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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-8378946203670201100</atom:id><lastBuildDate>Sun, 15 Apr 2012 23:02:38 +0000</lastBuildDate><category>Saving Time with Tool Presets in Photoshop</category><category>preset brushes</category><category>contact sheets</category><category>custom shapes</category><category>Geometry options</category><category>capture video</category><category>indexed color</category><category>Choosing Color Modes and File Formats in Photoshop</category><category>polygon shape</category><category>Using and Managing Color in Photoshop</category><category>first time photoshop</category><category>pixel logic</category><category>monitor calibration</category><category>Adding Pixels to an Image in Photoshop</category><category>print design</category><category>selecting slice</category><category>Using guides in Photoshop</category><category>Viewing Raster Images On-Screen in Photoshop</category><category>border</category><category>document's resolution</category><category>overlays</category><category>vector shapes</category><category>alpha channels</category><category>Managing Preset Brushes</category><category>satin</category><category>Creating layers in Photoshop</category><category>channel mixer</category><category>Saving a File in Photoshop</category><category>Converting to a Different Color Mode in Photoshop</category><category>spot color trapping</category><category>replace color</category><category>distributing layers</category><category>threshold</category><category>image editing</category><category>input levels</category><category>Adjusting your display and cursors in Photoshop</category><category>paste layers</category><category>Undoing in Photoshop</category><category>converting alpha channels to spot channel</category><category>spot color knockout</category><category>Configuring the File Browser Window in Photoshop</category><category>Setting Preferences in Photoshop</category><category>color-coding layers</category><category>Simplifying your edits with the Options bar in Photoshop</category><category>sharpen more</category><category>Pencil Tool</category><category>patch tool</category><category>modify command</category><category>auto color</category><category>amplitwist</category><category>type</category><category>Using selection tools in Photoshop</category><category>contour editor</category><category>apha channels</category><category>adobe pagemaker</category><category>Large Document Format (PSB) Format in Photoshop</category><category>color setting</category><category>correction tools</category><category>magic eraser tool</category><category>Resizing Images with the Resize Image Wizard in Photoshop</category><category>Transforming Selection Marquees</category><category>multicolor gradient</category><category>colorizing black and white images</category><category>layer</category><category>inner glow</category><category>Setting up your work environment in Photoshop</category><category>histogram pallete</category><category>old photos</category><category>cmyk image</category><category>advanced blending options</category><category>mapping images</category><category>history painting</category><category>colorizing grayscale image</category><category>black and white adjustment layer</category><category>framing photo</category><category>Specifying Size and Resolution in Photoshop</category><category>anti-aliasing</category><category>painting</category><category>Camera Raw Format in Photoshop</category><category>smudge tool</category><category>basic shapes</category><category>Grabbing color from the Swatches palette in Photoshop</category><category>colorizing</category><category>color intensity</category><category>photo filter</category><category>shadows</category><category>Creating Your Own Brush Preset</category><category>Creating shapes in Photoshop</category><category>picture packages</category><category>managing layers</category><category>layer option pallete</category><category>clipping paths</category><category>smooth</category><category>typography</category><category>variations</category><category>rasterize</category><category>fresco</category><category>fill</category><category>Typing around a Path</category><category>liquify</category><category>image resolution</category><category>Spot Working Spaces in Photoshop</category><category>Using the Conditional Mode Change Command in Photoshop</category><category>modifying slice</category><category>edit images</category><category>Indicating your working spaces in Photoshop</category><category>Clipping Out the Unwanted in Photoshop</category><category>poster edges filter</category><category>Changing the Canvas Size in Photoshop</category><category>focus</category><category>elliptical shape</category><category>ntsc colors</category><category>selections in Photoshop</category><category>color range selections</category><category>Sure-fire cropping tips in Photoshop</category><category>single row marquee</category><category>levels</category><category>photoshop</category><category>Moving and Cloning Selections</category><category>red eye</category><category>history brush</category><category>premiere</category><category>icc color profile</category><category>hexadecimal colors</category><category>clone stamp tool</category><category>color picker</category><category>default workspace</category><category>grids</category><category>photoshop channels</category><category>lab color mode</category><category>contour</category><category>blending layers</category><category>Launching Photoshop</category><category>adding color</category><category>full screen mode</category><category>Setting File Browser Preferences in Photoshop</category><category>screen modes</category><category>pagemaker</category><category>Zooming tricks in Photoshop</category><category>Brief Anatomy of the File Browser in Photoshop</category><category>video scan lines</category><category>CMYK Working Spaces in Photoshop</category><category>pen tool</category><category>png options</category><category>welcome screen</category><category>shaping type</category><category>and annotating tools in Photoshop</category><category>A Fast Way to Colorize Skin in photoshop</category><category>collapsing palettes</category><category>copy layers</category><category>splash page mockup</category><category>path</category><category>deleting workspace</category><category>polygon lasso tool</category><category>Applying filters in Photoshop</category><category>lighten</category><category>Editing Type</category><category>Getting Precise Layout Results in Photoshop</category><category>Create Other Image Format in Photoshop</category><category>clone pattern</category><category>paint daubs</category><category>Using the Info Palette in Photoshop</category><category>digital camera</category><category>burning</category><category>brightness</category><category>Service Bureau</category><category>distortion</category><category>option bar</category><category>lighting effects</category><category>color correction</category><category>making layers</category><category>channels</category><category>affine</category><category>Cruising with the Navigator Palette in Photoshop</category><category>blur focal distance</category><category>Resampling Images in Photoshop</category><category>Photoshop Palettes</category><category>performance</category><category>Introducing the Photoshop Tools</category><category>Dealing with Foreground and Background Colors in Photoshop</category><category>Using the Crop and Straighten Photo Command in Photoshop</category><category>vector data</category><category>warping type</category><category>Measuring On-Screen in Photoshop</category><category>adjustment layers</category><category>Viewing</category><category>Photoshop Page Setup in Microsoft Windows</category><category>saving files in photoshop</category><category>line geometry</category><category>workspace presets</category><category>stacking palettes</category><category>feather</category><category>layer comps palette</category><category>A Potpourri of Image Size Do’s and Don’ts in Photoshop</category><category>Flowing Type from Path to Path</category><category>consolidating layers</category><category>layer mask</category><category>microsoft powerpoint</category><category>marquee option</category><category>stamping layers</category><category>interface in photoshop cs3</category><category>or Converting Color Profiles in Photoshop</category><category>PICT Image Format in Photoshop</category><category>contrast</category><category>Making simple image edits in Photoshop</category><category>adjusment</category><category>scan</category><category>Working with Gradients in Photoshop</category><category>blur</category><category>difference clouds</category><category>image replacing colors</category><category>Raster images in Photoshop</category><category>animated</category><category>Working with Extras in Photoshop</category><category>focus tool</category><category>Adjusting transparency and gamut in Photoshop</category><category>background textures</category><category>highlights</category><category>Transforming Pixels</category><category>darken</category><category>rollover effect</category><category>Calibrating your monitor for Photoshop</category><category>Choosing the Right File Format in Photoshop</category><category>background eraser tool</category><category>rectangular shape</category><category>layout and print design</category><category>Transforming Paths in Photoshop</category><category>shadow</category><category>Cropping an Image in Photoshop</category><category>BMP Format in Photoshop</category><category>web photo gallery</category><category>colored pencil</category><category>Creating custom tool presets in Photoshop</category><category>equalize</category><category>Filling Options and Tips in Photoshop</category><category>Photoshop Page Setup in the Mac OS</category><category>layer styles</category><category>auto color correctors</category><category>iris</category><category>Using Keywords in Photoshop</category><category>color consistent</category><category>color separations</category><category>photoshop actions</category><category>selection path</category><category>printing graphics</category><category>photoshop cs3</category><category>extract image</category><category>slice image</category><category>Handling Photoshop’s predefined settings</category><category>adjustments</category><category>Using the Trim Command in Photoshop</category><category>Using TIFF Format in Photoshop</category><category>facet filter</category><category>layers</category><category>Resolution</category><category>grayscale mode</category><category>opening file in photoshop</category><category>Getting to Know the Tools Palette in Photoshop</category><category>tolerance</category><category>invert</category><category>poster edges</category><category>Dissecting Dialog Box</category><category>saving workspace</category><category>layers palette</category><category>Getting Started and Finishing Up Photoshop</category><category>Making selections in Photoshop</category><category>histogram</category><category>removing moire effect</category><category>color correctors</category><category>gradient maps</category><category>magnetic lasso tool</category><category>Viewing and Navigating Images in Photoshop</category><category>Soft Proofing Colors in Photoshop</category><category>Working with Metadata in Photoshop</category><category>Vector images in Photoshop</category><category>subtracting selection</category><category>rgb color</category><category>smoothing image</category><category>locking layers</category><category>Color Management Essentials in Photoshop</category><category>opacity</category><category>healing brush tool</category><category>Adjusting the Path</category><category>select menu</category><category>photoshop rulers</category><category>spot color separations</category><category>save for web</category><category>and slices in Photoshop</category><category>photomerge command</category><category>scanners controls</category><category>texture</category><category>Opening a Photo CD image in Photoshop</category><category>tool pallete</category><category>image adjusments</category><category>pattern</category><category>Working with the Brushes Palette</category><category>stroke</category><category>Applying Digital Copyrights in Photoshop</category><category>Creating guides in Photoshop</category><category>Measuring an object in Photoshop</category><category>rasterizing type</category><category>masking layers</category><category>Printing an Image in Photoshop</category><category>photoshop preferences</category><category>Status Bar Photoshop</category><category>pattern maker filter</category><category>Custom Shape tool</category><category>grow and similar commands</category><category>spectacular highlights</category><category>3d transform</category><category>luminance map</category><category>quick mask</category><category>optimizing images</category><category>auto levels</category><category>grayscale image</category><category>If You’re Monkeying around with Print Media in Photoshop</category><category>blend effects</category><category>drop shadow</category><category>Knowing RGB Basics in Photoshop</category><category>Manipulating Shapes</category><category>adjustment</category><category>GIF Format in Photoshop</category><category>data loss</category><category>type of layers</category><category>production artists</category><category>reconstruct</category><category>eliptical marquee</category><category>painting with shadow</category><category>raster file</category><category>spot color channel</category><category>Using the Color Sampler tool to measure color in Photoshop</category><category>masking hair</category><category>flattening layers</category><category>scanner</category><category>tint effects</category><category>EPS Format in Photoshop</category><category>doutone mode</category><category>matching color</category><category>side palettes</category><category>Filling and Stroking</category><category>stroke effects</category><category>PDF Format in Photoshop</category><category>Setting Printing Options in Photoshop</category><category>lens flare</category><category>turn down color</category><category>transparency color preferences</category><category>hue</category><category>outer glow effects</category><category>Establishing Your Settings for Photoshop</category><category>fill layers</category><category>adding selections</category><category>keystroke modifiers</category><category>reconstructing an image</category><category>text</category><category>moving layers</category><category>the Universal Donor</category><category>Managing Images with the File Browser in Photoshop</category><category>cutout</category><category>Defining Color in Photoshop</category><category>Making changes by using the Image menu in Photoshop</category><category>drawing curves</category><category>dry brush filter</category><category>desaturate</category><category>softening image</category><category>Selecting a Color Mode in Photoshop</category><category>toning tool</category><category>layer group</category><category>distort</category><category>plastic wrap watercolor</category><category>glow effects</category><category>scan image</category><category>vector art</category><category>gradients</category><category>refine edge</category><category>pdf presentations</category><category>Customizing Workspace and Preferences in Photoshop</category><category>Converting Type to Paths</category><category>indesign</category><category>Grayscale Working Spaces in Photoshop</category><category>Opening special files in Photoshop</category><category>paragraph</category><category>Taking Pixels Out of an Image in Photoshop</category><category>png</category><category>regrouping palettes</category><category>transferring images</category><category>brush tip shape</category><category>Setting Color Management Policies in Photoshop</category><category>Using the menu bar and buttons in Photoshop</category><category>curves dialog box</category><category>jpeg options</category><category>eraser tool</category><category>duplicating layers</category><category>texture fill</category><category>Zooming In and Out of Image Windows in Photoshop</category><category>modifying contour</category><category>creating type</category><category>Using Type as a Mask</category><category>After You Define Your Settings in Photoshop</category><category>auto colors</category><category>Placing Files in Photoshop</category><category>designers</category><category>eyedrops</category><category>Selecting tools in Photoshop</category><category>median filter</category><category>setting up workspace</category><category>setting slice options</category><category>system layout</category><category>web images</category><category>fixing underexposed</category><category>saturation</category><category>photography</category><category>working with photoshop</category><category>highlight</category><category>masking</category><category>painting with light</category><category>sharpen tool</category><category>brush pallete</category><category>color wheel</category><category>posterize</category><category>embossed</category><category>acrobat</category><category>quackxpress</category><category>isplay settings photoshop</category><category>Customizing the Desktop</category><category>color fade</category><category>lasso tool</category><category>Lifting and sampling color in Photoshop</category><category>curves</category><category>sketch filters</category><category>exposure</category><category>Using the Image Size Command in Photoshop</category><category>print production</category><category>Cropping with the Marquee Tool in Photoshop</category><category>masks</category><category>character palette</category><category>contract commands</category><category>preset custom shapes</category><category>liquify command</category><category>cleaning up digital image</category><category>tools in Photoshop</category><category>output levels</category><category>blend modes</category><category>color balance</category><category>Removing</category><category>color range command</category><category>Choosing a Screen Mode in Photoshop</category><category>png format</category><category>Customizing Keyboard Shortcuts in Photoshop</category><category>transforming layers</category><category>Examining the Photoshop Environment</category><category>Using Photoshop with two monitors</category><category>illustrator</category><category>dimension</category><category>preset styles</category><category>lab conversion</category><category>lens blur effect</category><category>unsharp mask</category><category>transforming type</category><category>displace</category><category>image ready</category><category>type tool</category><category>converting layers to spot colors</category><category>histogram palette</category><category>Reassigning</category><category>angelic glow</category><category>Brush Tool</category><category>new dialog in photoshop cs3</category><category>color replacement tool</category><category>Using tools for the Web in Photoshop</category><category>Photoshop and Photoshop Raw Image Format</category><category>Annotations and Notes</category><category>web-safe palette</category><category>gaussian blur</category><category>clipping groups</category><category>saving slice</category><category>grayscale</category><category>web gallery</category><category>freeze</category><category>luminosity mode</category><category>wand wizard</category><category>Getting Consistent Color among Adobe Applications</category><category>inner shadow effect</category><category>image manipulation</category><category>aligning layers</category><category>Typing inside a Path</category><category>rgb image</category><category>magic wand</category><category>brushes</category><category>gif options</category><category>vector masks</category><category>sharpen</category><category>Creating effects with typographical tools in Photoshop</category><category>dodge</category><category>clipping layers</category><category>distorting</category><category>print resolution</category><category>Deciding how you want files handled in Photoshop</category><category>beveled</category><category>preset gradients</category><category>ellipse text</category><category>Changing Memory and Cache Settings in Photoshop</category><category>Knowing CMYK basics in Photoshop</category><category>auto contrast</category><category>selective color</category><category>natural light</category><category>linking layers</category><category>merging layers</category><category>unit and ruler</category><category>Poking around the Color Picker in Photoshop</category><category>blur tool</category><category>color</category><category>converting color images to grayscale</category><category>scan images</category><category>noise</category><category>editing tools</category><category>Mixing with the Color palette in Photoshop</category><category>Creating a New Image in Photoshop</category><category>collage</category><category>masking type</category><category>Using painting tools in Photoshop</category><category>tonal correction</category><category>duotones</category><category>Saving a backup copy in Photoshop</category><category>extract filter</category><category>faux styles</category><category>optimizing colors</category><category>color overlay</category><category>working with color</category><category>Handling the Hand tool in Photoshop</category><category>Getting to know your tools in Photoshop</category><category>sepia</category><category>shape layers</category><category>channel masks</category><category>multiple images</category><category>color channels</category><category>Plug-Ins and Scratch Disks in Photoshop</category><category>preset pattern</category><category>managing palettes</category><category>imageready</category><category>web-safe</category><category>jpeg 2000</category><category>microsoft word</category><category>Creating and modifying paths in Photoshop</category><category>studying text</category><category>Accessing Help When You Need It in Photoshop</category><category>Getting It on Paper</category><category>overlay effects</category><category>Setting measurement preferences in Photoshop</category><category>Jargon Photoshop</category><category>editing text</category><category>and size in raster images</category><category>level</category><category>Using tools for cloning and retouching in Photoshop</category><category>sponge tool</category><category>sharpen edges</category><category>shading</category><category>layer effect</category><category>selection edge</category><category>Setting up guides</category><category>fractional width</category><category>synchronized color settings</category><category>golive</category><category>navigating</category><category>texturizer</category><category>line art</category><category>snow and rain</category><category>JPEG Format in Photoshop</category><category>smooth gradient</category><category>expand commands</category><category>Using grids in Photoshop</category><category>ghosting type</category><category>RGB Working Spaces in Photoshop</category><category>work path</category><category>Proofing and finalizing the image in Photoshop</category><category>loading time</category><category>Closing and Quitting in Photoshop</category><category>Edit History in Photoshop</category><category>sampling</category><category>text on circle</category><title>IMAGE EDITING LESSONS</title><description>photoshop | photoshop tutorial | image editing | image manipulation.</description><link>http://editimages.blogspot.com/</link><managingEditor>noreply@blogger.com (fn)</managingEditor><generator>Blogger</generator><openSearch:totalResults>480</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/ImageEditingLessons" /><feedburner:info uri="imageeditinglessons" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3602853590796818701</guid><pubDate>Tue, 27 Mar 2012 02:18:00 +0000</pubDate><atom:updated>2012-03-26T19:18:00.055-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">curves</category><category domain="http://www.blogger.com/atom/ns#">cmyk image</category><category domain="http://www.blogger.com/atom/ns#">overlays</category><category domain="http://www.blogger.com/atom/ns#">histogram</category><category domain="http://www.blogger.com/atom/ns#">curves dialog box</category><title>Curves</title><atom:summary>Without a doubt, Curves is the most powerful tool in Photoshop. You can do more with Curves than with any other tool in the application. Granted, it may take you a while to get used to the dialog box, but after you do, you’ll never want to use anything else  to correct your images. In this section, you’ll take a look at how you can use Curves to do the following:- Lighten or darken specific areas</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/zdxYFZag6I0/curves.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Z2L2CTEYYLpL94DdONsgvdSwVFo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Z2L2CTEYYLpL94DdONsgvdSwVFo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Z2L2CTEYYLpL94DdONsgvdSwVFo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Z2L2CTEYYLpL94DdONsgvdSwVFo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/zdxYFZag6I0" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/curves.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-163137135705688885</guid><pubDate>Mon, 26 Mar 2012 02:10:00 +0000</pubDate><atom:updated>2012-03-25T19:10:00.380-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">color</category><category domain="http://www.blogger.com/atom/ns#">input levels</category><category domain="http://www.blogger.com/atom/ns#">levels</category><category domain="http://www.blogger.com/atom/ns#">output levels</category><title>Levels</title><atom:summary>The Levels command allows you to identify shadow and highlight points by using the dialog’s built-in histogram. The Input and Output sliders allow you to limit highlight and shadow percentages, and the Input Gamma slider allows you to adjust midtones in an image quickly and easily. The sliders also provide real-time feedback when the Preview option is enabled.As you move the Input and Output </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/5iecRHH2vRc/levels.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Lds3-XXrSgfIrBDATq4vOI2c87w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Lds3-XXrSgfIrBDATq4vOI2c87w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Lds3-XXrSgfIrBDATq4vOI2c87w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Lds3-XXrSgfIrBDATq4vOI2c87w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/5iecRHH2vRc" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/levels.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-4964319323912068882</guid><pubDate>Sun, 25 Mar 2012 02:00:00 +0000</pubDate><atom:updated>2012-03-24T19:00:02.567-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">curves</category><category domain="http://www.blogger.com/atom/ns#">color correction</category><category domain="http://www.blogger.com/atom/ns#">levels</category><title>Levels and Curves</title><atom:summary>When it comes to color correction, Levels and Curves offer you the most control. Both commands allow you to make selective as well as global corrections by applying nonlinear adjustments. They are also both available as adjustment layers. Unlike the legacy  version of Brightness/Contrast, which applies linear transformations (adjusting the overall image in equal amounts), Levels and Curves allow </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/8pohHla1n9s/levels-and-curves.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DhV4kKnOEbjxz9mGBKNoVbCt26c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DhV4kKnOEbjxz9mGBKNoVbCt26c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DhV4kKnOEbjxz9mGBKNoVbCt26c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DhV4kKnOEbjxz9mGBKNoVbCt26c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/8pohHla1n9s" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/levels-and-curves.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5788734175042278072</guid><pubDate>Sat, 24 Mar 2012 01:59:00 +0000</pubDate><atom:updated>2012-03-23T18:59:00.057-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">exposure</category><category domain="http://www.blogger.com/atom/ns#">color balance</category><category domain="http://www.blogger.com/atom/ns#">matching color</category><category domain="http://www.blogger.com/atom/ns#">contrast</category><category domain="http://www.blogger.com/atom/ns#">brightness</category><title>Tools to Avoid</title><atom:summary>Before we dive headfirst into what I consider to be the best tools for tonal correction, I’d first like to mention which tools you should avoid. It’s not that I have anything personal against these tools (with the exception of maybe the legacy version of Brightness/Contrast)—they’re just not the best tools to use for optimizing print graphics.Brightness/ContrastWith Photoshop CS3, we finally have</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/0Ma5swxh1oM/tools-to-avoid.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AyfR-TB4fXdJM0LUy4BUVuGseuQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AyfR-TB4fXdJM0LUy4BUVuGseuQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/AyfR-TB4fXdJM0LUy4BUVuGseuQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AyfR-TB4fXdJM0LUy4BUVuGseuQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/0Ma5swxh1oM" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/tools-to-avoid.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-4024631403711237472</guid><pubDate>Fri, 23 Mar 2012 01:56:00 +0000</pubDate><atom:updated>2012-03-22T18:56:00.089-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">curves</category><category domain="http://www.blogger.com/atom/ns#">cmyk image</category><category domain="http://www.blogger.com/atom/ns#">Using the Info Palette in Photoshop</category><category domain="http://www.blogger.com/atom/ns#">rgb color</category><category domain="http://www.blogger.com/atom/ns#">color correction</category><category domain="http://www.blogger.com/atom/ns#">histogram palette</category><title>Color Correction Tools</title><atom:summary>Photoshop contains two palettes that are essential to color correction: the Histogram palette and the Info palette. The information provided in these two palettes can be used hand in hand with the Curves and Levels dialog boxes to help guide your corrections.
Histogram PaletteThe Histogram palette displays a simple bar graph called a histogram. It contains 256 bars (from 0 to 255—yes, zero counts</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/4b1znCSkSdo/color-correction-tools.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/tL8Uzt0d0ttB5CRhY2hpvz2ph5w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tL8Uzt0d0ttB5CRhY2hpvz2ph5w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/tL8Uzt0d0ttB5CRhY2hpvz2ph5w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tL8Uzt0d0ttB5CRhY2hpvz2ph5w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/4b1znCSkSdo" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/color-correction-tools.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-4594759913804244430</guid><pubDate>Thu, 22 Mar 2012 01:53:00 +0000</pubDate><atom:updated>2012-03-21T18:53:00.623-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">tonal correction</category><category domain="http://www.blogger.com/atom/ns#">adjustment layers</category><category domain="http://www.blogger.com/atom/ns#">data loss</category><category domain="http://www.blogger.com/atom/ns#">color correction</category><category domain="http://www.blogger.com/atom/ns#">posterize</category><title>Color Correction and Data Loss</title><atom:summary>Color correction is a subtractive process. The more adjustments you make, the more color data you lose. Although this is par for the course with any image adjustment, there are a few things you should avoid when it comes to tonal correction:
Never Apply Two Consecutive Edits That Counteract Each Other For example, never lighten the midtones in an image, and then proceed to do the exact opposite </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/JXaIVLxFz1A/color-correction-and-data-loss.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-ZcytZc3ju-v2FFc7b6apU0_xMY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-ZcytZc3ju-v2FFc7b6apU0_xMY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-ZcytZc3ju-v2FFc7b6apU0_xMY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-ZcytZc3ju-v2FFc7b6apU0_xMY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/JXaIVLxFz1A" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/color-correction-and-data-loss.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-8333179833169284935</guid><pubDate>Tue, 20 Mar 2012 01:51:00 +0000</pubDate><atom:updated>2012-03-19T18:51:01.482-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">photoshop cs3</category><category domain="http://www.blogger.com/atom/ns#">edit images</category><category domain="http://www.blogger.com/atom/ns#">image adjusments</category><title>Image Adjustment Fundamentals</title><atom:summary>One of the most frequent and important image-editing tasks that all graphic designers are faced with is color correction. Unfortunately, a majority of the photographs you wind up working with are rarely perfect. They usually require a bit of tweaking, and some might even need a complete overhaul. The good thing is that there are many tools available in Photoshop for adjusting images—but which </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Gw6sCSegmZc/image-adjustment-fundamentals.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/793-07iCnFLUQsf-Oy5iTTKnefI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/793-07iCnFLUQsf-Oy5iTTKnefI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/793-07iCnFLUQsf-Oy5iTTKnefI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/793-07iCnFLUQsf-Oy5iTTKnefI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Gw6sCSegmZc" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/image-adjustment-fundamentals.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3357049265531359492</guid><pubDate>Fri, 09 Mar 2012 01:57:00 +0000</pubDate><atom:updated>2012-03-08T17:57:00.128-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">grayscale image</category><category domain="http://www.blogger.com/atom/ns#">working with color</category><category domain="http://www.blogger.com/atom/ns#">grayscale mode</category><category domain="http://www.blogger.com/atom/ns#">cmyk image</category><category domain="http://www.blogger.com/atom/ns#">rgb image</category><category domain="http://www.blogger.com/atom/ns#">image replacing colors</category><category domain="http://www.blogger.com/atom/ns#">duotones</category><title>Ten Important Things when You Working with Color in Photoshop</title><atom:summary>1. Replace Colors in an Image Replacing colors is one of the most common tasks print designers and production artists are faced with. Using what you learned about color replacement in Photoshop CS3, identify which tool is best for the task at hand.
2. Determine the color areas that you’d like to replace. If the color replacement task requires a selection, identify the best selection tool to use </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/B7YLPByH1Qc/ten-important-things-when-you-working.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HMOXBqqy7r85kCPmKPMAstcPybI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HMOXBqqy7r85kCPmKPMAstcPybI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/HMOXBqqy7r85kCPmKPMAstcPybI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HMOXBqqy7r85kCPmKPMAstcPybI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/B7YLPByH1Qc" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/ten-important-things-when-you-working.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5841349332365055113</guid><pubDate>Thu, 08 Mar 2012 01:52:00 +0000</pubDate><atom:updated>2012-03-07T17:52:00.192-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">tint effects</category><category domain="http://www.blogger.com/atom/ns#">gradient maps</category><category domain="http://www.blogger.com/atom/ns#">adjustment layers</category><category domain="http://www.blogger.com/atom/ns#">doutone mode</category><category domain="http://www.blogger.com/atom/ns#">sepia</category><category domain="http://www.blogger.com/atom/ns#">grayscale</category><category domain="http://www.blogger.com/atom/ns#">color overlay</category><category domain="http://www.blogger.com/atom/ns#">duotones</category><title>Creating Duotones and Tint Effects</title><atom:summary>When your print budget is limited, working with custom color duotones and tints can become a necessity. But even when it’s not, duotones and tints can add some nice subtle color effects to a four-color print job. Photoshop provides us with several ways to add color sparingly—yet tastefully—to your design work.Duotone ModeSmaller print budgets can sometimes limit you to a two-spot-color design, in</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/la1sDcg2MeM/creating-duotones-and-tint-effects.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/n1AcUQnsaF8Fq4fUNb0uLvMBEd8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n1AcUQnsaF8Fq4fUNb0uLvMBEd8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/n1AcUQnsaF8Fq4fUNb0uLvMBEd8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n1AcUQnsaF8Fq4fUNb0uLvMBEd8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/la1sDcg2MeM" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/creating-duotones-and-tint-effects.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-6909872866202474797</guid><pubDate>Wed, 07 Mar 2012 01:49:00 +0000</pubDate><atom:updated>2012-03-06T17:49:00.321-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">spot color knockout</category><category domain="http://www.blogger.com/atom/ns#">spot color trapping</category><category domain="http://www.blogger.com/atom/ns#">spot color separations</category><category domain="http://www.blogger.com/atom/ns#">converting layers to spot colors</category><category domain="http://www.blogger.com/atom/ns#">spot color channel</category><category domain="http://www.blogger.com/atom/ns#">converting alpha channels to spot channel</category><title>Applying Spot Color in Photoshop</title><atom:summary>Photoshop also allows you to work with spot colors (also referred to as custom colors). If you need to match a specific color used in a corporate logo, or if you’d like to include a bright orange, green, or metallic color that you can’t achieve with CMYK process inks—spot colors are the way to go. They can also be used to create duotones and tint effects, or can be combined with grayscale in a </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/jKsvG9YVTag/applying-spot-color-in-photoshop.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CNYvHD8aggV1cS8ShXSiOZwhcNs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CNYvHD8aggV1cS8ShXSiOZwhcNs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CNYvHD8aggV1cS8ShXSiOZwhcNs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CNYvHD8aggV1cS8ShXSiOZwhcNs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/jKsvG9YVTag" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/applying-spot-color-in-photoshop.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5309185521814306301</guid><pubDate>Tue, 06 Mar 2012 01:46:00 +0000</pubDate><atom:updated>2012-03-05T17:46:00.200-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">converting color images to grayscale</category><category domain="http://www.blogger.com/atom/ns#">rgb color</category><category domain="http://www.blogger.com/atom/ns#">black and white adjustment layer</category><category domain="http://www.blogger.com/atom/ns#">channel mixer</category><title>Channel Mixer Adjustment Layer</title><atom:summary>A good alternative to the Black And White adjustment command for converting color images to grayscale is the Channel Mixer. Once again, using the Channel Mixer adjustment layer rather than the Image --&gt; Adjustment --&gt; Channel Mixer command offers much more flexibility and control, because it allows you to make changes to the adjustment at any time after it is applied. The Channel Mixer is great </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/324Gpi36-_o/channel-mixer-adjustment-layer.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lVviFrMUDS5DqdoVLSuXL2I5adM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lVviFrMUDS5DqdoVLSuXL2I5adM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lVviFrMUDS5DqdoVLSuXL2I5adM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lVviFrMUDS5DqdoVLSuXL2I5adM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/324Gpi36-_o" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/channel-mixer-adjustment-layer.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-8282640850850072269</guid><pubDate>Mon, 05 Mar 2012 01:44:00 +0000</pubDate><atom:updated>2012-03-04T17:44:00.467-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">grayscale</category><category domain="http://www.blogger.com/atom/ns#">black and white adjustment layer</category><title>Black And White Adjustment Layer</title><atom:summary>Photoshop CS3 now features a Black And White adjustment command and adjustment layer. You can use either to convert color images to black-and-white or to apply a tint effect. Using the adjustment layer instead of the Image --&gt; Adjustment --&gt; Black And White command offers more flexibility and control, because it allows you to make changes to the adjustment at any time after it is applied. This is</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Dt9c6Nf-dT0/black-and-white-adjustment-layer.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vG25Ln_jnZid17E7kD65xE59Lc4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vG25Ln_jnZid17E7kD65xE59Lc4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vG25Ln_jnZid17E7kD65xE59Lc4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vG25Ln_jnZid17E7kD65xE59Lc4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Dt9c6Nf-dT0" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/black-and-white-adjustment-layer.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-1190758374958978353</guid><pubDate>Sun, 04 Mar 2012 01:42:00 +0000</pubDate><atom:updated>2012-03-03T17:42:00.544-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">gradient maps</category><category domain="http://www.blogger.com/atom/ns#">channels</category><category domain="http://www.blogger.com/atom/ns#">lab conversion</category><category domain="http://www.blogger.com/atom/ns#">luminance map</category><category domain="http://www.blogger.com/atom/ns#">grayscale</category><category domain="http://www.blogger.com/atom/ns#">desaturate</category><category domain="http://www.blogger.com/atom/ns#">lab color mode</category><category domain="http://www.blogger.com/atom/ns#">Converting to a Different Color Mode in Photoshop</category><title>Converting Color to Grayscale</title><atom:summary>There are several ways to convert color images to black-and-white, but you should know that not every method gives you good print results. Depending on the images you’re working with and the type of print job you’re designing, the following may not be the best conversion methods, because they all require a bit of tweaking afterward. They are best used for images that are to be printed at a very </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/ca4PUKUs-PU/converting-color-to-grayscale.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CtmKvb4P0Fopnly3zqy13vQkOs8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CtmKvb4P0Fopnly3zqy13vQkOs8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CtmKvb4P0Fopnly3zqy13vQkOs8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CtmKvb4P0Fopnly3zqy13vQkOs8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/ca4PUKUs-PU" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/converting-color-to-grayscale.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5899784833727592842</guid><pubDate>Sat, 03 Mar 2012 01:38:00 +0000</pubDate><atom:updated>2012-03-02T17:38:00.338-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">saturation</category><category domain="http://www.blogger.com/atom/ns#">layer</category><category domain="http://www.blogger.com/atom/ns#">hue</category><category domain="http://www.blogger.com/atom/ns#">brushes</category><category domain="http://www.blogger.com/atom/ns#">colorizing</category><category domain="http://www.blogger.com/atom/ns#">colorizing grayscale image</category><category domain="http://www.blogger.com/atom/ns#">blend modes</category><title>Colorizing a Grayscale Image</title><atom:summary>Adding color to a grayscale image is definitely a hands-on process. There is no “one-click,” quick and easy way to go about hand-tinting an image. However, if the images in your print design or layout require it, you can get really creative when performing this task.Hue/Saturation Adjustment LayersOne way to colorize a grayscale photo is to apply Hue/Saturation adjustment layers to selected areas</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/iW7tIYfw_jk/colorizing-grayscale-image.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YWUNLZ2rv_vm8noh-BU-ksIieWE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YWUNLZ2rv_vm8noh-BU-ksIieWE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YWUNLZ2rv_vm8noh-BU-ksIieWE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YWUNLZ2rv_vm8noh-BU-ksIieWE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/iW7tIYfw_jk" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/colorizing-grayscale-image.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5764421472076183273</guid><pubDate>Fri, 02 Mar 2012 01:34:00 +0000</pubDate><atom:updated>2012-03-01T17:34:00.068-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">saturation</category><category domain="http://www.blogger.com/atom/ns#">hue</category><category domain="http://www.blogger.com/atom/ns#">color</category><category domain="http://www.blogger.com/atom/ns#">color replacement tool</category><category domain="http://www.blogger.com/atom/ns#">luminosity mode</category><title>Color Replacement Tool</title><atom:summary>The Color Replacement tool offers a much more hands-on approach to replacing colors in an image. It allows you to replace an area of color with the current foreground color by painting over it with a brush. What’s even better is that you don’t have to worry about being extra precise. Photoshop replaces only those colors that you mouse over with the brush cursor’s center crosshair. One drawback to</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/pa1u1mHPRpw/color-replacement-tool.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Rxfpv5rkZrNWLFtvTXDBHZxNvoE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Rxfpv5rkZrNWLFtvTXDBHZxNvoE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Rxfpv5rkZrNWLFtvTXDBHZxNvoE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Rxfpv5rkZrNWLFtvTXDBHZxNvoE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/pa1u1mHPRpw" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/03/color-replacement-tool.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-4644255927003208109</guid><pubDate>Thu, 01 Mar 2012 03:08:00 +0000</pubDate><atom:updated>2012-02-29T19:08:00.076-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">saturation</category><category domain="http://www.blogger.com/atom/ns#">layer styles</category><category domain="http://www.blogger.com/atom/ns#">hue</category><category domain="http://www.blogger.com/atom/ns#">color picker</category><category domain="http://www.blogger.com/atom/ns#">adjustment layers</category><category domain="http://www.blogger.com/atom/ns#">color overlay</category><category domain="http://www.blogger.com/atom/ns#">blend modes</category><title>Blend Modes</title><atom:summary>You can also use layer blend modes to change the appearance of colors in an image. Blend modes allow you to apply different types of transparency effects that determine how a layer interacts with the underlying colors contained in the layers underneath. To apply this method of pseudo recolorization, first make a selection by using any of the selection tools (with the exception of the Magic Eraser</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/gfZkn_-Wkeo/blend-modes.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4LLn71R_GGpCOqARJ1XGQK4G-cY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4LLn71R_GGpCOqARJ1XGQK4G-cY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4LLn71R_GGpCOqARJ1XGQK4G-cY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4LLn71R_GGpCOqARJ1XGQK4G-cY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/gfZkn_-Wkeo" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/blend-modes.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-5426008135206547852</guid><pubDate>Wed, 29 Feb 2012 03:03:00 +0000</pubDate><atom:updated>2012-02-28T19:03:00.563-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">saturation</category><category domain="http://www.blogger.com/atom/ns#">hue</category><category domain="http://www.blogger.com/atom/ns#">color wheel</category><category domain="http://www.blogger.com/atom/ns#">adjustment layers</category><category domain="http://www.blogger.com/atom/ns#">layout and print design</category><category domain="http://www.blogger.com/atom/ns#">print design</category><category domain="http://www.blogger.com/atom/ns#">adjustment</category><category domain="http://www.blogger.com/atom/ns#">replace color</category><title>Working with Color</title><atom:summary>Like all print designers, you rely on images to add visual interest to your layouts, and color plays a big part in that. That’s why it’s so important to “take control” of your color. Photoshop puts you in the driver’s seat by allowing you to select, replace, and enhance the colors of your images. Photoshop also provides several ways to add color to grayscale images, or—if your design calls for </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/m5w82u8T8iM/working-with-color.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/z1vfjRQvF7KapjoWRe_7eu37XRc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z1vfjRQvF7KapjoWRe_7eu37XRc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/z1vfjRQvF7KapjoWRe_7eu37XRc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z1vfjRQvF7KapjoWRe_7eu37XRc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/m5w82u8T8iM" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/working-with-color.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-4795438077058811971</guid><pubDate>Tue, 28 Feb 2012 03:01:00 +0000</pubDate><atom:updated>2012-02-27T19:01:00.610-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">preset brushes</category><category domain="http://www.blogger.com/atom/ns#">Managing Preset Brushes</category><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><category domain="http://www.blogger.com/atom/ns#">Creating Your Own Brush Preset</category><title>8 Important Things when Working with Brush</title><atom:summary>- Customize and Create Your Own Brushes Photoshop allows you to edit existing brush presets or create new ones by using the Brushes palette. The flexibility that Photoshop’s brushes offer can help you achieve just the right look when retouching, working with masks, or illustrating.- Press B to access the Brush tool and then choose Window --&gt; Brushes to display the Brushes palette. Select a brush </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Ys3OPIW4EKc/8-important-things-when-working-with.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/1z5YO2V93eWcGNdD_1OwowRLs50/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1z5YO2V93eWcGNdD_1OwowRLs50/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/1z5YO2V93eWcGNdD_1OwowRLs50/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1z5YO2V93eWcGNdD_1OwowRLs50/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Ys3OPIW4EKc" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/8-important-things-when-working-with.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-8400785640533615314</guid><pubDate>Mon, 27 Feb 2012 02:57:00 +0000</pubDate><atom:updated>2012-02-26T18:57:00.252-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Edit History in Photoshop</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">history brush</category><category domain="http://www.blogger.com/atom/ns#">history painting</category><title>History Painting</title><atom:summary>The History brush works just like the Brush tool, except it allows you to paint backward in time. After you specify a history state in the History palette, you can then paint with the History brush and restore parts of an image. I find the History brush especially useful when removing an image from its background with the Extract filter. Rather than restoring areas that were accidentally erased </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/l2w-UMzxY3o/history-painting.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/n8oHNRbnGV31I1jAz9Mzk5-L1ZQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n8oHNRbnGV31I1jAz9Mzk5-L1ZQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/n8oHNRbnGV31I1jAz9Mzk5-L1ZQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/n8oHNRbnGV31I1jAz9Mzk5-L1ZQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/l2w-UMzxY3o" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/history-painting.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-1298908042270286441</guid><pubDate>Sun, 26 Feb 2012 02:56:00 +0000</pubDate><atom:updated>2012-02-25T18:56:00.476-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">layer mask</category><category domain="http://www.blogger.com/atom/ns#">painting</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><title>Brushes and Layer Masks</title><atom:summary>Painting in layer masks with the Brush tool is a great hands-on technique for combining image layers in a print montage. It can also be a useful technique for controlling adjustments made in Photoshop. Working with brushes and layer masks not only provides an incredible amount of editing control—it’s also completely nondestructive. No pixels harmed!</atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/8ZX30rw5GtE/brushes-and-layer-masks.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/IBFaQ-EHM9OPQQyhAev9jqpkcFI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IBFaQ-EHM9OPQQyhAev9jqpkcFI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/IBFaQ-EHM9OPQQyhAev9jqpkcFI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IBFaQ-EHM9OPQQyhAev9jqpkcFI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/8ZX30rw5GtE" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/brushes-and-layer-masks.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-7409618839468862037</guid><pubDate>Sat, 25 Feb 2012 01:53:00 +0000</pubDate><atom:updated>2012-02-24T17:53:00.108-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">preset brushes</category><category domain="http://www.blogger.com/atom/ns#">Managing Preset Brushes</category><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><category domain="http://www.blogger.com/atom/ns#">Creating Your Own Brush Preset</category><title>Defining a Brush Preset</title><atom:summary>Photoshop allows you not only to create custom brushes by altering settings from the default preset brushes, but also to define a brush preset based on a scanned-in texture, a shape imported from Adobe Illustrator, or a paint daub created in another application, such as Corel Painter. This is a great feature for fine artists and illustrators, but how can print designers and production artists </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/ws8CEPwEAq4/defining-brush-preset.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/62hIZ1RuK6nDXbHmK1XX_YfHCYQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/62hIZ1RuK6nDXbHmK1XX_YfHCYQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/62hIZ1RuK6nDXbHmK1XX_YfHCYQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/62hIZ1RuK6nDXbHmK1XX_YfHCYQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/ws8CEPwEAq4" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/defining-brush-preset.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3530179893718757371</guid><pubDate>Fri, 24 Feb 2012 01:46:00 +0000</pubDate><atom:updated>2012-02-23T17:46:00.227-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">preset brushes</category><category domain="http://www.blogger.com/atom/ns#">Managing Preset Brushes</category><category domain="http://www.blogger.com/atom/ns#">brush tip shape</category><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><category domain="http://www.blogger.com/atom/ns#">Creating Your Own Brush Preset</category><title>Shared Brush Setting Concepts</title><atom:summary>The rest of the settings in each panel of the Brushes palette are based around three basic concepts:
Jitter, Minimum, and Control. It helps to have a basic understanding of what these concepts are before experimenting with the settings. Here is a brief summary of each:
- Jitter allows a specific brush option (such as size or opacity) to fluctuate across a brushstroke. The higher the setting, the </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Wt3_NTKri-g/shared-brush-setting-concepts.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ZMV_xEinGQwRAhRJiuBl-rlJsgA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZMV_xEinGQwRAhRJiuBl-rlJsgA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ZMV_xEinGQwRAhRJiuBl-rlJsgA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZMV_xEinGQwRAhRJiuBl-rlJsgA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Wt3_NTKri-g" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/shared-brush-setting-concepts.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3376446127335043045</guid><pubDate>Thu, 23 Feb 2012 01:41:00 +0000</pubDate><atom:updated>2012-02-22T17:41:00.547-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">preset brushes</category><category domain="http://www.blogger.com/atom/ns#">Managing Preset Brushes</category><category domain="http://www.blogger.com/atom/ns#">brush tip shape</category><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><title>Customizing and Creating Brushes</title><atom:summary>Photoshop also allows you to edit existing brush presets or create new ones by using the Brushes palette. The flexibility that Photoshop’s brushes offer can help you achieve just the right look when retouching, working with masks, or illustrating. Not only are  brushes totally customizable, but you can also save your favorite brush settings as a custom preset. Being able to save your settings—as </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/NzbfXjk8VHE/customizing-and-creating-brushes.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/84D4tbJC3EqOdnVVHtBRvGacMGc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/84D4tbJC3EqOdnVVHtBRvGacMGc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/84D4tbJC3EqOdnVVHtBRvGacMGc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/84D4tbJC3EqOdnVVHtBRvGacMGc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/NzbfXjk8VHE" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/customizing-and-creating-brushes.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3113913895260201798</guid><pubDate>Wed, 22 Feb 2012 01:40:00 +0000</pubDate><atom:updated>2012-02-21T17:40:00.453-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">preset brushes</category><category domain="http://www.blogger.com/atom/ns#">Managing Preset Brushes</category><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><category domain="http://www.blogger.com/atom/ns#">Creating Your Own Brush Preset</category><title>Brush Tool Presets</title><atom:summary>The Brush tool in Photoshop ships with several libraries of presets (also referred to as sets) that you can use when retouching print images. In addition, you can customize these presets and even create your own. For example, if there is a particular group of brush settings that you like to use when retouching headshots or any photograph of a person’s face, you can base your brush on an existing </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/QnT69FyQ-G8/brush-tool-presets.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SmHcBPPf_ugas1icjpVMJY8Ap2w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SmHcBPPf_ugas1icjpVMJY8Ap2w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/SmHcBPPf_ugas1icjpVMJY8Ap2w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SmHcBPPf_ugas1icjpVMJY8Ap2w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/QnT69FyQ-G8" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/brush-tool-presets.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8378946203670201100.post-3640563440733227912</guid><pubDate>Tue, 21 Feb 2012 01:38:00 +0000</pubDate><atom:updated>2012-02-20T17:38:00.311-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Working with the Brushes Palette</category><category domain="http://www.blogger.com/atom/ns#">Brush Tool</category><category domain="http://www.blogger.com/atom/ns#">brush pallete</category><title>Working with Brushes</title><atom:summary>Many creative professionals consider Photoshop’s brushes to be tools solely used for creating digital paintings or photo-realistic illustrations. There is no doubt that combining brushes with a little imagination and a lot of artistic talent can produce some stunning digital artwork. However, brushes can also be put to good use in a much less glamorous day-to-day print/production environment. In </atom:summary><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/yl_GAUQsgSU/working-with-brushes.html</link><author>noreply@blogger.com (fn)</author><thr:total>0</thr:total><description>&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dY9igjC9l8zsmnb0a7QEUTO-BoU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dY9igjC9l8zsmnb0a7QEUTO-BoU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dY9igjC9l8zsmnb0a7QEUTO-BoU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dY9igjC9l8zsmnb0a7QEUTO-BoU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/yl_GAUQsgSU" height="1" width="1"/&gt;</description><feedburner:origLink>http://editimages.blogspot.com/2012/02/working-with-brushes.html</feedburner:origLink></item><item><title>Links for 2011-04-28 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/z5xaP3c0MQc/
		</link><pubDate>Fri, 29 Apr 2011 00:00:00 PDT</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-04-28</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/entertainment/norwegian_cruise_line_puts_partners_first_pepen_travel"&gt;Norwegian Cruise Line Puts Partners First | Pepen Travel&lt;/a&gt;&lt;br/&gt;
Norwegian Cruise Line (&amp;ldquo;Norwegian&amp;rdquo;) today announced &amp;ldquo;Partners First,&amp;rdquo; the company&amp;rsquo;s corporate philosophy of putting its travel partners first at Cruise3Sixty, the official travel agency conference of the cruise line industry.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/z5xaP3c0MQc" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-04-28</feedburner:origLink></item><item><title>Links for 2011-04-21 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Isn187mQ0l8/
		</link><pubDate>Fri, 22 Apr 2011 00:00:00 PDT</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-04-21</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/business/belajar_forex_effendi_rusdiana_web_design_blog_design_fotografi_bandung"&gt;Belajar Forex &amp;laquo;  EFFENDI RUSDIANA : Web Design | Blog Design | Fotografi | Bandung&lt;/a&gt;&lt;br/&gt;
Effendi Rusdiana Web, Blog and Logo Design Bandung.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Isn187mQ0l8" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-04-21</feedburner:origLink></item><item><title>Links for 2011-04-18 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/DcGK2x9jocs/
		</link><pubDate>Tue, 19 Apr 2011 00:00:00 PDT</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-04-18</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/entertainment/themed_rooms_at_the_palms_las_vegas_pepen_travel"&gt;Themed Rooms at The Palms, Las Vegas | Pepen Travel&lt;/a&gt;&lt;br/&gt;
Flight tracking is an easy way to track the position of flights. This is done by tracing the actual path of an aircraft.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/DcGK2x9jocs" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-04-18</feedburner:origLink></item><item><title>Links for 2011-04-17 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/d_AjGrhz8fs/
		</link><pubDate>Mon, 18 Apr 2011 00:00:00 PDT</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-04-17</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/entertainment/the_latest_funny_t_shirts"&gt;The Latest Funny T-Shirts&lt;/a&gt;&lt;br/&gt;
A collection of some of the most hilarious T-shirt designs.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/d_AjGrhz8fs" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-04-17</feedburner:origLink></item><item><title>Links for 2011-04-16 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/_opGWdDI_Pk/
		</link><pubDate>Sun, 17 Apr 2011 00:00:00 PDT</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-04-16</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/entertainment/fun_travel_in_mexico_includes_drinking_and_eating_pepen_travel"&gt;Fun Travel In Mexico Includes Drinking And Eating | Pepen Travel&lt;/a&gt;&lt;br/&gt;
Flight tracking is an easy way to track the position of flights. This is done by tracing the actual path of an aircraft.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/_opGWdDI_Pk" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-04-16</feedburner:origLink></item><item><title>Links for 2011-03-09 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/F2rpR8SEuKk/
		</link><pubDate>Thu, 10 Mar 2011 00:00:00 PST</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-03-09</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/lifestyle/flying_with_babies_and_children_top_tips_for_a_stress_free_flight_pepen_travel"&gt;Flying With Babies and Children &amp;ndash; Top Tips for a Stress Free Flight | Pepen Travel&lt;/a&gt;&lt;br/&gt;
Flight tracking is an easy way to track the position of flights. This is done by tracing the actual path of an aircraft.&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/F2rpR8SEuKk" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-03-09</feedburner:origLink></item><item><title>Links for 2011-01-09 [Digg]</title><link>http://feedproxy.google.com/~r/ImageEditingLessons/~3/Z-5HFVFgJcI/
		</link><pubDate>Mon, 10 Jan 2011 00:00:00 PST</pubDate><guid isPermaLink="false">
			http://digg.com/
		#2011-01-09</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;a href="http://digg.com/news/story/download_logo_vector_perbankan_bank_indonesia"&gt;Download Logo Vector Perbankan (Bank) Indonesia&lt;/a&gt;&lt;br/&gt;
Logo-logo vector perbankan atau bank di indonesia ini belum semuanya ada, sebagian masih ada logo versi lamanya, seperti Bank Jabar &amp;amp; Banten yang sekarang sudah berganti nama dan tentunya logonya juga menjadi BJB.


Seperti biasa logo vector ini tersedia dalam 3 pilihan format file, Adobe Ilustrator, Corel Draw dan EPS. Link downloadnya ada di bawah ini, silahkan didownload bagi yang memerlukannya (untuk tujuan yang tidak melanggar hukum pastinya).
Download Logo Vector Perbankan (Bank) di Indonesia format AI:
3P
ABN-AMRO
ATM BCA
ATM Bersama
ATM Syariah Mandiri
Ayo ke Bank
BRI
BTN
Bank Jab&lt;/li&gt;
&lt;/ul&gt;&lt;img src="http://feeds.feedburner.com/~r/ImageEditingLessons/~4/Z-5HFVFgJcI" height="1" width="1"/&gt;</description><feedburner:origLink>http://digg.com/
		#2011-01-09</feedburner:origLink></item></channel></rss>

