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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-8613902890681868820</atom:id><lastBuildDate>Tue, 07 Feb 2012 12:49:40 +0000</lastBuildDate><category>mythological</category><category>gouache</category><category>1899</category><category>pirates</category><category>Frank Schooonover</category><category>Edwin Davis French</category><category>1900</category><category>Boutet de Monvel</category><category>1875</category><category>1904</category><category>1891</category><category>Wilmington</category><category>death</category><category>William Pyle</category><category>fairy tales</category><category>George Washington</category><category>Chadds Ford</category><category>children's</category><category>Francis Davis Millet</category><category>Rehoboth</category><category>Edwin Austin Abbey</category><category>Modern</category><category>Abraham Lincoln</category><category>charcoal</category><category>Washington Irving</category><category>Cass Gilbert</category><category>Pre-Raphaelites</category><category>Woodrow Wilson</category><category>Allen Tupper True</category><category>1905</category><category>1866</category><category>1892</category><category>teacher</category><category>youth</category><category>Every Evening</category><category>bookplates</category><category>Harper’s Weekly</category><category>1883</category><category>Theodore Roosevelt</category><category>letters</category><category>1898</category><category>Sellers Pyle</category><category>photograph</category><category>obituary</category><category>Harpers Young People</category><category>Players Club</category><category>Charles Parsons</category><category>1889</category><category>ephemera</category><category>oil</category><category>travels</category><category>New York</category><category>Italy</category><category>N. 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Stilwell</category><category>William Howard Taft</category><category>Art Students' League</category><category>Winslow Homer</category><category>1876</category><category>lettering</category><category>1888</category><category>The Wonder Clock</category><category>on art</category><category>mural</category><category>Colonial</category><category>1881</category><category>color</category><category>Dickens</category><category>Colonies and Nation</category><category>Civil War</category><category>illustration</category><category>1894</category><category>peaches</category><category>biography</category><category>1996</category><category>studio</category><category>initial</category><category>Travels of the Soul</category><category>Ford Madox Brown</category><category>ink</category><category>pencil</category><category>1880</category><category>American history</category><category>interior</category><category>Twilight Land</category><category>Jean François Millet</category><category>Ephrata</category><category>sketches</category><category>1879</category><category>1908</category><category>1887</category><category>1895</category><category>1903</category><category>allegorical</category><category>Botticelli</category><category>Rudyard Kipling</category><category>Raphael</category><category>fables</category><category>Pierre Puvis de Chavannes</category><category>Yale Club</category><category>Cresson</category><category>1878</category><category>1870</category><category>biographical</category><category>Mother</category><category>1871</category><category>Harper and Brothers</category><category>Delaware Art Museum</category><category>Frederic Remington</category><category>Maxfield Parrish</category><category>friends</category><category>1886</category><category>jesters</category><category>M. C. Pyle</category><category>Edwin Markham</category><category>1896</category><category>1911</category><category>Men of Iron</category><category>1869</category><category>1909</category><category>1910</category><category>students</category><category>Yale</category><category>George De Forest Brush</category><category>1902</category><category>politics</category><category>Arthur Burdett Frost</category><category>Augustus Saint Gaudens</category><category>Chincoteague</category><category>Drexel Institute</category><category>1885</category><category>William Henry Jackson</category><category>Mark Twain</category><category>Arthur Conan Doyle</category><category>John Everett Millet</category><category>Howard Pyle</category><category>Mediaeval</category><category>Maryland</category><category>Harper's Young People</category><category>1901</category><category>food</category><category>Century Association</category><category>1897</category><category>Battle of Nashville</category><category>religion</category><category>King Arthur</category><category>verse</category><category>1890</category><category>landscape</category><category>Nathaniel Hawthorne</category><category>Drexel</category><category>Brandywine River Museum</category><category>Pepper and Salt</category><title>Howard Pyle</title><description>A blog devoted to the life and work of Howard Pyle (1853-1911), the American artist, author, and teacher.</description><link>http://howardpyle.blogspot.com/</link><managingEditor>noreply@blogger.com (Ian Schoenherr)</managingEditor><generator>Blogger</generator><openSearch:totalResults>274</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/HowardPyle" /><feedburner:info uri="howardpyle" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2505612368231418895</guid><pubDate>Tue, 07 Feb 2012 12:49:00 +0000</pubDate><atom:updated>2012-02-07T07:49:40.936-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Dickens</category><title>Pyle on Dickens</title><atom:summary>“I do not mean to belittle Dickens but do you not think that the self-sacrifice of the hero in - Little Doret [sic] is it - is just a little cheap and tawdry? Do you not think that ‘Little Nell’ is just a trifle over-sentimental?”
Howard Pyle to Frank W. Hoyt, February 27, 1892</atom:summary><link>http://howardpyle.blogspot.com/2012/02/pyle-on-dickens.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-423253815171263426</guid><pubDate>Thu, 02 Feb 2012 22:06:00 +0000</pubDate><atom:updated>2012-02-02T17:06:13.545-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">pirates</category><category domain="http://www.blogger.com/atom/ns#">ink</category><category domain="http://www.blogger.com/atom/ns#">Chadds Ford</category><category domain="http://www.blogger.com/atom/ns#">1903</category><title>Ye Pirate Bold (and Bloody Expensive)</title><atom:summary>


On September 13, 1903, Howard Pyle jotted down this drawing in a little notebook belonging to his student Thornton Oakley. Some years later, when Merle Johnson was compiling Howard Pyle’s Book of Pirates, Oakley allowed it to be reproduced.

Today, this 3.25 x 5.75" scrap was auctioned off at Freeman’s in Philadelphia. And as a testament to the enduring allure of Pyle’s pirates, it sold - with</atom:summary><link>http://howardpyle.blogspot.com/2012/02/ye-pirate-bold-and-bloody-expensive.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-YRA4QAfR2Uo/TysEoBJ0EyI/AAAAAAAABb0/QJPG3fkDbH0/s72-c/YePirateBold.whole.actual.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-1124396199627633739</guid><pubDate>Thu, 02 Feb 2012 13:41:00 +0000</pubDate><atom:updated>2012-02-02T08:41:57.392-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1905</category><category domain="http://www.blogger.com/atom/ns#">teacher</category><title>Yes, Mr. Pyle, but...</title><atom:summary>“After all, it is the result of my words that will tell, and not the words themselves. If I may help and inspire young artists with an exalted idea of their mission, and if an improvement of their work is the result, then I shall have served my mission, and it will not matter in the least whether my words are recorded or not recorded.”Howard Pyle to Marie-Marguerite Frechette, February 2, 1905.</atom:summary><link>http://howardpyle.blogspot.com/2012/02/yes-mr-pyle-but.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-1172146132050834726</guid><pubDate>Sat, 28 Jan 2012 01:11:00 +0000</pubDate><atom:updated>2012-01-27T20:11:42.320-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">children's</category><category domain="http://www.blogger.com/atom/ns#">oil</category><category domain="http://www.blogger.com/atom/ns#">1890</category><category domain="http://www.blogger.com/atom/ns#">Mediaeval</category><category domain="http://www.blogger.com/atom/ns#">Harper's Young People</category><category domain="http://www.blogger.com/atom/ns#">Men of Iron</category><title>“Myles, as in a dream, kneeled, and presented the letter”</title><atom:summary>“Myles, as in a dream, kneeled, and presented the letter” illustrates the following passage from the second installment of Howard Pyle’s novel Men of Iron in Harper's Young People for January 27, 1891:
[The Earl of Mackworth] was a tall man, taller even than Myles’s father. He had a thin face, deep-set bushy eyebrows, and a hawk nose. His upper lip was clean shaven, but from his chin a flowing </atom:summary><link>http://howardpyle.blogspot.com/2012/01/myles-as-in-dream-kneeled-and-presented.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-HK-iU6VnJEQ/TyNBmqip3GI/AAAAAAAABbo/px2qTVeIFZA/s72-c/MylesKnelt.web.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-5384853883496440579</guid><pubDate>Wed, 25 Jan 2012 23:20:00 +0000</pubDate><atom:updated>2012-01-25T18:20:08.424-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1905</category><category domain="http://www.blogger.com/atom/ns#">1891</category><category domain="http://www.blogger.com/atom/ns#">Oliver Wendell Holmes</category><category domain="http://www.blogger.com/atom/ns#">ink</category><title>“Some Took His Time”</title><atom:summary>“Some took his time” by Howard Pyle is an illustration for “How the Old Horse Won the Bet” by Oliver Wendell Holmes, which formed part of The One Hoss Shay With its Companion Poems, published by Houghton, Mifflin &amp; Co. in 1905. 

For this project, the publisher supplied Pyle with proofs - printed on Bristol board - of the illustrations he had made for the 1891 edition of the book, which Pyle then</atom:summary><link>http://howardpyle.blogspot.com/2012/01/some-took-his-time.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Y7Mni0UWB60/TyB3QfwbqhI/AAAAAAAABbc/7KaQtu2rV9U/s72-c/OneHoss.chalkboard.1905.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-661834236239177965</guid><pubDate>Tue, 24 Jan 2012 15:45:00 +0000</pubDate><atom:updated>2012-01-24T10:45:41.655-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">oil</category><category domain="http://www.blogger.com/atom/ns#">Oliver Wendell Holmes</category><category domain="http://www.blogger.com/atom/ns#">1893</category><title>“The Good Old Doctor”</title><atom:summary>Howard Pyle illustrated two books by Dr. Oliver Wendell Holmes for the 1891 and 1892 holiday seasons, so it was only natural that the publisher, Houghton, Mifflin &amp; Co., would want him to illustrate the one slated for 1893. 

Pyle, though, had second thoughts: this was around the time he declared that he “intended to do no book illustrations, except in connection with [his] own writings.” But Art</atom:summary><link>http://howardpyle.blogspot.com/2012/01/good-old-doctor.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-s0VZbprI4So/Tx6mLlzg0sI/AAAAAAAABbI/xoggrzzVNaA/s72-c/Autocratin1895.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-5844167050545159040</guid><pubDate>Mon, 23 Jan 2012 12:04:00 +0000</pubDate><atom:updated>2012-01-23T07:04:50.560-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1890</category><category domain="http://www.blogger.com/atom/ns#">ink</category><category domain="http://www.blogger.com/atom/ns#">Colonial</category><title>“Mr. Leuba”</title><atom:summary>
“Mr. Leuba” by Howard Pyle (1890)
Poor “Mr. Leuba” - he didn’t go far. He appeared in James Lane Allen’s “Flute and Violin” in Harper’s New Monthly Magazine for December 1890, but when the Howard Pyle-illustrated story came out in book form the following May, he was nowhere to be seen.

Well, not exactly. In one of the other illustrations - “It was a very gay dinner” - which did appear in both </atom:summary><link>http://howardpyle.blogspot.com/2012/01/mr-leuba.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-PaxKQEJU-5A/TxyFn2eejVI/AAAAAAAABa0/6ez7lgSPCJo/s72-c/MrLeuba.cropped.closeup.web.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3537555580802102474</guid><pubDate>Sun, 22 Jan 2012 17:27:00 +0000</pubDate><atom:updated>2012-01-22T12:27:53.157-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">studio</category><title>Howard Pyle’s Drawing Desk</title><atom:summary>While sitting, tethered to my drawing table pretty constantly for three months, I often wondered what it would be like to stand and draw. That’s what Howard Pyle did, sometimes. Legend has it that he even had a drawing desk custom-made at just the right height so that he could comfortably draw - or write - standing up. 

I had pictured it being like an old fashioned, four-legged schoolmaster’s </atom:summary><link>http://howardpyle.blogspot.com/2012/01/howard-pyles-drawing-desk.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-3xlhgsrnOw8/Txwp9lWfMmI/AAAAAAAABaQ/gkPBjy6_30g/s72-c/Pyle.Drawing.Desk.3.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2487407645975830844</guid><pubDate>Sun, 08 Jan 2012 14:46:00 +0000</pubDate><atom:updated>2012-01-08T09:46:02.101-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">oil</category><category domain="http://www.blogger.com/atom/ns#">1892</category><category domain="http://www.blogger.com/atom/ns#">Colonial</category><category domain="http://www.blogger.com/atom/ns#">American history</category><title>“Hey, black cat! hey, my pretty black cat”</title><atom:summary>
“Hey, black cat! hey, my pretty black cat” by Howard Pyle (1891)

“I send you to-day the three drawings for Giles Corey Yeoman and return enclosed the MS.,“ wrote Howard Pyle to Arthur B. Turnure of Harper &amp; Brothers on January 6, 1892. “I hope you will like the drawings; I do not know whether it was doing them for a new Art Editor or not but I found a considerable difficulty in getting them to </atom:summary><link>http://howardpyle.blogspot.com/2012/01/hey-black-cat-hey-my-pretty-black-cat.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gu8PuQjDdj8/TwcBRyfUi6I/AAAAAAAABaE/e8v5TFYus5U/s72-c/HeyBlackCatWEB.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-6772716601390747519</guid><pubDate>Sat, 31 Dec 2011 19:21:00 +0000</pubDate><atom:updated>2011-12-31T14:21:38.019-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1880</category><category domain="http://www.blogger.com/atom/ns#">American history</category><title>New-Year’s Hymn to St. Nicholas</title><atom:summary>My blogging slowed drastically due to a book project that proved more time consuming than I expected. But maybe I can balance or juggle more in 2012. Until then, take a look at Howard Pyle’s “New-Year’s Hymn to St. Nicholas” which he painted in May 1880 for “A Glimpse of an Old Dutch Town” by Mrs. M. P. Ferris (Harper’s New Monthly Magazine, March 1881).</atom:summary><link>http://howardpyle.blogspot.com/2011/12/new-years-hymn-to-st-nicholas.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-8N5sqWYMWHw/Tv9exs__e0I/AAAAAAAABZ4/U2veSyYsDns/s72-c/NewYearsHymnWEB.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3263635654373006658</guid><pubDate>Sun, 25 Dec 2011 13:06:00 +0000</pubDate><atom:updated>2011-12-25T08:09:20.802-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">oil</category><category domain="http://www.blogger.com/atom/ns#">1891</category><category domain="http://www.blogger.com/atom/ns#">Mediaeval</category><title>The First Christmas Tree</title><atom:summary>“The First Christmas Tree” by Howard Pyle illustrated “The Oak of Geismar” by Henry Van Dyke in Scribner’s Magazine for December 1891. It was engraved on wood by Walter Montieth Aikman.</atom:summary><link>http://howardpyle.blogspot.com/2011/12/first-christmas-tree.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-PHGtPWYkGVk/TvcbKVARURI/AAAAAAAABZs/DwLjBxV8ljU/s72-c/firstxmastreeWEB.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-5055424156588729812</guid><pubDate>Sun, 27 Nov 2011 17:57:00 +0000</pubDate><atom:updated>2011-11-27T12:57:00.386-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1878</category><category domain="http://www.blogger.com/atom/ns#">New York</category><category domain="http://www.blogger.com/atom/ns#">1879</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>Howard Pyle Slept Here, Part 3</title><atom:summary>

Yes, Howard Pyle slept here. He also worked here, about ten years before this photograph was taken. 

The address is (well, was) 788 Broadway at Tenth Street in New York City, right next to James Renwick’s Grace Church. Fleischmann’s Vienna Model Bakery was on the street level, and, as Pyle’s friend James Edward Kelly recalled: “The upper floors of the building were full of little artist </atom:summary><link>http://howardpyle.blogspot.com/2011/11/howard-pyle-slept-here-part-3.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3312701394218819101</guid><pubDate>Thu, 24 Nov 2011 14:02:00 +0000</pubDate><atom:updated>2011-11-24T09:02:46.979-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Colonial</category><category domain="http://www.blogger.com/atom/ns#">American history</category><category domain="http://www.blogger.com/atom/ns#">1895</category><title>A “Thanksgiving-Time Fancy” from Howard Pyle</title><atom:summary>“The Enemy at the Door” by Howard Pyle, from “Some Thanksgiving-Time Fancies” in Scribner’s Magazine for November 1895.</atom:summary><link>http://howardpyle.blogspot.com/2011/11/thanksgiving-time-fancy-from-howard.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-kOshucCr6SA/Ts5OBJAo65I/AAAAAAAABZU/-ADtnzXpQ4w/s72-c/EnemyattheDoorWEB.jpg" height="72" width="72" /><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3023134903429448284</guid><pubDate>Mon, 21 Nov 2011 14:39:00 +0000</pubDate><atom:updated>2011-11-21T09:39:35.504-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Ford Madox Brown</category><category domain="http://www.blogger.com/atom/ns#">1904</category><category domain="http://www.blogger.com/atom/ns#">Delaware Art Museum</category><category domain="http://www.blogger.com/atom/ns#">Pre-Raphaelites</category><title>Howard Pyle on Ford Madox Brown</title><atom:summary>
“Lear and Cordelia” (1849-54) by Ford Madox Brown

Despite his self-described “hermit-like” existence, Howard Pyle didn’t live in a vacuum, and one of the major points of the the new exhibit and book, Howard Pyle: American Master Rediscovered, is that his work was informed by myriad sources: from Winslow Homer to Japanese art to James Tissot to Walter Crane.

From his childhood, Pyle was also </atom:summary><link>http://howardpyle.blogspot.com/2011/11/howard-pyle-on-ford-madox-brown_21.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-1609258690069205524</guid><pubDate>Sun, 20 Nov 2011 14:57:00 +0000</pubDate><atom:updated>2011-11-20T09:57:39.246-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Italy</category><category domain="http://www.blogger.com/atom/ns#">Brandywine River Museum</category><category domain="http://www.blogger.com/atom/ns#">Delaware Art Museum</category><title>Two Howard Pyle Exhibits</title><atom:summary>A little over a week ago, I finally visited the Brandywine River Museum in Chadds Ford, Pennsylvania, and saw their Howard Pyle exhibit, which just closed. It was absolutely worth seeing, especially since they put the bulk of their extensive Pyle holdings on view. A couple of things I’d never heard of or seen in person: sketches, studies, drawings, paintings, photos - a real cornucopia of Pylean </atom:summary><link>http://howardpyle.blogspot.com/2011/11/two-howard-pyle-exhibits.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2447850658002360046</guid><pubDate>Mon, 14 Nov 2011 19:20:00 +0000</pubDate><atom:updated>2011-11-21T09:47:41.330-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Delaware Art Museum</category><title>Howard Pyle in Salon</title><atom:summary>Salon features an interview with Margaretta Frederick, Chief Curator of the Delaware Art Museum, where the new Howard Pyle exhibit just opened. The piece also includes a slideshow. 

One minor correction to the slideshow: the photograph of Pyle in his studio (pretending to paint the already-finished “The Evacuation of Charlestown”) was taken by C. P. M. Rumford (not “Runeford”), most likely in </atom:summary><link>http://howardpyle.blogspot.com/2011/11/howard-pyle-in-salon.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2684961447422586898</guid><pubDate>Wed, 09 Nov 2011 23:52:00 +0000</pubDate><atom:updated>2011-11-09T18:52:45.412-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">obituary</category><category domain="http://www.blogger.com/atom/ns#">1911</category><category domain="http://www.blogger.com/atom/ns#">friends</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>A Friend Remembers Howard Pyle</title><atom:summary>
Howard Pyle grinning in Italy, a few months before his death in 1911

Almost immediately after Howard Pyle died - 100 years ago today - his friends and acquaintances began to record their thoughts about him. I’ve always been fond of one particular reminiscence written and published on the very day of Pyle’s death in the Boston Evening Transcript. The author was the journalist Edward Noble </atom:summary><link>http://howardpyle.blogspot.com/2011/11/friend-remembers-howard-pyle.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-g9N3EE_uIE8/TrsPLkfZz8I/AAAAAAAABZA/IpM7hvmAL2c/s72-c/1911Pylesmile.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8789545088892606986</guid><pubDate>Wed, 09 Nov 2011 21:01:00 +0000</pubDate><atom:updated>2011-11-09T16:01:21.112-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Delaware Art Museum</category><title>Behind the Scenes at the Delaware Art Museum</title><atom:summary>A behind the scenes look at the Pyle exhibit opening this Saturday, November 12th, at the Delaware Art Museum in Wilmington.</atom:summary><link>http://howardpyle.blogspot.com/2011/11/behind-scenes-at-delaware-art-museum.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-4097048467966290258</guid><pubDate>Wed, 09 Nov 2011 12:28:00 +0000</pubDate><atom:updated>2011-11-09T07:28:39.632-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Italy</category><category domain="http://www.blogger.com/atom/ns#">death</category><category domain="http://www.blogger.com/atom/ns#">1911</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>What Did Howard Pyle Die Of?</title><atom:summary>What did Howard Pyle die of? Most contemporary newspapers reported that it was “heart failure” or “heart disease”. The more common notion - via those closer to the Pyle family - is that it was “kidney trouble” or Bright’s Disease - and his known symptoms are consistent with that diagnosis. 

And still another, also kidney-related cause of death can be found in the “Report of the Death of an </atom:summary><link>http://howardpyle.blogspot.com/2011/11/what-did-howard-pyle-die-of.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-QxlK9QKJp7k/TrpoNSzG1zI/AAAAAAAABYg/TX-wEsK2M-0/s72-c/PyleDeath1911crop.jpeg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-1269918072240152992</guid><pubDate>Wed, 09 Nov 2011 11:34:00 +0000</pubDate><atom:updated>2011-11-09T17:46:15.132-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">death</category><category domain="http://www.blogger.com/atom/ns#">1892</category><category domain="http://www.blogger.com/atom/ns#">religion</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>Howard Pyle on Death</title><atom:summary>“To me Death is a most interesting change to look forward to and the other life is as certain a thing to me as the passing from one room to another room - except that it means just such a vital and radical change as that of a seed that quits its dead casing of earth to become a tree in the sunshine and air of the area.”
- Howard Pyle to Richard Watson Gilder, October 5, 1892 </atom:summary><link>http://howardpyle.blogspot.com/2011/11/hoiward-pyle-on-death.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-206069308598831049</guid><pubDate>Tue, 08 Nov 2011 23:40:00 +0000</pubDate><atom:updated>2011-11-08T18:40:20.244-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Italy</category><category domain="http://www.blogger.com/atom/ns#">1911</category><title>100 Years Ago... Today?</title><atom:summary>Howard Pyle died on November 9, 1911, in Italy at 4.30 a.m. - so it was still November 8th in Wilmington, Delaware, no?</atom:summary><link>http://howardpyle.blogspot.com/2011/11/100-years-ago-today.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-3998154725561983959</guid><pubDate>Fri, 04 Nov 2011 13:48:00 +0000</pubDate><atom:updated>2011-11-04T09:48:05.857-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1883</category><category domain="http://www.blogger.com/atom/ns#">studio</category><category domain="http://www.blogger.com/atom/ns#">biography</category><title>Hot Air at Howard Pyle’s Studio</title><atom:summary>From the Sunday Morning Star of Wilmington, Delaware, November 4, 1883:

</atom:summary><link>http://howardpyle.blogspot.com/2011/11/hot-air-at-howard-pyles-studio.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/--H1I88sSaGU/TrPstylbG9I/AAAAAAAABYI/lWIA3lUB7Zc/s72-c/1883Nov4.SMS.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-2759092959878620939</guid><pubDate>Tue, 01 Nov 2011 15:55:00 +0000</pubDate><atom:updated>2011-11-01T11:55:48.970-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Delaware Art Museum</category><title>Howard Pyle: American Master Rediscovered</title><atom:summary>I just received a copy of Howard Pyle: American Master Rediscovered - the brand new book which complements the exhibition of the same name at the Delaware Art Museum. 

It’s pretty gorgeous: lots of pictures - as well as essays on different aspects of Pyle’s work. 

Get one from:
University of Pennyslvania Press
IndieBound
Amazon
Barnes and Noble
</atom:summary><link>http://howardpyle.blogspot.com/2011/11/howard-pyle-american-master.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-1rPq7NCrb_Q/TrAUYTY8NuI/AAAAAAAABX8/4ZszxwPHSQg/s72-c/HPAMDcover.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8709211366999929127</guid><pubDate>Tue, 01 Nov 2011 14:41:00 +0000</pubDate><atom:updated>2011-11-01T10:41:27.329-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">children's</category><category domain="http://www.blogger.com/atom/ns#">1885</category><category domain="http://www.blogger.com/atom/ns#">1887</category><category domain="http://www.blogger.com/atom/ns#">The Wonder Clock</category><category domain="http://www.blogger.com/atom/ns#">ink</category><category domain="http://www.blogger.com/atom/ns#">Harpers Young People</category><category domain="http://www.blogger.com/atom/ns#">Pepper and Salt</category><title>Howard Pyle at the Metropolitan Museum of Art</title><atom:summary>
Title-page drawing for The Wonder Clock  (“1887” was changed to “1888” in the first edition of book)

No, you won’t find a major exhibition of Howard Pyle’s work at the Metropolitan Museum of Art in New York - for that you’ll have to go to Chadds Ford, Pennsylvania (RIGHT NOW!), Wilmington, Delaware (starting November 12!), and Stockbridge, Massachusetts (next year!), where his work is genuinely</atom:summary><link>http://howardpyle.blogspot.com/2011/11/howard-pyle-at-metropolitan-museum-of.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Vl8Qg4ZpnV4/Tq_nvHjAP2I/AAAAAAAABXU/nsw1ojYGqYs/s72-c/PrincessWalkingBesideSeaWEB.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8613902890681868820.post-8465924395169384864</guid><pubDate>Fri, 21 Oct 2011 19:44:00 +0000</pubDate><atom:updated>2011-10-21T15:44:55.787-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">1887</category><category domain="http://www.blogger.com/atom/ns#">mythological</category><title>“Deianeira and the Dying Centaur Nessus”</title><atom:summary>“Deianeira and the Dying Centaur Nessus” by Howard Pyle (1887)

Isn’t this picture lovely? I never really gave it much attention before. Howard Pyle painted it in 1887 for A Story of The Golden Age by James Baldwin, published by Charles Scribner’s Sons. Even the small (3.7 x 4.6"), early halftone reproduction is pretty good. The original is still out there, somewhere, but it almost certainly is </atom:summary><link>http://howardpyle.blogspot.com/2011/10/deianeira-and-dying-centaur-nessus.html</link><author>noreply@blogger.com (Ian Schoenherr)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-0ZVi_DkPjWA/TqHKdrJsvBI/AAAAAAAABXA/KqrNaw2120M/s72-c/DeianiraNessusWEB.jpg" height="72" width="72" /><thr:total>2</thr:total></item></channel></rss>

