https://ifacontemporary.wordpress.com Organized by students and alumni of the Institute of Fine Arts at New York University Wed, 14 Oct 2015 13:42:16 +0000 en hourly 1 http://wordpress.com/ 15350715 https://s2.wp.com/i/webclip.png https://ifacontemporary.wordpress.com https://ifacontemporary.wordpress.com/2015/10/14/new-ifacontemporary-org-website/ https://ifacontemporary.wordpress.com/2015/10/14/new-ifacontemporary-org-website/#respond Wed, 14 Oct 2015 13:42:16 +0000 http://ifacontemporary.org/?p=2216 https://ifacontemporary.wordpress.com/2015/10/14/new-ifacontemporary-org-website/feed/ 0 2216 patrykpaweltomaszewski https://ifacontemporary.wordpress.com/2015/08/17/slowing-down-the-museum/ https://ifacontemporary.wordpress.com/2015/08/17/slowing-down-the-museum/#respond Mon, 17 Aug 2015 14:45:50 +0000 http://ifacontemporary.wordpress.com/?p=2200 Continue reading Slowing Down the Museum]]> https://ifacontemporary.wordpress.com/2015/08/17/slowing-down-the-museum/feed/ 0 2200 ebuhe Installation photograph of the first of four galleries of the Jewish Museum’s Repetition and Difference. Photograph by the author. Spice Containers, Nagalski and Psyk and anonymous artists. Poland and Russia, c. 1800 – 1939. Silver and gold. The Jewish Museum, New York. Gifts of Dr. Harry G. Friedman and Mr. and Mrs. Albert A. List; the Rose and Benjamin Mintz Collection. Image courtesy the Jewish Museum. Installation photograph of salt 11: Duane Linklater at the Utah Museum of Fine Arts. Photograph by the author. Left: Duane Linklater, UMFA1977.099, 2015. Inkjet print on linen. Courtesy of the artist and Catriona Jeffries Gallery. Center: Linklater, UMFA1977.099, 2015 (detail). Right: Southwest, Navajo (Diné) peoples, Hanoolchaadi or Third Phase Style Chief’s Blanket, late nineteenth century, wool, The Judge Willis W. Ritter Collection of Navajo Textiles. UMFA1977.099. All photographs by the author. Top: Kwakwaka’wakw (Pacific Northwest Coast), Raven Mask, early twentieth century, pigment on wood. The Ulfert Wilke Collection, purchased with funds from the Friends of the Art Museum. UMFA1981.016.002. Bottom: Duane Linklater, UMFA981.016.002, 2015. 3D-printed sculpture. Courtesy of the artist and Catriona Jeffries Gallery. Image courtesy Utah Museum of Fine Arts. Wallpaper in Repetition and Difference showing representations of the Jewish Museum taken at different points in its history. Photograph by the author. https://ifacontemporary.wordpress.com/2015/05/05/on-kawara-silence-a-conversation-with-assistant-curator-anne-wheeler/ https://ifacontemporary.wordpress.com/2015/05/05/on-kawara-silence-a-conversation-with-assistant-curator-anne-wheeler/#respond Tue, 05 May 2015 15:00:52 +0000 http://ifacontemporary.wordpress.com/?p=2190 Continue reading On Kawara—Silence: A Conversation with Assistant Curator Anne Wheeler]]> https://ifacontemporary.wordpress.com/2015/05/05/on-kawara-silence-a-conversation-with-assistant-curator-anne-wheeler/feed/ 0 2190 ifacontemporary Installation view: On Kawara—Silence, Solomon R. Guggenheim Museum, New York, February 6 to May 3, 2015 Photo: David Heald © Solomon R. Guggenheim Foundation https://ifacontemporary.wordpress.com/2015/04/27/surround-audiences-politics-of-prediction/ https://ifacontemporary.wordpress.com/2015/04/27/surround-audiences-politics-of-prediction/#respond Mon, 27 Apr 2015 15:00:32 +0000 http://ifacontemporary.wordpress.com/?p=2181 Continue reading Surround Audience’s Politics of Prediction]]> https://ifacontemporary.wordpress.com/2015/04/27/surround-audiences-politics-of-prediction/feed/ 0 2181 abigman Installation view of Surround Audience featuring Ed Atkins, Frank Benson. Courtesy of the New Museum. Photo credit: Benoit Pailley Installation view of Surround Audience featuring Josh Kline. Courtesy of the New Museum. Photo credit: Benoit Pailley Installation view of Surround Audience featuring Casey Jane Ellison. Courtesy of the New Museum. Photo credit: Benoit Pailley Installation view of Surround Audience featuring Avery Singer. Courtesy of the New Museum. Photo credit: Benoit Pailley https://ifacontemporary.wordpress.com/2015/04/13/sharon-hayes-and-the-near-past/ https://ifacontemporary.wordpress.com/2015/04/13/sharon-hayes-and-the-near-past/#respond Mon, 13 Apr 2015 15:00:56 +0000 http://ifacontemporary.wordpress.com/?p=2172 Continue reading Sharon Hayes and the “Near Past”]]> https://ifacontemporary.wordpress.com/2015/04/13/sharon-hayes-and-the-near-past/feed/ 0 2172 kegaylord Sharon Hayes, installation view of W and E (both 2015). Courtesy Andrea Rosen Gallery. Women’s Strike for Equality, 1970. Courtesy Bryn Mawr. https://ifacontemporary.wordpress.com/2015/03/19/design-for-the-future-in-latin-america-both-past-and-present/ https://ifacontemporary.wordpress.com/2015/03/19/design-for-the-future-in-latin-america-both-past-and-present/#comments Thu, 19 Mar 2015 15:00:13 +0000 http://ifacontemporary.wordpress.com/?p=2156 Continue reading Design for the Future in Latin America, Both Past and Present]]> https://ifacontemporary.wordpress.com/2015/03/19/design-for-the-future-in-latin-america-both-past-and-present/feed/ 1 2156 sn1037 Installation view of Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978, Americas Society. Installation view of Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978, Americas Society Installation view of New Territories: Laboratories for Design, Craft and Art in Latin America, Museum of Arts and Design. https://ifacontemporary.wordpress.com/2015/03/09/time-traveling-on-kawara-at-the-guggenheim/ https://ifacontemporary.wordpress.com/2015/03/09/time-traveling-on-kawara-at-the-guggenheim/#respond Mon, 09 Mar 2015 15:38:37 +0000 http://ifacontemporary.wordpress.com/?p=2139 Continue reading Time Traveling: On Kawara at the Guggenheim]]> https://ifacontemporary.wordpress.com/2015/03/09/time-traveling-on-kawara-at-the-guggenheim/feed/ 0 2139 lindsayganter On Kawara,Telegram to Sol LeWitt, February 5, 1970, From I Am Still Alive, 1970–2000, Telegram, 5 3/4 x 8 inches (14.6 x 20.3 cm), LeWitt Collection, Chester, Connecticut On Kawara, JAN. 4, 1966 “New York’s traffic strike.” New York, From Today, 1966–2013, Acrylic on canvas, 8 x 10 inches (20.3 x 25.4 cm), Private collection, Photo: Courtesy David Zwirner, New York/London https://ifacontemporary.wordpress.com/2015/03/03/rauschenbergs-stoned-moon-lithographs-nothing-will-already-be-the-same/ https://ifacontemporary.wordpress.com/2015/03/03/rauschenbergs-stoned-moon-lithographs-nothing-will-already-be-the-same/#respond Tue, 03 Mar 2015 16:05:33 +0000 http://ifacontemporary.wordpress.com/?p=2129 Continue reading Rauschenberg’s Stoned Moon Lithographs: “Nothing Will Already Be The Same”]]> https://ifacontemporary.wordpress.com/2015/03/03/rauschenbergs-stoned-moon-lithographs-nothing-will-already-be-the-same/feed/ 0 2129 ebuhe Left: Robert Rauschenberg, Waves (Stoned Moon), 1969; lithograph, 89 in. x 42 in. (226.06 cm x 106.68 cm); Collection SFMOMA, Gift of Harry W. and Mary Margaret Anderson; © Robert Rauschenberg Foundation and Gemini G.E.L. / Licensed by VAGA, New York, NY; published by Gemini G.E.L. Image courtesy SFMOMA. Right: Robert Rauschenberg, Sky Garden (Stoned Moon), 1969; lithograph and screen print, 89 in. x 42 in. (226.06 cm x 106.68 cm); Collection SFMOMA, Gift of Harry W. and Mary Margaret Anderson; © Robert Rauschenberg Foundation and Gemini G.E.L. / Licensed by VAGA, New York, NY; published by Gemini G.E.L. Image courtesy SFMOMA. Robert Rauschenberg, Horn (Stoned Moon), 1969; lithograph, 41 1/4 in. x 34 in. (104.78 cm x 86.36 cm); Collection SFMOMA, Gift of Harry W. and Mary Margaret Anderson; © Robert Rauschenberg Foundation and Gemini G.E.L. / Licensed by VAGA, New York, NY; published by Gemini G.E.L. 
Image courtesy SFMOMA. Robert Rauschenberg, Trust Zone (Stoned Moon), 1969; lithograph, 40 in. x 33 in. (101.6 cm x 83.82 cm); Collection SFMOMA, Gift of Harry W. and Mary Margaret Anderson; © Robert Rauschenberg Foundation and Gemini G.E.L. / Licensed by VAGA, New York, NY; published by Gemini G.E.L. 
Image courtesy SFMOMA. https://ifacontemporary.wordpress.com/2015/02/25/james-elkins-in-conversation-with-claire-brandon/ https://ifacontemporary.wordpress.com/2015/02/25/james-elkins-in-conversation-with-claire-brandon/#respond Wed, 25 Feb 2015 16:06:13 +0000 http://ifacontemporary.wordpress.com/?p=2107 Continue reading James Elkins in Conversation with Claire Brandon]]> https://ifacontemporary.wordpress.com/2015/02/25/james-elkins-in-conversation-with-claire-brandon/feed/ 0 2107 brandonclaire Screen Shot 2015-02-18 at 9.14.55 AM Screen Shot 2015-02-18 at 9.16.06 AM Screen Shot 2015-02-18 at 9.15.50 AM Screen Shot 2015-02-18 at 9.17.16 AM Screen Shot 2015-02-18 at 9.14.37 AM Screenshot provided by Professor Elkins. https://ifacontemporary.wordpress.com/2015/02/20/sturtevant-the-troublemaker/ https://ifacontemporary.wordpress.com/2015/02/20/sturtevant-the-troublemaker/#respond Fri, 20 Feb 2015 15:32:53 +0000 http://ifacontemporary.wordpress.com/?p=2098 Continue reading Sturtevant: The Troublemaker]]> https://ifacontemporary.wordpress.com/2015/02/20/sturtevant-the-troublemaker/feed/ 0 2098 am5453 Elaine Sturtevant. Warhol Black Marilyn. 2004. Synthetic polymer silkscreen and acrylic on canvas. 15 15/16 x 13 7/8 in. (40.5 x 35.2 cm). Ringier Collection, Switzerland. Courtesy Anthony Reynolds Gallery, London. © Estate Sturtevant, Paris Sturtevant. Dillinger Running Series. 2000. Single channel video installation on rotating platform; video: black and white, sound. Dimensions variable; video: 26 min., 55 sec. Julia Stoschek Foundation e.V., Düsseldorf. Photo: Simon Vogel. © Estate Sturtevant, Paris. Installation view of Sturtevant: Double Trouble, The Museum of Modern Art, November 9, 2014–February 22, 2015. © 2014 The Museum of Modern Art. Photo: Thomas Griesel. All works by Sturtevant © Estate Sturtevant, Paris. Sturtevant. Johns 0 through 9. 1965. Encaustic on newsprint. 10 13/16 × 14 3/8″ (27.5 × 36.5 cm). Collection de Bruin Heijn. Photo: Peter Cox. © Estate Sturtevant, Paris.