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		<title>Fonts in Focus: Evert</title>
		<link>https://ilovetypography.com/2026/05/29/fonts-in-focus-evert/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Thu, 28 May 2026 18:34:47 +0000</pubDate>
				<category><![CDATA[Fonts in Focus]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51441</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Welcome to another edition of Fonts in Focus, our under-500-word reviews of great typefaces. Today, we focus on a recent release from Kostas Bartsokas of Foundry5. Evert is a large, thoroughly modern sans serif family that has been designed with a lot of thought to the details. It draws inspiration [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/05/29/fonts-in-focus-evert/">Fonts in Focus: Evert</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Font Faces: Nick Shinn</title>
		<link>https://ilovetypography.com/2026/05/13/font-faces-nick-shinn/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Wed, 13 May 2026 03:06:56 +0000</pubDate>
				<category><![CDATA[Font Faces]]></category>
		<category><![CDATA[Interview]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51327</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Welcome to the debut issue of Font Faces: the people behind the type. We ask type designers from around the globe the same five core questions (plus some potential follow-up or topical questions) and thus gain some insights into their working practices, their personalities and what makes them tick. Nick [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/05/13/font-faces-nick-shinn/">Font Faces: Nick Shinn</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Puffery</title>
		<link>https://ilovetypography.com/2026/05/05/steven-hellers-font-of-the-month-puffery/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Tue, 05 May 2026 07:18:27 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51387</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Sometimes I get a hankering to see someone use a good old Blackletter, spikey Fraktur, or rounded Textura that transports me back to medieval Europe when a printer’s digital handiwork was created with ten fingers. That Blackletter was anathema to the later movements of Modern European designers and typographers, so [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/05/05/steven-hellers-font-of-the-month-puffery/">Steven Heller’s Font of the Month: Puffery</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Gilway Paradox</title>
		<link>https://ilovetypography.com/2026/04/14/steven-hellers-font-of-the-month-gilway-paradox/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 03:43:54 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51369</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>While trawling ILT for this month’s highlighted typeface, I was struck immediately by the elastic quality and irregular kinetic form of Art Grootfontein’s 2025 Gilway Paradox. The paradox is that it is not a&#160;beautiful&#160;nor an&#160;ugly&#160;face but a somewhat awkward one that excites something deep inside, reminding me of times of [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/04/14/steven-hellers-font-of-the-month-gilway-paradox/">Steven Heller’s Font of the Month: Gilway Paradox</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>A Brief History of the Dust&#160;Jacket</title>
		<link>https://ilovetypography.com/2026/04/03/a-brief-history-of-the-dust-jacket/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 05:41:25 +0000</pubDate>
				<category><![CDATA[Book History]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=49969</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Slip cover, dust cover, or dust jacket&#160;— whatever you call it, and whether you’re the type to trash or treasure them — have you ever wondered what purpose they serve and when they were invented? In Europe, the first printed books were typically sold without covers! Printers were not also [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/04/03/a-brief-history-of-the-dust-jacket/">A Brief History &lt;em&gt;of&lt;/em&gt; the Dust&nbsp;Jacket</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Curve Display</title>
		<link>https://ilovetypography.com/2026/03/04/steven-hellers-font-of-the-month-curve-display/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Wed, 04 Mar 2026 04:46:38 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51302</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>What typographers and designers want most in a font is a family that, under the right conditions, exudes a familiar yet distinctive voice. As I was scrolling around for this month’s selection, I found just that very face. It is a distinctive yet suggestive legacy with a “feeling” that is [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/03/04/steven-hellers-font-of-the-month-curve-display/">Steven Heller’s Font of the Month: Curve Display</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>How Not to Take 10 Years to Design a Typeface</title>
		<link>https://ilovetypography.com/2026/02/26/how-not-to-take-10-years-to-design-a-typeface/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Thu, 26 Feb 2026 08:37:53 +0000</pubDate>
				<category><![CDATA[Type Design]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=50711</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>I have often heard type designers talk about the many years they spend developing a typeface. I would listen with awe and think, “That must have been a real challenge. It must be exquisitely crafted and probably a little bit groundbreaking too.” So it feels slightly absurd to admit that [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/02/26/how-not-to-take-10-years-to-design-a-typeface/">How Not to Take 10 Years to Design a Typeface</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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