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      <title>Exquisitely Challenging: Reporting on Suicide</title>
      <link>https://transom.org/2021/exquisitely-challenging-reporting-on-suicide/</link>
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      <description>&lt;p&gt;Download a transcript of this episode here. Erica Heilman’s story “Finn and the Bell” is the best I’ve heard all year. Yes. It’s that good. The documentary tells the story of Finn Rooney, a young man who was a volunteer fireman and a poet and a baseball player and, as one friend put it, “a [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/exquisitely-challenging-reporting-on-suicide/"&gt;Exquisitely Challenging: Reporting on Suicide&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>ethics</category>
      <category>interviewing</category>
      <category>reporting</category>
      <category>women</category>
      <category>writing</category>
      <pubDate>Tue, 21 Dec 2021 12:02:00 GMT</pubDate>
      <comments>https://transom.org/2021/exquisitely-challenging-reporting-on-suicide/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98823</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-12-21T12:02:00Z</dc:date>
    </item>
    <item>
      <title>2021 Gift Guide</title>
      <link>https://transom.org/2021/2021-gift-guide/</link>
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      <description>&lt;p&gt;Last Minute Gift Guide Here are some gift ideas from the Transom crew: items we&amp;#8217;d give audio producers we know, or that we&amp;#8217;ve had our eyes on for ourselves. We’ve included a range of items, from inexpensive accessories to major splurges, and plenty of in-between. Prices on electronics tend to be volatile, and there are [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/2021-gift-guide/"&gt;2021 Gift Guide&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>gear guide</category>
      <category>microphones</category>
      <category>recorders</category>
      <category>software</category>
      <category>studio</category>
      <pubDate>Tue, 14 Dec 2021 13:28:00 GMT</pubDate>
      <comments>https://transom.org/2021/2021-gift-guide/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98594</guid>
      <dc:creator>Jeff Towne</dc:creator>
      <dc:date>2021-12-14T13:28:00Z</dc:date>
    </item>
    <item>
      <title>Starting Out: Issue 5</title>
      <link>https://transom.org/2021/starting-out-issue-5/</link>
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      <description>&lt;p&gt;Hiya! Welcome back to Starting Out from me and Transom.&amp;#160; A few weeks ago I sent out a survey to hear what’s working with the newsletter so far and what you’d like to see in the new year. Thank you all for such thoughtful feedback!&amp;#160; One thing I&amp;#8217;ve noticed is that recent subscribers have requested [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/starting-out-issue-5/"&gt;Starting Out: Issue 5&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Starting Out</category>
      <category>Diversity and Inclusion</category>
      <category>ethics</category>
      <category>getting started</category>
      <category>women</category>
      <pubDate>Thu, 09 Dec 2021 12:43:00 GMT</pubDate>
      <comments>https://transom.org/2021/starting-out-issue-5/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98462</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-12-09T12:43:00Z</dc:date>
    </item>
    <item>
      <title>Darts and Laurels</title>
      <link>https://transom.org/2021/darts-and-laurels/</link>
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      <description>&lt;p&gt;Download a transcript of this episode here. I can think of two rock-solid reasons why radio should be a subject for podcasts (and for radio broadcasters, too). And I don’t mean actual radios, I mean radio history and culture &amp;#8212; stories about a medium that has been a staple of daily life for generations.&amp;#160;&amp;#160; The [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/darts-and-laurels/"&gt;Darts and Laurels&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>editing</category>
      <category>writing</category>
      <pubDate>Tue, 07 Dec 2021 12:42:00 GMT</pubDate>
      <comments>https://transom.org/2021/darts-and-laurels/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98438</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-12-07T12:42:00Z</dc:date>
    </item>
    <item>
      <title>What In The World Does An AP Actually Do?</title>
      <link>https://transom.org/2021/what-does-an-ap-do/</link>
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      <description>&lt;p&gt;Defining the role of associate producer can be a little bit challenging, especially at a show like Radiolab, where every member of staff is a jack of all trades. Additionally, I was brought in “temporary,” a contract hire to help exclusively with the new mini-series Mixtape, hosted by Simon Adler. As half of&amp;#160;a two-person team, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/what-does-an-ap-do/"&gt;What In The World Does An AP Actually Do?&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>commentary</category>
      <category>podcasting</category>
      <category>production</category>
      <category>editing</category>
      <category>field work</category>
      <category>getting started</category>
      <category>interviewing</category>
      <category>protools</category>
      <category>reporting</category>
      <pubDate>Tue, 30 Nov 2021 10:13:00 GMT</pubDate>
      <comments>https://transom.org/2021/what-does-an-ap-do/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98382</guid>
      <dc:creator>Eli Benton Cohen</dc:creator>
      <dc:date>2021-11-30T10:13:00Z</dc:date>
    </item>
    <item>
      <title>House of Pod Closes the House</title>
      <link>https://transom.org/2021/house-of-pod/</link>
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      <description>&lt;p&gt;Cat Jaffee is clear. Podcasting is not about talking into a mic. It’s about listening. Cat’s a firm believer in “a better world through better listening,” as she puts it. As a podcaster, she feels the best content is derived from listening. Cat is the founder and director of House of Pod, a community podcasting [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/house-of-pod/"&gt;House of Pod Closes the House&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>ethics</category>
      <category>field work</category>
      <category>getting started</category>
      <category>studio</category>
      <category>women</category>
      <pubDate>Tue, 23 Nov 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/house-of-pod/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98348</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-11-23T13:00:00Z</dc:date>
    </item>
    <item>
      <title>The Lake</title>
      <link>https://transom.org/2021/the-lake/</link>
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      <description>&lt;p&gt;Aaron Smale (Ngāti Porou), Host, Researcher, Co-writer:&amp;#160; Lake Alice has been on a shortlist of stories I’ve wanted to tell in an expansive way for several years.&amp;#160;I’d been researching state institutions that had held children in the late 20th century in New Zealand and Lake Alice always stood out. It wasn’t only the abuse, which [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-lake/"&gt;The Lake&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>editing</category>
      <category>ethics</category>
      <category>interviewing</category>
      <category>reporting</category>
      <pubDate>Tue, 16 Nov 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-lake/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98268</guid>
      <dc:creator>Aaron Smale</dc:creator>
      <dc:date>2021-11-16T13:00:00Z</dc:date>
    </item>
    <item>
      <title>Starting Out: Issue 4</title>
      <link>https://transom.org/2021/starting-out-issue-4/</link>
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      <description>&lt;p&gt;Welcome back to Starting Out!&amp;#160; My friends in high school were pretty competitive. Every quarter, the class rankings would come out and we’d silently note which friends were ahead of us in GPA. Everyone humble bragged about their AP classes and extracurriculars. Maybe you had a similar experience. When the stakes feel so high (“get [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/starting-out-issue-4/"&gt;Starting Out: Issue 4&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Starting Out</category>
      <category>field work</category>
      <category>getting started</category>
      <pubDate>Thu, 11 Nov 2021 12:55:00 GMT</pubDate>
      <comments>https://transom.org/2021/starting-out-issue-4/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98197</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-11-11T12:55:00Z</dc:date>
    </item>
    <item>
      <title>A Sonic Conjuring (Rerun)</title>
      <link>https://transom.org/2021/a-sonic-conjuring-rerun/</link>
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      <description>&lt;p&gt;Download a transcript of this episode here. Take a look at the photo above, the two strips of film from the collection at the&amp;#160;Imperial War Museum&amp;#160;in London. They document the sound of Armistice Day, the end of World War I, and the silencing of artillery. On the left, the war at full tilt a minute [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/a-sonic-conjuring-rerun/"&gt;A Sonic Conjuring (Rerun)&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>history</category>
      <category>mixing</category>
      <category>Sound Design</category>
      <pubDate>Tue, 09 Nov 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/a-sonic-conjuring-rerun/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98179</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-11-09T13:00:00Z</dc:date>
    </item>
    <item>
      <title>The World Orchestra Is Always Playing</title>
      <link>https://transom.org/2021/the-world-orchestra/</link>
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      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Download a transcript of this episode here. I can’t tell you how many times people have told me with disdain “I’m sick of how formulaic podcasts have become.” This lament probably started two or three years ago, maybe a little longer. And, it’s continued to build over time. The complaint is that they’re formulaic in [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-world-orchestra/"&gt;The World Orchestra Is Always Playing&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>art</category>
      <category>Environment</category>
      <category>field work</category>
      <category>microphones</category>
      <category>place</category>
      <category>slow radio</category>
      <pubDate>Tue, 26 Oct 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-world-orchestra/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98151</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-10-26T13:00:00Z</dc:date>
    </item>
    <item>
      <title>Back To Windows</title>
      <link>https://transom.org/2021/back-to-windows/</link>
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      <description>&lt;p&gt;A reluctant manifesto for the best computers of this moment The most perfect anything I have ever owned is a 2004 PowerBook G4. Its entire chassis is machined from brushed aluminum; even the keyboard is metal, giving each key the perfect key travel, providing the perfect clack. It still feels like it&amp;#8217;s from the future, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/back-to-windows/"&gt;Back To Windows&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>commentary</category>
      <category>mixing</category>
      <category>software</category>
      <category>studio</category>
      <category>web tools</category>
      <pubDate>Tue, 19 Oct 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/back-to-windows/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=98091</guid>
      <dc:creator>Sam Greenspan</dc:creator>
      <dc:date>2021-10-19T13:00:00Z</dc:date>
    </item>
    <item>
      <title>Starting Out: Issue 3</title>
      <link>https://transom.org/2021/starting-out-issue-3/</link>
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      <description>&lt;p&gt;Welcome back to Starting Out, from Transom and me! If this is the first issue you’re reading, I’m Alice, a podcast producer and reporter.&amp;#160; In the past few months, a lot of my friends have quit their jobs. Hell, I even did it recently. After pretty relentless work over the past year and a half, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/starting-out-issue-3/"&gt;Starting Out: Issue 3&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Starting Out</category>
      <category>field work</category>
      <category>getting started</category>
      <pubDate>Thu, 14 Oct 2021 12:47:00 GMT</pubDate>
      <comments>https://transom.org/2021/starting-out-issue-3/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97961</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-10-14T12:47:00Z</dc:date>
    </item>
    <item>
      <title>From Memoir to Radio Story</title>
      <link>https://transom.org/2021/from-memoir-to-radio-story/</link>
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      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Last year, during the pandemic, Ruby Schwartz says she was questioning everything about her identity and whether she should be an audio producer and reporter. On top of that, she was wrestling with a creative lull. Again, it was the pandemic. Anxiety and desolation was in the air. Seemed like everyone was feeling emotionally beat [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/from-memoir-to-radio-story/"&gt;From Memoir to Radio Story&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>first-person</category>
      <pubDate>Tue, 12 Oct 2021 12:46:00 GMT</pubDate>
      <comments>https://transom.org/2021/from-memoir-to-radio-story/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97951</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-10-12T12:46:00Z</dc:date>
    </item>
    <item>
      <title>Notes On Muxture</title>
      <link>https://transom.org/2021/notes-on-muxture/</link>
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      <description>&lt;p&gt;I. Pouring foundation One of my most viewed YouTube videos starts with a chattering 808 drum pattern. As the video fades in, the first thing you notice is a recording studio’s wall filled with checkerboarded golds and browns, evoking the basement of a single dad with an expensive hobby problem. It’s hard to tell if [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/notes-on-muxture/"&gt;Notes On Muxture&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>art</category>
      <category>editing</category>
      <category>field work</category>
      <category>mixing</category>
      <category>music</category>
      <category>slow radio</category>
      <category>Using Music</category>
      <pubDate>Tue, 05 Oct 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/notes-on-muxture/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97873</guid>
      <dc:creator>James T. Green</dc:creator>
      <dc:date>2021-10-05T12:00:00Z</dc:date>
    </item>
    <item>
      <title>Interviewing for Story (Rerun)</title>
      <link>https://transom.org/2021/interviewing-for-story/</link>
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      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Alix Spiegel is a master of narrative storytelling. Listen to any of the episodes of Invisibilia she hosted or any of the stories she produced for This American Life and, I suspect, you’ll agree. Even back when she was a science reporter for NPR covering human relations, her stories stood out from the pack because [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/interviewing-for-story/"&gt;Interviewing for Story (Rerun)&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>getting started</category>
      <category>interviewing</category>
      <pubDate>Mon, 27 Sep 2021 16:42:43 GMT</pubDate>
      <comments>https://transom.org/2021/interviewing-for-story/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97845</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-09-27T16:42:43Z</dc:date>
    </item>
    <item>
      <title>There’s No Such Thing As A Podcast Emergency</title>
      <link>https://transom.org/2021/podcast-emergency/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/podcast-emergency/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;“There’s no such thing as a podcast emergency.” I first read that quote on Twitter a few years ago, thanks to podcast producing icon Kathy Tu. I have worked on about a dozen productions since then and that phrase has helped me breathe through every one. When I first started working as an audio producer [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/podcast-emergency/"&gt;There&amp;#8217;s No Such Thing As A Podcast Emergency&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>podcasting</category>
      <category>ethics</category>
      <category>getting started</category>
      <category>women</category>
      <pubDate>Tue, 21 Sep 2021 14:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/podcast-emergency/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97679</guid>
      <dc:creator>Aggi Ashagre</dc:creator>
      <dc:date>2021-09-21T14:00:00Z</dc:date>
    </item>
    <item>
      <title>Take A Closer Listen</title>
      <link>https://transom.org/2021/take-a-closer-listen/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/take-a-closer-listen/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Meandering musings on audio consumption&amp;#160; I. Recently I was listening to the podcast It’s Been a Minute with Sam Sanders, enjoying an episode about monoculture, specifically regarding the Olympics, and (separately) the Jennifer Lopez / Ben Affleck-inspired phenom known as “Bennifer.” After a spirited discussion of both topics, Sam led his guests through the final [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/take-a-closer-listen/"&gt;Take A Closer Listen&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>getting started</category>
      <category>women</category>
      <pubDate>Thu, 16 Sep 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/take-a-closer-listen/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97089</guid>
      <dc:creator>Julie Shapiro</dc:creator>
      <dc:date>2021-09-16T12:00:00Z</dc:date>
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    <item>
      <title>The Megan Tan Way</title>
      <link>https://transom.org/2021/the-megan-tan-way/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/the-megan-tan-way/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;There’s an illustration I’m sure you’ve seen. Look at it one way and you’ll see an older woman in a veil. Look at the same drawing a while longer and you see a younger woman wearing a hat with a feather plume. Same picture, different image. &amp;#160;A trick of the eye. Megan Tan and I [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-megan-tan-way/"&gt;The Megan Tan Way&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>editing</category>
      <category>field work</category>
      <category>first-person</category>
      <pubDate>Tue, 14 Sep 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-megan-tan-way/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97604</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-09-14T12:00:00Z</dc:date>
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    <item>
      <title>Starting Out: Issue 2</title>
      <link>https://transom.org/2021/starting-out-issue-2/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/starting-out-issue-2/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Welcome back y’all!&amp;#160;Or welcome period, if this is your first issue. To catch you up,&amp;#160;Starting Out&amp;#160;is a partnership between me (Hi! I&amp;#8217;m&amp;#160;Alice!) and the folks at&amp;#160;Transom. We&amp;#8217;re glad you&amp;#8217;re here! If you frequent a certain corner of Journalism Twitter you might have seen this tweet from The Washington Post, advertising their fall internship program:&amp;#160; The [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/starting-out-issue-2/"&gt;Starting Out: Issue 2&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Starting Out</category>
      <category>field work</category>
      <category>getting started</category>
      <pubDate>Thu, 09 Sep 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/starting-out-issue-2/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97475</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-09-09T13:00:00Z</dc:date>
    </item>
    <item>
      <title>Mixing Tune Up</title>
      <link>https://transom.org/2021/mixing-tune-up/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/mixing-tune-up/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Audio editing is a really weird job. You spend hours staring at a computer, sliding around pictures of soundwaves &amp;#8212; it can be hard on your eyes &amp;#8212; and your attention is often consumed by the absurd, like “why doesn’t this person ever say the letter D?” or by trying to edit out a sound [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/mixing-tune-up/"&gt;Mixing Tune Up&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>gear guide</category>
      <category>production</category>
      <category>mixing</category>
      <category>protools</category>
      <category>software</category>
      <category>studio</category>
      <category>web tools</category>
      <pubDate>Mon, 06 Sep 2021 13:52:00 GMT</pubDate>
      <comments>https://transom.org/2021/mixing-tune-up/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97121</guid>
      <dc:creator>Andrew Wardlaw</dc:creator>
      <dc:date>2021-09-06T13:52:00Z</dc:date>
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    <item>
      <title>Sounds Easy, But…</title>
      <link>https://transom.org/2021/sounds-easy-but/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/sounds-easy-but/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;This is true: I was so smitten by a story from the Kitchen Sisters airing on NPR’s All Things Considered, I brought my radio into the bathroom so I could shower and listen and get to where I needed to be that afternoon. I got delayed briefly because I ended up crying in the shower. [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/sounds-easy-but/"&gt;Sounds Easy, But&amp;#8230;&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <pubDate>Tue, 31 Aug 2021 14:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/sounds-easy-but/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97411</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-08-31T14:00:00Z</dc:date>
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    <item>
      <title>The Audio Producer’s Guide To Loudness</title>
      <link>https://transom.org/2021/the-audio-producers-guide-to-loudness/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/the-audio-producers-guide-to-loudness/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Loudness Loudness is a helpful technology for any audio storyteller. It can help you balance voices to each other, know that your podcast will sound consistent from one episode to the next, or meet a specification set by a distribution platform. When this guide was originally published in 2015, loudness was new on the audio [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-audio-producers-guide-to-loudness/"&gt;The Audio Producer’s Guide To Loudness&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>production</category>
      <category>editing</category>
      <category>mixing</category>
      <pubDate>Tue, 24 Aug 2021 15:18:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-audio-producers-guide-to-loudness/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=61447</guid>
      <dc:creator>Rob Byers</dc:creator>
      <dc:date>2021-08-24T15:18:00Z</dc:date>
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      <title>Goldstein on Writing, Fonts, and “The Goldstein”</title>
      <link>https://transom.org/2021/goldstein-on-writing/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/goldstein-on-writing/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;It’s hard to imagine an experienced storyteller like Jonathan Goldstein feeling anxious about writing and putting a story together. But, he says the anxiety is always there. Ever since he was a kid and he had a story from school to tell his parents, he’d stand outside the apartment and linger for a while feeling [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/goldstein-on-writing/"&gt;Goldstein on Writing, Fonts, and “The Goldstein”&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>writing</category>
      <pubDate>Tue, 17 Aug 2021 13:18:00 GMT</pubDate>
      <comments>https://transom.org/2021/goldstein-on-writing/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97301</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-08-17T13:18:00Z</dc:date>
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    <item>
      <title>Starting Out: Issue 1</title>
      <link>https://transom.org/2021/starting-out-issue-1/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/starting-out-issue-1/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Hiya!&amp;#160;&amp;#160; Welcome to Starting Out, a newsletter for people entering into the audio industry. I’m Alice, a podcast producer/reporter and former intern. I’m thrilled to partner with Transom on this project. They are the gold standard in training and resources for public radio.&amp;#160; When I was getting into this industry I was anxious all the [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/starting-out-issue-1/"&gt;Starting Out: Issue 1&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Starting Out</category>
      <category>field work</category>
      <category>getting started</category>
      <category>protools</category>
      <pubDate>Thu, 12 Aug 2021 12:15:00 GMT</pubDate>
      <comments>https://transom.org/2021/starting-out-issue-1/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96970</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-08-12T12:15:00Z</dc:date>
    </item>
    <item>
      <title>Stand-Ups (Rerun)</title>
      <link>https://transom.org/2021/stand-ups-re-run/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/stand-ups-re-run/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;I thought the whole thing was kinda strange. It was some years ago. I was working with a producer and a reporter on a collaboration between the BBC and Marketplace. We were reporting on the Brazilian economy. And, we were about to interview an expert on the country’s precarious economic situation &amp;#8212; a decline in [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/stand-ups-re-run/"&gt;Stand-Ups (Rerun)&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>field work</category>
      <category>reporting</category>
      <pubDate>Mon, 02 Aug 2021 15:29:18 GMT</pubDate>
      <comments>https://transom.org/2021/stand-ups-re-run/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97062</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-08-02T15:29:18Z</dc:date>
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    <item>
      <title>Fireworks</title>
      <link>https://transom.org/2021/fireworks/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/fireworks/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;I called up the Salt Institute for Documentary Studies out of the blue. I had read that Salt, a school in Portland, Maine, was considering adding a radio track to their longstanding writing and photography tracks. I had no background in documentary radio. Next to no background in journalism. Given that, I shouldn’t have called [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/fireworks/"&gt;Fireworks&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>getting started</category>
      <category>Story Workshop Final Pieces</category>
      <category>Workshops</category>
      <pubDate>Mon, 19 Jul 2021 19:08:01 GMT</pubDate>
      <comments>https://transom.org/2021/fireworks/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=97008</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-07-19T19:08:01Z</dc:date>
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    <item>
      <title>Bittersweet News</title>
      <link>https://transom.org/2021/bittersweet-news/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/bittersweet-news/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Changes at Transom After so many years helping to steer the ship, Samantha Broun and Rob Rosenthal are leaving Transom to work on exciting new projects.&amp;#160; At Transom, we&amp;#8217;re all about providing people with the tools and encouragement to tell their own stories with sound. We hold open the door to public media for anyone [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/bittersweet-news/"&gt;Bittersweet News&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>Uncategorized</category>
      <category>news</category>
      <pubDate>Thu, 08 Jul 2021 21:04:26 GMT</pubDate>
      <comments>https://transom.org/2021/bittersweet-news/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96948</guid>
      <dc:creator>Jay Allison</dc:creator>
      <dc:date>2021-07-08T21:04:26Z</dc:date>
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    <item>
      <title>Narrative Justice</title>
      <link>https://transom.org/2021/narrative-justice/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/narrative-justice/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;What’s the truest form of journalism? “Letting others speak their own truth… Give them their voice. Letting them speak from their heart&amp;#8230; It actually conveys a truer sense of what you’re trying to get the audience to hear in a more pure form.” Shapearl Wells speaks from experience. She’s the host and main character for [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/narrative-justice/"&gt;Narrative Justice&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>crime</category>
      <category>documentary</category>
      <category>family</category>
      <category>first-person</category>
      <pubDate>Mon, 05 Jul 2021 22:39:33 GMT</pubDate>
      <comments>https://transom.org/2021/narrative-justice/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96925</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-07-05T22:39:33Z</dc:date>
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    <item>
      <title>The Kids Will Have Their Say</title>
      <link>https://transom.org/2021/the-kids-will-have-their-say/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/the-kids-will-have-their-say/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Some years ago, I worked with Blunt Youth Radio in Portland, Maine. It was incredibly rewarding. The young people I spent time with were grateful an adult cared enough to hand them a microphone — especially because they were so curious and had so much to say. I helped students produce a weekly talk show. [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-kids-will-have-their-say/"&gt;The Kids Will Have Their Say&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>youth radio</category>
      <pubDate>Tue, 22 Jun 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-kids-will-have-their-say/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96883</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-06-22T12:00:00Z</dc:date>
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    <item>
      <title>How To Build Your Editorial Muscles</title>
      <link>https://transom.org/2021/how-to-build-your-editorial-muscles/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/how-to-build-your-editorial-muscles/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;By the time I left The New York Times, I had been there 18 years and had worked as an editor and a reporter. I’d been dissatisfied and yearning for a change for a while. I wanted to get into podcasting, but I wasn’t sure I had the chops to work in audio. Almost four [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/how-to-build-your-editorial-muscles/"&gt;How To Build Your Editorial Muscles&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>Diversity and Inclusion</category>
      <category>editing</category>
      <category>getting started</category>
      <category>women</category>
      <pubDate>Thu, 17 Jun 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/how-to-build-your-editorial-muscles/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96770</guid>
      <dc:creator>Catherine Saint Louis</dc:creator>
      <dc:date>2021-06-17T12:00:00Z</dc:date>
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    <item>
      <title>When Anthropology Meets Audio Storytelling</title>
      <link>https://transom.org/2021/when-anthropology-meets-audio-storytelling/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/when-anthropology-meets-audio-storytelling/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;The other day, I started listening to Stay Away From Matthew MaGill from Pineapple Street Studios. I’m very intrigued by it. Eric Mennel, the reporter and producer, is a clear and engaging guide to what appears to be a strange story about a huckster that prompts Eric to look in the mirror at his own [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/when-anthropology-meets-audio-storytelling/"&gt;When Anthropology Meets Audio Storytelling&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>field work</category>
      <category>narrated</category>
      <pubDate>Tue, 08 Jun 2021 14:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/when-anthropology-meets-audio-storytelling/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96757</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-06-08T14:00:00Z</dc:date>
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    <item>
      <title>Wrangling Stories With A Focus Sentence</title>
      <link>https://transom.org/2021/wrangling-stories-with-a-focus-sentence/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/wrangling-stories-with-a-focus-sentence/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Starting a story when you&amp;#8217;re not sure what&amp;#8217;s at the heart of it can be tricky. But there are a couple of techniques I&amp;#8217;ve used with students over the years that can help focus a story and center on what it&amp;#8217;s all about. You can try using an overarching or central question — that one, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/wrangling-stories-with-a-focus-sentence/"&gt;Wrangling Stories With A Focus Sentence&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>getting started</category>
      <category>writing</category>
      <pubDate>Tue, 25 May 2021 13:10:00 GMT</pubDate>
      <comments>https://transom.org/2021/wrangling-stories-with-a-focus-sentence/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96666</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-05-25T13:10:00Z</dc:date>
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    <item>
      <title>In Focus: Ways To Home In On The Core Of A Story</title>
      <link>https://transom.org/2021/in-focus-ways-to-home-in-on-the-core-of-a-story/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/in-focus-ways-to-home-in-on-the-core-of-a-story/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;There’s a risk when you write a story — lack of focus. No center. I’m sure you’ve heard stories like this. It’s like someone let a horse out of the paddock and it’s running all over the place. You can’t tell where it’s going or when it will stop. There are any number of reasons [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/in-focus-ways-to-home-in-on-the-core-of-a-story/"&gt;In Focus: Ways To Home In On The Core Of A Story&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>commentary</category>
      <category>getting started</category>
      <category>reporting</category>
      <category>writing</category>
      <pubDate>Tue, 25 May 2021 13:10:00 GMT</pubDate>
      <comments>https://transom.org/2021/in-focus-ways-to-home-in-on-the-core-of-a-story/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96705</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-05-25T13:10:00Z</dc:date>
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      <title>Remote Recording: Riverside and Talk Sync</title>
      <link>https://transom.org/2021/remote-recording-riverside-and-talksync/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/remote-recording-riverside-and-talksync/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;The COVID-19 crisis forced a number of dramatic changes in the ways that interviews are conducted. We explored different approaches earlier in the pandemic, including looking at some specific programs, such as Zencastr, and hardware, like the Rode Rodecaster Pro and the Zoom Livetrak L8. Since those articles were published, a few new options for [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/remote-recording-riverside-and-talksync/"&gt;Remote Recording: Riverside and Talk Sync&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>gear guide</category>
      <category>production</category>
      <category>COVID Related</category>
      <category>recorders</category>
      <category>web tools</category>
      <pubDate>Tue, 18 May 2021 14:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/remote-recording-riverside-and-talksync/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96568</guid>
      <dc:creator>Jeff Towne</dc:creator>
      <dc:date>2021-05-18T14:00:00Z</dc:date>
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      <title>Celebrating 50 Years of NPR (And The Independent Producers Who Helped Shape Its Sound)</title>
      <link>https://transom.org/2021/celebrating-50-years-of-npr/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/celebrating-50-years-of-npr/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;For 50 years now, NPR has steered toward the goal — and remarkable vision — of an all-embracing, choral representation of America. It is a daunting task and requires a diversified team to pull off. In the language of the original enabling legislation for public radio, the pillars of that team are NPR, the local [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/celebrating-50-years-of-npr/"&gt;Celebrating 50 Years of NPR (And The Independent Producers Who Helped Shape Its Sound)&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>commentary</category>
      <category>hidden gems</category>
      <category>manifesto</category>
      <pubDate>Thu, 13 May 2021 13:30:00 GMT</pubDate>
      <comments>https://transom.org/2021/celebrating-50-years-of-npr/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96549</guid>
      <dc:creator>Transom</dc:creator>
      <dc:date>2021-05-13T13:30:00Z</dc:date>
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      <title>Tape-Driven Storytelling</title>
      <link>https://transom.org/2021/tape-driven-storytelling/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/tape-driven-storytelling/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;There’s research that indicates people form their musical tastes when they’re young. Songs and bands that you liked as a teen will stay with you and, typically, remain your favorites as you age. That doesn’t mean taste remains static, it just means musical taste largely remains true to what you bonded with as a young [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/tape-driven-storytelling/"&gt;Tape-Driven Storytelling&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>documentary</category>
      <category>field work</category>
      <category>getting started</category>
      <category>interviewing</category>
      <category>reporting</category>
      <pubDate>Tue, 11 May 2021 13:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/tape-driven-storytelling/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96508</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-05-11T13:00:00Z</dc:date>
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      <title>Treat an Interview Like a Relationship</title>
      <link>https://transom.org/2021/treat-an-interview-like-a-relationship/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/treat-an-interview-like-a-relationship/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Anna Sale’s Manifesto for Interviewing People About Hard Things When we started Death, Sex &amp;#38; Money at WNYC in 2014, the idea was pretty simple: to create a place for conversation about what really made up the details of our lives but what I found we skipped over in interviews. I needed to know this [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/treat-an-interview-like-a-relationship/"&gt;Treat an Interview Like a Relationship&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>ethics</category>
      <category>field work</category>
      <category>interviewing</category>
      <category>women</category>
      <pubDate>Tue, 04 May 2021 12:30:00 GMT</pubDate>
      <comments>https://transom.org/2021/treat-an-interview-like-a-relationship/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96417</guid>
      <dc:creator>Anna Sale</dc:creator>
      <dc:date>2021-05-04T12:30:00Z</dc:date>
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      <title>Dissecting a Good Story, Well Told</title>
      <link>https://transom.org/2021/dissecting-a-good-story-well-told/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/dissecting-a-good-story-well-told/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Sometimes I’ll call another producer and I’ll say, “Hey, I can’t quite figure out what to do in order to&amp;#8230; ” And they might respond and say, “Well, did you hear the latest episode of such-and-such podcast where they did this thing where… ” And I say, “Yes! That’s it. I’ll try that!” Of course, [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/dissecting-a-good-story-well-told/"&gt;Dissecting a Good Story, Well Told&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>podcasting</category>
      <category>production</category>
      <category>interviewing</category>
      <category>Sound Design</category>
      <category>writing</category>
      <pubDate>Tue, 27 Apr 2021 13:20:00 GMT</pubDate>
      <comments>https://transom.org/2021/dissecting-a-good-story-well-told/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96384</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-04-27T13:20:00Z</dc:date>
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      <title>Principios básicos del podcasting, parte 5: volumen para podcasts v. radio</title>
      <link>https://transom.org/2021/principios-basicos-del-podcasting-parte-5-volumen-para-podcasts-v-radio/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/principios-basicos-del-podcasting-parte-5-volumen-para-podcasts-v-radio/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Este artículo nació en 2016, con un email a la lista de distribución de AIR. Había muchas preguntas sobre niveles de volumen para podcasts y para radio, así que una noche me senté mientras me preparaba para una mudanza de Mineápolis a Washington, DC, para preparar algo que les respondiera. Terminé con una guía explicativa [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/principios-basicos-del-podcasting-parte-5-volumen-para-podcasts-v-radio/"&gt;Principios básicos del podcasting, parte 5: volumen para podcasts v. radio&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>podcasting</category>
      <category>production</category>
      <category>mixing</category>
      <category>Podcast Basics</category>
      <category>Principios Básicos del Podcasting</category>
      <category>Travesaño En Español</category>
      <pubDate>Tue, 20 Apr 2021 12:00:00 GMT</pubDate>
      <comments>https://transom.org/2021/principios-basicos-del-podcasting-parte-5-volumen-para-podcasts-v-radio/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96334</guid>
      <dc:creator>Rob Byers</dc:creator>
      <dc:date>2021-04-20T12:00:00Z</dc:date>
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      <title>Who Are Those People in Podcast Credits?</title>
      <link>https://transom.org/2021/who-are-those-people-in-podcast-credits/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/who-are-those-people-in-podcast-credits/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Being a radio reporter is compelling, in part, because you can be a one-stop shop. Find and pitch the story, report it, select tape, write, and produce all on your own. No need for a team. Of course, that doesn’t mean other people aren’t involved &amp;#8212; editors, for instance, and sometimes a studio engineer, too. [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/who-are-those-people-in-podcast-credits/"&gt;Who Are Those People in Podcast Credits?&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>podcasting</category>
      <category>production</category>
      <category>crime</category>
      <category>documentary</category>
      <category>editing</category>
      <category>interviewing</category>
      <category>reporting</category>
      <category>writing</category>
      <pubDate>Tue, 13 Apr 2021 14:44:01 GMT</pubDate>
      <comments>https://transom.org/2021/who-are-those-people-in-podcast-credits/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96308</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-04-13T14:44:01Z</dc:date>
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      <title>This Story Changed My Life</title>
      <link>https://transom.org/2021/this-story-changed-my-life/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/this-story-changed-my-life/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;You never know where you will find the story that changes your life. I was shuffling back and forth in my seat trying to find a way to not put too much pressure on my fractured spine or the cuts to my body from the shrapnel. A contact of mine had asked to meet in [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/this-story-changed-my-life/"&gt;This Story Changed My Life&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>manifesto</category>
      <category>podcasting</category>
      <category>production</category>
      <category>crime</category>
      <category>documentary</category>
      <category>ethics</category>
      <category>field work</category>
      <category>interviewing</category>
      <category>narrated</category>
      <category>reporting</category>
      <pubDate>Tue, 06 Apr 2021 14:08:00 GMT</pubDate>
      <comments>https://transom.org/2021/this-story-changed-my-life/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96219</guid>
      <dc:creator>Josh Baker</dc:creator>
      <dc:date>2021-04-06T14:08:00Z</dc:date>
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      <title>Thoughts On Trailers</title>
      <link>https://transom.org/2021/thoughts-on-trailers/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/thoughts-on-trailers/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;I must have a hundred questions about trailers. Maybe two hundred. Do people listen to them? How effective are they? What does a trailer need to be effective? Does length matter? How much should you give away about a series in the trailer? Are movie trailers a useful analogy? What about blurbs on book flaps? [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/thoughts-on-trailers/"&gt;Thoughts On Trailers&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>podcasting</category>
      <category>production</category>
      <category>getting started</category>
      <pubDate>Tue, 30 Mar 2021 15:01:00 GMT</pubDate>
      <comments>https://transom.org/2021/thoughts-on-trailers/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96186</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-03-30T15:01:00Z</dc:date>
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      <title>Trauma Informed Reporting</title>
      <link>https://transom.org/2021/trauma-informed-reporting/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/trauma-informed-reporting/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;How I Got Here I stayed late at my college newspaper’s office all the time. Sometimes it was to work on a story, but mostly it was to hang out with my friends while they wrapped the day’s paper and traded campus gossip.&amp;#160; That night I stayed late to attend a special meeting to discuss [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/trauma-informed-reporting/"&gt;Trauma Informed Reporting&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>ethics</category>
      <category>field work</category>
      <category>interviewing</category>
      <pubDate>Thu, 18 Mar 2021 20:33:38 GMT</pubDate>
      <comments>https://transom.org/2021/trauma-informed-reporting/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96111</guid>
      <dc:creator>Alice Wilder</dc:creator>
      <dc:date>2021-03-18T20:33:38Z</dc:date>
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      <title>Schwartz Is A Verb</title>
      <link>https://transom.org/2021/schwartz-is-a-verb/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/schwartz-is-a-verb/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;We ask a lot of our interviewees. We show up at their home or workplace and ask them to do all manner of things so we can make the best recording possible. Turn off the TV. Turn off the radio. Put the annoying dog away. Close the windows. Turn off the AC. Rearrange the furniture [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/schwartz-is-a-verb/"&gt;Schwartz Is A Verb&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>interviewing</category>
      <pubDate>Mon, 15 Mar 2021 16:15:25 GMT</pubDate>
      <comments>https://transom.org/2021/schwartz-is-a-verb/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=96053</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-03-15T16:15:25Z</dc:date>
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      <title>The Long Lonely Lake</title>
      <link>https://transom.org/2021/the-long-lonely-lake/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/the-long-lonely-lake/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Dan Boyce Time and Space I feel unbelievably fortunate about how The Long Lonely Lake production process rolled out. Most of all, I’m so grateful that we took our time with it. The final piece was our ELEVENTH version of the story, which is astonishing to say as someone who has spent the vast majority [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/the-long-lonely-lake/"&gt;The Long Lonely Lake&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>production</category>
      <category>documentary</category>
      <category>family</category>
      <category>first-person</category>
      <category>music</category>
      <pubDate>Tue, 09 Mar 2021 14:16:00 GMT</pubDate>
      <comments>https://transom.org/2021/the-long-lonely-lake/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95970</guid>
      <dc:creator>Dan Boyce</dc:creator>
      <dc:date>2021-03-09T14:16:00Z</dc:date>
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    <item>
      <title>Audio Playground</title>
      <link>https://transom.org/2021/audio-playground/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/audio-playground/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;I asked Sarah Geis why she created Audio Playground and she had a quick and clear answer: It’s a kick in the pants to do the thing.&amp;#160; Her slightly longer answer is that she started the website a year ago to provide a supportive space for creativity with a minimal amount of accountability. In other [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/audio-playground/"&gt;Audio Playground&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>getting started</category>
      <pubDate>Tue, 02 Mar 2021 15:30:00 GMT</pubDate>
      <comments>https://transom.org/2021/audio-playground/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95929</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-03-02T15:30:00Z</dc:date>
    </item>
    <item>
      <title>A Notes App Note of 7 Questions To Get Us To Honest</title>
      <link>https://transom.org/2021/a-notes-app-note-of-7-questions-to-get-us-to-honest/</link>
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      <description>&lt;p&gt;This Manifesto Is For You It’s for you if you’re white. It’s for you if you’re Black. It’s for you if you’re [fill in the blank]. It’s especially for you if you’re a particular kind of audio maker: the kind that believes that you’re already operating a fair shop. That everyone you work with works [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/a-notes-app-note-of-7-questions-to-get-us-to-honest/"&gt;A Notes App Note of 7 Questions To Get Us To Honest&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>manifesto</category>
      <category>Diversity and Inclusion</category>
      <pubDate>Thu, 25 Feb 2021 15:06:00 GMT</pubDate>
      <comments>https://transom.org/2021/a-notes-app-note-of-7-questions-to-get-us-to-honest/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95752</guid>
      <dc:creator>Bethel Habte</dc:creator>
      <dc:date>2021-02-25T15:06:00Z</dc:date>
    </item>
    <item>
      <title>Occupational Hazard</title>
      <link>https://transom.org/2021/occupational-hazard/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/occupational-hazard/feed/</wfw:commentRss>
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      <description>&lt;p&gt;What to Pack I used to think I carried a lot of radio gear. Going out to any interview I’d bring a backpack filled with headphones, a recorder, couple of mics, spare batteries. The usual. These days I’d do anything for that light load. Starting last spring, following the police killing of George Floyd and [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/occupational-hazard/"&gt;Occupational Hazard&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>commentary</category>
      <category>gear guide</category>
      <category>field work</category>
      <category>reporting</category>
      <pubDate>Tue, 23 Feb 2021 15:07:00 GMT</pubDate>
      <comments>https://transom.org/2021/occupational-hazard/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95668</guid>
      <dc:creator>Casey Martin</dc:creator>
      <dc:date>2021-02-23T15:07:00Z</dc:date>
    </item>
    <item>
      <title>Gas Mask? Check. Bullet Proof Vest? Check…What To Wear When The Reporting Gets Dangerous</title>
      <link>https://transom.org/2021/dangerous-reporting/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/dangerous-reporting/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;Over the last year, Casey Martin has reported from the front lines in Seattle. What he’s seen is crazy, he says. First the pandemic. Then the occupation of several blocks of the city in the wake of George Floyd’s murder. And now, the far-right protests where protesters come armed with AR-15s and other weapons. Reporting [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/dangerous-reporting/"&gt;Gas Mask? Check. Bullet Proof Vest? Check&amp;#8230;What To Wear When The Reporting Gets Dangerous&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>COVID Related</category>
      <category>field work</category>
      <category>interviewing</category>
      <category>reporting</category>
      <pubDate>Tue, 16 Feb 2021 13:28:00 GMT</pubDate>
      <comments>https://transom.org/2021/dangerous-reporting/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95615</guid>
      <dc:creator>Rob Rosenthal</dc:creator>
      <dc:date>2021-02-16T13:28:00Z</dc:date>
    </item>
    <item>
      <title>Hexagon Heart</title>
      <link>https://transom.org/2021/hexagon-heart/</link>
      <wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">https://transom.org/2021/hexagon-heart/feed/</wfw:commentRss>
      <slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments>
      <description>&lt;p&gt;THE (WAY) BACK STORY I’ve been working with audio for close to 50 years, so it feels like almost my entire life. I began at my college radio station, then later, in NYC, I fell in with a little crowd that included Jay Allison, Karen Frillman, Lou Giansante and a few others, which we called [&amp;#8230;]&lt;/p&gt;
&lt;p&gt;The post &lt;a rel="nofollow" href="https://transom.org/2021/hexagon-heart/"&gt;Hexagon Heart&lt;/a&gt; appeared first on &lt;a rel="nofollow" href="https://transom.org"&gt;Transom&lt;/a&gt;.&lt;/p&gt;</description>
      <category>audio</category>
      <category>art</category>
      <category>first-person</category>
      <category>mixing</category>
      <category>place</category>
      <category>Sound Design</category>
      <pubDate>Tue, 09 Feb 2021 15:45:00 GMT</pubDate>
      <comments>https://transom.org/2021/hexagon-heart/#respond</comments>
      <guid isPermaLink="false">https://transom.org/?p=95514</guid>
      <dc:creator>Marjorie Van Halteren</dc:creator>
      <dc:date>2021-02-09T15:45:00Z</dc:date>
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