Author, rapper, and entrepreneur SKG (Helecia Choyce)announces the release of her compelling new memoir, The Monster Within, now available through Barnes & Noble and Amazon. Some stories are too terrifying to imagine. This one is true.

In The Monster Within, SKG shares the deeply personal account of surviving kidnapping, brutal abuse while pregnant, and alleged extortion involving a powerful Los Angeles music executive. Refusing to remain silent, she chose to confront the events that changed her life and to tell her story in her own words.

More than a memoir, The Monster Within is a powerful account of perseverance, resilience, and the determination to overcome extraordinary hardship. Through her candid storytelling, SKG offers readers an intimate look at the emotional, physical, and psychological challenges she faced while finding the strength to rebuild her life.

“This book represents truth, survival, and the courage to speak even when the odds are against you,” said SKG. “I hope readers who have experienced trauma, abuse, or adversity will know they are not alone and that healing is possible.”

Known for her music career and unwavering advocacy, SKG has built a reputation for using her voice to inspire others. The Monster Within is available now in print and digital editions through Barnes & Noble and Amazon.

For media inquiries, interview requests, speaking engagements, or review copies, please contact:

SKG Team
Email: Press@Helecia.com
Website: RapperSKG.com

Social Media: @Rapper_SKG

About SKG

SKG (Helecia Choyce) is an author, rapper, entrepreneur, and advocate whose work is rooted in truth, perseverance, and empowerment. Through music, writing, and public speaking, she encourages others to overcome adversity and transform pain into purpose. The Monster Withinis her most personal work to date, offering readers an unflinching account of survival and the courage to reclaim one’s voice.

“BMR(B*tch Made Rappers)” by Ghetto Ghost. Benzino & His Crew BMR, Diss record Produced By: Rich E Rich. Video Shot By: @shotbyrayzr

Ghetto Ghost New Single “Love Nobody”. Ghost spills out his feelings on trust and being real. New Video Out on all Platforms. Produced By: Rich E Rich. Video Shot By: @shotbyrayzr

The Chicago native is turning his life experiences into music while building an independent entertainment empire through T.N.H. Records.

Coming out of Chicago’s legendary O’Block neighborhood, rising Hip-Hop and R&B artist Dinero Montaro is making his introduction to the music industry on his own terms. With a sound he calls TRAP N B, an independent record label, and an entrepreneurial mindset, Montaro is determined to build something that extends far beyond music.

Raised in Parkway Gardens, the Chicago housing community widely known as O’Block, Montaro experienced firsthand the challenges of growing up in an environment where violence was an everyday reality. In June 2006, he made the decision to leave Chicago in pursuit of a different future, eventually relocating to Arizona.

Although his surroundings changed, the experiences that shaped him remained a major influence on his creativity.

Interestingly, Montaro’s artistic journey didn’t begin with music. As a child, he loved drawing, using his imagination to express himself long before he began writing songs. His appreciation for Hip-Hop, R&B, gospel, and other musical genres eventually inspired him to explore recording his own material.

What makes his journey even more interesting is that he only began pursuing music professionally less than a year ago.

Rather than waiting for a producer to recognize his potential, Montaro decided to take matters into his own hands. When he struggled to find people willing to produce his beats and bring his songs to life, he taught himself how to create the music he envisioned.

Today, he writes his own material, develops his musical concepts, and produces his records, maintaining creative control over his sound.

Introducing TRAP N B

Montaro describes his signature sound as TRAP N B, a combination of hard-hitting Hip-Hop production, smooth R&B melodies, street-inspired storytelling, and contemporary swagger.

His debut album, TRAP N B, introduces listeners to the different sides of his personality and musical versatility.

On his record “FamDem,” Montaro explores the meaning of loyalty and family, challenging the belief that blood relationships automatically determine who will stand beside you during difficult times.

Meanwhile, “7 Days” takes listeners in another direction, showcasing his confident, playful personality through the adventures of an international ladies’ man.

The contrast between the two records reflects Montaro’s desire to create music that speaks to different moods, experiences, and audiences without limiting himself to one particular sound.

Building T.N.H. Records

For Montaro, becoming a successful recording artist is only one part of his overall vision.

Through his independent company, T.N.H. Records (Top Notch Hustlers), he is laying the groundwork for a business built around ownership, creative independence, and long-term financial opportunities.

Inspired by the entrepreneurial accomplishments of Master P, Nipsey Hussle, Young Dolph, and Kanye West, Montaro understands the importance of controlling his music and developing multiple streams of income.

His ambitions include releasing additional albums, developing new artists, expanding into fashion, launching a television platform, and creating a direct-to-consumer entertainment business.

Rather than focusing exclusively on chart positions or industry recognition, Montaro wants to establish a company that gives him control over both his creativity and his future.

A Different Kind of Hustle

When asked what animal best represents his personality, Montero identifies with the honey badger, an animal known for its fearless attitude and determination.

It’s a fitting comparison for an artist who has refused to allow his upbringing, limited resources, or lack of industry connections to prevent him from pursuing his goals.

His story is also a reminder that there is no expiration date on following your passion. While some artists spend their entire lives preparing for a music career, Montaro is demonstrating what can happen when ambition meets the willingness to learn.

With his debut project TRAP N B and the development of T.N.H. Records, Dinero Montaro is positioning himself as an independent artist and entrepreneur with a clear vision for his future.

From Chicago’s O’Block to building his own entertainment company, Dinero Montaro isn’t waiting for the music industry to give him an opportunity. He’s creating his own.

And for this rising artist, the journey is only beginning.

Follow Dinero Montaro and stay tuned for new music from TRAP N B and T.N.H. Records.

SAN JUAN, PUERTO RICO – Riconoflow has finally released his debut EP, Disruptive Beauty, on Friday, September 18, 2026. The seven-track project introduces a genre-fluid artist unafraid to move between hip-hop, trap, house, and Brazilian-inspired rhythms while exploring the many sides of love, identity, confidence, desire, ambition, and self-discovery.

Built around what Riconoflow describes as “trap com house, feel good music with flavor,” Disruptive Beauty reflects an artistic identity shaped by Brazilian roots and American influences. Every track incorporates both Portuguese and English, creating a bilingual sound that mirrors Riconoflow’s experience navigating multiple cultures without feeling the need to fit neatly into any one category.

Listen Here

Rather than staying within a single sonic lane, Disruptive Beauty intentionally evolves from track to track. The EP opens with “1 on 1” bringing flirtation and bravado while “Lights On” turns up the sensual, Brazilian-inspired house energy. “Luv Luv Luv” steps into a beautiful bilingual romance and “Essential” follows centering on self-worth and recognizing your own value. The post-breakup statement of empowerment is found in, “U Ain’t the Only One.” Riconoflow follows that bold statement by sharing his origins, solitude, ambition, and the experience of being alone inside your own thoughts with his introspective inward look on “Hills”. Closing the project, the expansive five-plus-minute house track “Dreamin” leaves listeners with a sense of freedom, possibility, and forward motion.

Disruptive Beauty tracklist

Released as a waterfall project, Disruptive Beauty gradually reveals different dimensions of Riconoflow’s personality and sound. The result is a project that can move from hard-hitting trap and hip-hop to garage-inspired grooves, house music, and baile funk-influenced rhythms while maintaining a consistent identity.

Sonically, Riconoflow’s approach draws connections between the rhythmic energy of Drake, the house-meets-hip-hop sensibilities of Kaytranada, the Brazilian influence of Pedro Sampaio, and the genre-fluidity of Anderson .Paak, while ultimately carving out a distinctly personal Brazilian-American perspective. The EP is equally suited for headphones, the car, a late-night party, or the dance floor.

“Disruptive Beauty is really a snapshot of who I am. I didn’t want to make seven songs that all sounded the same. I wanted the project to show the different sides of me, from heartbreak and falling in love to confidence, desire, solitude, and ambition. I think we all go through these moments or emotions.” – RICONOFLOW.

At its core, Disruptive Beauty is about rejecting the idea that people have to be one-dimensional. Its themes move through heartbreak and falling in love, attraction and desire, independence and ambition, solitude and confidence. Ultimately arriving at a celebration of embracing every version of yourself.

With this EP Riconoflow establishes himself as an artist interested not in fitting into an existing genre, but in creating his own lane. Across seven bilingual tracks, the EP turns cultural duality, personal evolution, relationships, and self-worth into a vibrant and constantly shifting musical experience.

“The beauty in Disruptive Beauty is that you don’t have to choose one version of yourself. You can be vulnerable, confident, romantic, aggressive, sensual, Brazilian, American, all of it can exist at the same time. We are multi-faceted beings, are we not?”– RICONOFLOW.

About Riconoflow:

Riconoflow doesn’t fit the genre box the algorithm keeps trying to put him in, so he built his own: trap com house. House beats underneath, hip-hop and trap flow on top, feel-good substance with Brazilian flavor, warm, romantic, modern music.

Born Ricardo Vieira in Belo Horizonte, Brazil, and raised between Miami, Irvine, and now San Juan, Puerto Rico, he writes what he actually knows: songs about being in love, falling into it, and falling out of it. The optimism running through his catalog isn’t the absence of hard things, it’s what he chooses to do with them. The point, as he’ll tell you, is for you to walk away lighter than you came.

That good feeling is real, and it’s earned. Riconoflow doesn’t drink, surfs, holds a jiu-jitsu black belt, trains six days a week, and is a husband and father. He’s out to prove something simple: you can make art and still live a healthy and happy life. The proof is stacking up. His music has landed editorial support on Apple Music and a Deezer playlist cover, he’s an approved Symphonic partner, his catalog has garnered nearly half a million streams, and outlets from Tinnitist and Hip-Hop Dose to Earmilk have taken notice. With his debut EP rolling out now, Riconoflow is building the kind of career that compounds, consistent, durable, flowing over time. Because, as the name says, he’s big in flow.

Connect with Riconoflow:

YouTube: https://www.youtube.com/riconoflow

Instagram:https://www.instagram.com/riconoflow

Spotify: https://open.spotify.com/artist/4m4MscUJ91TKgdNy6sbYwz

The Los Angeles-based singer, songwriter, and actress blends R&B, pop, and dancehall influences on her latest release, arriving October 16 through Clarendon Records.

LOS ANGELES, CA — October 12, 2026 — Los Angeles-based singer, songwriter, and actress Jazmin Akea is preparing to release her new single, “Hot Gyal,” on Friday, October 16, 2026. Produced by dancehall artist and Clarendon Records CEO E-Dee (Everton E-Dee Dennis), the track will serve as the lead single from her upcoming EP on the independent label.

Combining melodic vocals with confident delivery and an energetic rhythmic foundation, “Hot Gyal” reflects Jazmin’s evolving sound and her ability to draw from multiple musical influences. Blending elements of R&B and pop with the vibrant energy of dancehall, the single introduces the next phase of her musical journey while building on her growing relationship with Clarendon Records.

A Fresh Sound Rooted in R&B, Pop, and Dancehall

With “Hot Gyal,” Jazmin Akea brings together the smooth melodies associated with contemporary R&B, the accessibility of pop, and the bold rhythms of dancehall. The result reflects her interest in exploring different genres while developing an artistic identity of her own.

The release follows her featured appearance on E-Dee’s “Pretty Free,” a track from his album Young Legend, which is currently under Grammy consideration. Their continued collaboration highlights a creative partnership that connects Jazmin’s melodic approach with Clarendon Records’ dancehall and reggae influences.

As the lead single from her upcoming EP, “Hot Gyal” offers listeners an introduction to the music she is developing for her next project.

Building a Career Across Music and Entertainment

Jazmin Akea began her musical journey as a member of Flirt, a girl group based in Memphis, Tennessee. She later decided to pursue entertainment professionally, developing her career as a solo artist while expanding her creative work into acting.

Inspired by artists such as Aaliyah and Rihanna, Jazmin draws from a range of musical influences while working to establish her own distinctive sound. Her performances have included presentations of original music for Universal Music Group and appearances at various venues throughout Los Angeles.

She has also broadened her industry experience through professional development opportunities and collaborations. Jazmin recorded a musical demo for a Broadway production with Dan Foliart, a composer and member of the ASCAP Board of Directors. Additionally, she has presented her singles through BMI’s “Show and Tell” workshops in Los Angeles and participated in music-industry networking events during Grammy Week.

These experiences reflect her continued engagement with the entertainment industry and her efforts to develop opportunities across different areas of performance.

Expanding Her Presence on Screen

Beyond music, Jazmin has pursued opportunities in film and television, adding another dimension to her entertainment career. Her experience includes work on the set of G-Eazy’s “Bang,” featuring Tyga, as well as appearances on national television programs such as The Late Show, Let’s Make a Deal, and Funny You Should Ask.

Her film credits include He’s for the Streets, We Outside, and All That Glistens. Through these projects, Jazmin has continued to explore performance opportunities beyond the recording studio, building experience across music, television, and film.

Her work across multiple entertainment formats reflects a broader creative ambition, allowing her to pursue music while developing her screen presence.

“Hot Gyal” Signals the Next Chapter

The upcoming release marks another step in Jazmin Akea’s ongoing collaboration with E-Dee and Clarendon Records. With its combination of R&B, pop, and dancehall influences, “Hot Gyal” introduces the lead single from a forthcoming EP and continues her efforts to expand her musical catalog.

Produced by E-Dee, the track is scheduled to arrive on all major streaming platforms on October 16, 2026.

As Jazmin continues to develop her sound and explore opportunities across music and screen, “Hot Gyal” represents the latest addition to a career shaped by versatility, collaboration, and a commitment to creative growth.

Listen to “Hot Gyal” beginning October 16, 2026, on major streaming platforms.

Follow Jazmin Akea: Instagram — @jazminakea

Follow Clarendon Records: Instagram — @clarendonrecords

Learn more: www.clarendonrecords.com

About Jazmin Akea

Jazmin Akea is a Los Angeles-based singer, songwriter, and actress whose creative work spans R&B, pop, and dancehall-influenced music, as well as film and television. Having developed experience in both recording and screen performance, she continues to build her catalog through Clarendon Records while pursuing new opportunities across the entertainment industry.

About Clarendon Records

Clarendon Records is an independent record label founded by dancehall artist and producer E-Dee (Everton E-Dee Dennis). The label focuses on dancehall, reggae, and cross-genre releases that connect Jamaican musical roots with contemporary global sounds. Its projects include E-Dee’s album Young Legend and collaborations with artists exploring diverse musical styles.

Rising Alabama rapper brings hometown pride, raw street energy, and an unapologetic sound to the forefront as he prepares to release the official music video for “Tha City.”

Every city has a story, but not every city has an artist determined to make the world hear it. Rising Alabama rapper Gwapboy Dreadz is stepping up to represent Jasper, Alabama, with his street anthem “Tha City,” a record fueled by hometown loyalty, authentic street energy, and the ambition to put his city on the hip-hop map.

Coming from a city that doesn’t always receive the spotlight in mainstream hip-hop, Gwapboy Dreadz is determined to change that narrative. With a gritty delivery, undeniable confidence, and a sound influenced by his surroundings, the emerging rapper is making it clear that Jasper has talent worth paying attention to.

“Tha City” is more than just another street record — it’s a statement of identity, loyalty, and hometown pride. The song captures the mentality of an artist who refuses to forget where he comes from, regardless of how far his music takes him. For Gwapboy Dreadz, representing Jasper isn’t simply part of his image; it’s the foundation of his movement.

As Alabama’s hip-hop scene continues to produce artists making noise beyond state lines, Gwapboy Dreadz is looking to carve out his own lane. Rather than following trends, he’s embracing the authenticity of his background and using his music to shine a light on a city that deserves recognition.

Now, with the official music video for “Tha City” on the way, Gwapboy Dreadz is preparing to take the record’s energy to another level. The highly anticipated visual will serve as another step in introducing his music, identity, and hometown pride to a wider audience.

For listeners who appreciate raw Southern rap, street authenticity, and artists who stand firmly behind where they’re from, Gwapboy Dreadz is an emerging name to keep on the radar.

Ratchet Lo & PBE Pluto Bring Viral Twerk Anthems to Mobile, Alabama on November 28th Club Elevate.

Two artists making noise independently with two of the summer’s most talked-about turn up anthems are set to connect in Mobile, Alabama, on November 28. Ratchet Lo, known for the blazing new record “Hut,” and PBE Pluto, behind the viral track “From Da Back,” are scheduled to bring their music together for a show at Club Elevate.

Both artists have been building momentum through their own music and independent movements, showing how records can gain traction and connect with audiences beyond traditional major-label pathways.

Ratchet Lo’s momentum received another boost after Big Boogie brought him along on his latest birthday tour, giving him another opportunity to reach audiences on the road. Now, his upcoming link-up with PBE Pluto puts two independently driven artists on the same bill for a night centered on the music that has been making waves.

For PBE Pluto, the event adds another chapter to his independent run, as “From Da Back” continues to serve as a key record in his growing movement. Pairing that track with Ratchet Lo’s “Hut” makes the November 28 show a potential highlight for fans throughout the South.

EVENT DETAILS

• Artists: Ratchet Lo & PBE Pluto
• Date: November 28
• Venue: Club Elevate
• Location: Mobile, Alabama
• Featured Records: “Hut” & “From Da Back”

As independent artists continue finding new ways to build audiences, this Mobile link-up puts the spotlight on two records and two movements that have been generating attention on their own.

F2 Music Group Expands Its International Reach With the Addition of UK Folk Hip-Hop Artist Tom Prowse

F2 Music Group is proud to announce the addition of Tom Prowse, a 33-year-old folk hip-hop artist from Bristol, United Kingdom, who brings a distinctive blend of live musicianship, rock influences, grime, and UK hip-hop to the label’s growing roster. With a sound that bridges traditional instrumentation and modern hip-hop production, Tom Prowse is carving out his own lane in a genre that continues to evolve. At the heart of his musical identity is his background as a guitarist, which allows him to approach hip-hop from a different perspective than many contemporary artists.

Incorporating guitar, loop pedals, keyboards, and beat pads into his creative process, Tom builds layered musical arrangements that combine the energy of live performance with the rhythm and production of hip-hop. His folk-inspired approach, combined with the edge of rock, grime, and UK rap, gives his music the potential to connect with listeners across multiple audiences.

A New Chapter: Tom Prowse’s Debut Album: The agreement between Tom Prowse and F2 Music Group is specifically centered on the development and release of his debut album (Untitled) under the label. This project marks an important step in introducing Tom’s sound to a wider audience and establishing a foundation for his next chapter as a recording artist. Through this partnership, F2 Music Group will work with Tom on the album’s release and promotional direction, with the goal of helping bring his musical vision to a broader audience while maintaining his individual creative identity. For an artist whose sound draws from multiple musical traditions, the debut album represents an opportunity to showcase the full range of his artistry, from his guitar-driven influences to the rhythmic and experimental elements that define his approach to hip-hop.

Building Something Distinctive

F2 Music Group continues to focus on working with independent artists who bring their own perspective, sound, and creative identity to the music industry. Tom Prowse’s combination of folk influences, live instrumentation, and UK hip-hop culture adds another distinctive voice to the label’s roster. With the signing of Tom Prowse, F2 Music Group continues to expand its global reach and build relationships with talent beyond our local hip-hop scene in Florida

Central Cee has already shown the world he knows how to make an entrance but his latest alleged move has the gossip world buzzing. Central Cee ft Lil baby BAND4BAND went viral on TIKTOK now Central Cee is making a huge splash with new romance story involving rising his girlfriend Popstar Tiffany Queen. Sources have confirmed Central Cee and Tiffany Queen are dating. It reportedly began with one unexpected Instagram DM.

Tiffany has revealed that Central Cee made the first move, saying: “He sent me a DM on Instagram and we connected.” What started with a private message has now developed into a connection surrounded by serious speculation and one eye popping figure has taken the story to another level. Reports claim that Central Cee has already spent an astonishing £100,000 on Tiffany Queen immediately sending fans into a frenzy. If the reported figure is accurate, this isn’t just a little romantic gesture.

It’s a jaw dropping six figure statement that has everyone wondering exactly what is happening behind the scenes. And suddenly, there’s a new nickname making perfect sense:
 TIFFANY QUEEN CENTRAL CEE’S QUEEN Sources hace confirmed that they are officially dating. With Central Cee reportedly going all out for Tiffany, fans are already treating the rising popstar like the rapper’s newest leading lady. And let’s be honest Tiffany Queen certainly has the name for it. The big question now is what comes after the reported £100,000. If Central Cee has already gone this big, what could possibly top it? Car ? House? Diamond engagement ring?

For Tiffany Queen, the spotlight couldn’t be brighter. Central Cee went from Ice Spice to Popstar Tiffany Queen as his new girlfriend. Tiffany Queen with Central Cee Britain’s biggest rap stars takes the attention to another level. Then there’s the possibility that this story could make its way into the studio.

Rumours of a potential Central Cee × Tiffany Queen collaboration are adding even more excitement. Imagine Tiffany’s pop sound meeting Central Cee’s unmistakable rap style. One announcement could send fans into meltdown. Could the Instagram DM that reportedly started everything eventually lead to a recording session? Could Central Cee and his Queen become music’s next unexpected power duo? For now, the pair are keeping everyone guessing and perhaps that’s what makes the story even more intriguing. Tiffany Queen is Central Cee’s Queen and the £100,000 shopping spree is only the beginning, everyone is waiting to see what he does for his Queen next.

Florida rap legend FGP collaborates with Hometown hero Evan Pierce SACRAMENTO, CALIFORNIA — In a world where communities continue to face the growing challenges of homelessness, DabskiTV! is stepping up to make a difference by taking action where it matters most. Through its community outreach initiative, the entertainment platform is bringing compassion directly to the streets of Sacramento, California, by distributing care packages to individuals experiencing homelessness. The initiative, known as “D Bombs for the Homeless,” represents a commitment to giving back, supporting those in need, and reminding people that even a small act of kindness can make a meaningful difference.

With support from rapper and songwriter Finesse Gang Polo, who donated $500 to DabskiTV! to help fund the distribution of care packages, this community-focused effort highlights the importance of artists, entertainment platforms, and local supporters coming together to address real-world problems.

What Is DabskiTV!?

DabskiTV! is an emerging entertainment platform built around creativity, music, culture, and community. Inspired by the nostalgic energy of television’s 1980s and 1990s era, DabskiTV! aims to bring a fresh perspective to entertainment through music videos, original programming, promotional opportunities, and other creative content.

With its distinctive identity and throwback-inspired vision, DabskiTV! is working to create a platform where artists, entertainers, brands, and audiences can connect. The network’s mission extends beyond entertainment, however, with its community outreach efforts demonstrating a desire to use its platform for something bigger than music and media alone.

Through initiatives such as “D Bombs for the Homeless,” DabskiTV! is putting the idea of giving back into action. The goal is to bring attention to people who are often overlooked and encourage others to contribute whatever they can to help individuals facing difficult circumstances.

D Bombs for the Homeless: Taking Action in Sacramento

The name “D Bombs” gives the initiative a recognizable identity while representing packages of care intended to reach people experiencing homelessness. Rather than simply discussing the challenges facing unhoused communities, DabskiTV! is focusing on hands-on outreach by helping provide essential supplies and practical items to people who need them.

Sacramento, California, serves as the community at the center of this effort. Like many cities across the country, Sacramento faces ongoing challenges involving housing insecurity, access to necessities, and the difficulties experienced by people living without stable housing.

For someone experiencing homelessness, everyday essentials can make a meaningful difference. A care package can provide useful supplies, offer temporary relief, and communicate something equally important: that another person recognizes their humanity and cares about their well-being.

Through the D Bombs initiative, DabskiTV! aims to support individuals directly while encouraging a broader conversation about compassion, community responsibility, and the importance of helping people facing hardship.

The mission is about more than distributing packages. It is about approaching people with dignity, treating them with respect, and recognizing that every individual has a story beyond their circumstances.

Finesse Gang Polo Donates $500 to Support the Mission

One of the key contributions to the initiative comes from rapper and songwriter Finesse Gang Polo, who donated $500 to DabskiTV! to help support its efforts to provide care packages to Sacramento’s homeless community.

The contribution demonstrates how artists can use their resources to support causes outside the music industry. While an artist’s career may be built around recording music, performing, and connecting with fans, community involvement offers another way to make a positive impact.

Finesse Gang Polo’s donation is intended to help DabskiTV! purchase and distribute care packages, supporting the practical work required to get supplies into the hands of people in need.

The $500 contribution also reinforces an important message behind the initiative: meaningful community support does not always begin with a massive organization or a large fundraising campaign. Sometimes, it begins with individuals and businesses deciding to contribute what they can.

By supporting DabskiTV!’s outreach efforts, Finesse Gang Polo is helping bring attention to a cause that affects communities throughout California and across the nation.

His involvement also creates an opportunity for fans and supporters to recognize that giving back can be part of the culture surrounding music, entertainment, and artistic expression.

More Than Entertainment: Using a Platform to Give Back

For DabskiTV!, the D Bombs for the Homeless initiative represents an opportunity to connect entertainment with real-world community service.

Music and media platforms have the ability to reach audiences, inspire conversations, and encourage people to take action. By highlighting charitable outreach alongside its entertainment programming, DabskiTV! is demonstrating the potential for a developing media brand to pursue a broader community mission.

The initiative also sends a message to other artists, entrepreneurs, businesses, and content creators: helping people does not require waiting until an organization becomes nationally recognized. Individuals can begin making a difference in their own communities by organizing outreach, collecting supplies, contributing funds, or helping distribute essential items.

DabskiTV! hopes its work will encourage others to participate in similar efforts and consider how they can support people experiencing homelessness in their own cities.

Whether through monetary donations, essential supplies, volunteer assistance, or spreading awareness, community participation can help strengthen outreach efforts and make resources available to more people.

As the initiative develops, the focus remains on getting useful supplies to people who need them and encouraging a culture in which compassion is demonstrated through action.

A Call for Community Support

The D Bombs for the Homeless initiative is a reminder that people experiencing homelessness deserve dignity, respect, and access to basic necessities. Addressing homelessness requires sustained effort, community cooperation, and solutions that go beyond temporary assistance. Care packages cannot solve the entire housing crisis, but they can provide immediate support while helping build connections between people and their communities.

With DabskiTV! organizing the effort and Finesse Gang Polo contributing $500 toward the cause, the initiative offers an example of how entertainment, philanthropy, and grassroots outreach can come together around a shared goal.

Now, DabskiTV! is inviting supporters, fans, community members, and anyone who believes in helping others to contribute to the mission. Every donation can help the organization work toward providing additional care packages and extending its outreach to people experiencing homelessness in Sacramento, California.

The message is simple: giving back starts with taking action. Through the D Bombs for the Homeless initiative, DabskiTV! is working to turn that message into something people can see and experience firsthand.

Donate To Tha”DabskiTv! Help A Brotha/Sista Out Foundation Today!

Cash App———->

$Popeye666

PayPal————->

EvanPierce@Ymail.com

Yes Ymail! Not Gmail!

North Charlotte rapper GTD Fendi is gaining attention across the hip-hop community amid an ongoing fake feud with a Minnesota artist and growing speculation about his online presence being fake. Critics have questioned the engagement on his YouTube content, particularly a BlockworkTV appearance reportedly reaching 60,000 views with limited movement in likes and comments. While some viewers suspect artificial engagement, these claims remain unverified.

As the controversy grows, questions surrounding authenticity, image, and credibility continue to spark debate. For an emerging artist building his name in the industry, how GTD Fendi responds to the criticism could shape public perception of his career moving forward.

Many say this is the start of his downfall in the music industry, as labels aren’t looking for fake beefs and paid for buys that are not organic. It seems like he keeps trying to buy an image and not let it come natural and starting to give Somali artist a bad look in the hip-hop scene.

Emerging from Charlottesville, Virginia, Da Real Sosiety is an artist driven by authenticity, personal growth, and the power of music to connect people through real-life experiences. With a sound and message rooted in honesty, resilience, and self-awareness, Da Real Sosiety is building an identity that extends beyond hip-hop, representing a movement centered on purpose, accountability, and staying true to oneself.

His journey into rap began at a young age, using songwriting and music as an outlet to express his thoughts, understand the world around him, and turn personal experiences into meaningful stories. As life presented new challenges, relationships, and lessons, his approach to music evolved. What began as a form of expression developed into a greater mission: creating music that people can relate to, feel, and carry with them long after the song ends.

Proud of his Charlottesville roots and connected to the rich musical culture of the DMV, Da Real Sosiety brings his own perspective to a region with a powerful hip-hop legacy. Rather than imitate another artist or follow a manufactured image, he focuses on representing his hometown through his own experiences, observations, and understanding of life. His music speaks to listeners navigating love, loyalty, struggle, disappointment, self-respect, and the ongoing journey toward becoming a better version of themselves.

His musical influences reflect a deep appreciation for both hip-hop’s pioneers and the timeless soul of American music. Inspired by the emotional intensity and lyrical conviction of Tupac and DMX, the energy of Lil Jon and Three 6 Mafia, and the distinctive style of Ludacris, Da Real Sosiety also draws inspiration from legendary voices such as Anthony Hamilton, B.B. King, Sam Cooke, and Bill Withers. These influences have helped shape his appreciation for music that moves people emotionally, delivers a powerful message, and remains relevant beyond its era.

At the heart of Da Real Sosiety is a philosophy that gives the name its deeper meaning. S.O.S. stands for “Save Ourselves and Save Our Soul.” This principle represents self-worth, personal responsibility, spiritual awareness, healing, and the importance of taking ownership of one’s decisions. Through his music, he encourages listeners to recognize their value, learn from their experiences, and understand that difficult circumstances do not have to determine their future.

His message embraces the idea that strength and compassion can coexist, confidence does not require arrogance, and personal growth begins with honesty. Da Real Sosiety believes that an artist can remain street-conscious while preserving his humanity, speak openly about life’s challenges without glorifying every struggle, and evolve without abandoning the principles that define him.

Like many independent artists, his journey has required perseverance, patience, and a willingness to learn the business behind the music. He understands that success involves more than talent alone. Developing a lasting career requires discipline, consistent creativity, meaningful relationships, effective marketing, and an understanding of how to build a sustainable brand. Rather than waiting for perfect circumstances or measuring his progress against others, he remains focused on sharpening his craft, expanding his reach, and creating a catalog that reflects his growth as both an artist and an individual.

As hip-hop continues to evolve, Da Real Sosiety remains open to new sounds, production styles, and creative opportunities while protecting the authenticity behind his message. His goal is to create music with replay value and substance—records people can ride to, reflect on, and connect with through their own experiences.

More than an artist’s name, Da Real Sosiety represents a mindset and a message. It is about saving yourself, protecting your soul, embracing accountability, and recognizing that growth is always possible regardless of where life begins. With Charlottesville as his foundation and a vision that reaches beyond the DMV with the help of DjThaKidQuest ,Da Real Sosiety is working to establish a lasting presence in hip-hop through music that reflects real life, inspires self-awareness, and leaves a meaningful impact.

His mission is simple: represent where he comes from, remain true to who he is, and build a legacy that means more than a moment in the spotlight.

A deep dive into the philosophy behind his latest release and the journey shaping his sound.

Q – You’ve just released your brand new single, Our time. What does this track mean to you personally, and what do you want listeners to take away from it?

A – To me, Our time is about seizing opportunity, overcoming obstacles in life, personal growth and becoming the person you want to be despite setbacks.

Q – The concept behind Our time is about being in three places at once, the past, present and future. Where did that idea come from?

A – I suppose the concept kind of materialised as I was writing to be honest, the first verse is looking through the lens of the vision I have for the future and talks about what my mission is. It starts off talking about being in a hard place but looking into a better future, not knowing where to start but knowing that my mission is an important one even though it will be difficult, my destiny is an inevitability. Then the second verse is present & future me looking back at where I was, where I’m at now & where I will be and seeing the growth I’ve been through and am still going through now. It’s kind of like present me talking past me when I started and future me talking to present & past me all at the same time and reflecting on each stage of the journey. It’s partly wishing I had the tools and knowledge back then that I have now and partly accepting the past as part of my journey and recognising the skillset, tools and knowledge I have now and continue to build on. How much I’ve changed but still fundamentally the same kid with the same vision.

Q – If you could go back and speak to your past self, what would you tell them now that you know what you know today?

A – There are a lot of things I’d say, some of it is what I said in the end half of the second verse, just about believing in myself, the vision and the skills I have and always being myself and never letting outside influences change or control me too much. Obviously as humans we adapt to our environment and naturally change with it but at the same time we should stay true to ourselves and what we believe in. Sometimes I look back and wish I could tell the past me who started to wait until I’d built a better level of skill in music before I put myself out there but at the same time, if I hadn’t put myself out there when I did I may not have gotten the same opportunities and things could’ve played out differently so I’ve learned to accept the past, good and bad and just try to focus on the future and present!

Q – The past can shape who we become, while the future can influence the decisions we make today. How do you balance the two without losing sight of the present?

A – That’s quite a profound question and it’s interesting because that is very true we are all shaped and effected by our past but I don’t think many people realise how shaped and effected we are by our plans for the future and by who we want to be and who we are becoming! But yeah it can definitely be difficult to not lose sight of the present when we are so focused on the past or the future so I try my best to balance it by taking time to live in the present every day, I practice mindfulness whenever I feel overwhelmed and I like to meditate when I can too, I find it to be a very good way to ground myself and keep myself centred.

Q – Was Our time written from personal experience, or did the idea develop more as a creative concept?

A – Ourtime was definitely written from personal experience, just like most of my music there’s a piece of me in there, I tend to just write what feels right when I’m inspired in the moment and I trust the process. Sometimes I build from a key word aswell like with Ourtime I heard the instrumental and where it goes “It’s Ouuuurrrr Time!” I just kind of used that as a start point and went with it and when I was finished and looked at the bigger picture I had a whole concept.

Q – There’s something quite powerful about the idea of existing in the past, present and future simultaneously. What does “our time” mean to you?

A – Well time is relative so the past, present and future are all abstract concepts, some thinkers would say that the past and the future don’t exist and that there is only the present, different versions of ourselves living in the present in different situations. And I kind of like that idea because it means that if our time was then and our time is yet to come, then our time is always now! It really makes you want to seize the moment!

Q – CeeMax produced the track. What was the creative chemistry like between you and CeeMax during the making of Our time?

A – Well, Ceemax is a very talented producer and a great lad as well but due to the wonders of modern technology we were never actually sat in a room together during the creation process, I chose a few of his beats that spoke to me and Our time was the first one to be finished. When he heard what I’d written he said it was fire and he seemed excited for the song to come out, I think our styles complement each other quite well and I look forward to working with him again!

Q – Royzy Rothschild executive produced the single. What did Royzy bring to the project that helped shape the final record?

A – Royzy is the man behind the scenes pulling the strings to make it happen, he’s the one who sent me a list Ceemax’s beats to choose from and write to. He engineered my studio session and gives me advice or pointers on vocal tones or vocal inflections where needed, which to be fair is needed less these days depending on how complex the song is. He also gave me the idea for the ad-lib in the second verse where I say “… to forge me in the rubble that I came from” and after “…came from” I say in the background in the little pause “Liverpool lad” so those little creative ideas he has are always valuable and adds some more quality to the end product! But also, Royzy has mentored me since I was 15 and taught me how to rap properly, how to develop my skills independently and taught me about the industry. He also shot the music video as well. Basically if it wasn’t for Royzy the song probably wouldn’t exist! To be fair if it wasn’t for his mentorship I wouldn’t be where I am today anyway so none of my recent music would exist in the first place.

Q – When you first heard the finished production, did it sound the way you imagined Our time, or did the song evolve into something completely different?

A – Actually it did, it does happen often where a song turns out different to how I first heard it in my head when I wrote it but this one actually turned out pretty much exactly how I wanted/expected it to, which is always nice!

Q – The music video is now available on YouTube. How important was the visual side of the project in bringing the past, present and future concept to life?

A – Well I think music videos in general are always a brilliant way to visually bring a song’s concept into the light for the listener and adds a bit more of your personality into the project for people to see and enjoy. With this video specifically, I had the idea to have shots where there’s two versions of me and each verse is being rapped by one version of me to the other. Those shots are some of my favourites, and not because it was my idea but because it perfectly visually illustrates the concept of the song being kind of like a conversation between two versions of myself.

Q – If you had to describe the Our time music video in three words, what would they be, and why?

A – Simple but effective.

Q – Music can often capture a moment in time that you can return to years later. What moment in your own life would you want your music to preserve forever?

A – That’s a good question and quite a difficult one to answer, I’ve had a lot of moments over the years of my musical journey that I would personally like to preserve and remember myself but I feel like the big moment that I want to be preserved in all time for the world to see is yet to come.

Q – Do you think your past experiences influence the music you make today more than your hopes for the future do?

A – It’s hard to say, I think it depends on the song to be honest. I have written and will write songs that are purely about my past and songs that are purely about the future, among other things of course. But that’s what makes Our time interesting because it’s kind of about both and is shaped by both my past and my future.

Q – What have you learned about yourself through creating Our time that you didn’t know before making the record?

A – That’s another good question and again, difficult to answer because I feel like my identity and self belief is already quite set in stone. But if I had to pick one thing I’ve learned, maybe it’s that no matter how good or confident you are, there’s always room to grow and improve. Like I said in the second verse of Our time, “I thought that I was better now I’ll never get those hours back, now I’m mad, I didn’t have it then but now I have, looking back, I never thought that I’d amount to that”. And that’s basically kind of saying that back when I started I thought I was better than I was and that I can’t get back the time I spent thinking that when I didn’t have the skills I do now at that time. But I think I could probably apply that to any point in time as well because even though I’m confident in my abilities now, I am still improving and in the future I might feel the same way about current me that current me feels about past me if that makes sense.

Q – Finally, if Our time is about past, present and future, what does the future look like for Donno? What can fans expect next?

A – In broad terms, people can expect to see me continue to implement my plans for a better future for all, promoting peace, unity and enlightenment through my music. Specifically, I’m currently working on finishing my first proper album, of which Ourtime will be a part of. Then after the album is out I’ll be working on bringing out an Irish language (Gaeilge) EP and hopefully with that branching out and doing some shows with the EP in Ireland!

DONNO – OUR TIME (MUSIC VIDEO)

Press/Media

@Donnomusic

@BigCondoRecords

Alabama’s hip-hop scene continues to create opportunities for artists to connect, collaborate, and introduce their sound to a wider audience. Now, Gwapboy Dreadz is bringing additional attention to his name by linking up with Mobile, Alabama’s own HoneyKomb Brazy for the song “Brazy Flow.” The collaboration brings together two artists connected to Alabama’s rap culture, creating a release that puts a spotlight on the state’s growing musical presence. For Gwapboy Dreadz, the record represents an opportunity to reach listeners beyond his existing audience while connecting his name with an artist who has established recognition in Southern hip-hop.

GWAPBOY DREADZ: PUTTING ALABAMA ON THE MAP

Coming out of Jasper, Alabama, Gwapboy Dreadz represents another piece of the state’s diverse hip-hop landscape. His artist profile reflects an independent-minded approach to music, including recording and producing his own material. With “Brazy Flow,” his name enters a collaboration that can introduce his music to listeners already familiar with HoneyKomb Brazy.

In an industry where visibility can make a significant difference, collaborations can serve as a bridge between audiences. A feature creates an opportunity for listeners to discover an artist they might not have encountered otherwise, while giving both names a shared release to promote across streaming platforms and social media.

For emerging and independent artists, the challenge is turning that initial attention into lasting interest. Building a recognizable sound, maintaining a consistent release schedule, and giving new listeners a reason to return are all important parts of that process.

HONEYKOMB BRAZY BRINGS MOBILE, ALABAMA INTO THE CONVERSATION

HoneyKomb Brazy has built recognition around a raw, unfiltered approach to Southern rap. The Mobile rapper’s music and public story have helped establish his identity within Alabama hip-hop, with his breakout freestyle and subsequent releases bringing attention to his distinctive presence. His background and career have also been documented in interviews and music coverage.

WHAT COMES NEXT?

The long-term impact of “Brazy Flow” will depend on how listeners respond and how effectively the release is promoted. Streaming performance, audience engagement, music-video views, and continued interest in both artists will help reveal how far the collaboration travels.

Harlem’s momentum is also translating to the stage. He performed at The Mayan in Los Angeles on Oct. 4 and is preparing to release a free mixtape on Oct. 31. The upcoming drop gives fans another chance to tap into his music as he continues to build on the attention surrounding Harlem Deluxe and “Wick Mode.” Rather than relying solely on algorithm-driven exposure, Harlem is making moves throughly new releases, press coverage and live performances, positioning himself as an artist to keep an eye on in Miami’s alternative rap scene.

Born in Mauritius, Lorenzo Brente is a multidisciplinary artist, entrepreneur and creative director whose background spans international modelling, professional boxing, music, fashion and contemporary art. His artistic language explores the human body, portraiture, femininity, gesture and texture, driven by discipline, individuality and reinvention.

Following a period of relative silence, GOD marks a renewed chapter in Lorenzo Brente’s creative journey and his ambition to establish a distinctive presence across the art and creative industries.

Previous works by Lorenzo Brente have been offered on the market at values exceeding €50,000, reflecting the commercial ambitions surrounding his artistic career. His professional structure also includes Buser Legal, with attorney Matt Buser serving as his personal legal counsel and strategic business adviser.

More than a painting, GOD represents a statement of intent: an exploration of darkness and light, chaos and creation, and the limitless possibilities of artistic expression.

A new work. A renewed vision. The evolving universe of Lorenzo Brente.

Independent artists face an increasingly demanding challenge in today’s music industry: creating music is only one part of building a successful career. From designing cover art and producing promotional videos to writing press releases, managing social media, and reaching playlist curators, music promotion requires time, resources, and a coordinated marketing strategy.

ReleaseJet aims to simplify that process with an all-in-one music marketing platform that brings AI-powered creative tools, promotional content generation, release management, and playlist pitching resources together in one place.

Available at ReleaseJet.ai, the platform is designed for independent musicians who want to organize their promotional activities without relying on multiple disconnected tools and subscriptions.

ReleaseJet Brings Music Marketing Tools Under One Platform

For independent musicians, the work surrounding a release can be just as demanding as the creative process itself. A finished track needs a visual identity, promotional materials, social media content, and a strategy for reaching potential listeners.

ReleaseJet addresses these needs by bringing several music marketing functions together under one subscription.

The platform includes AI-powered cover art generation, music video creation, social media content generation, press release writing, electronic press kit creation, release management, and playlist pitching tools.

By combining these features, ReleaseJet provides artists with a centralized workspace for preparing and organizing important elements of a music campaign.

Instead of moving between separate applications for different promotional tasks, musicians can access a collection of resources designed specifically around the needs of music releases.

AI-Powered Creative Tools for Music Promotion

Visual presentation has become an important part of how artists introduce their music to audiences. Cover artwork, music videos, and social content can help establish an artist’s identity while giving listeners different ways to discover a release.

ReleaseJet incorporates AI-powered creative tools to support these activities.

Its cover art generation feature helps artists develop visual assets, while its music video creation capabilities provide another resource for building promotional material. Social media content generation is also included, giving musicians tools to support their online presence.

These features are intended to make the practical side of content production more manageable, particularly for independent artists who do not have dedicated designers, video editors, or marketing teams.

The platform brings the tools together while leaving artists responsible for the creative direction and identity that distinguish their music.

Press Releases and Electronic Press Kits for Artist Visibility

Professional presentation is another important part of music promotion.

When introducing a new single, album, or creative project, artists often need press materials that explain the release, communicate their background, and provide useful information to media outlets, industry professionals, and potential collaborators.

ReleaseJet includes press release writing and electronic press kit creation tools to help artists prepare these materials.

A press release can introduce a new release or career development, while an electronic press kit can organize an artist’s biography, music information, and promotional details in a format suitable for industry outreach.

By incorporating these resources into the same platform as its creative and release management tools, ReleaseJet aims to simplify the preparation process for musicians managing their own publicity.

Social Media Content and Release Management

Consistent promotion can be difficult for independent artists balancing music creation with the operational demands of their careers.

Social media requires regular content, while a release campaign may involve coordinating artwork, announcements, press materials, and other promotional activities around a planned launch.

ReleaseJet combines social media content generation with release management tools to help artists organize these tasks.

The approach is designed to support musicians at different stages of their careers, including emerging artists preparing their first singles and established independent musicians managing more frequent releases.

Rather than treating every promotional activity as a separate project, the platform brings several elements of release preparation into one environment.

Playlist Pitching for Independent Musicians

Playlist discovery remains an important consideration for artists looking to introduce their music to new listeners.

ReleaseJet includes playlist pitching tools that help musicians submit their tracks to playlist curators. This feature adds an outreach component to a platform that also covers creative production, publicity materials, and release organization.

Playlist pitching does not guarantee placement, streaming growth, or audience development. Its value lies in providing artists with a resource for organizing their promotional efforts and pursuing potential playlist opportunities.

For musicians managing their own campaigns, having these tools alongside other release resources can help consolidate the work involved in promoting new music.

A Platform Designed Around Independent Artist Needs

Independent musicians often operate without the resources available to artists supported by large record labels. They may need to manage songwriting, recording, distribution, branding, publicity, social media, and audience development themselves.

Using separate services for every task can increase costs and introduce additional complexity into the release process.

ReleaseJet’s approach centers on bringing these functions together under one subscription. The objective is to give artists a more centralized way to access promotional resources while reducing the need to coordinate multiple disconnected tools.

The platform is designed to support artists who want to maintain control over their careers while improving how they prepare, organize, and promote their releases.

ReleaseJet Addresses the Growing Demands of Music Marketing

The modern independent music landscape requires artists to think beyond the recording studio. Building an audience can involve developing a recognizable visual identity, maintaining an online presence, preparing professional press materials, and exploring different channels for music discovery.

ReleaseJet brings these activities together through a platform focused on the practical demands of music marketing.

Its combination of AI-powered creative tools, social media content generation, press release writing, electronic press kit creation, release management, and playlist pitching is intended to help musicians approach promotion from a more organized starting point.

For independent artists seeking to manage more of their promotional workflow in one place, ReleaseJet offers a platform built around the realities of releasing music without a dedicated marketing department.

Explore ReleaseJet

ReleaseJet is an all-in-one music marketing platform designed to help independent artists create promotional assets, prepare press materials, manage releases, and organize music promotion through a centralized service.

Artists can explore the available tools and learn more about the platform through the official website.

Official website: https://releasejet.ai/

Media contact: ReleaseJet Website: ReleaseJet.ai

Curated by Philadelphia native Kim Chanel and Atlanta native J Rich, the party was built around a simple idea: bring people together through the music they know, love, and still want to hear outside. Expect nostalgic favorites alongside current R&B, with DJ sets that move beyond slow jams to keep the energy up throughout the night.

The concept has already found its footing in Atlanta, drawing creatives, artists, and music lovers into an environment where singing along to a familiar record is just as much a part of the experience as discovering something new. Now, the party is expanding into other cities, with its Philadelphia debut serving as a homecoming for Kim. The Atlanta event is set to return on October 17.

The October 15th lineup features DJDJ, DJ Bria G, AMH, Champagne Shak, and B-Flex, each contributing to a night designed to move between R&B eras and sounds. The event is produced by Stumble Media Group LLC and Medina “Queen Dina” Oyefusi.

For The Love of R&B takes place from 9 p.m. to 2 a.m. at Vinyl in Philadelphia. Come find your rhythm, this might be the move for Thursday night.

Event Details

What: For The Love of R&B — Philadelphia Debut
When: Thursday, October 15, 2026 | 9 p.m.–2 a.m.
Where: Vinyl, Philadelphia
Sounds by: DJDJ, DJ Bria G, AMH, Champagne Shak, and B-Flex
Curated by: Kim Chanel and J Rich

Tickets: Available through Posh

North Carolina hip-hop artist Bigg Baggz is preparing for the next chapter of his music career with the upcoming release of his highly anticipated album, Not Perfect, scheduled to arrive on October 16. Signed to One9 Music, with distribution through Sony’s The Orchard, the rapper continues to build his catalogue with new music, videos and a growing presence in the independent hip-hop scene.

The upcoming album follows two of his current releases, “Bounce” featuring Josie Jo and “Boyz n da Hood.” Both tracks are available alongside their respective music videos, giving listeners multiple ways to experience his latest work ahead of the album launch.

Building Momentum Through New Music

With “Bounce” and “Boyz n da Hood,” Bigg Baggz is giving audiences a look at the music leading into Not Perfect. The releases represent the latest step in his ongoing development as an artist, with the forthcoming album set to bring another collection of music to listeners.

“Bounce,” featuring Josie Jo, adds a collaborative element to his recent output, while “Boyz n da Hood” stands as another release in his current run of music. The availability of videos for both songs also gives fans a visual component to accompany the recordings. For listeners discovering Bigg Baggz for the first time, these tracks provide an entry point into his work before the full album arrives. For existing fans, the singles build anticipation for the next project and offer a preview of his current creative direction.

One9 Music and The Orchard Connection

Bigg Baggz is signed to One9 Music, with distribution through The Orchard, a music distribution company owned by Sony Music Entertainment. This distribution arrangement connects his releases with a wider digital music ecosystem, helping make his work available to listeners through streaming platforms.

For independent artists, distribution plays an important role in bringing music to audiences beyond their immediate communities. Alongside the release of singles and videos, a full album offers an opportunity to present a broader collection of work and give listeners a more complete picture of an artist’s musical direction. With Not Perfect, Bigg Baggz is preparing to move beyond individual tracks and deliver a larger project under his existing music affiliation.

Looking Ahead to “Not Perfect”

Scheduled for October 16, Not Perfect is the next major release on Bigg Baggz’s calendar. The album’s title offers a direct and memorable identity for the project, while the rollout of “Bounce” and “Boyz n da Hood” has already placed new music in front of listeners ahead of its arrival.

Further details about the album’s complete tracklist and featured artists have not been provided in the current announcement. For now, the release date gives fans a clear point to anticipate as the artist prepares to introduce the project. Bigg Baggz continues to represent North Carolina through his music, building his catalogue through recorded releases and accompanying visuals. With two songs currently available and Not Perfect on the way, the coming release marks another step in his ongoing career.

Fans can follow his updates on Instagram at @bigg4baggz and through the Bigg Baggz Facebook page.

As October 16 approaches, Not Perfect stands as the next milestone in Bigg Baggz’s release schedule, giving listeners a new project to look forward to from the North Carolina artist.

Media Team:

Lewis
joelewis@one9music.com

Duke Williams
Dukewilliams@one9music.com
770-829-7048

Like many young people growing up in France, Ducash was deeply influenced by the power and diversity of music. From American hip-hop to French rap and pop music, his teenage years were shaped by a wide range of sounds, cultures, and artistic influences. Music quickly became more than just entertainment; it became a way to express himself, explore his identity, and imagine a future beyond the limits of his everyday environment.

During his adolescence, Ducash TheKing began writing his first lyrics in English. Although he faced a significant language barrier, his passion for music pushed him to keep writing, experimenting with words, and developing his own style. English was not always easy, but he understood that music could connect people across borders, languages, and cultures. Every lyric became an opportunity to learn, improve, and get closer to the sound he wanted to create.

His early musical influences came from both sides of the Atlantic. American rap introduced him to the energy, confidence, and storytelling of hip-hop, while French rap showed him how artists could use music to describe their experiences, ambitions, struggles, and realities. Pop music also played an important role in shaping his musical ear, exposing him to memorable melodies, catchy hooks, and different approaches to songwriting.

These diverse influences helped build the foundations of his artistic identity. Rather than limiting himself to a single genre, Ducash TheKing developed an interest in exploring different sounds and finding his own place within a constantly evolving musical landscape.

As his interest in English grew, he began travelling to England to improve his language skills and become more comfortable communicating in English. These visits represented an important step in his personal and artistic development. By discovering new environments and experiencing British culture more directly, he gained a deeper understanding of the language and the musical world that surrounded it.

It was during this period that he discovered UK drill, a genre that would leave a strong impression on his musical journey.

Originating in the United Kingdom, drill offered a distinctive combination of dark atmospheres, powerful rhythms, sharp flows, and raw lyrical expression. Its production, energy, and unmistakable identity opened up new creative possibilities for Ducash TheKing. The genre introduced him to a different musical world and helped shape his developing artistic direction.

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CallaMar transitions from his performance foundation with We Are Toonz to establish an independent artistic identity. With “Naïve,” the thematic emphasis shifts toward introspective territory: examining desire, self-assurance, and the manner in which yearning influences our convictions.

Launching on October 20, 2026, via Fresh Taste Group, “Naïve” welcomes audiences into a recognizable emotional landscape while maintaining an air of mystery through deliberate restraint in exposition. Experience the artistry of CallaMar and discover what resonates with your own sensibilities.

CallaMar Facilitated Global Movement Through Dance. By Introducing “Naïve,” He Is Offering a Fresh Narrative.

The We Are Toonz performer embarks upon his subsequent autonomous venture in collaboration with Fresh Taste Group, merging an established performance heritage with an innovative artistic direction designed to maintain audience intrigue and anticipation.

Prior to a choreographic piece transforming into a viral social media phenomenon, an individual must conceive and develop it. Prior to an entertainer achieving widespread recognition, someone must recognize and cultivate the comprehensive vision that defines their potential.

CallaMar possesses comprehensive knowledge of both perspectives within that narrative.

In his capacity as a participant in Atlanta’s We Are Toonz collective, he played an instrumental role in bringing the Nae Nae to international prominence. Currently, with the forthcoming release of “Naïve” scheduled for October 20, 2026, via Fresh Taste Group, he is channeling that accumulated expertise into an independent artistic endeavor that emphasizes narrative construction, personal identity, and the autonomy to realize his distinctive creative direction.

The Framework Underlying the Artistic Direction

Fresh Taste Group occupies a pivotal position in the manner through which this chapter is being communicated. 

Under the direction of founder and executive producer Tahir “StayFresh” Ali, the independent production and management enterprise facilitates the promotion of “Naïve” by means of compelling visual narratives, strategically organized promotional materials, and coordinated efforts between artist and label representatives, as outlined in the official release documentation.

This organizational support furnishes the artistic concept with a functional framework. A creative vision requires production infrastructure. A commercial release demands a distinctive and recognizable brand presence. An audience requires a transparent progression from initial artist discovery to music consumption.

The partnership between CallaMar and FTG serves to unite these elements within a singular dialogue. The significance of this collaboration resides in its capacity to facilitate the transmission of an artist’s creative vision to their intended audience in a coherent and purposeful manner, while simultaneously preserving the artist’s distinctive character as the focal point of the overall presentation.

Connect:

https://distrokid.com/hyperfollow/callamar1/navie

www.FreshTasteGroup.com

https://music.apple.com/us/artist/callamar/1518505862?utm_source=chatgpt.com

Calculated rage. Cinematic imagination. One artist moving at a frequency the industry hasn’t quite figured out how to measure.

MUSIC • CULTURE • ARTISTIC FREEDOM • SEPTEMBER 2026

Born in Jacksonville, North Carolina, and sharpened by the relentless creative energy of Los Angeles, GODSPEED is emerging with a vision that refuses to acknowledge traditional boundaries. Phillip Speed, the college athlete turned multi-genre recording artist, producer and engineer, approaches music with the emotional intensity of calculated rage and the meticulous instincts of someone determined to master every stage of the creative process. Between experimental soundscapes, unconventional photography and ambitions extending into fashion and entertainment, GODSPEED is constructing a world where artistic freedom takes precedence over industry expectations.

GRAVITY WAS NEVER PART OF THE PLAN

An unconventional lens. A different perspective. A creative vision that cannot be contained inside a traditional frame.

Suspended above a towering window, GODSPEED looks down into a camera positioned beneath a striking architectural backdrop. Natural light floods the room. Distressed denim falls loosely over oversized sneakers, a graphic shirt introduces flashes of artistic rebellion, and an overhead light creates an almost accidental halo.

Something about the photograph immediately changes the atmosphere. GODSPEED isn’t performing for the camera in the conventional sense. No extravagant jewelry, elaborate Hollywood set or predictable promotional pose competes for attention. Perspective becomes the entire production, transforming an ordinary environment into an image that feels almost supernatural.

Such visual instincts reveal something important about the Jacksonville native. Music might be the most recognizable form of expression, but photography offers another window into an imagination fascinated with unusual angles, unexpected compositions and the creative possibilities surrounding contemporary street culture.

GODSPEED belongs to a generation capable of discovering new sounds, underground fashion movements and international visual trends within seconds. Cultural influences move freely across geographical boundaries, leaving ambitious creators with almost unlimited opportunities to experiment.

Rather than confining that imagination to a familiar category, GODSPEED embraces the collision. Hip-hop, alternative expression, experimental production and unconventional visual storytelling become interconnected pieces of an artistic identity that continues evolving with every project.

FIRST CHAIR. DIFFERENT DESTINY.

Before Los Angeles, studio sessions and industry ambitions, another kind of discipline was quietly shaping Phillip Speed.

Music entered the picture during childhood, with GODSPEED participating in school band throughout middle school and the first year of high school. Earning first-chair placement provided an early introduction to musicianship, while competitive soccer eventually opened another door. A collegiate athletic career brought GODSPEED to UNC Wilmington, where an unexpected fascination with beat production would ultimately change the direction of an emerging professional journey.

Somewhere between academic responsibilities and competitive athletics, music began demanding more attention. GODSPEED found greater fascination in the construction of records, becoming increasingly curious about the sounds, arrangements and technical decisions taking place behind the microphone.

Producing beats introduced an entirely different creative obsession. Understanding the mechanics of a record suddenly became as compelling as the finished song.

Eventually, the pursuit of music required a major decision. GODSPEED left the soccer program, shifted academic focus toward music technology and completed a degree before relocating to Los Angeles.

Changing direction meant entering unfamiliar territory without the structure of an established athletic program. Studio sessions replaced training schedules. Production software became another instrument. Countless hours of experimentation offered an education that extended beyond any classroom.

Los Angeles introduced a different kind of competition, where creative ambition meets the everyday realities of an industry built on relationships, opportunity and execution.

Navigating that environment independently presented significant challenges. GODSPEED has identified versatility, adaptability and becoming comfortable with uncertainty as important elements of the journey.

Every experience contributed to the development of an artist capable of approaching music from multiple perspectives.

BEAUTIFUL DISORDER: CALCULATED RAGE MEETS SONIC PRECISION

Beyond traditional hip-hop exists a creative universe where raw emotion, experimental production and technical discipline occupy the same frequency.

GODSPEED understands the difference between simply performing a record and knowing how to construct one. Producing, engineering and recording original material offer the opportunity to shape every dimension of a composition without depending entirely on someone else’s interpretation.

Creative freedom becomes particularly interesting when technical knowledge enters the conversation.

Aggressive expression provides one dimension. Alternative influences introduce another. Melody, rhythm, unpredictable arrangements and contrasting emotional textures create opportunities to explore sounds that might otherwise exist in completely separate musical categories.

GODSPEED operates comfortably within that creative tension. Calculated rage becomes a form of artistic energy rather than a limitation, giving the recording process room for intensity without sacrificing precision.

Modern listeners encounter an extraordinary range of influences across digital platforms, frequently moving between international hip-hop, electronic music, alternative culture and experimental artists within the same listening session. GODSPEED’s multi-genre direction reflects that increasingly borderless relationship with sound.

Versatility also extends into production work for other artists. Professional credits include “Mars,” the introduction to Star Bandz’s Estrella, co-production on “Big Spender” by Dashawn Jordan and 24Hrs, and production for the outro of Dalait’s DALI’S INFERNO.

Collaborating across different projects requires an understanding of musical identity beyond personal preferences. Every recording presents a new creative environment, challenging producers to balance technical knowledge with the emotional intentions of the performer.

For GODSPEED, those experiences contribute to an expanding musical vocabulary. Each collaboration introduces new possibilities, while solo material offers complete freedom to experiment with whatever direction the imagination demands.

SIXTEEN TRACKS. NO GUEST FEATURES. PURE EXPRESSION.

An invitation into the creative world of an artist who refuses to surrender individuality for familiarity.

Released on May 25, 2026, THE INTROVERTED CHILDREN ii represents another chapter in GODSPEED’s growing discography. Across 16 tracks, the album places the Jacksonville native at the center of the project without relying on guest features.

Earlier projects, including The Introverted Children, Starseed and On My Own, provide additional context for an artistic journey built around experimentation and personal expression.

Revisiting the Introverted Children concept introduces an opportunity to explore an established creative world from a new perspective. GODSPEED approaches the latest installment with the accumulated experience of a producer, recording artist and engineer, bringing several dimensions of musicianship into the same project.

Song titles such as “ILLUSIONS,” “PURE ECSTASY,” “WHEREDOIBEGIN?” and “UGLY TRUTH” introduce a vocabulary of contrasting emotions. Together, those selections suggest an interest in examining the complicated relationship between uncertainty, ambition, vulnerability and intensity.

“CHRIS HANSEN” has become a central part of the current RADIOPUSHERS promotional campaign, introducing the album to audiences across multiple independent radio platforms.

Beyond an individual release, THE INTROVERTED CHILDREN ii establishes another opportunity to experience GODSPEED as a multidimensional creator. Production, performance and technical execution become different expressions of one artistic vision.

THE CYBERTRUCK EFFECT: BUILT OUTSIDE THE BLUEPRINT

Unconventional engineering. Futuristic imagination. A visual identity designed to challenge every familiar angle.

Imagine a Cybertruck entering a parking lot filled with conventional luxury vehicles. Sharp architectural lines immediately disrupt the landscape, creating an entirely different conversation about what futuristic design can look like.

GODSPEED brings a comparable mentality to contemporary music and visual culture.

Unconventional photography introduces a striking aesthetic, built around architectural environments, experimental camera positioning and streetwear that feels naturally connected to the artist’s personality.

Every composition creates an opportunity to manipulate perspective. Dramatic lighting changes the atmosphere. Clothing contributes texture and cultural identity. Unexpected angles transform familiar surroundings into something that demands attention.

GODSPEED’s photographic approach suggests an interest in creating images that communicate without requiring elaborate explanations.

Consider the floating-window photograph. Unusual positioning, natural light and striking architecture establish an atmosphere that could easily belong to an alternative fashion campaign or experimental album cover.

Nothing about the composition attempts to imitate conventional celebrity photography.

Such visual experimentation creates opportunities to develop a recognizable aesthetic across multiple artistic disciplines. Album artwork can introduce an entire visual universe. Fashion provides another form of personal expression. Music videos offer room to transform recordings into immersive cinematic experiences.

GODSPEED’s creative ambitions reflect an understanding that modern artistry extends well beyond a recording booth. Photography, sound and fashion offer different ways to communicate the same underlying imagination.

Every medium becomes another opportunity to construct something unmistakably original.

CHRIS HANSEN: THREE FREQUENCIES. NO CREATIVE CEILING.

Jacksonville roots meet Los Angeles energy as GODSPEED expands an independent radio presence through the RADIOPUSHERS ecosystem.

Independent radio introduces a different kind of opportunity for emerging artists. Beyond digital playlists and algorithm-driven recommendations, curated programming creates another pathway for audiences to discover music outside familiar commercial expectations.

GODSPEED is now extending that reach through a developing partnership with RADIOPUSHERS.

According to the network, “CHRIS HANSEN” is receiving rotation across three radio environments: OpenWav Radio on Apple Music, POWER 102.8 Los Angeles on TuneIn and 99.7 DA HEAT MIAMI on Apple Music.

Each station provides a different opportunity to introduce GODSPEED to listeners discovering independent music through curated programming.

Serving as a RADIOPUSHERS brand ambassador introduces another dimension to that relationship. Opportunities for artist development, independent media exposure and creative collaboration create a foundation for expanding beyond conventional music promotion.

GODSPEED enters the partnership with an established discography, a developing production resume and a striking visual identity, giving newly introduced audiences several opportunities to explore the work.

Additional exposure also places greater emphasis on the relationship between independent artists and the people who connect with their creative vision. A record might introduce the name, but the broader artistic experience provides an opportunity to build something more meaningful.

For GODSPEED, “CHRIS HANSEN” represents another entry point into an expansive creative universe.

AN EMPIRE BEYOND THE MICROPHONE

Fashion. Animation. Independent ownership. GODSPEED is envisioning a creative world that stretches far beyond recorded music.

Long-term ambitions include establishing an independent record label, opening a recording studio, developing a clothing brand and creating an adult animated series. Each venture represents another opportunity to extend the artistic imagination beyond conventional music production.

Recording facilities could provide a home for future projects and collaborations. Independent ownership would create opportunities to develop music according to an individual creative philosophy, while fashion and animation introduce entirely different approaches to storytelling.

GODSPEED’s existing technical experience provides an important foundation for those ambitions. Producing, engineering and performing require an understanding of several interconnected disciplines, creating practical opportunities to approach future projects from more than one perspective.

An independent creative company would introduce additional challenges, from business development to establishing relationships across different industries. GODSPEED’s willingness to embrace unfamiliar territory, however, has already played an important role in shaping the journey from collegiate athletics to professional music.

Photography introduces another compelling opportunity. Striking visual concepts could become the foundation for fashion campaigns, original merchandise or animation projects built around a distinctive artistic aesthetic.

GODSPEED isn’t limiting the definition of a recording artist to someone who simply releases music. Creative ambition extends toward constructing an environment where multiple art forms can coexist and evolve.

NO GRAVITY. NO PERMISSION. NO FINISH LINE.

Jacksonville created the foundation. Los Angeles introduced a different level of ambition. GODSPEED is still building the world that connects them.

Return to that photograph above the towering window. Natural light fills the background, architecture creates the frame, and GODSPEED occupies the composition with an effortless disregard for conventional perspective.

One unexpected camera angle transforms an ordinary setting into a memorable piece of visual storytelling.

A similar philosophy connects the different chapters of an unconventional creative journey. Collegiate athletics introduced discipline. Music production demanded technical curiosity. Los Angeles provided an opportunity to experience the realities of an industry where creativity and ambition must coexist with persistence.

Photography, fashion and experimental music now offer different avenues for expanding that vision.

GODSPEED continues developing a creative identity defined by curiosity, independence and the freedom to explore ideas without committing to a single artistic category.

Beyond the latest album, radio rotation and emerging brand partnerships, the larger story remains one of creative evolution. Every recording, photograph and future venture offers another opportunity to challenge expectations and introduce something unfamiliar.

Jacksonville will always remain part of the foundation. Los Angeles continues to shape the next chapter.

GODSPEED is creating without allowing either geography or genre to determine where the journey ends.  GODSPEED is a Global Ambassador of RADIOPUSHERS and MUSICHYPEBEAST.

Six Tracks. Seventeen Minutes. Zero Apologies. Birmingham’s Independent Rap Duo Delivers a Gritty, Bass-Heavy Statement of Southern Hip-Hop.

By The Underground Music Review 

In a hip-hop landscape where artists often chase viral moments, polished radio singles, and whatever sound dominates the charts, Q Dot Davis and JaxXxon are taking a different route. With their latest collaborative EP, Straight Off Da Porch 2, the Birmingham, Alabama duo returns to the raw, unfiltered foundation of Southern underground rap—bringing street energy, club-ready production, and the kind of chemistry that can only develop through years of working together.

Released October 12, 2026, the six-track, 17-minute project follows the duo’s earlier efforts from 2022, delivering a high-octane listening experience that wastes little time getting to the point. There are no lengthy introductions, unnecessary detours, or attempts to disguise the project’s identity. From the opening moments, Straight Off Da Porch 2 makes its intentions clear: hard beats, confident delivery, unapologetic street talk, and music built to move a crowd.

And on those terms, Q Dot Davis and JaxXxon deliver.

A SOUND THAT STAYS TRUE TO ITS ROOTS

The strongest element of Straight Off Da Porch 2 is its commitment to the Southern underground sound. Sharp hi-hats, heavy 808s, and basslines designed to rattle car speakers provide the foundation for a project that prioritizes energy over excessive polish.

Rather than chasing mainstream trends, the duo leans into a gritty, independent aesthetic that 

feels closely connected to Birmingham’s working-class hip-hop culture while drawing on the infectious bounce associated with Louisiana rap.

“BOURBON STREET BOUNCE” stands out as one of the project’s clearest examples of that approach. Its uptempo rhythmic energy brings a club-ready feel that seems tailor-made for packed rooms, late-night parties, and concert crowds looking for something that hits hard.

The production doesn’t attempt to reinvent Southern rap. Instead, it recognizes what makes the sound effective and doubles down on it.

That sense of purpose gives the EP a recognizable identity from beginning to end.

TWO ARTISTS. ONE UNIFIED MISSION.

Collaboration is where Straight Off Da Porch 2 finds much of its strength.

Q Dot Davis serves as a commanding vocal presence throughout the project, while JaxXxon complements the delivery with a shared sense of urgency and swagger. Their performances feel connected rather than assembled, creating the impression of two artists who understand one another’s timing, strengths, and approach to making records.

That chemistry is especially important in independent hip-hop, where collaborative projects can sometimes feel like collections of unrelated verses rather than cohesive bodies of work.

Here, the partnership feels intentional.

On “Rolla Motion” and “BAK ON DA BULLSHIT,” the duo embraces aggressive flows, unfiltered street commentary, and the confidence of artists ready to reassert themselves. The records carry a relentless energy that reinforces the project’s central attitude: the duo has returned to make noise, and it isn’t interested in easing into the conversation.

There is little hesitation in the performances. The delivery is direct, the production stays heavy, and the energy remains elevated.

FOUR TRACKS THAT DEFINE THE EXPERIENCE

“Rolla Motion” — The Statement of Intent

With its assertive delivery and high-energy approach, “Rolla Motion” captures the spirit of the project. It establishes the confidence and momentum that carry the EP, making it a natural choice for listeners who want the duo at full intensity.

“BOURBON STREET BOUNCE” — Built for the Speakers

This track brings a distinctly danceable Southern bounce to the collection. Its rhythmic drive and bass-heavy foundation give it the potential to translate particularly well in clubs and live performances. If the EP has a track built to get a room moving, this is a strong contender.

“HER & HER FRIEND” — A Late-Night Switch-Up

The project makes a slight turn toward a more melodic, late-night club atmosphere on “HER & HER FRIEND.” The track maintains the duo’s explicit lyrical approach and heavy low end while offering a different setting from the more aggressive street records. It adds a welcome shift in mood without abandoning the EP’s core identity.

“SESSION’26” — Raw Chemistry to Close It Out

The closing track brings a freestyle-inspired, cypher-like energy that puts the focus on bars, delivery, and studio chemistry. Rather than relying on an elaborate commercial formula, it emphasizes the unfiltered performance style that gives the project its underground appeal. It is a fitting finish for an EP built around authenticity and direct expression.

Together, these tracks showcase the duo’s ability to maintain a consistent sound while giving listeners different entry points into the project.

BIRMINGHAM INDEPENDENT RAP WITH SOMETHING TO PROVE

Straight Off Da Porch 2 arrives in a Birmingham hip-hop environment where commercial success, streaming visibility, and independent credibility all play different roles in determining an artist’s reach.

The city has produced artists who have broken into the mainstream, raising the profile of Birmingham rap well beyond Alabama. Q Dot Davis and JaxXxon are operating in a different lane: the independent underground, where local recognition, performance energy, and the ability to build a dedicated audience are essential parts of the equation.

Their advantage is focus.

Rather than leaning heavily on melodic trends or attempting to imitate the sound of another region, the duo embraces a harder-edged Southern approach. The result feels rooted in its own identity, with a sound that connects naturally to the atmosphere of Birmingham’s independent music scene.

The EP’s live potential is another selling point. Tracks such as “Rolla Motion” and “BOURBON 

STREET BOUNCE” are structured around the kind of energy that can translate beyond headphones, giving the duo material suited for club sets and high-intensity performances.

For independent artists, that connection between recorded music and the stage matters. A song that moves a crowd can become more than a streaming statistic; it can become part of an artist’s reputation.

Straight Off Da Porch 2 gives Q Dot Davis and JaxXxon a strong foundation to build on.

NO FILLER—BUT ROOM TO GROW

The EP’s biggest strength is also one of its limitations.

At just 17 minutes, the project is tightly paced and easy to replay. Six tracks keep the experience moving, and the duo avoids stretching ideas beyond their natural lifespan. Listeners looking for a quick dose of Southern street rap and club-ready energy will appreciate the efficiency.

However, the same consistency that makes the project cohesive can occasionally make the songs feel sonically similar. The lyrical subject matter largely remains within familiar territory—street confidence, flexing, and club energy—without reaching extensively into deeper storytelling or broader conceptual themes.

That isn’t necessarily a failure. The duo knows the lane it wants to occupy and executes that approach with conviction. Still, more variation in production, more unexpected lyrical turns, or a deeper narrative centerpiece could have elevated the EP from a strong underground release to a more ambitious artistic statement.

The short runtime also leaves listeners wanting more. Another track or two exploring a different mood could have expanded the project’s range without sacrificing its momentum.

These are opportunities for growth rather than reasons to dismiss what the duo has accomplished.

THE FINAL VERDICT

Straight Off Da Porch 2 is a confident, energetic return from Q Dot Davis and JaxXxon. Its greatest achievements are its authentic Southern sound, the natural chemistry between its two performers, and a tracklist that understands the value of momentum.

It doesn’t attempt to solve hip-hop’s biggest creative challenges or deliver a sweeping conceptual narrative. Instead, it focuses on making hard-hitting underground rap that sounds comfortable in its own skin.

That commitment is the project’s calling card.

For longtime followers, the EP offers a welcome continuation of the duo’s collaborative story. For new listeners, it provides a concise introduction to two independent artists working within Birmingham’s Southern rap tradition. And for fans who value bass-heavy production, unapologetic delivery, and music designed to come alive in a crowd, there is plenty here to appreciate.

The next step is expansion: more sonic diversity, sharper storytelling, and an even broader showcase of what the partnership can accomplish. But the foundation is already there.

Final Score: 8/10

Straight Off Da Porch 2 may not reinvent the wheel, but it knows exactly how to keep it spinning. Q Dot Davis and JaxXxon have delivered a focused, replayable underground project that honors its roots while giving the duo fresh momentum.

The bottom line: The porch is where the story begins—not where the ambition has to ends. This is a classic EP that will be timeless. 

Stream the full project on the Straight Off Da Porch 2 YouTube Music playlist and experience the latest chapter in Q Dot Davis and JaxXxon’s independent Southern hip-hop journey.

Listen here: https://music.youtube.com/playlist?list=PLULeTNgZMzTg&si=RKQ1p1-9tdJpQBwB

FOLLOW THE ARTISTS 

http://www.Instagram.com/qdotdavis1 

http://www.Instagram.com/jaxx_xon 

Q Dot Davis Cameo: https://www.cameo.com/qdotdavis?nodeId=&nodeType=category

Q Dot Davis Spotify: https://open.spotify.com/artist/6j1AUgwbgARanXlWpWylPT

Q Dot Davis Apple Music: https://music.apple.com/us/artist/q-dot-davis/552970688

Q Dot Davis Amazon Music: https://music.amazon.com/artists/B07515JQJQ/q-dot-davis

Q Dot Davis Tidal: https://tidal.com/browse/artist/9042106

Texas singer-songwriter CALLA has been surrounded by music for most of her life. Growing up just outside Houston, she was introduced to everything from rock and country to gospel and dance music, which helped shape her sound today. Along with singing and songwriting, she spent years competing in hip-hop dance before moving to Nashville to pursue music full-time. Fans may recognize her from Season 24 of The Voice, where she competed on Gwen Stefani’s team. Since then, she has continued building her career, signing a publishing deal with Made In Memphis Entertainment and developing her own blend of pop and R&B.

CALLA is back with the music video for “Halfway,” the lead single from her upcoming EP, Between 10PM & 4. Inspired by a past relationship, the song came about after an ex released music sharing his perspective on their time together. CALLA decided it was time to tell her side of the story. The track touches on the frustration of being caught between casual dating and a serious relationship, while also recognizing when it’s time to expect more from someone. With its personal message and confident attitude, “Halfway” offers an early look at what CALLA has in store for her next project.