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    <title>Properties in France - Vingt Paris Magazine - France property for sale</title>
    
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    <updated>2012-01-29T10:37:23Z</updated>
    <subtitle>News, views and info on France from properties for sale company Vingt Paris</subtitle>
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        <title>My Bike on at Merci</title>
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        <published>2012-01-29T11:37:23+01:00</published>
        <updated>2012-01-29T10:56:52Z</updated>
        <summary>Images: Merci Text: Anne S. Ditmeyer In recent years in the design community, bikes have been far more than a means to get from point A to B, but part of a style lifestyle. With more choices and accessories than...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Exhibitions" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6166f48970c-pi" style="display: inline;"><img alt="Merci-bike" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6166f48970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6166f48970c-500wi" style="width: 500px;" title="Merci-bike" /><br /></a></p>
<p><span style="font-size: 8pt;"><em>Images: <a href="http://www.merci-merci.com/" target="_blank">Merci</a> </em></span></p>
<p><br /><em>Text: <a href="http://www.pret-a-voyager.com" target="_blank">Anne S. Ditmeyer</a></em><br /><br /></p>
<p>In recent years in the design community, bikes have been far more than a means to get from point A to B, but part of a style lifestyle. With more choices and accessories than ever, one's bike can be a means of expression. Put a bike into context, and depending on where you live – Copenhagen or Amsterdam – a bike is a necessity of life. But now, in other places of the world, such as Tokyo, there's a movement to live life at a different pace, with an emphasis on quality of life, known as SLOW BIKE.</p>
<p>The timing of <a href="http://www.merci-merci.com/" target="_blank">Merci</a>'s installation, MY BIKE: Transportation Dans la Ville, on January 18 through February 18, is noteworthy, as this past week was the latest edition of the mega design trade show, <a href="http://www.vingtparismagazine.com/2011/09/maison-objet-obsessions-september-2011.html" target="_blank">Maison Objet</a>. Design is not limited to what is in one's home, but rather extends to the world outside (and beyond the expo center).
</p>

<p>In typical Merci fashion, their signature red car out from is incorporated into the theme, with an upside down bike on the roof. Go inside, and a ring of massive lights hangs overhead, with several stylish bikes and mannequins below. The main display wall to the right uses tools to create "art" where strong geometrical shapes emerge. Throughout the lower lobby, small accessories from locks to bells and bungees are available for your shopping needs. Unlike most of their installations, this one takes over more of the space and weaves its way upstairs with suspended bikes along a race track, juxtaposed to the cupboards just to the side.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-pi" style="display: inline;"><img alt="Picture 8" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e6169ec2970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-500wi" style="width: 500px;" title="Picture 8" /></a></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e6169ec2970c-pi" style="display: inline;" /><br /> <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630020547c970d-pi" style="display: inline;"><img alt="Picture 7" class="asset  asset-image at-xid-6a00d8341c90c353ef01630020547c970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef01630020547c970d-500wi" style="width: 500px;" title="Picture 7" /></a></p>
<p>By the end of the visit, you start to see the bicycle as a multi-functional objet. As I was rushing through before it closed, I almost missed my favorite room – just to the left of the check out stand. After seeing bikes, accessories, and mannequins, these portraits (for sale) by Vincent Leroux seemed to capture the very spirit that is the bicycle in design-meets-life these days.</p>
<p><em><a href="http://fr-fr.facebook.com/merciparis" target="_self">Merci </a>is a constantly changing concept shop with three cafés, located at 111 boulevard Beaumarchais 75003. Store hours are Monday – Saturday 10am - 7pm.</em></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/AUs8ift5MBs" height="1" width="1" /></div></content>


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    <entry>
        <title>Five new exhibitions at the Maison Européenne de la Photographie </title>
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        <published>2012-01-27T12:49:43+01:00</published>
        <updated>2012-01-29T11:05:05Z</updated>
        <summary>Image: Maison Européenne de la Photographie. Text: Rooksana Hossenally. The Maison Européene de la Photographie (MEP) is one of those key venues that is internationally renowned for showing work by high-profile photographers. And this week was no exception with the...</summary>
        <author>
            <name>VINGT Paris</name>
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        <category scheme="http://www.sixapart.com/ns/types#category" term="Dernier Cri - Galleries and Museums" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Photography" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: justify;"><em> </em></p>
<p style="text-align: justify;"><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e62d3b7d970c-pi" style="display: inline;"><img alt="Ropp" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e62d3b7d970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e62d3b7d970c-500wi" style="width: 500px;" title="Ropp" /></a><br /><em>Image: Maison Européenne de la Photographie.</em></p>
<p style="text-align: justify;"><em>Text: Rooksana Hossenally.</em></p>
<p style="text-align: justify;">The <strong><a href="http://www.mep-fr.org/" target="_blank">Maison Européene de la Photographie</a></strong> (MEP) is one of those key venues that is internationally renowned for showing work by high-profile photographers. And this week was no exception with the launch of five brand new exhibitions. If you’re going to be in the area it’s worth popping in to see <strong><a href="http://www.williamropp.com/" target="_blank">William Ropp</a></strong>’s stunning portraits. But the other works on show, including <strong>Götz Göppert</strong>’s panoramic night shots of Paris, <strong>Dominique Isserman</strong>’s <em>Laetitia Casta</em>, <strong>Youssef Nabil</strong>’s Egyptian mise-en-scènes and the series, <em>Eloges du vertige</em>, might leave you feeling somewhat underwhelmed.</p>
<p>The four floors are divided up between the five photographers’ work. From top to bottom: <em>Eloges du vertige</em> and Youssef Nabil, followed by Isserman and the second part of <em>Eloges du vertige</em> on the next floor, then Ropp on first and Götz Göppert in the basement. 
</p>

<p style="text-align: justify;">Ropp’s incredible series of 20 portraits really stood out from the others. A stupefying eye for etching figures out of shadows, he knows exactly how to capture the “…nooks and crannies of our most intimate souls…” (Geraldine Schrepfen - author). His photographs are proof of what Daney, the influential French film critic, describes as “great trust in light” as he makes the invisible visible, using the light to erode away certain parts of his composition burning it like acid. This gives his portraits an appealing yet eerie atmosphere.</p>
<p style="text-align: justify;">There is nothing conventional about Ropp’s portraits. A mishmash of greys, sometimes blurred, sometimes in focus and most the time, a mix of both, he captures his subjects as though they were confiding their darkest secret to him. For example, the print,<em> Orphanage, Russia</em> (2008), in which a child is photographed holding a crow up to the camera, squeezing it just a little too tightly.</p>
<p style="text-align: justify;">There is an unsettling ambiance in most of his work. However, the series, <em>Dreamt Memories from Africa</em>, which is shown as a slideshow on a screen as part of the exhibition, is less dark. A veritable photographic feat, it shows the intimate relationship between two young African brothers – the light here snakes and slides like slithers of silver along the boys’ dark skin, giving his shots a hypnotic, poetic quality.</p>
<p style="text-align: justify;">On the next floor up, we found Dominique Isserman’s 33 shots of Laetitia Casta, the famous French model and actress renowned for her unusual beauty, to have an obvious sensuality without necessarily falling into eroticism. Casta is clearly Isserman’s muse. He first shows his anticipation as he waits for her to meet him in the first few shots where the model’s shadow appears on the walls as she approaches him. The model is photographed in hot springs designed by architect, Pete Zumthor (in Vals, Switzerland). The minimalist lines of the spa-building act as a powerful contrast to the voluptuous curves of Casta’s naked body. The work is beautiful, but so clean-cut that it seems that the photographer hasn’t left much else for the viewer to discover.</p>
<p style="text-align: justify;"><em>Eloges du vertige</em> (Institute Itau Cultural collection) is interesting as far as understanding the step away from conventional photography in Brazil, where the pace is slower than in Europe (where experimental photography has already emerged). Some pieces are unusual like <em>Night visions</em> by Luis Braga and Claudia Andujar’s <em>Yanomami dream</em> – a well constructed reflection of a shaman’s state of mind when in a trance - but not the groundbreaking edge of the collection.</p>
<p style="text-align: justify;">Lastly, the first retrospective of well-known Egyptian photographer, Youssef Nabil, evolves very much like a storyboard for snippets of classical Egyptian films through portraits of his friends and celebrities including Catherine Deneuve, Charlotte Rampling and Alicia Keys. There is also a series of self-portraits in which it seems the photographer is sharing visual diary entries about his everyday life with the viewer. The quality of the light, the colours and the calculated poses of his subjects give each work an artificiality, which unfortunately is not as moving as one may have hoped.</p>
<p style="text-align: justify;"><em>Eloge du vertige</em> – Itau, Brazil Collection, Youssef Nabil, <em>Laetitia Casta</em> - Dominique Isserman, <em>The Sculptor of Shadows</em> - William Ropp and <em>Four Seaons</em> - Götz Göppert until 25 March 2012 at the <strong><a href="http://www.mep-fr.org/" target="_blank">Maison Européenne de la photographie</a></strong> (MEP), 5/7 rue de Fourcy – 75004 Paris.</p>
<p style="text-align: justify;"><em>Open daily from 11h00 to 20h00 (closed Mondays, Tuesdays and bank holidays). Tickets: 7 Euros. Metro: Saint Paul (L1) or Pont Marie (L7).</em></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/BlluhsKpbSY" height="1" width="1" /></div></content>


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    <entry>
        <title>20 Questions: Beth Arnold</title>
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        <published>2012-01-25T17:02:20+01:00</published>
        <updated>2012-01-25T16:44:09Z</updated>
        <summary>Beth Arnold is a journalist and award-winning writer living in Paris. 1. What initially inspired you to move here or visit? The first time I came to Paris, I was 19 years old, and I immediately fell in love with...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="20 Questions" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p>  <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760fdc291970b-pi" style="display: inline;"><img alt="Betharnold" class="asset  asset-image at-xid-6a00d8341c90c353ef016760fdc291970b" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760fdc291970b-500wi" style="width: 500px;" title="Betharnold" /></a></p>
<p><em>Beth Arnold is a <a href="http://www.betharnold.com/1/" target="_self">journalist and award-winning</a> writer living in Paris.</em></p>
<p><strong>1. What initially inspired you to move here or visit?</strong></p>
<ol> </ol>
<p>The first time I came to Paris, I was 19 years old, and I immediately fell in love with this sublime city.  I dug the way Paris (and France) looked, felt, and the respect for art and artists - and I mean that in every sense - that existed here.  It was a revelation compared to the environment in the U.S.  I felt at home here, and I wanted to return and live. </p>
<p>It took 20+ years but I finally did it.  My husband, James Morgan, and I are both writers, and I thought of a book idea for him.  The title I initially imagined for the book was “Learning To See,” but it evolved and was published in 2005 as “Chasing Matisse.”  So we came to Paris to follow the footsteps of Henri Matisse on his artistic path in order to find the history, the visions, the views of what had inspired this artist we both admired.  We took this journey to see ourselves in new ways, to get a fresh view of life and our lives in particular. </p>
<p><strong>2. Earliest Paris memory?</strong></p>
<p>It was literally getting off the plane at CDG, thinking how amazing it was that I was in Paris, how exciting, how wonderful!  I knew I was beginning a memorable adventure, here and throughout Europe.  I was probably wearing this baby blue polyester pants suit that my mother had bought as good travel wear for my trip.  The jacket was short with panels of multi-color stripes.  Polyester was the new hot fabric.  Very fashionable at that moment.</p>

<strong>3. Best neighbourhood      you've ever lived in?</strong>
<ol> </ol>
<p>I have to say the 2<sup>nd</sup>.  At least, it’s my favorite.  I lived on rue du Mail, right by the Place des Victoires for more than five years, and it was like waking up in Fairyland.  Gorgeous.  In the movie, “The Tourist” with Angelina Jolie and Johnny Depp, I recognized where the first scene was shot right away 6 in this fabulous apartment where I dreamed of living.  Spectacular view of Louis XIV on his horse right outside.</p>
<p>I also have to say I live in the 20<sup>th</sup> now, and before I came to love this quartier, my friends who lived in this hood would say to me, “This is the <em>real </em>Paris.”  And I would think, hmm, what is the real Paris?  This is it just because there aren’t a bunch of tourists out here? </p>
<p>The thing is…my buddies who said this were correct.  The 20th is the <em>real</em> Paris.  It’s a real urban neighborhood that may not be typical coffee table book material but what we have is a mixture of old handsome and ugly new buildings, dynamic street art, enormous markets with products you wouldn’t find most other places, tons of green space, parks, and secret gardens.  People live in actual houses out here and have their own yards. The rue des Pyrénées is a fantastic food street, and there are charming, reasonably-priced restaurants that haven’t been overtaken by every American who comes to town.  Bobos abound, but the young designer and creator energy is palpable.  A slice of unpolished Parisian life.<br /> <br /> <strong>4. What's the best meal you've eaten in Paris?</strong></p>
<p>I’ve had so many wonderful meals in Paris and for different reasons.  I always remember the thick, juicy veal chops I had at La Grille Montorgueil one late lunch in winter.  Jim and I were almost the only ones in there, and we felt cozy, warm, and sated.  I had an amazing meal at Spring this past fall when my food-discerning daughter, Blair, was visiting.  A splurge - but delightful. </p>
<p>Some of my most memorable and fun meals have been at Olio Pane Vino with Francesco’s warm hospitality and delicious, simple (in the best way) Italian food, convivial ambiance. It’s always a pleasure to dine there.</p>
<p>And for the constant question of best hamburger in Paris, here’s my scoop:  Maison de l'Aubrac 37 rue Marbeuf in the 8<sup>th</sup> Arrondissement - for a thick, juicy, delicious (just how an American likes them) burger. Totally hits the spot.</p>
<p><strong>5. Sexiest moment you've had in Paris?</strong></p>
<p>Not for public consumption.<br /> <br /> <strong>6. What do you hate most about living in Paris?</strong></p>
<p>The lack of convenience, the schlepping.  The fact that you might have one thing in hand to check out of a store, and you’re often stuck behind people with carts full because there are few fast lanes - and people have no concept of letting you go ahead of them - though I do it all the time.</p>
<p><strong>7. Who's your favourite Parisian - be they living or dead, real or fictional?</strong></p>
<p>Liane de Pougy.  When I read her <em>My Blue Notebooks</em>, I was riveted.  What a story.  Madame de Pougy was a beautiful but poor young woman in Brittany who left her husband and son to come to Paris where she became a Folies-Bergère dancer and one of this city’s most notorious courtesans.</p>
<p>Her friends were the celebrities of the the Belle Epoque and the first part of the 20<sup>th</sup> Century like Sarah Bernhardt, Jean Cocteau, and the poet Max Jacob.  She hated Colette.  The love of her life was Nathalie Clifford Barney (who had this effect on others), but she married a Romanian prince and ended up as a nun.  She lived an exciting, scandalous, for many years posh life - with dresses from Poiret - but her son was killed in WWI, and she was finally haunted by loving him too little when he was alive.</p>
<p><strong>8. Favourite cinema?</strong></p>
<p>Les Halles.  Obviously, not because it has the nicest theaters.  No.  But when I lived by the Place des Victoires, I could be there in five minutes to slip into a film.  I’m a movie-holic, and this is heaven to me. Run and watch.</p>
<p><br /><strong> 9. Right bank or left bank? And why?</strong></p>
<p>Before I lived in Paris, I was devoted to the writers of the Lost Generation and their legacy on the Left Bank.  That was where I spent my time when I was in Paris. </p>
<p>When I was moving here, I was advised by my (then new) friend David Mallett to live in the 2<sup>nd</sup> for the feel and character of the neighborhood, and I’m ever so glad we took his advice.  He was exactly on the money, which is so apparent now since the 2<sup>nd</sup> has gotten so hot.  I find the Right Bank to be more interesting and dynamic.  The Right Bank is where the young creatives/artists are setting up shop and living.  There aren’t as many English-speakers coming across one’s ear waves as we walk down the streets.</p>
<p>As ever excellent <em>New York Times</em> and <a href="http://hungryforparis.squarespace.com/" target="_self"><em>Hungry for Paris</em></a> writer Alec Lobrano penned in a review of the restaurant Chatomat, “such zealously overgroomed and sociologically pasteurized precincts as Saint-Germain-des-Pres, which I'd wager is just about the dullest patch in Paris these days.”  He nailed it.</p>
<p><strong>10. Favourite Caviste</strong></p>
<p>I buy wine everywhere from Monoprix to Nicolas and any little cubby hole in between, but my favorite caviste in the 20th is La Cave du Père Lachaise at 3, avenue Gambetta.  I love the way the store looks and feels, charming with a sweet local touch and a nice selection of wines.  The service is friendly and good, and there are tasting evenings occasionally.</p>
<p>In my old 'hood in the second, I’d go with Legrand Filles et Fils in my beloved Galerie Vivienne for its excellent selection.  I also love to sit at the bar and have a good glass of wine and a plate of charcuterie.  But keep in mind that nothing is cheap.</p>
<p><strong>11. Where do you go to escape the city?</strong></p>
<p>Which of my children do you want?  France is full of so many beautiful villages and dots on the map to spend time - from Normandy and Brittany to Provence and Languedoc-Roussillon, the Pyrenees.  I’ve traveled extensively throughout this alluring country, and I love so many places that I’ve never been able to decide where I would want my country house to be - if I <em>could</em> have a country house.</p>
<p>So what I’m going to tell you about is one of my favorite places to go not far from Paris - the stunning Château de la Barre, which is owned by the Comte and Comtesse de Vanssay, better known as Guy and Marnie to anyone who has ever been lucky enough to stay with them.  The chateau has been renovated to impeccable taste and standards, and Marnie and Guy are immaculate hosts, both charming and downright fun.  (Go for a weekend or a week and, please, sign up for one of their dinners, and you’ll see for yourself.) </p>
<p>There are plenty of sites to see in the region -the Loire - and, like most of France, the summer holds a slew of festivals and arts.</p>
<p><br /> <strong>12. Where are the best looking girls or boys in Paris and why?</strong></p>
<p>On the street.  Isn’t that where the cool hunters find the edgy looks they’re searching for?  Fashionistas may look good but can be so boring.</p>
<p><br /> <strong>13. Where do you get your news?</strong></p>
<p>From the Internet and my husband, James Morgan, filters the <em>International Herald Tribune</em> and <em>New York Times</em> for me, sending me articles he knows I’ll want to read.  I love <em>Madame Figaro</em> for style.</p>
<p>I spent (almost) a month in Greece writing a book called <em>28 days without the internet,</em> and I actually held newspapers<em> - Herald Tribs</em> - in my hand and read them cover to cover.  It was fantastic, grounding.  Give yourself a break and unplug regularly.  Relax and hold more paper, then recycle it.<br /> <br /> <strong>14. Favourite museum?</strong></p>
<p>My favorite small museum is the Musée Maillol.  Not only was Dina Vierny a brilliant muse for Aristide Maillol, she was also a savvy, creative businesswoman in founding this gem of a museum.  Her sons, Olivier Lorquin, the director of the museum, and his art historian brother Bertrand Lorquin, its curator, have shown her erudite judgment and taste in their management of the Maillol.</p>
<p>My favorite museum to see exhibitions—and this has included some of my favorite shows in Paris - is the Musée d'Art Moderne in the 16<sup>th</sup>.  I like the space and the flow.  Even if there’s a big crowd, you can see and truly enjoy the art.</p>
<p><br /> <strong>15. Favourite shop?</strong></p>
<p>I’m wild about Liwan at 8, rue St. Sulpice for its exotic array of dresses and jewellery, linens and other household items, soaps, more.  Proprietors Dina and Christine (with Lebanese designer Lina Audi) have exquisite taste and understand customer service to the nth degree.  It’s a joy to do business with them.</p>
<p>Astier de Villatte at 173, rue Saint-Honoré is to die for. </p>
<p>Hema at 118, rue Rambuteau is the spot for inexpensive basic just-about-anything-you-actually-need that comes with good design. I love a bargain.</p>
<p><br /> <strong>16. Who's the most stylish Paris personality?</strong></p>
<p>Frederic Malle who created Editions du Parfum.  He may live in New York now, but his pedigree couldn’t be more Parisian and his scents carry me away.  He made perfume and the selling of it new, and he gives credit where credit is due, in this case, to the artists who work for him.</p>
<p><strong>17. What is your favourite film set in Paris?</strong></p>
<p>That’s tough. I collect them. Today, I’m going to say <em>A New Kind of Love</em> with Paul Newman and Joanne Woodward, who always sizzled together. So EARLY 60’s.  Would never get made today. So fun to watch! Must see.</p>
<p><iframe frameborder="0" height="315" src="http://www.youtube.com/embed/2BmEoaP40xw" width="420" /></p>
<p><br /> <strong>18. What about Paris most inspires you?</strong></p>
<p>The beauty that engulfs me everywhere I go.<br /> <br /> <strong>19. What makes someone a Parisian?</strong></p>
<p>A state of mind (as well as intense knowledge of the city and comfort here).<br /> <br /> <strong>20. What's your favourite French word? (Swear words allowed!)</strong></p>
<p>ce soir – Two words…but who’s counting?</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/trTm3SkmnX0" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/20-questions-beth-arnold.html</feedburner:origLink></entry>
    <entry>
        <title>Atelier Boba : Photo Prints ´sur mesure´</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/_Dqxuyj0Z18/atelier-boba-photo-prints-sur-mesure.html" />
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        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef016760b4164d970b</id>
        <published>2012-01-23T10:09:45+01:00</published>
        <updated>2012-01-24T17:49:30Z</updated>
        <summary>Image: Ryan Boatright in Atelier Boba Text: Philip Tonda The new Paris-based photo studio Atelier Boba does not only offer printing and technical advice on a high, professional level; they are also, unlike most printing places, very competent in giving...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Contemporary Art" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Equipment" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Paris Art Scene" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Photography" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760b34a33970b-pi"><img alt="Ryan B. at work" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef016760b34a33970b-500wi" title="Ryan B. at work" /><br /></a><em><span style="font-size: 8pt;">Image: Ryan Boatright in Atelier Boba</span></em></p>
<p><em>Text: Philip Tonda</em></p>
<p>The new Paris-based photo studio <a href="http://www.atelierboba.com/" target="_blank">Atelier Boba</a> does not only offer printing and technical advice on a high, professional level; they are also, unlike most printing places, very competent in giving artistic advise on your art project and photo work.</p>
<p>Owner <a href="http://www.ryanboatright.com/" target="_blank">Ryan Boatright</a>, an artist himself, has long worked intensely with photography in various ways. When moving to Paris two years ago, he knew exactly how to proceed. He and his wife the <a href="http://en.wikipedia.org/wiki/Conservator_(museum)" target="_blank">conservator</a> Caroline Barcella, found an old shop in Montmartre, renovated it, and gave birth to Atelier Boba. Since it's conception in 2010 they've put all their effort into making this a well-functioning, professional printing studio, working closely with artists, photographers and other people interested in photography. </p>
<p><strong>Who comes to Atelier Boba? <br /></strong>It varies. We have recently worked on print projects for a contemporary artist, commercial photographer, and a documentary photographer. We've also had people coming to receive feedback and critique on their photo work, and some just come to talk about art over a coffee. Furthermore we're currently engaged in a scanning project for an individual who has a large collection of glass plate negatives that he wants digitized so he can share the images with his family on the Internet.</p>

<strong>What is, for you, the most interesting aspect of this work?<br /></strong>My passion is to think through ideas and to discover new manifestations of an artist’s work in the physical form. I love the initial discussions with an artist about paper choice, and printing options. But, nothing is more rewarding than providing him/her with a pleasant experience working together, and prints that I am proud of. It often happens that I create a lasting personal or professional relationship with my clients. That brings meaning to my work.
<p><strong>You work as an artist as well as a print maker. How do the 2 occupations influence each other?<br /></strong>As an artist I often use very technical photographic and digital techniques in a conceptual manner, and I care immensely about the craft of my projects. I imagine that this rubs off on the quality of work I provide for other artists. Since I now provide professional services for others, it has made me further refine my printing techniques and knowledge about color reproduction. This knowledge has directly contributed to new art ideas that revolve around color science and the study of personal realities.</p>
<p><strong>Why should I come to you, instead of going to one of the larger printing labs which may seem cheaper?<br /></strong>It's a misunderstanding that we're more expensive than others. For the type of prints that we offer we are extremely competitive with our prices. Furthermore, we provide a special level of attention to our clients’ needs and to the small details. At the moment, our core service is providing the best quality prints possible, using archival pigment inks, and the best papers. These prints have certain advantages over digital chromogenic photographic prints that often have a slightly lower price tag at larger labs. Also, we spend time with our clients. We invite them to the studio to discuss their projects. We invite them back to judge the progress. And, if something isn’t perfect with their work in the end, we spend the time to make it right. That is invaluable, and we are getting a great response from this.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-pi" style="display: inline;"><img alt="PageImage-488775-2641850-JordanAthena4" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e5b4cd16970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-300wi" style="width: 300px;" title="PageImage-488775-2641850-JordanAthena4" /><br /></a><span style="font-size: 8pt;"><em>Images: Visual artist Jordan Tate's photo, printed by Atelier Boba, changes depending on viewing point.</em></span><br /><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ffbf0a95970d-pi" style="display: inline;"><img alt="PageImage-488775-2641843-JordanAthena1" class="asset  asset-image at-xid-6a00d8341c90c353ef0162ffbf0a95970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ffbf0a95970d-300wi" style="width: 300px;" title="PageImage-488775-2641843-JordanAthena1" /><br /></a></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b4cd16970c-pi" style="display: inline;" /></p>
<p><strong><br />You often deal with photography and colour as themes in your own art work. Can you explain a bit about this interest?<br /></strong>My initial interests in photography really came from my obsession with being able to reproduce reality in black, white, and shades of grey. I spent years in the darkroom mastering Ansel Adams’s Zone System, and traveling around the US taking workshops with his assistants, etc. After some time, I realized that I did not care so much about making beautiful pictures (most everyone else who studied the Zone System did). I only cared whether or not I could make a subject or any object a particular shade of grey in the final print. Photography was a scientific puzzle. I felt that I needed to be able to distort reality in whatever way I pleased. Later on, the representation of reality itself became an obsession. </p>
<p>I then figured that if I want to understand anything around me, I at least had to analyse its colour. I am currently involved in domestic colour studies, and somehow searching for new meaning and purpose in colour. Actually, at the moment, I am intrigued by the colours of my non-matching socks.</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b47e09970c-pi" style="display: inline;"><img alt="Roco (1)" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e5b47e09970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e5b47e09970c-500wi" style="width: 500px;" title="Roco (1)" /></a><br /><em><span style="font-size: 8pt;">Image: Ryan Boatright's photo series Exurbia. </span></em></p>
<p><strong>What are your future plans? </strong><br />For the time being, I am focused on finding clients that expect and appreciate personalised service and high quality archival prints for personal, exhibition, and museum purposes. Moving forward, I wish to develop closer collaborations with photographers and artists to produce prints that are created in non-standard ways. For example, I recently created a series of “differential gloss” prints for an American artist that when you look at them straight on, appear nearly completely black, but when seen at an angle (with the proper light reflection), a full image appears. I found that I could use two different types of black inks on a very specific type of glossy paper to produce this aesthetic. I envision more projects like this. Also, I plan to create a residency program at our studio. I want to invite national and international contemporary artists to work together on print projects that require special needs based on their ideas. For me, that is where the ultimate fun is.</p>
<p><strong>And finally: What's the best and the worst thing about Paris?</strong><br />People seem to take their time.</p>
<p> </p>
<div><a dir="ltr" href="http://maps.google.com/maps/place?cid=5347067647382890865&amp;q=Atelier+Boba&amp;hl=en&amp;cd=1&amp;cad=src:ppiwlink&amp;ei=PCMdT7D7HpCn8QPnkM2PDQ" target="_parent"><strong>Atelier Boba</strong></a>‎</div>
<div>28 Rue Durantin</div>
<div>75018 Paris</div>
<div>Open Tue - Fri, 2pm to 7pm and by Appointment. </div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/_Dqxuyj0Z18" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/atelier-boba-photo-prints-sur-mesure.html</feedburner:origLink></entry>
    <entry>
        <title>Unspoken Rules of Paris: L'amour, bien sûr!</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/Vqkv24VAr34/unspoken-rules-of-paris-flirting.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0162ff723c4e970d" title="Unspoken Rules of Paris: L'amour, bien sûr!" />
        <link rel="replies" type="text/html" href="http://www.vingtparismagazine.com/2012/01/unspoken-rules-of-paris-flirting.html" thr:count="1" thr:when="2012-01-17T16:06:45Z" />
        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0162ff723c4e970d</id>
        <published>2012-01-17T15:11:25+01:00</published>
        <updated>2012-01-19T13:11:44Z</updated>
        <summary>Image: Robert Doisneau's "Les Amoureux" Text: Guillermo Martinez de Velasco You know that moment right before you jump into a pool that you know is filled with cold water? That strange mixture of drive and fear that takes over as...</summary>
        <author>
            <name>Guillermom Martínez de Velasco</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Unspoken Rules of Paris" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0167609a09b7970b-pi" style="display: inline;"><img alt="Doisneau-les-amoureux" class="asset  asset-image at-xid-6a00d8341c90c353ef0167609a09b7970b" height="506" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0167609a09b7970b-320wi" title="Doisneau-les-amoureux" width="406" /></a><br /><em>Image: <a href="http://en.wikipedia.org/wiki/Robert_Doisneau" target="_self">Robert Doisneau's</a> "Les Amoureux"</em></p>
<p><em>Text: Guillermo Martinez de Velasco </em></p>
<p>You know that moment right before you jump into a pool that you know is filled with cold water? That strange mixture of drive and fear that takes over as soon as you take that first step. On one side is the idea of you, in there, being youthful and wet-like. Of you in an Evian advert. On the other; there is the image of your toe, the big one, the one you dipped in the water earlier, the one that made you have second thoughts.</p>
<p>This is exactly how I felt when I met Morgane. Or rather, when she walked past me on the Pont Neuf (<a href="http://en.wikipedia.org/wiki/Les_Amants_du_Pont-Neuf" target="_self">I know, right?</a>). I was walking towards the Rive Droite. She was coming from it. Her curly hair got tangled in her scarf, in a good way, if this is possible. The bridge was a catwalk and at the other end stood a grid of cameras. To say she walked past me would be an exaggeration. She actually walked across me, across the bridge. Not a word, not even the slightest hint that she didn't feel like there was no one else there.</p>
<p>But I was used to attractive Parisiennes acting like men are invisible, or Lepers, or invisible Lepers. So, In a completely unorthodox show of confidence, I looked at her (but not in the creepy sideways look kind of way). I made eye contact and made sure she was aware of it. My eyes followed hers until she let out a smirk. "Did you see that girl?" asked my friend Clément sarcastically. My breath was freezing in front of my face, "I made sure she saw me".</p>

A couple of Bateaux-Mouches later, my shoulder felt a tap. I was looking at the statue of Henry IV riding a horse and thinking about how one day I would maybe send my adopted son to the Lycée Henry IV (or maybe not, maybe he would grow up to be stuck-up and have wrinkles on his lips and smoke <em>des clopes</em>, instead of Golden Virgina, and go to Sciences Po and then become a member of the UMP). This image of little Davian Thunder Amani, sitting next to his classmates, looking at the Pantheon from the window next to him, was interrupted by the all too frequent "Do you have a cigarette?"
<p>"Not again" I thought. But I turned around and saw her. "Oh, um, I, a cigarette?" My friend bumped into me 'by accident' and told me I had dropped my packet of cigarettes. "Oh right, that one. Thanks" I gave her one, she took out a lighter, looked at me, and said thank you. Her merci was pronounced in the same that parisians pronounce it when they are happy or feeling playful, the second syllable always more high pitched than the first. I asked her her name and where she was from. "Finland?" I asked. She raised an eyebrow. "No, France, I said France, I'm from Paris" replied Morgane.</p>
<p>We kept talking to the point where my friends stopped trying to interest themselves in the westernmost tip of the Ile de la Cité. They waved at me from a distance before heading to the Marais. We, on the other hand, walked towards the end of the bridge and sat on the steps, it was night time, and the cold kept getting colder. We talked about her school, my school, the 10ème, Chateau Rouge and camping in Upstate New York. She guessed I was not French because of my accent. I guessed she was Jewish because she had gone camping in upstate New York.</p>
<p>"Do you want a cigarette?" She asked me as if she had no recollection of anything prior to that moment. She proceeded to take out a packet from her purse "Thanks" I said. But really I was thinking "Wait, what? But didn't I just...? Oh, wait. Oohh.." and "OK". I told her I thought the Palais Royal was ugly, she told me she was tired of it. I suggested that maybe we should kiss because it was cold. For some reason, this made sense to her. </p>
<p>I'm not sure how to put this exactly. Who doesn't love to avoid clichés? I know I work hard at it. As much as that, in itself, comes very close to the realm of the cliché. But I guess there is a reason why this word has it's origins in the French language. There is no way to talk about matters pertaining to flirting, love, flings, etc... in this city, without them being clichéd. I mean, I kissed a stranger I met on the Pont Neuf. Were I attempting to be a bit more hip and less typical, this never would have happened. The first rule for finding love in Paris is to not only rid yourself of the fear of clichés but to enter and immerse yourself in them.</p>
<p>Secondly you have to be aware of the ubiquitous excuse of asking for a cigarette. If you don't smoke then tough luck because a cigarette outside a bar is the best place to start talking. If ever you ask someone out on a date, remember to play it cool. Yeah you asked them out, but you would also fill your busy day with other things if need be. Always tell that person you're interested in that you'll meet them somewhere. You don't want to be awkwardly trying to talk while in the metro. And don't be scared of having a picnic at Buttes Chaumont or going for a walk on the quais. Seriously, just go for it. Take into account that beautiful Parisians come in large numbers so finding the right one is just a matter of time.</p>
<p>The picture I chose for this article is by Robert Doisneau. His most famous picture is that one where a couple is kissing; what looks like the Hôtel de Ville is behind them. Most people don't know that this picture was staged. Yes, the couple were kissing. But not when Doisneau had his camera out. The photographer asked them to do it again so that he could shoot it. Love in Paris, like in this picture, is something that can come, go, be repeated, tried again, made to look good, etc. It's loose. It's not forever and it's certainly not meant to last longer than it is enjoyable. I'm reluctant to call this city by one of it's most obvious names but love is lived differently here than anywhere else I can think of.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/Vqkv24VAr34" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.vingtparismagazine.com/2012/01/unspoken-rules-of-paris-flirting.html</feedburner:origLink></entry>
    <entry>
        <title>Mia Funk: Meta Art</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/yHLFqN3Be3U/talking-to-the-artist-mia-funk-is-a-slightly-unsettling-experience-like-being-surprised-by-fizz-in-a-drink-you-thought-was-f.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0162ff48ad00970d" title="Mia Funk: Meta Art" />
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        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0162ff48ad00970d</id>
        <published>2012-01-10T12:25:38+01:00</published>
        <updated>2012-01-10T11:37:31Z</updated>
        <summary>Nuavecabacus 2012 © Mia Funk, acrylic, gouache, antique wallpaper Images: Mia Funk Text: Susie Kahlich Talking to the artist Mia Funk is a slightly unsettling experience, like being surprised by fizz in a drink you thought was flat. It’s a...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Contemporary Art" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Dernier Cri - Music &amp; Art Venues" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Exhibitions" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Paris Art Scene" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ff48cf8d970d-pi" style="display: inline;"><img alt="NUAVECABACUS" class="asset  asset-image at-xid-6a00d8341c90c353ef0162ff48cf8d970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ff48cf8d970d-500wi" style="width: 500px;" title="NUAVECABACUS" /></a></p>
<p><em>Nuavecabacus </em>2012 © Mia Funk, acrylic, gouache, antique wallpaper</p>
<p><em>Images: Mia Funk                                        </em><br /><em>Text:  Susie Kahlich </em></p>
<p>Talking to the artist <a href="http://miafunk.com/HOME.html" target="_blank">Mia Funk</a> is a slightly unsettling experience, like being surprised by fizz in a drink you thought was flat.  It’s a bit of a shock at first, but then you realize it’s a pleasant shock and yes, you will have another glass of that, please.</p>
<p>And that’s how it is with Ms. Funk. Very direct and extremely articulate, she throws you right off balance the second she starts speaking, but leaves you wanting more.  An Irish-German Chinese-American, she physically resembles the Chinese side of her family but, although born and raised in Seattle, her 10 years in Ireland and over a decade in France has inflected her American vocabulary with a hybrid accent that comes across as vaguely German. </p>
<p>And for all her intensity and intelligent observations about art, history, film, pop culture and literature, there exists an underlying social satire that is dark and deliciously addictive yet playful, like a soda designed by <a href="http://www.goreyography.com/" target="_blank">Edward Gorey</a>: exotic and mysterious, probably poisonous, but delightful nonetheless.  In other words, an unexpected fizzy drink.</p>

It’s this heady mix of playful intelligence and social commentary that runs through her work. Trained at the Ateliers Beaux-Arts, Paris, Ms. Funk’s work has garnered numerous awards and recognition.  Winner of the 2009 Prix de Peinture at the <em>Salon d’Automne Paris</em>, she was also a finalist in Sky Television’s Art Competition London 2010, shortlisted in <em>The Guardian Newspaper’s</em> London Lives Competition 2010, nominated for the Celeste Prize 2010, a finalist in <em>Aesthetica Magazine’s</em> 2010 Creative Works Competition, and was specially commissioned to create a piece for the 2011 Guinness Cork Jazz Festival.
<p>Her work is almost meta in nature: art about art, paintings about painting: the artistic process, inspiration, the artist as brand, artist as both destroyer and giver of life.  She wonders on canvas what might have transpired between Lucien Freud and Queen Elizabeth II when HRM sat for <a href="http://news.bbc.co.uk/2/hi/entertainment/1723071.stm" target="_blank">Freud’s portrait</a> of her; or Bacon’s process of consuming his own subjects in his work; or the fever dreams of Tennyson’s lamenting mariners in his poem <em><a href="http://en.wikipedia.org/wiki/The_Lotos-Eaters" target="_blank">The Lotus Eaters</a>.</em></p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0167603dc635970b-pi" style="display: inline;"><img alt="Mia funk figuresbridge 156 x 146 cm" class="asset  asset-image at-xid-6a00d8341c90c353ef0167603dc635970b" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0167603dc635970b-500wi" style="width: 500px;" title="Mia funk figuresbridge 156 x 146 cm" /></a><br /><em>Figures On A Bridge</em> 2012 © Mia Funk, oil on canvas</p>
<p>These are clever visual puns, told with a classically-trained hand.  Older works feature primarily oil on canvas, but her <em>Lotus Eaters</em> series incorporates a technique that predates oil painting called <em>succhi d’erba</em>, used originally for applying pigments to tapestries and for dying kimonos, while her newer works feature a mixed technique using antique wallpaper and artisan paper with acrylic and gouache.</p>
<p>Ranging from outright funny (Lucien Freud and Queen Elizabeth II sit naked on a couch, watching TV together), often macabre (Francis Bacon’s studio transformed into a slaughter house), and always incisive, and contemplating everything from the pitfalls of artistic fame (Andy Warhol wearing a “visitor” badge), to artistic persona (she’s looking at you, Jeff Koons!), Funk’s work encompasses every aspect of the artistic process, from artist to art appreciator:  her “audience” series features English authors, the members of <a href="http://michael-streich.suite101.com/the-camelot-presidency-of-john-f-kennedy-a132106" target="_blank">JFK's Camelot</a>, or famous artists seated together in a darkened theatre, watching you watching them watch you; for what is an artist but an observer of observers observing art?</p>
<p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e53e95dd970c-pi" style="display: inline;"><img alt="Miafunkbaconvernis126x160cm" class="asset  asset-image at-xid-6a00d8341c90c353ef0168e53e95dd970c" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0168e53e95dd970c-500wi" style="width: 500px;" title="Miafunkbaconvernis126x160cm" /></a></p>
<p><em>Bacon - Personality, Product, Brand I</em> 2012 © Mia Funk, oil on canvas</p>
<p>But what these works are not is celebrity worship.  About her portraits of Bacon and Freud, Funk explains “Here are these two artists with an almost violent relationship to their subjects, where they practically cannibalized the subject in the act of painting them; I was interested in the idea that something must die in the creative process for something new to be born.  But if they [Bacon and Freud] didn’t have interesting faces, I wouldn’t have painted them anyway.” </p>
<p>Funks’ paintings, like her conversation, are interactive, all-inclusive.  A response to the response to art, a pleasantly shocking, surprisingly tasty experience that draws you in, gets you thinking and stays with you… long after you’ve swallowed the last drop of that fizzy drink and, before you know it, you’re hooked.</p>
<p><em>Selections of Mia Funk’s work are on display at the KBK showroom through the end of January.</em></p>
<p><a href="http://www.kbkcarreletdor.fr/en/index.php?page=contact" target="_blank">KBK</a><br /> 9 rue Corneille Paris 6e<br /> 01 43 29 74 32<br /> Métro: Odéon</p>
<p> </p>
<p> </p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/yHLFqN3Be3U" height="1" width="1" /></div></content>


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    <entry>
        <title>January Film Events</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IVYParisNews/~3/454-hoZVhN0/january-film-events.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=523220/entry_id=6a00d8341c90c353ef0162ff05273d970d" title="January Film Events" />
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        <id>tag:typepad.com,2003:post-6a00d8341c90c353ef0162ff05273d970d</id>
        <published>2012-01-06T09:35:00+01:00</published>
        <updated>2012-01-04T21:49:38Z</updated>
        <summary>Image: Susie Hollands Text: Susie Kahlich VINGT Paris Launches Monthly Film Series! VINGT Paris launched its monthly film series at Le Beverly Cinéma Tuesday night with Melody Gilbert’s Urban Explorers: Into the Darkness, an award-winning documentary about the urban explorer...</summary>
        <author>
            <name>VINGT Paris</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Cinema" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Film" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><em> <a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ff053156970d-pi" style="display: inline;"><img alt="DSCN0536" class="asset  asset-image at-xid-6a00d8341c90c353ef0162ff053156970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162ff053156970d-500wi" style="width: 500px;" title="DSCN0536" /></a><br />Image: Susie Hollands</em><br /><em>Text: Susie Kahlich</em></p>
<p><strong>VINGT Paris Launches Monthly Film Series!</strong> VINGT Paris launched its monthly film series at <a href="http://www.vingtparismagazine.com/2012/01/cest-lamour-last-porn-theatre-in-paris-is-more-than-just-porn.html" target="_blank">Le Beverly Cinéma</a> Tuesday night with Melody Gilbert’s <a href="http://www.urbanexplorersfilm.com/" target="_blank"><em>Urban Explorers: Into the Darkness</em></a>, an award-winning documentary about the urban explorer movement in the US, Scotland, France and around the world.  Did you miss it? Get on the mailing list for the next screening by sending us an email with <strong>film group</strong> in the subject line.</p>
<p><a href="news@vingtparis.com" target="_blank">VINGT Paris Monthly Film Series</a><br /> Subject: “film group”<br /> <a target="_self">news@vingtparis.com</a></p>
<p> </p>
<p><strong>Projo Collectif</strong> continues its Apéros-Projos with a whole new year of movie-going and networking at <a href="http://www.aucafedeparis.com/" target="_blank">Café de Paris</a>.  Selections from the <a href="http://www.clermont-filmfest.com/" target="_blank">Festival Clermont-Ferrand</a> starts the year with off with a bang. 6 January at 21h00.</p>
<p><a href="http://www.aucafedeparis.com/" target="_blank">Au Café de Paris</a><br /> 158 rue Oberkampf 75011 Paris<br /> Métro: Ménilmontant</p>
<p> </p>
<p><a href="http://www.cinematheque.fr/" target="_blank"> </a></p>

La Cinémathèque Française continues its tribute to American directors with its retrospective of <a href="http://www.cinematheque.fr/fr/dans-salles/hommages-retrospectives/fiche-cycle/steven-spielberg,434.html" target="_blank">Steven Spielberg’s</a> work beginning Monday 9 January, and a look back at <a href="http://www.cinematheque.fr/fr/dans-salles/hommages-retrospectives/fiche-cycle/robert-altman,435.html" target="_blank">Robert Altman’s</a><a href="http://www.cinematheque.fr/fr/dans-salles/hommages-retrospectives/fiche-cycle/robert-altman,435.html" target="_blank"> </a>oeuvre beginning 18 January.  Revisit your childhood and one of Spielberg’s two cinematic themes with <a href="http://www.youtube.com/watch?v=taMnCjzKgd8" target="_blank"><em>E.T.: The Extra-Terrestrial</em></a> (e.g., “<a href="http://www.youtube.com/watch?v=6o5GcV0h1Rw" target="_blank">Pinocchio</a>”; the other being “<a href="http://www.youtube.com/watch?v=xb0h9JcBPlo" target="_blank">Nazis are bad people</a>”), or catch his only mature film (and get a realistic taste of 1970s Europe and Mathieu Almaric’s brilliant Polanski-esque performance) with <a href="http://www.youtube.com/watch?v=0LFfT44BlaQ" target="_blank"><em>Munich</em></a>.  Pretty much anything you see by Altman will be great, so just throw a dart at the schedule and go see whatever it lands on.  Begins 9 January.
<p><a href="http://www.cinematheque.fr/" target="_blank">La Cinémathèque Française</a><br /> 51, rue de Bercy 75012<br /> Métro: Bercy</p>
<p> </p>
<p>Oooh, meet Daniel Sobrino, Jean Goudier et Cyril Holtz, the sound team that won the César for Best Sound in 2011 for <a href="http://www.youtube.com/watch?v=lQH4R2RwM1U" target="_blank"><em>Gainsbourg (vie héroïque)</em></a> at <a href="http://www.forumdesimages.fr/" target="_blank">Forum des Images</a> on 12 January.  It takes a village to make a film, and the free <a href="http://www.forumdesimages.fr/fdi/L-Academie/Les-Cine-debats-de-La-Sorbonne" target="_blank"><em>Ciné-debats de la Sorbonne</em></a> series aims to introduce audiences to every single village person that helps make movie magic. 12 January at 19h30.</p>
<p><a href="http://www.forumdesimages.fr/" target="_blank">Forum des Images</a><br /> Porte St Eustache, 75001<br /> Métro: Chatelet-Les Halles</p>
<p> </p>
<p>Hey you Brits! This year is Queen Elizabeth’s Diamond Jubilee!  Watch what could have been / may yet come to pass in Derek Jarman’s <a href="http://www.forumdesimages.fr/fdi/Cycles/London-Calling/Jubilee" target="_blank"><em>Jubilee</em></a> (minus the punk rockers, because we all know that <a href="http://www.forumdesimages.fr/fdi/Cycles/London-Calling/Joe-Strummer-The-Future-Is-Unwritten" target="_blank">punk is dead</a>).  At <a href="http://www.forumdesimages.fr/" target="_blank">Forum des Images</a>, 15 January at 21h00.</p>
<p><a href="http://www.forumdesimages.fr/" target="_blank">Forum des Images</a><br /> Porte St Eustache, 75001<br /> Métro: Chatelet-Les Halles</p>
<p> </p>
<p>Life on <a href="http://www.bpi.fr/fr/la_saison_culturelle/cinema/cine_13_16_planete_manga.html" target="_blank">Planet Manga</a> is the theme at <a href="http://www.centrepompidou.fr/" target="_blank">Centre Georges Pompidou</a> this month, featuring animated films originally destined for adolescent audiences but, as Manga does, often blending the pedestrian and the mature in stunning imagery. Begins 18 January.</p>
<p><a href="http://www.centrepompidou.fr/" target="_blank">Centre Georges Pompidou</a><br /> Place Georges Pompidou, 75004 Paris<br /> Métro: Rambuteau</p>
<p> </p>
<p>You may have heard of Klaus Barbie, the “Butcher of Lyon,” but have you ever heard of Beate Klarsfeld?  She’s the woman who tracked him down, had him arrested, tried and convicted as a Nazi war criminal.  She’s also the subject of the documentary <em><a href="http://www.goethe.de/ins/fr/par/ver/de8589149v.htm" target="_blank">Berlin-Paris. Die Geschichte der Beate Klarsfeld</a></em> <em>(Berlin-Paris: The Story of Beate Klarsfeld)</em> screening at the <a href="http://www.goethe.de/ins/fr/par/frindex.htm">Goethe Institut</a> on 20 January in the presence of Mme Klarsfeld and the director.  20 January at 19h30.</p>
<p><a href="http://www.goethe.de/ins/fr/par/frindex.htm">Goethe Institut</a><br /> 17 avenue d'Iéna, 75116 Paris<br /> Métro: Iéna</p>
<p> </p>
<p>23 January is the Chinese New Year, and the <a href="http://festivalchine.wordpress.com/" target="_blank">Festival de Documentaires Les Écrans de Chine</a> marks the occasion with screenings and discussions of China’s new wave of independent filmmakers.  Faced with the challenges and rewards of China’s burgeoning economy, today’s Chinese filmmakers are tackling documentary film in a whole new way. Begins 21 January.</p>
<p><a href="http://festivalchine.wordpress.com/" target="_blank">Festival de documentaries chinois</a><br /> Various cinémas</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/IVYParisNews/~4/454-hoZVhN0" height="1" width="1" /></div></content>


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    <entry>
        <title>35 Parisian New Year's Resolutions</title>
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        <published>2012-01-05T17:45:05+01:00</published>
        <updated>2012-01-04T17:30:54Z</updated>
        <summary>Image: I Still Shoot Film Text: Guillermo Martinez de Velasco 1-Don't go to the Eiffel Tower on New Year's Eve 2-Actually do that thing where I pick an area of the Louvre per week, and visit it very attentively 3-Buy...</summary>
        <author>
            <name>Guillermom Martínez de Velasco</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Architecture" />
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<content type="xhtml" xml:lang="en-US" xml:base="http://www.vingtparismagazine.com/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162fec5f562970d-pi" style="display: inline;"><img alt="Tumblr_kxbi5nYd711qaxexio1_500" class="asset  asset-image at-xid-6a00d8341c90c353ef0162fec5f562970d" src="http://ivyparis.typepad.com/.a/6a00d8341c90c353ef0162fec5f562970d-500wi" style="width: 500px;" title="Tumblr_kxbi5nYd711qaxexio1_500" /></a><br /><em /></p>
<p><span style="font-size: 8pt; color: #b9b9b9;"><em>Image: <a href="http://istillshootfilm.org/post/370500605/hipstamatic-bicycles-in-paris" target="_self">I Still Shoot Film</a></em></span></p>
<p><em>Text: Guillermo Martinez de Velasco<br /></em></p>
<p>1-Don't go to the Eiffel Tower on New Year's Eve</p>
<p>2-Actually do that thing where I pick an area of the Louvre per week, and visit it very attentively</p>
<p>3-<a href="http://velo-vintage.com/" target="_self">Buy a bicycle</a> and throw away my carte imagineR</p>
<p>4-Actually go to <a href="http://www.ratp.fr/itineraires/fr/ratp/resultat-detaille/start/Pigalle+%28METRO%29%2C+Paris/end/Chateau+De+Vincennes+%28METRO%29%2C+Vincennes/is_date_start/1/date/2012-01-04/time/18%3A20%3A00/route_type/plus_rapide" target="_self">Château de Vincennes</a>, not just talk about going</p>
<p>5-Promise to go to one of the presentations/lectures/workshops at <a href="http://www.centrepompidou.fr/Pompidou/Manifs.nsf/Actualite?ReadForm&amp;count=999&amp;sessionM=2.1.1&amp;L=1" target="_self">Beaubourg</a> or the <a href="http://fondation.cartier.com/en/art-contemporain/59/nomadic-nights-activities/" target="_self">Fondation Cartier</a> per month</p>
<p>6-Don't cheap out on French Vogue or <a href="http://www.scopalto.com/revue/egoiste" target="_self">Egoïste</a></p>
<p>7-Finally get my membership for the <a href="http://www.paris.fr/loisirs/bibliotheques/bibliotheques-municipales-inscriptions-et-services/la-bibliotheque-de-l-hotel-de-ville-fait-peau-neuve/rub_6528_actu_89276_port_24128" target="_self">Hôtel-de-Ville Library</a> and The <a href="http://maps.google.com/maps/place?q=Biblioth%C3%A8que+Forney&amp;hl=en&amp;ie=UTF8&amp;cid=15375061479631969223" target="_self">Bibliothèque Fornier</a> / Go study in these libraries</p>
<p>8-Get photographed by <a href="http://www.thesartorialist.com/" target="_self">The Sartorialist</a>, at least</p>
<p>9-Volunteer at Shakespeare and Co. (But also check out the <a href="http://www.alevdesign.com/abbey/abbey_en.html" target="_self">Abbey Bookstore</a>)</p>
<p>10- Promise to learn more about wines, it's embarrassing that you always go for the 4-5 euro Bordeaux</p>


<p>11-Not being afraid to ask what something means when I don't know</p>
<p>12-Start playing chess at the Jardins de Luxembourg until men with berets know my name, and better yet, have a nickname for me</p>
<p>13-Have a date at the <a href="http://www.hallesaintpierre.org/" target="_self">Musée de L'Art Brut</a></p>
<p>14-Find someone French to have a date with</p>
<p>15-Go eat tiny portions of microwaved macaroni and cheese at the Palais de Tokyo like some spoiled 16ème kid</p>
<p>16-Go to the police station and get my Carte d'Identité</p>
<p>17-Actually getting my food either at the Bastille or Barbès markets</p>
<p>18-Having lunch with a friend at <a href="http://www.fgo-barbara.fr/home" target="_self">that community centre</a> in front of the Goutte d'Or library</p>
<p>20-Spend more time in the <a href="http://en.wikipedia.org/wiki/Goutte_d%27Or" target="_self">Goutte D'Or</a> instead of walking up and down the Canal St-Martin</p>
<p>19-Go watch at least 3 musicals at the <a href="http://www.chatelet-theatre.com/2011-2012/" target="_self">Théâtre du Châtelet</a></p>
<p>20-Stop complaining about the French</p>
<p>21-Going to the <a href="http://www.lamaisonrouge.org/" target="_self">Maison Rouge</a> more often</p>
<p>22-Having a picnic at every major park, from Belleville to Monceau</p>
<p>23-Going on those neighbourhood tours offered by the city of Paris/Finding out what else the city of Paris offers</p>
<p>24-Jump into the Seine (Or at least dip my foot inside and then run home to wash it)</p>
<p>25-Watching every single <a href="http://www.listal.com/list/la-nouvelle-vague" target="_self">Nouvelle Vague film</a> set in Paris and then walk around the neighbourhood it was filmed in</p>
<p>26-Finally get over the Nouvelle Vague image of Paris</p>
<p>27-Go to one of those secret and illegal <a href="http://sleepycity.net/posts/252/Demolition_of_the_Paris_Metro" target="_self">metro tunnel</a> parties</p>
<p>28-Get that UGC/MK2 membership and go watch one film per week</p>
<p>29-Learn how to roll a cigarette while talking</p>
<p>30-Start reading <a href="http://www.lecanardenchaine.fr/" target="_self">Le Canard Enchâiné</a></p>
<p>31-Go to the Invalides Museum, even though it's boring. Just go. Just once. Then it's over. And you can have lunch on that cute little park next to it. Or better yet, in the Rodin Museum</p>
<p>32-Stop complaining about the weather. For god's sake, it's much better than where I come from!</p>
<p>33-Go to the monthly book swap party at <a href="http://www.le-carmen.fr/" target="_self">Le Carmen</a> in Pigalle</p>
<p>34-Like Ricard</p>
<p>35-Give the the 6ème a chance</p>
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