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    <title type="text">Hyperfocalpoint</title>
    <subtitle type="text">Blog: Short form:</subtitle>
    <link rel="alternate" type="text/html" href="http://www.hyperfocalpoint.com/" />
    
    <updated>2011-05-08T14:39:45Z</updated>
    <rights>Copyright (c) 2011, Duncan</rights>
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    <id>tag:dev.hyperfocalpoint.com,2011:08:02</id>



  


  


  


  


  


  


  


  


  


  


  


  

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      <title>Leica CL</title>
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      <id>tag:dev.hyperfocalpoint.com,2011:index.php/4.89</id>
      <published>2011-05-17T10:30:10Z</published>
      <updated>2011-05-15T20:45:11Z</updated>
      <author>
            <name>Duncan</name>
            <email>duncan.deyoung@gmail.com</email>
                  </author>

      <content type="html">
        This camera is a gem, honestly, I&amp;#8217;m in love&amp;#8230;

The Leica CL was the bastard child of a relationship between Leica and Minolta, and frankly it was too good for it&amp;#8217;s time. It hurt the sales of Leica&amp;#8217;s M models, and they abandoned it after a few years of production. Minolta went on to produce the Minolta CLE.

Besides looking like a badass camera, the Leica CL is low key with a black body, a tiny 40mm Summar F2 with collapsable hood, and the absence of the infamous red Leica logo. This makes it a 
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