Ancient Egypt, Rome and Greece

Link to New Blog

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 23 May 2014 22:23:00 +0000

The talented Kris Waldher has redone my website and folded my blog into it. So, I will now be posting updates there. Please bookmark the new site if you would like to keep on reading my blog.

Blog: www.vickyalvearshecter.com/main/category/blog/

Website: www.vickyalvearshecter.com/main/

Thanks!

Well, Hello There! Meet My Main Character

noreply@blogger.com (Vicky Alvear Shecter) — Mon, 28 Apr 2014 22:34:00 +0000

Author Judy Ridgley tagged me in a "Meet my Main Character" blog-hop chain. So come on along and I'll tag others who might want to play.

1. What is name of your character? Is he/she fictional or a historic person?

There are two main characters in Curses and Smoke: A Novel of Pompeii, and their voices alternate. However, today I’m just going to focus on Tages or Tag, a medical slave in a gladiatorial school because…well, just look at the pic of how I imagine him. Tag falls in love

with Lucia, the daughter of the man who owns him (and she with him), which, as you can imagine, is a bit of a problem. Both characters are fictional.

2. When and where is the story set?

The story is set in the weeks before the eruption of Mount Vesuvius in Pompeii in 79 CE.

3. What should we know about him?

Tag’s ancestors came from noble Etruscan stock but his family was thrown into slavery when Rome took Pompeii during the “Social Wars” generations before. He is bitterly resentful of the Roman “occupation” of Pompeii (even at the time of the city’s destruction, the Romans still called Pompeii their “colony”).

Although in his heart he is a healer, Tag dreams of training to fight in the arena as a means to win his freedom.

4. What is the main conflict—what messes up his life?

The main conflict is that he falls in love with the daughter of the man who owns him. Any kind of relationship between them would’ve been seen as a major taboo. In addition, his father is beginning to lose his faculties and he is desperate to keep the master from noticing because he is afraid his owner would throw the aged healer out on the street once he lost his usefulness.

5. What is his personal goal?

Tag’s personal goal is to earn his freedom. The quickest way to do that, he thinks, is to train like a gladiator. If he wins enough bouts, he could be freed—or die trying. When he and Lucia get together, his goal changes and he dreams of running away with her, even though he knows he would be crucified for touching her.

6. What is the book’s title and when will it come out?

The title is Curses and Smoke: A Novel of Pompeii. It is published by Arthur A. Levine/Scholastic and releases May 27.

Pre-order Curses and Smoke: A Novel of Pompeii at:

IndieBound

Amazon

B&N

Check out other "Meet My Main Character" Posts in the coming weeks by authors

Elizabeth Dulemba

and

Tracy Barrett

Excerpt for CLEOPATRA RULES! THE AMAZING LIFE OF THE ORIGINAL TEEN QUEEN

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 25 Apr 2014 13:38:00 +0000

About the book: A kid-friendly, humorous, and fact-filled biography of the "original teen queen." VOYA (Voice of Youth Advocates) placed it on its "Honor List" for nonfiction. Booklist said of the book: “Shecter's solid research is evident in her account of events as well as the back matter, which includes informative notes, a time line, a glossary, bibliographies of primary and secondary sources, and source notes for the illustrations.” Kirkus described the book as "a lively, informative, and aggressively informal portrait of Egypt's last and most famous pharaoh."

VOYA Honor List for Nonfiction

Introduction

Cleopatra’s Killer Rep

Was the last queen of Egypt an evil, gorgeous woman, dripping with jewels? A power-hungry tempress trying to rule the world? A pharaoh with a small snake problem?

How about none of the above.

Everything you’ve read about Queen Cleopatra VII should have come with a warning: details may have been “Photoshopped” and manipulated beyond recognition. The Queen of the Nile had more mud flung at her than you can dig up on the banks of that great river. From Shakespeare to Hollywood, what you’ve seen and read about her wasn’t always completely true.

Hollywood made her into a hot starlet because nobody wanted to see an ugly queen. Historians turned her into a power-hungry witch because that made her story more interesting. And her Roman conqueror, Octavian, made her into a weapon of mass destruction in heels so he could stomp all over Mark Antony.

Will we ever know the “real” Cleopatra? Without her personal letters and journals, probably not. But for the first time, modern scholars and historians are looking at events from the queen’s point of view. What they are finding is that Queen Cleopatra VII , the last pharaoh of Egypt, was in fact a brilliant, complex, powerful ruler. For twenty years, she kept the world’s greatest superpower from taking over her country—a good trick when you realize it was during the time when Rome swallowed up countries faster than most teens use up text minutes.

How did she do it?

The answer may shock and surprise you—and may even make you laugh. Either way, you’ll get a more balanced look at Cleopatra the queen, the ruler, and mother of four. So, on your knees, commoner. The last great queen of Egypt is about to take the stage!

***

A Bookish Nerd?

She ruled all of Egypt, had Romans trembling in their togas, and made kings weak at the knees. Yet the glamour queen of the ancient world started out as … a bookish nerd.

Yup, the girl whom Shakespeare likened to Venus—the goddess of love—cared more about books than boys. At first, anyway. As a kid, Cleopatra spent most of her time hitting the scrolls at the famous Great Library of Alexandria.

Young Cleopatra had a good reason for being so serious—several reasons, actually: her ambitious brothers and sisters. Life with them was like living with a nest of squirming, hissing reality-show stars—you never knew when one might strike. Would her older sister push Cleopatra down the palace steps to get her out of the way? Would her younger brothers and sister poison her afternoon snack? Or maybe, “accidentally on purpose,” hold her head under the water a little too long while they played in the palace pool?

See, Cleopatra’s family was not what you would exactly call … um, loving. Yet while most of her family members cared only for their own personal power, Cleopatra longed to bring back the glory days of her beloved country, which was easier said than done.

Corrupt rulers and a long history of border disputes had weakened the once powerful kingdom. By the time Cleopatra came along, Egypt was sliding down the tubes faster than a greased-up preschooler on a Slip ’n Slide.

Turning to the Big Bad Wolf

As Egypt declined, Pharaoh Ptolemy XII took his eleven-year-old daughter, Cleopatra VII, on a trip to Rome—not to sightsee but to save his skin. Raging mobs had run him off his throne and out of Alexandria. See, over the years, Daddy Pharaoh had paid Roman generals big bucks in return for soldiers to scare off his enemies. Only he had so many enemies, he had to “buy” more Roman protection than he could afford. And guess who footed the bill—Egyptian citizens, who had to pay extra taxes. When Cleopatra’s dad taxed his people to the breaking point to pay for more Roman henchmen, they chased him out of Alexandria faster than a band of crazed shoppers at a half-off sale.

But although the pharaoh may have been out, he wasn’t down. Not without a fight, anyway. So he put his kingdom into even deeper debt—this time to a private Roman loan shark—to pay Roman armies for help in invading his own country. Yes, that’s right, he invaded his own country. It worked. The Roman military put him back in charge. But as a result, his people hated him more than ever.

Sidebar

“Who You Calling ‘Fatty’?”

Most rulers want nicknames that reflect their power or glory, like Alexander the Great or William the Conqueror.

Cleopatra’s dad? He ended up with a nickname that probably made her cringe. The people called him Auletes—“the Piper”—because Ptolemy (tall-oh-mee) XII liked to play the flute. They didn’t call him the Piper in a nice way, either. Guys who played wind instruments in the ancient world weren’t exactly considered macho.

Still, it was better than her grandfather’s nickname. They called him Chick-pea. Before that, the Egyptians called Cleopatra’s great-grandfather—Ptolemy VIII—Fatty, or Physcon, because of his huge size. He needed several servants to hold him up to waddle around the palace!

Whatever she thought about these nicknames, Cleopatra likely had a bigger issue with the way her father groveled at the feet of rich Romans.

Like her dad, she knew the Egyptians needed Rome to survive. But unlike him, she was determined to find a way to become Rome’s partner, instead of its slave.

Sidebar end

Daddy’s Girl … NOT!

While “the Piper” and Cleopatra trolled for money in Rome, his oldest daughter, Berenice, snatched the throne and named herself queen. Okay, we know Cleopatra was smart, but could her sister have been any dumber?

Think about it: most usurpers (people who steal thrones) usually have the king killed before they name themselves top dog. Yet for some reason, Berenice didn’t. That’s why some scholars wonder if maybe somebody else shoved her on the throne while Daddy was on the road. Or whether she thought Daddy would be assassinated in Rome. Or even thought that angry mobs in Egypt would tear him apart once they heard how much they would owe in taxes to pay the Roman loan shark.

[Tax Photo? Need new one plus caption…]

Either way, it was a dumb move, because as soon as Daddy regained control of the throne, Berenice parted with more than her crown. She parted with her life, too. The Piper had her pipes cut—she was executed for treason. Turns out that Daddy the Flute Player could turn into Daddy the Destroyer without pausing for breath.

Cleopatra took careful note of that move, too.

Sidebar:

How We Know What We Know

[Photo 5/Plutarch. Caption: Most of what we know about Cleopatra comes from the Romanized Greek historian, Plutarch, who wrote about Mark Antony nearly hundred years after Cleopatra’s death.]

Plutarch needed to make Mark Antony—and therefore Cleopatra—look bad because he did not want to anger the often touchy Roman Emperor(s) of his time.

Imagine if Lex Luthor wrote Superman’s bio or Darth Vader dished on Princess Leia. You might find yourself a little skeptical about their claims, right? You might even find yourself doubting—if not laughing outright at—all of the insults and snide remarks.

Yet that’s exactly what happened to Cleopatra. Rome won, so Romans told their version of her story. The Romans dissed and dismissed her worse than a fashion critic at the Oscars.

Today’s scholars are not so quick to accept everything the Romans wrote about Cleopatra. They look for proof—or at least some evidence—that might either back up or dispute the Romans’ version of events. More importantly, they do what the Romans found unthinkable: they give her the respect of seeing things from her point of view.

It’s about time the great queen received the equal—if not royal—treatment she always deserved.

End sidebar

A Gift for Gab

After the Piper snuffed his eldest daughter, he retook the throne and went back to playing the flute. Egyptians seethed over having to fork over even more of their hard-earned money in taxes to repay Romans. But what could they do? The streets of Alexandria teemed with Roman soldiers paid to keep the Piper piping and the people quiet.

[Photo 7/Homer. Caption: Cleopatra, like all educated Greeks, would have learned to read using Homer’s epic poems, The Iliad and The Odyssey.]

Meanwhile, young Cleopatra chilled at the Great Library of Alexandria, studying science, mathematics, philosophy, and languages. In fact, according to one ancient source, she was the first ruler in nearly 250 years to learn and speak the native Egyptian language!

Wait. What? How could Egyptian rulers not speak the native tongue?

Easy. Cleopatra’s family—the Ptolemy line of Pharaohs—wasn’t Egyptian. Cleopatra actually descended from the Greeks. Nearly 250 years earlier, Alexander the Great invaded Egypt and put it under his rule. When he died, his general and self-claimed half brother Ptolemy took over as pharaoh. From then on, his Greek descendants ruled Egypt and spoke only Greek. Even Cleopatra’s name was Greek. It just happened to be the name of Alexander the Great’s little sister.

Our Cleo had a talent for languages. In addition to Greek and Egyptian, she spoke numerous African dialects as well as Arabic, Aramaic, Hebrew, Latin, and Persian. But her political smarts were even more impressive. And she couldn’t wait to put them to good use.

Purchase Cleopatra Rules!

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Excerpt from CLEOPATRA'S MOON

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 25 Apr 2014 01:59:00 +0000

About the Book: A young adult novel based on the real life of Cleopatra's only surviving child, her daughter, Cleopatra Selene. From her palace in Egypt, to the dirty streets of Rome, Cleopatra Selene is forced to fight to protect the tatters of her family after her parents--Cleopatra and Mark Antony lose their kingdom and their lives. Forced to build a new life in the home of her parent's enemy, Selene struggles to protect her brothers and reclaim her birthright as a powerful queen.

Publisher's Weekly called Cleopatra's Moon, "fascinating" and said said "the novel's atmospheric setting and romantic intrigue are highly memorable." The LA Times called it "magical" and "impressive," while The Wall Street Journal called it "absorbing." The School Library Journal called it "a fantastic read." Other accolades include being named to Entertainment Weekly.com's "Must Read" List and The Atlantic.com's list for "Young Adult Historical Fiction Adults Should Read."

Crystal Kite Award Winner

Junior Library Guild Selection

CHAPTER ONE

In the Seventeenth Year of My Mother's Reign

In My Seventh Year (34 BCE)

PART I: EGYPT

What caused the gods to fall upon my family like starved lions in a Roman arena?

I suspect it began in my seventh year, on a day that I once considered one of the happiest of my life. It was a dazzling, sun-drenched summer morning in Alexandria-by-the-Sea. Outside the Royal Quarter, with the Mediterranean sparkling behind us and rows of date palms swaying before us, my mother and brothers and I sat alongside one another on individual thrones. We waited for my father, the great Roman general Marcus Antonius, to finish parading through the city and join us atop our grand ceremonial dais. The ceremony today would celebrate his victory over Armenia, his eastern enemy. And we --- his family and all of Alexandria --- would rejoice with him.

Even in the shade of our royal canopy, sweat trickled down my neck and back. The ostrich-feather fans the servants waved over us provided little relief. Strong breezes occasionally gusted from the Royal Harbor, cooling us with the salty bite of the sea. Despite the discomfort and the glare from the beaten silver platform at our feet, I forced myself to keep still as Mother had instructed, my eyes trained just above the horizon. Zosima, who had carefully painted my face, had forbidden me from squinting in the bright light. I was not to ruin the heavy black kohl around my eyes and eyebrows, and under no circumstances to cause the green malachite painted on my lids to flake off. I was not even to turn my head. I would follow all the rules perfectly, I swore to myself. I would make Mother proud.

But excitement and curiosity burbled in my blood as I fought to stay still, stealing side-glances whenever I could. I especially treasured my glimpses of Mother, Queen Cleopatra VII. She sat on a golden throne, looking as resplendent as one of the giant marble statues guarding the tombs of the Old Ones. Diamonds twinkled in a jungle of black braids on her ceremonial wig. She wore a diadem with three rearing snakes and a golden broad collar, shining with lapis lazuli, carnelian, and emeralds, over her golden, form-fitting pleated gown. In one hand, she held a golden ankh of life, while the other clasped the striped crook and flail of her divine rulership. Her stillness radiated power, like a lioness pausing before the pounce. It left me breathless with awe.

I sat up straighter, trying to emulate her, puffing up with pride at the realization that only Mother and I were dressed as true rulers of Egypt --- she as the Goddess Isis and I as the moon goddess, Nephthys. After all, was I not named for the moon? My brother may have been called Alexandros Helios, for the sun, but I was Cleopatra Selene, the moon. I wore a flowing dress that reminded me of the liquid metal that the scientists at our Great Library described as "living silver." A silver diadem of the moon sat atop my own thickly braided ceremonial wig. Even my sandals flashed silver.

I had never seen my beloved city so packed. By the tens of thousands, Alexandrians and Egyptians flooded the wide avenues and byways, desperate to catch a glimpse of us or of Father on his parade route. The richest of the noble Greek families sat on tiered benches in the square before us, while tradesmen, merchants, and the poor spilled into the streets, squirming and jostling for position. Some even shimmied up trees, climbed onto the shoulders of the statues of my ancestors, and scrabbled to the tops of pediments and roofs to get a better view of us. The roar of the crowd as my father approached in his chariot sounded like waves crashing against the rocks on Pharos Island, home of our Great Lighthouse. When Tata climbed onto the dais to join us --- his golden armor gleaming, his face soaked with sweat but shining with joy --- he looked like a god. The God of War!

In his deep bass, Father began: "I stand before you as Imperatorto the greatest of all civilizations, made even greater by the loyalty and fealty of its allies. Today, we remind the world that it is far, far wiser to be Rome's Friend rather than her Enemy."

Our people roared in agreement.

"The foolish King Aatavartes of Medea thought to test Rome's strength," he continued, the crowd groaning at the king's stupidity. "He sought to ally with Rome and Egypt's enemy in a greedy bid for power and riches. He thought to claim our weapons and weaken us. But he could not, for Rome and Egypt are blessed by the gods, our victory proof of the favor with which the Immortal Ones hold us . . ." I lost track of Tata's speech then and started counting the golden beads on the fan slave's broad collar. I had gotten up to forty-seven (after having to start over several times) when Father's voice cut through my reverie.

"It is time," he announced, "to make my Dispositions of War, to reward Egypt for her unceasing loyalty."

The crowd whooped and stomped. I perked up. Tata was about to bestow his gifts to us, his family. To me! My mind raced with the possibilities. Was I to receive a new crown from his plunderings? A golden chariot? Or perhaps an exotic beast, maybe even one that breathed fire? Tata turned toward my two-year-old brother, Ptolemy Philadelphos, who sat beside me. Ptolly looked just like our tata, with a head of shining dark curls, mischievous brown eyes, and the barrel-chested body of a bull. The crowds had swooned with adoration at the first sight of him swaggering in his tiny military cloak and boots.

"To my youngest son, Ptolemy XVI Philadelphos," Father bellowed as the crowd hushed in anticipation, "I grant the lands of Phoenicia, Syria, and Cilicia."

The people roared. I drew a breath, stunned. Father was giving us kingdoms? I forgot to keep my head facing forward and turned to Ptolly. He scowled furiously, waggling his chubby legs in his toddler-sized throne as the noise reverberated around us. Worried that he might begin to cry or have a tantrum, I took his pudgy hand in mine and bent toward his ear.

"Look at Tata," I instructed. "He is talking to you!"

Ptolly locked eyes with Father. When Tata grinned at him, Ptolly grinned back, showing all his little milk teeth. Then he toddled toward Tata, to the crowd's cooing delight. One of the guards intercepted him and escorted the little general off the dais.

"To my daughter, Princess Cleopatra VIII Selene," Father called, and I felt the attention of thousands land on me like a physical force --- an energy that made me sit up straighter and raise my chin, despite my racing heart. "I confer Cyrenaica and Crete, where she will rule as queen. May she rule with as much wisdom as her namesake."

I was queen! Queen of Cyrenaica and Crete! As the people thundered their approval, Tata caught my eye and winked. Forgetting protocol again, I grinned and inclined my head. This sent the crowds roaring even louder, and I heard my name chanted over and over again. I marveled at the power pulsating all around us --- power freely laid at our feet, ours for the taking.

I wanted to jump up, to hug my tata, to do anything but continue sitting like a block of marble. But, of course, I would not disappoint Mother. I held my breath, pretending to be as solemn and immobile as the giant statues of the Great Ones.

Tata turned his attention to my twin, Alexandros.

"To my son, Alexandros Helios, I bestow the kingdom of Armenia, where he will rule with his betrothed, Princess Iotape of Medea."

The crowds whooped in honor of Father's decisive victory in the region, but I refused to steal even a side-glance in my twin's direction.

The Interloper sat between us.

The black-eyed, silken-haired little princess was nothing more than a royal hostage --- a guarantee that her father the king would stay loyal to Tata. But I could find no warmth in my heart for her. The way Alexandros acted around Iotape, it was as if Hermes himself had come down from Mount Olympus and hand delivered her to him. Until she showed up, he and I had lived as if we still shared a womb --- playing, sleeping, eating, and laughing together. But now it was Iotape my twin sought out at first light and played with until dusk, when Ra's sunboat descended into the Dark Lands. I would not forgive her for taking him from me.

Still, our people continued to cheer at the announcement, celebrating the return of a strong and vital Egypt. Armenia and Cyrenaica had been under our dominion when our Macedonian-Greek ancestor Alexander the Great and our dynasty's founder, his brother Ptolemy theFirst, took Egypt nearly three hundred years ago. We Greeks had ruled ever since. And now, thanks to Tata, we were stronger than we had been in centuries.

"In addition," Tata bellowed, "I bequeath to Alexandros Helios and his betrothed rule over all the lands of Parthia!"

I barely noticed the undercurrent of bewilderment that rippled through the crowds, the whispers of, "How could the General give away lands he has not yet conquered?" After all, my tata was the best general in the world. Of course he would conquer Parthia!

Tata then turned his attention to my older half brother, Caesarion, the only son of Mother's first husband, Julius Caesar. At thirteen, Caesarion was slim and tall, and I thought he looked magnificent in the kilt and pectoral of a pharaoh, combined with his father's bloodred Roman cloak.

"Ptolemy XV Philopator Philometor Caesar," Tata called, "I name you the true heir and only son of Gaius Julius Caesar. And I name you the king of Egypt!"

From the corner of my eye I spied Caesarion lifting his chin, and my heart swelled with love and pride. My brother, the king! The king of Egypt!

But again, murmurs of unease snaked through the crowds, accompanied by whispers of a name I did not then know:Octavianus. I blinked, confused. Why should a Roman name be on our people's lips when Caesarion was rightly being named their king? I tried to make sense of the murmurs: "Isn't Octavianus Caesar's heir?" "Is Antonius challenging him?" Some in the crowd even made the sign of protection against evil. I stole a glance at Mother. She let out a breath that sounded like a hiss. And although her face kept its expression of queenly impassivity, I saw a flicker of concern settle on the tiny space between her brows. But it may have only been a trick of the fierce Egyptian light, for when I looked again, Mother's face appeared as majestic and untroubled as it always had.

Tata glanced at Mother, and his eyes crinkled before he turned back to the crowds. "To my wife, Cleopatra VII Philopator, Queen of Egypt and overlord of all the kingdoms bestowed today . . ." A rumble of cheers, shouts, and joyous exultations interrupted him, almost as if our people were thrilled to move on to what they knew and loved. The cheers swelled until I felt them vibrating in my chest bones. Mother did not move as the entire city chanted, "Isis! Isis! Hail Isis! Isis our queen!" When the wave of noise crested, Tata began again. "Today," he boomed, "I name my wife Queen of Kings, Ruler of the Two Lands, Overlord of our Children's Territories, and Partner in managing Rome's interests in the East. I have a vision of the future --- a vision of cooperation, not destruction. Borne up by the loyalty of client kings and queens, Rome cannot be stopped."

He swept his arm toward the Lighthouse. "And like Pharos that shines into the night, Egypt serves as a beacon to Rome's future. A future of partnership. A future of immeasurable wealth. A future that no man or king can rend asunder!"

The whoops of joy became deafening. Tata grinned and held both arms up in exultation. He bid Mother stand next to him. The bright Egyptian light seemed somehow concentrated on them --- I had never seen them look more godlike.

As the priests and priestesses chanted the final prayers, I wanted to jump and cheer and laugh. It was my family's proudest moment! I drank it all in --- the masses cheering; the white-robed Priests of Serapis chanting over bowls of smoky incense; the long-haired Priestesses of Isis extending their thin arms to the sky; the sweet fragrance of flowers as countless petals swirled around us, floating through the air like tiny perfumed birds. It was all so beautiful, almost magical. The Triumph of the Ptolemies! The greatest moment of our lives. But the gods would not stand for us to have such happiness for long. And so began the slow, excruciating process of our undoing.

Purchase Cleopatra's Moon

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Excerpt from ANUBIS SPEAKS! A GUIDE TO THE AFTERLIFE BY THE EGYPTIAN GOD OF THE DEAD

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 25 Apr 2014 01:27:00 +0000

About the book: Anubis, the god of mummification, takes the reader on a boat journey through the mythological ancient Egyptian dark lands—the twelve hours of darkness—where Ra battles against the forces of chaos to be reborn again at sunrise. Like a good tour guide, Anubis shares fascinating facts and stories about ancient Egypt throughout the trip.

School Library Journal says Anubis's narration is "wickedly funny" and that the book is "stuffed with an "incredible wealth of interesting detail. Kirkus says it is an "informative and unusually lively look at the Egyptian way of death."

A Cybil's Award Finalist

for Midgrade Non Fiction

Greetings Mortal!

Allow me to introduce myself. I am Anubis—the Egyptian god of the “Mysteries of Embalming,” the “Guardian of the Veil of Death,” “Opener of the Ways of the Dead,” and if you are “bad” . . . Your. Worst. Nightmare.

But do not fear. I will not snatch your beating heart from your chest and toss it to my good friend, crocodile-headed Amut the Destroyer for a squishy snack . . . not today anyway. Instead, I will guide you through my world of deep magic, strange gods, and gruesome monsters. I will show you how my people, the ancient Egyptians, prepared the dead for eternal life, and how we gods fought the forces of darkness and evil—every night—to keep you safe.

Oh dear, were you perhaps hoping for a less scary- looking guide to lead you through the Egyptian dark lands; one without so many razor-sharp fangs? Too bad. You’re in my realm now. And I’m in charge. So pay attention.

We will, soon enough, come face-to-face with the evil one—Apophis, the snake of doom that threatens to devour and destroy the world. In my day, only our dead pharaohs—kings who turned into immortal gods upon their deaths—were strong enough to join the rest of us gods in facing the beast.

You, my little human, are no pharaoh, but I’m allowing you to come along anyway. You may thank me later, preferably in buckets of blood. Meanwhile, take heed; if you scare easily, I suggest you close this book right now and go back to coloring rainbows and unicorns.

Seriously.

There will be blood. And snakes. And decapitations. And monsters who like to gobble up hearts and squeeze heads until they pop.

Still with us? Good. Then, please, step into my lair…

…Egypt’s First Pharaoh

My dad, Osiris, was an important guy, if I do say so myself. My people believed that he was Egypt’s first pharaoh. He brought farming to the land and showed humans how to live like people and not animals. He achieved many great things, me being one of them, of course.

Osiris ruled happily in Egypt while I was in charge of the underworld. All of it. Then the jealous god Set murdered his own brother Osiris. After lots of drama—including the cutting up and hiding of Osiris’s body parts—his wife, Isis, came to me for help in re- assembling Osiris’s body, which I did through the magic of mummification. Then we brought the old man back to life. The catch was he could only live in the land of the dead. (Hey, you can’t have everything, am I right?)

Still, let the record show that I, Anubis, revived and resurrected my own father. And how did dear old dad thank me for resurrecting him? He demoted me. Yeah, Dad took my job. He became the top god of the dead, pushing me down to number two—as mere god of judgment and embalming.

Now, I ask you, is that fair? I mean without me, he’d still be in pieces! But I’m not bitter. Really, I’m not.

Anyway, thanks to my magnificent mummification and resurrecting abilities, Osiris became the model mummy, the symbol of what everyone hoped for themselves in the afterlife— to be preserved in their earthly form and live forever. So despite the fact that he took my job, most of the prayers for the dead are aimed at me, because I’m the guy who made it all happen.

Just sayin’.

I Want My Mummy!

With Osiris as their example, my people believed you needed your body to join the party that never ended: no body, no afterlife. Of course, in a pinch, your statue might do, but for the most part, people preferred a future in their own skins . . . literally.

So how did it all begin? When the earliest Egyptians buried their dead in the desert, the intense heat dried out the corpses, mummifying them in a crude way. My people noticed the dried-out bodies and figured that’s what we gods wanted for them. Some bodies, though, were ripped apart by wild animals before they dried out. Nobody wanted that. So they put the dead bodies in coffins to protect them from wildlife. But without direct contact with the desert sand to bake them dry, the bodies melted into goo. That’s when people began experimenting with different preservation techniques. Eventually, they found the best process for preserving the dead, which I will explain below…

Coming in 2014:

Hades Speaks! A Guide to the

Underworld by the Greek God of the Dead

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Excerpts from Curses and Smoke: A Novel of Pompeii

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 24 Apr 2014 02:07:00 +0000

About the Book: Vetted by Roman experts and a Latin teacher, the novel tells the story of two teens in alternating voices: Lucia, the daughter of the owner of a struggling gladiatorial school, and Tages, a medical slave in her father’s school. Concerned by strange signs in the natural world around her, Lucia dreams about discussing them with the naturalist Pliny, who lives across the bay. Tag dreams of training to fight in the arena to earn his freedom. Their lives intertwine under the shadow of an old curse tablet and the ominous rumblings of Vesuvius.

Edited by Cheryl Klein and published by Arthur A. Levine Books/Scholastic

May 2014

Tag

…The morning’s warm-up consisted of running an obstacle course with wooden shield and sword in hand. When it was Tag’s turn, he sprinted for the barrels — three large ones — and leapt over them, landing on his feet in a crouch. Making sure his equipment never touched the ground, he weaved in and out of the low ropes tied between posts. Next, he dodged a line of sandbags sent swinging in different rhythms, and finally, still on the run, he struck a swinging straw man on its chest. A dishonorable hit to the back would have meant three sprinting laps around the courtyard.

Tag bent over his knees, gasping for air, then got back in line for the next go-round. He looked up when he heard a strange popping sound. A heavily muscled man dropped to the ground behind the barrels, grabbing the back of his thigh, bellowing in pain.

Tag winced. That popping sound meant only one thing — the man had torn a major muscle in two. He ran out to the fighter and could already see the bulge forming where the muscle separated. He cursed under his breath.

The man’s red, sweating face was contorted in agony. “You two!” Tag pointed at two fighters staring at their downed friend. “Lift him and take him to the treatment room. Statim!”

Tag jogged ahead of them. “Cool clay from near the cistern,” he called to a wide-eyed slave standing by. “Two buckets’ worth. Now.” The young man took off.

When Tag applied the cool clay to the man’s back thigh, some of the fighter’s curses eased. He reached for a poppy tincture to relax the man, mostly because he wanted him to be still. The worst thing the fighter could do now was to continue moving that muscle, and getting a gladiator to stop moving — no matter the pain — was no easy task.

When the man’s breathing eased, Tag headed to the herbal room for additional supplies, Castor trailing on his heels. Inside, he took a deep breath and thought about his next steps. He would reapply the clay, maybe adding crushed mint to the mix. Then he’d wrap the leg tight, holding the muscle together so that it could reattach and heal. Perhaps calendula paste applied before bandaging would —

“Lady Lucia,” Castor cried, running over to her as she stood in the doorway.

Tag’s heart jumped. Lucia never came into the medical rooms because it meant walking among the gladiators, which her father strictly forbade. “Are you ill or hurt?” he asked.

“No,” she said.

“Look, Domina,” Castor said before she could say anything else. He pointed at a row of terra-cotta containers. "I marked the medicine jars."

She touched the top of one wax-sealed jar. “How do you know which one contains what medicine?”

Castor traced a grimy finger over the Greek letters scratched onto the surface of each jar. “I can read letters now! If this letter is the first one,” he said, indicating the alpha, “then it means A, for apple tree bark. And if that letter is tau, it means T for toadflax.”

“That is impressive, Castor!” she said, looking up at Tag through her lashes. Her gaze lingered for a moment before she smiled down on the boy, and Tag felt the weight of it like a physical caress.

He cleared his throat. “Castor, I need you to go and check on the injured gladiator. I want you to make sure he hasn’t moved.”

Castor stuck his lower lip out and crossed his arms. “I don’t want to go. I want to show Domina all that I’ve been learning.”

Tag raised an eyebrow. “Are you going to misbehave in front of Domina?” he asked in an overly surprised voice. He knew that was a low blow — Castor adored Lucia.

The boy’s face grew blotchy.

“Go,” Lucia said gently to the boy. “After you have finished your healing work, bring a wax tablet to the atrium and show me then.”

Castor nodded, gave her a shy grin, and raced out of the room.

Then Lucia’s eyes met Tag’s, and they stared at each other in silence. It was all he could do not to rush over and press her against him.

One of the gladiators walked by the door, and she quickly spoke. “My nurse has been feeling poorly, and I wondered if you could recommend a tonic.”

Tag struggled to remember the proper response. “Uh . . . Tell me her symptoms.”

“Metrodona is fine,” she said in a low voice, coming closer when the gladiator had passed. “I just wanted to talk to you.”

Gods, how he loved her warm, clean scent — like blooming citron trees drenched in sunshine. He would not look at her mouth. Or the silk of her neck. He needed to keep his head. “What did you want to talk about?”

She twisted her fingers together. “I miss you. I wanted to see you.”

“Your ankle is well enough to go out into the woods?”

She nodded. “But you are usually training in the afternoons.”

As the sound of footsteps approached in the hall, he said loudly, “Perhaps this salve for tight muscles may ease your nurse’s backache.”

“Thank you, healer,” she responded in the same overly loud tone as the footsteps disappeared.

She walked over to the shrine of Asclepius and he moved beside her. Standing close with their heads bowed in front of the shrine was the only way such proximity would be allowed. Tag let his arm brush hers, and even at that small touch, his heart raced.

“I can come this afternoon,” he whispered, glad that Quintus’s sudden absence gave him the freedom to sneak away.

She smiled. “Good.”

“In the future, I’ll send Castor with a message when I think I can get away.”

“You can’t — then he will know.”

“It will be in code.”

She released a breath. “What will the code be?”

“How about, ‘The medicus is out on an errand,’” he said.

She looked at him disbelievingly. “That’s a terrible code. It’s too obvious.”

He grinned, embarrassed. “All right. You come up with one.”

“Send Castor with some salve for Metrodona’s back. When he delivers it unexpectedly, I’ll know you will be free and heading for the woods.”

“All right. But how will you get free of Metrodona?”

“I’ll figure out a way.”

He smiled. She placed her fingertips on a clay foot votive. “Is this for the stable boy? How is he recovering?”

On an impulse, he ran his finger lightly over hers, tracing slowly down and around the curve of her thumb. It made no sense that such an innocent touch could cause him to nearly vibrate with desire for her, but it seemed to have the same effect on her, judging by the way her breath hitched. They both stared at their hands in silence as he continued stroking her skin.

“I will . . . I will find a way to get out there today,” he promised.

She shivered and pulled her hand away. “This afternoon, then,” she said in a shaky whisper and rushed out of the room.

By the time Tag bound the hurt gladiator’s leg and got him to his barrack room to rest, the morning training had ended. Tag stared at the sun over the trees, calculating how much time needed to pass before he could head out to the woods to see Lucia. Either way, it couldn’t come soon enough.

“Healer! Pontius wants to see you,” one of the men called, startling him. “He is in the weapons room.”

Whatever it was the overseer wanted, Tag hoped it wasn’t something that would take up the afternoon. He needed to see Lucia.

He entered the weapons chamber, momentarily blinded by the shift from the bright courtyard to the dark and dusty room. As his vision adjusted, he spotted the shelves crowded with gladiator helmets. When he blinked, he had the uneasy sense that all of the bronze heads — as one — had turned to look at him with silent menace.

"Who's there?” Pontius called from the corner.

“It’s me, Tag.”

“How is Brutus?” the overseer asked as he inspected the dings on an old shield.

“Severe tear of the major back thigh muscle.”

Pontius growled irritably. “What is going on lately? Our injury rate is ridiculous. The latest rumor is that Spartacus himself has returned to the mountain and is punishing Pompeii.”

“What?” Tag laughed.

“His ghost, anyway,” Pontius said. “And that his fury at not being avenged is causing the mountain to shake.”

Tag shook his head. “That makes no sense. Spartacus and his men died in the fields of Lucania, not here!”

Pontius waggled his eyebrows. “Yesssss, but they never found his body, so some of the men believe he came back to Vesuvius to die.” He rolled his eyes. Every slave knew that Spartacus and his army of slaves — many of them from Pompeii and the Campanian region — had defeated at least two Roman legions from their Vesuvian stronghold. “Everybody’s uneasy. Haven’t you noticed all the overwhelming offerings to Hercules lately?” continued Pontius.

Tag had noticed — the niched shrine on the main barracks wall overflowed with flowers, fruits, small statuettes, coins, and other gifts to the muscular son of Zeus.

“The master has heard some of the talk,” continued Pontius. “He wants me to shackle all of the gladiators at night so they don’t get any ideas about running away and joining Spartacus’s ghost.”

Tag swallowed. “Is . . . is the master increasing the number of guards around the compound, then?” he asked. Gods.

“No, costs too much,” Pontius said, picking up an angled Thracian sword. He cut his eyes at Tag. “Any particular reason that’s a concern, boy?”

“No, no. Not at all.”

“Because it never ends well when a slave tries to run away.”

“I am aware.”

“Ye might even say new fighters have a greater chance of winning their freedom in the arena than slaves have surviving a run,” he continued, inspecting the tip of the sword with one eye. “Which is to say, barely any chance at all.”

“I know,” Tag said.

Pontius put the blade down and grinned at him. “Good.” He slammed the trunk lid, clasped Tag by the shoulder, and ushered him out of the room. “Now, take me to Brutus and let’s talk to him together about what he’s gotta do to heal that bum leg.” ...

Lucia

...They set off, ambling in the shade of the multistoried insulae that towered over the well-worn stone road. Lucia slowed her pace in time with her nurse’s sluggish, rolling gait.

“You know, you could have bought your freedom ten times over if you hadn’t spent so much on these charlatan fortune-tellers like the Egyptian,” Lucia said.

“Bah, what would I do with freedom?” Metrodona huffed.. “I am too old to start taking care of myself. Besides, who will watch your babies except for me — me, who wiped your bottom from the day you came into the world screaming?”

“I’m not having babies any time soon,” Lucia snapped.

Metrodona cackled. “You will be married soon. If you are as fertile as your mama, you will be knee-deep in ’em before you know it.”

Lucia didn’t want to be as fertile as her mother, not if it meant her babies died at birth or in her womb. She took her nurse’s arm to help her navigate the large stones that got them across the street without having to step into the excess water from overflowing fountains .. When Lucia realized she’d gotten too far ahead of Metrodona, she slowed again and began idly reading the graffiti scratched onto insulae walls. ‘Secundus defecated here,’” she read, wrinkling her nose and checking the bottom of her shoes. Gods. Most were just as crude but one stopped her cold: “Learn this: while I am alive, you, hateful death, are coming.”

She shook off a shiver. Why would someone scratch such a morose thought on a street wall? Scanning for something more uplifting, she lighted on “Figulus loves Idaia.” Much better.

The market announced itself with a cacophony of noises — coppersmiths hammering on gleaming pots, leather workers punching holes into harnesses with iron mallets, wine sellers hawking their latest vintage, butchers extolling the sweetness of their ewe meat. They walked past a poultry farmer hawking the newest craze — parrots strung up by their strange little feet, looking like bunches of feathered fruit. “Only for the best banquets in Pompeii!" he called out. Behind the man with the parrots, a boy yelped as his teaching master caned him in front of the other students attending the open-air school.

They found Metrodona’s Egyptian sitting on a low wooden stool in the shade of the colonnade near the flower stalls. Lucia leaned against a dusty red column as she examined the old man, who had leathery skin scored by the sun into deep ravines around his mouth and forehead, under a turbaned head. The man held out a dirty palm and Metrodona slipped some coins into it. In a blink, the coins were gone and the man turned to stare at Lucia. Metrodona waved her closer.

“What am I supposed to do?” Lucia asked through the side of her mouth, afraid to look away from the old man’s strangely piercing stare.

“Nothing,” Metrodona said. “He is reading you.”

The man signaled, and Metrodona grabbed Lucia’s right hand and held the palm out for him to inspect. His brow furrowed and Lucia fought the impulse to snatch her hand away. But then he grinned, showing three brown teeth hanging from inflamed gums like tiny figs about to drop from their branch. He began chattering with Metrodona in heavily accented Latin. Lucia caught the words “love” and “a great passion” and decided she’d heard enough. The very idea of “passion” with her doddering betrothed made her shiver.

“I’m going to go look at the incense,” she said, bending toward Metrodona’s ear. Her nurse nodded and waved her away as she continued her lively conversation with the old Egyptian.

Dozens of terra-cotta bowls filled with tiny hills of brightly colored powders — yellow, red, blue, brown, purple — crowded the incense seller’s cart. Garlands of myrtle and rosemary hung from wooden beams, mixing with the sweet and tangy smells of so many different powders.

“Ah, I have something special for a pretty young girl like you,” said a fat old woman with wiry gray hair She drew out a small leather pouch and opened it, stroking the worn brown leather as if it were a lover’s face. “Venus the goddess of love favors my special mix of rose and narcissus,” she said in a low tone, as if sharing a secret. “It will draw the true love of the one you seek.”

“I need . . . do you have something for . . . making sure a marriage doesn’t happen?” Lucia asked.

“Hmmmmm. Sometimes the goddess of love is insulted by unions that should not be so. To attract her attention to it, use powder of lilies in her sacred fire.” The woman quickly drew out another pouch. “These have been dried under moonlight. The goddess will notice this special blend and grant you your wish. I am certain of it.”

“How much?” Lucia asked, and the haggling began. When they finally settled, the woman handed Lucia her portion wrapped in a carefully folded piece of old papyrus.

“Purchasing something special?” a familiar voice asked from behind her. She turned, her heart skipping a beat.

“Tag! What are you doing here?”

He held up several small cloth bags pungent with the smells of earth and dried bitter herbs. “Pontius made me come today to pick up some things for him,” he said. “And I needed to refill some of our herb stores.”

“Metrodona insisted I come today too. Funny, isn’t it?”

He nodded, his eyes crinkling.

“Healer! Healer!” came a high little voice. Castor ran up to Tag and pulled on his tunic. “Can we go see the monkey now, pleeeeease?”

“You’re here too?” Lucia asked the boy, laughing.

“I go where the healer goes, because I am going to be a healer when I grow up,” he said.

“Wait,” Tag said, pretending confusion. “I thought you said you were going to be a gladiator.”

The boy scowled up at him. “I am going to be both!” He turned to Lucia. “I am the healer’s appistant.”

“A-what?”

“Assistant. I am helping with everything.”

“Helping create a mess, more like it,” Tag said. Something about the way he ruffled the slave boy’s hair made her heart contract.

“The monkey! Please can we see the monkey now?” Castor begged.

“I want to see it too,” Lucia said, following as the boy pulled Tag to the small gray-and-black monkey leashed to the fruit and nut seller’s stall. Castor dropped to his haunches before the creature, grinning from ear to ear.

“Little monkey, meet little monkey,” Tag said, looking down at the boy. “You know, Castor, the resemblance between you two is downright troubling.”

But the boy didn’t hear the teasing, so entranced was he by the small creature that looked into his eyes with a defeated, soulful gaze.

“I let you feed the monkey if you buy from me,” the seller said.

Castor shot up and bounced on his bare toes. “Oh, please please please please buy something! I want to feed him!”

“Let us see,” Tag said, then turned to the grocer. “Show me your best Persian walnuts.”

After Tag purchased a wrapped bundle of nuts and Castor had excitedly handed the monkey his treat — a piece of cucumber, which the creature took with tiny, delicate hands — they walked slowly away. Lucia asked, “Walnuts? Doesn’t the cook buy those?”

“Yes. But these are not to eat — they are medicinal.”

She looked up questioningly at him.

“They are for my father,” he explained. “I have read that ground walnut powder mixed with bone-ash may help with his mental confusion. That and the occasional bleeding should help I hope.” He paused. “Which reminds me, my supply of leeches is getting low.”

“Ugh. I’d rather be cut and bled than have leeches used on me.”

“I will remember that.”

They promenaded around the market, occasionally stealing glances at each other as they chatted about the household. Sometimes they bumped shoulders or brushed arms. Lucia felt as if all her awareness and sensation was gravitating toward Tag like iron to a magnet rock. She wondered how the weight of it didn’t make her tip over into him. Why was she reacting this way? This was Tag.

“Well, do you?”

His question startled her. She blinked. “Do I what?”

“Want some bread? I’m hungry.”

“Oh, sure.” She hadn’t even noticed that they’d stopped in front of a baker’s cart. They exchanged a few coins with the baker and ripped into the crusty, scored round loaf with relish. Castor stuffed so much into his mouth at once it looked like he’d shoved a trigon ball in his cheek.

After finishing his bread, Castor ran toward a clutch of dirty, ragged chickens pecking at seeds near the vegetable carts. A great squawking of outrage ensued, and not just from the chickens. The sellers cursed at the boy to go away.

“Gods, he never slows down,” muttered Tag.

“It is very sweet that you have taken him under your wing,” Lucia said.

“He is a smart boy,” he said. “What a waste it would be if no one ever bothered to train his mind.”

His eyes were the color of dark, rich honey. She looked away quickly, her cheeks warming. “Yes, of course.”

“In fact,” he continued, “he seems to pick up Greek naturally. Much faster than you ever did.”

She stopped in her tracks. “That is not true! I learned it so fast, Father didn’t even know I was joining you in your lessons.”

“I am teasing, Lucia,” he said, smiling down at her.

“Oh. Right.” His smile was devastating. Apparently, she wasn’t the only one who found it so. Some of the other young women in the market were looking at Tag the same way she was — and some of the men too. Yet the moment someone attempted to talk to him — even if just to ask which baker had the best bread that day — his scowl returned. The expression was his shield, she realized, and it pained her to think how much he needed one.

Castor bounced through the forum and toward the Temple of Venus. They slowly followed.

“So, how fares Quintus?” he asked. “Or maybe I should ask, ‘How much sympathy has he been milking for his nose?’”

She chuckled. “Half the time, I can’t tell whether it’s all an act or if he really is as insufferable as he comes across. Do you know how he introduced himself to me the first time I met him? He said, ‘My father owns the largest villa in Herculaneum.’ I wanted to say, ‘How nice for you — my father owns the smelliest gladiators in Pompeii.’ Really, it’s a wonder to me that no gladiator has pummeled him to death yet.”

“Give it time,” he said.

They walked in silence, dodging the people moving to and from Venus’s temple and altar. Wooden scaffolds climbed up the sides of the temple as builders scraped and pounded the walls that seemed always under some sort of renovation. As they neared the outdoor altar, Lucia pulled out her powder of lilies. “Excuse me a moment,” she said to Tag without looking at him.

She sprinkled the fragrant powder over the dancing orange flames. The powder made a crackling sound, releasing a burst of sweetness mixed with apple-wood smoke. Closing her eyes, she murmured her prayer to the goddess of love:

Save me, o goddess, from a terrible union

One that would be an insult to your ways of love

and I shall sacrifice a white lamb for you every year

and spread word of your kindness and magnificence to all in Pompeii.

Tag leaned against a red-painted column in the colonnade, waiting for her. After she rejoined him, they trailed Castor to the edge of the complex, where the child began jumping from rock to rock.

“Have you ever been to the secret temple?” Tag asked.

“What secret temple?”.

Castor ran back, staring up at him with large, round eyes. “There is a secret temple? Where?” he squeaked.

Tag pointed to a depression in the rocks. “Down there. To Mephistis,” he said. “The goddess of poisonous vapors.”

The little boy looked at Lucia. “Can we go, please? Please?”

Lucia shrugged. “Sure.”

Tag led them to a section of scrubs and rocks at the edge of the old quarter, where they climbed down an embankment.

“I’ve never heard of Mephistis,” Lucia said.

“She is a Samnite goddess. The Romans built the temple to Venus over her ancient shrine when they conquered Pompeii,” Tag said, holding his hand out to help her down the moss-covered rocks. “A great many old-timers are convinced Mephistis will not take the insult lying down. They await her punishment.”

He released her hand to lift Castor and “fly” him down, the boy whooping with glee. She curled her fingers around the lingering warmth of his touch.

“They’ve been waiting a long time, then,” she said, forcing her attention back to his words. “Sulla took Pompeii many generations ago.”

“The gods work in their own time,” he said. “Many believe she will exact her punishment on the Romans in her own way.” ...

Purchase Curses and Smoke: A Novel of Pompeii

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It Takes A Village--And Books!

noreply@blogger.com (Vicky Alvear Shecter) — Tue, 22 Apr 2014 23:11:00 +0000

L to R, student Day Day from Thailand, me, student Keriya Osman from Ethiopia,
and Head of School Amy Pelissero with the donated books at the Global Village Project.

On behalf of the Southern-Breeze region of the Society of Children’s Book Writers and Illustrators (SCBWI), I had the pleasure of delivering three boxes of sparkling new books to The Global Village Project (GVP), a school for refugee girls in Decatur, GA.

Authors and illustrators at the recent spring conference in Atlanta contributed the books as part of the Joan Broerman Book Basket. I "won" the books with the understanding that I would donate them to a school library of my choice.

I first learned about the GVP from fellow SCBWI member and author Ricky Jacobs, a retired linguistics professor who’d been tutoring refugees for years. Eventually, his commitment to educating these often-traumatized young girls bloomed into The GVP.

This fully accredited school serves the educational needs of refugee girls and young women who have come from war-torn or politically unstable regions in Africa, Asia and the Middle East. If they've had any schooling at all, it had been interrupted during their relocation to safety.

“Some of our students barely speak English, let alone know how to write and read when they first come,” explained Amy Pelissero, GVP’s Head of School. The intensive, full-day academic program prepares them to transition to either middle-school, high-school or college.The school has been in the process of building a library based on donations of old books.

“Unfortunately, many of these old books were not appropriate or of little interest to our students,” Pelissero said, “but the library had to begin somewhere so we were grateful for the donations.”

The delivery of Broerman Book Basket—three boxes of brand new picture books, middle readers and young adult novels—was just what their library needed. “The students here have varied levels of schooling and literary experiences,” Pelissero said. “One student had never even held a book before coming here, while others are quite ready to tackle more complex novels. So this range of books is perfect for us.”

Student Keriya Osman from Ethiopa, upon seeing all the books on the table, exclaimed, “I want to read them all!”

In addition to the books, the Broerman Basket comes with a stipend to help defray the cost of processing the books.

“We are so, so grateful,” Pelissero continued. “Thank you, SCBWI. All our students will benefit greatly from your generosity.”

A Cover for Hades Speaks!

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 17 Apr 2014 20:43:00 +0000

Illustrator J.E. Larson has outdone himself, for real! I wish you could see the "foil" effect on the eyes. So. Delightfully. Creepy. This book, I think, really hits the sweet spot for kids ages 9-12 interested in mythology.

Hades Speaks! A Guide to the Underworld by the Greek God of the Dead (Boyds Mills Press) releases this October--just in time for Halloween!

Many of you know that I'm a docent at the Carlos Museum at Emory University. It occurred to me that, without realizing it, I'd turned both Anubis (Anubis Speaks!) and Hades into "docents" or tour guides of their own mythological worlds. Each god walks the reader through their respective afterlife/underworld landscapes, sharing bits of history and ritual along the way.

Keep an eye out for giiveaways of the advanced reading copies (ARCs) coming up soon, though I'll likely wait until after Curses and Smoke: A Novel of Pompeii (YA historical fiction) releases at the end of May. If you are (or know of) an elementary school librarian who would like a copy of the ARC in exchange for an honest review, contact me by either leaving a comment or emailing me directly.

Go Hades!

The Surprising Sexual Reason Pompeii's Lead is a Slave

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 21 Feb 2014 23:00:00 +0000

I was deep into writing my young adult novel set in Pompeii, Curses and Smoke(Scholastic, May 2014), when my editor sent me a message that would've made any writer's blood turn to ice.

"Turns out there's a movie being made about Pompeii," she wrote. "And it too features a male slave as the love interest."

After dropping several f-bombs that nearly made my dog's ears bleed, I wondered if I should change my story. "No, no!" my editor said. "Yours is different enough." Which was true.

But it got me thinking. Why did the writer of the Pompeii movie make the same character choice I made for my novel? Why have a male slave as the focus of the "forbidden" love story? Why not the inverse -- a guy in love with a female slave?

The answer has to do with the reality of ancient Rome's sexual "rules." ...

Read the rest on Huffington Post.

My Review of Pompeii

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 20 Feb 2014 20:56:00 +0000

Several weeks ago, thanks to VaniaStoyanova, I caught a sneak preview of Pompeii, which opens in theaters, February 21. Interestingly, the experience of attending the early screening was almost more entertaining than the film itself.

In the lobby, we were directed to a table manned by several tough-guys dressed in black suits. It looked like a convention of mobsters. No hellos, no “nuthin’.” Just, “Hand over your phones.”

B and I looked at each other then back at the goodfellas. “Seriously?” I asked.

“Yeah,” Tony Soprano said, holding out a zip-lock sandwich bag. “Put ‘em in here. No one goes inta the theater with their phones.” We were given a little red raffle ticket for reclaiming them later.

Strangely enough, none of us complained. We also didn’t worry about anyone stealing them because these guys looked like they had uzzies stashed under the table. No one was going to be fool enough to mess with “dem dudes.”

Another black suited mobster stepped up and “wanded” each of us like an overly-caffeinated airport security officer convinced we were wearing invisible vest-bombs. “What are you looking for?” I asked.

Luca Brasi just grunted.

When the large theater filled up, a team of goodfellas came up to the front to make an announcement. They warned us against trying to record the movie in any way, shape or form. In fact, one guy with no neck growled that they would all be wearing NIGHT VISION GOOGLES and roaming the aisles looking for illegal filming, so, “Don’t even try!”

“Dayummm,” I whispered. “Do you think those lumps in their jackets are guns?"

“Nah,” B said. “More like tazers.”

It’s important to point out that I am predisposed to like the movie because…because it’s about ancient Rome! I’d support any effort to bring the wonder of the ancient world to life. Plus, I have a novel about Pompeii coming out in a matter of months! The movie gets a decent number of stars for merely existing.

Still, it wasn’t half-bad! Seriously, I expected worse. I expected to groan, and roll my eyes so much that I’d end up with a headache. Sure there was the random anachronism and misrepresentation, but nothing big enough to make me hate the movie.

Plus, one can never underestimate the considerable seductive power of staring at really pretty people in “exotic” settings to distract us from some of the sillier set-ups (i.e., no the eruption did not occur during a gladiatorial combat; no bodies were found in the stadium).

Kit Harrington in the lead as a Celtic gladiator did better than I thought he would do. Based on the trailers, I worried that his abs would have more emotional range than his acting. His abs did distract, though, from the odd moment of blankness of expression that I presumed he hoped would somehow show “deep, smoldering feelings of the sexy variety.”

Emily Browning as the upper-class love interest, Cassia, was also fine though occasionally she “put on” her camera face. That’s the one beautiful actresses often present for their requisite close-up—the slightly-opened mouth and wide-eyed blankness that allows us to drink in their beauty without acknowledging that they might have any kind of inner life of consequence.

I liked Milo’s (Harrington’s) backstory and wished we could’ve seen more of Cassia’s. But we went into this knowing this movie was going to be more about CGI-special effects than it was going to be about character development.

Some of the gladiator scenes were laughable and downright cheesy. And pretty as he was, Harrington was a bit hard to believe as a gladiatorial champion. Fellow fighter-slave Atticus, played by Adewale Akkinnuove-Agbaje, had the gravitas and force of personality to pull it off. Indeed, he just about stole every scene he appeared in, making Milo seem even less believable as a serious contender.

As for the volcano scenes, all I can about say about them is that they are about what you’d expect—interesting to look at but not necessarily surprising, moving or awe-inspiring. There’s no evidence, either, that a tsunami occurred during the eruption (despite Pliny’s mention of the waters receding), so it felt a bit as if the director was throwing every possible form of death and destruction at us in a desperate attempt to keep our interest. Fire, lava, smoke, explosions, floods, ash storms, fiery flying boulders, collapsing buildings, giant sinkholes, tsunamis that crumbled entire coastlines…did I miss anything?

In the end, I enjoyed it and so, it seemed, did everyone around me.

I was already well into writing my novel when I learned about the making of Pompeii. For me, it was interesting to analyze the creative choices that we both made—and the many ways, thankfully, that we went in different directions. Still, it’s a movie about Pompeii, which was enough to pull me into the theater. That and Kit Harrington’s abs, I suspect, will be the draw for most.

My novel, Curses and Smoke: A Novel of Pompeii (Arthur A. Levine Books/Scholastic), releases May 27. You can pre-order your copy at your local independent bookstore, Amazon, or B&N.

Whoa. This Guy Looks like he Stepped Right out of an Ancient Egyptian Carving.

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 13 Feb 2014 19:47:00 +0000

Source: http://tinyurl.com/njfkn35

How Did I NOT Know This About the Name, Cleopatra?

noreply@blogger.com (Vicky Alvear Shecter) — Wed, 12 Feb 2014 15:41:00 +0000

Olympias, mom of Alexander and his sister, Cleo the unknown.

One of the earliest Cleopatras that I learned about was Alexander the Great's little sister.

What, I wondered, was Cleopatra of Macedon like? What if she was even smarter and more wily than Alex? What kind of life did she lead? How did she feel about her older brother getting to conquer the world while she was traded off to marry her own mother's older brother when she was a young teen?(Hmmm, maybe there's a book in there somewhere....).

Sadly, we'll never know anything about her because, well, she was a girl, which meant no one bothered to record her life.

When the Ptolemies took over Egypt, they connected their blood line to Alexander's for political legitimacy. So, many royal women were named after Alex's little sister. Our famous last queen of Egypt was the seventh Cleopatra in the Ptolemy line and her daughter, Selene, was the eighth.

Snow happens, even in Athens. Here in Atlanta, it's more of an apocalypse.

So imagine my surprise when I discovered that there was an even "older" Cleopatra in Greek history. Khione, the goddess of snow, had a sister named...Cleopatra! I learned this only because snow is a big deal right now in the South. Here in Atlanta, the entire city is on lockdown because of ice and sleet. Which got me wondering what the ancients thought about snow. When I searched for ancient Greek snow gods, up popped Khione and her sister, Cleopatra.

Well, knock me over with an olive leaf.

Cleopatra was the daughter of Boreas, the god of the north wind, and Oreithyia, a mountain nymph. Some sources say she is a goddess of twilight, sometimes known as Alcyone.

Would knowing this little factoid have changed anything in my novel, Cleopatra's Moon, or my biography of the queen, Cleopatra Rules? No. I can't think of any way I could've worked that in without making it weird.

But still. Thanks to the snow and ice trapping me in my house, I learned something new about the name of two of my favorite queens in history. I'll try to remember that when I get cabin fever.

Friday Funnies--Ancient Style!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 07 Feb 2014 15:42:00 +0000

I'm Getting a Sneak Peek at Pompeii!

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 06 Feb 2014 20:55:00 +0000

Miracle worker and photographer Vania Stoyanova of VLC productions got me passes to the screening of POMPEII!

That's right, I'm getting a sneak preview. Tonight. Here's the thing, though. There are no reviews anywhere (even on Rotten Tomatoes), which does not bode well. If movie marketers are worried that the movie is a dud, they often keep reviewers away from it for as long as possible. With the movie coming out in only a matter of weeks, it's kind of odd that there has been not a peep about it. I'm sincerely hoping that it's not a dud because...ancient Rome! Gladiators! Pompeii! Volcanoes! Kit Harrington's abs! My novel!

Not like I'm excited or anything. Thank you Vania! You rock.

Pompeii Movie--Who's Planning to See it?

noreply@blogger.com (Vicky Alvear Shecter) — Tue, 04 Feb 2014 16:01:00 +0000

I have to see it, of course. I found out the movie was being made when I was deep into writing Curses and Smoke: A Novel of Pompeii. I'm very curious about the creative decisions they've made.

I cannot wait. Anybody with me? It opens February 21st. Until then, there's this:

And, of course, this:

New Cover for Pompeii Book!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 31 Jan 2014 17:20:00 +0000

Release date: May 27

At a Facebook party in celebration of Stephanie Dray's latest novel, Daughters of the Nile, I posted the new cover for my upcoming novel, Curses and Smoke: A Novel of Pompeii. Only later did I realize that I had yet to formally announce the change here.

Oops.

So, ta-da! It's striking and beautiful, isn't it? Plus, it connects visually with Cleopatra's Moon, which is awesome!

How lucky can one author be?

My publisher decided to go with this cover over the one that is currently on the advanced reading copies (ARC). And while I will miss a special someone's biceps, they made the right call in terms of visual impact. I'm so psyched!

The book is being released in the U.K. in February to coincide with the Pompeii movie (Kit Harrington, aka John Snow!). The American version of the novel releases in May, just in time for some explosive (sorry) summer reading fun.

As much as I like Tag's biceps, this was too dark.

Keep watch for giveaways and promotions as we get closer to the release date.

Meanwhile, it's Friday and I usually post "Friday Funnies"--comics or visual jokes about the ancient world. Today, in honor of the new cover, I'm posting volcano jokes:

Q. What did the mother volcano say to the baby volcano?
A. "Don't erupt while I'm talking!"

Q. What did the volcano say its spouse?
A. "I lava you."

Q. What did the lava say to the crater as it left?
A. "I pumice I'll be good!"

Groan. I know. Rest assured, there are no lame jokes in the novel. But I couldn't resist. It is Friday, after all!

A Peek Inside A Conservator's Lab

noreply@blogger.com (Vicky Alvear Shecter) — Tue, 28 Jan 2014 20:34:00 +0000

Attic horse pyxiz getting restored in the lab.

Last weekend, Dr. Renee Stein, conservator at the Carlos Museum gave a talk on the process of conserving and restoring ancient artifacts. The objective of the work, she pointed out, is to suggest the way a piece looked and was used thousands of years ago, without overwhelming it with modern overlays or "fixes."

The talk was for a program sponsored by the Georgia Chapter of the American Research Center in Egypt (ARCE). It was fascinating to hear about the incredible attention to detail that is required to match paint colors, surfaces, linen and even glues as repairs are made.

Vaccum tubes for removing dust and decay...

The best part of the event was a tour of the museum's lab. Several artifacts in the process of being repaired, restored or conserved where laid out on tables. I can't wait until these pieces are displayed in the galleries so I can have a before and after look.

The next ARCE event takes place on February 11, 7:30 pm, at Emory. Dr. Lawrence Berman, Boston Museum of Fine Arts, will give a lecture on A Complete Cosmos: The Tomb of an Egyptian Governor and Its Secrets. Sounds like another great program!

Friday Funnies--Ancient Style!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 24 Jan 2014 20:57:00 +0000

Friday Funnies--Ancient Style!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 17 Jan 2014 14:37:00 +0000

On why the Romans always won:

The first umpire:

Friday Funnies--Ancient Style!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 10 Jan 2014 16:10:00 +0000

(Thanks, Justin Mansfield for this one!)

A Black Odyssey

noreply@blogger.com (Vicky Alvear Shecter) — Wed, 08 Jan 2014 23:20:00 +0000

Circe

I want every single person everywhere to come to the Michael C. Carlos Museum and check out the show, Romare Bearden: A Black Odyssey. Why?

Because It. Is. Breathtaking.

Seriously, you guys. The colors. The juxtapositions. The energy. The vibrant reimaginings--it's all there.

Odysseus and the Sirens.

There is something extraordinary and magical about the fusion of this jazz-inspired African-American artist "owning" and reinterpreting the emotional truths of Homer's ancient Greek quest-saga.

Escaping the Cyclops.

Bearden's unique riffs on ancient dramas reminds us of our shared humanity. Of our struggles, of the ways we get sidetracked, of the "monsters" that threaten our equanimity, of everything that gets in our way when all we want to do is to go home, to return to where we are loved.

Come on out and check out the show, y'all. Seriously.

FRIDAY FUNNIES--ANCIENT STYLE!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 20 Dec 2013 15:56:00 +0000

Today's Theme: Saturnalia!

(Double click image to make it bigger.)

(Okay, this one doesn't have anything to do with Saturnalia...I just LOVE Grumpy Cat. Oh wait, in ancient Rome people did wear festive, red, pointy hats during Saturnalia! That's the connection....yeah....)

The Historical Guide to Cleopatra's Daughter, Selene

noreply@blogger.com (Vicky Alvear Shecter) — Mon, 16 Dec 2013 22:01:00 +0000

Selene (Greek & Roman blood) was likely darker.

Cleopatra Selene was the only daughter of Queen Cleopatra VII and the Roman general, Mark Antony. I've tried to answer the most common questions I get asked about her:

1. Is she a "real" figure in history?

When I first started kicking around the idea of writing a historical fiction novel about Queen Cleopatra VII’s only surviving child, her daughter, Selene, most people thought I was making her up. When I explained she was a real person in history, and that her story has been largely ignored, some still didn’t believe me and ran to their computers to check my facts.

The real Cleopatra Selene.

Part of the reason few know about Selene, goes back to the way that Cleopatra VII, the last pharaoh of Egypt, has been portrayed throughout history. Starting with the Romans, through Shakespeare and onto Hollywood, the last queen of Egypt has always been depicted as a dangerous, sexy “man-eater.” That’s a whole lot more interesting than the reality—that Cleopatra was actually a plain-looking but brilliant mother of four who likely only had two relationships her whole life.

Selene's older brother, Caesarion.

She had one child—a boy named Caesarion—with Julius Caesar. Many years later, with Mark Antony, Cleopatra had three more children—twins Alexander Helios (sun) and Cleopatra Selene (moon) and another boy, Ptolemy Philadelphos. When Cleopatra and Mark Antony died—both by their own hands after being defeated by Octavian (later called Augustus)—Octavian hunted down and murdered Caesarion, who had been ruling beside his mother as King of Egypt for several years. Caesarion was only about sixteen or seventeen. The twins were almost eleven and the baby was about six at this point.

Many wondered why Octavian didn’t murder the queen’s remaining children too. Most scholars figure he worried about the political unpopularity of such an act. It’s one thing to murder a young man (Caesarion would have been considered an adult). It’s quite another to execute small children

Octavian, the man who shipped Selene to Rome.

Also, despite defeating Mark Antony and Cleopatra, Octavian’s rule over Rome was not necessarily secure after his victory. Many Romans had adored fun-loving, hard-partying Mark Antony, and weren’t at all sure the right man had won. Octavian was careful not to tarnish his image by hurting the man’s children

So, to make himself look kind and benevolent, he had the three kids shipped to Rome and had them brought up in his own home by his sister (and former wife of Mark Antony), Octavia. Still, it didn’t stop him from marching all three children, a year later, in golden chains as prisoners of war during his victory parade called a “Triumph." It was likely a hellish, traumatic experience for the young children of the defeated team of Cleopatra and Mark Antony.

The Romanized Greek historian Plutarch mentions the children in his “Life of Antony” as he charts Antony’s journey from Caesar’s general, to Cleopatra’s husband and his eventual death. All of the children were also mentioned in Plutarch’s description of “The Donations of Alexandria”—wherein Mark Antony gave Roman provinces to all of his children, triggering the outrage that would eventually lead to the war between Antony and Octavian

At about fifteen or sixteen, Cleopatra Selene was married off to the King of Mauretania, a Roman province in North Africa. There she ruled beside her husband, Juba II, and had at least one son. Some scholars speculate that she had daughters too but since ancient historians cared little about the lives of women, there are no records of them.

Since Selene’s brothers—Alexander Helios and Ptolemy Philadelphos—are never mentioned again in any ancient sources, there is some question about what happened to them. Some scholars think that Selene’s brother’s were shipped off with her to North Africa but I tend to side with those who think they died while in Rome. After all, as ruthless as Octavian was, it’s hard to believe that he would’ve let the sons of Mark Antony grow up to adulthood and possibly take revenge in the name of their father.

There were other general references to the twins in ancient poetry, but Plutarch’s accounts of their lives is the primary source we have on Cleopatra’s children, especially Selene.

2. Was Cleopatra Selene much like her mother?

Bust of Cleopatra VII.

Sadly, no one knows! This has given us fiction writers, however, a great deal of freedom in imagining what she was like. For example, in my novel, Cleopatra’s Moon (2011), I imagined that Selene inherited her mother’s political savvy as well as her facility with languages (Plutarch tells us that Cleopatra spoke seven languages and was the first of the Greek Ptolemies to learn the native Egyptian tongue). For Selene's mother--Cleopatra VII--to succeed on the throne for twenty years, I figured that she was, at the very least, smart, tough and fierce. As the only daughter, I imagined, in Cleopatra’s Moon that Selene would model herself after mother and be both ambitious and politically savvy.

Just like her mom?

However, she also had to contend with tragedies her mother never faced--the deaths of her parents by suicide, the murder of her older brother, the destruction of her future as a ruler in Egypt, and serving as the object of hatred in hostile territory. All of this took place during the stage of life—adolescence—when most girls are separating from their mothers and crafting their own identities. How, I wondered, would Selene emerge from under her mother’s considerable shadow?

Selene and Alexander as children.

In Michelle Moran’s Cleopatra’s Daughter (2009) Selene also gets sucked into court intrigue and must find her way as an outsider. However, one anachronism in this story misrepresents ancient ideas about slavery (in Moran's story, Selene gets involved with a group fighting slavery). Slavery was an entrenched part of the ancient world—as much as thirty percent of the population were slaves. Although it may seem strange to us, the idea of slavery being morally wrong was inconceivable to the ancients. Indeed, questions about the morality of slavery as a practice did not emerge until the 16^th century. According to Keith Bradley, professor of classics at the University of Notre Dame and an expert on ancient slavery, “Slavery in Rome was not regarded as a moral evil that had to be suppressed, and it produced no abolitionist advocates of the sort prominent in the modern history of slavery.” Owning other human beings in the ancient world was accepted as either the natural order or fated by the gods. There were, of course, slave revolts — Spartacus’s is undoubtedly the most famous of the ancient period — but in those cases, the revolts were against abusive slave owners and not against the practice itself.

In Stephanie Dray’s historical fantasy trilogy on Selene’s life—Lily of the Nile, Song of the Nile, and Daughter’s of the Nile (2013)—Selene inherits not just her mother’s political abilities, but her devotion to Isis, which manifests and is expressed through Egyptian magic. Dray’s is the only portrayal that follows Selene all the way through adulthood, queenhood, motherhood, and death. The last book in particular gives a fascinating look at how Selene may have ruled Mauretania and how she may have managed the prickly relationship with Augustus, the man responsible for her parents' deaths.

Selene also shows up briefly in the novel, The Legate’s Daughter (2004), by Wallace Breem. However, in this book, Breem takes a page out of the “sexified” myth of Cleopatra and made Selene dangerously and intoxicatingly sensual. There are other depictions of Selene--mainly by self-published authors--for which I cannot vouch since I haven't read them. Because we know so little about her, in many ways, Selene and her personality can be invented whole.

Mark Antony

3. Was Selene anything like her father, Mark Antony?

Mark Antony was said to be smart, but also a bit loutish. He was a great warrior who loved women and wine and partied hard. In my kids biography of Cleopatra (Cleopatra Rules! The Amazing Life of theOriginal Teen Queen, 2010), I described Antony as a kind of “Roman Redneck—the type of ‘good ol’ boy’ whose idea of fun was seeing how many soda cans he could crush against his head before passing out. He was a ‘guy’s guy’ who loved to fight, drink, and laugh.”

Antony was quick to anger, but just as quick to forgive. He was also said to enjoy the company of many women. He married five times and he seemed to be attracted to strong women. His third wife—Fulvia—was a powerful woman who actually started a war in Rome on his behalf (it did not go well). He married Octavia—the sister of his enemy—in a bid to keep the peace, but that marriage fell apart too. His fifth wife was Cleopatra, Selene’s mother.

If Selene's personality was as boisterous and outrageous as her father’s, ancient writers would have likely mentioned it, which explains why so many authors tend to choose to portray Selene as more like her mother than her father. Antony had curly hair and was a big man, but again, most fiction authors tend to assume that she took after Cleopatra rather than Antony. As always, we will never really know.

Liz Taylor in the 1963 movie.

4. Was she beautiful like her mother?

The question implies, of course, that Cleopatra herself was beautiful. According to Plutarch, the queen that captured the attentions of both Julius Caesar and Mark Antony was “okay” (my words, not his). She was not an exceptional beauty and her busts—carved during her lifetime—tend to bear that out. Plutarch, however, waxes poetic about her charm, intelligence and beautiful voice. I imagined her great wealth also made the queen quite attractive. She was a classic case of personality trumping looks.

Coin minted during Cleopatra's lifetime.

Some people are convinced that Cleopatra VII was ugly because of coins that show her with a hooked nose and fierce expression. I suspect that her “fierceness” on these coins was emphasized, especially on the coins for her newly acquired provinces, because she needed to look strong and competent for her new people. Her people wouldn’t have felt as secure with a “soft and pretty” look. Another reason for that particular depiction is that (as a commenter points out below), Cleopatra likely emphasized the one feature that tied her to her illustrious family and history of rulers--the Ptolemy nose!

Cleopatra Selene with elephant crown of Mauretania.

We have only a couple of depictions of the adult Cleopatra Selene, including this Roman gilt silver emblem. The emblem, by the way, sold for more than $2 million in a Christie’s auction is 2011. It is now in the possession of a private New York collector. Another is a bust of Selene (below). Many have claimed that this bust served as the model for the face of liberty on the Statue of Liberty, though most historical sources say that the sculptor, Bartholdi, used his mother as the model.

The only depiction we have of her as a child is this statue of her and twin brother, Helios. The statues was discovered in 1918, but only identified as Selene and Alexander in 2012.

5. Why is Selene never included in movies about her mother?

Some suggested that Selene (R) was the face of Liberty.

Hollywood movies about the last queen of Egypt tend to portray Cleopatra VII as a shallow, sexy conniver. Propagandists for Octavian painted the queen as sexually dangerous and uncontrollable in order to incite fear and hatred against her. He scared Romans by swearing that the “scary queen wants to take over Rome and ‘unman’ us good Romans.” The ruse worked—nobody balked when he declared war on her. The war, of course, was really against a fellow Roman—Mark Antony—but Octavian would’ve never gotten funding for another civil war, so he made Cleopatra the scapegoat. It was a brilliant political move—to fight a civil war but blame it on the outsider woman—and it worked well for him in the end. Octavian emerged as the sole ruler of Rome and its empire.

The idea of Cleopatra’s dangerous sexuality was contrary to the way she lived her life—as a brilliant politician, strong, competent ruler, and devoted mother of four. But, from Hollywood’s point of view, where’s the sexy in that? Hollywood wanted to amp the sexuality in order to sell tickets—hence, in the early sixties, they cast the great beauty, Elizabeth Taylor, as the queen. In that movie, Caesarion is shown, but not the other children. Again, directors preferred to focus on her supposed “grand passions” rather than her life as a mother.

Jolie as the great queen?

Similarly, James Cameron has supposedly signed the actress Angelina Jolie to play the Greek queen. With this casting choice, the emphasis will again likely be focused on the queen’s supposed “sexiness,” as well as her romantic and sexual relationships. Her roles as a brilliant politician and devoted mother of four will likely be ignored.

6. Why did her enemy make her queen of Mauretania?

Again, no one knows for sure, but we can make educated guesses. Octavian was learning the hard way that having a local ruler—what they called a “client king”—was a more efficient way of maintaining control in some of the far-flung Roman provinces. The only risk was that sometimes those kings could turn on whomever appointed them, just as King Herod of Judea—given his throne by Mark Antony—betrayed Antony in the battle between his patron and Octavian.

The alternative way of managing Roman provinces was to assign Roman senators to rule the region and some (okay, many) magistrates or governors tended to be quite greedy; some milked their regions dry, stealing from the locals. A local ruler, however, was thought to be more likely to protect his or her own people while, at the same time, bow down to Rome.

Bronze bust of a young Juba II.

Juba had been saved by Julius Caesar when he was a baby after his father—the king of Numedia—mutinied against him. Caesar was famous for his policy of forgiveness against enemies and, most likely, Octavian wanted to be seen in the same light. Plus, Juba and Selene shared similar histories: both had been orphaned after invasions by Romans and both had been reared by Octavia in his home. Romans could puff up with pride at their largesse in not only saving these royal children, but giving them the chance to rule on their behalf.

Also, because they had been appointed by Octavian, the sole ruler of the Roman empire could rely on their loyalty to him, while still throwing a bone to the locals by having a North African native and a former princess of Egypt rule the region. Like many of Octavian’s strategies it was a brilliant political move that paid off handsomely.

7. Was she a figure-head or did she really rule as queen?

Again, it’s hard to know, but evidence seems to indicate that she ruled alongside Juba.

Selene's tomb in today's Algeria.

Selene’s image was minted on coins along with Juba’s, suggesting that she ruled as an equal partner. Juba, known for being a scholar, penned multiple books on Latin history, Greek history, geography, painting, and theater during his reign. Pliny the Elder says he was a better scholar than a king, which also suggests that Selene handled the administration of their kingdom while Juba hit the books.

Another indicator of her power is her mausoleum, which can be found between the cities of Algiers and Cherchell in today’s Algeria. She and Juba were buried together in a mausoleum that echoes the construction of Octavian’s/Augustus’s tomb.

Unfortunately, their bodies have not been uncovered—it is not even clear it the tomb itself has been excavated. Still, it implies that she was powerful and revered. For a fictional account of how she may have ruled as queen, read Stephanie Dray's Song of the Nile and Daughters of the Nile.

8. How many children did Selene have and what happened to them?

Bronze bust of Selene's child.

Because the ancients ignored the lives of women, we don’t know whether Selene and Juba had daughters, though there does seem to be some indication that she had at least one. She definitely had a son named Ptolemy who—after her death—ruled alongside his father and then took over as king when Juba died.

It is possible that Selene’s daughters survived to adulthood and had children of their own and that their descendants live somewhere in the coastal regions of northwestern Africa today.

As to the fate of Selene’s son, Ptolemy of Mauretania, it was not a pretty one. He was said to be immature and impulsive. He angered the emperor of Rome at the time—Caligula—by printing gold coins (only the emperor could approve that) and other activities that smacked of getting “too big for his britches” (not that they had britches back then, but still). According to legend, Ptolemy was called to meet with Caligula. He showed up wearing a purple cloak (which signified royalty) that was fancier than anything Caligula owned. In a fit of pique, Caligula had him killed.

If the story is true, the cloak likely represented the last straw for Caligula, given that Ptolemy had been associated with a powerful Roman general who had been involved in a plot to assassinate the emperor. Some sources say Ptolemy had a daughter named Drussila, whom Claudius made marry the governor of Judea.

9. When did Cleopatra Selene die?

There is some confusion about when exactly Selene died. The general consensus is sometime between 5 and 7 CE (common era). We do not know what caused her death.

Juba died in either 23 or 24 CE. He would’ve been over 60 by the time he died. We do not know his cause of death either.

Despite the fact that Selene died nearly 20 years before Juba—and some indication that Juba married someone else after her death—Juba had himself entombed beside Selene in her tomb near today’s Algiers.

The leading scholarly work on Selene.

10. If I wanted to learn more facts about Selene and her world, what should I read?

As mentioned before, there are few ancient sources about Selene. Primary sources include:

Plutarch, “The Life of Antony.”

Appian, “Civil War.”

Dio, Cassius, “Roman History,” Book 51.

Sadly, there is a dearth of modern scholarly sources on Selene. The best resource is:

Roller, Duane. The World of Juba II and KleopatraSelene. Routledge Press, 2003.

DuaneRoller, a classics professor at Ohio State University, seems to be the only classicist who has studied/written about both Selene and Juba.

Although not a scholarly work (by today’s standards), a wonderful source on Selene’s life is the following:

Chanler, Beatrice. Cleopatra’s Daughter: The Queen of Mauretania. Liverlight Publishing, 1934.

There are, however, many excellent secondary sources on Selene’s mother, Cleopatra VII. These include:

Chauveau,Michel. Cleopatra: Beyond the Myth. Cornell University Press, 2004.

Egypt in the Age of Cleopatra. Cornell University Press, 2000

Goldsworthy, Adrian. Antony and Cleopatra. Yale University Press, 2010.

Jones,Prudence. Cleopatra: A Life. Haus Publishers. 2006.

Cleopatra: A Sourcebook. University of Oklahoma Press, 2006.

Kleiner, Diane, E. Cleopatra and Rome. Belknap Press, 2005.

Tyldesly,Joyce. Cleopatra: The Last Queen of Egypt. Basic Books, 2010.

Got any additional questions? Leave them in the comments and I'll answer them to the best of my ability!

Friday Funnies--Ancient Style!

noreply@blogger.com (Vicky Alvear Shecter) — Fri, 13 Dec 2013 15:42:00 +0000

This one is for all the teachers out there during "Finals" Season:

We all know it: Zeus was a D*ck

Peanuts explains why the ancients made so many sacrifices:

The Visuals I Wish HuffPo had Used with my Post

noreply@blogger.com (Vicky Alvear Shecter) — Thu, 12 Dec 2013 22:40:00 +0000

It's always a thrill when something I've submitted to the Huffington Post actually gets posted because there's never a guarantee, even if they've approved your stuff before. My piece on ancient connections to modern workouts--"No Really, Crossfit Helped Me Understand Achilles"--was initially delayed because HuffPo insisted I supply citation for my claims about ancient funeral games.

Which, I have to admit, was kind of cool. I mean, I had to show my sources or they wouldn't run it. Who knew? With as much volume as they put out, It was reassuring to know that someone was checking every post for sources and citations.

My only disappointment was that they didn't include any visuals in the piece. Part of the challenge for them is finding royalty-free, public-domain art--or art they don't have to pay for--but I didn't think that was a problem with ancient artifacts. Perhaps the nudity was an issue?

Anyway, just to verify that there are plenty of options to choose from, I went on Wikemedia Commons, entered "ancient Greek athletes" and voila! It's raining naked men! Here are some of my favorites:

What's not shown on this ancient vase is that the athletes, especially runners, tied their willies down so they wouldn't flop around while they raced. Gary Corby writes amusingly about this in his latest novel, Sacred Games, set in the age of Pericles and during the Olympic Games. It's a great read--you should check it out.

Athletes were usually shown as nude because that is indeed how they trained and competed. Heroes such as Achilles and Ajax were also usually depicted as nude, even when in battle. One of the more interesting tidbits about ancient men's bits is that the Greeks often depicted the male member as quite small (relatively) and, sometimes, even infantile-looking.Apparently, this was by design. A large member was considered "vulgar" so beautiful athletes/men were often depicted with truly tiny bits.

I don't know what sport they're playing, but all I can think of is, "Whoa--watch out for that stick!"

This Hellenistic boxer resting after his match is a work of wonder. Aside from his beautifully rendered form, I find the leather boxing gloves fascinating, as well as his tired, but determined expression.

There are countless extraordinary images of ancient athletes that HuffPo could've used. But I really can't/shouldn't complain. After all, they posted a piece with the word "Achilles" in the title! Nothing but awesomeness there for those of us who love ancient history.