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         <title>[Appalachian History]They would work up the apples the next day</title>
         <link>http://www.appalachianhistory.net/2015/10/pa-bought-mountain-farm-of-about-eighty.html</link>
         <description>&lt;p&gt;&amp;#8220;Pa bought a mountain farm of about eighty acres that was located about five miles up Coon Creek from where the state road went from Pikeville, Kentucky to Williamson, W. Va. This farm had a framed four-room house on it, but Pa was never satisfied with it, as it was all hillside except maybe two [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net/2015/10/pa-bought-mountain-farm-of-about-eighty.html&quot;&gt;They would work up the apples the next day&lt;/a&gt; appeared first on &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net&quot;&gt;Appalachian History&lt;/a&gt;.&lt;/p&gt;
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         <guid isPermaLink="false">http://www.appalachianhistory.net/2007/10/they-would-work-up-the-apples-the-next-day/</guid>
         <pubDate>Thu, 01 Oct 2015 05:00:00 +0000</pubDate>
         <content:encoded><![CDATA[<p>&#8220;Pa bought a mountain farm of about eighty acres that was located about five miles up Coon Creek from where the state road went from Pikeville, Kentucky to Williamson, W. Va. This farm had a framed four-room house on it, but Pa was never satisfied with it, as it was all hillside except maybe two acres.</p>
<p>&#8220;Pa and Ma both worked hard and were good managers. They raked and scraped and saved all they could, and didn’t waste anything. Pa was a great hand to set out fruit trees, so naturally he had an apple orchard. They canned apples in fruit jars, dried apples over a kiln, and made apple butter. Of course there were other fruit trees on the place, such as a cherry tree, several peach trees and some pear trees. They made use of all the fruit. When apples were ripe, they would peel a couple of bushels at night by kerosene lamplight, then they would work them up the next day.</p>
<p><a rel="nofollow" target="_blank" href="http://4.bp.blogspot.com/_0AxZHWIQBLI/Rv1_rWYHyqI/AAAAAAAAAZ0/B1b20GG_g9o/s1600-h/sorting+fruit.jpg"><img id="BLOGGER_PHOTO_ID_5115385134480607906" style="display:block;margin:0px auto 10px;text-align:center;cursor:hand;" title="University of Kentucky/image kukuarp:1998ua001:009_0035/Louis Edward Nollau F Series Photographic Print Collection &lt;br /&gt;" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/sorting%2Bfruit.jpg" alt="Sorting fruit in Kentucky" border="0"/></a><br />
&#8220;Pa was intelligent and he had about fifth grade education at three or four months per school term. Women in those days rarely attended school as it was considered useless as a woman&#8217;s place was in the home. So naturally Ma could neither read nor write. Pa taught her to read, write and count. He used a blue-backed speller as a textbook. Ma would practice writing or printing the words from the speller, and soon she could read her bible and the mail order catalog.</p>
<p>&#8220;Ma was an intelligent woman and had great pride in her manners, cleanliness and character. She always had a smile for every one and never downed people. They seemed to prosper right along, and they vowed they would send their children to school and educate them. This they did.</p>
<p>&#8220;Bertha completed eighth grade, took six weeks of high school, took a Normal Course Examination and received her certificate to teach school. She taught school for three years on Brushy Fork of John&#8217;s Creek. Orrison completed high school at Pikeville, and went to the University Of Kentucky at Lexington, where he graduated with a Law degree. He was admitted to the Bar in Kentucky, and set up his practice in Pikeville. John completed high school in Pikeville, and was an outstanding basketball player. After high school, he went into business with Garfield Blackburn, selling White Sewing Machines.&#8221;</p>
<p>TELLING IT LIKE IT WAS<br />
By Ireland Everett Layne<br />
(1919-1990)<br />
Coon Creek, KY<br />
source: <a rel="nofollow" target="_blank" href="http://perma.cc/MQ67-S58S">http://pikecounty.potterflats.com/layne.htm</a></p>
<p>&nbsp;</p>
<p><a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/Pikeville+KY">Pikeville+KY</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/Apple+harvesting">Apple+harvesting</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachia">appalachia</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachia+history">appalachia+history</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachian+culture">appalachian+culture</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachian+history">appalachian+history</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/history+of+appalachia">history+of+appalachia</a></p>
<p>The post <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net/2015/10/pa-bought-mountain-farm-of-about-eighty.html">They would work up the apples the next day</a> appeared first on <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net">Appalachian History</a>.</p>
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         <title>[Zenobia: Empress of the East] Happier Days in Palmyra: Part II</title>
         <link>http://feedproxy.google.com/~r/blogspot/lMnZ/~3/kVdZhVs6Z-M/happier-days-in-palmyra-part-ii.html</link>
         <description>&lt;b&gt;&lt;span style=&quot;font-size:medium;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size:small;&quot;&gt;&lt;i&gt;This post is dedicated to the memory of Dr Khaled al-Assad, a good and gentle man&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Part I, click &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://judithweingarten.blogspot.nl/2015/09/happier-days-in-palmyra.html&quot;&gt;here&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;b&gt;The Peregrinations of a Lady&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear:both;text-align:center;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://2.bp.blogspot.com/-UThVZrJ1LCM/VfL5A5JdtlI/AAAAAAAAHSE/AhaZdcWBBjA/s1600/Vatican56603_4_LaurieAnnie.gif&quot; style=&quot;clear:left;float:left;margin-bottom:1em;margin-right:1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;http://2.bp.blogspot.com/-UThVZrJ1LCM/VfL5A5JdtlI/AAAAAAAAHSE/AhaZdcWBBjA/s400/Vatican56603_4_LaurieAnnie.gif&quot; width=&quot;320&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=&quot;font-size:large;&quot;&gt;This funerary portrait of an elegant upper-class woman from Palmyra used to belong to the&amp;nbsp; wealthy Italian art historian and critic, &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Federico_Zeri&quot;&gt;Federico Ziri&lt;/a&gt;. Before it entered Ziro's collection, however, the bust had already passed through the hands of several important French collections. As with so many Palmyran portraits in private hands, there are gaps in its collecting history.&amp;nbsp; We don't know, of course, when or where the bust was found, dug up and sold.&lt;/span&gt;&lt;br /&gt;&lt;blockquote class=&quot;tr_bq&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;i&gt;...illicit digging continues, and almost every traveller buys and removes a few busts and mortuary inscriptions.&lt;/i&gt; (&lt;span style=&quot;font-size:small;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.penn.museum/documents/publications/expedition/PDFs/43-3/Palmyrene.pdf&quot;&gt;John Punnett Peters, in Palmyra in 1889&lt;/a&gt;&lt;/span&gt;)&amp;nbsp;&lt;/span&gt;&lt;/blockquote&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Our lady's portrait first came to public notice in 1903 when it appeared in the Beirut collection of the linguist and excavator Father &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.persee.fr/doc/crai_0065-0536_1937_num_81_1_76821&quot;&gt;Sébastien Ronzevalle&lt;/a&gt;, SJ.&amp;nbsp; Long before the Jesuit father's death (d. January 1937), the bust had resurfaced in the possession of the slightly dubious French architect &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;https://fr.wikipedia.org/wiki/%C3%89mile_Bertone&quot;&gt;Émile Bertone&lt;/a&gt;, who had travelled to Palmyra in 1898 where he copied and published a mixed bag of inscriptions. He kept the portrait until his death (d. March 1931), when it was sold at the Paris auction house of Clément Platt. Who bought it? We don't know. We know nothing of its fate between 1931 and the 1960s when it entered Federico Ziri's collection (along with another nine Palmyran busts); exactly how and where he acquired the lady's portrait is not yet clear. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Like the vast majority of Palmyran reliefs  cloistered in private collections, her portrait had, for all practical purposes, vanished from the world.&amp;nbsp; Zeri kept the busts in his private villa just outside Rome. The art historian had come to believe that he descended from a noble Syrian family from Homs (ancient &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Homs&quot;&gt;Emesa&lt;/a&gt;, 160 km as the crow flies across the desert from Palmyra); accordingly, he placed the ten portraits in the entrance hall of his villa -- rather like an ancient Roman patrician's ancestral busts -- so that anyone visiting him would have to pass along them, as if through a guard of honour.&amp;nbsp; In short, if you wanted to see the lady and her compatriots, you needed a personal invitation.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Ziri's ten busts were finally published in 1986 -- albeit in an Italian learned journal of little international reach. When Zeri died in 1998, he bequeathed  the ten pieces to the Museo Gregoriana Egizio  of the Vatican Museum, where presumably they will rest until the Day of Judgment. You can now find our lady online with some information &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://mv.vatican.va/2_IT/pages/x-Schede/MEZs/MEZs_Sala08_x02.html&quot;&gt;in Italian &lt;/a&gt;and &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.flickriver.com/photos/elissacorsini/8022293481/&quot;&gt;in English&lt;/a&gt;.&amp;nbsp;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;That being said, the museum's text is brief and not entirely crystal clear.&amp;nbsp; In fact, it merely whetted my appetite. Who wouldn't like to learn more about this woman's life and death, the clothes she is wearing, her choice of jewels, and even the meaning of &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://judithweingarten.blogspot.it/2010/11/secret-language-of-palmyra.html&quot;&gt;her hand gestures&lt;/a&gt;?&amp;nbsp; But, until today -- unless you are sitting in a world-class university library -- finding this out will be a complicated and long drawn-out business, which might even end with your hitting a brick wall.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;b&gt;Ye Olde Way&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear:both;text-align:center;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://3.bp.blogspot.com/-mc0_z8sZAv4/Vgv1phk9SMI/AAAAAAAAHTM/s-McQZA8Y1Q/s1600/DamascusMus_pbase_dosseman.gif&quot; style=&quot;clear:left;float:left;margin-bottom:1em;margin-right:1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;http://3.bp.blogspot.com/-mc0_z8sZAv4/Vgv1phk9SMI/AAAAAAAAHTM/s-McQZA8Y1Q/s400/DamascusMus_pbase_dosseman.gif&quot; width=&quot;317&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;The first question we would need to answer is the date of the&amp;nbsp; relief itself: when did her family have that beautiful stone carved in her memory? That's not too difficult -- for the bust is a fine example of the early-third century style of Palmyran sculpture; so the memorial was made in the years between ca. 200 and 230 CE. Happily, there is also a woman's bust in the National Museum of Damacus that is nearly a twin of our lady -- and her portrait is precisely dated by its inscription to 226/27 CE.&amp;nbsp; We can't be more than a decade off from that date.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Our lady is also inscribed with Palmyrene script on the slab above her left shoulder ... and that&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt; text should reveal her name and close family relations. Outside of my dream library, finding that text proved difficult. I searched on Google by catalogue number and finally tracked her down in a truly obscure &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.persee.fr/web/revues/home/prescript/article/antaf_0066-4871_1988_num_24_1_1147&quot;&gt;academic journal&lt;/a&gt; in the middle of a discussion about an ancient Latin inscription from Libya(!). As it happens, the Libyan man's name was also shared by a handful of Nabataeans and Moabites as well as a very few Palmyrans; but only by one female, who turns out to be our lady: her name is &lt;i&gt;Rumai&lt;/i&gt;. The name probably comes from the root RWM, meaning 'high' (perhaps in the sense of 'high-born').&amp;nbsp; Finally, with the help of inter-library loans,* I read the complete inscription:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote class=&quot;tr_bq&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;i&gt;Image of (SLMT)&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;i&gt;Rumai (RWMJ), wife of&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;i&gt;Iarhi (JRHJ), son of&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;(HN').&amp;nbsp; Alas! &lt;/span&gt;&lt;/blockquote&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Admittedly, I was not much the wiser&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Although in theory, I was now in a position to winkle out possible family connections, this could not realistically be done outside of my dream library ... so I put that task aside for  another time.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Her finery, however, which is carved in very great detail, allowed me to&lt;/span&gt;&lt;span style=&quot;font-size:large;&quot;&gt; start on the interesting task of comparing her statue with those of other wealthy Palmyran women of her time.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear:both;text-align:center;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://2.bp.blogspot.com/-jkAd2VoA4zQ/VglTtIHcL_I/AAAAAAAAHSw/z0vIMb2Brn0/s1600/UPenn_B8809.gif&quot; style=&quot;clear:left;float:left;margin-bottom:1em;margin-right:1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;http://2.bp.blogspot.com/-jkAd2VoA4zQ/VglTtIHcL_I/AAAAAAAAHSw/z0vIMb2Brn0/s400/UPenn_B8809.gif&quot; width=&quot;312&quot;/&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Beginning at the top: beneath her veil she wears a high rolled&amp;nbsp; elaborately decorated &lt;/span&gt;&lt;span style=&quot;font-size:large;&quot;&gt;turban &lt;/span&gt;&lt;span style=&quot;font-size:large;&quot;&gt;with rosettes and pearls apparently sewn on.&amp;nbsp; I know of several portraits with similar headdresses, such as this lovely lady (left) now in the University of Pennsylvania Museum. Both ladies also share the same swept-up hair style. The headdress and hairdo can also be found together on a few other female heads of which I have but dismal black-and-white photographs (e.g. IN 1102, 1099, 1104, in the Ny Carlsburg Glyptotek in Copenhagen) -- all dated on stylistic grounds to ca. 210-230 CE.&amp;nbsp; So we can be reasonably sure that these particular features are shared by some fashionable women at this time.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Next, Rumai's lovely cloak is adorned with a vertical band of acanthus leaves, a design repeated on the cuffs which also end in fringes (or possibly fur). Ladies' cloaks are rarely embroidered in Palmyra: here, it is the men, not the women, who sport elaborately decorated outer garments, especially (though not exclusively) those wearing Parthian-type tunics and trousers. Besides Lady Rumai&amp;nbsp; and her 'twin' in Damascus, another exception is the 'Beauty of Palmyra' (illustrated &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://judithweingarten.blogspot.nl/2015/09/happier-days-in-palmyra.html&quot;&gt;in Part I&lt;/a&gt;) whose sleeves are decorated with a pattern that seems to echo her ornate bracelets. There are, of course, a few other exceptionally clad women, but it still holds true that embroidered cloaks are very uncommon on women's funerary busts.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear:both;text-align:center;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://2.bp.blogspot.com/-wf11-egji2I/Vgqjtq0JknI/AAAAAAAAHS8/6OCy6nj9bd0/s1600/Bitti.gif&quot; style=&quot;clear:left;float:left;margin-bottom:1em;margin-right:1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;http://2.bp.blogspot.com/-wf11-egji2I/Vgqjtq0JknI/AAAAAAAAHS8/6OCy6nj9bd0/s320/Bitti.gif&quot; width=&quot;248&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Then I thought of Bitti, daughter of Yarhai (left).&amp;nbsp; &lt;/span&gt;One rarely thinks of Bitti.&amp;nbsp; Why not? Because she is one of the very very few Palmyran women who does not wear a veil -- an altogether exceptional group; who are these strange or wanton women? Are they (as some have&amp;nbsp; proposed) freed slaves, or even eunuchs, or are they merely flappers out for a fling, the better to flaunt their special&amp;nbsp; hairstyle? I won't get into this question today (though one day, I will) but note that Bitti, too, wears a beautifully decorated cloak.&amp;nbsp; She is also dated to ca. 230 CE.&amp;nbsp; It all seems to be coming together nicely.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Now, what we really need in order to progress further is to see &lt;i&gt;all&lt;/i&gt; the women who are wearing such decorated cloaks.&amp;nbsp; And then put that together with &lt;i&gt;all&lt;/i&gt; women whose jewellery -- drop-earrings, necklaces, and finger rings -- is similar to that worn by Lady Rumai.&amp;nbsp; But even a preliminary look at jewellery would take me days ... if not weeks of work; and I'd still be certain to miss a large number of poorly-illustrated busts, as well as those which have never been shown to the public. Honestly, what can we hope to learn from just one portrait, or even a wall full of them?&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Not very much, really.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;If Lady Rumai is not to remain little more than a pretty picture, we need a Corpus. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;b&gt;What's in a Corpus?&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Palmyran portraits are scattered in public and private  collections throughout the world. They are often poorly published, or  not at all -- and they have never been catalogued, described, dated, or  treated as an entire group.&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;That is now about to change.&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;b&gt;The Palmyra Portrait Project&lt;/b&gt;***&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;When Harald Ingholt (&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://judithweingarten.blogspot.nl/2015/09/happier-days-in-palmyra.html&quot;&gt;Part I of this post&lt;/a&gt;) worked out the essential chronology and dating of Palmyran sculpture in 1928, he knew of 524 portraits. Between the 1930s and the 1980s, he found and drew in his diaries almost 1,000 pieces. But today, the &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://projects.au.dk/palmyraportrait/project/&quot;&gt;Palmyra Portrait Project&lt;/a&gt; (&lt;b&gt;PPP)&lt;/b&gt; database has recorded 2,600 portraits -- far more than anyone ever knew existed --&amp;nbsp; from museums and private collections around the world.&amp;nbsp; This includes hundreds of portraits that had briefly appeared on the antiquities markets and then vanished from public view.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;The &lt;b&gt;PPP&lt;/b&gt; is  preparing a complete research dossier for every single known piece of  Palmyran portraiture. Wherever possible, new high-resolution  photographs have been made.&amp;nbsp; That is an essential step: look at the photograph of Lady Rumai at the top of this post: it's the best I could find online, not bad but it blurs some details, such as the round brooch that pins her cloak (next to her left hand). Brooches are an important item of jewellery, usually of gold -- and their shapes and designs change over time; certain designs perhaps are meaningful but we can't know what they might mean until we can compare them all, type by type.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Portrait descriptions will also include detailed analysis of  poses, faces, and attributes (usually, what is held  in the hands).&amp;nbsp; Gender, colour traces, hairstyles, dress, and  jewellery are all recorded in minute detail, and made searchable. For the very first time, it will be possible to compare every detail of each sculpture with all the others. Added to the data, of course, are the dated inscriptions as well as all known family relations [So-and-so, the son/daughter, father/mother of so-and-so: up to five generations!] -- and a whole world of new research possibilities opens up.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear:both;text-align:center;&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://4.bp.blogspot.com/-Yd9EJrDKwdI/VgwLJ5_ynzI/AAAAAAAAHTc/a2pP0r9EyGw/s1600/Vatican_tablet_edited-1.gif&quot; style=&quot;clear:left;float:left;margin-bottom:1em;margin-right:1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;http://4.bp.blogspot.com/-Yd9EJrDKwdI/VgwLJ5_ynzI/AAAAAAAAHTc/a2pP0r9EyGw/s400/Vatican_tablet_edited-1.gif&quot; width=&quot;302&quot;/&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Portraits can be compared across and within groups such as priests, women, children, or even those sharing the same attribute. Sticking to women for the moment -- as is the wont of this blog -- did you know that five women hold writing tablets (vs. more than 100 men); who are these ladies? One such woman with a tablet doesn't wear a veil (left); is that significant?&amp;nbsp; Are there still more ladies with stylus or tablets out there, in less accessible collections? Women sometimes hold keys (men never do): are these the keys to the household cupboard or to the gates of the world beyond?&amp;nbsp; And who else is wearing any special piece of jewellery that catches your eye?&amp;nbsp; All of this can soon be studied by date and, if we're lucky, by family connections. We'll be able see how facial features are treated differently over time, and follow changes in fashion and tastes -- hairstyles, beards and moustaches for men and hairstyles, headdresses and jewellery for women.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Let's say that you'd like to know if the   pearls-and-rosette decoration sewn on Lady Rumai's turban is a design   that runs in her family, perhaps even a badge of her clan?&amp;nbsp; We can only study that if we first know who else wears that particular pattern, their  dates, and inscriptions (if any) that might lead to other family members.&amp;nbsp; By this time next year I might be able  to tell you.&amp;nbsp; And then, when I next think about the Unveiled Women of Palmyra, I hope to have a complete picture of &lt;i&gt;all&lt;/i&gt; of them before I start to write. What a difference that will make!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;Palmyrene portraiture has an inherent logic all its own.&amp;nbsp; Everyone who studies it has an intuitive understanding of this. It's time we find out more exactly what it is.&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:large;&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:small;&quot;&gt;* My warm thanks to Prof. Anna-Marguerita Jasink of the University of Florence, who was kind enough to call it up from the university library in Naples.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size:small;&quot;&gt;** Harald Ingholt (see &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://judithweingarten.blogspot.nl/2015/09/happier-days-in-palmyra.html&quot;&gt;Part I&lt;/a&gt;) long ago divided the known Palmyrene funerary portraits into three distinct chronological groups by taking the small number of dated examples and grouping about them undated reliefs that were stylistically similar. While later scholars have refined Ingholt’s categories, the basic groupings have been maintained. For example, we know that most men before 150 CE are clean-shaven whereas they tend to be bearded from 150-200 CE. Or that, after 200 CE, certain facial features appear, such as unincised eyes and a single groove for eyebrows, as well as the marks of the curved and flat chisel on the necks.&amp;nbsp; Women in his early group (50–150 CE) wore little jewelry and often held a spindle and a distaff in the left hand. Those in his second group (150–200 CE) wore more jewellery, including necklaces, bracelets, and rings, rarely held the spindle and distaff, and frequently raised the right hand to hold the veil back from the face. In the latest group (200-273 CE), some women display even more jewellery, and many used their left hand to hold the veil. However, it's possible that the amount of jewellery a woman wears correlates better with her family wealth or some other factors than simply with chronology. This is just one of the many conundrums awaiting solution after the Palmyra Portrait Project is fully launched.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*** Under the direction of Dr Rubina Raja of Aarhus University and Dr Andreas J.M. Kropp at Nottingham University.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&amp;nbsp;Sources&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;R. Raja and A.H. Sørensen. &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://projects.au.dk/uploads/media/Raja_Hoejen_Soerensen_Harald_Ingholt_og_Palmyra_2015.pdf&quot;&gt;&lt;i&gt;Harald Ingholt and Palmyra&lt;/i&gt;&lt;/a&gt;, Aarhus, 2015; A.J.M. Kropp, '&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;https://www.academia.edu/11445487/_The_Palmyra_Portrait_Project_Syria_91_2014_393-408&quot;&gt;The Palmyra Portrait Project&lt;/a&gt;', Syria 91, 2014, 393-408; M.K. Heyn, 'Female Portraiture in Palmyra' (Case Study VI), in&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://onlinelibrary.wiley.com/book/10.1002/9781444355024&quot; id=&quot;productTitle&quot; shape=&quot;rect&quot;&gt; A Companion to Women in the Ancient World&lt;/a&gt;, Published Online: 13 FEB 2012; P. Callieri, 'Rilievi funeriari palmireni nella collezioni Ziri', &lt;i&gt;Annali di archeologia e storia antica&lt;/i&gt;. Istituto Universitario Orientale di Napoli 8 (1986) 223-244; F. Vattioni, 'Le inscrizioni sui rilievi palmireni nella collezioni Ziri', &lt;i&gt;Annali&lt;/i&gt; 8 (1986) 245-248.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Illustrations&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;Top: Rumai, wife of Iarhi. &lt;span class=&quot;photo-title&quot;&gt;Bust of a Woman from Palmyra in the Vatican Museum. Photo Credit: &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.ipernity.com/doc/laurieannie/24820565/in/album/478297&quot;&gt;LaurieAnnie&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;photo-title&quot;&gt;Left # 2: &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.pbase.com/dosseman_syria/image/111983261&quot;&gt;Bust of a Woman from Palmyra in the National Museum of Damascus, April 2009&lt;/a&gt;.&amp;nbsp; Photo credit: Dosseman.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;photo-title&quot;&gt;Left # 3: &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.penn.museum/collections/object/288382&quot;&gt;Bust of Woman &lt;/a&gt;&lt;/span&gt;&lt;span class=&quot;photo-title&quot;&gt;&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.penn.museum/collections/object/288382&quot;&gt;from Palmyra&lt;/a&gt; (with false Palmyrene inscription) in the University of Pennsylvania Museum, Inv. B 8904. Photo credit: UPM .&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;photo-title&quot;&gt;Left # 4:&amp;nbsp; Bitti, daughter of Yarhai. Ny Carlsburg Glyptotek I.N. 1053. Photo credit: Colledge, &lt;i&gt;Art of Palmyra&lt;/i&gt;, Pl. 91 (via &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://homepage.univie.ac.at/elisabeth.trinkl/forum/forum0306/38carn.htm&quot;&gt;Carnuntum&lt;/a&gt;).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;photo-title&quot;&gt;Left # 5: &lt;/span&gt;&lt;span class=&quot;photo-title&quot;&gt;Bust of a woman from Palmyra, holding a writing tablet on her left hand. Vatican Museums, Rome. Photo credit: Carole Raddato CC BY-SA (via Following Hadrian: &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://followinghadrian.com/2015/06/04/the-ancient-people-of-palmyra-syria/&quot;&gt;The Ancient People of Palmyra&lt;/a&gt;).&lt;/span&gt; &lt;div class=&quot;feedflare&quot;&gt;
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         <pubDate>Wed, 30 Sep 2015 18:48:00 +0000</pubDate>
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         <title>[New York History]Enemy Captives of the War for Independence</title>
         <link>http://feedproxy.google.com/~r/NewYorkHistory/~3/MYOIynUPjNs/</link>
         <description>In this episode of the Ben Franklin’s World podcast, we explore the day-to-day experiences of British and German POWs during the War for Independence with Ken Miller, Associate Professor of History at Washington College and author of Dangerous Guests: Enemy Captives and Revolutionary Communities during the War for Independence (Cornell, 2014). You can listen to the podcast [&amp;#8230;]&lt;div class=&quot;feedflare&quot;&gt;
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         <pubDate>Wed, 30 Sep 2015 17:00:03 +0000</pubDate>
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         <title>[Civil War Books and Authors] Booknotes VI (Sept '15)</title>
         <link>http://cwba.blogspot.com/2015/09/booknotes-vi-sept-15.html</link>
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         <pubDate>Wed, 30 Sep 2015 16:36:00 +0000</pubDate>
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         <title>[Appalachian History]She had one husband, four children, and four legs</title>
         <link>http://www.appalachianhistory.net/2015/09/she-had-one-husband-four-children-and.html</link>
         <description>&lt;p&gt;Myrtle Corbin was known far and wide in the late nineteenth century as the Four-Legged Woman. While at a glance one could plainly see four legs dangling beyond the hem of her dress – only one pair belonged to her, the other set to her dipygus twin sister. Born in Lincoln County, TN in 1868, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net/2015/09/she-had-one-husband-four-children-and.html&quot;&gt;She had one husband, four children, and four legs&lt;/a&gt; appeared first on &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net&quot;&gt;Appalachian History&lt;/a&gt;.&lt;/p&gt;
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         <guid isPermaLink="false">http://www.appalachianhistory.net/2009/05/she-had-one-husband-four-children-and-four-legs/</guid>
         <pubDate>Wed, 30 Sep 2015 05:00:00 +0000</pubDate>
         <content:encoded><![CDATA[<p>Myrtle Corbin was known far and wide in the late nineteenth century as the Four-Legged Woman. While at a glance one could plainly see four legs dangling beyond the hem of her dress – only one pair belonged to her, the other set to her dipygus twin sister.</p>
<p>Born in Lincoln County, TN in 1868, the girl with the incredibly rare condition spent most of her childhood in Blount County, AL. The tiny body of her twin was only fully developed from the waist down and even then it was malformed – tiny and possessing only three toes on each foot. Myrtle was able to control the limbs of her sister but was unable to use them for walking and she herself had a difficult time getting around as she was born with a clubbed foot. Technically, the &#8216;Four-Legged Woman&#8217; only had one good, usable leg.</p>
<p>Myrtle became an exhibit at thirteen. Her first promotional pamphlet <span style="font-style:italic;">(Biography of Myrtle Corbin, 1881)</span> describes her as &#8220;gentle of disposition as the summer sunshine and as happy as the day is long.&#8221;</p>
<p>Myrtle was a popular attraction with P.T. Barnum, and later with Ringling Bros. and at Coney Island. Her popularity was likely linked to her showmanship – she would often dress the extra limbs with socks and shoes matching her own and this gave her a truly surreal appearance. Myrtle was so popular that she was able to earn as much as $450 dollars a week, a handsome sum in that era.</p>
<p>Myrtle&#8217;s younger sister, Willie Ann, married Hiram Locke Bicknell in 1885. Hiram&#8217;s brother Dr. James Clinton Bicknell proposed to Myrtle shortly afterward, and the two were wed in June 1886.</p>
<p>It&#8217;s clear that James Bicknell married Myrtle for love, and not for money, for upon their marriage he insisted she leave show business. It was then that other aspects of her bizarre anatomy became evident. It seems that her twin sister was also fully sexually formed – thus Myrtle possessed two vaginas.</p>
<p><a rel="nofollow" target="_blank" href="http://2.bp.blogspot.com/_0AxZHWIQBLI/Sf9r-dD_ipI/AAAAAAAACBk/4WhIwYgfeqw/s1600-h/adult+myrtle.jpg"><img id="BLOGGER_PHOTO_ID_5332099204527393426" style="float:right;margin:0 0 10px 10px;cursor:hand;width:206px;height:320px;" title="Ronald G. Becker Collection of Charles Eisenmann Photographs/Special Collections Research Center/Syracuse University Library" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/adult%2Bmyrtle.jpg" alt="Myrtle Corbin, 4 legged woman" border="0"/></a><span style="font-style:italic;">James, Myrtle &amp; daughter Lillian in 1915.</span></p>
<p>In the early 1890&#8217;s, James &amp; Myrtle moved their family from Blount County, AL to Johnson County, TX, settling near and finally moving to Cleburne City. The farming couple lived happily and over time produced a brood of eight children, half of whom died in infancy. The 1900 census for Johnson County states that Myrtle was the mother of five children, only three then living. The 1910 census for the same county states that she had had eight children, four then living. The surviving Bicknell children were Nancy Estelle, Francis Clinton, Ruby, and Lillian J.</p>
<p>It has been rumored that three of Myrtle&#8217;s children were born from one set of organs and two from the other. Whether this is true or not, it is medically possible. In &#8216;Anomalies and Curiosities of Medicine,&#8217; by George M. Gould and Walter L. Pyle it was observed that both vaginas menstruated – thus indicating both were possibly sexually functional.</p>
<p>We don&#8217;t know the specifics of the Bicknell family&#8217;s economic situation, but it must have deteriorated severely. Showpeople like Myrtle came out of retirement simply because they needed the money. Just so, the Four-Legged Girl from Cleburne, TX was back in the business appearing at Huber&#8217;s Museum in New York in 1909 at age 41.</p>
<p>The family no doubt intended this new turn of events to be temporary. But then 1910 turned into 1915: Dreamland Circus Sideshow, Coney Island. Riverview Park, Chicago. Myrtle worked the circuit and Myrtle made money. It had been more than 20 years since she last exhibited. She appears to have finally stopped exhibiting around 1915.</p>
<p>In 1928 Myrtle developed a skin infection on her right leg. When it failed to heal she finally went to a doctor in Cleburne. He diagnosed her as having erysipilas &#8211; a streptococcal skin infection. These days, a simple round of antibiotics would have eliminated the problem and Mrs. Bicknell would be on her way. Unfortunately, Myrtle lived in those days.</p>
<p>On May 6, less than a week after being diagnosed, Josephine Myrtle Corbin-Bicknell was dead.</p>
<p>sources: http://thehumanmarvels.com/?p=118<br />
www.phreeque.com/myrtle_corbin.html<br />
www.quasi-modo.net/Myrtle_Corbin.html<br />
<span style="font-style:italic;">Freak Show: Presenting Human Oddities for Amusement and Profit,</span> by Robert Bogdan, University of Chicago Press, 1990</p>
<p><a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/Myrtle+Corbin">Myrtle+Corbin</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/Blount+County+AL">Blount+County+AL</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/four-legged+woman">four-legged+woman</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachia">appalachia</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/+appalachian+history">+appalachian+history</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/history+of+appalachia">history+of+appalachia</a></p>
<p>The post <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net/2015/09/she-had-one-husband-four-children-and.html">She had one husband, four children, and four legs</a> appeared first on <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net">Appalachian History</a>.</p>
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         <title>[New York History]RIP The Path Through History Taskforce</title>
         <link>http://feedproxy.google.com/~r/NewYorkHistory/~3/BeUPUD6N55A/</link>
         <description>Once upon a time, as all good fairy tales begin, there was a New York State Path through History Taskforce. Some of you may even remember it. August 28, 2015, marked the three-year anniversary of the failed project and since the NYS Historian who was a member of that taskforce has resigned, it is beneficial [&amp;#8230;]&lt;div class=&quot;feedflare&quot;&gt;
&lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?a=BeUPUD6N55A:qmre32ublHI:yIl2AUoC8zA&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?d=yIl2AUoC8zA&quot; border=&quot;0&quot;&gt;&lt;/a&gt; &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?a=BeUPUD6N55A:qmre32ublHI:gIN9vFwOqvQ&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?i=BeUPUD6N55A:qmre32ublHI:gIN9vFwOqvQ&quot; border=&quot;0&quot;&gt;&lt;/a&gt; &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?a=BeUPUD6N55A:qmre32ublHI:qj6IDK7rITs&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?d=qj6IDK7rITs&quot; border=&quot;0&quot;&gt;&lt;/a&gt; &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?a=BeUPUD6N55A:qmre32ublHI:V_sGLiPBpWU&quot;&gt;&lt;img src=&quot;http://feeds.feedburner.com/~ff/NewYorkHistory?i=BeUPUD6N55A:qmre32ublHI:V_sGLiPBpWU&quot; border=&quot;0&quot;&gt;&lt;/a&gt;
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         <pubDate>Tue, 29 Sep 2015 19:00:30 +0000</pubDate>
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         <title>[Appalachian History]For no reason he knew of he was coming alive with the garden</title>
         <link>http://www.appalachianhistory.net/2015/09/for-no-reason-he-knew-of-he-was-coming.html</link>
         <description>&lt;p&gt;But, strange as it seemed to him, there were minutes &amp;#8212; sometimes half-hours &amp;#8212; when, without his knowing why, the black burden seemed to lift itself again and he knew he was a living man and not a dead one. Slowly &amp;#8212; slowly &amp;#8212; for no reason that he knew of &amp;#8212; he was &amp;#8220;coming [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net/2015/09/for-no-reason-he-knew-of-he-was-coming.html&quot;&gt;For no reason he knew of he was coming alive with the garden&lt;/a&gt; appeared first on &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net&quot;&gt;Appalachian History&lt;/a&gt;.&lt;/p&gt;
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         <pubDate>Tue, 29 Sep 2015 05:00:00 +0000</pubDate>
         <content:encoded><![CDATA[<blockquote><p>But, strange as it seemed to him, there were minutes &#8212; sometimes half-hours &#8212; when, without his knowing why, the black burden seemed to lift itself again and he knew he was a living man and not a dead one. Slowly &#8212; slowly &#8212; for no reason that he knew of &#8212; he was &#8220;coming alive&#8221; with the garden.<br />
&#8212;The Secret Garden</p></blockquote>
<p>Frances Hodgson Burnett (1849-1924) left an indelible mark on children&#8217;s literature, providing a path to the <span style="font-style:italic;">secret garden</span> in all of us that is often lost in adulthood. But her own childhood was far from idyllic. Frances&#8217; widowed mother Eliza moved with her five children from England to Knoxville, TN in 1865 where her brother had earlier moved and was struggling to keep a dry goods store going. He next moved Eliza and the children to New Market, where he had a cabin.</p>
<p>This was a dramatic shift for the Hodgson family. Frances had been born in Cheetham Hill, outside of Manchester. In late 1849 Manchester was a thriving textile center fueled by the success of the cotton mills. Edwin and Eliza Hodgson had a successful home furnishings business, providing customers with such products as chandeliers, ironwork, and brass door fittings.</p>
<p>But it all changed dramatically in 1854 when Edwin died at age 38 of a stroke. Eliza tried to keep the business going but the start of the Civil War in the United States affected cotton imports and the textile industry experienced a tremendous rate of unemployment.</p>
<p>And so the Hodgsons were hurled from upper middle class comfort in Manchester to hard scrabble poverty in New Market, now often going to bed hungry. And yet the move from industrial England to rural America was for young Frances a journey to the green, natural world that would become a central theme in many of her later works, including &#8216;The Secret Garden.&#8217;</p>
<p><a rel="nofollow" target="_blank" href="http://4.bp.blogspot.com/_0AxZHWIQBLI/SsKF7SMWBAI/AAAAAAAACSQ/oO1sQ7zG8qM/s1600-h/Frances_Burnett.jpg"><img id="BLOGGER_PHOTO_ID_5387015357830923266" style="float:left;margin:0 10px 10px 0;cursor:hand;width:218px;height:320px;" title="http://de.academic.ru/dic.nsf/dewiki/458171" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/Frances_Burnett.jpg" alt="Frances Hodgson Burnett" border="0"/></a>The move would also prove instrumental in Frances&#8217; development as a writer. Although she had always been obsessed with storytelling and often amused her schoolmates by acting out tales of adventure and romance, the financial strain of the emigration caused her to turn to writing as a means of supplementing the family&#8217;s income.</p>
<p>The Hodgson&#8217;s neighbors were Dr. John and Lydia Burnett and their son Swan, whose great-grandfather was Adam Peck, the earliest settler of what would become Jefferson City. Frances and Swan would spend much time together and would begin a relationship that would lead to marriage in 1873.</p>
<p>Frances Burnett&#8217;s first published story, &#8220;Miss Carruthers&#8217; Engagement,&#8221; appeared in a magazine called <span style="font-style:italic;">Godey&#8217;s Lady&#8217;s Book</span> in 1868. Her paper and postage-stamps for the venture had to be earned by picking and selling wild grapes. She began to write five or six stories each month, for $10 apiece and supported her family by writing. As stories began to be published in <span style="font-style:italic;">Harper&#8217;s, Atlantic, Scribner&#8217;s Monthly, and Peterson&#8217;s Ladies&#8217; Magazine,</span> she earned enough money to move her family back to Knoxville in 1869.</p>
<p>After the death of her mother in 1872, the family became increasingly dependent on Frances&#8217; writing income. She accelerated her career as a popular writer. Swan, whom she married the following year, was preparing to specialize in the treatment of the eye and ear. He wished to further his specialty by studying in Europe, and Frances financed his wish, once again becoming responsible for the bulk of her family&#8217;s income. After the birth of their first son Lionel on September 20, 1874 in Knoxville, they left Tennessee, never to return.</p>
<p>Over the course of her life, Burnett wrote more than forty books, for both adults and children. While her adult novels are considered to be quite sentimental, her children&#8217;s books have withstood the fickleness of literary fashions. &#8216;The Secret Garden,&#8217; the story of how Mary Lennox and her friends find independence as they tend their garden, has been described as one of the most satisfying children&#8217;s books ever written.</p>
<p>Sources: http://library.cn.edu/speccoll/burnett.html</p>
<p>http://us.penguingroup.com/static/rguides/us/secret_garden.html</p>
<p>http://www.tickledorange.com/FHB/Biography.html</p>
<p>The post <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net/2015/09/for-no-reason-he-knew-of-he-was-coming.html">For no reason he knew of he was coming alive with the garden</a> appeared first on <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net">Appalachian History</a>.</p>
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         <title>[New York History]Classroom Resources: Hudson River Valley Heritage</title>
         <link>http://feedproxy.google.com/~r/NewYorkHistory/~3/xHTkLEdKork/</link>
         <description>As the school year approaches, history teachers are looking for new classroom resources, especially primary sources for inquiry based lessons. Many teachers want to make that local connection with their students who are sometimes unaware of the importance their area might have played in larger American History. There are a plethora of local sites and [&amp;#8230;]&lt;div class=&quot;feedflare&quot;&gt;
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         <pubDate>Mon, 28 Sep 2015 20:00:01 +0000</pubDate>
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         <title>[The Historic Present] Pew data on U.S. immigration</title>
         <link>https://thehistoricpresent.wordpress.com/2015/09/28/pew-data-on-u-s-immigration/</link>
         <description>Next to the census every decade, we look forward to Pew Research Center Statistical Reports. These unofficial censuses give us valuable information on what our population in the U.S. is looking at. Historians use them as to check historical and current assumptions, and they should inform American political policy and social understanding. You can go [&amp;#8230;]&lt;img alt=&quot;&quot; border=&quot;0&quot; src=&quot;https://pixel.wp.com/b.gif?host=thehistoricpresent.wordpress.com&amp;#038;blog=3332287&amp;#038;post=3674&amp;#038;subd=thehistoricpresent&amp;#038;ref=&amp;#038;feed=1&quot; width=&quot;1&quot; height=&quot;1&quot;/&gt;</description>
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         <pubDate>Mon, 28 Sep 2015 16:38:59 +0000</pubDate>
         <content:encoded><![CDATA[<p>Next to the census every decade, we look forward to Pew Research Center Statistical Reports. These unofficial censuses give us valuable information on what our population in the U.S. is looking at. Historians use them as to check historical and current assumptions, and they should inform American political policy and social understanding.</p>
<p>You can go to the <a rel="nofollow" target="_blank" href="http://www.pewhispanic.org/2015/09/28/statistical-portrait-of-the-foreign-born-population-in-the-united-states-1960-2013-key-charts/">Statistical Portrait of the Foreign-Born Population in the United States, 1960-2013</a> and see it for yourself; for now, these are some highlights:</p>
<blockquote><p>There were a record 41.3 million immigrants living in the U.S. in 2013, making up 13.1% of the nation’s population. This represents a fourfold increase since 1960, when only 9.7 million immigrants lived in the U.S., accounting for just 5.4% of the total U.S. population.</p></blockquote>
<p>&#8212;A fourfold increase in the immigrant population is striking, but we&#8217;re willing to bet that if you asked most Americans what percentage of the U.S. population is made up of immigrants, they would guess something a *lot* higher than 13%. The time and fury spent on immigration in this country would lead anyone to believe that the immigrant population must be at least 30%. And most people would likely say that 90% of the immigrant population is made up of illegal Mexican immigrants, so these two facts are important:</p>
<blockquote><p>About one-quarter of the U.S. foreign-born population are <a rel="nofollow" target="_blank" href="http://www.pewhispanic.org/2014/11/18/chapter-1-state-unauthorized-immigrant-populations/#long-term-trend-comes-to-a-halt">unauthorized immigrants</a>, while the majority of the nation’s immigrants is in the U.S. legally. Naturalized citizens account for the largest portion of the foreign-born population (41.8%).</p>
<p>&#8230;As recently as 2008, immigrants arriving within the past year to the U.S. who were born in Asia have outnumbered those born in Latin America. In the early 2000s, the number of newly arrived immigrants from Latin America greatly outnumbered those arriving from Asia. But with the Great Recession, Latin American immigration slowed sharply, <a rel="nofollow" target="_blank" href="http://www.pewhispanic.org/2012/04/23/net-migration-from-mexico-falls-to-zero-and-perhaps-less/">especially from Mexico</a>. The number of new immigrants from Latin America has been about steady since then, but the number of newly arrived Asian immigrants has continued to rise.</p></blockquote>
<p>&#8212;So only one-quarter of 13% of our population is made up of illegal immigrants. The graph is worth a couple hundred words:</p>
<p><img class="aligncenter wp-image-22658 size-full" src="https://i0.wp.com/www.pewhispanic.org/files/2015/08/PH_15.06.15_StatPortraits-Unauthorized-Immigrant.png" alt="PH_15.06.15_StatPortraits-Unauthorized-Immigrant" width="640" height="430"/></p>
<p>What we see is that there are 42.5 million immigrants in the U.S., and 11 million of those came here illegally. The vitriol about &#8220;illegals&#8221; usually offered by Republicans and Tea Party members claims there are 30 million illegal immigrants in the U.S.; we see that this not true.</p>
<p>We also see that Asian immigration is fast out-pacing Latin American immigration, and it stands to reason that there are illegal Asian immigrants in that 11 million number, but you never hear about that from politicians; they are only ever concerned about Mexico. We can&#8217;t tell you exactly why, but if the Asian immigration trend stays on track, we wouldn&#8217;t be surprised if, in the next 10 years, you start to hear lots of negative stereotypes about &#8220;illegal Asians&#8221; and closing ports on the west coast.</p>
<blockquote><p>The share of immigrants who are proficient in English has declined since 1980, though it has increased slightly in recent years. This decline has been driven mostly by those who speak only English at home, which fell from 30% of immigrants ages 5 and older in 1980 to 16% in 2013. The share who speak English “very well,” meanwhile, has increased slightly, from 27% to 34% over the same time period.</p></blockquote>
<p>&#8212;Anti-immigration people tend to blame Latinos for this, claiming they won&#8217;t speak English. But as Latino immigration falls, and Asian immigration rises, it is far more likely that people who are not speaking English only are speaking Chinese, not Spanish. In fact, Latino immigrants&#8217; children are far more likely to switch to all-English than Asian immigrants&#8217; children.</p>
<p>Check out the whole report and know the facts about the ever, ever-changing U.S. demographic.</p><br />Filed under: <a rel="nofollow" target="_blank" href='https://thehistoricpresent.wordpress.com/category/immigration/'>Immigration</a>  <a rel="nofollow" target="_blank" href="http://feeds.wordpress.com/1.0/gocomments/thehistoricpresent.wordpress.com/3674/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thehistoricpresent.wordpress.com/3674/"/></a> <img alt="" border="0" src="https://pixel.wp.com/b.gif?host=thehistoricpresent.wordpress.com&#038;blog=3332287&#038;post=3674&#038;subd=thehistoricpresent&#038;ref=&#038;feed=1" width="1" height="1"/>]]></content:encoded>
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         <title>[New York History]Joseph Thoms: Defending America’s Chinese</title>
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         <description>The first Western-trained Chinese physician to practice in the U.S. lived most of his life in Brooklyn, where he established America’s first modern hospital for Chinese patients. A strong civil rights advocate at a time when his community could boast few of them, he spoke out frequently and forcefully against the injustices to which Chinese [&amp;#8230;]&lt;div class=&quot;feedflare&quot;&gt;
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         <pubDate>Mon, 28 Sep 2015 09:00:11 +0000</pubDate>
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         <title>[Civil War Books and Authors] Author Q &amp; A: Kyle Sinisi on &quot;The Last Hurrah: Sterling Price's Missouri Expedition of 1864&quot;</title>
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         <pubDate>Mon, 28 Sep 2015 08:06:00 +0000</pubDate>
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         <title>[Appalachian History]Company Store Scrip</title>
         <link>http://www.appalachianhistory.net/2015/09/company-store-scrip.html</link>
         <description>&lt;p&gt;You load sixteen tons, what do you get Another day older and deeper in debt Saint Peter don&amp;#8217;t you call me &amp;#8217;cause I can&amp;#8217;t go I owe my soul to the company store ‘Sixteen Tons’ Tennessee Ernie Ford Until the late 1950&amp;#8217;s, when changes in federal and state laws, along with changing economic realities doomed [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net/2015/09/company-store-scrip.html&quot;&gt;Company Store Scrip&lt;/a&gt; appeared first on &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net&quot;&gt;Appalachian History&lt;/a&gt;.&lt;/p&gt;
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         <pubDate>Mon, 28 Sep 2015 05:00:00 +0000</pubDate>
         <content:encoded><![CDATA[<blockquote><p>You load sixteen tons, what do you get<br />
Another day older and deeper in debt<br />
Saint Peter don&#8217;t you call me &#8217;cause I can&#8217;t go<br />
I owe my soul to the company store</p>
<p>‘Sixteen Tons’<br />
Tennessee Ernie Ford</p></blockquote>
<p>Until the late 1950&#8217;s, when changes in federal and state laws, along with changing economic realities doomed the practice, many companies issued tokens, or scrip, for use by their employees in company run stores. This was especially widespread in the coal fields of Appalachia, where many miners also lived in company owned towns. In these company towns, or &#8220;coal camps,&#8221; the only store in town was usually owned or run on behalf of the coal company.</p>
<p>In theory, scrip was an advance against unearned wages and usable only by the employee to whom it was issued. In practice, many miners were never able to fully retire their debt to the company store and scrip became the unofficial currency of the community, even being placed in the collection plates of some coal town churches.</p>
<p><a rel="nofollow" target="_blank" href="http://3.bp.blogspot.com/_0AxZHWIQBLI/SrAb5hGqnDI/AAAAAAAACQg/xi2DpWHNbWw/s1600-h/scrip.jpg"><img id="BLOGGER_PHOTO_ID_5381832229660564530" style="float:left;margin:0 10px 10px 0;cursor:hand;width:290px;height:290px;" title="KY 2677G50 (R-7) Tierney Mining Co., Inc. Stone, Ky. Insurance Credit System/Arthur Kilgore Mine Scrip Collection/ Morehead State University/Kentucky Virtual Library" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/scrip.jpg" alt="coal mine scrip" border="0"/></a> <span style="font-style:italic;">Tierney Mining Co., Inc. Stone, Ky. Insurance Credit System</span></p>
<p>Scrip in the very beginning was more a trade credit or demand deposit at the single local general store. Ledger credit scrip, however, gave way to scrip coupon books, which eliminated the tedious bookkeeping chores involved in over the counter credit – transactions that must be followed by ledger entries.</p>
<p>The institutions that supplied coupon scrip were companies already in business printing tickets, tokens, and metal tags for various other kinds of enterprises. They advertised extensively in mining catalogues during the first half of the twentieth century touting the advantages of their own scrip systems.</p>
<p>The Allison Company of Indianapolis, for example, noted that when one of its coupon books was issued to an employee, he signed for it on the form provided on the first leaf of the book, which the store keeper tore out and retained for the company time keeper, who deducted the amount from the man’s next time-check. Then when the employee bought goods from the company store, he paid in coupons, just as he would pay in cash.</p>
<p>Other scrip producing ticket companies emphasized the safety of the scrip coupon system in coal mining communities where little or no police protection was available.</p>
<p>The Arcus Ticket Company of Chicago advertised a list of advantages of scrip for both the employer and employee, one of which for the employer was the fostering of employee good-will by eliminating misunderstandings on charge accounts. The advantages to the employee included keeping the head of the house better informed as to the purchases made by his family from day to day. This frequently put a check on extravagance and debt. Local scrip of this type was very similar to modern day traveler’s checks.</p>
<p>The transaction costs of coupon scrip eventually encouraged the increased use of metal scrip. This medium became cheaper overall than coupon scrip, in spite of metal’s higher initial costs, largely due to the invention and development of the cash register after 1880. Pantographic machines also were instrumental in reducing the unit costs of metal tokens.</p>
<p>In addition to metal tokens, there exist numerous examples of tokens made from &#8220;compressed fibre,&#8221; a paper-like substance, most issued during World War II to save the metals for the war effort.</p>
<p><a rel="nofollow" target="_blank" href="http://1.bp.blogspot.com/_0AxZHWIQBLI/SrAcg3dnz0I/AAAAAAAACQo/j5e_EjrIyZE/s1600-h/company+store.jpg"><img id="BLOGGER_PHOTO_ID_5381832905677328194" style="display:block;margin:0px auto 10px;text-align:center;cursor:hand;width:400px;height:233px;" title="KUKAV-79PA103-42/Russell Lee Photographic Collection /University of Kentucky/Kentucky Virtual Library" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/company%2Bstore.jpg" alt="coal company store, Harland County KY" border="0"/></a><span style="font-style:italic;">Miners and their families gather around the company store and office. Lejunior, Harlan County, Kentucky. Sept 12, 1946.</span></p>
<p>Scrip was usually denominated in the same values as U.S. currency. However, at least two companies issued a piece denominated three cents. The largest tokens were most frequently $1.00 face value. Pieces with a higher face value are very common. Special tokens, called &#8220;exploders,&#8221; were used to facilitate the issuance of blasting powder, caps, and dynamite.</p>
<p>The obverse of the token usually indicated the name of the company or store issuing the scrip, and the value of the piece. A place name frequently appeared, not always where the token was used. Sometimes, the location of the general offices of the coal or store company appeared instead.</p>
<p>The reverse of the scrip usually contained the name and logo; designs changed fairly frequently. Other information, such as value and name of the issuing company is sometimes added. Pieces with no manufacturer identification exist in abundance and are termed &#8220;unattributed.&#8221;</p>
<p>sources: www.moreheadstate.edu/library/collections/index.aspx?id=2516<br />
www.nationalscripcollectors.com/ScripStories/AHistoryofScrip/tabid/1332/Default.aspx</p>
<p>The post <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net/2015/09/company-store-scrip.html">Company Store Scrip</a> appeared first on <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net">Appalachian History</a>.</p>
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         <description>This week &amp;#8220;The Historians&amp;#8221; podcast features Dennis Webster, author of Old Main: New York State Lunatic Asylum in Utica, N.Y. . (North Country Books, 2015) Opened in 1843, Old Main was the first insane asylum in New York State and the second one in the nation. Listen at &amp;#8220;The Historians&amp;#8221; online archive. “The Historians” podcast [&amp;#8230;]&lt;div class=&quot;feedflare&quot;&gt;
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         <description>&lt;p&gt;No more important fruit tree graces the homesteads, farms, and backyards of Appalachia than the apple. When early settlers headed west from the eastern seaboard, they took apple seeds because they didn’t weigh too much or take up too much space. And no figure from American folklore personifies the spread of the apple into the [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net/2015/09/real-johnny-appleseed.html&quot;&gt;The real Johnny Appleseed&lt;/a&gt; appeared first on &lt;a rel=&quot;nofollow&quot; target=&quot;_blank&quot; href=&quot;http://www.appalachianhistory.net&quot;&gt;Appalachian History&lt;/a&gt;.&lt;/p&gt;
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         <content:encoded><![CDATA[<p>No more important fruit tree graces the homesteads, farms, and backyards of Appalachia than the apple. When early settlers headed west from the eastern seaboard, they took apple seeds because they didn’t weigh too much or take up too much space.</p>
<p>And no figure from American folklore personifies the spread of the apple into the heartland like Johnny Appleseed, aka John Chapman. Not a great deal is factually known about him, and by now the tall tale spinners have probably entirely obscured the full reality of the man himself. He was a strict vegetarian. He also primarily wore discarded clothing or would barter some apple saplings for used clothes. He walked alone in the wilderness, without gun or knife, slept outdoors, walked barefoot and ate berries. Stories that he wore a cooking pot as a hat, however, seem to have been stitched on at a later date.</p>
<p><a rel="nofollow" target="_blank" href="http://1.bp.blogspot.com/_0AxZHWIQBLI/SD8_HW-ClsI/AAAAAAAAA3E/6q7vlbxYQWA/s1600-h/987.jpg"><img id="BLOGGER_PHOTO_ID_5205949089921013442" style="float:right;margin:0 0 10px 10px;cursor:hand;" title="Courtesy Ohio Historical Society" src="http://www.appalachianhistory.net/montanip/wp-content/uploads/image-import/987.jpg" alt="John Chapman aka Johnny Appleseed" border="0"/></a><span style="font-style:italic;">Reproduction of an illustration depicting John Chapman, known as Johnny Appleseed, published in A History of the Pioneer and Modern Times of Ashland County From the Earliest to the Present Date by H. S. Knapp, 1863.</span></p>
<p>One thing is clear: he was as his legend suggests a man who moved around a great deal. Born in Leominster, MA, on September 26, 1774, John became a Christian minister who beginning in 1802 and for 43 years thereafter planted apple orchards from western Pennsylvania, across central Appalachia into Kentucky, and on throughout Ohio, Indiana and Illinois. While doing so, he spread the word of God as a self-appointed missionary for the mystical Swedenborgian church.</p>
<p>Legend says Chapman’s first seed scatterings were culled from the orchards he frequented as a child. It’s said that he gathered canoe-fulls of apple seeds from western Pennsylvania at cider-making time as he headed westward.</p>
<p>It’s easy to forget that Chapman, painted as a romantic mystic, was a level-headed, if eccentric, orchard businessman. For example, he owned more than 1074 acres of land in fifteen different tracts in Ohio. He sold his seedlings for three cents each, or planted an orchard for six cents a tree, earning about three dollars a day (compared to laborers in Philadelphia who earned about a dollar a day.) One of Johnny Appleseed’s authenticated varieties, the Albemarle Pippin (also known as the Newtown Pippin) is today one of the premier mountain varieties.</p>
<p>There are no records to indicate John Chapman had a wife or children, but according to the Johnny Appleseed Education Center &amp; Museum in Urbana, OH Chapman had a sister and a brother. His brother died in infancy and mother soon after. Chapman&#8217;s father remarried and had an additional family, thus giving Chapman ten half brothers and sisters. Visits to them help document his whereabouts at various points in his life.</p>
<p>We know, for example, that in 1816, while visiting family members in Center Township, OH he planted at least one orchard in Bristol Township for a Mr. Fuller.</p>
<p>Chapman’s last Ohio visit, in 1842, included a trip to Moscow Mills in Center Township in Morgan County to see his brothers Nathaniel and Parley and sister Sally Whitney, who lived there. In March 1845, Johnny Appleseed passed away at age 70 in Fort Wayne, IN.</p>
<p>Sources: www.morgan.lib.oh.us/Morgan%20County%20History%20Stories.doc</p>
<p>http://www.a-spi.org/tp/tp50.htm</p>
<p>www.urbana.edu/appleseed/museum.htm<br />
www.ohiohistorycentral.org/entry.php?rec=94</p>
<p><a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/John+Chapman">John+Chapman</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/Johnny+Appleseed">Johnny+Appleseed</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachian+folklore">appalachian+folklore</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachia">appalachia</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/+appalachian+history">+appalachian+history</a> <a rel="nofollow" class="techtag" target="_blank" href="http://technorati.com/tag/appalachian+mountains+history">appalachian+mountains+history</a></p>
<p>The post <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net/2015/09/real-johnny-appleseed.html">The real Johnny Appleseed</a> appeared first on <a rel="nofollow" target="_blank" href="http://www.appalachianhistory.net">Appalachian History</a>.</p>
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