — and he’s only getting started!

Follow the movement:

Instagram: @loso_tha_artist

T.J. Saddler: @tjsaddlermusic

Uncle JoNH III: @uncle.jonh3

Stream “Mr Official” now. Watch “Only One” on YouTube. And stay tuned for “Before The Shine.”

Louisville, Kentucky — Rapper, entrepreneur, and filmmaker Jeremiah Wrong recently visited Simmons College of Kentucky in Louisville to show his support for the institution’s debate team during a competition against The Veritas Collective. His visit highlighted the importance of investing in historically Black colleges and universities (HBCUs), encouraging student leadership, and preparing the next generation to participate in public service and civic leadership.

Wrong believes that supporting HBCU debate teams is about more than debating ideas in a classroom. It is about helping develop the voices that could one day influence the direction of the nation.

“It’s possible for Black men and women to be the President of the United States now,” Wrong emphasized, pointing to the potential for future leaders to serve in the U.S. Senate, become mayors of their communities, and hold other positions of public leadership. He believes that opportunities to research, articulate arguments, and challenge important issues can help students prepare for those possibilities.

The debate centered on the question, “Should the federal government shut down the Department of Education?” The topic challenged students to examine the role of the federal government in education and consider the potential effects of such a decision on students, families, and communities.

Leading the Simmons College of Kentucky Debate Team is Dr. Ron D. Robinson, who has been building the program since 2023. Reflecting on the team’s development, Robinson stated that he had taken the debate team “from nothing” and worked to establish a foundation for its growth.

“I’m training the team to be voices of character,” Robinson said, describing his approach to preparing students not only to debate but also to develop the principles and discipline necessary to become thoughtful leaders.

Robinson also shared a powerful statement about the role of awareness in creating change: “The greatest revolution is the awakening of the conscious.”

For Robinson, debate serves as an opportunity to cultivate critical thinking, encourage students to examine complex issues, and help them develop the confidence to express their positions with purpose.

The competition against The Veritas Collective also served as preparation for the team’s future matchup with Fisk University. Simmons College of Kentucky’s upcoming debate schedule includes competitions involving Spelman College, Tennessee State University, Norfolk State University, and Livingstone College. The team is also preparing for a competition against the University of Louisville in the coming months.

Among the students participating in the program is Nikira Jones, a sophomore at Simmons College of Kentucky majoring in Early Childhood Education. As a member of the debate team, Jones recognizes the connection between the issues discussed in competition and the communities she hopes to serve through her studies.

Reflecting on the debate about the possible removal of the Department of Education, Jones explained that debating provides a foundation for examining real-world issues and challenging the policies that affect everyday life.

She noted that decisions concerning education could have significant consequences for children, childcare, and the broader community. Her perspective illustrates how debate can extend beyond competition, giving students an opportunity to connect academic discussion with their future professional responsibilities.

The visit from Jeremiah Wrong brought additional attention to the work taking place within Simmons College of Kentucky’s debate program. His support reflected a broader message about the importance of recognizing HBCUs as places where future leaders can develop their voices, sharpen their reasoning, and prepare to engage with the issues shaping society.

As the Simmons College of Kentucky Debate Team continues preparing for upcoming competitions, its work represents an investment in the next generation of thinkers, advocates, educators, and potential public officials.

For Wrong, Robinson, and the students involved, the mission extends beyond winning a debate. It is about building the confidence, character, and awareness necessary for students to participate meaningfully in the conversations that shape their communities and their country.

How a $350,000 opportunity, a frightening diagnosis, and an unexpected encounter with Scripture helped shape one artist’s journey into Christian hip-hop.

Before the name Holy Swerv, there was Baby Swerv.

Like many aspiring artists, Swerv had dreams of making it in the music industry. He was building relationships, recording music, and finding opportunities that many independent artists spend years chasing. His journey had already brought him collaborations with established industry artists and even a reported $350,000 deal that he ultimately turned down.

But at 18 years old, everything changed.

Swerv was diagnosed with a stomach tumor, an experience that forced him to confront questions about life, death, and what truly mattered. At the time, he didn’t consider himself a believer in God. However, the year before his diagnosis, his parents had given him a Bible for Christmas. It had been sitting in his room, largely untouched.

That Bible would soon become something much more important.

Faced with uncertainty about his health, Swerv began opening its pages. Despite struggling to understand the King James Version, he continued reading, sometimes waking up one to three hours earlier than usual just to spend time in Scripture.

He began praying and seeking answers.

Then came a moment he would never forget.

One night, while praying in the shower, Swerv made a heartfelt request to Jesus. He asked that if Jesus was truly real, as the Bible described, and could heal people, that He would heal him. In return, Swerv promised to surrender his life.

The following day, after attending an appointment, he received a phone call from his doctor. According to Swerv, he was told that the tumor had disappeared.

For him, that moment changed everything.

“I knew Jesus was real,” is the conviction that would ultimately become the foundation of his new direction.

However, his transformation wasn’t an overnight process. Swerv admits that he continued making secular music and struggled with his old lifestyle even after that experience. Over time, he says God began convicting him and showing him where his previous direction could lead.

Eventually, he made the decision to dedicate his musical gifts to glorifying Jesus Christ.

Baby Swerv became Holy Swerv.

Today, his music represents more than a change in genre. It reflects a personal decision to use his platform, experiences, and creativity for something greater than industry recognition.

His latest album, GO, released October 31, 2026, represents another chapter in that journey.

For Holy Swerv, the goal isn’t simply to make Christian rap. It’s to create music that reaches people who may be walking through the same struggles, searching for answers, or wondering whether their lives can take a different direction.

His story is a reminder that sometimes the biggest turning point in someone’s life comes when they finally decide to surrender.

The title track and fifth song on AggronympH’s 2015 album, *Shivers In My Veins*, takes the band’s electronic gothic metal sound into especially anguished territory. Moving between shimmering atmosphere and crushing intensity, it portrays the emotional unraveling of a relationship through dreamlike textures, grinding guitars, and powerful percussion.

The song opens with a delicate, glimmering passage that suggests calm, until rumbling beats begin to surface beneath it. A sense of trouble brewing slowly takes hold, and the arrangement builds in weight as distorted guitars grind against the drums’ steady pulse. Karu’vee Yang Shu’s high, gentle voice brings deep melancholy to the verses, lending the lyrics an intimate vulnerability even as the instrumentation grows more forceful. Later, rough, hoarse screams erupt with frustration and desperation, sharply contrasting with the softer vocal delivery.

The lyrics focus on the lasting wounds of a relationship that has broken down. Broken promises, bitter memories, and the painful realization of deception linger in the narrator’s mind, while the recurring image of shivers coursing through the veins conveys the experience’s profound impact on heart and mind. The closing lines take an especially bleak turn, as emotional numbness becomes nearly overwhelming.

“Shivers In My Veins” stands out for the way its musical shifts reflect this emotional collapse. A dramatic, emotionally charged centrepiece of the album, it unites AggronympH’s atmospheric sensibilities with the heavier edge of their gothic metal sound.

November 2026 — Independent recording artist Deangelo Breuer is preparing to release his upcoming EP, Why Not, on December 4, 2026, marking an exciting new chapter in his music career.

The upcoming project will feature previously released tracks, including his 2025 single “Phone on Mute” and 2026 single “Fun Shit,” alongside new, unreleased material.

While details surrounding the project are still being revealed, Breuer plans to announce the remaining tracklist later this month, giving fans a closer look at what they can expect from the upcoming release.

Why Not will showcase a combination of familiar favorites and fresh material as Breuer continues to expand his sound and explore new creative directions.

The EP also arrives ahead of a larger project planned for 2027, as Breuer continues working toward his next full-length studio album.

With the release just weeks away, Why Not marks another step in Breuer’s journey as an independent artist.

Deangelo Breuer’s Why Not arrives December 4, 2026, on major streaming platforms. The full tracklist will be revealed later this November.

Toronto-raised, Jamaican-heritage dancer and performer redefines urban stages across the United States with technical mastery fused with Caribbean energy.

Los Angeles, CA — November 5, 2026 — Professional dancer, choreographer, and educator CJ Jackson is making a decisive mark on hip-hop culture through his signature blend of all-style versatility and authentic dancehall. Born in Toronto to Jamaican parents from St. Andrew and St. Mary, Jackson has spent nearly 20 years refining a movement language that honors the roots of urban dance while expanding its global reach. His work as a performer across the United States continues to place Caribbean rhythm and creativity at the center of contemporary hip-hop stages.

All-Style Command Rooted in Jamaican Heritage

Jackson is an all-style dancer who also specializes in dancehall, a direct result of his Jamaican heritage. Growing up with parents who passed on an appreciation for Jamaican pop culture and the free-form traditions of dancehall, he absorbed the influence of pioneers such as Gerald “Bogle” Levy and Ice, alongside early hip-hop dancers. This foundation allows him to move fluidly between commercial, street, and Caribbean vocabularies. He has described dancehall as both traditional and free, noting that new-school styles emerge when old-school foundations meet modern technique—an approach he now applies on U.S. stages.

His performances around the United States have given him platforms to demonstrate this fusion in live settings, music videos, and artist collaborations. By treating hip-hop environments as spaces for cultural dialogue rather than simple execution, Jackson consistently brings the energy, creativity, and rhythmic precision of Caribbean dance into urban contexts.

Performances and Industry Recognition Across the United States

Jackson’s career includes lead dance and choreography roles that have already crossed into Caribbean charts, most notably his work on Megan Soo’s “Michigesso,” which reached No. 1 on Blacker Top 20 and aired widely across the region. He has also earned recognition through competitions and conventions including Street Dance Canada, Star Beat, On The Floor, Dance Starz, a spot at the Nuvo Dance Convention in Toronto, and a scholarship via the USA International Visa Program after competing in New York City. Commercial credits further underscore his versatility, including work with Samsung/SnapDragon, Western Union, and Aleve, as well as a Jim Beam National Talent Finalist appearance.

These milestones sit alongside his ongoing presence as a performer who has toured and performed across Canada and the United States. Known earlier in his career by the nickname “Mr. Worldwide” for his frequent travel and content creation, he has maintained a consistent commitment to live performance even as he has expanded into choreography and education.

Bridging Cultures on Hip-Hop Stages

“Dancehall and hip-hop have always spoken to each other,” Jackson says. “My job is to keep that conversation honest—respecting where the movement comes from while making it speak clearly to new audiences. Being an all-style dancer who also brings dancehall from my Jamaican heritage lets me contribute something specific to hip-hop culture without losing the roots.”

Through consistent performances around the United States and his commitment to Caribbean representation, Jackson is positioning himself as a bridge between heritage and the evolving landscape of hip-hop dance. His work underscores the continued influence of Caribbean creatives on urban culture and the value of technical training paired with cultural authenticity.

Connect with CJ Jackson

Instagram: @cjjxckson
TikTok: @cjjxckson
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About CJ Jackson

CJ Jackson is a professional dancer, choreographer, and dance educator with nearly 20 years of experience. Trained in commercial dance at George Brown College in Toronto, he has performed, competed, and taught across Canada, the United States, and Asia. Known for his all-style command and dancehall specialization rooted in Jamaican heritage, he continues to perform, choreograph, and educate while celebrating Caribbean culture on global stages.

In a flawless era of Greensboro, North Carolina hip hop history, two names remained at the top of nearly every event during the years of 2005-2012; Ed E. Ruger & Ty Bru.

Those names meant power, strength, arrogance, grit and grime mixed with one hell of a stage show and a deep, deep crew. Watching vintage footage of them performing ‘Ty Bru’s That Jerk’ from a whopping 18 years ago at Greene Street, you can tell that the power, talent and uniqueness that each of them possess is like a thunderstorm; the lightening never competing with the thunder, just giving each other room to fuck shit up.

They both had the audacity to do what others would or could not and that forever paved the way and laid the foundation for the Greensboro and Asheboro music scene. For those that are questioning it, there are plenty of receipts that Mightier Than The Sword Records have provided us with. Hundreds of flyers, with names like, Wiz Khalifia, Snoop Dogg, Big Sean, A$AP Rocky, Skrillex, Linkin Park, Justin Timberlake, Avril Lavigne, Wu-Tang Clan, and the list seems to never end. Ty Bru was even documented to perform over 250 shows in one of those years alone from the USA, Europe, Asia and South America.

In the middle of that run, Ruger & Bru took time from their solo ventures, to team up with their DJ, PHILLIE PHR3SH and engineer, super producer, Jon Jackson and bring a collaborative album entitled, ‘Brown Bag Special Vol. 1’ and the marketing behind it was a stroke of next level genius.

Bru recalls, “It was really the first time I could use my business degrees from Appalachian State to go all in with marketing. There was no streaming or digital, it was a fun time for sure. Ruger trusted me and I trusted him, shit we still do, but back then the vision was unmatched. The peak of it all was that I actually wrapped the CDs in brown bags and stamped them. I still haven’t ever seen anyone do anything quite like that before. The fans loved it, we sold out quickly, I was putting all the focus on the product and Ruger was putting all the focus on getting us shows to sell it at, it was a beautiful run.”

That was 2008. Nearly twenty years ago. The album went on to reach top ten lists around the state and nation and honestly seems to have given them the momentum that they remarkably still have to this day. But that’s not to say they both never thought about stepping away.

Ruger states, “20+ years of nonstop madness and the conversations we have still inspire and motivate me to keep going. I can name multiple times I wanted to quit doing music, shows or both and Ty personally talked me out of it, there is no finish line.”

Ty then shares the same sentiment, “I stepped away almost completely from the live performance aspect of music, a few years back and replaced it with filmmaking, I really lost the love for it, then just a few months ago, it dawned on me that I really hadn’t been out to one of Ruger’s events lately, just to support and show him I was still in his corner, and the man still is directing and organizing monthly shows. I was about to go to L.A. and I texted him like, hey man you feel like having a co-host tonight?? and he was like, bring your ass on man, let’s do it!! That night brought me back into the understanding that we really still had something special, and so did Greensboro.

After I got back from L.A. we were able to have a conversation in the green room at Hangar 1819 in Greensboro, after sound check at the sKitz Kraven show and we both admitted that we were kind of not into it like we once were, we hit the stage to a few hundred screaming fans and it gave us that adrenaline and validation again that this working relationship of ours needs to continue, so that’s when we decided it was time to release these new Brown Bag songs.”

On October 23, 2026, they released the song ‘I Do The Same Thing Pt. 2’ with label mate, Marshall Alexander and close friend, Joe Bizz and I can tell you it certainly brings back all the feelings of the original releases from 2008. I really wish I was there myself in the beginning, but being able to listen to the original a few weeks ago for the first time and then listening to this new single, I can’t really put a date on any of it, this is timeless music.

With this new release, from the deep pulse of DubKillers composition in the production to the catchy hook and familiar sounds of Ruger & Bru, to the massive weight both Joe Bizz and Marshall Alexander hold for the track, there is no weak links here, and yearns for the repeat button.  I am now a fan of both of those feature artists and hope to hear more from them all together.

My favorite bars from each in order of appearance;
Ty Bru: “Get all your people in a line, right. It still won’t add up to one year in my life. Come find me when life hits you with the hindsight”

Joe Bizz: “Small dude, but I move like a whale, all these fools telling shark tales. But I got em on the hook cause im sharp as hell. Call me a crook, cause I’ll take your sales, if you don’t do it yourself.”

Ed E. Ruger: “I do work, I do dirt, I get it shaking little homie, I move earth. Always the first to the scratch word to Kool Herc.”

Marshall Alexander: “Stacking my dough, pursue riches. Handle my foes and block bitches, call up your hoes to do my dishes. Then I meet up with Joe to do business.” (Sidenote, the cadance on that is unfuckwithable.)

What’s next you might ask? Bru helps us with that, “We don’t have a set date for anything, we are fathers and event directors first, we have dozens of songs in various stages of production, we are just making sure this is organic and flows with the balance of our lives. We want to have fun and enjoy each other’s company. Maturity is something we are fortunate enough to have grown into both together and as individuals, but we still want that Brown Bag sound to be something fierce, oftentimes violent and abrasive, so we really got to work hard to make sure we don’t let our fans down with what they expect and still stay true to ourselves both past, present and future.”

If you are in the Triad area of North Carolina, there are two upcoming events that you can support.

Thursday, November 19, 2026 from 6-10pm, Ty continues his film festival directing, with a standalone event, the SWORD ENCORE SERIES, at the historic Sunset Theatre, 234 Sunset Avenue, Asheboro, NC, which will headline the Sean Noroña feature film OUTERBOUND, with special screening of Ed E. Ruger’s ‘Back Off’ music video, Adventures In Theatre’s ‘A Sleepy Holler Halloween Special’ and an episode of Tremayne Goff’s ‘You Don’t Know Jack’ along with a few other titles, TBA, this is a free event.

On Saturday December 5, 2026 from 7-11pm Ed E. Ruger presents the next installment of THE SESSION at The Back Table, 816 South Elm Street, Suite 1-A, Greensboro, NC. THE SESSION is a concert series, which this one will have the long awaited return of another Greensboro Hip Hop titan, Barber-Q along with performances from T.I.M.E., Stitchy C, KoolAid SoSouth, Mr. Adams, Fam-U, M2M94, Snap Prone, Many Voices, CEO Nezzy, Cashmere, Richh Royalty & Yung Yankee. Presale tickets are $10 and at the door they are $15.

New Rochelle, New York hip hop artist The Outcastkid brings his melodic rap style to the dance floor with “Move That Cake,” available now on all digital streaming platforms. Released October 9, the single blends hip hop and trap with a clear purpose: to get listeners moving.

“Move That Cake” gains momentum from its opening beat, placing The Outcastkid’s flow at the center. A hypnotic melody threads through the production as his delivery moves across the instrumental. The contrast between the hard-hitting beat and his rhythmic phrasing gives the track immediate appeal, while a catchy hook reinforces its club-ready concept.

Created for parties and nightlife, the song highlights the playful side of his artistry. Its lyrics focus on dancing and celebrating the women who draw attention in the club. The Outcastkid brings melody and lyrical agility to the premise, keeping the emphasis on entertainment and connecting with listeners.

The release showcases an artist whose musical interests encompass both technical rap and accessible songwriting. Early inspiration from Joey Bada$$, Capital STEEZ, and Pro Era sparked his passion for lyricism and rebellion. Later, artists such as Childish Gambino, Mac Miller, Logic, and KYLE encouraged him to explore melodic expression, humor, and more laid-back subject matter.

These influences shape his broader artistic identity, while “Move That Cake” gives them a distinct setting. The track focuses on the collective release of a night out, channeling his interest in rhythmic writing into music designed to get people moving. It reveals a lighter side of his creative instincts while keeping his delivery at the heart of the experience.

ABOUT THE OUTCAST KID

The Outcastkid brings a playful energy and a lyricist’s ear to hip hop, blending melodic hooks, intricate flows, and humor. From New Rochelle, New York, he draws inspiration from backpack rap and trap, crafting music that combines technical ambition with the straightforward joy of letting loose.

His style is defined by contrast, pairing rapid-fire verses with approachable melodies. Witty lyrics and humorous ad-libs lend his delivery a conversational feel. Drawing inspiration from Logic’s fast-paced flows and KYLE’s playful sensibility, he gives equal weight to rhythm and character. The result is lyrical music designed to be enjoyed without requiring listeners to overanalyze it.

That outlook developed from an early appreciation of rap’s rebellious spirit. Joey Bada$$, Capital STEEZ, and Pro Era inspired him to write lyrics that questioned government and established authority. Later, discovering the melodic styles of Childish Gambino, Mac Miller, KYLE, and Logic broadened his creative vision, making room for lighter subjects, memorable songwriting, and music made for enjoyment.

His single “Move That Cake” highlights this dimension of his artistry. Blending his melodic sensibility with hip hop and trap, the track is built around an infectious hook and the excitement of a night out at the club. It embodies his goal of pairing lyrical expression with music that gets people dancing.

Drawing on these influences, The Outcastkid continues to develop a distinctive identity rooted in wordplay, melody, and personality, welcoming listeners into a world where rap craftsmanship and good times go hand in hand.

FOLLOW THE OUTCASTKID  – INSTAGRAM X YOUTUBE 

Respect in hip-hop is earned the hard way, especially when you are doing it independently. Last night in Oklahoma City, Oglala Lakota spitfire Stella Standingbear walked onto the Paycom Center court during halftime of the Thunder vs. Cavaliers game and showed exactly why it’s on GO Mode!! when she hit the big stage.

Standingbear didn’t get handed a slot at an NBA arena by luck. A student of lyricists like MF DOOM who knows how to weave sharp cadences over heavy trap drums and melodic hooks, she has been putting in real footwork for years. After tearing up the road across the US and Canada on her Off The Rez Tour and locking in a monster Houston-to-Indian-Country linkup with Paul Wall on “Mmhmm (Remix),” she pulled off a feat that caught the entire industry off guard. Without a major label budget pushing buttons behind the scenes, Standingbear cracked Billboard‘s Rhythmic Airplay Top 40 for nine straight weeks—peaking at No. 31, making history as the first Native American artist on the chart, and holding her own on the same spin sheets as Drake and Justin Bieber.

When the Thunder tapped her to headline halftime for Native American Heritage Month, she brought that same hunger to the hardwood. It marks her second NBA halftime takeover following her performance at the Phoenix Suns arena, alongside two Native American Music Awards sitting on her shelf.

“Every time I step into these spaces, I carry my people with me,” Standingbear said after shutting down the half. “I’m truly honored to have the support of Indian Country. They’re the ones who helped get me here. From the Phoenix Suns to the Native American Music Awards, Billboard, and now the Oklahoma City Thunder, these moments mean so much more than just my career. I hope young Indigenous kids can see themselves in these spaces and know that they belong there, too. We’re just getting started.”

From Salt Lake City to Pine Ridge to center court in OKC, Stella has put on for People in this historic moment.

You can listen to Stella Standingbear’s “Mmhmm” Remix featuring Paul Wall to hear the Billboard-charting single that helped propel her historic 2026 run.

       www.joyofthemomentphotography.com

A music career involves considerably more than just writing songs and somehow getting them in front of an audience. For independent artists, decisions about branding, promotion, networking, and long-term planning can be just as important as the creative work itself. Flowzy Flowz understands that balance from experience, having spent time pursuing business ventures outside music before turning his attention back to hip-hop.

That background has influenced how he approaches his career today. With his self-titled debut EP, Flowzy Flowz, out, the Texas-based rapper is working to establish a recognizable identity while building a foundation that can support his ambitions beyond a single project.

Instead of treating music as an isolated creative pursuit, he sees the opportunity to develop something that can grow over time. His entrepreneurial perspective has given him a greater appreciation for the planning and decision-making involved in maintaining an independent presence in an increasingly competitive industry.

Treating Music as a Business and a Creative Pursuit

Flowzy Flowz’s time away from recording gave him the opportunity to explore business interests and gain experience beyond the entertainment world. Although music remained an important part of his life, those ventures introduced him to a different side of building something from the ground up.

That experience now informs his decisions as an artist. He recognizes that releasing music is only one part of reaching listeners and developing a lasting audience. Marketing, audience engagement, relationship-building, and brand development all require attention if an independent artist hopes to expand their reach.

“My entrepreneurial mindset has taught me to think beyond releasing songs,” he says. “I see my music career as a brand that requires strategy, planning, relationship-building, and consistent development.”

The approach also reflects his belief that artists should take an active role in creating their own opportunities. Instead of relying entirely on outside recognition, Flowzy Flowz wants to understand the different elements that contribute to career development and remain involved in the decisions that shape his direction.

Establishing a Recognizable Identity in Hip-Hop

The name Flowzy Flowz is central to that effort. His self-titled debut EP introduces the identity he intends to build, giving listeners an opportunity to become familiar with his voice, delivery, and approach to songwriting.

His musical style draws from lyrical versatility, storytelling, street-inspired energy, and ambition. He also places considerable importance on having a recognizable rap voice, believing that an artist’s delivery should be distinctive enough for listeners to identify without needing to see who is performing.

His early experiences in underground hip-hop helped him develop that perspective. During his undergraduate years, performing at local venues alongside other artists gave him opportunities to strengthen his stage presence and connect with audiences. Those experiences reinforced the importance of originality and finding a personal approach rather than following what other artists were doing.

Texas has also played a role in shaping his outlook. The state’s hip-hop history, particularly Houston’s influence, has demonstrated the value of developing a sound and identity that listeners can associate with a particular artist. Flowzy Flowz respects that tradition while working toward a musical direction that reflects his own personality and experiences.

Building a Career With Long-Term Goals

The challenges of balancing music with other responsibilities have also influenced his understanding of career development. Flowzy Flowz recognizes that progress requires patience and discipline, particularly when an artist is responsible for managing multiple aspects of their professional life.

He wants to expand his audience, continue releasing music, perform for new listeners, and establish relationships with industry professionals and other creatives. Developing those connections is part of his broader goal of creating opportunities that extend beyond individual releases.

The debut EP provides a starting point for that work, but his ambitions reach further. He is interested in continuing to develop his sound while building a brand that can sustain growth and remain connected to the music that inspired him to pursue hip-hop in the first place.

For Flowzy Flowz, the entrepreneurial side of being an artist is not separate from the creative process. Both require commitment, direction, and a willingness to keep developing. As he moves forward with his debut project, he is approaching the next stage of his career with an understanding that building a name in music takes more than one release. It takes a consistent effort to create, connect, and turn opportunities into something lasting.

Check out Flowzy Flowz’s debut EP below:

https://open.spotify.com/album/5CH609uzCQIbQmzoVoL9Jf

Producer Stevieknocks continues to build his catalog with multiple records on Billyracxx’s Alien In My City, including collaborations featuring Denzel Curry, Maxo Kream, Killy, and an unreleased track featuring Duckwrth.

Producer Stevieknocks is expanding his footprint in hip-hop with multiple production credits on Billyracxx’s new album, Alien In My City. The project features an impressive lineup of artists, with Stevieknocks contributing to records that bring together distinct sounds and some of the genre’s most recognizable voices.

Among the highlighted tracks are “Uptight,” featuring Denzel Curry; “Slut Talk,” featuring Maxo Kream; and “Jump Off,” featuring Killy, co-signed by Drake. The project also includes an unreleased record featuring Duckwrth, further showcasing the range of collaborations connected to the album.

The placements reflect a long-standing creative partnership between Billyracxx and Stevieknocks, who have spent years developing music together. What began as a collaborative relationship has evolved into an extensive catalog, with the duo having worked on more than 20 records together. Their continued collaboration highlights a consistent creative process built on experimentation, trust, and a shared vision for the music.

Rather than being a one-off collaboration, Alien In My City represents the continued development of a partnership that has been years in the making. The volume of music the two have created together speaks to their commitment to refining their sound and building a body of work that extends beyond a single release.

For Stevieknocks, working across records featuring Denzel Curry, Maxo Kream, Killy, and Duckwrth demonstrates his ability to contribute to a project that brings together different styles and artistic perspectives. Each collaboration adds another dimension to the album, reinforcing the importance of producers in shaping the sound and direction of modern hip-hop.

As Billyracxx continues to develop his artistic vision, his ongoing partnership with Stevieknocks remains a central part of that process. With more than 20 records created together and additional music in their catalog, the two have established a creative foundation that continues to grow.

With Alien In My City, Stevieknocks adds another significant chapter to his production journey, contributing to a project that connects his years of work with Billyracxx to a wider audience through collaborations with established and distinctive artists across hip-hop.

The collaborative single “Waves” reaches the top of Germany’s iTunes R&B/Soul chart, marking a major international milestone for both independent artists.

Independent artists Kormanec and Ozzient are making an international impression with their collaborative single, “Waves,” which has officially reached #1 on the iTunes R&B/Soul chart in Germany. The track has also climbed to #10 on Germany’s iTunes All Genres chart, demonstrating its reach beyond its genre category.

For two independent artists bringing their individual musical backgrounds together, the achievement represents a significant milestone and another example of independent music finding audiences across international markets.

Kormanec, an independent artist based in Renovo, Pennsylvania, has spent 15 years developing his craft as a lyricist and instrumentalist. His musical direction spans hip-hop, alternative, phonk, and R&B, with a creative identity built around experimentation and a distinctive darker aesthetic.

His career has already seen several notable milestones, including a #3 iTunes Canada chart peak, more than 1,000 international radio airplays, and a feature in The Source. The success of “Waves” adds another international achievement to his growing catalog.

Joining Kormanec is Ozzient, an artist born and raised in Chicago, Illinois, in 1994. Coming from a musically talented Guatemalan family, Ozzient developed a passion for art and music at an early age. Naturally quick to learn musical techniques, he has developed an impressive range of abilities, including piano, drums, güira, tambora, and beatboxing.

That diverse musical foundation gives Ozzient a unique creative perspective, bringing together instrumental knowledge, rhythm, and artistic expression. His collaboration with Kormanec represents the coming together of two different musical journeys with a shared passion for creating.

The success of “Waves” in Germany is particularly noteworthy. Reaching the top of the country’s iTunes R&B/Soul chart while simultaneously securing a position among the top 10 across all genres highlights the growing international footprint of the collaboration.

For independent artists, reaching international chart positions is a meaningful accomplishment. For Kormanec and Ozzient, it is a moment worth celebrating and another step toward expanding their respective audiences.

https://linktr.ee/Kormanec

https://linktr.ee/Ozzient

Blending influences from hip-hop, R&B, neo-soul, jazz, and reggae, Trap Princess embraces versatility and authenticity through her music. Her releases include “Went Trap,” “No Caller ID,” and “Trap Flow.” Her latest single, “One Force,” marks another step in her evolving musical journey. With nearly 10,000 YouTube views and thousands of streams across digital platforms, she continues to build momentum, while her “Trap Flow” official music video gains traction with thousands of views on YouTube.

During the COVID-19 pandemic, she established her brand around TRAP — Take Responsibility And Prevail, a philosophy promoting accountability, perseverance, and overcoming adversity. Taking the next step in her career, Trap Princess signed a management and label partnership with N.F.U Entertainment (Never Falling Under Entertainment), alongside distribution and publishing partnerships with Perfect Distro.

More than a recording artist, Trap Princess represents a growing brand and movement built on faith, individuality, entrepreneurship, and purpose. Through her music and message, she continues to embrace growth, create opportunities, and build a legacy around one defining principle: Take Responsibility And Prevail.

Links :

https://www.instagram.com/trap_rincess?srtk=YTdxbnd1dHhpbjFx

https://m.youtube.com/channel/UC3Q39GICqmG89WJTejlPtYQ?ra=m

On November 1, The Misty TV Firm Corporation brought together D’USSÉ, Rocnation and ROC Solid Podcast for I D’USSÉ: The Final Note — The Met Gala of MicDrops, an invitation-only celebration created by Misty Blanco, The Blaquanese Rockstar, also known as La’Madrina of D’USSÉ Mafia.

Misty Blanco designed the event to spotlight D’USSÉ’s rebranding and explore what the brand represents to hustlers, entrepreneurs and people shaping culture through art and business. The night paired fashion, photography, conversation and live performances in a showcase of creative ambition.

A defining moment was Misty Blanco’s tribute to legendary impresario and fashionista Mr. John Blassingame. She presented him with an award she created, The Note of All Note Awards, featuring an enchanted rose that never dies. The rose carried a message about recognition and appreciation: “Everyone wants their same thing in life and that’s their flowers.”

Misty Blanco said she envisions the Melodic Bop Awards becoming something the culture embraces—a platform where people can be recognized and receive their flowers.

Mr. Blassingame invited models and designers to join The Misty TV Firm Corporation’s platform, showcase their work in the fashion show segment and witness his award recognition. Though Misty Blanco has created numerous shows, she said this production was unlike anything she had done before.

The program brought the full production to life, from a fashion show to a D’USSÉ powershoot photographed by Nikon Don and Christina Jones of Salt & Light Media Productions. Participants traveled from around the world to take part in the invitation-only event.

VIP guests and representatives connected to Marvel Comics, NAACP, Rocnation, Disney, UFO Rolls, Bowlson Investment Group, Roux Royale Beauty Bar, Salt & Light Media Productions and Gem Enterprises joined the celebration, among others. Chef D of Baddies was also in attendance. Misty Blanco interviewed Dr. Ramona Maurice of Roux Royale Beauty Bar, J Massiah, Kid Pat, Quisy, WHYTE Tony, Demi G and Fantastik.

The event also included a personal surprise for Misty Blanco: Mr. Blassingame gifted her a jacket by Black Bob, customized with The Misty TV Firm Corporation logo across the back. UFO Rolls supported the celebration by sponsoring gift bags for guests.

The night arrived amid a major year for Rocnation founder JAY-Z, whose JAŸ-Z 30 performances drew strong demand. Rocnation announced additional stadium dates after three sold-out Yankee Stadium shows. (morningstar.com⁠) For Misty Blanco, I D’USSÉ: The Final Note added a new creative moment to the D’USSÉ and Rocnation story, bringing brand, culture and live performance together.

The event’s brand roster was presented as representing a room valued at $198 billion, underscoring the scale of the companies and organizations connected to the night. It marked the first annual I D’USSÉ: The Final Note — The Met Gala of MicDrops and added to The Misty TV Firm Corporation’s growing slate of productions, including Music Saved My Life, Interviews With A GOAT and Put A Hit On You.

For more inquires for I D’USSÉ The Final Note Met Gala of MicDrops please contact The Misty TV Firm Corporation via email: bookings@themistytvfirm.com

And website www.themistytvfirm.com

The Misty TV Firm Corporation Instagram IG: @themistytv

Misty Blanco Instagram IG: @mysterious_mistyblanco

I D’USSÉ The Final Note of MicDrops Instagram IG: @idusse_thefinal_note 

Puzo Instagram IG: @puzo21

YSTG continues his mic drop performance tour with “MTV”. This time, the gritty Chicago Emcee takes his talent to the popular 4×4 Ther4py Session & Interview platform based out of New York City. After delivering a hard hitting performance for viewers, “Spade” as industry circles refer to him as, then sits with host 4x4ShotThat for an exclusive interview on his upbringing which is sure to leave readers and fans stunned! “Moment to Vent” is more than just a song, it’s a heartfelt reflection on pain, perseverance, and staying true to yourself despite life’s obstacles. The interview just puts YSTG’s story in an even more impactful perspective.

For more info on spade orb this platform, follow the Brands below.

@hippie_ystg & @4x4shotthat

“MTV” Live On 4x4ShotThat Ther4py Session

Spade discusses losing father to the hands of his step mother!

The Cashforcasino-produced track appears on Lusta’s Too Heavy project, with whoisces behind the lens.

Detroit’s own Smoke Lusta is outside and making it happen. With the release of his latest visual, “It’s a Lock,” the rapper brings fresh attention to a record from his Too Heavy project while putting his confidence front and center.

Produced by Cashforcasino and shot by whoisces, “It’s a Lock” comes with a clear message: Lusta is committed to his moves. The title reads like a personal guarantee, matching the mentality of an artist determined to make his presence felt on every level.

The visual’s clean studio aesthetic gives that personality space to shine. Against a white backdrop, Lusta commands the foreground in light denim, a white tee, shades, and a colorful knit cap. Tilted framing adds an off-center edge, while a dancer brings movement to the scene. The setup keeps the focus on Lusta’s expressions, style, and comfort in front of the camera.

That ease is part of the appeal. Arms folded in one frame and hands tucked into his pockets in another, Lusta looks at home in the spotlight. The imagery has a loose, playful quality, giving the release a sense of character without crowding the screen.

As a selection from Too Heavy, “It’s a Lock” gives listeners another entry point into the project. For those already familiar with the release, the video brings a fresh visual identity to the record. For newcomers, it’s an invitation to get acquainted with the Detroit artist and explore the full body of work.

Lusta’s message throughout this push is straightforward: he’s showing up and putting action behind his ambition. With Cashforcasino handling production and whoisces capturing the visual, “It’s a Lock” adds another piece to that effort.

Watch “It’s a Lock,” out here: https://www.youtube.com/watch?v=Wt4-BJxurz8&list=PLVSo-hvtIrG0&index=18 , and check out the Too Heavy project, and follow Smoke Lusta on Instagram @SmokeLusta26.

“100 Black Men, Give $100” campaign aims to raise $10,000 for a film centering Black men’s stories, vulnerability, and healing

In recognition of International Men’s Day on November 19, the producers of The Fade Project are calling on communities to support a fundraiser for the upcoming documentary exploring Black men’s mental health.

The fundraiser is part of “100 Black Men, Give $100,” a community campaign with a goal of raising $10,000 for the film’s production and post-production. The initiative invites 100 Black men to contribute $100 each, while welcoming support from anyone who believes in the importance of the project. Contributions of any amount are welcome.

International Men’s Day highlights positive role models and men’s well-being. Throughout November, men’s health campaigns also encourage open conversations, regular check-ins, and reaching out for support. The Fade Project brings those themes into a culturally familiar space: the Black barbershop.

Co-produced by public health leader and community advocate Duante’ Brown and filmmaker Bernard Love, the documentary follows four Black men’s personal journeys alongside perspectives from mental health professionals and cultural experts. It explores how expectations around masculinity, identity, and strength can shape emotional well-being—and how connection can help make room for healing.

“For generations, Black men have been conditioned to be strong, to push through adversity, and to carry the weight of expectations without always having the space to acknowledge what we’re experiencing emotionally,” said Brown, co-producer of The Fade Project and founder and CEO of The Heir Agency LLC. “We want this documentary to challenge that narrative. Black men deserve the freedom to be vulnerable, to seek support, and to be seen as fully human.”

For Love, the barbershop is a powerful place to begin that conversation.

“For generations, the barbershop has been a place where Black men come together to laugh, debate, share experiences, and build community,” Love said. “But beneath those everyday conversations are real stories about the pressures we face, the emotions we carry, and the things we don’t always know how to express.”

The fundraiser recognizes that conversations about men’s mental health can start with simple actions:

checking in with a friend or family member, listening without judgment, and understanding that asking for help is a sign of strength. The film aims to encourage those conversations across generations and communities while showing that there is no single Black male experience.

“Regardless of sexuality, religion, identity, background, or lived experience, every Black man deserves to be seen, heard, understood, and supported,” Brown said.

Funds raised will help cover filming, interviews, production crews, equipment, editing, sound design, and other finishing needs. The producers also hope to bring the completed film to communities through screenings and facilitated discussions.

“This campaign is about more than raising $10,000. It’s about ownership, community investment, and recognizing the importance of telling our own stories,” Brown said. “Whether someone gives $10, $100, or $1,000, they’re contributing to a project that we hope will spark conversations in families, communities, and spaces where Black men may not have always felt comfortable discussing their mental health.”

Supporters may also donate in honor or memory of a Black man who has made a difference in their lives by including a dedication with their contribution.

To support the “100 Black Men, Give $100” campaign, visit https://givebutter.com/100BlackMen. Learn more about The Fade Project at https://www.TheFadeProjectFilm.com.

About The Fade Project

The Fade Project is a feature-length documentary exploring Black men’s mental health through the culturally significant institution of the Black barbershop. Through personal journeys, expert perspectives, and an examination of cultural identity and societal expectations, the film seeks to challenge stigma, encourage vulnerability, and inspire conversations about resilience, connection, and healing.

Media Contact:​

Duante’ Brown, Co-Producer​The Heir Agency LLC​Info@TheHeirAgency.com​202-534-9783​

www.TheFadeProjectFilm.com