<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-8613902890681868820</atom:id><lastBuildDate>Wed, 12 Jun 2013 06:40:47 +0000</lastBuildDate><category>mythological</category><category>pirates</category><category>Edwin Davis French</category><category>Howard Pyle: American Master Rediscovered</category><category>1875</category><category>1891</category><category>1904</category><category>death</category><category>fairy tales</category><category>William Pyle</category><category>George Washington</category><category>children's</category><category>Edward W. Bok</category><category>Abraham Lincoln</category><category>Benjamin Franklin</category><category>1884</category><category>Henry Cabot Lodge</category><category>charcoal</category><category>Cass Gilbert</category><category>1905</category><category>1866</category><category>1892</category><category>youth</category><category>video</category><category>bookplates</category><category>Harper’s Weekly</category><category>1883</category><category>Theodore Roosevelt</category><category>letters</category><category>Sellers Pyle</category><category>Anna W. Hoopes</category><category>Louis Daniel Gowing</category><category>obituary</category><category>ephemera</category><category>travels</category><category>New York</category><category>mug</category><category>Mrs. Henry Dudeney</category><category>N. C. Wyeth</category><category>Christmas</category><category>Darley</category><category>Howells</category><category>Harper’s Monthly</category><category>1906</category><category>1893</category><category>cats</category><category>Oliver Wendell Holmes</category><category>witches</category><category>1877</category><category>Winslow Homer</category><category>1876</category><category>Walter Crane</category><category>on art</category><category>The Wonder Clock</category><category>mural</category><category>1881</category><category>Colonial</category><category>Civil War</category><category>1894</category><category>racist</category><category>peaches</category><category>biography</category><category>1907</category><category>1996</category><category>Ford Madox Brown</category><category>stained glass</category><category>ink</category><category>Art Institute of Chicago</category><category>pencil</category><category>American history</category><category>1880</category><category>Frank Schoonover</category><category>Twilight Land</category><category>Jean François Millet</category><category>Ephrata</category><category>sketches</category><category>James Edmund Dunning</category><category>William Dean Howells</category><category>1895</category><category>1908</category><category>allegorical</category><category>fables</category><category>Cresson</category><category>Yale Club</category><category>Angel DeCora</category><category>biographical</category><category>Mother</category><category>1871</category><category>Harper and Brothers</category><category>Delaware Art Museum</category><category>Frederic Remington</category><category>jesters</category><category>M. C. Pyle</category><category>Indianapolis</category><category>1896</category><category>Edwin Markham</category><category>Gertrude Brincklé</category><category>Norman Rockwell Museum</category><category>1911</category><category>1909</category><category>1869</category><category>George De Forest Brush</category><category>Yale</category><category>Arthur Burdett Frost</category><category>1853</category><category>Drexel Institute</category><category>Arthur Conan Doyle</category><category>St. Nicholas</category><category>1912</category><category>Howard Pyle</category><category>John Everett Millet</category><category>Mediaeval</category><category>Maryland</category><category>Harper's Young People</category><category>Winthrop Scudder</category><category>1897</category><category>King Arthur</category><category>Drexel</category><category>Brandywine River Museum</category><category>gouache</category><category>1899</category><category>1900</category><category>Boutet de Monvel</category><category>Wilmington</category><category>Elisabeth Moore Hallowell</category><category>Chadds Ford</category><category>Francis Davis Millet</category><category>Rehoboth</category><category>Edwin Austin Abbey</category><category>Modern</category><category>Washington Irving</category><category>Pre-Raphaelites</category><category>Woodrow Wilson</category><category>Allen Tupper True</category><category>teacher</category><category>family</category><category>Katharine Pyle</category><category>Every Evening</category><category>Harvey Dunn</category><category>1898</category><category>photograph</category><category>children’s</category><category>Harpers Young People</category><category>Charles Parsons</category><category>Players Club</category><category>1889</category><category>oil</category><category>black and white</category><category>Italy</category><category>Man with the Hoe</category><category>Elihu Vedder</category><category>James Branch Cabell</category><category>Salmagundi Club</category><category>John Henderson Betts</category><category>Sarah S. Stilwell</category><category>Art Students' League</category><category>William Howard Taft</category><category>lettering</category><category>Autocrat of the Breakfast-Table</category><category>1888</category><category>The Century Magazine</category><category>color</category><category>Dickens</category><category>Colonies and Nation</category><category>illustration</category><category>Barye</category><category>studio</category><category>initial</category><category>Travels of the Soul</category><category>interior</category><category>1879</category><category>1887</category><category>1903</category><category>Botticelli</category><category>Edmund Clarence Stedman</category><category>Rudyard Kipling</category><category>Titanic</category><category>Henry Mills Alden</category><category>Warwick Deeping</category><category>Raphael</category><category>Pierre Puvis de Chavannes</category><category>1878</category><category>Violet Oakley</category><category>1870</category><category>Franklin Inn Club</category><category>Maxfield Parrish</category><category>1886</category><category>friends</category><category>Clyde Osmer Deland</category><category>Men of Iron</category><category>1910</category><category>students</category><category>politics</category><category>1902</category><category>Chincoteague</category><category>Augustus Saint Gaudens</category><category>1885</category><category>Robin Hood</category><category>William Henry Jackson</category><category>Mark Twain</category><category>1901</category><category>food</category><category>Century Association</category><category>Battle of Nashville</category><category>religion</category><category>verse</category><category>landscape</category><category>1890</category><category>Nathaniel Hawthorne</category><category>Pepper and Salt</category><title>Howard Pyle</title><description>A blog devoted to the life and work of Howard Pyle (1853-1911), the American artist, author, and teacher.</description><link>http://howardpyle.blogspot.com/</link><managingEditor>noreply@blogger.com (Ian Schoenherr)</managingEditor><generator>Blogger</generator><openSearch:totalResults>342</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/HowardPyle" /><feedburner:info uri="howardpyle" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8650201490004550301</guid><pubDate>Tue, 04 Jun 2013 20:39:00 +0000</pubDate><atom:updated>2013-06-04T16:39:07.525-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Augustus Saint Gaudens</category><category domain="http://www.blogger.com/atom/ns#">friends</category><category domain="http://www.blogger.com/atom/ns#">1903</category><title>Pyle on Saint-Gaudens’s Sherman Monument</title><atom:summary>


On May 30, 1903, Augustus Saint-Gaudens’s Sherman Monument was unveiled at the southeast corner of Central Park in New York City. Although there’s no known evidence that Howard Pyle was present at the ceremony, we do know that he saw it in place within the next few days. Pyle, who delivered an address at Yale University’s School of Fine Arts in New Haven, Connecticut, on June 1, and passed </atom:summary><link>http://howardpyle.blogspot.com/2013/06/pyle-on-saint-gaudenss-sherman-monument.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2897708201434548009</guid><pubDate>Thu, 30 May 2013 13:09:00 +0000</pubDate><atom:updated>2013-05-30T09:09:02.502-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1909</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>Howard Pyle at Valley Forge, 1909</title><atom:summary>I just saw this interesting article by Hannah Boettcher on "Fieldwork in Valley Forge". Among other things, it shows that Howard Pyle visited Valley Forge on September 18, 1909, and signed the Washington Memorial Chapel guestbook, along with his wife and son Godfrey, as well as two Wilmington friends, John Warner (1884-1911) and his mother, Mary Cowgill Corbit Warner (1848-1923), who probably </atom:summary><link>http://howardpyle.blogspot.com/2013/05/howard-pyle-at-valley-forge-1909.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2286517612862520749</guid><pubDate>Thu, 02 May 2013 23:07:00 +0000</pubDate><atom:updated>2013-05-02T19:07:48.679-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Edward W. Bok</category><category domain="http://www.blogger.com/atom/ns#">1892</category><category domain="http://www.blogger.com/atom/ns#">Walter Crane</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>Howard Pyle Meets Walter Crane</title><atom:summary>

An illustration from Yankee Doodle by Howard Pyle (1881)





121 years ago today Howard Pyle met the celebrated British artist-illustrator-designer-decorator-author Walter Crane in Philadelphia.

Although Pyle’s known correspondence and writings are (so far) void of any Crane letters or mentions, Crane was clearly a big influence on Pyle - particularly on his work from the early 1880s, like </atom:summary><link>http://howardpyle.blogspot.com/2013/05/howard-pyle-meets-walter-crane.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-4vjqMqHzlSY/UYLqYyYxP1I/AAAAAAAAB0M/5V2tOO4o0eA/s72-c/YankeeDoodle.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-4272778143118721020</guid><pubDate>Tue, 30 Apr 2013 22:39:00 +0000</pubDate><atom:updated>2013-04-30T18:39:19.504-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Harper’s Monthly</category><category domain="http://www.blogger.com/atom/ns#">George Washington</category><category domain="http://www.blogger.com/atom/ns#">1889</category><category domain="http://www.blogger.com/atom/ns#">1888</category><category domain="http://www.blogger.com/atom/ns#">American history</category><category domain="http://www.blogger.com/atom/ns#">Woodrow Wilson</category><title>George Washington’s First Inauguration</title><atom:summary>

“The Inauguration” by Howard Pyle, engraved by F. S. King




Today marks the 224th anniversary of George Washington’s first inauguration as president of the United States. The ceremony was held April 30, 1789, on the balcony of Federal Hall on Wall Street in the city of New York - then the new nation’s capitol.

Howard Pyle pictured this great event at least twice. He painted his first version</atom:summary><link>http://howardpyle.blogspot.com/2013/04/george-washingtons-first-inauguration.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-PjmvikDAyBE/UYA5ITFCxSI/AAAAAAAABzk/ql3UuEpEU5s/s72-c/1889.04.Inauguration.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3479199052775011086</guid><pubDate>Sat, 13 Apr 2013 23:05:00 +0000</pubDate><atom:updated>2013-04-13T19:05:42.779-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ink</category><category domain="http://www.blogger.com/atom/ns#">allegorical</category><title>Lorelei</title><atom:summary>Howard Pyle nudes are few and far between. This one come from the Library of Congress and a super-high-resolution version (43.1 MB) is available for download and microscopic inspection. 

The story behind this pen and ink drawing is a mystery: it almost looks like something made for publication, but perhaps the publisher - or Pyle himself - found it too racy for Victorian or Edwardian eyes (or </atom:summary><link>http://howardpyle.blogspot.com/2013/04/lorelei.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-noD7eGcOPxQ/UWndILQVHvI/AAAAAAAAByk/v-K5FVntnFc/s72-c/NudeLadyPlayingLyre.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-7212118887375067346</guid><pubDate>Fri, 29 Mar 2013 14:43:00 +0000</pubDate><atom:updated>2013-03-29T10:43:16.811-04:00</atom:updated><title>Howard Pyle Lecture in Reading, PA - Tonight!</title><atom:summary>I only just saw this, so apologies for the short notice! 

The Delaware Art Museum's Curator of American Art, Heather Campbell Coyle - who knows Howard Pyle inside and out - is giving a talk tonight at the Reading Public Museum.

For more information, call 610-371-5850 x223. Reservations are required and the cost is $20 per member, $30 per non-member.</atom:summary><link>http://howardpyle.blogspot.com/2013/03/howard-pyle-lecture-in-reading-pa.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-319051312211282669</guid><pubDate>Wed, 13 Mar 2013 15:03:00 +0000</pubDate><atom:updated>2013-03-13T11:03:38.091-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">pirates</category><category domain="http://www.blogger.com/atom/ns#">1900</category><category domain="http://www.blogger.com/atom/ns#">1890</category><category domain="http://www.blogger.com/atom/ns#">black and white</category><title>Blueskin Stands Up</title><atom:summary>
“He lay silent and still, with his face half buried in the sand” (1890)

Howard Pyle painted “He lay silent and still, with his face half buried in the sand” for his story “Blueskin the Pirate” in 1890, and it was first published in that year’s Christmas issue of The Northwestern Miller. 

About a decade later, when, it seems, Pyle was thinking of compiling his own proto-Book of Pirates (or at </atom:summary><link>http://howardpyle.blogspot.com/2013/03/blueskin-stands-up.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-eSY8v3azcI8/UUB6I9XzHcI/AAAAAAAABxE/SuMzJdUsga0/s72-c/1890.12.Blueskin.web.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-7360070630266359216</guid><pubDate>Sun, 10 Mar 2013 23:41:00 +0000</pubDate><atom:updated>2013-03-10T19:41:24.489-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Harper’s Monthly</category><category domain="http://www.blogger.com/atom/ns#">1905</category><category domain="http://www.blogger.com/atom/ns#">Modern</category><category domain="http://www.blogger.com/atom/ns#">color</category><category domain="http://www.blogger.com/atom/ns#">Mediaeval</category><category domain="http://www.blogger.com/atom/ns#">James Edmund Dunning</category><category domain="http://www.blogger.com/atom/ns#">Harper’s Weekly</category><category domain="http://www.blogger.com/atom/ns#">1904</category><category domain="http://www.blogger.com/atom/ns#">Mrs. Henry Dudeney</category><category domain="http://www.blogger.com/atom/ns#">James Branch Cabell</category><category domain="http://www.blogger.com/atom/ns#">Gertrude Brincklé</category><category domain="http://www.blogger.com/atom/ns#">Warwick Deeping</category><title>Pyle used to do that to his paintings now and then</title><atom:summary>I spent Friday in the Delaware Art Museum’s library and among the many things I looked at (again) were three enormous, leather-bound scrapbooks of Howard Pyle’s published work. 

Pyle and his secretary Gertrude Brincklé seem to have started compiling them in 1910. The first leaves of Volume I feature Pyle’s own handwritten comments about some of his earliest printed things. But then he either </atom:summary><link>http://howardpyle.blogspot.com/2013/03/pyle-used-to-do-that-to-his-paintings.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-NceszWfBdxM/UTz2rCeVcpI/AAAAAAAABwk/JwbvEURmcdM/s72-c/1904.04.StoryofAdhelmar.3.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6700175989953732524</guid><pubDate>Sat, 09 Mar 2013 12:47:00 +0000</pubDate><atom:updated>2013-03-09T07:47:04.922-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">color</category><category domain="http://www.blogger.com/atom/ns#">Mediaeval</category><category domain="http://www.blogger.com/atom/ns#">1904</category><title>The Late Catherine de Vaucelles</title><atom:summary>
“Catherine de Vaucelles, in her garden” by Howard Pyle (1904)

What do you think of this Howard Pyle painting? It’s not so bad, right? It’s hard to see in this off-register plate, but it’s got its strengths: the dress and the blossoms are handled nicely, the composition and color are interesting... Aren’t they?

I’ve shown this one before. In The New York Times Saturday Review of Books for </atom:summary><link>http://howardpyle.blogspot.com/2013/03/the-late-catherine-de-vaucelles.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-aL6hEB1VHOs/TgCVCmUewyI/AAAAAAAABPY/fyCJ71tnBHY/s72-c/Figure4Hoyt.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8721499560223856415</guid><pubDate>Wed, 06 Mar 2013 01:00:00 +0000</pubDate><atom:updated>2013-03-05T20:00:09.025-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">photograph</category><title>Happy 160th Birthday, Howard Pyle! </title><atom:summary /><link>http://howardpyle.blogspot.com/2013/03/happy-160th-birthday-howard-pyle.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-U7fQq-Wd3Lc/UTaUzTWhKXI/AAAAAAAABv8/QN_GyJUzL2I/s72-c/1910JunePylephoto2WEB+copy.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3445738039678890290</guid><pubDate>Fri, 01 Mar 2013 00:42:00 +0000</pubDate><atom:updated>2013-02-28T19:42:32.400-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1898</category><category domain="http://www.blogger.com/atom/ns#">Anna W. Hoopes</category><category domain="http://www.blogger.com/atom/ns#">color</category><category domain="http://www.blogger.com/atom/ns#">1899</category><category domain="http://www.blogger.com/atom/ns#">Drexel Institute</category><category domain="http://www.blogger.com/atom/ns#">Angel DeCora</category><category domain="http://www.blogger.com/atom/ns#">Frank Schoonover</category><category domain="http://www.blogger.com/atom/ns#">Chadds Ford</category><category domain="http://www.blogger.com/atom/ns#">studio</category><category domain="http://www.blogger.com/atom/ns#">photograph</category><category domain="http://www.blogger.com/atom/ns#">Colonial</category><category domain="http://www.blogger.com/atom/ns#">American history</category><category domain="http://www.blogger.com/atom/ns#">Henry Cabot Lodge</category><title>“It looks very much posed”</title><atom:summary>
The above photograph, showing Howard Pyle with “The Evacuation of Charlestown” on his easel in his Wilmington studio, has now and then been dated 1897 and 1898. 

But 1897 is incorrect because Pyle only started the painting in mid-1898: Frank Schoonover remembered that Pyle (his teacher at the time) was working on it during the Drexel Institute’s first Summer School of Illustration - which </atom:summary><link>http://howardpyle.blogspot.com/2013/02/it-looks-very-much-posed.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-DBSTRqBVF4A/URmLzLKM91I/AAAAAAAABuk/LcShSyzMakU/s72-c/1899.Pyle.Rumford.jpeg" height="72" width="72" /><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-7236406710489428608</guid><pubDate>Thu, 28 Feb 2013 23:11:00 +0000</pubDate><atom:updated>2013-02-28T18:11:51.938-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Harper’s Monthly</category><category domain="http://www.blogger.com/atom/ns#">1878</category><category domain="http://www.blogger.com/atom/ns#">Modern</category><category domain="http://www.blogger.com/atom/ns#">Edwin Austin Abbey</category><category domain="http://www.blogger.com/atom/ns#">Mother</category><category domain="http://www.blogger.com/atom/ns#">family</category><category domain="http://www.blogger.com/atom/ns#">black and white</category><category domain="http://www.blogger.com/atom/ns#">Charles Parsons</category><category domain="http://www.blogger.com/atom/ns#">letters</category><title>When Howard Pyle “Struck Pan”</title><atom:summary>


“The little pink finger and the huge black index came to a full stop under this commandment”

“Work is beginning to roll in upon me at last, and at last I think I have ‘struck pan,’” wrote Howard Pyle to his mother on February 28, 1878 - 135 years ago today. “My work is beginning to pay better too and I think before long I shall be able to pay off my debts to father in toto.” 

Although I </atom:summary><link>http://howardpyle.blogspot.com/2013/02/when-howard-pyle-struck-pan.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-BafDwLrpoz8/US96vrBoIDI/AAAAAAAABvY/VbeMHBPmU7I/s72-c/1878+3.jpeg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6676422750621823729</guid><pubDate>Wed, 27 Feb 2013 14:25:00 +0000</pubDate><atom:updated>2013-02-27T09:25:35.877-05:00</atom:updated><title>Howard Pyle: From Idea to Illustration</title><atom:summary>On Saturday, March 9, 2013, at 11.30 a.m., I’ll be giving a talk entitled “Howard Pyle: From Idea to Illustration” at the Delaware Art Museum in Wilmington. You can register in advance for it here. </atom:summary><link>http://howardpyle.blogspot.com/2013/02/howard-pyle-from-idea-to-illustration.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-5184793786861886981</guid><pubDate>Tue, 26 Feb 2013 17:04:00 +0000</pubDate><atom:updated>2013-02-26T12:04:39.915-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Robin Hood</category><title>Gamboling in the Great Game of Human Redemption</title><atom:summary>Crisis Magazine recently featured an interesting review of - or, rather, an essay on - Howard Pyle’s The Merry Adventures of Robin Hood as a kind of Christian parable. The devout Pyle probably would have approved of this interpretation.
</atom:summary><link>http://howardpyle.blogspot.com/2013/02/gamboling-in-great-game-of-human.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-7785663473531399992</guid><pubDate>Sat, 02 Feb 2013 13:37:00 +0000</pubDate><atom:updated>2013-02-02T08:37:52.048-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1895</category><title>Howard Pyle and the Groundhog </title><atom:summary>“According to the tradition of the ‘ground-hog’ the weather should have broken by now, but this time the ‘ground-hog’ was a prophet neither in his own country nor out of it. We read that you also on the other side of the ocean are suffering a like bitter winter and, indeed, the whole earth seems to be girdled by a belt of ice. I suppose that we should take comfort that one is not worse off than </atom:summary><link>http://howardpyle.blogspot.com/2013/02/howard-pyle-and-groundhog.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8590983484047841734</guid><pubDate>Mon, 07 Jan 2013 01:20:00 +0000</pubDate><atom:updated>2013-01-06T20:20:46.282-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1906</category><category domain="http://www.blogger.com/atom/ns#">ink</category><category domain="http://www.blogger.com/atom/ns#">Franklin Inn Club</category><category domain="http://www.blogger.com/atom/ns#">Colonial</category><title>Poor Richard</title><atom:summary>Howard Pyle drew “Poor Richard” for the programme/menu of the Franklin Inn Club’s celebration of Benjamin Franklin’s 200th birthday held on January 6, 1906, in Philadelphia. 

Pyle was a member of the club, but did he attend the party? Maybe not: instead, he might have opted to go to the Century Association’s Twelfth Night at Eagleroost festivities in New York. </atom:summary><link>http://howardpyle.blogspot.com/2013/01/poor-richard.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-CbLcXyIRTAc/UOn_8uNog8I/AAAAAAAABts/GpTjr9_mvyk/s72-c/MBPI3222.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3945656885865540640</guid><pubDate>Sun, 06 Jan 2013 02:37:00 +0000</pubDate><atom:updated>2013-01-05T23:01:35.334-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1905</category><category domain="http://www.blogger.com/atom/ns#">William Howard Taft</category><category domain="http://www.blogger.com/atom/ns#">friends</category><category domain="http://www.blogger.com/atom/ns#">politics</category><category domain="http://www.blogger.com/atom/ns#">Theodore Roosevelt</category><category domain="http://www.blogger.com/atom/ns#">food</category><title>Pyle, Taft, and the Panama Canal</title><atom:summary>On January 5, 1905, Mr. and Mrs. Howard Pyle attended the Cabinet Dinner at the White House, where they dined on Harlequin Sandwiches, Potage Clear Green Turtle, Curled Celery, Terrapin à la Baltimore, Supreme of Chicken Villeroi with fresh mushrooms, Egyptian Quails à l'Estouffade - among other delicacies - and later stayed over night as guests of President Roosevelt. 

Also at the dinner was </atom:summary><link>http://howardpyle.blogspot.com/2013/01/pyle-taft-and-panama-canal.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2593397485490930403</guid><pubDate>Fri, 04 Jan 2013 20:51:00 +0000</pubDate><atom:updated>2013-01-04T15:51:06.686-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">video</category><category domain="http://www.blogger.com/atom/ns#">students</category><category domain="http://www.blogger.com/atom/ns#">Wilmington</category><category domain="http://www.blogger.com/atom/ns#">Frank Schoonover</category><category domain="http://www.blogger.com/atom/ns#">teacher</category><title>Frank E. Schoonover - A Long Life in Art</title><atom:summary>Yes, yet another Pyle-related video to watch. Here, the story of Frank E. Schoonover (1877-1972), one of Howard Pyle’s longest-lived and most devoted students, is told by his three grandchildren, who were interviewed in the Wilmington studio their grandfather used from 1906 on (after Pyle had pushed several “graduates” from his own nest of studios a few blocks away). Home movies and audio </atom:summary><link>http://howardpyle.blogspot.com/2013/01/frank-e-schoonover-long-life-in-art.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-1937235340590450451</guid><pubDate>Thu, 03 Jan 2013 21:44:00 +0000</pubDate><atom:updated>2013-01-03T16:44:00.489-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">video</category><category domain="http://www.blogger.com/atom/ns#">Allen Tupper True</category><category domain="http://www.blogger.com/atom/ns#">students</category><title>A Film About Allen Tupper True</title><atom:summary>

Allen Tupper True

Denver-born artist Allen Tupper True (1881-1955) joined Howard Pyle’s class in May 1902 and his abundant letters home are a rich source of information on Pyle and his students and their lives in and around Chadd’s Ford and Wilmington (they’re also a great complement to True’s classmate and studiomate N. C. Wyeth’s letters to his family). 

Now (and for some time past, perhaps</atom:summary><link>http://howardpyle.blogspot.com/2013/01/a-film-about-allen-tupper-true.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8471472423291423197</guid><pubDate>Wed, 02 Jan 2013 12:14:00 +0000</pubDate><atom:updated>2013-01-02T07:14:41.448-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Cass Gilbert</category><category domain="http://www.blogger.com/atom/ns#">1907</category><category domain="http://www.blogger.com/atom/ns#">friends</category><title>In Praise of Cass Gilbert</title><atom:summary>

Cass Gilbert, circa 1907 (via the Minnesota Historical Society)


“Your own life has been a life of success gratifying to all your friends, and the gratification they feel is enhanced a hundred-fold by the consciousness that that success has been well earned by a man who deserves to possess it. For such large hearts and generous spirits as that which you possess not only make the world a </atom:summary><link>http://howardpyle.blogspot.com/2013/01/in-praise-of-cass-gilbert.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6416191004326569400</guid><pubDate>Wed, 02 Jan 2013 02:36:00 +0000</pubDate><atom:updated>2013-03-28T19:15:14.766-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Clyde Osmer Deland</category><category domain="http://www.blogger.com/atom/ns#">students</category><category domain="http://www.blogger.com/atom/ns#">1898</category><category domain="http://www.blogger.com/atom/ns#">1897</category><category domain="http://www.blogger.com/atom/ns#">teacher</category><category domain="http://www.blogger.com/atom/ns#">Drexel Institute</category><title>Raising the First National Flag, January 1, 1776</title><atom:summary>

“Raising the First American Flag, January 1, 1776” by C. O. DeLand

No, this isn’t a long-lost Howard Pyle: it’s by Clyde Osmer DeLand, who painted it under Pyle’s supervision at the Drexel Institute in the fall of 1897. As Pyle explained in a January 1898 description of his School of Illustration:
...I hold a “Composition Class” every week, some of the compositions submitted being of an </atom:summary><link>http://howardpyle.blogspot.com/2013/01/raising-first-national-flag-january-1.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-UWU3MfJ8caM/UONpPMCjgzI/AAAAAAAABtU/aR2amouuB1U/s72-c/1898.01.01.HW.DeLand.Flag%2Bcopy.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6609192457691331612</guid><pubDate>Tue, 11 Dec 2012 18:21:00 +0000</pubDate><atom:updated>2012-12-11T13:21:37.514-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Howard Pyle: American Master Rediscovered</category><title>An Interview About Howard Pyle</title><atom:summary>Last month, PCNTV aired an hour-long interview with Heather Campbell Coyle about Howard Pyle: American Master Rediscovered. And now you can watch it online. Ms. Coyle is Curator of American Art at the Delaware Art Museum and she knows and understands Pyle like few others do, so by all means watch this in-depth conversation.</atom:summary><link>http://howardpyle.blogspot.com/2012/12/an-interview-about-howard-pyle.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-4873267518979746990</guid><pubDate>Tue, 11 Dec 2012 13:35:00 +0000</pubDate><atom:updated>2012-12-11T08:35:42.205-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">oil</category><category domain="http://www.blogger.com/atom/ns#">Benjamin Franklin</category><category domain="http://www.blogger.com/atom/ns#">1899</category><category domain="http://www.blogger.com/atom/ns#">Colonial</category><category domain="http://www.blogger.com/atom/ns#">American history</category><title>The Good, Aged Doctor</title><atom:summary>

“The Good, Aged Doctor” by Howard Pyle (1899)

“The Good, Aged Doctor” - or, more precisely, “The good, aged Doctor, the appearance of whose rotund figure on the streets was the signal for the Parisians to doff their hats” - was one of four illustrations Howard Pyle made for James Barnes’s “The Man for the Hour” in McClure’s Magazine for December 1899.

Benjamin Franklin is, of course, “the </atom:summary><link>http://howardpyle.blogspot.com/2012/12/the-good-aged-doctor.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-KawXdM0r9pE/UL95Um8CWMI/AAAAAAAABsk/gdQYRk0IHRM/s72-c/1899.12.GoodAgedDoctor.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-527225074425471119</guid><pubDate>Wed, 05 Dec 2012 00:33:00 +0000</pubDate><atom:updated>2012-12-04T19:33:52.687-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">students</category><category domain="http://www.blogger.com/atom/ns#">Art Institute of Chicago</category><category domain="http://www.blogger.com/atom/ns#">Harvey Dunn</category><category domain="http://www.blogger.com/atom/ns#">Indianapolis</category><category domain="http://www.blogger.com/atom/ns#">teacher</category><category domain="http://www.blogger.com/atom/ns#">on art</category><category domain="http://www.blogger.com/atom/ns#">N. C. Wyeth</category><category domain="http://www.blogger.com/atom/ns#">1903</category><title>Ticket to Pyle</title><atom:summary>On December 4, 1903, Howard Pyle and his wife, Anne, traveled from Chicago to Indianapolis via the Cleveland, Cincinnati, Chicago and St. Louis Railway. They arrived at 2:40 p.m. and were met by Will David Howe, a professor of English at Butler College (and later an editor and publisher in New York). Howe had tried to get Pyle to come lecture there in 1902, but the ever-busy Pyle begged off, </atom:summary><link>http://howardpyle.blogspot.com/2012/12/ticket-to-pyle.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-GvTenZckzls/UL5ZlW9uU8I/AAAAAAAABsM/-JfvcaHNPd4/s72-c/1903.Indianapolis.ticket686.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6172205992234410628</guid><pubDate>Fri, 23 Nov 2012 23:25:00 +0000</pubDate><atom:updated>2012-11-23T18:25:08.423-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1880</category><category domain="http://www.blogger.com/atom/ns#">1877</category><category domain="http://www.blogger.com/atom/ns#">Katharine Pyle</category><category domain="http://www.blogger.com/atom/ns#">family</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>The Sad Story of a Little Boy That Cried</title><atom:summary>
Today is the 149th birthday of Katharine Pyle, Howard Pyle’s sister. 

These two siblings seem to have had a conflicted relationship over the years: Howard (who was ten years older) often tried to encourage or push Katharine into a more “practical” career path, but she was too much of an independent spirit, who did things when and where and how she wanted to. At least that’s the sense one might </atom:summary><link>http://howardpyle.blogspot.com/2012/11/the-sad-story-of-little-boy-that-cried.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item></channel></rss>
