tag:blogger.com,1999:blog-8378946203670201100Fri, 08 Nov 2024 15:20:46 +0000image editingCreating layers in PhotoshopphotoshopPrinting an Image in PhotoshopCreating and modifying paths in Photoshopphotoshop actionsUndoing in PhotoshopApplying filters in PhotoshopBrush ToolEditing Typeadobe bridgelayers palettetypeblend modescmyk imageCamera Raw Format in Photoshopgradientslayer masklayer stylescreating typepreset brushesrgb colortypographyWorking with the Brushes Palettebrush palleteclone stamp toolcurveshealing brush toolselections in PhotoshopManaging Preset BrushesSelecting tools in PhotoshopUsing TIFF Format in Photoshopadjustment layerschannelshuepatch toolsaturationsharpenstrokeAnnotations and NotesCreating Your Own Brush PresetJPEG Format in PhotoshopMaking selections in PhotoshopPhotoshop and Photoshop Raw Image Formatbeveledcontrastdesaturatedrop shadowedit imagesgrayscaleimage readyimagereadylayer comps palettelayerspatternphotoshop cs3print productionshadowsspot healing brushunsharp maskChoosing Color Modes and File Formats in PhotoshopCropping an Image in PhotoshopFilling and StrokingPDF Format in PhotoshopUsing selection tools in PhotoshopUsing the Crop and Straighten Photo Command in PhotoshopUsing the Info Palette in Photoshopbrightnesscolorcolor balancecolor correctiondrawing curvesduotonesembossedillustratorimage adjusmentsimage capture noiseinner glowlasso toollevelsliquifynoiseopacityoptions palettephotoshop preferencesprint designpsd file formatquick maskreduce noisergb imagesharpen toolslice imagesmart sharpeningstyles Palettetexturevector masksAdding Pixels to an Image in PhotoshopAdjusting transparency and gamut in PhotoshopColor Management Essentials in PhotoshopConverting to a Different Color Mode in PhotoshopCropping with the Marquee Tool in PhotoshopDealing with Foreground and Background Colors in PhotoshopEPS Format in PhotoshopFilling Options and Tips in PhotoshopGIF Format in PhotoshopProofing and finalizing the image in PhotoshopResolutionSetting Color Management Policies in PhotoshopUsing painting tools in PhotoshopUsing tools for cloning and retouching in Photoshopadvanced blending optionsalpha channelsblending layersblurbrush tip shapebrushesclipping groupscloningcolor gamutscolor overlaycolor separationseyedropsfilter gallerygaussian blurgradient mapshighlightslayer opacityluminosity modemagnetic lasso toolouter glow effectsoverlaysphoto filterpreset patternred eye removal toolsrefine edgesmooth gradientspot color separationsA Fast Way to Colorize Skin in photoshopA Potpourri of Image Size Do’s and Don’ts in PhotoshopCalibrating your monitor for PhotoshopChoosing a Screen Mode in PhotoshopChoosing the Right File Format in PhotoshopConverting Type to PathsCreating custom tool presets in PhotoshopCustomizing Keyboard Shortcuts in PhotoshopDissecting Dialog BoxEdit History in PhotoshopGetting to Know the Tools Palette in PhotoshopKnowing RGB Basics in PhotoshopMoving and Cloning SelectionsPencil ToolPlug-Ins and Scratch Disks in PhotoshopResampling Images in PhotoshopSelecting a Color Mode in PhotoshopSetting Preferences in PhotoshopSetting Printing Options in PhotoshopSoft Proofing Colors in PhotoshopTransforming PixelsUsing guides in PhotoshopUsing the Color Sampler tool to measure color in PhotoshopUsing the Image Size Command in PhotoshopUsing tools for the Web in PhotoshopVector images in PhotoshopWorking with Metadata in Photoshopadjustmentand slices in Photoshopanti-aliasingauto colorauto color correctorsauto colorsbackground eraser toolbatch automationblack and white adjustment layerchannel mixerclipping maskcollagecolor profilescolor range commandcolor replacement toolcolor spacecolorizingcontact sheetscontourdarkendcsdesktop color separationsdigital cameraeraser toolexposurefeatherfillfilter effectsflattening layersglow effectshistogramhistogram paletteicc color profileimage resolutionindesigninksinner shadow effectlayerlayer grouplayer option palletelayout and print designlevellightenmagic eraser toolmagic wandmaskingmatching coloroptimizing imagespage layoutpathpdf presentationspen toolphotoshop rulerspicture packagespolygon lasso toolposterizepreset gradientsprint resolutionprinting graphicsraster filerasterizereconstructred eyeremoving moire effectreplace colorsave for webscannerselective colorsharpen edgesspot color channelstudying textvector data3d transformAccessing Help When You Need It in PhotoshopAdjusting the PathAdjusting your display and cursors in PhotoshopAfter You Define Your Settings in PhotoshopApplying Digital Copyrights in PhotoshopBMP Format in PhotoshopBrief Anatomy of the File Browser in PhotoshopCMYK Working Spaces in PhotoshopChanging Memory and Cache Settings in PhotoshopChanging the Canvas Size in PhotoshopClipping Out the Unwanted in PhotoshopClosing and Quitting in PhotoshopConfiguring the File Browser Window in PhotoshopCreate Other Image Format in PhotoshopCreating a New Image in PhotoshopCreating effects with typographical tools in PhotoshopCreating guides in PhotoshopCreating shapes in PhotoshopCruising with the Navigator Palette in PhotoshopCustom Shape toolCustomizing Workspace and Preferences in PhotoshopCustomizing the DesktopDeciding how you want files handled in PhotoshopDefining Color in PhotoshopEstablishing Your Settings for PhotoshopExamining the Photoshop EnvironmentFlowing Type from Path to PathGeometry optionsGetting Consistent Color among Adobe ApplicationsGetting It on PaperGetting Precise Layout Results in PhotoshopGetting Started and Finishing Up PhotoshopGetting to know your tools in PhotoshopGrabbing color from the Swatches palette in PhotoshopGrayscale Working Spaces in PhotoshopHandling Photoshop’s predefined settingsHandling the Hand tool in PhotoshopIf You’re Monkeying around with Print Media in PhotoshopIndicating your working spaces in PhotoshopIntroducing the Photoshop ToolsJargon PhotoshopKnowing CMYK basics in PhotoshopLarge Document Format (PSB) Format in PhotoshopLaunching PhotoshopLifting and sampling color in PhotoshopMaking changes by using the Image menu in PhotoshopMaking simple image edits in PhotoshopManaging Images with the File Browser in PhotoshopManipulating ShapesMeasuring On-Screen in PhotoshopMeasuring an object in PhotoshopMixing with the Color palette in PhotoshopOpening a Photo CD image in PhotoshopOpening special files in PhotoshopPICT Image Format in PhotoshopPhotoshop Page Setup in Microsoft WindowsPhotoshop Page Setup in the Mac OSPhotoshop PalettesPlacing Files in PhotoshopPoking around the Color Picker in PhotoshopRGB Working Spaces in PhotoshopRaster images in PhotoshopReassigningRemovingResizing Images with the Resize Image Wizard in PhotoshopSaving Time with Tool Presets in PhotoshopSaving a File in PhotoshopSaving a backup copy in PhotoshopService BureauSetting File Browser Preferences in PhotoshopSetting measurement preferences in PhotoshopSetting up guidesSetting up your work environment in PhotoshopSimplifying your edits with the Options bar in PhotoshopSpecifying Size and Resolution in PhotoshopSpot Working Spaces in PhotoshopStatus Bar PhotoshopSure-fire cropping tips in PhotoshopTaking Pixels Out of an Image in PhotoshopTransforming Paths in PhotoshopTransforming Selection MarqueesTyping around a PathTyping inside a PathUsing Keywords in PhotoshopUsing Photoshop with two monitorsUsing Type as a MaskUsing and Managing Color in PhotoshopUsing grids in PhotoshopUsing the Conditional Mode Change Command in PhotoshopUsing the Trim Command in PhotoshopUsing the menu bar and buttons in PhotoshopViewingViewing Raster Images On-Screen in PhotoshopViewing and Navigating Images in PhotoshopWorking with Extras in PhotoshopWorking with Gradients in PhotoshopZooming In and Out of Image Windows in PhotoshopZooming tricks in Photoshopacrobatadding coloradding selectionsadjusmentadjustmentsadobe pagemakeraffinealigning layersamplitwistand annotating tools in Photoshopand size in raster imagesangelic glowanimatedapha channelsauto contrastauto levelsbackground texturesbasic shapesblend effectsblur focal distanceblur toolborderburningcapture videochannel maskscharacter palettecleaning up digital imageclearing stylesclipping layersclipping pathsclone patterncollapsing palettescolor burncolor channelscolor consistentcolor correctorscolor dodgecolor fadecolor intensitycolor pickercolor range selectionscolor settingcolor wheelcolor-coding layerscolored pencilcolorizing black and white imagescolorizing grayscale imagecomposite RGBconsolidating layerscontour editorcontract commandsconverting alpha channels to spot channelconverting color images to grayscaleconverting layers to spot colorscopy layerscopying stylescorrection toolscurves dialog boxcustom shapescutoutdarker colordata lossdefault workspacedeleting workspacedesignersdifference cloudsdigital imagedigital negative formatdimensiondisplacedissolvedistortdistortingdistortiondistributing layersdng formatdocument's resolutiondodgedoutone modedropletsdry brush filterduplicating layersedge refinement toolsediting textediting toolseffect layerseliptical marqueeellipse textelliptical shapeequalizeexpand commandsextract filterextract imagefacet filterfaux stylesfile formatfile naming sysstemfill layersfirst time photoshopfixing underexposedfocusfocus toolfractional widthframing photofreezefrescofull screen modeghosting typegif optionsglass buttongolivegradient blendinggradient editorgradient maskgrayscale imagegrayscale modegridsgrow and similar commandshalftone patternhard lighthard mixhexadecimal colorshighlighthistogram palletehistory brushhistory paintingimage layersimage manipulationimage replacing colorsindexed colorinput levelsinterface in photoshop cs3invertirisisplay settings photoshopjpeg 2000jpeg optionskeystroke modifierslab color modelab conversionlayer effectlens blur effectlens correctionlens distortionlens flarelighting effectsline artline geometrylinear dodgelinear lightlinking layersliquify commandloading timelocking layersluminance mapmaking layersmanaging layersmanaging palettesmapping imagesmarquee optionmaskmasking hairmasking layersmasking typemasksmedian filtermerged layermerging layersmicrosoft powerpointmicrosoft wordmodify commandmodifying contourmodifying slicemonitor calibrationmoving layersmulticolor gradientmultiple imagesnatural lightnavigatingnew dialog in photoshop cs3noise patternntsc colorsold photosopening file in photoshopoptimizing colorsoption baror Converting Color Profiles in Photoshopoutput levelsoverlayoverlay effectspagemakerpaint daubspaintingpainting with lightpainting with shadowparagraphpaste layerspattern maker filterperformancephotographyphotomerge commandphotoshop channelspin lightpixelpixel logicplastic wrap watercolorpngpng formatpng optionspolygon shapeposter edgesposter edges filterpremierepreset custom shapespreset stylesprinter profileproduction artistsproof printingquackxpressrasterizing typereconstructing an imagerectangular shaperegrouping palettesremove choreremove scan linesremoving jpeg artifactsrollover effectsamplingsatinsaving files in photoshopsaving slicesaving workspacescale effectsscanscan imagescan imagesscanners controlsscreen modesselect edgeselect menuselecting sliceselection edgeselection pathsepiasetting slice optionssetting up workspaceshadingshadowshape layersshape masksshaping typesharpen moreside palettessingle row marqueesketch filtersskin tonesmart filterssmart objectssmoothsmoothing imagesmudge toolsnow and rainsoft lightsoftening imagespectacular highlightssplash page mockupsponge toolspot color knockoutspot color trappingstacking palettesstamping layersstroke effectssubtracting selectionswopsynchronized color settingssystem layouttexttext on circletexture filltexturizerthe Universal Donorthresholdtint effectstolerancetonal correctiontoning tooltool palletetools in Photoshoptransferring imagestransforming layerstransforming typetransparency color preferencesturn down colortype masktype of layerstype toolunit and rulervariationsvectorvector artvector shapesvideo scan linesvivid lightwand wizardwarping typeweb galleryweb imagesweb photo galleryweb-safeweb-safe palettewelcome screenwork pathworking with colorworking with photoshopworkspace presetsphoto editing software | image editing | image manipulation.http://editimages.blogspot.com/noreply@blogger.com (Pepen2710)Blogger636125tag:blogger.com,1999:blog-8378946203670201100.post-8455134696751507911Thu, 18 Aug 2016 08:13:00 +00002016-08-18T01:13:40.220-07:00Camera Raw Format in PhotoshopPhotoshop and Photoshop Raw Image FormatA large number of readers will probably be using a digital camera to capture their photographs and will find themselves presented with a choice between capturing in JPEG or raw mode. Whichever way you look at it, all images are captured as raw data and the raw information has to be converted at some stage into an RGB pixel image that Photoshop can work with. All digital cameras have an on-board http://editimages.blogspot.com/2016/08/converting-raw-data-into-pixels.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5767289317866544417Thu, 10 Mar 2016 15:22:00 +00002016-03-10T07:22:13.470-08:00pixelvectorPhotoshop as a Vector Program Photoshop is mainly regarded as a pixelbased graphics program, but it does have the capability to be a combined vector and pixel editing program because it also contains a number of vector-based features that can be used to generate images such as custom shapes and layer clipping paths. This raises some interesting possibilities, because you can create various http://editimages.blogspot.com/2016/03/pixels-versus-vectors.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-2333894407019407094Tue, 04 Aug 2015 02:41:00 +00002015-08-03T19:41:00.277-07:00cmyk imageConverting to a Different Color Mode in Photoshoprgb colorrgb imageIf you are preparing your image to be printed on a commercial printing press, most printing companies will request (and some require) that you perform your own RGB-to-CMYK conversion. It is indeed a good idea for you to take control of this conversion, because it ultimately allows you to control the final output. In Photoshop CS3, you can use preset color profiles to convert images from RGB to http://editimages.blogspot.com/2015/08/converting-rgb-to-cmyk-in-photoshop.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5041672759737337218Mon, 03 Aug 2015 02:39:00 +00002015-08-02T19:39:00.812-07:00icc color profileIf you or your printing company work in a color-managed workflow, you will want to substitute custom-made ICC color profiles in place of one of the supplied or manually made custom CMYK profiles for use in your gamut conversions. These custom ICC profiles can be substituted for the RGB and/or CMYK Working Spaces standard choices in the Color Settings dialog box. Follow these steps:1. Copy a http://editimages.blogspot.com/2015/08/using-custom-icc-color-profiles.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-6891095975288211968Sun, 02 Aug 2015 02:38:00 +00002015-08-01T19:38:00.238-07:00cmyk imageWhen you are finished configuring your Custom CMYK setup, wrap up with these steps:1. Click the OK button (or press Enter). Your new Custom setup will now appear in the Working Spaces CMYK menu in the Color Settings dialog box.2. After you have defined a specific setup of CMYK separation choices and values, this setup can be named and saved as a Photoshop profile and recalled at any time. Give http://editimages.blogspot.com/2015/08/wrapping-up.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-6309400769452254048Sat, 01 Aug 2015 02:37:00 +00002015-07-31T19:37:00.143-07:00color separationsNext, choose one of two methods for generating CMYK values and creating CMYK separations from RGB values: Under Color Removal (UCR) or Gray Component Replacement (GCR). Again, input from your printing company is important here. Theoretically, the gamut conversion should be RGB to CMY. We add black (K) to our CMY images for two reasons: 1) so that we can create a good high-contrast black (which ishttp://editimages.blogspot.com/2015/07/separation-options.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-1462753841353690599Fri, 31 Jul 2015 02:36:00 +00002015-07-30T19:36:00.438-07:00swopSWOP stands for Specifications for Web Offset Presses; sheetfed printers also use these, although there are also specifications for sheetfed printers known as GRACoL standards (General Requirements for Applications in Commercial Offset Lithography). Newspapers have their own specifications, which are known as SNAP standards (Specifications for Newsprint Advertising Production).http://editimages.blogspot.com/2015/07/what-is-swop.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-969682389149669398Thu, 30 Jul 2015 02:34:00 +00002015-07-29T19:34:00.546-07:00color gamutsThe previous section described a good generic setup for converting RGB or Lab color space images to CMYK for standard prepress printing in North America. This next set of instructions should be used for fine-tuning your CMYK gamut conversion. You may want to use this custom CMYK setup if you are unhappy with the results you are achieving when using the standard profiles. You can also use this http://editimages.blogspot.com/2015/07/custom-prepress-gamut-conversion.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-3475406460909569766Wed, 29 Jul 2015 02:33:00 +00002015-07-28T19:33:57.955-07:00color gamutsA whole series of RGB and CMYK color profiles are installed with Photoshop CS3, and you can also add your own custom profiles. Here is how you set up and use Photoshop CS3’s Color Settings dialog box. Note that this section provides recommended general settings for preparing an image to print in a standard commercial sheetfed print environment in North America. However, it is always best to ask http://editimages.blogspot.com/2015/07/preset-prepress-gamut-conversion.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-3399979051001394151Sun, 19 Jul 2015 03:43:00 +00002015-07-18T20:43:00.558-07:00cmyk imagecolor profilesrgb colorWhen you are working with images in Photoshop that are destined to be printed on a commercial printing press, they are typically in RGB color space and are converted for print to CMYK. Therefore, it is important that you define and assign a color profile to the RGB and CMYK color spaces that you will be working in and converting to in Photoshop. These are designated as the Working RGB and Workinghttp://editimages.blogspot.com/2015/07/color-profiles-in-photoshop.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-9008545193613891085Sat, 18 Jul 2015 03:43:00 +00002015-07-17T20:43:00.408-07:00Printing an Image in PhotoshopYou will typically use either Relative Colorimetric or Perceptual when converting most continuous tone color images. Relative Colorimetric conversion emphasizes more accurate color value to color value conversion, while the Perceptual emphasizes maintaining the relative differences between various colors. Often you will not see a significant difference between these two. Test them both using yourhttp://editimages.blogspot.com/2015/07/which-rendering-intent.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5065192993856509701Fri, 17 Jul 2015 03:37:00 +00002015-07-16T20:37:00.431-07:00Printing an Image in PhotoshopSoft Proofing Colors in PhotoshopIn addition to print proofs, you can also create a soft proof (software proof) of your image onscreen that will simulate how your image will print on a particular printer/substrate combination. Soft proofing has progressed a great deal in the past few years. In fact, when properly configured and maintained, soft proofing can be as accurate as hard proofing for many purposes, and even superior in http://editimages.blogspot.com/2015/07/soft-proofing.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5666051248139728845Thu, 16 Jul 2015 03:34:00 +00002015-07-15T20:34:00.576-07:00printer profileproof printingYou can also print proofs to simulate how your image will print on another print device. This is a good option whenever you are unable to print directly or economically to the destination output device, such as a commercial sheetfed printing press. The setup steps are similar to creating a final print, but with a few different menu choices. Here are the steps you would go through to create a http://editimages.blogspot.com/2015/07/proof-printing.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-7913524740067501961Wed, 15 Jul 2015 03:33:00 +00002015-07-14T20:33:00.222-07:00Printing an Image in PhotoshopI recommend printing at 100% scale. If you need to scale your image for a final print, I suggest scaling the image in Photoshop followed up with a bit of sharpening to mitigate the softening that results from resampling. High-speed printing usually designates bidirectional printing (where the print head prints during both the left-to-right and right-to-left passes), which can sometimes reduce thehttp://editimages.blogspot.com/2015/07/printing-tips.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-7339834164927645790Tue, 14 Jul 2015 02:42:00 +00002015-07-13T19:42:00.052-07:00Printing an Image in PhotoshopWhen you print from Photoshop to an ink-jet or other high-quality printer, you will control part of the printing from within the Photoshop print dialog box and part from within the print driver dialog. You will want to be consistent with your print setups to achieve consistent high-quality results. Let’s run through an example: 1. Open an image in Photoshop CS3. 2. Choose File ➢Print. The Print http://editimages.blogspot.com/2015/07/printing-image-from-photoshop-photoshop.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-4938944018435947538Mon, 13 Jul 2015 02:41:00 +00002015-07-12T19:41:00.175-07:00color gamutscolor profilescolor spaceTo be comfortable with the working fundamentals of color management, and to therefore be able to achieve the highest-quality and consistency of color printing output, it is helpful to be conversant with the three key components of color management: color spaces, color gamuts, and color profiles: Color spaces are defined by the colorants you use when capturing, working, viewing, and outputting youhttp://editimages.blogspot.com/2015/07/color-spaces-color-gamuts-and-color.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5590770336918099495Sun, 12 Jul 2015 02:39:00 +00002015-07-11T19:39:00.066-07:00cmyk imageinksrgb colorrgb imageWhen you print your images to an ink-jet printer, you will in most cases be printing an RGB image rather than a CMYK color space file. In fact, with many ink-jet print drivers and RIPs, if you send a CMYK file to the device, it will first convert it back to an RGB color space, and then perform its own conversion to CMYK. This is not good! Avoid this process at all costs, because your image will http://editimages.blogspot.com/2015/07/rgb-vs-cmyk-images-and-ink-jets.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-6843758020568629710Sat, 11 Jul 2015 02:38:00 +00002015-07-10T19:38:30.323-07:00Printing an Image in Photoshopprinting graphicsSetting Printing Options in PhotoshopWhen you print from Photoshop to an ink-jet printer, be very clear about where the color conversion is taking place. Color conversion can take place in Photoshop or via the printer driver. In most cases, you will want to control this conversion through Photoshop by using either paper-specific profiles or your own custom color profiles. The more specific the color profile is to your printing http://editimages.blogspot.com/2015/07/printing-to-high-quality-printers.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-108915169403375257Sun, 31 May 2015 08:47:00 +00002015-05-31T01:47:00.381-07:00Printing an Image in PhotoshopIf you are printing your images during final output to a high-quality print device, such as an expanded-gamut seven- or eight-color ink-jet, you will want to print from Photoshop rather than from a page layout application such as InDesign or QuarkXPress. There is no need to place a linked file in a layout application when final output is to take place on this type of device.http://editimages.blogspot.com/2015/05/printing-from-photoshop.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-8613108418880302077Sat, 30 May 2015 08:47:00 +00002015-05-30T01:47:00.872-07:00file naming sysstemYou will want to adopt a file-naming system that makes sense and works for you. Your file-naming system needs to be compatible with how you handle your images. Many companies that work with large numbers of customer files use job numbers. If you tend to create multiple versions of images, your file-naming system should reflect this as well.You will note from my filename used earlier, http://editimages.blogspot.com/2015/05/file-naming-system.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-4131745884428660338Fri, 29 May 2015 08:46:00 +00002015-05-29T01:46:00.318-07:00file formatYou will want to select file formats and establish how you want to use them based on your image editing, handling, and output requirements. Here are some file format workflow suggestions:◆ Set up your Photoshop file handling preferences (Application/Edit ➢Preferences ➢File Handling) to always save images with three-character, lowercase extensions. Why not have Photoshop handle this tedious chore http://editimages.blogspot.com/2015/05/file-formats-and-workflow.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-8354691791986251205Thu, 28 May 2015 08:45:00 +00002015-05-28T01:45:00.425-07:00JPEG Format in PhotoshopAs I mentioned earlier in this chapter, JPEG format is not a preferred graphic file format for use in high-quality printing environments. This is because saving an image as a JPEG automatically applies lossy compression, which removes data from an image. But the reality is that we often receive JPEGs from a variety of sources and are expected to print them. So our guiding principle—our graphic http://editimages.blogspot.com/2015/05/jpeg-file-format.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-2424929252656360627Wed, 27 May 2015 08:44:00 +00002015-05-27T01:44:00.158-07:00indesignHere is the fastest way to access the image content options (Layers, Layer Comps, color options, and the image itself) of a placed .psd image.1. Create a new page layout document in InDesign by selecting File ➢New ➢Document. Enter the preferred page dimensions and orientation and click OK.2. Place the image file Clouds_RGB_300_1 on the first document page by selecting File ➢ Place. Aloaded http://editimages.blogspot.com/2015/05/working-with-native-photoshop-files-and.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-2423418594503111264Tue, 26 May 2015 08:43:00 +00002015-05-26T01:43:00.340-07:00page layoutpsd file formatKnowing how to place and access a native Photoshop (PSD) file in an InDesign or QuarkXPress document will allow you to take further advantage of your access to its components. You can also learn how to simplify your PSD images after you are satisfied with their content. Here is an outline of the steps you should follow to place, access, and simplify a PSD file in an InDesign or QuarkXPress http://editimages.blogspot.com/2015/05/placing-and-accessing-psd-files-in-page.htmlnoreply@blogger.com (Pepen2710)0tag:blogger.com,1999:blog-8378946203670201100.post-5012478563067779026Mon, 25 May 2015 08:42:00 +00002015-05-25T01:42:00.047-07:00psd file formatWhenever you save an image in Photoshop format, you want to make sure it retains all of its editablity. This is indeed the primary purpose of using the Photoshop native file format: editability.1. Open the multilayered and multichannel image. The image and all its layers, masks, and channels will be available for viewing and editing.2. To save a complex image in PSD format with all its layers, http://editimages.blogspot.com/2015/05/saving-photoshop-native-psd-file.htmlnoreply@blogger.com (Pepen2710)0