<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">
    <title>Properties in France - Vingt Paris Magazine - France property for sale</title>
    
    <link rel="alternate" type="text/html" href="http://www.vingtparismagazine.com/" />
    <link rel="service.post" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220" title="Properties in France - Vingt Paris Magazine - France property for sale" /> 
    <id>tag:typepad.com,2003:weblog-523220</id>
    <updated>2012-02-10T12:04:06Z</updated>
    <subtitle>News, views and info on France from properties for sale company Vingt Paris</subtitle>
    <generator uri="http://www.typepad.com/">TypePad</generator>
    <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/IVYParisNews" /><feedburner:info uri="ivyparisnews" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry>
        <title>Cook 'n With Class: French cuisine in Montmartre</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/HOV_OuzlDHM/cook-n-with-class-french-cuisine-in-montmartre.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0168e6e2a436970c" title="Cook 'n With Class: French cuisine in Montmartre" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/02/cook-n-with-class-french-cuisine-in-montmartre.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0168e6e2a436970c</id>
        <published>2012-02-10T13:04:06+01:00</published>
        <updated>2012-02-12T12:18:57Z</updated>
        <summary>Image: Jade Barker Text: Nicola Hebden Cooking is at the soul of French society. Whether it’s the morning trip to the boulangerie, a long, convivial lunch with friends to break up your day, or the latest hi-tech gastronomy; love and...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Food and Drink" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Gastronomy" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6e2804b970c-pi" style="display: inline;"><img alt="Desserts" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6e2804b970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6e2804b970c-500wi" style="width: 500px;" title="Desserts" /></a><br /><em>Image: <a href="https://twitter.com/#!/Journo_Jade" target="_self">Jade Barker</a></em></p>
<p><em>Text: <a href="nicolahebden.com" target="_self">Nicola Hebden</a></em></p>
<p>Cooking is at the soul of French society. Whether it’s the morning trip to the boulangerie, a long, convivial lunch with friends to break up your day, or the latest hi-tech gastronomy; love and tradition are the key ingredients.</p>
<p><strong>Cook 'n With Class</strong>, a French cooking school based in Montmartre, take the essentials of cooking like a Frenchie, and passes them on to students. Don’t be fooled by the the name - the school was set up five years ago by bona fide French chef Eric Fraudeau, and has gone from strength to strength ever since.</p>

There is no doubt Cook 'n With Class is an international affair. They are self-confessed “accessible for travellers”, and their chefs come from all over the world – Italy, Australia and the US. Walking into their 800 square-foot premises, you are met with a cacophony of Anglophone accents, from the staff to the students.
<p>Their kitchens, on rue Custine in the 18eme, have just the right decor to put the "class" into their title, and strike the right balance between a homely and a professional place to cook. Coffee is served <em>à volonté</em>. Industrial-sized mixers are at the ready.</p>
<p>Pino, one of the six chefs at the school, comes from Milan but learnt most of his trade in New York kitchens before moving to Paris five years ago. He takes nearly all of the classes available, but is known to me as the “dessert guy”. Because what he doesn’t know about French desserts isn’t worth knowing anyway.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebd459970d-pi" style="display: inline;"><img alt="Pino" class="asset  asset-image at-xid-6a00d8341c90c353ef016300ebd459970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebd459970d-500wi" style="width: 500px;" title="Pino" /></a><br /><em>Pino the chef. Image: <a href="https://twitter.com/#!/auscanucksarah" target="_self">Sarah T</a></em></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebdc4f970d-pi" style="display: inline;"><img alt="IMG_6381" class="asset  asset-image at-xid-6a00d8341c90c353ef016300ebdc4f970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebdc4f970d-500wi" style="width: 500px;" title="IMG_6381" /></a><br /> <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016761e1302a970b-pi" style="display: inline;"><img alt="IMG_6361" class="asset  asset-image at-xid-6a00d8341c90c353ef016761e1302a970b" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016761e1302a970b-500wi" style="width: 500px;" title="IMG_6361" /></a><br /> <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebde9d970d-pi" style="display: inline;"><img alt="IMG_6386" class="asset  asset-image at-xid-6a00d8341c90c353ef016300ebde9d970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016300ebde9d970d-500wi" style="width: 500px;" title="IMG_6386" /></a></p>
<p>A typical lesson will consist of five to six people and a handful of recipes. For French desserts you learn five in three hours, which is a lot of information to take in on a sugar high. But all details are emailed to you after the class. Recipes vary depending on the season, produce available and whim of the chef, but they are all French and all delicious. Our class learnt crème brûlée, moelleux au chocolat, chocolate mousse, éclairs and madeleines.</p>
<p>You are talked through the technicalities of the recipe step-by-step, and given almost scientific lessons as to why certain ingredients are used, why they have to be chilled or warm, and why you will find them delicious. You learn a lot along the way – for example, do you know what <a href="http://en.wikipedia.org/wiki/Gianduja_%28chocolate%29" target="_self">Gianduja</a> is? How dried coco nibs taste? The difference between gelatin leaves and power?</p>
<p>Lessons start at 125€ per lesson, and range from making lunch from local market produce to molecular gastronomy. All ingredients are supplied, and information about recipes is emailed to you afterward.</p>
<p>For more information check out the <a href="www.cooknwithclass.com" target="_self">Cook N With Class website</a>.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6e2ac75970c-pi" style="display: inline;"><img alt="IMG_6358" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6e2ac75970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6e2ac75970c-500wi" style="width: 500px;" title="IMG_6358" /></a><br /><br /></p>
<p><strong><span style="font-size: 12pt;">Chocolate Mousse à la chef Pino</span></strong></p>
<p><span style="font-size: 10pt;">Gianduja Chocolate Mousse</span></p>
<p><br /><strong>Ingredients:</strong><br />200g gianduja (hazelnut milk chocolate, Valrhona brand recommended)<br />120g whole milk<br />250g whipping cream, cold<br />2 gelatin leaves (4g)<br /><br /><strong>Procedure:</strong><br />Whip cream to soft peak and keep refrigerated.<br />Cut chocolate in small pieces and keep in a heatproof bowl.<br />Soften gelatin in cold water, when very soft squeeze well and keep aside.<br />Bring milk to a boil, take off heat, add gelatin and whisk well to dissolve. Before milk gets too cold pour over cut chocolate, whisk well until mixture is smooth and around 30°C.<br />Incorporate whipped cream into the chocolate+milk mix and keep the mousse refrigerated until ready to use.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/HOV_OuzlDHM" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/02/cook-n-with-class-french-cuisine-in-montmartre.html</feedburner:origLink></entry>
    <entry>
        <title>From Grand Boulevards to Palais Royal</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/PeuMPm9H55c/from-grand-boulevards-to-palais-royale.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef016761bfa4ac970b" title="From Grand Boulevards to Palais Royal" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/02/from-grand-boulevards-to-palais-royale.html" thr:count="1" thr:when="2012-02-08T12:02:47Z" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef016761bfa4ac970b</id>
        <published>2012-02-08T11:55:43+01:00</published>
        <updated>2012-02-10T12:13:28Z</updated>
        <summary>Photo: Paris Numérique Text: Guillermo Martinez de Velasco If ever there was a walk that would evoke everything Paris wanted others to see about it without showing that which it didn't, it would be the one-hour stroll that goes from...</summary>
        <author>
            <name>Guillermom Martínez de Velasco</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p style="padding-left: 90px;"><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016761d1bae6970b-pi" style="display: inline;"><img alt="Screen shot 2012-02-06 at 2.34.16 PM" class="asset  asset-image at-xid-6a00d8341c90c353ef016761d1bae6970b" height="747" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016761d1bae6970b-500wi" style="width: 500px;" title="Screen shot 2012-02-06 at 2.34.16 PM" width="408" /></a></p>
<p style="text-align: left;">                                                   <em><span style="font-size: 8pt;">       Photo: <a href="http://www.flickr.com/photos/parisnumerique/" target="_self">Paris Numérique </a></span></em></p>
<p><em>Text: Guillermo Martinez de Velasco</em></p>
<p>If ever there was a walk that would evoke everything Paris wanted others to see about it without showing that which it didn't, it would be the one-hour stroll that goes from the Grands Boulevards to the Palais Royal. It's hard to feel 'urban' in Paris sometimes and it is after all, a city. It's winter so the streets are great for walking.</p>
<p>You start at the corner of rue Montmartre and boulevard Montmartre. You notice that you are in fact, not in Montmarte. You notice the difference between a rue and a boulevard. One is lined with trees and has sidewalks big enough for every single situationist ever to have lived to walk side by side on them. That is the boulevard. You remember that - rumour has it - they were built because popular uprisings could be quelled much faster in wide avenues than in small winding streets. Why was '68 succesful? You ask yourself. Try chasing a crowd of students that runs off in different directions along rue Mouffetard. You picture that happening. You think about asking people where they were in '68. Then you start figuring out if they were old enough to have been there. You wonder where you got that piece of historical information from. You might be wrong, maybe they were just built to make Paris more like other big European cities. Maybe they were made so you could see a bigger picture and not feel trapped in what's immediately in front of you.</p>

You start walking until you reach the corner of Boulevard des Italiens and Boulevard Haussmann. You curse the Baron for making every single corner of Paris look the same. That is why you run to the Marais when you can. But then you wonder why the Marais was never Haussmanised. You feel uneasy as you turn onto rue des Italiens. This is a good choice because otherwise you would end up in Galleries Lafayette. You'll return when money ceases to have any connection to work. Then you walk past all of those buildings that discreetly show you they are owned by banks. You hate banks, but you hate French banks more because if they were greedier they would make things easier. You see the Art Déco building on the corner of rue Laffitte. It's striking. Sharp edges, no balconies, an ominous entrance, the works. You're glad all of Paris isn't like this, but are equally content that this particular corner is. Something about it reminds you of the war, and then it's scary to think about what went on on these streets during then. You become aware of the place's soul.
<p>It's winter so you don't care about the huge billboards outside the Gaumont theatres. Come summer you will realise that they make everything seem more crowded and noisy. You remember you haven't seen the film being advertised. You also remember that huge theatres are the worst and decide to watch it at Odéon next week. As you keep walking you wonder what the spending power of a Parisian is. You wonder how there can be so many shops in this economic climate. You forgot that people still buy things. One day you will buy things, you tell yourself. For now, H&amp;M and Carrefour are your friends.</p>
<p>The boulevard is wide. You feel more purpose when walking on it. You don't feel like you're wandering and you certainly don't think it possible, but the street opens up even more. You hear noise, cars, buses, voices, coughs. You thought it wasn't polite to cough in public. Then you turn right and there is the Opéra Garnier. You can't help but see it as a symbol and not as a collection of marble, bricks and columns. It is not a building. It is a very specific type of art. It is high art, created by, to, and for, this corner of Paris. You wonder why they translated Beethoven's name. You want to go in, but maybe it's better if you come back some other day just for that. You stand still for ten minutes. The building is still fascinating. You are glad that art exists and that people built things.</p>
<p>You get stuck in a strange concrete island amidst an ocean of movement, machines on tires and people on legs with shoes. You can't think of any other place in Paris with so much pavement. The space is too open, you have grown to feel unsafe here. You finally cross the street and keep going on des Capucines. This is more or less the idea you had of Paris before you came to Paris. You wish someone would take your picture. You think Woody Allen would not shoot a scene here because the way the light hits the buildings is quite standard and dull. You like it. You like it because Woody Allen would not shoot here and because the sleepy orange glow of other districts doesn't make you feel like this. Like you are no longer an Expat.</p>
<p>You wonder why there is a store called 'Old England' and then decide to stop giving it any thought. You can now see the Madeleine. You go around to the left side until Place de la Concorde is looking straight at the back of your neck. You know this is a church but you feel like it was built by the Romans. You can't imagine it being a church. You are cold, but the stone is grey. You go on a thought dilemma about living in this area versus living in a quieter part of Paris. You still don't see this as a church. You realise that you are already halfway into your walk. You're glad you bought that scarf.</p>
<p><em>to be continued...</em></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/PeuMPm9H55c" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/02/from-grand-boulevards-to-palais-royale.html</feedburner:origLink></entry>
    <entry>
        <title>February Film Events</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/bdh-Sr8zs3o/february-film-events.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0168e693c659970c" title="February Film Events" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/02/february-film-events.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0168e693c659970c</id>
        <published>2012-02-03T11:16:29+01:00</published>
        <updated>2012-02-10T12:14:25Z</updated>
        <summary>Image: The Samuel Goldwyn Company Text: Susie Kahlich Commune Image is not easy to get to, but they’re so good at scheduling full days of fantastic, it’s worth the trip. To commemorate the upcoming Tim Burton expo and retrospective at...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Cinema" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Film" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://communeimage.com/contact/"> </a><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e693c200970c-pi" style="display: inline;"><img alt="Thumbnail" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e693c200970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e693c200970c-500wi" style="width: 500px;" title="Thumbnail" /></a></p>
<p><em>Image: The Samuel Goldwyn Company     Text: Susie Kahlich</em></p>
<p><a href="http://communeimage.com/contact/">Commune Image</a> is not easy to get to, but they’re so good at scheduling full days of fantastic, it’s worth the trip.  To commemorate the upcoming Tim Burton expo and retrospective at La Cinémathèque Française next month, Commune Image invites you to <a href="http://communeimage.com/evenements/samedi-4-fevrier-letrange-week-end-de-tim-burton/">L’étrange soirée de Tim Burton</a>, e.g., a day inside Mr. Burton’s head.  Screenings, poetry, and “bien d’autre enchantements”.  €15.  4 February from 14h30.</p>
<p><a href="http://communeimage.com/contact/">Commune Image</a><br />8, rue Godillot<br />93400 Saint Ouen<br />Métro : Porte de Clignancourt (take Bus 166 to Godillot)<br />or Mairie de Saint Ouen</p>
<p>Only in Paris do we get to enjoy regular windfalls of free films -- you gotta love it! <a href="http://www.iledefrance.fr/lactualite/culture/cinema-audiovisuel/festival-etoiles-francophones/">Etoiles Francophones</a> gives us a whole week of eye candy at 14 cinemas in and around Paris.  This year celebrates wondrous youth and looks at the world around us through they eyes of kids these days (get a haircut!).  See the best of French and international film focusing on subjects our future world leaders care about: the planet, the economy, education, hip hop.  Free.  Now through 7 February.</p>
<p><a href="http://www.iledefrance.fr/lactualite/culture/cinema-audiovisuel/festival-etoiles-francophones/">Etoiles Francophones</a><br />Various</p>
<p><a href="http://www.forumdesimages.fr/">Forum des Images</a> is killing me.  In addition to its awesome <a href="http://www.forumdesimages.fr/fdi/Cycles/London-Calling">London Calling</a> series (don’t miss pre-<em>Tinker, Tailor</em> Gary Oldman in <em><a href="http://www.forumdesimages.fr/fdi/Cycles/London-Calling/Prick-Up-Your-Ears2">Prick Up Your Ears</a></em>, one of the best biopics ever made (that it’s about the spectacular life and shocking death of playwright Joe Orton certainly doesn’t hurt)), but in the spirit of <a href="http://en.wikipedia.org/wiki/French_Revolution_of_1848#The_events_of_February">February in France</a>, it’s also featuring an entire day of intensely revolutionary film, starting with <em>Revoir Paris: Memoires d’Allemagnes</em> and ending your <em>jour de résistance</em> with the Premiers Plan festival’s <em>Prix du Public</em> winner, <em>La Terre Outragée</em>.  7 February.</p>
<p><a href="http://www.forumdesimages.fr/">Forum des Images</a><br /> Porte St Eustache, 75001<br /> Métro: Chatelet-Les Halles</p>

Of course, if you don’t have your revolutionary hat on but still feel like being intense on a Tuesday night, how about a Master Class and cocktails at <a href="http://kinoma.fr/index.html" target="_self">Rencontres Kinoma</a>?  With filmmakers Jan Kounen (<em><a href="http://www.youtube.com/watch?v=l9PRq-MaauA">Coco Chanel</a></em>) and David Foenkinos (<em><a href="http://www.youtube.com/watch?v=jnXZC5Wn-gk">La Délicatesse</a></em>), and master-in-residence Arthur Grec (Mandarin Cinéma).  €5.  7 February at 17h30.
<p><a href="http://kinoma.fr/index.html">Rencontres Kinoma</a><br />La Cité des Arts<br />18, rue de l'Hôtel de Ville, 75004 Paris<br />Métros: Saint-Paul, Pont Marie</p>
<p>Valentine’s Day: poetry, romance… the Dutch.  What?  <a href="http://www.institutneerlandais.com/film/">Institut Néerlandais</a> hosts a special avant-premiere of Paula van der Oest’s highly lauded Ingrid Jonker, a biopic about the South African poetesse’s tumultuous, tragic life.  Paula van der Oest and lead actress Carice van Houten will be present.  €8.  Reservations recommended.  14 February at 20h00</p>
<p><a href="http://www.institutneerlandais.com/film/">Institut Néerlandais</a><br />Action Christine<br />4, rue Christine, 75006 Paris<br />Métro: Saint-Michele</p>
<p>Plan B in case your Valentine’s Day sucks: boogie your blues away to the best of British rock the very next night at <a href="http://www.forumdesimages.fr/" target="_self">Forum des Images</a>! <a href="http://www.forumdesimages.fr/fdi/Cycles/London-Calling/Cours-de-rock2">Cours de Rock</a> wraps up the London Calling series with film, live DJ, and general getting down.  Get it on at <a href="http://www.forumdesimages.fr/">Forum des Images</a>, 15 January at 21h00.</p>
<p><a href="http://www.forumdesimages.fr/">Forum des Images</a><br /> Porte St Eustache, 75001<br /> Métro: Chatelet-Les Halles</p>
<p>Nouvelle Vague. <em>Cahiers du cinéma</em>. <a href="http://en.wikipedia.org/wiki/%C3%89ric_Rohmer">Eric Rohmer</a>. <a href="http://www.bpi.fr/fr/la_saison_culturelle/cinema/presence_d_eric_rohmer.html">Centre Georges Pompidou</a>. Need we say more? (Ok, here’s more: M. Rohmer will be there, in person, on 16 February at 20h00.)</p>
<p><a href="http://www.centrepompidou.fr/">Centre Georges Pompidou</a><br /> Place Georges Pompidou, 75004 Paris<br /> Métro: Rambuteau</p>
<p>Don’t know if you’ve noticed, but it’s cooold!  Warm yourself up with spicy Latin American cinema at <a href="http://www.cinema-des-cineastes.fr/programme/programme/#anchor-1246">Éclats et Soubresauts D’Amérique Latine</a> at <a href="http://www.cinema-des-cineastes.fr/">Cinéma des Cinéastes</a>.  Of note: <em>Carnavales en </em><em>Potosí</em>, a willingly ironic and offbeat mockumentary documenting the Pan American Games in Cali, Colombia that pokes fun at what the filmmakers call the "porno-miseria" Latin American documentaries destined for the European public usually showcase.  25 February at 11h00.</p>
<p><a href="http://www.cinema-des-cineastes.fr/">Cinéma des Cinéastes</a><br /> 7, avenue de Clichy 75017 Paris <br /> Métro: Place de Clichy</p>
<p><strong>VINGT Paris Film Series!</strong> We will be announcing details for February’s feature shortly – watch this space! </p>
<p>The VINGT Paris Film Series showcases quality feature-length fiction and documentary films from around the world.  There are thousands of films made every year, but only a handful are picked up for distribution, and less than that ever make it to a theatre.  VINGT Paris aims to help filmmakers and film lovers experience excellent and innovative film on the big screen.</p>
<p>Get on the mailing list by sending us an email with <strong>film group</strong> in the subject line.</p>
<p><strong>VINGT Paris Monthly Film Series</strong><br /> Subject: “film group”<br /> news@vingtparis.com</p>
<p>Filmmakers: send us your films!  For more information and technical specs, send an email to <a href="mailto:vpfilmseries@gmail.com">vpfilmseries@gmail.com</a>.</p>
<p>See you at the movies!</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/bdh-Sr8zs3o" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/02/february-film-events.html</feedburner:origLink></entry>
    <entry>
        <title>Nordik Market</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/zOYIrsz4mpY/nordik-market.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0168e65fec00970c" title="Nordik Market" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/02/nordik-market.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0168e65fec00970c</id>
        <published>2012-02-02T18:14:07+01:00</published>
        <updated>2012-02-02T17:26:16Z</updated>
        <summary>Text and images: Anne Ditmeyer Inspired by his travels and friends Guillaume Deroy made his long time dream a reality last summer when he opened Nordik Market, a concept shop devoted to Scandinavian design. Coming from a background in fashion,...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Shopping" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65fe4a5970c-pi" style="display: inline;"><img alt="Pretavoyager-nordik-8" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e65fe4a5970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65fe4a5970c-500wi" style="width: 500px;" title="Pretavoyager-nordik-8" /></a><em /></p>
<p><em>Text and images: Anne Ditmeyer</em></p>
<p>Inspired by his travels and friends Guillaume Deroy made his long time dream a reality last summer when he opened <a href="http://www.nordikmarket.com/" target="_blank">Nordik Market</a>, a concept shop devoted to Scandinavian design. Coming from a background in fashion, Deroy is able to use his eye to create a Scandinavian universe in the heart of the Marais made up up vintage furniture from the 50s &amp; 60s, as well as newer, original creations that you can't find elsewhere in France.</p>


<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630069018b970d-pi" style="display: inline;"><img alt="Pretavoyager-nordik-7" class="asset  asset-image at-xid-6a00d8341c90c353ef01630069018b970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630069018b970d-500wi" style="width: 500px;" title="Pretavoyager-nordik-7" /></a></p>
<p>One of the charming parts about Nordik Market is that it feels more like a home than a shop. With larger pieces such as tables, chairs and lamps that are top quality and beautifully designed it means that items don't always stay long, and new shipments change the feel of the shop on a regular basis.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65fe53b970c-pi" style="display: inline;"><img alt="Pretavoyager-nordik-1" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e65fe53b970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65fe53b970c-500wi" style="width: 500px;" title="Pretavoyager-nordik-1" /></a></p>
<p>If you're shopping for smaller items, Deroy carries a range of items that make perfect gifts or an adornment to your home. Inspired by Bauhaus the work of Mogens Lassen is Danish functionalism, with a very modern, linear aesthetic, while the vases of Louise Campbell (above) have a softer, yet functional quality. The work of Ditte Fischer, known for her work in porcelain also adorns the shelves of the shop. And any questions you may have Deroy is more than happy to share his knowledge and love of Scandinavian design.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65f83ec970c-pi" style="display: inline;"><img alt="Pretavoyager-nordik-5" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e65f83ec970c-500wi" style="width: 500px;" title="Pretavoyager-nordik-5" /></a></p>
<p><a href="http://www.nordikmarket.com/" target="_blank">Nordik Market</a> is located at 13 rue Charlot, in the 3rd arrondissement. It's open Tuesday to Saturday noon - 7:30pm and Sunday 2-7pm. </p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/zOYIrsz4mpY" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/02/nordik-market.html</feedburner:origLink></entry>
    <entry>
        <title>My Bike on at Merci</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/AUs8ift5MBs/my-bike-on-at-merci.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef016300206665970d" title="My Bike on at Merci" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/01/my-bike-on-at-merci.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef016300206665970d</id>
        <published>2012-01-29T11:37:23+01:00</published>
        <updated>2012-01-29T10:56:52Z</updated>
        <summary>Images: Merci Text: Anne S. Ditmeyer In recent years in the design community, bikes have been far more than a means to get from point A to B, but part of a style lifestyle. With more choices and accessories than...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Exhibitions" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6166f48970c-pi" style="display: inline;"><img alt="Merci-bike" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6166f48970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6166f48970c-500wi" style="width: 500px;" title="Merci-bike" /><br /></a></p>
<p><span style="font-size: 8pt;"><em>Images: <a href="http://www.merci-merci.com/" target="_blank">Merci</a> </em></span></p>
<p><br /><em>Text: <a href="http://www.pret-a-voyager.com" target="_blank">Anne S. Ditmeyer</a></em><br /><br /></p>
<p>In recent years in the design community, bikes have been far more than a means to get from point A to B, but part of a style lifestyle. With more choices and accessories than ever, one's bike can be a means of expression. Put a bike into context, and depending on where you live – Copenhagen or Amsterdam – a bike is a necessity of life. But now, in other places of the world, such as Tokyo, there's a movement to live life at a different pace, with an emphasis on quality of life, known as SLOW BIKE.</p>
<p>The timing of <a href="http://www.merci-merci.com/" target="_blank">Merci</a>'s installation, MY BIKE: Transportation Dans la Ville, on January 18 through February 18, is noteworthy, as this past week was the latest edition of the mega design trade show, <a href="http://www.vingtparismagazine.com/2011/09/maison-objet-obsessions-september-2011.html" target="_blank">Maison Objet</a>. Design is not limited to what is in one's home, but rather extends to the world outside (and beyond the expo center).
</p>

<p>In typical Merci fashion, their signature red car out from is incorporated into the theme, with an upside down bike on the roof. Go inside, and a ring of massive lights hangs overhead, with several stylish bikes and mannequins below. The main display wall to the right uses tools to create "art" where strong geometrical shapes emerge. Throughout the lower lobby, small accessories from locks to bells and bungees are available for your shopping needs. Unlike most of their installations, this one takes over more of the space and weaves its way upstairs with suspended bikes along a race track, juxtaposed to the cupboards just to the side.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-pi" style="display: inline;"><img alt="Picture 8" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6169ec2970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-500wi" style="width: 500px;" title="Picture 8" /></a></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-pi" style="display: inline;" /><br /> <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630020547c970d-pi" style="display: inline;"><img alt="Picture 7" class="asset  asset-image at-xid-6a00d8341c90c353ef01630020547c970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630020547c970d-500wi" style="width: 500px;" title="Picture 7" /></a></p>
<p>By the end of the visit, you start to see the bicycle as a multi-functional objet. As I was rushing through before it closed, I almost missed my favorite room – just to the left of the check out stand. After seeing bikes, accessories, and mannequins, these portraits (for sale) by Vincent Leroux seemed to capture the very spirit that is the bicycle in design-meets-life these days.</p>
<p><em><a href="http://fr-fr.facebook.com/merciparis" target="_self">Merci </a>is a constantly changing concept shop with three cafés, located at 111 boulevard Beaumarchais 75003. Store hours are Monday – Saturday 10am - 7pm.</em></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/AUs8ift5MBs" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/my-bike-on-at-merci.html</feedburner:origLink></entry>
    <entry>
        <title>Five new exhibitions at the Maison Européenne de la Photographie </title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/BlluhsKpbSY/five-new-exhibitions-at-the-maison-europ%C3%A9enne-de-la-photographie-1.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0163001ad581970d" title="Five new exhibitions at the Maison Européenne de la Photographie " />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/01/five-new-exhibitions-at-the-maison-europ%C3%A9enne-de-la-photographie-1.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0163001ad581970d</id>
        <published>2012-01-27T12:49:43+01:00</published>
        <updated>2012-01-29T11:05:05Z</updated>
        <summary>Image: Maison Européenne de la Photographie. Text: Rooksana Hossenally. The Maison Européene de la Photographie (MEP) is one of those key venues that is internationally renowned for showing work by high-profile photographers. And this week was no exception with the...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Dernier Cri - Galleries and Museums" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Photography" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: justify;"><em> </em></p>
<p style="text-align: justify;"><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e62d3b7d970c-pi" style="display: inline;"><img alt="Ropp" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e62d3b7d970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e62d3b7d970c-500wi" style="width: 500px;" title="Ropp" /></a><br /><em>Image: Maison Européenne de la Photographie.</em></p>
<p style="text-align: justify;"><em>Text: Rooksana Hossenally.</em></p>
<p style="text-align: justify;">The <strong><a href="http://www.mep-fr.org/" target="_blank">Maison Européene de la Photographie</a></strong> (MEP) is one of those key venues that is internationally renowned for showing work by high-profile photographers. And this week was no exception with the launch of five brand new exhibitions. If you’re going to be in the area it’s worth popping in to see <strong><a href="http://www.williamropp.com/" target="_blank">William Ropp</a></strong>’s stunning portraits. But the other works on show, including <strong>Götz Göppert</strong>’s panoramic night shots of Paris, <strong>Dominique Isserman</strong>’s <em>Laetitia Casta</em>, <strong>Youssef Nabil</strong>’s Egyptian mise-en-scènes and the series, <em>Eloges du vertige</em>, might leave you feeling somewhat underwhelmed.</p>
<p>The four floors are divided up between the five photographers’ work. From top to bottom: <em>Eloges du vertige</em> and Youssef Nabil, followed by Isserman and the second part of <em>Eloges du vertige</em> on the next floor, then Ropp on first and Götz Göppert in the basement. 
</p>

<p style="text-align: justify;">Ropp’s incredible series of 20 portraits really stood out from the others. A stupefying eye for etching figures out of shadows, he knows exactly how to capture the “…nooks and crannies of our most intimate souls…” (Geraldine Schrepfen - author). His photographs are proof of what Daney, the influential French film critic, describes as “great trust in light” as he makes the invisible visible, using the light to erode away certain parts of his composition burning it like acid. This gives his portraits an appealing yet eerie atmosphere.</p>
<p style="text-align: justify;">There is nothing conventional about Ropp’s portraits. A mishmash of greys, sometimes blurred, sometimes in focus and most the time, a mix of both, he captures his subjects as though they were confiding their darkest secret to him. For example, the print,<em> Orphanage, Russia</em> (2008), in which a child is photographed holding a crow up to the camera, squeezing it just a little too tightly.</p>
<p style="text-align: justify;">There is an unsettling ambiance in most of his work. However, the series, <em>Dreamt Memories from Africa</em>, which is shown as a slideshow on a screen as part of the exhibition, is less dark. A veritable photographic feat, it shows the intimate relationship between two young African brothers – the light here snakes and slides like slithers of silver along the boys’ dark skin, giving his shots a hypnotic, poetic quality.</p>
<p style="text-align: justify;">On the next floor up, we found Dominique Isserman’s 33 shots of Laetitia Casta, the famous French model and actress renowned for her unusual beauty, to have an obvious sensuality without necessarily falling into eroticism. Casta is clearly Isserman’s muse. He first shows his anticipation as he waits for her to meet him in the first few shots where the model’s shadow appears on the walls as she approaches him. The model is photographed in hot springs designed by architect, Pete Zumthor (in Vals, Switzerland). The minimalist lines of the spa-building act as a powerful contrast to the voluptuous curves of Casta’s naked body. The work is beautiful, but so clean-cut that it seems that the photographer hasn’t left much else for the viewer to discover.</p>
<p style="text-align: justify;"><em>Eloges du vertige</em> (Institute Itau Cultural collection) is interesting as far as understanding the step away from conventional photography in Brazil, where the pace is slower than in Europe (where experimental photography has already emerged). Some pieces are unusual like <em>Night visions</em> by Luis Braga and Claudia Andujar’s <em>Yanomami dream</em> – a well constructed reflection of a shaman’s state of mind when in a trance - but not the groundbreaking edge of the collection.</p>
<p style="text-align: justify;">Lastly, the first retrospective of well-known Egyptian photographer, Youssef Nabil, evolves very much like a storyboard for snippets of classical Egyptian films through portraits of his friends and celebrities including Catherine Deneuve, Charlotte Rampling and Alicia Keys. There is also a series of self-portraits in which it seems the photographer is sharing visual diary entries about his everyday life with the viewer. The quality of the light, the colours and the calculated poses of his subjects give each work an artificiality, which unfortunately is not as moving as one may have hoped.</p>
<p style="text-align: justify;"><em>Eloge du vertige</em> – Itau, Brazil Collection, Youssef Nabil, <em>Laetitia Casta</em> - Dominique Isserman, <em>The Sculptor of Shadows</em> - William Ropp and <em>Four Seaons</em> - Götz Göppert until 25 March 2012 at the <strong><a href="http://www.mep-fr.org/" target="_blank">Maison Européenne de la photographie</a></strong> (MEP), 5/7 rue de Fourcy – 75004 Paris.</p>
<p style="text-align: justify;"><em>Open daily from 11h00 to 20h00 (closed Mondays, Tuesdays and bank holidays). Tickets: 7 Euros. Metro: Saint Paul (L1) or Pont Marie (L7).</em></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/BlluhsKpbSY" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/five-new-exhibitions-at-the-maison-europ%C3%A9enne-de-la-photographie-1.html</feedburner:origLink></entry>
    <entry>
        <title>20 Questions: Beth Arnold</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/trTm3SkmnX0/20-questions-beth-arnold.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef01630008eed2970d" title="20 Questions: Beth Arnold" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/01/20-questions-beth-arnold.html" thr:count="2" thr:when="2012-01-31T08:40:13Z" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef01630008eed2970d</id>
        <published>2012-01-25T17:02:20+01:00</published>
        <updated>2012-01-25T16:44:09Z</updated>
        <summary>Beth Arnold is a journalist and award-winning writer living in Paris. 1. What initially inspired you to move here or visit? The first time I came to Paris, I was 19 years old, and I immediately fell in love with...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="20 Questions" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p>  <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760fdc291970b-pi" style="display: inline;"><img alt="Betharnold" class="asset  asset-image at-xid-6a00d8341c90c353ef016760fdc291970b" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760fdc291970b-500wi" style="width: 500px;" title="Betharnold" /></a></p>
<p><em>Beth Arnold is a <a href="http://www.betharnold.com/1/" target="_self">journalist and award-winning</a> writer living in Paris.</em></p>
<p><strong>1. What initially inspired you to move here or visit?</strong></p>
<ol> </ol>
<p>The first time I came to Paris, I was 19 years old, and I immediately fell in love with this sublime city.  I dug the way Paris (and France) looked, felt, and the respect for art and artists - and I mean that in every sense - that existed here.  It was a revelation compared to the environment in the U.S.  I felt at home here, and I wanted to return and live. </p>
<p>It took 20+ years but I finally did it.  My husband, James Morgan, and I are both writers, and I thought of a book idea for him.  The title I initially imagined for the book was “Learning To See,” but it evolved and was published in 2005 as “Chasing Matisse.”  So we came to Paris to follow the footsteps of Henri Matisse on his artistic path in order to find the history, the visions, the views of what had inspired this artist we both admired.  We took this journey to see ourselves in new ways, to get a fresh view of life and our lives in particular. </p>
<p><strong>2. Earliest Paris memory?</strong></p>
<p>It was literally getting off the plane at CDG, thinking how amazing it was that I was in Paris, how exciting, how wonderful!  I knew I was beginning a memorable adventure, here and throughout Europe.  I was probably wearing this baby blue polyester pants suit that my mother had bought as good travel wear for my trip.  The jacket was short with panels of multi-color stripes.  Polyester was the new hot fabric.  Very fashionable at that moment.</p>

<strong>3. Best neighbourhood      you've ever lived in?</strong>
<ol> </ol>
<p>I have to say the 2<sup>nd</sup>.  At least, it’s my favorite.  I lived on rue du Mail, right by the Place des Victoires for more than five years, and it was like waking up in Fairyland.  Gorgeous.  In the movie, “The Tourist” with Angelina Jolie and Johnny Depp, I recognized where the first scene was shot right away 6 in this fabulous apartment where I dreamed of living.  Spectacular view of Louis XIV on his horse right outside.</p>
<p>I also have to say I live in the 20<sup>th</sup> now, and before I came to love this quartier, my friends who lived in this hood would say to me, “This is the <em>real </em>Paris.”  And I would think, hmm, what is the real Paris?  This is it just because there aren’t a bunch of tourists out here? </p>
<p>The thing is…my buddies who said this were correct.  The 20th is the <em>real</em> Paris.  It’s a real urban neighborhood that may not be typical coffee table book material but what we have is a mixture of old handsome and ugly new buildings, dynamic street art, enormous markets with products you wouldn’t find most other places, tons of green space, parks, and secret gardens.  People live in actual houses out here and have their own yards. The rue des Pyrénées is a fantastic food street, and there are charming, reasonably-priced restaurants that haven’t been overtaken by every American who comes to town.  Bobos abound, but the young designer and creator energy is palpable.  A slice of unpolished Parisian life.<br /> <br /> <strong>4. What's the best meal you've eaten in Paris?</strong></p>
<p>I’ve had so many wonderful meals in Paris and for different reasons.  I always remember the thick, juicy veal chops I had at La Grille Montorgueil one late lunch in winter.  Jim and I were almost the only ones in there, and we felt cozy, warm, and sated.  I had an amazing meal at Spring this past fall when my food-discerning daughter, Blair, was visiting.  A splurge - but delightful. </p>
<p>Some of my most memorable and fun meals have been at Olio Pane Vino with Francesco’s warm hospitality and delicious, simple (in the best way) Italian food, convivial ambiance. It’s always a pleasure to dine there.</p>
<p>And for the constant question of best hamburger in Paris, here’s my scoop:  Maison de l'Aubrac 37 rue Marbeuf in the 8<sup>th</sup> Arrondissement - for a thick, juicy, delicious (just how an American likes them) burger. Totally hits the spot.</p>
<p><strong>5. Sexiest moment you've had in Paris?</strong></p>
<p>Not for public consumption.<br /> <br /> <strong>6. What do you hate most about living in Paris?</strong></p>
<p>The lack of convenience, the schlepping.  The fact that you might have one thing in hand to check out of a store, and you’re often stuck behind people with carts full because there are few fast lanes - and people have no concept of letting you go ahead of them - though I do it all the time.</p>
<p><strong>7. Who's your favourite Parisian - be they living or dead, real or fictional?</strong></p>
<p>Liane de Pougy.  When I read her <em>My Blue Notebooks</em>, I was riveted.  What a story.  Madame de Pougy was a beautiful but poor young woman in Brittany who left her husband and son to come to Paris where she became a Folies-Bergère dancer and one of this city’s most notorious courtesans.</p>
<p>Her friends were the celebrities of the the Belle Epoque and the first part of the 20<sup>th</sup> Century like Sarah Bernhardt, Jean Cocteau, and the poet Max Jacob.  She hated Colette.  The love of her life was Nathalie Clifford Barney (who had this effect on others), but she married a Romanian prince and ended up as a nun.  She lived an exciting, scandalous, for many years posh life - with dresses from Poiret - but her son was killed in WWI, and she was finally haunted by loving him too little when he was alive.</p>
<p><strong>8. Favourite cinema?</strong></p>
<p>Les Halles.  Obviously, not because it has the nicest theaters.  No.  But when I lived by the Place des Victoires, I could be there in five minutes to slip into a film.  I’m a movie-holic, and this is heaven to me. Run and watch.</p>
<p><br /><strong> 9. Right bank or left bank? And why?</strong></p>
<p>Before I lived in Paris, I was devoted to the writers of the Lost Generation and their legacy on the Left Bank.  That was where I spent my time when I was in Paris. </p>
<p>When I was moving here, I was advised by my (then new) friend David Mallett to live in the 2<sup>nd</sup> for the feel and character of the neighborhood, and I’m ever so glad we took his advice.  He was exactly on the money, which is so apparent now since the 2<sup>nd</sup> has gotten so hot.  I find the Right Bank to be more interesting and dynamic.  The Right Bank is where the young creatives/artists are setting up shop and living.  There aren’t as many English-speakers coming across one’s ear waves as we walk down the streets.</p>
<p>As ever excellent <em>New York Times</em> and <a href="http://hungryforparis.squarespace.com/" target="_self"><em>Hungry for Paris</em></a> writer Alec Lobrano penned in a review of the restaurant Chatomat, “such zealously overgroomed and sociologically pasteurized precincts as Saint-Germain-des-Pres, which I'd wager is just about the dullest patch in Paris these days.”  He nailed it.</p>
<p><strong>10. Favourite Caviste</strong></p>
<p>I buy wine everywhere from Monoprix to Nicolas and any little cubby hole in between, but my favorite caviste in the 20th is La Cave du Père Lachaise at 3, avenue Gambetta.  I love the way the store looks and feels, charming with a sweet local touch and a nice selection of wines.  The service is friendly and good, and there are tasting evenings occasionally.</p>
<p>In my old 'hood in the second, I’d go with Legrand Filles et Fils in my beloved Galerie Vivienne for its excellent selection.  I also love to sit at the bar and have a good glass of wine and a plate of charcuterie.  But keep in mind that nothing is cheap.</p>
<p><strong>11. Where do you go to escape the city?</strong></p>
<p>Which of my children do you want?  France is full of so many beautiful villages and dots on the map to spend time - from Normandy and Brittany to Provence and Languedoc-Roussillon, the Pyrenees.  I’ve traveled extensively throughout this alluring country, and I love so many places that I’ve never been able to decide where I would want my country house to be - if I <em>could</em> have a country house.</p>
<p>So what I’m going to tell you about is one of my favorite places to go not far from Paris - the stunning Château de la Barre, which is owned by the Comte and Comtesse de Vanssay, better known as Guy and Marnie to anyone who has ever been lucky enough to stay with them.  The chateau has been renovated to impeccable taste and standards, and Marnie and Guy are immaculate hosts, both charming and downright fun.  (Go for a weekend or a week and, please, sign up for one of their dinners, and you’ll see for yourself.) </p>
<p>There are plenty of sites to see in the region -the Loire - and, like most of France, the summer holds a slew of festivals and arts.</p>
<p><br /> <strong>12. Where are the best looking girls or boys in Paris and why?</strong></p>
<p>On the street.  Isn’t that where the cool hunters find the edgy looks they’re searching for?  Fashionistas may look good but can be so boring.</p>
<p><br /> <strong>13. Where do you get your news?</strong></p>
<p>From the Internet and my husband, James Morgan, filters the <em>International Herald Tribune</em> and <em>New York Times</em> for me, sending me articles he knows I’ll want to read.  I love <em>Madame Figaro</em> for style.</p>
<p>I spent (almost) a month in Greece writing a book called <em>28 days without the internet,</em> and I actually held newspapers<em> - Herald Tribs</em> - in my hand and read them cover to cover.  It was fantastic, grounding.  Give yourself a break and unplug regularly.  Relax and hold more paper, then recycle it.<br /> <br /> <strong>14. Favourite museum?</strong></p>
<p>My favorite small museum is the Musée Maillol.  Not only was Dina Vierny a brilliant muse for Aristide Maillol, she was also a savvy, creative businesswoman in founding this gem of a museum.  Her sons, Olivier Lorquin, the director of the museum, and his art historian brother Bertrand Lorquin, its curator, have shown her erudite judgment and taste in their management of the Maillol.</p>
<p>My favorite museum to see exhibitions—and this has included some of my favorite shows in Paris - is the Musée d'Art Moderne in the 16<sup>th</sup>.  I like the space and the flow.  Even if there’s a big crowd, you can see and truly enjoy the art.</p>
<p><br /> <strong>15. Favourite shop?</strong></p>
<p>I’m wild about Liwan at 8, rue St. Sulpice for its exotic array of dresses and jewellery, linens and other household items, soaps, more.  Proprietors Dina and Christine (with Lebanese designer Lina Audi) have exquisite taste and understand customer service to the nth degree.  It’s a joy to do business with them.</p>
<p>Astier de Villatte at 173, rue Saint-Honoré is to die for. </p>
<p>Hema at 118, rue Rambuteau is the spot for inexpensive basic just-about-anything-you-actually-need that comes with good design. I love a bargain.</p>
<p><br /> <strong>16. Who's the most stylish Paris personality?</strong></p>
<p>Frederic Malle who created Editions du Parfum.  He may live in New York now, but his pedigree couldn’t be more Parisian and his scents carry me away.  He made perfume and the selling of it new, and he gives credit where credit is due, in this case, to the artists who work for him.</p>
<p><strong>17. What is your favourite film set in Paris?</strong></p>
<p>That’s tough. I collect them. Today, I’m going to say <em>A New Kind of Love</em> with Paul Newman and Joanne Woodward, who always sizzled together. So EARLY 60’s.  Would never get made today. So fun to watch! Must see.</p>
<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/2BmEoaP40xw" width="420" /></p>
<p><br /> <strong>18. What about Paris most inspires you?</strong></p>
<p>The beauty that engulfs me everywhere I go.<br /> <br /> <strong>19. What makes someone a Parisian?</strong></p>
<p>A state of mind (as well as intense knowledge of the city and comfort here).<br /> <br /> <strong>20. What's your favourite French word? (Swear words allowed!)</strong></p>
<p>ce soir – Two words…but who’s counting?</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/trTm3SkmnX0" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/20-questions-beth-arnold.html</feedburner:origLink></entry>
    <entry>
        <title>Atelier Boba : Photo Prints ´sur mesure´</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/_Dqxuyj0Z18/atelier-boba-photo-prints-sur-mesure.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef016760b4164d970b" title="Atelier Boba : Photo Prints ´sur mesure´" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/01/atelier-boba-photo-prints-sur-mesure.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef016760b4164d970b</id>
        <published>2012-01-23T10:09:45+01:00</published>
        <updated>2012-01-24T17:49:30Z</updated>
        <summary>Image: Ryan Boatright in Atelier Boba Text: Philip Tonda The new Paris-based photo studio Atelier Boba does not only offer printing and technical advice on a high, professional level; they are also, unlike most printing places, very competent in giving...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Contemporary Art" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Equipment" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Paris Art Scene" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Photography" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760b34a33970b-pi"><img alt="Ryan B. at work" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760b34a33970b-500wi" title="Ryan B. at work" /><br /></a><em><span style="font-size: 8pt;">Image: Ryan Boatright in Atelier Boba</span></em></p>
<p><em>Text: Philip Tonda</em></p>
<p>The new Paris-based photo studio <a href="http://www.atelierboba.com/" target="_blank">Atelier Boba</a> does not only offer printing and technical advice on a high, professional level; they are also, unlike most printing places, very competent in giving artistic advise on your art project and photo work.</p>
<p>Owner <a href="http://www.ryanboatright.com/" target="_blank">Ryan Boatright</a>, an artist himself, has long worked intensely with photography in various ways. When moving to Paris two years ago, he knew exactly how to proceed. He and his wife the <a href="http://en.wikipedia.org/wiki/Conservator_(museum)" target="_blank">conservator</a> Caroline Barcella, found an old shop in Montmartre, renovated it, and gave birth to Atelier Boba. Since it's conception in 2010 they've put all their effort into making this a well-functioning, professional printing studio, working closely with artists, photographers and other people interested in photography. </p>
<p><strong>Who comes to Atelier Boba? <br /></strong>It varies. We have recently worked on print projects for a contemporary artist, commercial photographer, and a documentary photographer. We've also had people coming to receive feedback and critique on their photo work, and some just come to talk about art over a coffee. Furthermore we're currently engaged in a scanning project for an individual who has a large collection of glass plate negatives that he wants digitized so he can share the images with his family on the Internet.</p>

<strong>What is, for you, the most interesting aspect of this work?<br /></strong>My passion is to think through ideas and to discover new manifestations of an artist’s work in the physical form. I love the initial discussions with an artist about paper choice, and printing options. But, nothing is more rewarding than providing him/her with a pleasant experience working together, and prints that I am proud of. It often happens that I create a lasting personal or professional relationship with my clients. That brings meaning to my work.
<p><strong>You work as an artist as well as a print maker. How do the 2 occupations influence each other?<br /></strong>As an artist I often use very technical photographic and digital techniques in a conceptual manner, and I care immensely about the craft of my projects. I imagine that this rubs off on the quality of work I provide for other artists. Since I now provide professional services for others, it has made me further refine my printing techniques and knowledge about color reproduction. This knowledge has directly contributed to new art ideas that revolve around color science and the study of personal realities.</p>
<p><strong>Why should I come to you, instead of going to one of the larger printing labs which may seem cheaper?<br /></strong>It's a misunderstanding that we're more expensive than others. For the type of prints that we offer we are extremely competitive with our prices. Furthermore, we provide a special level of attention to our clients’ needs and to the small details. At the moment, our core service is providing the best quality prints possible, using archival pigment inks, and the best papers. These prints have certain advantages over digital chromogenic photographic prints that often have a slightly lower price tag at larger labs. Also, we spend time with our clients. We invite them to the studio to discuss their projects. We invite them back to judge the progress. And, if something isn’t perfect with their work in the end, we spend the time to make it right. That is invaluable, and we are getting a great response from this.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-pi" style="display: inline;"><img alt="PageImage-488775-2641850-JordanAthena4" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e5b4cd16970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-300wi" style="width: 300px;" title="PageImage-488775-2641850-JordanAthena4" /><br /></a><span style="font-size: 8pt;"><em>Images: Visual artist Jordan Tate's photo, printed by Atelier Boba, changes depending on viewing point.</em></span><br /><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ffbf0a95970d-pi" style="display: inline;"><img alt="PageImage-488775-2641843-JordanAthena1" class="asset  asset-image at-xid-6a00d8341c90c353ef0162ffbf0a95970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ffbf0a95970d-300wi" style="width: 300px;" title="PageImage-488775-2641843-JordanAthena1" /><br /></a></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-pi" style="display: inline;" /></p>
<p><strong><br />You often deal with photography and colour as themes in your own art work. Can you explain a bit about this interest?<br /></strong>My initial interests in photography really came from my obsession with being able to reproduce reality in black, white, and shades of grey. I spent years in the darkroom mastering Ansel Adams’s Zone System, and traveling around the US taking workshops with his assistants, etc. After some time, I realized that I did not care so much about making beautiful pictures (most everyone else who studied the Zone System did). I only cared whether or not I could make a subject or any object a particular shade of grey in the final print. Photography was a scientific puzzle. I felt that I needed to be able to distort reality in whatever way I pleased. Later on, the representation of reality itself became an obsession. </p>
<p>I then figured that if I want to understand anything around me, I at least had to analyse its colour. I am currently involved in domestic colour studies, and somehow searching for new meaning and purpose in colour. Actually, at the moment, I am intrigued by the colours of my non-matching socks.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b47e09970c-pi" style="display: inline;"><img alt="Roco (1)" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e5b47e09970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b47e09970c-500wi" style="width: 500px;" title="Roco (1)" /></a><br /><em><span style="font-size: 8pt;">Image: Ryan Boatright's photo series Exurbia. </span></em></p>
<p><strong>What are your future plans? </strong><br />For the time being, I am focused on finding clients that expect and appreciate personalised service and high quality archival prints for personal, exhibition, and museum purposes. Moving forward, I wish to develop closer collaborations with photographers and artists to produce prints that are created in non-standard ways. For example, I recently created a series of “differential gloss” prints for an American artist that when you look at them straight on, appear nearly completely black, but when seen at an angle (with the proper light reflection), a full image appears. I found that I could use two different types of black inks on a very specific type of glossy paper to produce this aesthetic. I envision more projects like this. Also, I plan to create a residency program at our studio. I want to invite national and international contemporary artists to work together on print projects that require special needs based on their ideas. For me, that is where the ultimate fun is.</p>
<p><strong>And finally: What's the best and the worst thing about Paris?</strong><br />People seem to take their time.</p>
<p> </p>
<div><a dir="ltr" href="http://maps.google.com/maps/place?cid=5347067647382890865&amp;q=Atelier+Boba&amp;hl=en&amp;cd=1&amp;cad=src:ppiwlink&amp;ei=PCMdT7D7HpCn8QPnkM2PDQ" target="_parent"><strong>Atelier Boba</strong></a>‎</div>
<div>28 Rue Durantin</div>
<div>75018 Paris</div>
<div>Open Tue - Fri, 2pm to 7pm and by Appointment. </div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/_Dqxuyj0Z18" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/atelier-boba-photo-prints-sur-mesure.html</feedburner:origLink></entry>
 
</feed><!-- ph=1 -->

