<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3682939514101632557</atom:id><lastBuildDate>Thu, 01 Mar 2012 00:07:22 +0000</lastBuildDate><category>Shimada Bijutsukan</category><category>sword</category><category>Yagyu Renyasai</category><category>monkey reaching for the moon</category><category>Bada Shanren</category><category>sumi-e</category><category>Hasegawa Tohaku</category><category>Joseishi Kendan</category><category>St. Regis Hotel</category><category>Takarazuka</category><category>movies</category><category>Zen</category><category>Ikedaya</category><category>books</category><category>Fushikihen</category><category>Shinsengumisword</category><category>Shinkyu-ryu</category><category>Shirakura Dengoemon</category><category>strategy</category><category>Uemura Shoen</category><category>Bakumatsu</category><category>nature</category><category>swordsmanship</category><category>Hosokawa tadaoki</category><category>Eisei-Bunko Collection</category><category>Ichimei</category><category>Ganryu</category><category>regional strategy</category><category>Kozo</category><category>momiji</category><category>Ulfuls</category><category>Sumitomo Collection</category><category>Ichiro Ozawa</category><category>shorin-zu</category><category>Heigen</category><category>tsuba</category><category>Kano school</category><category>symbolism</category><category>Death of a Samurai</category><category>dragon</category><category>Yamaguchi Akira</category><category>Takashi Miike</category><category>Kumamoto Prefectural Museum</category><category>Kyoto</category><category>learning</category><category>basics</category><category>Sanjo Bridge</category><category>Ishikawa Idayuu</category><category>Vagabond sumi-e</category><category>Neko no Myojutsu</category><category>Ishida Mitsunari</category><category>Gyozo</category><category>catfish and gourd</category><category>namako tsuba</category><category>soccer</category><category>Yagyu tsuba</category><category>Inoue Takehiko</category><category>Mangiarotti</category><category>Kato Kiyomasa</category><category>Autumn leaves</category><category>Matsuura Seizan</category><category>politics</category><category>saya no uchi</category><category>Nadi</category><category>Saigo Takamori</category><category>Art</category><category>Tsukuhara Bokuden</category><category>samurai arms and armour</category><category>Takuan</category><category>The Samurai Mind</category><category>Martial arts</category><category>Musashi</category><category>Chinese strategy</category><category>Katakiuchi Ganryujima</category><category>Hirayama Shiryu</category><category>koshirae</category><category>gibbon</category><category>zenga</category><category>red leaves cut</category><category>history</category><category>poetry</category><category>Neo-Confucianism</category><category>Victor Harris</category><category>sumi-e dragon</category><category>Ito Jakuchu</category><category>samurai</category><category>ink painting</category><category>Kaneie</category><category>calligraphy</category><category>Sakamoto Ryoma</category><category>namazu tsuba</category><category>Samurai Soul</category><category>Kondo Isami</category><title>Ichijoji</title><description>Sumi-e, strategy and swordsmanship - inspired by the arts of Miyamoto Musashi</description><link>http://ichijoji.blogspot.com/</link><managingEditor>noreply@blogger.com (Chris Hellman)</managingEditor><generator>Blogger</generator><openSearch:totalResults>61</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/Ichijoji" /><feedburner:info uri="ichijoji" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-1061355427678167640</guid><pubDate>Sun, 22 Jan 2012 13:51:00 +0000</pubDate><atom:updated>2012-01-22T05:58:34.175-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kyoto</category><category domain="http://www.blogger.com/atom/ns#">Zen</category><category domain="http://www.blogger.com/atom/ns#">dragon</category><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">Kano school</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">sumi-e dragon</category><title>The Master Dragon Painters</title><atom:summary>

Kano Tanyu: ceiling painting, Unryu, Myoshinji Temple, Kyoto


Dragons have been depicted in Japan in a variety of different media, but the one that has produced some of the most powerful dragon art, reflecting the mysterious qualities of the dragon itself, is sumi-e. Viewing dragons can be a bit of a hit or miss affair - so here is a quick overview, with a few of the more notable artists' work</atom:summary><link>http://ichijoji.blogspot.com/2012/01/master-dragon-painters.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-K4qHYLGEIBU/TxwPQVH8wOI/AAAAAAAAAPM/A7cGd8K3n3M/s72-c/Tanyu+Myoshinji.jpeg" height="72" width="72" /><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6819835725661467134</guid><pubDate>Sun, 01 Jan 2012 20:14:00 +0000</pubDate><atom:updated>2012-01-03T21:26:30.738-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">dragon</category><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">sumi-e dragon</category><title>Happy Year of the Dragon</title><atom:summary>



A very quick post wishing all of a you a Happy New Year, and a thank-you for your support and kind comments. I hope that you will continue to read and find what I put up here interesting...

As some of you know, the Japanese New Year is a mix of the Chinese and western styles, taking the Chinese horoscope and applying it on a western calendar, which means that 2012 is the Year of the Dragon!
</atom:summary><link>http://ichijoji.blogspot.com/2012/01/happy-year-of-dragon.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-NSnsTe3VlNw/Tv0uJXac9TI/AAAAAAAAAOI/WJzAVoBNXtw/s72-c/dragonpy1.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6982542255217169858</guid><pubDate>Thu, 22 Dec 2011 02:52:00 +0000</pubDate><atom:updated>2011-12-21T18:52:54.610-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">zenga</category><category domain="http://www.blogger.com/atom/ns#">monkey reaching for the moon</category><category domain="http://www.blogger.com/atom/ns#">symbolism</category><title>A Deeper Reading of Musashi's Painting</title><atom:summary>

I always say, if anyone asks me, that in order to appreciate art, you should try and see work in the flesh. It took me quite a while to come to this conclusion, until after my time at university anyway, when I started travelling to a few different countries and seeing what had, until then, been simply pictures in a book. The difference is startling - some works really grew in stature, others </atom:summary><link>http://ichijoji.blogspot.com/2011/12/deeper-reading-of-musashis-painting.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-AEDb26ohGwQ/TvKSu9XJCOI/AAAAAAAAANg/axx8EJslKsE/s72-c/mp_darumahuou3%255B1%255D.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-3708609567076397580</guid><pubDate>Mon, 12 Dec 2011 10:10:00 +0000</pubDate><atom:updated>2011-12-12T02:10:27.033-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">movies</category><category domain="http://www.blogger.com/atom/ns#">Takashi Miike</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">Death of a Samurai</category><category domain="http://www.blogger.com/atom/ns#">Ichimei</category><title>Ichimei - Death of a Samurai</title><atom:summary>
At last I made it to the cinema to see Ichimei - I had been meaning to go ever since it was released. After 13 Assassins, I was expecting good things from Miike, the director. This was another remake of a film from the 60s, and one which, like 13 Assassins, contained an overt political element in its criticism of the arbitrary powers of the feudal system, an obvious reference to Japanese society</atom:summary><link>http://ichijoji.blogspot.com/2011/12/ichimei-death-of-samurai.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-DwAlkl-KHVU/TuXS65SDQkI/AAAAAAAAANU/2uT80UjSQbA/s72-c/Ichimei3.png" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6916371104107226217</guid><pubDate>Wed, 23 Nov 2011 08:57:00 +0000</pubDate><atom:updated>2011-11-23T00:57:32.471-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">red leaves cut</category><category domain="http://www.blogger.com/atom/ns#">momiji</category><category domain="http://www.blogger.com/atom/ns#">Autumn leaves</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">Victor Harris</category><category domain="http://www.blogger.com/atom/ns#">symbolism</category><title>Momiji -  Autumn Leaves and their symbolism</title><atom:summary>

This is the season of momiji or koyo - the brilliant autumn leaves of the maples.

It is one of the principal images of autumn in Japan - appearing in plays, poems and paintings. In fact now is the peak of the maple leaf viewing season in Kyoto - the popular sites are heaving with crowds of tourists engaged in momijigari - maple leaf hunting.

Momiji Uchi - The red leaves cut
Those interested </atom:summary><link>http://ichijoji.blogspot.com/2011/11/momiji-autumn-leaves-and-their.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-pThOyLfGQdM/TsyxBwRNJ_I/AAAAAAAAAM0/gbPsKOk82aM/s72-c/Autumn+Leaves.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-8811195068307777073</guid><pubDate>Fri, 11 Nov 2011 08:48:00 +0000</pubDate><atom:updated>2011-11-11T00:48:59.801-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Zen</category><category domain="http://www.blogger.com/atom/ns#">Fushikihen</category><category domain="http://www.blogger.com/atom/ns#">Neo-Confucianism</category><category domain="http://www.blogger.com/atom/ns#">Joseishi Kendan</category><category domain="http://www.blogger.com/atom/ns#">Matsuura Seizan</category><category domain="http://www.blogger.com/atom/ns#">learning</category><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>The Confucian Swordsman II</title><atom:summary>&lt;!--[if gte mso 9]&gt;        &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     0   false         10 pt   0   2      false   false   false                                                     $([\{£¥‘“〈《「『【〔＄（［｛｢￡￥   !%),.:;?]}¢°’”‰′″℃、。々〉》」』】〕゛゜ゝゞ・ヽヾ！％），．：；？］｝｡｣､･ﾞﾟ￠   &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     &lt;![endif]--&gt;  &lt;!--[if gte mso 10]&gt; 
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 </atom:summary><link>http://ichijoji.blogspot.com/2011/11/confucian-swordsman-ii.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-GpF3CWzo1PM/TrzgFhIiXXI/AAAAAAAAAMM/lc58nvrOTYA/s72-c/confucius.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-5240497696888417659</guid><pubDate>Wed, 26 Oct 2011 15:56:00 +0000</pubDate><atom:updated>2011-10-26T08:56:07.744-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Zen</category><category domain="http://www.blogger.com/atom/ns#">Martial arts</category><category domain="http://www.blogger.com/atom/ns#">Fushikihen</category><category domain="http://www.blogger.com/atom/ns#">Neo-Confucianism</category><category domain="http://www.blogger.com/atom/ns#">Joseishi Kendan</category><category domain="http://www.blogger.com/atom/ns#">Matsuura Seizan</category><category domain="http://www.blogger.com/atom/ns#">learning</category><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>The Confucian Swordsman I</title><atom:summary>

Kano Eitoku - Scholars playing weiqi (go in Japanese)
Preamble
Confucianism often gets a bad rap - in its Japanese context it is characterised as a form of not so enlightened paternalism, intent on preserving the hierarchical authority and keeping women and peasants in their place.

The trouble is, that even as I read decidedly anti-Confucian works like the Tao of Pooh (or was it the Te of </atom:summary><link>http://ichijoji.blogspot.com/2011/10/confucian-swordsman-i.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-znGo4LYgG2U/Tqgs_gPDulI/AAAAAAAAALg/-DZjQiQ5tw4/s72-c/250px-Go_Kano_Eitoku2.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-748513992072930106</guid><pubDate>Fri, 07 Oct 2011 07:57:00 +0000</pubDate><atom:updated>2011-10-07T00:57:05.525-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">Ito Jakuchu</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Sumitomo Collection</category><category domain="http://www.blogger.com/atom/ns#">zenga</category><category domain="http://www.blogger.com/atom/ns#">Bada Shanren</category><title>The Prince and the Greengrocer</title><atom:summary>




This is the poster from the current exhibition at the Kyoto Sen-Oku Hakuko-kan, the home of the Sumitomo Collection in Kyoto (They have a Tokyo branch, too). The show consists mainly of paintings from the Ming and early Ching dynasties, although you might be forgiven for thinking that the image on the poster had slipped in from elsewhere. What were the Chinese literati doing painting cute </atom:summary><link>http://ichijoji.blogspot.com/2011/10/prince-and-greengrocer.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-1mHPJPrbvcc/To6rZc9FHeI/AAAAAAAAALQ/FPeNIPm7_Dg/s72-c/Sumitomo1.jpeg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-1817344211718667342</guid><pubDate>Sat, 10 Sep 2011 07:13:00 +0000</pubDate><atom:updated>2011-09-14T20:08:47.594-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Hosokawa tadaoki</category><category domain="http://www.blogger.com/atom/ns#">Eisei-Bunko Collection</category><category domain="http://www.blogger.com/atom/ns#">calligraphy</category><category domain="http://www.blogger.com/atom/ns#">Kumamoto Prefectural Museum</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Kato Kiyomasa</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><title>More Kumamoto - more Musashi</title><atom:summary>

Poster advertising the current display at the Eisei-Bunko Gallery



Kumamoto - more of Musashi in the Prefectural Collection 
The Shimada Museum was the first stop on this whirlwind tour of Kumamoto, but not the only one. I was interested in seeing sites connected with Musashi, but more than that, it was artefacts that interested me. Time was short, so I chose the Prefectural Museum as my next</atom:summary><link>http://ichijoji.blogspot.com/2011/09/more-kumamoto-more-musashi.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-LFNBLUtehEQ/Tmr1hCccsDI/AAAAAAAAAKo/ZzXP91YEsWY/s72-c/top_img.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-428686083869411590</guid><pubDate>Wed, 31 Aug 2011 03:16:00 +0000</pubDate><atom:updated>2011-08-30T20:38:53.542-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">Shimada Bijutsukan</category><category domain="http://www.blogger.com/atom/ns#">tsuba</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><title>Shimada Bijutsukan - the grail of Musashi seekers</title><atom:summary>

A close-up of the most famous portrait of Musashi. Even here
there's much you don't see. (Original photo here.)

Just last week I finally took my long awaited trip down to Kyushu, where one of my primary aims was to visit the Shimada Bijutsukan, which keeps a handy collection of stuff related to Miyamoto Musashi.

Kumamoto, where the museum is, was the city where Musashi spent the last few </atom:summary><link>http://ichijoji.blogspot.com/2011/08/shimada-bijutsukan-grail-of-musashi.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-HZd4oEuPLCg/Tl2m7ST4GAI/AAAAAAAAAKk/lOLi_d7qLNw/s72-c/p01.jpg" height="72" width="72" /><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-2868175863712364735</guid><pubDate>Sun, 14 Aug 2011 15:52:00 +0000</pubDate><atom:updated>2011-08-16T05:32:24.900-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kaneie</category><category domain="http://www.blogger.com/atom/ns#">koshirae</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">gibbon</category><category domain="http://www.blogger.com/atom/ns#">tsuba</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">monkey reaching for the moon</category><category domain="http://www.blogger.com/atom/ns#">Victor Harris</category><category domain="http://www.blogger.com/atom/ns#">symbolism</category><title>Musashi's Monkey design Part 2</title><atom:summary>
Recently, I found this picture of Musashi's monkey, which has finally allowed me to understand what the piece looked like.
It is actually an origane (soritsuno, kaeritsuno are some of the alternative names) - a small hook that fastened onto the underside of the obi (sash) and kept the sword from moving around too much. They were not used universally - presumably to the owner's taste, and were </atom:summary><link>http://ichijoji.blogspot.com/2011/08/musashis-monkey-design-part-2.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-6Igm5UgsFLA/TkfcxqOuwTI/AAAAAAAAAJ8/V6uPgnx2uQQ/s72-c/Monkey+Screen+Shot.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-979660313283107965</guid><pubDate>Sun, 31 Jul 2011 04:28:00 +0000</pubDate><atom:updated>2011-07-30T23:21:42.233-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Zen</category><category domain="http://www.blogger.com/atom/ns#">Hasegawa Tohaku</category><category domain="http://www.blogger.com/atom/ns#">sumi-e</category><category domain="http://www.blogger.com/atom/ns#">koshirae</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">gibbon</category><category domain="http://www.blogger.com/atom/ns#">tsuba</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">monkey reaching for the moon</category><title>Musashi's Monkey Design Part 1</title><atom:summary>

Not by Musashi, but Mu Qi, a Chinese painter
of the Song Dynasty. 
I have a particular fondness for gibbons, so I was very pleased to be able to add another piece to a mystery that has puzzled me for quite a few years now - what is that strange sword fitting, attributed to Musashi, shown in Victor Harris's Go Rin No Sho?

Miyamoto Musashi's artwork is well known - but as with any artist, many </atom:summary><link>http://ichijoji.blogspot.com/2011/07/musashis-monkey-design-part-1.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-xgs8WcTr1jA/TjS2WRHbC6I/AAAAAAAAAJw/gHNa5tJcVhE/s72-c/Mu-Chi-MotherMonkey%2526Child-c1350.jpg" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6390747046416759048</guid><pubDate>Sun, 10 Jul 2011 13:34:00 +0000</pubDate><atom:updated>2011-07-10T06:34:46.831-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Shinsengumisword</category><category domain="http://www.blogger.com/atom/ns#">Ikedaya</category><category domain="http://www.blogger.com/atom/ns#">Sakamoto Ryoma</category><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">Kondo Isami</category><category domain="http://www.blogger.com/atom/ns#">Bakumatsu</category><title>Ryozen Historical Museum - Ryoma and the Shinsengumi</title><atom:summary>

Ishi-chan, the museum mascot.
What have things come to!?
At last I got round to visiting the Ryozen Museum.

I had put it off for a long time as I had heard that a lot of the information about the exhibits was in Japanese and I'd always felt it was a bit pricey for what I was likely to get out of it.

Now that my Japanese is better and my background knowledge of the period has also improved, I </atom:summary><link>http://ichijoji.blogspot.com/2011/07/ryozen-historical-museum-ryoma-and.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-HgAyQvNhXRE/Thmmk1Rh8rI/AAAAAAAAAJQ/XjKgS6A42Kk/s72-c/Mascot+1.png" height="72" width="72" /><thr:total>5</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-7774994779542463844</guid><pubDate>Sun, 03 Jul 2011 05:17:00 +0000</pubDate><atom:updated>2011-07-02T22:17:18.003-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Vagabond sumi-e</category><category domain="http://www.blogger.com/atom/ns#">Inoue Takehiko</category><category domain="http://www.blogger.com/atom/ns#">ink painting</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><title>More on Vagabond</title><atom:summary>&lt;!--StartFragment--&gt;  


I hadn't meant to write about this, but somehow I found myself doing it. I think I have mentioned Inoue's marvelous Vagabond before, but it's one of those things you can't have too much of. 
Of all the swordsmen of Japan, Miyamoto Musashi is probably the one who has caught the imagination most strongly: the subject of plays, novels, non-fiction, several TV series and </atom:summary><link>http://ichijoji.blogspot.com/2011/07/more-on-vagabond.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Mc4JPgOxuRc/Tg_5h-uLe0I/AAAAAAAAAJA/LhsQMT3lT8o/s72-c/Vagabond+v30+c265+-+12-13.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6595739752632471016</guid><pubDate>Sat, 18 Jun 2011 02:46:00 +0000</pubDate><atom:updated>2011-06-18T00:57:43.925-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Kyoto</category><category domain="http://www.blogger.com/atom/ns#">Sanjo Bridge</category><category domain="http://www.blogger.com/atom/ns#">Ikedaya</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">Bakumatsu</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><title>Information Rich</title><atom:summary>

Advertising for the Ikeda-ya on Sanjo Street


Japan, and particularly Kyoto, it seems, is an extremely information rich environment: walking through the streets, on odd corners, outside temples or next to bridges, you can often see information boards or stone markers to inform passers-by of the historical importance of each location, as well as a huge number and variety of notices everywhere </atom:summary><link>http://ichijoji.blogspot.com/2011/06/information-rich.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-e1SoSljA-j0/TfwPmu5wcEI/AAAAAAAAAI8/DI1PzNr_yiU/s72-c/Makoto.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-3054665276873306596</guid><pubDate>Wed, 01 Jun 2011 14:10:00 +0000</pubDate><atom:updated>2011-06-01T07:17:04.260-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Ishida Mitsunari</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">Art</category><category domain="http://www.blogger.com/atom/ns#">Takarazuka</category><title>Go Grrrls - Ishida Mitsunari, the Musical</title><atom:summary>
The Takurazuka Revue is not really my cup of tea, but the poster looks dramatic.

For those of you who don't know, Takurazuka is an all female affair - playing to almost permanently packed houses, composed of devotees and wannabees. Like much of Japanese theatre, it is an institution and a way of life. There is a continual procession of new plays, many of them set in romantic European settings, </atom:summary><link>http://ichijoji.blogspot.com/2011/06/go-grrrls-ishida-mitsunari-musical.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UytwQ7NNfXI/TeZFfyqlPWI/AAAAAAAAAI0/aZvTp3wihF0/s72-c/Mitsunari.png" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-8006110520326101730</guid><pubDate>Sat, 21 May 2011 14:54:00 +0000</pubDate><atom:updated>2011-05-21T07:54:52.825-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">strategy</category><category domain="http://www.blogger.com/atom/ns#">Tsukuhara Bokuden</category><category domain="http://www.blogger.com/atom/ns#">Fushikihen</category><category domain="http://www.blogger.com/atom/ns#">learning</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><title>It's not where you're looking but what you look at</title><atom:summary>

This is section of a painting by Ryohei Yamashita..used for the cover of  a novel about (and entitled?) Bokuden

One of the challenges of studying a discipline in another language is understanding the multiple meanings that pertain to certain expressions. I have often found myself quite able to understand an expression in  a particular context, only to fail to realise its wider implications or,</atom:summary><link>http://ichijoji.blogspot.com/2011/05/its-not-where-youre-looking-but-what.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-iX1jLQcCKjE/TdfL9-wwTII/AAAAAAAAAIw/4zdMdZHkuDk/s72-c/samurai_bokuden2.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-2366840687922773924</guid><pubDate>Tue, 03 May 2011 10:52:00 +0000</pubDate><atom:updated>2011-05-03T03:52:26.973-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">Musashi</category><category domain="http://www.blogger.com/atom/ns#">symbolism</category><title>Mon - the gateway</title><atom:summary>

A quick sketch I did the other day - a typical mon in Japan


The gateway (or gate), which is called mon in Japanese, is an inescapable part of the landscape, both in the city and in the countryside. Perhaps it is not odd that such a powerful architectural feature should have become part of the conceptual landscape of the culture, but the way in which it has done so is quite different from what</atom:summary><link>http://ichijoji.blogspot.com/2011/05/mon-gateway.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-WaftVF5IUHo/Tb_c60hJI2I/AAAAAAAAAIg/E2er3G--cMA/s72-c/Mon+1.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-6412354072477446342</guid><pubDate>Sun, 24 Apr 2011 16:28:00 +0000</pubDate><atom:updated>2011-04-24T09:28:03.497-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Ulfuls</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">Samurai Soul</category><title>Samurai Soul</title><atom:summary>I got a bit busy this week, so only this for now: a light-hearted look at samurai life.



Sword practice in the back garden

Writing about Hirayama Shiryu for the past couple of weeks, put me in mind of this - a life where everything is subsumed into the world of martial arts. It's from the music video for the song Samurai Soul by the pop/rock group Ulfuls. Good song - kind of quirky, soulful </atom:summary><link>http://ichijoji.blogspot.com/2011/04/samurai-soul.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-yMr841nrwxM/TbRI5TbvcFI/AAAAAAAAAIY/gs0Ojiz37-U/s72-c/Screen+shot+2011-04-25+at+12.52.27+AM.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-21886818174170067</guid><pubDate>Sun, 17 Apr 2011 14:19:00 +0000</pubDate><atom:updated>2011-04-17T07:19:31.361-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Hirayama Shiryu</category><category domain="http://www.blogger.com/atom/ns#">Martial arts</category><category domain="http://www.blogger.com/atom/ns#">Heigen</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><title>Hirayama Shiryu - some stories</title><atom:summary>
Hirayama Shiryu was a rare character, obsessive when it came to the world of bugei (martial arts). All the stories I have heard about him bear out his forceful character and his emphasis on determination and courage as the key components of martial arts.  This example of his calligraphy reads "Angry Frog" - it can be pronounced onomatopoeically "Do-a". It refers to the story of a frog that </atom:summary><link>http://ichijoji.blogspot.com/2011/04/hirayama-shiryu-some-stories.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-HvTPh3vvsyI/Tar2dBVo3FI/AAAAAAAAAIM/p4Ag7MSAG2M/s72-c/doa.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-4608103768408709831</guid><pubDate>Tue, 12 Apr 2011 12:04:00 +0000</pubDate><atom:updated>2011-04-12T05:51:37.754-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Hirayama Shiryu</category><category domain="http://www.blogger.com/atom/ns#">Gyozo</category><category domain="http://www.blogger.com/atom/ns#">Heigen</category><category domain="http://www.blogger.com/atom/ns#">Kozo</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>My swordsmanship is for killing!</title><atom:summary>A brief introduction to Hirayama Shiryu (1759-1828) (Shiryu was one of several pen names he used along with Kozo, Gyozo to name but two, and his real name, Heigen), one of the fiercest and most uncompromising swordsmen of the mid-late Edo period.

What better way to introduce him, than by a picture of his dojo. Apparently out of bounds to women apart from his mother..who was apparently a </atom:summary><link>http://ichijoji.blogspot.com/2011/04/my-swordsmanship-is-for-killing-enemy.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-kUQkM6cHcdc/TaIjulEBSpI/AAAAAAAAAIE/JerP2ey23DI/s72-c/Hirayama+dojo1.png" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-2752673425237021428</guid><pubDate>Sat, 02 Apr 2011 10:53:00 +0000</pubDate><atom:updated>2011-04-02T06:32:35.654-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Joseishi Kendan</category><category domain="http://www.blogger.com/atom/ns#">Matsuura Seizan</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>Secrets in daily life - the Joseishi Kendan</title><atom:summary>

A statue of Seizan in Hirado, his sometime domain, near Nagasaki.


This is the second of the works that I translated in The Samurai Mind, and it is one that is rather different from Neko No Myojutsu, and well worth taking a closer look at.

The Joseishi Kendan is a bit like a garage sale, but though it might be a bit messy and confusing, there's something for everyone. It consists of a host of</atom:summary><link>http://ichijoji.blogspot.com/2011/04/secrets-in-daily-life-joseishi-kendan.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-L_8HlwjLius/TZb7-2ljEDI/AAAAAAAAAH4/qGQjXnVDGTk/s72-c/Seizan+Statue.gif" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-5005366189007456047</guid><pubDate>Sat, 26 Mar 2011 08:59:00 +0000</pubDate><atom:updated>2011-03-26T01:59:15.475-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Martial arts</category><category domain="http://www.blogger.com/atom/ns#">samurai</category><category domain="http://www.blogger.com/atom/ns#">books</category><category domain="http://www.blogger.com/atom/ns#">Neko no Myojutsu</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>Neko No Myojutsu - The Mysterious Skills of the Old Cat</title><atom:summary>

The Cornered Rat Attacks the Cat - Ogata Gekko (1892) 

Neko no Myojutsu is a story that many people will be familiar with. I first came across it as a student in DT Suzuki's Zen and Japanese Culture, an important but somewhat flawed book in this field, and subsequently it was the first text on swordsmanship that I read in Japanese, being already familiar with the story. It was also the genesis</atom:summary><link>http://ichijoji.blogspot.com/2011/03/neko-no-myojutsu-mysterious-skills-of.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh6.googleusercontent.com/-h1n_ToLmEQw/TY2oA21BYWI/AAAAAAAAAH0/RlCAMGiJDq4/s72-c/Mysterious+rat.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-629381298475853605</guid><pubDate>Mon, 21 Mar 2011 04:06:00 +0000</pubDate><atom:updated>2011-03-20T21:06:10.429-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">learning</category><category domain="http://www.blogger.com/atom/ns#">books</category><category domain="http://www.blogger.com/atom/ns#">history</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>The Inner secrets - Questioning Old Manuals</title><atom:summary>Issun saki wa yami - an inch ahead is darkness
Of course, here,  the disastrous events of the 11th are on everyone's mind.
With a rising death toll and thousands missing, even for those not directly involved, it serves as a reminder of just how precarious life can be. This is something that has formed a continuous theme in many expressions of Japanese culture, artistic and literary, and has </atom:summary><link>http://ichijoji.blogspot.com/2011/03/inner-secrets-questioning-old-manuals.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh3.googleusercontent.com/-cDXEozvqjKc/TYbOE3stmzI/AAAAAAAAAHw/sju5uFPPslc/s72-c/makimono-densho.jpg" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3682939514101632557.post-1477075951111197458</guid><pubDate>Sat, 05 Mar 2011 11:45:00 +0000</pubDate><atom:updated>2011-03-05T03:45:42.239-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Shinkyu-ryu</category><category domain="http://www.blogger.com/atom/ns#">strategy</category><category domain="http://www.blogger.com/atom/ns#">Ishikawa Idayuu</category><category domain="http://www.blogger.com/atom/ns#">Saigo Takamori</category><category domain="http://www.blogger.com/atom/ns#">swordsmanship</category><category domain="http://www.blogger.com/atom/ns#">The Samurai Mind</category><title>Ishikawa Idayuu - the unknown swordsman</title><atom:summary>
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Ishikawa Idayuu (1825-1894)Occasionally a name or an incident will crop up that will make you want to stop and find out more. Names of people long dead continue to </atom:summary><link>http://ichijoji.blogspot.com/2011/03/ishikawa-idayuu-unknown-swordsman.html</link><author>noreply@blogger.com (Chris Hellman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh3.googleusercontent.com/-Ybce3q65Ui0/TXIPLqtWwAI/AAAAAAAAAHk/-l6xCQ4T-T0/s72-c/fa657d35.jpg" height="72" width="72" /><thr:total>0</thr:total></item></channel></rss>

