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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;A08GRXoyeip7ImA9WhRbEU4.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941</id><updated>2012-02-01T15:43:44.492-08:00</updated><category term="Natalie Portman" /><category term="Sundance" /><category term="Frank Capra" /><category term="The Compassion Of Jesus" /><category term="film awards" /><category term="waiting for superman" /><category term="movies" /><category term="dga award winners 2012" /><category term="filmmaking" /><category term="2011 Venice Film Festival Winners" 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/><category term="Toronto International Film Festival" /><category term="Gotham independent film awards" /><category term="Canne Film Festival Nominees 2011" /><category term="2011 winners Chicago International film festival" /><category term="Mark Hamil" /><category term="producers guild awards 2012" /><category term="2012 SAG award winners" /><category term="Los Angeles Independent Film Festival" /><category term="dga winners 2012" /><category term="Oscar Awards" /><category term="independent film awards" /><category term="canne film festival" /><category term="2012 academy award nominations" /><category term="William Windom" /><category term="films. movies" /><category term="film critics" /><category term="auteur independent feature film" /><category term="Tribeca Film Festival Winners 2011" /><category term="film festival canne" /><category term="sundance awards" /><category term="Winter's Bone" /><category term="independent spirit awards" /><category term="film festival" /><category term="Peter Haderlein" /><category term="New York International Independent Film And Video Festival" /><category term="critics' choice awards 2011" /><category term="Sundance 2012" /><category term="canne film festival winners 2009" /><category term="Sundance Film festival winners 2011" /><category term="Venice Film Festival Winners 2011" /><category term="Academy awards 2012" /><category term="Indie movies" /><category term="26th annual spirit awards" /><category term="2011 Venice Film Festival nominees" /><category term="Independent Film" /><category term="2011 Chicago International Film Festival Nominees" /><category term="Tribeca" /><category term="Gotham awards" /><category term="movie investment" /><category term="independent feature films" /><category term="sag nominees" /><category term="sundance 2011" /><category term="Sam Childers" /><category term="Spirit Award Winners 2010" /><title>Independent Feature Film</title><subtitle type="html">A blog about independent feature film and film-makers.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://independentfeaturefilm.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>63</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/IndependentFeatureFilm" /><feedburner:info uri="independentfeaturefilm" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;DUcARHg8eip7ImA9WhRUGUs.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-2536346308269524998</id><published>2012-01-29T21:21:00.001-08:00</published><updated>2012-01-30T15:44:05.672-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-30T15:44:05.672-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="dga award winners 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="dga winners 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="DGA awards" /><category scheme="http://www.blogger.com/atom/ns#" term="Directors Guild Of America Winners 2012" /><title>DGA Award Winners 2012| Directors Guild Award Winners 2012</title><content type="html">&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; line-height: 20px; padding-bottom: 12px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;2012 DGA awards for film are as follows:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b style="background-color: black; color: white;"&gt;Best Director for a Feature Film&lt;/b&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;Michel Hazanavicius&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;i&gt;&lt;b&gt;The Artist&lt;/b&gt;&lt;/i&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="background-color: black; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: white; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;i&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; line-height: 20px; padding-bottom: 12px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;Feature Documentary&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;James Marsh&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;i&gt;&lt;b&gt;Project Nim&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;i&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; line-height: 20px; padding-bottom: 12px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;Movies for Television and Miniseries&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; line-height: 20px; padding-bottom: 12px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white;"&gt;Jon Cassar&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;span style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;b&gt;&lt;i&gt;The Kennedys&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&amp;nbsp;(Reelz Channel)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-2536346308269524998?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/6Oofbo4gIp4U5Ao5_TQyNGumNrw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6Oofbo4gIp4U5Ao5_TQyNGumNrw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/qLO1zSk6Xss" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/2536346308269524998/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=2536346308269524998" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/2536346308269524998?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/2536346308269524998?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/qLO1zSk6Xss/dga-award-winners-2012-directors-guild.html" title="DGA Award Winners 2012| Directors Guild Award Winners 2012" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/dga-award-winners-2012-directors-guild.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEANQXs-fCp7ImA9WhRUGUU.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-474688349621025800</id><published>2012-01-29T20:21:00.000-08:00</published><updated>2012-01-30T21:13:10.554-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-30T21:13:10.554-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Sag award winners 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="2012 SAG award winners" /><title>Sag Award Winners 2012 | 2012 SAG Award Winners</title><content type="html">The 2012&amp;nbsp;&lt;b&gt;SAG film awards&lt;/b&gt; for film are as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actor in a leading role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Jean Dujardin, “The Artist”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actress in a leading role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Viola Davis, “The Help”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actor in a supporting role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Christopher Plummer, “Beginners”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actress in a supprorting role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Octavia Spencer, “The Help”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Outstanding performance by a cast in a motion picture&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The Help”&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-474688349621025800?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;The&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; font-style: inherit; font-weight: bold; line-height: 18px;"&gt;Grand Jury Prize: Documentary&lt;/strong&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&amp;nbsp;was presented by Charles Ferguson to:&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; font-style: inherit; font-weight: bold; line-height: 18px;"&gt;&lt;em style="font-weight: inherit;"&gt;The House I Live In&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;/ U.S.A. (Director: Eugene Jarecki)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Grand Jury Prize: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Justin Lin to:&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Beasts of the Southern Wild&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Jury Prize: Documentary&lt;/strong&gt;&amp;nbsp;was presented by Nick Fraser to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Law in These Parts&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Israel (Director: Ra'anan Alexandrowicz)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Jury Prize: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Julia Ormond to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Violeta Went to Heaven (Violeta se Fue a Los Cielos)&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Chile, Argentina, Brazil, Spain (Director: Andrés Wood, Screenwriters: Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderón, Andrés Wood)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Audience Award: U.S. Documentary, Presented by Acura&lt;/strong&gt;, was presented by Mike Birbiglia to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Invisible War&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director: Kirby Dick)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Audience Award: U.S. Dramatic, Presented by Acura&lt;/strong&gt;, was presented by Mike Birbiglia to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Surrogate&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director and screenwriter: Ben Lewin)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Audience Award: Documentary&lt;/strong&gt;&amp;nbsp;was presented by Edward James Olmos to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;SEARCHING FOR SUGAR MAN&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Sweden, United Kingdom (Director: Malik Bendjelloul)&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Audience Award: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Edward James Olmos to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Valley of Saints&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ India, U.S.A. (Director and screenwriter: Musa Syeed)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Best of NEXT Audience Award, &lt;/strong&gt;was presented by Tim Heidecker to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Sleepwalk With Me&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S.&lt;/strong&gt;&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Directing Award: Documentary&lt;/strong&gt;&amp;nbsp;was presented by Fenton Bailey to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Queen of Versailles&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director: Lauren Greenfield)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S.&lt;/strong&gt;&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Directing Award: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Lynn Shelton to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Middle Of Nowhere&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director and screenwriter: Ava DuVernay)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Directing Award: Documentary&lt;/strong&gt;&amp;nbsp;was presented by Jean-Marie Teno to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;5 Broken Cameras&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Palestine, Israel, France (Directors: Emad Burnat, Guy Davidi)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Directing Award: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Alexei Popogrebsky to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Teddy Bear&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Denmark (Director: Mads Matthiesen, Screenwriters: Mads Matthiesen, Martin Pieter Zandvliet)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Waldo Salt Screenwriting Award&lt;/strong&gt;&amp;nbsp;was presented by Anthony Mackie to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Safety Not Guaranteed&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ U.S.A. (Director: Colin Trevorrow, Screenwriter: Derek Connolly)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Screenwriting Award&lt;/strong&gt;&amp;nbsp;was presented by Richard Pena to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Young &amp;amp; Wild&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Chile (Director: Marialy Rivas, Screenwriters: Marialy Rivas, Camila Gutiérrez, Pedro Peirano, Sebastián Sepúlveda)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S.&lt;/strong&gt;&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Documentary Editing Award&lt;/strong&gt;&amp;nbsp;was presented by Kim Roberts to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;DETROPIA&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;/&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&amp;nbsp;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;U.S.A. (Directors: Heidi Ewing, Rachel Grady)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Documentary Editing Award&lt;/strong&gt;&amp;nbsp;was presented by Clara Kim to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Indie Game: The Movie&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ Canada (Directors: Lisanne Pajot, James Swirsky)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Excellence in Cinematography Award: U.S. Documentary&lt;/strong&gt;&amp;nbsp;was presented by Tia Lessin to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Chasing Ice&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ U.S.A. (Director: Jeff Orlowski)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Excellence in Cinematography Award: U.S. Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Amy Vincent to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Beasts of the Southern Wild&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ U.S.A. (Director: Benh Zeitlin, Screenwriters: Benh Zeitlin, Lucy Alibar)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Cinematography Award: Documentary&lt;/strong&gt;&amp;nbsp;was presented by Jean-Marie Teno to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Putin's Kiss&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Denmark (Director: Lise Birk Pedersen)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Cinematography Award: Dramatic&lt;/strong&gt;&amp;nbsp;was presented by Alexei Popogrebsky to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;My Brother the Devil&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ United Kingdom (Director and screenwriter: Sally El Hosaini)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S. Documentary Special Jury Prize for an Agent of Change&lt;/strong&gt;&amp;nbsp;was presented by Heather Croall to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Love Free or Die&lt;/em&gt;&lt;/strong&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&amp;nbsp;&lt;/strong&gt;/ U.S.A. (Director: Macky Alston) — One man whose two defining passions are in conflict: An openly gay bishop refuses to leave the Church or the man he loves.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S. Documentary Special Jury Prize for Spirit of Defiance&lt;/strong&gt;&amp;nbsp;was presented by Heather Croall to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Ai Weiwei: Never Sorry&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;/ U.S.A., China (Director: Alison Klayman)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S. Dramatic Special Jury Prize for Excellence in Independent Film Producing&lt;/strong&gt;was presented by Cliff Martinez to:&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: black; color: white;"&gt;Andrea Sperling and Jonathan Schwartz for&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Smashed&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Nobody Walks&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&lt;ul style="font-family: Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px; margin-bottom: 18px; margin-left: 18px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;li style="list-style-image: initial; list-style-position: initial; list-style-type: disc; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Smashed&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director: James Ponsoldt, Screenwriters: Susan Burke, James Ponsoldt) —&lt;/span&gt;&lt;/li&gt;
&lt;li style="list-style-image: initial; list-style-position: initial; list-style-type: disc; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Nobody Walks&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director: Ry Russo-Young, Screenwriters: Lena Dunham, Ry Russo-Young)&amp;nbsp;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;U.S. Dramatic&lt;/strong&gt;&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Special&lt;/strong&gt;&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Jury Prize for Ensemble Acting&lt;/strong&gt;&amp;nbsp;was presented by Cliff Martinez to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Surrogate&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ U.S.A. (Director and screenwriter: Ben Lewin)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Dramatic Special Jury Prize for Artistic Vision&lt;/strong&gt;&amp;nbsp;was presented by Clara Kim to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;Can&lt;/em&gt;&lt;/strong&gt;&amp;nbsp;/ Turkey (Director and screenwriter: Rasit Celikezer)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;A&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;World Cinema Documentary Special Jury Prize for its Celebration of the Artistic Spirit&lt;/strong&gt;&amp;nbsp;was presented by Richard Pena to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;SEARCHING FOR SUGAR MAN&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ Sweden, United Kingdom (Director: Malik Bendjelloul)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The inaugural&amp;nbsp;&lt;strong style="font-style: inherit; font-weight: bold;"&gt;Short Film Audience Award, &lt;/strong&gt;&amp;nbsp;based on online voting for nine short films that premiered at the Festival and are currently featured on yahoo screen, was presented to:&lt;/span&gt;&lt;strong style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;em style="font-weight: inherit;"&gt;The Debutante Hunters&lt;/em&gt;&lt;/strong&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;(Director: Maria White)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-style: inherit;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;b&gt;Alfred P. Sloan Feature Film Prizes&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;i&gt;&lt;b&gt;Robot &amp;amp; Frank&lt;/b&gt;&lt;/i&gt;, directed by Jake Schreier and written by Christopher Ford&lt;/span&gt;&lt;br /&gt;
&lt;b style="background-color: black; color: white;"&gt;&lt;i&gt;Valley of Saints&lt;/i&gt;, &lt;/b&gt;&lt;span style="background-color: black; color: white;"&gt;directed and written by Musa Syeed&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;i&gt;Both films have been awarded the 2012 Alfred P. Sloan Feature Film Prize .&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;Short Filmmaking Awards - Jury Prizes .&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;The&lt;/span&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; font-style: inherit; line-height: 18px;"&gt;&amp;nbsp;Jury Prize in Short Filmmaking&lt;/span&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&amp;nbsp;was awarded to:&lt;/span&gt;&lt;b style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; font-style: inherit; font-weight: bold; line-height: 18px;"&gt;&lt;i style="font-weight: inherit;"&gt;FISHING WITHOUT NETS&lt;/i&gt;&lt;/b&gt;&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&amp;nbsp;/ U.S.A. (Director: Cutter Hodierne, Screenwriters: Cutter Hodierne, John Hibey)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&lt;b style="font-style: inherit; font-weight: bold;"&gt;&amp;nbsp;Jury Prize in Short Film, U.S. Fiction&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;b style="background-color: black; color: white; font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;The Black Balloon&lt;/i&gt;&lt;/b&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;/ U.S.A. (Directors: Benny Safdie, Josh Safdie)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;b style="font-style: inherit; font-weight: bold;"&gt;Jury Prize in Short Film, International Fiction&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;The Return (Kthimi)&lt;/i&gt;&lt;/b&gt;&amp;nbsp;/ Kosovo (Director: Blerta Zeqiri, Screenwriter: Shefqet Gjocaj)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;b style="font-style: inherit; font-weight: bold;"&gt;Jury Prize in Short Film, Non-Fiction&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;The Tsunami and the Cherry Blossom&lt;/i&gt;&lt;/b&gt;&amp;nbsp;/ U.S.A. (Director: Lucy Walker)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;b style="font-style: inherit; font-weight: bold;"&gt;Jury Prize in Animated Short Film&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;A Morning Stroll&lt;/i&gt;&lt;/b&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&amp;nbsp;/&lt;/b&gt;&amp;nbsp;United Kingdom (Director: Grant Orchard) &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;b style="font-style: inherit; font-weight: bold;"&gt;Special Jury Award for Comedic Storytelling&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;The Arm&lt;/i&gt;&lt;/b&gt;&amp;nbsp;/ U.S.A. (Directors and screenwriters: Brie Larson, Sarah Ramos, Jessie Ennis)&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="background-color: black; color: white;"&gt;The&amp;nbsp;&lt;b style="font-style: inherit; font-weight: bold;"&gt;Special Jury Award for Animation Direction&lt;/b&gt;&amp;nbsp;was presented to:&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;b style="font-style: inherit; font-weight: bold;"&gt;&lt;i style="font-weight: inherit;"&gt;Robots of Brixton&lt;/i&gt;&lt;/b&gt;&amp;nbsp;/ United Kingdom (Director: Kibwe Tavares)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; margin-bottom: 18px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;i&gt;&lt;span style="color: white;"&gt;&lt;span style="background-color: black;"&gt;This year's Short Film program is comprised of 64 short films selected from a record 7,675 su&lt;/span&gt;&lt;span style="background-color: black;"&gt;bmissions.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;span style="color: white;"&gt;&lt;span style="background-color: black;"&gt;&lt;b&gt;Sundance/NHK International Filmmakers Award&lt;/b&gt;&lt;br /&gt;
Jens Assur&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&amp;nbsp;Mahindra Global Filmmaking Award Winners:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Etienne Kallos "Vrystaat/Free State" from South Africa&lt;br /&gt;
Ariel Kleiman "Partisan" from Australia&lt;br /&gt;
Dominga Sotomayor "Tarde Para Morir Joven/Late to Die Young" from Chile&lt;br /&gt;
Shonali Bose "Margarita. With a Straw" from India&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: white;"&gt;&lt;span style="background-color: black;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-8659862051112791908?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/aRNECHYtdUg7b9JTSPzCXlgyqDY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aRNECHYtdUg7b9JTSPzCXlgyqDY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/Ks90Buys1Rs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/8659862051112791908/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=8659862051112791908" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8659862051112791908?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8659862051112791908?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/Ks90Buys1Rs/winners-2012-sundance-film-festival.html" title="Winners 2012 Sundance Film Festival | 2012 Sundance Film Festival Winners" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/winners-2012-sundance-film-festival.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUYMRHY-cSp7ImA9WhRUGE0.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-439463164752521153</id><published>2012-01-24T09:39:00.000-08:00</published><updated>2012-01-28T18:13:05.859-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-28T18:13:05.859-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Academy awards 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="2012 academy award nominations" /><category scheme="http://www.blogger.com/atom/ns#" term="Oscar noms" /><category scheme="http://www.blogger.com/atom/ns#" term="Oscar nominations 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="Oscar Awards" /><category scheme="http://www.blogger.com/atom/ns#" term="2012 Osacar nominations" /><title>Oscar Nominations 2012 | 2012 Oscar Nominations | Academy Award Nominations 2012</title><content type="html">The 2012 Oscar nominations - Academy Award Nominations are as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Picture&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Thomas Langmann, Producer&lt;br /&gt;
&lt;br /&gt;
"The Descendants" Jim Burke, Alexander Payne and Jim Taylor, Producers&lt;br /&gt;
&lt;br /&gt;
"Extremely Loud &amp;amp; Incredibly Close" Scott Rudin, Producer&lt;br /&gt;
&lt;br /&gt;
"The Help" Brunson Green, Chris Columbus and Michael Barnathan, Producers&lt;br /&gt;
&lt;br /&gt;
"Hugo" Graham King and Martin Scorsese, Producers&lt;br /&gt;
&lt;br /&gt;
"Midnight in Paris" Letty Aronson and Stephen Tenenbaum, Producers&lt;br /&gt;
&lt;br /&gt;
"Moneyball" Michael De Luca, Rachael Horovitz and Brad Pitt, Producers&lt;br /&gt;
&lt;br /&gt;
"The Tree of Life" Nominees to be determined&lt;br /&gt;
&lt;br /&gt;
"War Horse" Steven Spielberg and Kathleen Kennedy, Producers&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actor in a Leading Role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Demián Bichir in "A Better Life"&lt;br /&gt;
&lt;br /&gt;
George Clooney in "The Descendants"&lt;br /&gt;
&lt;br /&gt;
Jean Dujardin in "The Artist"&lt;br /&gt;
&lt;br /&gt;
Gary Oldman in "Tinker Tailor Soldier Spy"&lt;br /&gt;
&lt;br /&gt;
Brad Pitt in "Moneyball"&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actor in a Supporting Role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Kenneth Branagh in "My Week with Marilyn"&lt;br /&gt;
&lt;br /&gt;
Jonah Hill in "Moneyball"&lt;br /&gt;
&lt;br /&gt;
Nick Nolte in "Warrior"&lt;br /&gt;
&lt;br /&gt;
Christopher Plummer in "Beginners"&lt;br /&gt;
&lt;br /&gt;
Max von Sydow in "Extremely Loud &amp;amp; Incredibly Close"&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actress in a Leading Role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Glenn Close in "Albert Nobbs"&lt;br /&gt;
&lt;br /&gt;
Viola Davis in "The Help"&lt;br /&gt;
&lt;br /&gt;
Rooney Mara in "The Girl with the Dragon Tattoo"&lt;br /&gt;
&lt;br /&gt;
Meryl Streep in "The Iron Lady"&lt;br /&gt;
&lt;br /&gt;
Michelle Williams in "My Week with Marilyn"&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Actress in a Supporting Role&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Bérénice Bejo in "The Artist"&lt;br /&gt;
&lt;br /&gt;
Jessica Chastain in "The Help"&lt;br /&gt;
&lt;br /&gt;
Melissa McCarthy in "Bridesmaids"&lt;br /&gt;
&lt;br /&gt;
Janet McTeer in "Albert Nobbs"&lt;br /&gt;
&lt;br /&gt;
Octavia Spencer in "The Help"&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Animated Feature Film&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"A Cat in Paris" Alain Gagnol and Jean-Loup Felicioli&lt;br /&gt;
&lt;br /&gt;
"Chico &amp;amp; Rita" Fernando Trueba and Javier Mariscal&lt;br /&gt;
&lt;br /&gt;
"Kung Fu Panda 2" Jennifer Yuh Nelson&lt;br /&gt;
&lt;br /&gt;
"Puss in Boots" Chris Miller&lt;br /&gt;
&lt;br /&gt;
"Rango" Gore Verbinski&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Writing (Original Screenplay)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Written by Michel Hazanavicius&lt;br /&gt;
&lt;br /&gt;
"Bridesmaids" Written by Annie Mumolo &amp;amp; Kristen Wiig&lt;br /&gt;
&lt;br /&gt;
"Margin Call" Written by J.C. Chandor&lt;br /&gt;
&lt;br /&gt;
"Midnight in Paris" Written by Woody Allen&lt;br /&gt;
&lt;br /&gt;
"A Separation" Written by Asghar Farhadi&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Art Direction&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Production Design: Laurence Bennett; Set Decoration: Robert Gould&lt;br /&gt;
&lt;br /&gt;
"Harry Potter and the Deathly Hallows Part 2" Production Design: Stuart Craig; Set Decoration: Stephenie McMillan&lt;br /&gt;
&lt;br /&gt;
"Hugo" Production Design: Dante Ferretti; Set Decoration: Francesca Lo Schiavo&lt;br /&gt;
&lt;br /&gt;
"Midnight in Paris" Production Design: Anne Seibel; Set Decoration: Hélène Dubreuil&lt;br /&gt;
&lt;br /&gt;
"War Horse" Production Design: Rick Carter; Set Decoration: Lee Sandales&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Cinematography&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Guillaume Schiffman&lt;br /&gt;
&lt;br /&gt;
"The Girl with the Dragon Tattoo" Jeff Cronenweth&lt;br /&gt;
&lt;br /&gt;
"Hugo" Robert Richardson&lt;br /&gt;
&lt;br /&gt;
"The Tree of Life" Emmanuel Lubezki&lt;br /&gt;
&lt;br /&gt;
"War Horse" Janusz Kaminski&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Costume Design&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Anonymous" Lisy Christl&lt;br /&gt;
&lt;br /&gt;
"The Artist" Mark Bridges&lt;br /&gt;
&lt;br /&gt;
"Hugo" Sandy Powell&lt;br /&gt;
&lt;br /&gt;
"Jane Eyre" Michael O'Connor&lt;br /&gt;
&lt;br /&gt;
"W.E." Arianne Phillips&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Directing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Michel Hazanavicius&lt;br /&gt;
&lt;br /&gt;
"The Descendants" Alexander Payne&lt;br /&gt;
&lt;br /&gt;
"Hugo" Martin Scorsese&lt;br /&gt;
&lt;br /&gt;
"Midnight in Paris" Woody Allen&lt;br /&gt;
&lt;br /&gt;
"The Tree of Life" Terrence Malick&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Documentary (Feature)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Hell and Back Again" Danfung Dennis and Mike Lerner&lt;br /&gt;
&lt;br /&gt;
"If a Tree Falls: A Story of the Earth Liberation Front" Marshall Curry and Sam Cullman&lt;br /&gt;
&lt;br /&gt;
"Paradise Lost 3: Purgatory" Charles Ferguson and Audrey Marrs&lt;br /&gt;
&lt;br /&gt;
"Pina" Wim Wenders and Gian-Piero Ringel&lt;br /&gt;
&lt;br /&gt;
"Undefeated" TJ Martin, Dan Lindsay and Richard Middlemas&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Documentary (Short Subject)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Barber of Birmingham: Foot Soldier of the Civil Rights Movement" Robin Fryday and Gail Dolgin&lt;br /&gt;
&lt;br /&gt;
"God Is the Bigger Elvis" Rebecca Cammisa and Julie Anderson&lt;br /&gt;
&lt;br /&gt;
"Incident in New Baghdad"James Spione&lt;br /&gt;
&lt;br /&gt;
"Saving Face" Daniel Junge and Sharmeen Obaid-Chinoy&lt;br /&gt;
&lt;br /&gt;
"The Tsunami and the Cherry Blossom" Lucy Walker and Kira Carstensen&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Film Editing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Artist" Anne-Sophie Bion and Michel Hazanavicius&lt;br /&gt;
&lt;br /&gt;
"The Descendants" Kevin Tent&lt;br /&gt;
&lt;br /&gt;
"The Girl with the Dragon Tattoo" Kirk Baxter and Angus Wall&lt;br /&gt;
&lt;br /&gt;
"Hugo" Thelma Schoonmaker&lt;br /&gt;
&lt;br /&gt;
"Moneyball" Christopher Tellefsen&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Foreign Language Film&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Bullhead" Belgium&lt;br /&gt;
&lt;br /&gt;
"Footnote"&lt;br /&gt;
&lt;br /&gt;
"In Darkness" Poland&lt;br /&gt;
&lt;br /&gt;
"Monsieur Lazhar" Canada&lt;br /&gt;
&lt;br /&gt;
"A Separation" Iran&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Makeup&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Albert Nobbs" Martial Corneville, Lynn Johnston and Matthew W. Mungle&lt;br /&gt;
&lt;br /&gt;
"Harry Potter and the Deathly Hallows Part 2" Edouard F. Henriques, Gregory Funk and Yolanda Toussieng&lt;br /&gt;
&lt;br /&gt;
"The Iron Lady" Mark Coulier and J. Roy Helland&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Music (Original Score)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Adventures of Tintin" John Williams&lt;br /&gt;
&lt;br /&gt;
"The Artist" Ludovic Bource&lt;br /&gt;
&lt;br /&gt;
"Hugo" Howard Shore&lt;br /&gt;
&lt;br /&gt;
"Tinker Tailor Soldier Spy" Alberto Iglesias&lt;br /&gt;
&lt;br /&gt;
"War Horse" John Williams&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Music (Original Song)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Man or Muppet" from "The Muppets" Music and Lyric by Bret McKenzie&lt;br /&gt;
&lt;br /&gt;
"Real in Rio" from "Rio" Music by Sergio Mendes and Carlinhos Brown Lyric by Siedah Garrett&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Short Film (Animated)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Dimanche/Sunday" Patrick Doyon&lt;br /&gt;
&lt;br /&gt;
"The Fantastic Flying Books of Mr. Morris Lessmore" William Joyce and Brandon Oldenburg&lt;br /&gt;
&lt;br /&gt;
"La Luna" Enrico Casarosa&lt;br /&gt;
&lt;br /&gt;
"A Morning Stroll" Grant Orchard and Sue Goffe&lt;br /&gt;
&lt;br /&gt;
"Wild Life" Amanda Forbis and Wendy Tilby&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Short Film (Live Action)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Pentecost" Peter McDonald and Eimear O'Kane&lt;br /&gt;
&lt;br /&gt;
"Raju" Max Zähle and Stefan Gieren&lt;br /&gt;
&lt;br /&gt;
"The Shore" Terry George and Oorlagh George&lt;br /&gt;
&lt;br /&gt;
"Time Freak" Andrew Bowler and Gigi Causey&lt;br /&gt;
&lt;br /&gt;
"Tuba Atlantic" Hallvar Witzø&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sound Editing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Drive" Lon Bender and Victor Ray Ennis&lt;br /&gt;
&lt;br /&gt;
"The Girl with the Dragon Tattoo" Ren Klyce&lt;br /&gt;
&lt;br /&gt;
"Hugo" Philip Stockton and Eugene Gearty&lt;br /&gt;
&lt;br /&gt;
"Transformers: Dark of the Moon" Ethan Van der Ryn and Erik Aadahl&lt;br /&gt;
&lt;br /&gt;
"War Horse" Richard Hymns and Gary Rydstrom&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sound Mixing&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Girl with the Dragon Tattoo" David Parker, Michael Semanick, Ren Klyce and Bo Persson&lt;br /&gt;
&lt;br /&gt;
"Hugo" Tom Fleischman and John Midgley&lt;br /&gt;
&lt;br /&gt;
"Moneyball" Deb Adair, Ron Bochar, Dave Giammarco and Ed Novick&lt;br /&gt;
&lt;br /&gt;
"Transformers: Dark of the Moon" Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin&lt;br /&gt;
&lt;br /&gt;
"War Horse" Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Visual Effects&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"Harry Potter and the Deathly Hallows Part 2" Tim Burke, David Vickery, Greg Butler and John Richardson&lt;br /&gt;
&lt;br /&gt;
"Hugo" Rob Legato, Joss Williams, Ben Grossman and Alex Henning&lt;br /&gt;
&lt;br /&gt;
"Real Steel" Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg&lt;br /&gt;
&lt;br /&gt;
"Rise of the Planet of the Apes" Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett&lt;br /&gt;
&lt;br /&gt;
"Transformers: Dark of the Moon" Scott Farrar, Scott Benza, Matthew Butler and John Frazier&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Writing (Adapted Screenplay)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
"The Descendants" Screenplay by Alexander Payne and Nat Faxon &amp;amp; Jim Rash&lt;br /&gt;
&lt;br /&gt;
"Hugo" Screenplay by John Logan&lt;br /&gt;
&lt;br /&gt;
"The Ides of March" Screenplay by George Clooney &amp;amp; Grant Heslov and Beau Willimon&lt;br /&gt;
&lt;br /&gt;
"Moneyball" Screenplay by Steven Zaillian and Aaron Sorkin. Story by Stan Chervin&lt;br /&gt;
&lt;br /&gt;
"Tinker Tailor Soldier Spy" Screenplay by Bridget O'Connor &amp;amp; Peter Straughan&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-439463164752521153?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;*THE ARTIST&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;Producer: Thomas Langmann&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
BRIDESMAIDS&lt;br /&gt;
Producers: Judd Apatow, Barry Mendel, Clayton Townsend&lt;br /&gt;
&lt;br /&gt;
THE DESCENDANTS&lt;br /&gt;
Producers: Jim Burke, Alexander Payne, Jim Taylor&lt;br /&gt;
&lt;br /&gt;
THE GIRL WITH THE DRAGON TATTOO&lt;br /&gt;
Producers: Ceán Chaffin, Scott Rudin&lt;br /&gt;
&lt;br /&gt;
THE HELP&lt;br /&gt;
Producers: Michael Barnathan, Chris Columbus, Brunson Green&lt;br /&gt;
&lt;br /&gt;
HUGO&lt;br /&gt;
Producers: Graham King, Martin Scorsese&lt;br /&gt;
&lt;br /&gt;
THE IDES OF MARCH&lt;br /&gt;
Producers: George Clooney, Grant Heslov, Brian Oliver&lt;br /&gt;
&lt;br /&gt;
MIDNIGHT IN PARIS&lt;br /&gt;
Producers: Letty Aronson, Stephen Tenenbaum&lt;br /&gt;
&lt;br /&gt;
MONEYBALL&lt;br /&gt;
Producers: Michael De Luca, Rachael Horovitz, Brad Pitt&lt;br /&gt;
&lt;br /&gt;
WAR HORSE&lt;br /&gt;
Producers: Kathleen Kennedy, Steven Spielberg&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;The Award for Outstanding Producer of Animated Theatrical Motion Pictures:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;*THE ADVENTURES OF TINTIN&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;Producers: Peter Jackson, Kathleen Kennedy, Steven Spielberg&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
CARS 2&lt;br /&gt;
Producer: Denise Ream&lt;br /&gt;
&lt;br /&gt;
KUNG FU PANDA 2&lt;br /&gt;
Producer: Melissa Cobb&lt;br /&gt;
&lt;br /&gt;
PUSS IN BOOTS&lt;br /&gt;
Producers: Joe M. Aguilar, Latifa Ouaou&lt;br /&gt;
&lt;br /&gt;
RANGO&lt;br /&gt;
Producers: John B. Carls, Gore Verbinski&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Award for Outstanding Producer of Documentary Theatrical Motion Pictures:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;*BEATS, RHYMES &amp;amp; LIFE: THE TRAVELS OF A TRIBE CALLED QUEST&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;Producers: Debra Koffler, Frank Mele, Edward Parks, Michael Rapaport&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
BILL CUNNINGHAM NEW YORK&lt;br /&gt;
Producer: Philip Gefter&lt;br /&gt;
&lt;br /&gt;
PROJECT NIM&lt;br /&gt;
Producer: Simon Chinn&lt;br /&gt;
&lt;br /&gt;
SENNA&lt;br /&gt;
Producer: James Gay-Rees&lt;br /&gt;
&lt;br /&gt;
THE UNION&lt;br /&gt;
Producers: Cameron Crowe, Michelle Panek&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-2808304894758952992?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/I_xbaqAdr7rE3r7RCqu2ousifGY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/I_xbaqAdr7rE3r7RCqu2ousifGY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/QiN66_SuAdk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/2808304894758952992/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=2808304894758952992" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/2808304894758952992?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/2808304894758952992?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/QiN66_SuAdk/producers-guild-awards-2012-producers.html" title="Producers Guild Awards 2012 | Producers Guild Award Nominations 2012" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/producers-guild-awards-2012-producers.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak4HRXY7eCp7ImA9WhRUEEw.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-8149342136631595378</id><published>2012-01-19T16:15:00.000-08:00</published><updated>2012-01-19T16:22:14.800-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-19T16:22:14.800-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="2011 dga nominees" /><category scheme="http://www.blogger.com/atom/ns#" term="Independent Film" /><category scheme="http://www.blogger.com/atom/ns#" term="directors guild of america" /><category scheme="http://www.blogger.com/atom/ns#" term="nominees Outstanding Theatrical Achievement in Feature Film" /><category scheme="http://www.blogger.com/atom/ns#" term="dga" /><title>2011 DGA Award Nominees | DGA Award Nominees 2011</title><content type="html">Directors Guild of America (DGA) award nominees for Outstanding Theatrical Achievement in Feature Film for 2011 winners will be announced at the 64th Annual DGA Awards Dinner on Saturday, January 28.&lt;br /&gt;
&lt;br /&gt;
The &lt;b&gt;2011 DGA award nominees&lt;/b&gt; are as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Woody Allen&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Midnight in Paris &lt;/i&gt;(Sony Pictures Classics)&lt;br /&gt;
&lt;br /&gt;
Matthieu Rubin, Helen Robin, unit production managers; Gil Kenny, first assistant director; Delphine Bertrand, second assistant director.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;David Fincher&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;The Girl With the Dragon Tattoo&lt;/i&gt; (Columbia Pictures; Metro-Goldwyn-Mayer Pictures)&lt;br /&gt;
&lt;br /&gt;
Daniel M. Stillman, unit production manager; Bob Wagner, first assistant director; Allen Kupetsky, second assistant director; Karolina Heimburg, production manager (Sweden Unit); Hanna Nilsson, Pontus Klange, second assistant directors (Sweden Unit); Niklas Sjostrom, 2nd second assistant director (Sweden Unit); Maileen Williams, 2nd second assistant director (U.S. Unit); Christos Dervenis, unit production manager (Zurich Unit); Lara Baldwin, unit production manager (U.K. Unit); Paul Taylor, second assistant director (U.K. Unit).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Michel Hazanavicius&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;The Artist &lt;/i&gt;(The Weinstein Company)&lt;br /&gt;
&lt;br /&gt;
Antoine De Cazotte, unit production manager; Segolene Fleury, production manager (France); James Canal, first assistant director (France); David Cluck, first assistant director (U.S.); Dave Paige, second assistant director (U.S.); Karla Strum, Ricky Robinson, 2nd second assistant directors.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Alexander Payne&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;The Descendants &lt;/i&gt;(Fox Searchlight Pictures)&lt;br /&gt;
&lt;br /&gt;
George Parra, unit production manager; Richard L. Fox, first assistant director; Scott August, second assistant director; Amy Wilkins Bronson, 2nd second assistant director.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Martin Scorsese&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Hugo&lt;/i&gt; (Paramount Pictures)&lt;br /&gt;
&lt;br /&gt;
Charles Newirth, Georgia Kacandes, Angus More Gordon, unit production managers; Chris Surgent, first assistant director; Richard Graysmark, second assistant director; Tom Brewster, Fraser Fennell-Ball, second assistant directors; Michael Sharp, Gilles Castera, production managers (Paris Unit); Ali Cherkaoui, first assistant director (Paris Unit).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-8149342136631595378?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/wTpU-FRC9JC48TbDpay5eR03zr4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wTpU-FRC9JC48TbDpay5eR03zr4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/A0wJ25cVwBE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/8149342136631595378/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=8149342136631595378" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8149342136631595378?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8149342136631595378?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/A0wJ25cVwBE/2011-dga-award-nominees-dga-award.html" title="2011 DGA Award Nominees | DGA Award Nominees 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/2011-dga-award-nominees-dga-award.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak8BQHcycSp7ImA9WhRUEEw.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-5622462416164069462</id><published>2012-01-15T20:17:00.000-08:00</published><updated>2012-01-19T16:20:51.999-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-19T16:20:51.999-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="movies" /><category scheme="http://www.blogger.com/atom/ns#" term="Independent Film" /><category scheme="http://www.blogger.com/atom/ns#" term="Golden Globe Winners 2012" /><category scheme="http://www.blogger.com/atom/ns#" term="Award Winning Independent Film" /><title>Golden Globe Winners 2012 | Movie and Film Winners Golden Globe 2012</title><content type="html">&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;2012 Golden Globe Winners for Film.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: white; font-family: Arial; font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Motion Picture, Drama&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;i&gt;The Descendants&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Actor In A Motion Picture, Drama&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;George Clooney,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;The Descendants&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt; &lt;br /&gt;
&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Actress In A Motion Picture, Drama&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Meryl Streep,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;The Iron Lady&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt; &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Motion Picture, Comedy&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;The Artist&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt; &lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Actor In A Motion Picture, Comedy&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Jean Dujardin,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;The Artist&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Actress In A Motion Picture, Comedy&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Michelle Williams,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;My Week With Mar&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;i style="background-color: black; color: white; line-height: 9.5pt;"&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: large;"&gt;ilyn&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;i style="background-color: black; color: white; font-size: x-large; line-height: 9.5pt;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt; &lt;br /&gt;
&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Supporting Actor In A Motion Picture&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Christopher Plummer,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Beginners&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt; &lt;br /&gt;
&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Supporting Actress In A Motion Picture&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Octavia Spencer,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;The Help&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt; &lt;br /&gt;
&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 9.5pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;span style="font-family: Arial;"&gt;Best Director&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; line-height: 9.5pt; margin-bottom: 0.0001pt; margin-left: 0in; margin-right: 0in; margin-top: 0in;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Martin Scorcese,&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;Hugo&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: Arial;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="color: white;"&gt;&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;/span&gt; &lt;/span&gt; &lt;br /&gt;
&lt;span style="font-size: 6.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-5622462416164069462?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xuH6nFMb8VgvERXNuKGKwPrIqe0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xuH6nFMb8VgvERXNuKGKwPrIqe0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xuH6nFMb8VgvERXNuKGKwPrIqe0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xuH6nFMb8VgvERXNuKGKwPrIqe0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/eflgcKAWZqk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/5622462416164069462/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=5622462416164069462" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5622462416164069462?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5622462416164069462?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/eflgcKAWZqk/golden-globe-winners-2012-movie-and.html" title="Golden Globe Winners 2012 | Movie and Film Winners Golden Globe 2012" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/golden-globe-winners-2012-movie-and.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUAAQHozeyp7ImA9WhRVFEQ.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-4672860144261694923</id><published>2012-01-13T15:35:00.000-08:00</published><updated>2012-01-13T15:35:41.483-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-13T15:35:41.483-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="independent  feature films" /><category scheme="http://www.blogger.com/atom/ns#" term="art films" /><category scheme="http://www.blogger.com/atom/ns#" term="Award Winning Independent Film" /><category scheme="http://www.blogger.com/atom/ns#" term="golden globe nominess 2012" /><title>Golden Globe Film Nominees 2012 | Golden Globe Movie Nominees 2012</title><content type="html">Here is a list of the nominees for the 2012 Golden Globes, including independent feature films.&lt;br /&gt;
&lt;br /&gt;
Films&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST PICTURE: DRAMA&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The Descendants”&lt;br /&gt;
&lt;br /&gt;
“The Help”&lt;br /&gt;
&lt;br /&gt;
“Hugo”&lt;br /&gt;
&lt;br /&gt;
“The Ides of March”&lt;br /&gt;
&lt;br /&gt;
“Moneyball”&lt;br /&gt;
&lt;br /&gt;
“War Horse”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST PICTURE: COMEDY OR MUSICAL&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“50/50”&lt;br /&gt;
&lt;br /&gt;
“The Artist”&lt;br /&gt;
&lt;br /&gt;
“Bridesmaids”&lt;br /&gt;
&lt;br /&gt;
“Midnight in Paris”&lt;br /&gt;
&lt;br /&gt;
“My Week With Marilyn”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST DIRECTOR&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Woody Allen (“Midnight in Paris”)&lt;br /&gt;
&lt;br /&gt;
George Clooney (“The Ides of March”)&lt;br /&gt;
&lt;br /&gt;
Michel Hazanavicius (“The Artist”)&lt;br /&gt;
&lt;br /&gt;
Alexander Payne (“The Descendants”)&lt;br /&gt;
&lt;br /&gt;
Martin Scorsese (“Hugo”)&lt;br /&gt;
&lt;br /&gt;
BEST ACTOR: DRAMA&lt;br /&gt;
&lt;br /&gt;
George Clooney (“The Descendants”)&lt;br /&gt;
&lt;br /&gt;
Leonardo Dicaprio (“J. Edgar”)&lt;br /&gt;
&lt;br /&gt;
Michael Fassbender (“Shame”)&lt;br /&gt;
&lt;br /&gt;
Ryan Gosling (“The Ides of March”)&lt;br /&gt;
&lt;br /&gt;
Brad Pitt (“Moneyball”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ACTRESS: DRAMA&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Glenn Close (“Albert Nobbs”)&lt;br /&gt;
&lt;br /&gt;
Viola Davis (“The Help”)&lt;br /&gt;
&lt;br /&gt;
Rooney Mara (“The Girl With the Dragon Tattoo”)&lt;br /&gt;
&lt;br /&gt;
Meryl Streep (“The Iron Lady”)&lt;br /&gt;
&lt;br /&gt;
Tilda Swinton (“We Need to Talk About Kevin”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ACTRESS: COMEDY OR MUSICAL&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Jodie Foster (“Carnage”)&lt;br /&gt;
&lt;br /&gt;
Charlize Theron (“Young Adult”)&lt;br /&gt;
&lt;br /&gt;
Kristen Wiig (“Bridesmaids”)&lt;br /&gt;
&lt;br /&gt;
Michelle Williams (“My Week With Marilyn”)&lt;br /&gt;
&lt;br /&gt;
Kate Winslet (“Carnage”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ACTOR: COMEDY OR MUSICAL&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Jean Dujardin (“The Artist”)&lt;br /&gt;
&lt;br /&gt;
Brendan Gleeson (“The Guard”)&lt;br /&gt;
&lt;br /&gt;
Joseph Gordon-Levitt (“50/50”)&lt;br /&gt;
&lt;br /&gt;
Ryan Gosling (“Crazy, Stupid, Love”)&lt;br /&gt;
&lt;br /&gt;
Owen Wilson (“Midnight in Paris”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST SUPPORTING ACTRESS&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Berenice Bejo (“The Artist”)&lt;br /&gt;
&lt;br /&gt;
Jessica Chastain (“The Help”)&lt;br /&gt;
&lt;br /&gt;
Janet McTeer (“Albert Nobbs”)&lt;br /&gt;
&lt;br /&gt;
Octavia Spencer (“The Help”)&lt;br /&gt;
&lt;br /&gt;
Shailene Woodley (“The Descendants”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST SUPPORTING ACTOR&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Kenneth Branagh (“My Week With Marilyn”)&lt;br /&gt;
&lt;br /&gt;
Albert Brooks (“Drive”)&lt;br /&gt;
&lt;br /&gt;
Jonah Hill (“Moneyball”)&lt;br /&gt;
&lt;br /&gt;
Viggo Mortensen (“A Dangerous Method”)&lt;br /&gt;
&lt;br /&gt;
Christopher Plummer (“Beginners”)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ANIMATED FILM&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The Adventures of Tintin”&lt;br /&gt;
&lt;br /&gt;
“Arthur Christmas”&lt;br /&gt;
&lt;br /&gt;
“Cars 2”&lt;br /&gt;
&lt;br /&gt;
“Puss in Boots”&lt;br /&gt;
&lt;br /&gt;
“Rango”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST FOREIGN LANGUAGE FILM&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“The Flowers Of War” (China)&lt;br /&gt;
&lt;br /&gt;
“In The Land of Blood and Honey” (USA)&lt;br /&gt;
&lt;br /&gt;
“The Kid With a Bike” (Belgium)&lt;br /&gt;
&lt;br /&gt;
”A Separation” (Iran)&lt;br /&gt;
&lt;br /&gt;
“The Skin I Live In” (Spain)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST SCREENPLAY&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
”The Artist”&lt;br /&gt;
&lt;br /&gt;
“The Descendants”&lt;br /&gt;
&lt;br /&gt;
“The Ides of March”&lt;br /&gt;
&lt;br /&gt;
“Midnight in Paris”&lt;br /&gt;
&lt;br /&gt;
“Moneyball”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ORIGINAL SCORE&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Ludovic Bource, “The Artist”&lt;br /&gt;
&lt;br /&gt;
Abel Korzeniowski, “W.E.”&lt;br /&gt;
&lt;br /&gt;
Trent Reznor and Atticus Ross, “The Girl With The Dragon Tattoo”&lt;br /&gt;
&lt;br /&gt;
Howard Shore, “Hugo”&lt;br /&gt;
&lt;br /&gt;
John Williams, “War Horse”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ORIGINAL SONG&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
“Hello Hello,” “Gnomeo &amp;amp; Juliet” Music by Elton John, Lyrics by Bernie Taupin&lt;br /&gt;
&lt;br /&gt;
“The Keeper,” “Machine Gun Preacher” Music &amp;amp; Lyrics by Chris Cornell&lt;br /&gt;
&lt;br /&gt;
“Lay Your Head Down,” “Albert Nobbs” Music by Brian Byrne, Lyrics by Glenn Close&lt;br /&gt;
&lt;br /&gt;
“The Living Proof,” “The Help” Music by Thomas Newman, Mary J. Blige and Harvey Mason, Jr.; Lyrics by Mary J. Blige, Harvey Mason, Jr. and Damon Thomas&lt;br /&gt;
&lt;br /&gt;
“Masterpiece,” “W.E.” Music &amp;amp; Lyrics by Madonna, Julie Frost and Jimmy Harry&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-4672860144261694923?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/0vdVgC9qy0J6sriCG52119HYkP0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0vdVgC9qy0J6sriCG52119HYkP0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/T25x6hDEGGI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/4672860144261694923/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=4672860144261694923" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4672860144261694923?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4672860144261694923?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/T25x6hDEGGI/golden-globe-film-nominees-2012-golden.html" title="Golden Globe Film Nominees 2012 | Golden Globe Movie Nominees 2012" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2012/01/golden-globe-film-nominees-2012-golden.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU4EQnY_eCp7ImA9WhRVEkw.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-5212461209613473391</id><published>2012-01-09T12:42:00.000-08:00</published><updated>2012-01-10T09:51:43.840-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-10T09:51:43.840-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="screen actors guild nominations" /><category scheme="http://www.blogger.com/atom/ns#" term="fikm" /><category scheme="http://www.blogger.com/atom/ns#" term="Award Winning Independent Film" /><category scheme="http://www.blogger.com/atom/ns#" term="auteur independent feature film" /><category scheme="http://www.blogger.com/atom/ns#" term="sag nominees" /><title>18th Annual Screen Actors Guild Nominations 2012 - SAG Award Nominees 2012</title><content type="html">18th ANNUAL SCREEN ACTORS GUILD AWARDS® NOMINATIONS&lt;br /&gt;
&lt;br /&gt;
THEATRICAL MOTION PICTURES&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Outstanding Performance by a Male Actor in a Leading Role&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;DEMIÁN BICHIR / Carlos Galindo - “A BETTER LIFE” (Summit Entertainment)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;GEORGE CLOONEY / Matt King - "THE DESCENDANTS” (Fox Searchlight Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;LEONARDO DiCAPRIO / J. Edgar Hoover - "J. EDGAR" (Warner Bros. Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JEAN DUJARDIN / George - "THE ARTIST" (The Weinstein Company)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;BRAD PITT / Billy Beane - "MONEYBALL" (Columbia Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Outstanding Performance by a Female Actor in a Leading Role&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;GLENN CLOSE &amp;nbsp;/ Albert Nobbs - "ALBERT NOBBS” (Roadside Attractions)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;VIOLA DAVIS / Aibileen Clark - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MERYL STREEP / Margaret Thatcher - “THE IRON LADY” (The Weinstein Company)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;TILDA SWINTON / Eva - “WE NEED TO TALK ABOUT KEVIN” (Oscilloscope Laboratories)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MICHELLE WILLIAMS / Marilyn Monroe - “MY WEEK WITH MARILYN” (The Weinstein Company)&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Outstanding Performance by a Male Actor in a Supporting Role&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;KENNETH BRANAGH / Sir Laurence Olivier - “MY WEEK WITH MARILYN” (The Weinstein Company)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;ARMIE HAMMER / Clyde Tolson - "J. EDGAR" (Warner Bros. Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JONAH HILL / Peter Brand - "MONEYBALL" (Columbia Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;NICK NOLTE / Paddy Conlon - “WARRIOR” (Lionsgate)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;CHRISTOPHER PLUMMER / Hal - “BEGINNERS” (Focus Features)&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Outstanding Performance by a Female Actor in a Supporting Role&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;BÉRÉNICE BEJO / Peppy - "THE ARTIST" (The Weinstein Company)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JESSICA CHASTAIN / Celia Foote - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MELISSA McCARTHY / Megan - “BRIDESMAIDS” (Universal Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JANET McTEER / Hubert Page - "ALBERT NOBBS” (Roadside Attractions)&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;OCTAVIA SPENCER / Minny Jackson - “THE HELP” (DreamWorks Pictures / Touchstone Pictures)&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Outstanding Performance by a Cast in a Motion Picture&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;THE ARTIST&lt;/b&gt; (The Weinstein Company)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;BÉRÉNICE BEJO / Peppy&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JAMES CROMWELL / Clifton&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JEAN DUJARDIN / George&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JOHN GOODMAN / Al Zimmer&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;PENELOPE ANN MILLER / Doris&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BRIDESMAIDS&lt;/b&gt; (Universal Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;ROSE BYRNE / Helen&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JILL CLAYBURGH / Annie’s Mom&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;ELLIE KEMPER / Becca&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MATT LUCAS &amp;nbsp;/ Gil&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MELISSA McCARTHY / Megan&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;WENDI McLENDON-COVEY / Rita&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;CHRIS O’DOWD / Rhodes&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MAYA RUDOLPH / Lillian&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;KRISTEN WIIG / Annie&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;THE DESCENDANTS&lt;/b&gt; (Fox Searchlight Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;BEAU BRIDGES / Cousin Hugh&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;GEORGE CLOONEY / Matt King&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;ROBERT FORSTER / Scott Thorson&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;JUDY GREER &amp;nbsp;/ Julie Speer&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MATTHEW LILLARD &amp;nbsp;/ Brian Speer&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;SHAILENE WOODLEY &amp;nbsp;/ Alexandra King&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;THE HELP&lt;/b&gt; (DreamWorks Pictures / Touchstone Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;JESSICA CHASTAIN / Celia Foote&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;VIOLA DAVIS / Aibileen Clark&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;BRYCE DALLAS HOWARD / Hilly Holbrook&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;ALLISON JANNEY / Charlotte Phelan&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;CHRIS LOWELL / Stuart Whitworth&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;AHNA O’REILLY / Elizabeth Leefolt&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;SISSY SPACEK / Missus Walters&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;OCTAVIA SPENCER / Minny Jackson&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MARY STEENBURGEN / Elaine Stein&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;EMMA STONE / Skeeter Phelan&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;CICELY TYSON / Constantine Jefferson&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MIKE VOGEL / Johnny Foote&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;MIDNIGHT IN PARIS&lt;/b&gt; (Sony Pictures Classics)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;KATHY BATES / Gertrude Stein&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;ADRIEN BRODY / Salvador Dali&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;CARLA BRUNI / Museum Guide&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MARION COTILLARD / Adriana&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;RACHEL McADAMS / Inez&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;MICHAEL SHEEN / Paul&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;OWEN WILSON / Gil&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-5212461209613473391?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;br /&gt;
&lt;br /&gt;
BEST FEATURE&lt;br /&gt;
50/50&lt;br /&gt;
Beginners&lt;br /&gt;
Drive&lt;br /&gt;
Take Shelter&lt;br /&gt;
The Artist&lt;br /&gt;
The Descendants&lt;br /&gt;
&lt;br /&gt;
BEST DIRECTOR&lt;br /&gt;
Mike Mills, Beginners&lt;br /&gt;
Nicolas Winding Refn, Drive&lt;br /&gt;
Jeff Nichols, Take Shelter&lt;br /&gt;
Michel Hazanavicius, The Artist&lt;br /&gt;
Alexander Payne, The Descendants&lt;br /&gt;
&lt;br /&gt;
BEST FIRST FEATURE (Award given to the director and producer)&lt;br /&gt;
Another Earth&lt;br /&gt;
In the Family&lt;br /&gt;
Margin Call&lt;br /&gt;
Martha Marcy May Marlene&lt;br /&gt;
Natural Selection&lt;br /&gt;
&lt;br /&gt;
JOHN CASSAVETES AWARD (Given to the best feature made for under $500,000)&lt;br /&gt;
Bellflower&lt;br /&gt;
Circumstance&lt;br /&gt;
Hello Lonesome&lt;br /&gt;
Pariah&lt;br /&gt;
The Dynamiter&lt;br /&gt;
&lt;br /&gt;
BEST SCREENPLAY&lt;br /&gt;
Joseph Cedar, Footnote&lt;br /&gt;
Michel Hazanavicius, The Artist&lt;br /&gt;
Tom McCarthy, Win Win&lt;br /&gt;
Mike Mills, Beginners&lt;br /&gt;
Alexander Payne, Nat Faxon, and Jim Rash, The Descendants&lt;br /&gt;
&lt;br /&gt;
BEST FIRST SCREENPLAY&lt;br /&gt;
Mike Cahill and Brit Marling, Another Earth&lt;br /&gt;
J.C. Chandor, Margin Call&lt;br /&gt;
Patrick DeWitt, Terri&lt;br /&gt;
Phil Johnston, Cedar Rapids&lt;br /&gt;
Will Reiser, 50/50&lt;br /&gt;
&lt;br /&gt;
BEST FEMALE LEAD&lt;br /&gt;
Lauren Ambrose, Think of Me&lt;br /&gt;
Rachel Harris, Natural Selection&lt;br /&gt;
Adepero Oduye, Pariah&lt;br /&gt;
Elizabeth Olsen, Martha Marcy May Marlene&lt;br /&gt;
Michelle Williams, My Week With Marilyn&lt;br /&gt;
&lt;br /&gt;
BEST MALE LEAD&lt;br /&gt;
Demian Bichir, A Better Life&lt;br /&gt;
Jean Dujardin, The Artist&lt;br /&gt;
Ryan Gosling, Drive&lt;br /&gt;
Woody Harrelson, Rampart&lt;br /&gt;
Michael Shannon, Take Shelter&lt;br /&gt;
&lt;br /&gt;
BEST SUPPORTING FEMALE&lt;br /&gt;
Jessica Chastain, Take Shelter&lt;br /&gt;
Anjelica Huston, 50/50&lt;br /&gt;
Janet McTeer, Albert Nobbs&lt;br /&gt;
Harmony Santana, Gun Hill Road&lt;br /&gt;
Shailene Woodley, The Descendants&lt;br /&gt;
&lt;br /&gt;
BEST SUPPORTING MALE&lt;br /&gt;
Albert Brooks, Drive&lt;br /&gt;
John Hawkes, Martha Marcy May Marlene&lt;br /&gt;
Christopher Plummer, Beginners&lt;br /&gt;
John C. Reilly, Cedar Rapids&lt;br /&gt;
Corey Stoll, Midnight in Paris&lt;br /&gt;
&lt;br /&gt;
BEST CINEMATOGRAPHY&lt;br /&gt;
Joel Hodge, Bellflower&lt;br /&gt;
Benjamin Kuh-Sulk, The Off Hours&lt;br /&gt;
Darius Kond-Jee, Midnight in Paris&lt;br /&gt;
Gui-omme Shiffman, The Artist&lt;br /&gt;
Jeffrey Waldron, The Dynamiter&lt;br /&gt;
&lt;br /&gt;
BEST DOCUMENTARY&lt;br /&gt;
An African Election&lt;br /&gt;
Bill Cunningham New York&lt;br /&gt;
The Interrupters&lt;br /&gt;
The Redemption of General Butt Naked&lt;br /&gt;
We Were Here&lt;br /&gt;
&lt;br /&gt;
BEST FOREIGN FILM&lt;br /&gt;
A Separation&lt;br /&gt;
Melancholia&lt;br /&gt;
Shame&lt;br /&gt;
The Kid With a Bike&lt;br /&gt;
Tyrannosaur&lt;br /&gt;
&lt;br /&gt;
ROBERT ALTMAN AWARD (Given to one film's director, casting director and its ensemble cast)&lt;br /&gt;
Margin Call&lt;br /&gt;
&lt;br /&gt;
PIAGET PRODUCERS AWARD&lt;br /&gt;
Chad Burris, Mosquita y Mari&lt;br /&gt;
Sophia Lin, Take Shelter&lt;br /&gt;
Josh Mond, Martha Marcy May Marlene&lt;br /&gt;
&lt;br /&gt;
ACURA SOMEONE TO WATCH AWARD&lt;br /&gt;
Simon Arthur, Silver Tongues&lt;br /&gt;
Mark Jackson, Without&lt;br /&gt;
Nicholas Ozek, Mamitas&lt;br /&gt;
&lt;br /&gt;
AVEENO TRUER THAN FICTION AWARD&lt;br /&gt;
Heather Courtney, Where Soldiers Came From&lt;br /&gt;
Danfung Dennis, Hell and Back Again&lt;br /&gt;
Alma Har'El, Bombay Beach&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-4205067361141139532?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/NUVU_UnnaEsRyKnAtmw3mtVxj5A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NUVU_UnnaEsRyKnAtmw3mtVxj5A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/rtbCPBdaF7I" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/4205067361141139532/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=4205067361141139532" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4205067361141139532?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4205067361141139532?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/rtbCPBdaF7I/2012-nominees-independent-spirit-awards.html" title="2012 Nominees Independent Spirit Awards" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/12/2012-nominees-independent-spirit-awards.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUIASHk5eip7ImA9WhRRFko.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-4369616935863814430</id><published>2011-11-28T16:43:00.000-08:00</published><updated>2011-11-30T10:25:49.722-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-30T10:25:49.722-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="independent film festival winners" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 Gotham Film Award Winners" /><category scheme="http://www.blogger.com/atom/ns#" term="ifp" /><category scheme="http://www.blogger.com/atom/ns#" term="Gotham Film Award Winners 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="Independent Film" /><category scheme="http://www.blogger.com/atom/ns#" term="auteur independent feature film" /><title>2011 Gotham Film Award Winners</title><content type="html">&lt;span style="background-color: black; color: white;"&gt;Gotham Film Award Winners 2011&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;The award ceremony is held on 11.28.2011.&amp;nbsp;Edie Falco and Oliver Platt&amp;nbsp;are the&amp;nbsp;the hosts of the 21st Annual Gotham Independent Film Awards.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Best Feature Film&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;A tie between&amp;nbsp;&lt;em&gt;&lt;strong&gt;Beginners&lt;/strong&gt;&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;&lt;strong&gt;The Tree Of Life&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong&gt;Beginners&lt;/strong&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;strong style="font-family: Arial, Helvetica, sans-serif; line-height: 18px;"&gt;Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)&lt;/strong&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;strong style="font-family: Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;strong&gt;The Tree Of Life&lt;/strong&gt;&lt;/span&gt; &lt;br /&gt;
&lt;strong style="font-family: Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Terrence Malick, director; Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, producers (Fox Searchlight Pictures)&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt; &lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;Other nominees:&amp;nbsp;&lt;em&gt;The Descendants&lt;/em&gt;;&amp;nbsp;&lt;em&gt;Meek’s Cutoff;&lt;/em&gt;&amp;nbsp;and&lt;em&gt;Take Shelter&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Best documentary&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;em&gt;&lt;strong&gt;Better This World&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;strong style="background-color: black; font-family: Arial, Helvetica, sans-serif; line-height: 18px;"&gt;&lt;span style="color: white;"&gt;Katie Galloway and Kelly Duane de la Vega, directors; Katie Galloway, Kelly Duane de la Vega, Mike Nicholson, producers (Loteria Films, Picturebox, Motto Pictures and Passion Pictures; ITVS in association with American Documentary | POV)&lt;/span&gt;&lt;/strong&gt; &lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;Other nominees:&amp;nbsp;&lt;em&gt;Bill Cunningham New York&lt;/em&gt;;&amp;nbsp;&lt;em&gt;Hell And Back Again&lt;/em&gt;;&amp;nbsp;&lt;em&gt;The Interrupters&lt;/em&gt;; and&amp;nbsp;&lt;em&gt;The Woodmans&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Best Ensemble Performance&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;em&gt;&lt;strong&gt;Beginners&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;(Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic, Kai Lennox, Mary Page Keller, Keegan Boos).&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;Other nominees:&amp;nbsp;&lt;em&gt;The Descendants; Margin Call; Martha Marcy May Marlene;&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Take Shelter.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;&lt;strong&gt;Breakthrough Director&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-size: 13px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;strong&gt;&lt;br /&gt;
Dee Rees,&amp;nbsp;&lt;em&gt;Pariah&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 13px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 13px;"&gt;&lt;span style="background-color: black; color: white;"&gt;Other nominees: Mike Cahill,&amp;nbsp;&lt;em&gt;Another Earth&lt;/em&gt;; Sean Durkin,&lt;em&gt;Martha Marcy May Marlene&lt;/em&gt;; Vera Farmiga,&amp;nbsp;&lt;em&gt;Higher Ground&lt;/em&gt;; and Evan Glodell,&amp;nbsp;&lt;em&gt;Bellflower.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 13px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;&lt;br /&gt;
&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 13px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Breakthrough Actor&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;strong&gt;&lt;br /&gt;
Felicity Jones,&amp;nbsp;&lt;em&gt;Like Crazy&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;Other nominees: Elizabeth Olsen,&amp;nbsp;&lt;em&gt;Martha Marcy May Marlene&lt;/em&gt;; Harmony Santana,&amp;nbsp;&lt;em&gt;Gun Hill Road&lt;/em&gt;; Shailene Woodley,&amp;nbsp;&lt;em&gt;The Descendants&lt;/em&gt;; and Jacob Wysocki,&amp;nbsp;&lt;em&gt;Terri&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Best Film Not Playing At A Theater Near You&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;em&gt;Scenes Of A Crime&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong style="line-height: 18px;"&gt;&lt;span style="background-color: black; color: white; font-family: inherit;"&gt;Blue Hadaegh &amp;amp; Grover Babcock, directors and producers&lt;/span&gt;&lt;/strong&gt; &lt;br /&gt;
&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;strong&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/strong&gt;Other nominees:&amp;nbsp;&lt;em&gt;Codependent Lesbian Space Alien Seeks Same&lt;/em&gt;;&amp;nbsp;&lt;em&gt;Green&lt;/em&gt;;&amp;nbsp;&lt;em&gt;The Redemption Of General Butt Naked&lt;/em&gt;; and&amp;nbsp;&lt;em&gt;Without&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Gotham Independent FIlm Audience Award presented by Heineken USA&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;/span&gt;&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;em&gt;Girlfriend&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;strong&gt;&lt;span style="background-color: black; color: white; font-size: large;"&gt;Euphoria Calvin Klein Spotlight on Women Filmmakers ‘Live The Dream’ Grant&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 19px; margin-bottom: 17px;"&gt;&lt;span style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;Lucy Mulloy for the upcoming&amp;nbsp;&lt;strong&gt;&lt;em&gt;Una Noche&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-4369616935863814430?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/RhdFDZYbRXnm48935lhgHHUOoqA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RhdFDZYbRXnm48935lhgHHUOoqA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/Umy_KflgxFI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/4369616935863814430/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=4369616935863814430" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4369616935863814430?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4369616935863814430?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/Umy_KflgxFI/2011-gotham-film-award-winners.html" title="2011 Gotham Film Award Winners" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/11/2011-gotham-film-award-winners.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUER305eSp7ImA9WhRSE08.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-8340389338491645621</id><published>2011-11-14T15:41:00.000-08:00</published><updated>2011-11-14T17:23:26.321-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-14T17:23:26.321-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="AFI film festival" /><category scheme="http://www.blogger.com/atom/ns#" term="independent feature films" /><category scheme="http://www.blogger.com/atom/ns#" term="AFI festival winners 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="American Film Institute" /><category scheme="http://www.blogger.com/atom/ns#" term="Award Winning Independent Film" /><title>AFI Film Festival Winners 2011</title><content type="html">&amp;nbsp;The &lt;b&gt;2011 AFI Film Festival winners&lt;/b&gt; are as follows:&lt;br /&gt;
&lt;br /&gt;
A&lt;b&gt;UDIENCE AWARDS&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Breakthrough Section (award accompanied by a $5,000 cash prize)&lt;br /&gt;
&lt;br /&gt;
WITH EVERY HEARTBEAT by Alexandra-Therese Keining&lt;br /&gt;
New Auteurs Section&lt;br /&gt;
BULLHEAD by Michaël R. Roskam&lt;br /&gt;
World Cinema Section&lt;br /&gt;
A tie: JIRO DREAMS OF SUSHI by David Gelb and KINYARWANDA by Alrick Brown&lt;br /&gt;
Young Americans Section&lt;br /&gt;
WUSS by Clay Liford&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;LIVE ACTION AND ANIMATED SHORT FILM SECTION JURY AWARDS&lt;/b&gt;&lt;br /&gt;
As in previous years, a jury determines the AFI FEST 2011 Live Action and Animated Short Film&lt;br /&gt;
Section Awards. The Academy of Motion Pictures Arts and Sciences recognizes each winner as a&lt;br /&gt;
qualifier for the annual Academy Awards®. The Short Film Jury – comprised of filmmakers Barry&lt;br /&gt;
Jenkins and Gerardo Naranjo (AFI Conservatory Class of 2001) and festival programmer Kim Yutani –&lt;br /&gt;
announced the awards with their statements.&lt;br /&gt;
&lt;br /&gt;
Live Action Short Film Section&lt;br /&gt;
Grand Jury Prize: FROZEN STORIES from Grzegorz Jaroszuk “for its world of meta-reality suffused&lt;br /&gt;
with enough context to rend a beautifully nuanced story for the most heightened elements.”&lt;br /&gt;
Honorable Mention: BABYLAND by Marc Fratello “for its assured direction, stunning lead performance&lt;br /&gt;
and the ability to balance humor and pathos all the way up to its shocking conclusion.”&lt;br /&gt;
&lt;br /&gt;
Animated Short Film Section&lt;br /&gt;
Grand Jury Prize: THE EAGLEMAN STAG by Michael Please “for its ambitious and elegant storytelling,&lt;br /&gt;
both narrative and aesthetically, in which the bigness of life and the concept of time are deftly&lt;br /&gt;
unpacked in a moving nine minutes.”&lt;br /&gt;
&lt;br /&gt;
Honorable Mention: THE VOYAGERS by Penny Lane “for its skillful juxtaposition of archival footage&lt;br /&gt;
and personal narrative to tell a moving story of exploration, romance and space travel.”&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
NEW AUTEURS SECTION CRITIC’S PRIZE&lt;/b&gt;&lt;br /&gt;
This year AFI FEST debuts its New Auteurs Critic’s Prize selected by an esteemed panel of international&lt;br /&gt;
critics: Justin Chang (Variety), Mike Goodridge (Screen International), Mark Olsen (The Los Angeles&lt;br /&gt;
Times) and Jean Oppenheimer (American Cinematographer).&lt;br /&gt;
Grand Jury Prize: THE LONELIEST PLANET by Julia Loktev “for its bold exploration of societal structures&lt;br /&gt;
and gender roles, set against a landscape that conveys both profound beauty and profound&lt;br /&gt;
alienation.”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Special Jury Prize:&lt;/b&gt; ATTENBERG by Athina Rachel Tsangari “for its wit, distinct voice and playful sense&lt;br /&gt;
of storytelling.”&lt;br /&gt;
&lt;b&gt;Acting Award Prize&lt;/b&gt;: BULLHEAD’s Matthias Schoenaerts “for his nuanced and intensely physical&lt;br /&gt;
embodiment of bruised masculinity.”&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-8340389338491645621?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/1ybTJAamuUCrH-xD5E65q23FFRw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1ybTJAamuUCrH-xD5E65q23FFRw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/C-zWzU1kflQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/8340389338491645621/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=8340389338491645621" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8340389338491645621?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8340389338491645621?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/C-zWzU1kflQ/afi-film-festival-winners-2011.html" title="AFI Film Festival Winners 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/11/afi-film-festival-winners-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkANRnozfyp7ImA9WhdaEk4.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-7417207418432949739</id><published>2011-10-21T09:06:00.000-07:00</published><updated>2011-10-21T15:06:37.487-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-21T15:06:37.487-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Independent Feature Film" /><category scheme="http://www.blogger.com/atom/ns#" term="independent film director" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 winners Chicago International film festival" /><category scheme="http://www.blogger.com/atom/ns#" term="Chicago International Film Festival winners 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="auteur independent feature film" /><title>Winners Chicago International Film Festival 2011</title><content type="html">&lt;b&gt;2011 Chicago International Film Festival Winners&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;International Feature Film Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Representing a wide variety of styles and genres, these works compete for the Festival’s highest honor, the Gold Hugo, a symbol of discovery, as well as awards for best actors, director and writer.&lt;br /&gt;
&lt;br /&gt;
Gold Hugo to LE HAVRE (Finland/France) for the mastery of film director Aki Kaurismäki and his stylized yet very humane depiction of illegal immigration.&lt;br /&gt;
&lt;br /&gt;
Silver Hugo for CAIRO 678 (Egypt) for addressing relevant social issues. It takes a strong stand on sexual harassment for women at home and work. It is a brave film for presenting women as an oppressor rather than a victim.&lt;br /&gt;
&lt;br /&gt;
Silver Hugo for Best Actress to Olivia Colman in TYRANNOSAUR (UK) for an outstanding performance hitting every note showing her vulnerability, her power and her humor.&lt;br /&gt;
&lt;br /&gt;
Silver Hugo for Best Actor to Maged El Kedwany in CAIRO 678 (Egypt) for his ability to bring balance to the story and light to a heavy tone. His presence draws you into every frame he is in.&lt;br /&gt;
&lt;br /&gt;
Silver Hugo for Best Screenplay to Joshua Marston and Andamion Murataj for THE FORGIVENESS OF BLOOD (US/Albania) for a lovingly crafted story that takes us on an intimate journey through the fate of families that are ruled by the laws of honor and vengeance. The writers lay out for the audience the complexity of human relations and make us reconsider our own standards and convictions.&lt;br /&gt;
The International Feature Film Competition Jury includes Jury president Nimród Antal (US/Hungary), Leonardo García Tsao (Mexico), Claudia Landsberger (The Netherlands), Carlitos Ruiz Ruiz (Puerto Rico) and Bhawana Somaaya (India).&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;New Directors Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This selection of first and second feature films receiving their US premiere in Chicago celebrates the spirit of discovery and innovation upon which the Festival was founded.&lt;br /&gt;
&lt;br /&gt;
The Gold Hugo goes to THE GOOD SON (Finland) for its real psychological insight. Economical without being overly abstract, the film depicts each character as selfish, but dependent on someone else, exposing their unstable familial relationships. Director Zaida Bergroth impresses with her ability to create characters and their environment, intersecting in believable yet shocking ways.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo is awarded to VOLCANO (Iceland/Denmark), a film that triggers a deep emotional response that has nothing to do with sentimentality. It juxtaposes domestic space with the dramatic Icelandic landscape to riveting effect. Not just another film about redemption, Rúnar Rúnarsson's debut depicts the moral ambiguity of the choices facing a complex, older man.&lt;br /&gt;
The New Directors Competition Jury includes Eileen Favorite, Tom Quinn, and Michael Raine.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Founder’s Award&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The Founder’s Award is given to that one film across all categories that captures the spirit of the Chicago International Film Festival for its unique and innovative approach to the art of the moving image. This year’s recipient of the Founder’s Award is THE ARTIST (France), director Michel Hazanavicius’ delightfully romantic comedy about silent cinema and the movies in general.&lt;br /&gt;
Special Awards&lt;br /&gt;
&lt;br /&gt;
The 47th Chicago International Film Festival recognized French film director and producer CLAUDE LELOUCH’s 50 years in the film industry with a Silver Hugo award. The award was presented to him on October 8 at a screening of his 43rd film What Love May Bring.&lt;br /&gt;
&lt;br /&gt;
Actor ANTHONY MACKIE will be presented with the Artistic Achievement Award, Saturday October 15 at the Festival’s annual Black Perspectives Tribute. The 47th Chicago International Film Festival's Black Perspectives Committee will celebrate this gifted actor with film highlights from his most memorable performances and a discussion about his career. The event will be held at Chase Auditorium (10 S. Dearborn St.) beginning at 7:30 pm, with the after-party to follow at Cibo Matto at theWit Hotel (201 N. State St.).&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Docufest Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This selection of international documentaries competing for the Gold Hugo go beyond the headlines in telling those true stories that surprise, entertain and challenge us.&lt;br /&gt;
&lt;br /&gt;
Gold Hugo goes to CINEMA KOMUNISTO (Serbia), an exquisite matching of form and content. This film uses cinema as both a metaphor and a mechanism for the telling of unique national, cultural, and personal histories. Archival and contemporary footage are deftly interwoven to yield a result that is at once intimate and universal. Director: Mila Turajlic. &lt;br /&gt;
&lt;br /&gt;
Silver Hugo goes to the visually and aurally innovative DIANA VREELAND: THE EYE HAS TO TRAVEL (US). The subject, Diana Vreeland, embodies the exuberance of the 20th century (often called the American Century) even though she was not born in the US and was a confirmed Europhile all her life. The filmmakers have used a range of techniques in the service of a central aim: to connect audiences with the essence of this unique woman who reflected her times. Director: Lisa Immordino Vreeland.&lt;br /&gt;
&lt;br /&gt;
A Gold Plaque goes to SALAAM DUNK (US/Iraq). This documentary delivers an extraordinary level of access to the emotions of these courageous young Iraqi women who formed a basketball team at the American University of Iraq. There are so many ways the director could have sacrificed the sense of direct connection to steer our attention towards social and political analysis but this does not happen: we live with the players and their coach and with the complexities of ethnicity in post-Saddam Iraq. Director: David Fine.&lt;br /&gt;
&lt;br /&gt;
A Silver Plaque goes to ALL ME: THE LIFE AND TIMES OF WINFRED REMBERT (US), a patient portrayal of an individual's life that peels away social history layer by layer. It connects audiences with aspects of US racial history they may know in general terms but will rarely have had the opportunity to access through the life of a man who is also an extraordinary visual artist compelled to tell his story in his work. Director: Vivian Ducat.&lt;br /&gt;
&lt;br /&gt;
The jury gives a Certificate of Merit to ENDING NOTE: DEATH OF A JAPANESE SALESMAN (Japan). The filmmaker demonstrates considerable courage and determination in this refreshing and candid film that naturalizes dying and death. She has a very special ability to preserve affection and intimacy even as she reveals the final months of her father's life to the world. Director: Mami Sunada.&lt;br /&gt;
The Docufest Competition Jury includes Jill DiBiase, Bruce Sheridan and Jonathan Towers.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;After Dark Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
This competitive program of scary movies from around the world takes audiences on a journey to the darkest corners of the human soul.&lt;br /&gt;
&lt;br /&gt;
The Gold Hugo goes to SNOWTOWN (Australia), a cinematically told, verité style portrait of a serial killer which is surprising in its execution and never relies on stock characters. Director: Justin Kurzel.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo goes to A LONELY PLACE TO DIE (UK), which employs stunning cinematography and majestic mountain landscapes to tell a story which thrilled the jury with its capacity for the unexpected. Director: Julian Gibley.&lt;br /&gt;
The After Dark Competition Jury includes Shayna Connelly, Julian Grant and John Russell Taylor.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Short Film Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The Gold Hugo for Best Short Film goes to THE EAGLEMAN STAG (UK), for its virtuoso and wide-ranging technical feats with a form and style that seem wholly its own, all in the service of characterizing a brilliant, acerbic scientist from cradle to grave, and beyond. The film’s monochromatic palette, intriguing textures, wry narration, and imaginative aesthetic illuminate the life and mind of a potentially cold figure, yielding a precise vision of what dazzles and bores him during the finite time he will spend on this strange, wonderful planet. Director: Michael Please.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo for Best Animated Short is awarded to BIRDBOY (Spain). This film's dynamic realization of two souls searching for some better place in a flawed and fractured world is a compelling journey wrought with contradictions and surprises -- and ultimately hope. Directors: Pedro Rovero and Alberto Vazquez.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo for Best Documentary Short is awarded to CARETAKER FOR THE LORD (Scotland), for its beautifully observed, intensely moving, but rigorously unsentimental record of a small-town church faced with closing its doors, prompting complex questions about how we use our communal institutions, why we need them, and how to decide when it’s time to let them go. Director: Jane McAllister.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo for Best Narrative Short is awarded to THE UNLIVING (Sweden), for combining the rich atmospheres and sterling production values of a feature with the eccentric rhythms of truly independent cinema, all braided into a deeply unnerving thriller that is manna for horror fans but a resonant, indelible experience for all audiences. Director: Hugo Lilja.&lt;br /&gt;
&lt;br /&gt;
A Gold Plaque goes to THE EXTRAORDINARY LIFE OF ROCKY (Belgium), a brilliant darkly comedic tale of one young man's grappling with fate, love, and the meaning of life. Director Kevin Meul.&lt;br /&gt;
&lt;br /&gt;
A Silver Plaque goes to MEATHEAD (New Zealand) for the most inspired location to film a coming-of-age story. With a terrifying sound mix and amazing cinematography, the filmmakers turn a real life meat factory into a full-on haunted house for a young man facing the trials (and entrails) of adulthood. Director: Sam Holst.&lt;br /&gt;
&lt;br /&gt;
The Gold Plaque for Best Student Short (Animated) is awarded to BELLY (UK), which marries a poignant, pivotal experience shared among three characters to a series of innovative character designs and unusual physical environments, reminding us that adolescence is a sad, weird, eye-opening journey, and that every person and every relationship is made of multiple, sometimes conflicting sides. Director: Julia Pott.&lt;br /&gt;
&lt;br /&gt;
The Gold Plaque for Best Student Short (Documentary) is awarded to GOODBYE, MANDIMA (Switzerland), for its heartrending dissection of a seminal moment in time captured in a single photograph. The rupture between past and future is so beautifully articulated, and so deeply felt, that the final shot manages to leave you breathless. Director: Robert-Jan Lacombe.&lt;br /&gt;
&lt;br /&gt;
The jury awards a Special Mention to GRANDMOTHERS (UK). This short truly defies categorization - all at once an animated, short, student, documentary film combining a very personal (almost narrative approach) and an innovative visual specificity - painting a picture far beyond its 9 1/2 minutes of loss and recovery in the multi-generational search for Argentina's "disappeared." Director: Afarin Eghbal.&lt;br /&gt;
The Short Film Jury includes Domenica Cameron-Scorsese, Nick Davis, and Todd Lillethun.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;INTERCOM Competition&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
One of the longest-running international competitions of its kind, INTERCOM honors a wide range of corporate-sponsored, educational and branded films.&lt;br /&gt;
&lt;br /&gt;
The Gold Hugo goes to SUVA - THE MOMENT OF TRUTH by Seed Audio-Visual Communication, commissioned by insurance company SUVA to promote work safety.&lt;br /&gt;
&lt;br /&gt;
The Silver Hugo goes to OSTEOBLASTS AND OSTEOCLASTS by Random42 Medical Animation, the world's premier medical animation company.&lt;br /&gt;
The INTERCOM Competition Jury includes Ron Falzone, Cortney Groves and Kim Kubiak.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Chicago Award&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The Chicago Award, presented to a Chicago or Illinois artist for the best feature, short film or documentary, goes to L TRAIN, directed by Anna Musso. It is purposeful, mysterious and formal in a way that heightened its expressiveness.&lt;br /&gt;
The Chicago Award jury includes Tim Kinsella, Natasha Korecki, and Brigid Reagan.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-7417207418432949739?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/IauAh9KsRS-ms_GKuPcmKIBMfZs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IauAh9KsRS-ms_GKuPcmKIBMfZs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/liBjcdU8LAw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/7417207418432949739/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=7417207418432949739" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/7417207418432949739?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/7417207418432949739?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/liBjcdU8LAw/winners-chicago-international-film.html" title="Winners Chicago International Film Festival 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/10/winners-chicago-international-film.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUFRnsyfCp7ImA9WhdaEUk.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-384419088123740869</id><published>2011-10-20T09:29:00.000-07:00</published><updated>2011-10-20T12:50:17.594-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-20T12:50:17.594-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="independent feature films" /><category scheme="http://www.blogger.com/atom/ns#" term="ifp" /><category scheme="http://www.blogger.com/atom/ns#" term="Gotham awards" /><category scheme="http://www.blogger.com/atom/ns#" term="independent film director" /><category scheme="http://www.blogger.com/atom/ns#" term="Award Winning Independent Film" /><title>2011 Gotham Awards Nominees</title><content type="html">&lt;span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif; font-size: 14px; line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;The Gotham Awards’ ceremony will be held on Monday, November 28th at Cipriani Wall Street.&amp;nbsp; In addition to the competitive awards, Charlize Theron, Gary Oldman, David Cronenberg and &amp;nbsp;Tom Rothman will each be presented with a career tribute.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="background-color: black; font-family: Arial,Helvetica,sans-serif; font-size: 14px; line-height: 22px;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;The Independent&amp;nbsp;Filmmaker Project (IFP) is the nation’s&amp;nbsp;oldest&amp;nbsp;and largest not-for-profit advocacy organization for&amp;nbsp;independent&amp;nbsp;filmmakers.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: #666666; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 22px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;BEST FEATURE&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Beginners&lt;/b&gt;&lt;br /&gt;
Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)&lt;br /&gt;
&lt;b&gt;The Descendants&lt;/b&gt;&lt;br /&gt;
Alexander Payne, director; Jim Burke, Alexander Payne, Jim Taylor, producers (Fox Searchlight Pictures)&lt;br /&gt;
&lt;b&gt;Meek’s Cutoff&lt;/b&gt;&lt;br /&gt;
Kelly Reichardt, director; Neil Kopp, Anish Savjani, Elizabeth Cuthrell, David Urrutia, producers (Oscilloscope Laboratories)&lt;br /&gt;
&lt;b&gt;Take Shelter&lt;/b&gt;&lt;br /&gt;
&amp;nbsp;Jeff Nichols, director; Tyler Davidson, Sophia Lin, producers (Sony Pictures Classics)&lt;br /&gt;
&lt;b&gt;The Tree of Life&lt;/b&gt;&lt;br /&gt;
Terrence Malick, director; Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, producers (Fox Searchlight Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST DOCUMENTARY&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Better This World&lt;/b&gt;&lt;br /&gt;
Katie Galloway and Kelly Duane de la Vega, directors; Katie Galloway, Kelly Duane de la Vega, Mike Nicholson, producers (Loteria Films, Picturebox, Motto Pictures and Passion Pictures; ITVS in association with American Documentary | POV)&lt;br /&gt;
&lt;b&gt;Bill Cunningham New York&lt;/b&gt;&lt;br /&gt;
Richard Press, director; Philip Gefter, producer (Zeitgeist Films)&lt;br /&gt;
&lt;b&gt;Hell and Back Again&lt;/b&gt;&lt;br /&gt;
Danfung Dennis, director; Mike Lerner, Martin Herring, producers (Docurama Films)&lt;br /&gt;
&lt;b&gt;The Interrupters&lt;/b&gt;&lt;br /&gt;
Steve James, director; Alex Kotlowitz, Steve James, producers (The Cinema Guild)&lt;br /&gt;
&lt;b&gt;The Woodmans&lt;/b&gt;&lt;br /&gt;
C. Scott Willis, director; Neil Barrett, Jeff Werner, C. Scott Willis, producers (Lorber Films; Kino Lorber, Inc.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST ENSEMBLE PERFORMANCE&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Beginners&lt;/b&gt;&lt;br /&gt;
Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic, Kai Lennox, Mary Page Keller, Keegan Boos (Focus Features)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Descendants&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel (Fox Searchlight Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Margin Call&lt;/b&gt;&lt;br /&gt;
Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Mary McDonnell, Demi Moore, Stanley Tucci, Aasif Mandvi (Roadside Attractions)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Martha Marcy May Marlene&lt;/b&gt;&lt;br /&gt;
Elizabeth Olsen, Christopher Abbott, Brady Corbet, Hugh Dancy, Maria Dizzia, Julia Garner, John Hawkes, Louisa Krause, Sarah Paulson (Fox Searchlight Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Take Shelter&lt;/b&gt;&lt;br /&gt;
Michael Shannon, Jessica Chastain, Tova Stewart, Shea Whigham, Katy Mixon, Kathy Baker, Ray McKinnon, Lisagay Hamilton, Robert Longstreet (Sony Pictures Classics)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BREAKTHROUGH DIRECTOR&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
Mike Cahill for &lt;b&gt;Another Earth&lt;/b&gt; (Fox Searchlight Pictures)&lt;br /&gt;
Sean Durkin for &lt;b&gt;Martha Marcy May Marlene&lt;/b&gt; (Fox Searchlight Pictures)&lt;br /&gt;
Vera Farmiga for &lt;b&gt;Higher Ground&lt;/b&gt; (Sony Pictures Classics)&lt;br /&gt;
Evan Glodell for &lt;b&gt;Bellflower&lt;/b&gt; (Oscilloscope Laboratories)&lt;br /&gt;
Dee Rees for &lt;b&gt;Pariah&lt;/b&gt; (Focus Features)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BREAKTHROUGH ACTOR&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
Felicity Jones in &lt;b&gt;Like Crazy&lt;/b&gt; (Paramount Vantage)&lt;br /&gt;
Elizabeth Olsen in &lt;b&gt;Martha Marcy May Marlene&lt;/b&gt; (Fox Searchlight Pictures)&lt;br /&gt;
Harmony Santana in &lt;b&gt;Gun Hill Road&lt;/b&gt; (Motion Film Group)&lt;br /&gt;
Shailene Woodley in &lt;b&gt;The Descendants&lt;/b&gt; (Fox Searchlight Pictures)&lt;br /&gt;
Jacob Wysocki in &lt;b&gt;Terri &lt;/b&gt;(ATO Pictures)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;BEST FILM NOT PLAYING AT A THEATER NEAR YOU&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Codependent Lesbian Space Alien Seeks Same&lt;/b&gt;&lt;br /&gt;
Madeleine Olnek, director; Laura Terruso, Madeleine Olnek, producers&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Green&lt;/b&gt;&lt;br /&gt;
Sophia Takal, director; Lawrence Michael Levine, producer&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Redemption of General Butt Naked&lt;/b&gt;&lt;br /&gt;
Eric Strauss, Daniele Anastasion, directors and producers&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Scenes of a Crime&lt;/b&gt;&lt;br /&gt;
Blue Hadaegh &amp;amp; Grover Babcock, directors and producers&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Without &lt;/b&gt;&lt;br /&gt;
Mark Jackson, director; Mark Jackson, Jessica Dimmock, Michael Requa, Jaime Keeling, producers&lt;br /&gt;
&lt;br /&gt;
New this year, IFP will present a Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant, a $25,000 cash award for an alumnus of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.&lt;br /&gt;
&lt;br /&gt;
The nominees are:&lt;br /&gt;
Jenny Deller, director, &lt;b&gt;FUTURE WEATHER&lt;/b&gt;&lt;br /&gt;
Lucy Mulloy, director, &lt;b&gt;UNA NOCHE&lt;/b&gt;&lt;br /&gt;
Rola Nashef, director, &lt;b&gt;DETROIT UNLEADED&lt;/b&gt;&lt;br /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-384419088123740869?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/L1h0hEEAkGq3V28f-B66GM8k-tE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/L1h0hEEAkGq3V28f-B66GM8k-tE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/mkOWG1JwHH8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/384419088123740869/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=384419088123740869" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/384419088123740869?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/384419088123740869?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/mkOWG1JwHH8/2011-gotham-awards-nominees.html" title="2011 Gotham Awards Nominees" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/10/2011-gotham-awards-nominees.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0UFSXc8eyp7ImA9WhdUFEw.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-4076658793517295358</id><published>2011-09-20T14:44:00.001-07:00</published><updated>2011-09-30T12:33:38.973-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-30T12:33:38.973-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="independent films" /><category scheme="http://www.blogger.com/atom/ns#" term="Independent Feature Film" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 Chicago International Film Festival Nominees" /><category scheme="http://www.blogger.com/atom/ns#" term="independent film festival" /><category scheme="http://www.blogger.com/atom/ns#" term="Chicago International Film Festival 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="auteur independent feature film" /><title>2011 Chicago International Film Festival Nominees</title><content type="html">&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;The 47th Chicago International Film Festival runs October 6 - 20 in Chicago, Illinois.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;The competition lineup at the 47th Chicago International Film Festival with descriptions and credits provided by the event: The festival presenting more than 180independent &amp;nbsp;films from 50 countries, including over 45 films by first-time directors.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;New Directors Competition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;This selection of first and second feature films, all U.S. premieres.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;A Little Closer&lt;/b&gt; USA (Director: Matt Petock) — This lyrical portrait of life in small town Virginia finds a single mother struggling to keep it together, working as a housekeeper and looking for love. Meanwhile, her two adolescent sons explore their own sexuality in the sweltering, stagnant days of summer. This debut family drama presents an intimate study of the emotional landscape of rural America. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Corrode&lt;/b&gt; India (Director: Karan Gour) — Chhaya, a woman of limited means, leads a good, decent life alongside her husband Arvind—until she becomes obsessed with a sculpture of Lakshmi, the Hindu goddess of wealth. Chhaya will stop at nothing to bring home this statue, and soon her past weaknesses and disappointments (including a miscarriage) bubble to the surface, consuming and corroding her soul. Corrode is the latest example of an exciting new wave of independent Indian cinema. World Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Hotel Swooni &lt;/b&gt;Belgium (Director: Kaat Beels) — What is happiness? How do we grasp it? Six characters fumble desperately as their lives intersect over the course of one day and night in Brussels’ luxurious Hotel Swooni. A couple must face the truth about their marriage, while a mother and daughter seek to repair their fractured relationship and a young African boy urgently searches for his missing father. Emotions run high in this surprising kaleidoscope of hopes and doubts, passion and betrayal, at the hotel in which no one checks out quite the same as they checked in. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Land of Oblivion &lt;/b&gt;France (Director: Michale Boganim) To the citizens of Prypiat, April 26, 1986 began just like any other day. Anya (Olga Kurylenko, Quantum of Solace) and Piotr celebrate their marriage while young Valery spends time with his physicist father, oblivious to the Chernobyl nuclear disaster that is irrevocably changing their lives. What follows is a lyrical, pathos-filled portrait of the next ten years of those powerless to separate themselves from the town and its defining tragedy. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Machete Language&lt;/b&gt; Mexico (Director: Kyzza Terrazas) — It’s one thing to talk, or even sing, about revolution. It’s another to take one up. Raised in middle class families, Ray and Ramona are not blind to the corruption and injustice that engulf the less fortunate in their country. Ramona finds an outlet in her music, but Ray struggles to find a cause—until he settles on a course of action that might be downright revolutionary…and lethal. Shot hand-held, Machete possesses a nervous, unsettling energy that mirrors its characters own near-frenzied search for purpose. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Oslo, August 31&lt;/b&gt; Norway (Director: Jaochim Trier) – Nearing the end of drug rehab, the talented and handsome thirty-something Anders is given leave to interview for a job in Oslo. He spends the day and night visiting old haunts, reconnecting with friends, and searching for a hint of meaning and hope in the new life ahead of him. Strikingly shot and with a touch of comedy, this homage to the French New Wave presents a compelling study of loneliness and the possibility of redemption. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Return Ticket China&lt;/b&gt;/Taiwan (Director: Yung-shing Teng) — After working for two years at a failed clothing enterprise, migrant worker Cao Li returns to Shanghai to try her hand again. Reconnecting with hometown friends Guo and Jiuzi, she gets drawn into a scheme, illegally chartering a bus to take fellow Fuyang natives home for the New Year holiday. Cao Li, unsure herself of whether or not she herself will return home, has her own misgivings about their scam, in this intimate, rarely seen portrait of a migrant culture. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Clown&lt;/b&gt; Brazil (Director: Selton Mello) — What do those who make people laugh for a living think is funny? Benjamin, a clown traveling with the Circus Esperanza, tackles this question and more when he decides to leave the circus and pursue his dreams. With only a copy of his birth certificate in hand, Benjamin looks for answers and for his identity away from the bright lights of the big top. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Good Son &lt;/b&gt;Finland (Director: Zaida Bergroth) — Seventeen-year-old Ilmari has spent most of his young life looking after his mother, Leila, a renowned actress who loves to be the center of attention, and his younger brother. After a recent scandal, Leila takes all three of them to a distant island for a quiet weekend but soon grows bored and invites all of her friends over for a party. There, she falls for scriptwriter Aimo, and soon Ilmari’s resentment explodes in this tragic portrait of a dysfunctional family. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Return of Joe Rich&lt;/b&gt; USA (Director: Sam Auster) — He lost his job, his wife and his home, but not his sense of honor. When Joe returns to Chicago he looks up his aging but still dangerous Uncle Dom in the hopes of getting “connected” and living the life of a made man. When Uncle Dom resists, Joe makes him an offer he can’t refuse. World Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Slut&lt;/b&gt; Israel (Director: Hagar Ben-Asher) — Winner of the Best Director prize at the Jerusalem Film Festival, Hagar Ben-Asher’s alternative, almost anti-cautionary tale presents Tamar, a beautiful, young single mother with a seemingly insatiable sexual appetite. While running a chicken farm with her two daughters, she finds servicing the village’s lackluster men gets her through the inconveniences of everyday life. That is until a hunky veterinarian comes to town. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Southwest &lt;/b&gt;Brazil (Director: Eduardo Nunes) — In a small fishing village in Brazil, Clarice experiences her entire life, beginning at birth, in the space of a day. The villagers remain oblivious to Clarice’s unique situation, living life just like us, one day at a time. In an attempt to understand her reality, Clarice tries to change her destiny as well as the destiny of those around her in this haunting and thought-provoking film. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Volcano &lt;/b&gt;Iceland/Denmark (Director: Rúnar Rúnarsson) — An unconventional coming-of-age tale wrapped in a tender love story, this debut feature presents a portrait of compassionate devotion and an unflinching look at aging. When Hannes retires at age 67, it seems that life—well, meaningful life—has come to an end. Estranged from family and friends, Hannes’ most intimate relationship is with his boat, until a series of drastic events causes him to take stock of his life. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Wetlands &lt;/b&gt;Canada (Director: Guy Édoin) — Saddled with a guilt no teenager should have to bear, 17-year-old brooding Simon feels starkly out of place on his parents’ struggling dairy farm. Life on the farm is demanding, but no matter how hard Simon tries, he cannot live up to his father’s expectations. &amp;nbsp;Resentments simmer, so when a tragic accident hits close to home, the question of blame haunts the family and possibilities for forgiveness seem ever remote in this captivating family drama. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Women and Children &lt;/b&gt;France/UK (Director: Daniel Mitelpunkt) — Joe just doesn’t get it. He has been enjoying the slacker life—until he finds out that his girlfriend is pregnant. He is finally ready to settle down, but can a leopard ever change his spots? Enlisting the help of his best friend, Joe sets out to make amends for past misdemeanors in this Woody Allen-esque comedy. World Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;International Feature Competition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Representing a wide variety of styles and genres, these films compete for the festival’s top honor, the Gold Hugo—as well as awards for best actors, director, and writer.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Best Intentions&lt;/b&gt; Romania (Director: Adrian Sitaru) — One morning, Alex receives a devastating phone call: his mother has just been hospitalized after suffering a stroke. Desperate to control the situation but overwhelmed by conflicting advice from friends, family and medical staff, he attempts to take matters into his own hands. Unfortunately things do not go as planned and he is caught in a downward spiral of accusatory anger and frustration. &amp;nbsp;This daring addition to the Romanian New Wave, based on the director’s real life experience, brims with emotional impact and authenticity. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Cairo 678&lt;/b&gt; Egypt (Director: Mohamed Diab) —Three Egyptian women from different social backgrounds join forces to fight against their country’s tolerance toward sexual harassment. Nelly files the first sexual harassment lawsuit in the history of the country, Seba, a victim of a gang rape, teaches self-defense, and Fayza takes these self-defense lessons a step too far. An expertly crafted combination of character study, social critique, and vigilante action, Cairo 678 is one of those rare films that resonates with audiences of both genders and across cultural divides. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Chronicle of My Mother&lt;/b&gt; Japan (Director: Masato Harada) — Best-selling novelist Kosaku Igami has made a career out of using his family as fodder for his novels, much to their dismay. When his mother, the spirited family matriarch, is diagnosed with dementia, Igami must come to terms with the toll his own behavior has taken on his increasingly distant family and resolve his own long-simmering resentments. Evocative of classic Ozu, this gorgeously wrought epic family portrait explores the tenderness and trappings of familial bonds. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Don’t Go Breaking My Heart&lt;/b&gt; Hong Kong / (Director: Johnny To) — Legendary Hong Kong filmmaker Johnny To (TRIAD ELECTION) returns to the world of comedy with this achingly sweet tale. Charming Zixin finds herself in a love triangle with two men that are as handsome as they are different. To tells a purely whimsical tale where neither time nor space can hold back love’s grand gestures while revealing an amusing touch that might not be familiar to the fans of his action-packed films. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Forgiveness of Blood&lt;/b&gt; USA / ALBANIA (Director: Joshua Marston) — Nik is your run-of-the-mill digitally savvy fun-loving teenager. But his dreams for the future come to a screeching halt when a long-simmering feud between his father and a man who inherited land that once belonged to Nik’s family comes to a violent end. Now, thanks to an ancient Albanian law, Nik and his brother find themselves under house arrest while their father is on the lam, causing already high tensions to reach a boiling point in this tense drama. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Giants&lt;/b&gt; Belgium (Director: Bouli Lanners) — Abandoned at their late grandfather’s house for the summer, teenage brothers Zak and Seth are left to their own devices. With the endless possibilities of summer fun and (mis)adventure to be had in the idyllic Belgian countryside, the world, they feel, is their oyster. But when money runs short and with no help in sight, the boys scheme to support themselves by renting their home to a local drug dealer. A Mark Twain adventure-like tale takes a dark turn in The Giants, artfully capturing the underside of carefree youth. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Goodbye&lt;/b&gt; Iran (Director: Mohammad Rasoulof) — In this gripping film shot semi-clandestinely, a young disbarred female lawyer with an exiled husband and an unwanted pregnancy tries to secure a visa to leave the country. Tension builds slowly and meticulously as the heroine faces off against an oppressive regime, the walls slowly closing in around her. This terrifying portrait of modern-day Iran was a winner at this year’s Cannes Film Festival. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Joint Body &lt;/b&gt;USA (Director: Brian Jun) — Noir infused characters, with plenty to be paranoid about, are thrown together in a desperate situation when recent parolee Nick Burke (Lost’s Mark Pellegrino) comes to the aid of Michelle (Friday Night Lights’ Alicia Witt), an exotic dancer living in a mysterious self-imposed exile in downstate Illinois. When they’re forced to team up and on the lam, the two wonder whether they can even trust each other. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Le Havre&lt;/b&gt; Finland / France (Director: Aki Kaurismäki) — Humanity and dead-pan wit triumph in Aki Kauriskmäki’s magical tale of an aging Bohemian shoeshine and a young African refugee. When fate lands Idrissa at Marcel Marx’s doorstep in the French port city of Le Havre, Marcel knows what has to be done. Enlisting the help of the whole neighborhood of eccentrics and in defiance of all authority, he embarks on a risky plan to reconnect the boy with his mother. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Miss Bala&lt;/b&gt; Mexico (Director: Gerardo Naranjo) — Equal doses of unrelenting action, beauty queen fantasy and social disquiet rule this detached tale of drug trafficking in Baja California, inspired by a true story. On her way to compete in her first beauty pageant, Laura is swept up in a gangland slaying and suddenly finds herself forced to work as a mule in order to save her own life. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Mole&lt;/b&gt; Poland (Director: Rafael Lewandowski) — Pawel and his father Zygmunt make a living importing second hand clothing from France to Poland. When Zygmunt is suddenly and publicly accused of being a past Communist informant, he flees the country leaving the stubbornly apolitical Pawel to pick up the pieces and face the pervading legacy of Poland’s troubled past. With strong performances and sympathetic characters, The Mole candidly explores how the weight of history affects a son’s love for his family and his motherland. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Nobody Else But You&lt;/b&gt; France (Director: Gérald Hustache-Mathieu) — The ambiguous suicide of a local beauty, weathergirl, cheese model, and Marilyn Monroe look-a-like finds an eager sleuth in David Rousseau, best-selling crime novelist. When Rousseau visits a remote Alps village for the reading of his friend’s will he unwittingly, but irresistibly, gets caught in the tangled web of murder and small town politics in this offbeat mystery. North American Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Wild Bill&lt;/b&gt; UK (Dir. Dexter Fletcher)—Not everyone is pleased when wild Bill Hayward rolls into town after serving eight years in jail on drug charges. His two sons, Dean and Jimmy, have been living alone ever since their mother abandoned them, and his old cohorts want Bill back in the “saddle” again. Bill and his sons begin to bond, but trouble strikes when Jimmy gets mixed up with his father’s old crew, causing Bill to realize that the town ain’t big enough for the both of them in this contemporary Western influenced gangster vehicle set in London’s East End. North American Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Woman in the Fifth&lt;/b&gt; France / UK / Poland (Director: Pawel Pawlikowski) — Reality and imagination become indistinguishable in this loose adaptation of Douglas Kennedy’s novel. Tom (Ethan Hawke in an extraordinary performance) arrives in Paris to reconnect with his daughter, even though his ex-wife has placed a restraining order against him. To make ends meet, Tom accepts a job as a watchman for a seedy operation. Life takes a strange turn when he meets mysterious Margit (Kristin Scott-Thomas), and down the rabbit hole he goes in this strange Kafka-esque tale. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Tyrannosaur &lt;/b&gt;UK (Director: Paddy Considine) — Actor/Director Paddy Considine (In America) delivers a gritty tale of self-destruction and redemption in his feature-length directorial debut. Expanded from his award-winning short film, Dog Altogether, Tyrannosaur follows the unlikely friendship between rage-filled Joseph (Peter Mullan) and Christian Goodwill store worker, Hannah (Olivia Colman). Mullan’s electrifying performance finds a perfect counterpoint in Colman’s measured portrayal. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;DOCUFEST Competition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;All Me: The Life and Times of Winfred Rembert&lt;/b&gt; USA (Director: Vivian Ducat) — If there was ever a case for designating a person as a National Treasure, Winfred Rembert is that person. Though he lived through segregation and the civil rights era in the deep South, Rembert didn’t begin his life as an artist until the 1990s. Working on cured leather canvasses that are later painted, Rembert depicts a personalized form of US history that you can’t get in books or anywhere else for that matter. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Carol Channing: Larger Than Life&lt;/b&gt; USA (Director: Dori Berinstein) — Inspiring, heartwarming, hilarious and full of life, this portrait of the Tony® and Golden Globe® award winning actress, singer and comedienne weaves Broadway history with an unbelievable love story to capture the unique persona behind the iconic performances in Hello Dolly and Gentlemen Prefer Blondes. Stay for the end credits: the film’s outtakes just cannot be missed. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Cinema Komunisto &lt;/b&gt;Serbia&lt;b&gt; &lt;/b&gt;(Director: Mira Turjalic) — If the illusion of reality is the currency of cinema, then cinephile and former Yugoslav president Josip Broz Tito bought and paid for his countries thrilling and heroic (but mostly made up) history. This award-winning documentary chronicles the 40-year history of Avala studio, built by Tito to crank out well-made propaganda films in order to shape and control his country’s image in a post-war world. This veritable compendium of archival footage and clips from over 60 classic Yugoslav films includes remembrances from Tito’s personal projectionist. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Day is Done &lt;/b&gt;Switzerland (Director: Thomas Imbach) — Fifteen years of 35mm footage shot almost entirely from one vantage point overlooking the back of the Zurich train station is paired with fifteen years of answering machine messages to form an unlikely portrait of the artist. Though unseen and unheard, Thomas Imbach allows a full persona to develop from the voices and tone of each caller and the objects his camera chooses, follows and lingers over. North American Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Diana Vreeland: The Eye has to Travel&lt;/b&gt; USA (Director: Lisa Immordino Vreeland) — A true American visionary, Diana Vreeland became the first fashion editor at Harper’s Bazaar in 1936 and from there proceeded to invent the concept of fashion as we now know it. A talented writer with a larger than life personality, she had an innate ability to discover designers, photographers and new ideas, often to the point of controversy. Director Lisa Immordino Vreeland’s delightfully playful tribute uses archival footage, family photos and an animated conversation with George Plympton. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Lisa Immordino Vreeland’s “Diana Vreeland: The Eye has to Travel”&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Ending Note: Death of a Japanese Salesman Japan (Director: Mami Sunada) — When a recently retired Japanese businessman is diagnosed with incurable cancer, he reacts to the news with the same pragmatic approach that made him a successful salesman. In her directorial debut, Mami Sunada combines non-fiction film form with the growing trend of “end of life journals” among the elderly in Japan. By channeling her thoughts and feelings through her father’s “ending note,” Sunada abstracts the weight of a life and the pain of loss into a surprisingly hopeful and life-affirming message. North American Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Inshallah, Football &lt;/b&gt;India (Director: Ashvin Kumar) —The fast-paced game of the world’s most popular sport is contrasted against the slow turning gears of democracy in this controversial documentary. With help from a committed South American coach and his charming wife, 18-year-old Kashmiri soccer player Basharat is good enough to go play in Brazil but can’t obtain a visa due to his father’s militant past. More than a coming-of-age story about a teen who dreams of living as a free citizen, it is also a coming-of-age story for democracy in India. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;L.A. Raeven: Beyond the Image &lt;/b&gt;The Netherlands (Director: Lisa Boerstra) — Lisbeth and Angelique Raeven are twin sisters who comprise the somewhat notorious video and performance duo L.A. Raeven. Their complex and strained relationship unfolds in front of Lisa Boerstra’s intimate camera while they work and live through the creation of two new performance pieces. Inter-cutting scenes from earlier work and home videos from their childhood, viewers are privy to the daily routines and conversations at the home and studio they share. North American Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Love Always, Carolyn&lt;/b&gt; Sweden (Directors: Malin Korkeasalo and Maria Ramström) — Muse, mother, wife, and lover, Carolyn Cassady was the great woman behind two of the Beat Generations greatest men: Neal Cassady and Jack Kerouac. As the model for Kerouac’s Dean Moriarty in On The Road, Neal was a living legend who often left Carolyn and the kids behind for grand adventures in the beatnik universe. This endearing portrait from first-time directors Maria Ramström and Malin Korkeasalo celebrates the wit, beauty, grace, and normalcy of an overlooked figure from one of American literature’s most popular moments. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;On the Bridge &lt;/b&gt;France/USA (Director: Olivier Morel) — PTSD, or Post Traumatic Stress Disorder, can be a whole new kind of war for our young men and women returning from Iraq and Afghanistan. The opposite of fighting alongside your brothers and sisters in arms, this battle is often fought alone, against demons the soldier hides from others. The power of the documentary form is strongly felt as On the Bridge not only gives voice to the personal trauma our warriors endure, but also as a means to help them honor their service and move forward as Americans. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Salaam Dunk &lt;/b&gt;USA/Iraq (Director: David Fine) — When violent images of Iraq are all the Western world is accustomed to, it’s easy to forget that life continues in the war-torn nation. At the American University of Iraq-Sulaimani, life does just that, as is extraordinarily personified by the university’s women’s basketball team. In a sports movie for the ages, Salaam Dunk follows the team’s season, chronicling their triumphs and tragedies both on and off the court. &amp;nbsp;North American Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Valley of the Forgotten &lt;/b&gt;Brazil (Director: Maria Raduan) — In a secluded area of Brazil’s Mato Grosso region, an impossible land dispute rages between Indians evicted from their homeland, squatters, land-grabbers, the Landless Workers Movement, and the ranchers who own property. With no resolution in sight and violence threatening to erupt at any moment, the film looks closely at each group’s perspective, offering a meditation on the concept of private property across social and cultural boundaries. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;After Dark Competition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Cold Sweat&lt;/b&gt; Argentina (Director: Adrián García Bolagno) — Online dating? What’s the worst that could happen? Well, apparently, you could find yourself trapped in an old house at the mercy of a pair of aging right-wing revolutionaries turned sadists with a penchant for torturing young women with decaying dynamite and buckets of nitroglycerin. Prolific low-budget horror maestro Bogliano serves up a stylish slice of extreme genre cinema, which also alludes to the troubled state of generational politics in his homeland. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Haunters&lt;/b&gt; South Korea (Director: Min-suk Kim) — A young thief’s ability to control minds is frustrated when he meets one just beyond his reach in this fast-paced Korean action thriller. On a routine robbery of a pawnshop, things go terribly awry and an epic cat and mouse game quickly ensues, taking the viewer on a supercharged tour of Seoul at night. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Juan of the Dead&lt;/b&gt; Cuba (Director: Alejandro Brugues) — Juan is a lovable loser content to loaf around the streets of Havana wisecracking, womanizing, and wiling away the days with a motley crew of fellow drifters. But when what seems at first to be dissident rumblings in the city turns into a full-on flesh-eating zombie onslaught, Juan and his gang go into business as “Juan of the Dead” – a crack team of slayers specializing in the undead. This wild romp through the streets of the Cuban capital is a perfectly pitched blend of horror and laughs. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Rabies &lt;/b&gt;Israel (Director: Aharon Keshales) — Take the classic horror movie formula: hot girls lost in the woods, marauding homicidal maniacs, and gallons of blood and gore. Add some dark humor, sharp, witty dialogue, and unexpected twists and voilá, you get Rabies, Israel’s critically acclaimed first foray into the slasher genre. Sophisticated enough to appeal to a broad audience but with sufficient splatter to satisfy the hardcore genre fan, Rabies is an exhilarating and highly enjoyable viewing experience. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Smuggler &lt;/b&gt;Japan (Director: Katsuhito Ishii) — From the man who created the celebrated “O-Ren Ishii” animated sequence in Kill Bill, Vol. 1 comes this stylish and outrageous but brutal film that makes Tarantino’s work look like family fare. In serious debt to local yakuza gangsters, Kinuta is coerced into taking a job as a smuggler of dead bodies for the Japanese underworld to settle the accounts, only to find himself caught in the middle of a bloody gang war. Based on the popular eponymous manga, Smuggler has all the makings of a cult cinema classic: slo-mo action sequences, runway-ready gangsters, nimble nunchuk wielding, and enough blood to make the Chicago River run red. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Snowtown &lt;/b&gt;Australia (Director: Justin Kurzel) — Based on true events, this skillfully crafted psychological thriller centers on 16-year-old Jamie, who lives in a squalid, crime-ridden slum on the outskirts of Adelaide. When John Bunting, a charismatic older man, enters his life, he offers friendship and escape from his deadbeat existence. But as Bunting’s behavior becomes increasingly sinister, Jamie finds himself caught up in horrors he could never have imagined as he realizes his new father figure is actually a cold-blooded serial killer. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Holding&lt;/b&gt; UK (Director: Susan Jacobson) — After Cassie murders her abusive husband, a manipulative neighbor tries to run her off her land. Help seems to come in the form of gruff Scotsman Aden, but Cassie soon regrets letting Aden into her life when his true nature begins to manifest itself. Stylish direction and taut performances keep adrenaline running high in this accomplished, atmospheric gothic thriller. U.S. Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Whisperer in Darkness&lt;/b&gt; (Director: Sean Branney) — Based on a story by H.P. Lovecraft, The Whisperer in Darkness is an eerily deft recreation of classic 1930’s studio horror fare. Professor Albert Wilmart, a smug skeptic, is forced to question his views by a series of increasingly bizarre encounters with the supernatural. Genuinely terrifying and highly entertaining, Whisperer is a fitting homage for Lovecraft aficionados and, for newcomers, a perfect introduction to one of the great horror masterminds of the 20th century. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;The Yellow Sea &lt;/b&gt;South Korea (Director: Na Hong-Jin) — When taxi driver Gu-nam finds himself in financial straits, he accepts a proposal from local mob boss to travel to Seoul to kill a professor. Once Gu-Nam arrives in the capital city, he discovers he isn’t the only person targeting the professor and in a quick turn of events, finds himself on the run. Gu-nam must use every survival instinct he has in order to stay one step ahead of his pursuers in this thrilling man-on-the-run crime drama. Chicago Premiere.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;Short Film Competition&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Seven Short Film programs will screen back-to-back throughout Friday, October 14 and Saturday, October 15. Visit www.chicagofilmfestival.com to view the full list of titles.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 1: &lt;b&gt;City &amp;amp; State&lt;/b&gt; — A combination of narrative, documentary and animated short films shining the light on talented local filmmakers. 80 min.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 2: &lt;b&gt;Pen &amp;amp; Paper&lt;/b&gt; — A stunning panorama of new animated shorts from around the world. 87 min.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 3: &lt;b&gt;Midnight Mayhem&lt;/b&gt; &amp;nbsp; — Zombies, ghosts, murderers and more go on the rampage in this miniature showcase of terror. 100 min.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 4: &lt;b&gt;In N’Out&lt;/b&gt; — A series of provocative shorts exploring sex and relationships in unique and hilarious ways. 63 min.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 5: &lt;b&gt;When Worlds Collide&lt;/b&gt; — Unsettling, surprising and off-kilter encounters abound in these eight compelling and carefully crafted films. 83 min. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 6: &lt;b&gt;A Question of Timing &lt;/b&gt;— A selection of international shorts which encompass the sublime, the ridiculous, and everything in between. 75 min.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;Shorts 7: &lt;b&gt;Truth Be Told &lt;/b&gt;— Original documentary shorts that have won international acclaim for their fresh approaches and sensitive storytelling. 67 min.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-4076658793517295358?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cja6YDmT2cpZO0kwl-Kis1drCdU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cja6YDmT2cpZO0kwl-Kis1drCdU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cja6YDmT2cpZO0kwl-Kis1drCdU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cja6YDmT2cpZO0kwl-Kis1drCdU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/Uf1xiGkgtbQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/4076658793517295358/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=4076658793517295358" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4076658793517295358?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/4076658793517295358?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/Uf1xiGkgtbQ/47th-chicago-international-film.html" title="2011 Chicago International Film Festival Nominees" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/09/47th-chicago-international-film.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMHRnw-fyp7ImA9WhdVFEU.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-5949483300855359907</id><published>2011-09-18T15:48:00.001-07:00</published><updated>2011-09-19T18:00:37.257-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-19T18:00:37.257-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Independent Feature Film" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 Toronto International Film Festival" /><category scheme="http://www.blogger.com/atom/ns#" term="film festival" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 Toronto Film Festival" /><category scheme="http://www.blogger.com/atom/ns#" term="TIFF 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="Toronto International Film Festival 2011" /><title>Toronto International Film Festival Winners 2011 | Winners of the Toronto International Film Festival 2011 | TIFF</title><content type="html">&lt;span class="Apple-style-span" style="background-color: white; font-family: Georgia,Times,'Times New Roman',serif; font-size: 14px; line-height: 22px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin-top: 11px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;2011 Toronro International Film Festival Winners are listed below: &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;CADILLAC PEOPLE'S CHOICE AWARD&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0in;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0in;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;Overall:&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Nadine Labaki's "Where Do We Go Now?"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;First runner-up: Asghar Farhadi's "A Separation"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Second runner-up: Ken Scott's "Starbuck"&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;DOCUMENTARY:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;b&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Jon Shenk's "The Island President"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;First runner-up: Bess Kargman's "First Position"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Second runner-up: Cameron Crowe's "Pearl Jam Twenty"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;Midnight Madness:&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Gareth Evans for "The Raid"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;First runner-up: Adam Wingard's "You're Next"&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Second runner-up: Bobcat Goldthwait's "God Bless America"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;THE INTERNATIONAL FEDERATION OF FILM CRITICS AWARDS&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;(FIPRESCI PRIZES)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Axel Petersen for "Avalon" in the Discovery Programme, which spotlights feature films by new and emerging directors&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Gianni Amelio for "The First Man" in the Special Presentations category&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;THE CITY OF TORONTO AWARD FOR BEST CANADIAN FEATURE FILM&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Philippe Falardeau for "Monsieur Lazhar"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="background-color: black; color: white;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;THE SKYY VODKA AWARD FOR BEST CANADIAN FIRST FEATURE FILM&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Nathan Morlando for "Edwin Boyd"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="color: white; font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;AWARD FOR BEST CANADIAN SHORT FILM&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span class="Apple-style-span" style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;Ian Harnarine for "Doubles With Slight Pepper"&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 0in; margin-right: 0in; margin-top: 5.75pt;"&gt;&lt;span style="background-color: black; color: white; font-family: Arial,Helvetica,sans-serif;"&gt;(Editing by Sheri Linden)&lt;/span&gt;&lt;span style="color: black; font-family: 'Times New Roman'; font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-5949483300855359907?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ynDslYm9K4S7f2-f907V9nhuyhg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ynDslYm9K4S7f2-f907V9nhuyhg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ynDslYm9K4S7f2-f907V9nhuyhg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ynDslYm9K4S7f2-f907V9nhuyhg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/2q3OJrY-XNs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/5949483300855359907/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=5949483300855359907" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5949483300855359907?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5949483300855359907?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/2q3OJrY-XNs/toronto-international-film-festival.html" title="Toronto International Film Festival Winners 2011 | Winners of the Toronto International Film Festival 2011 | TIFF" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/09/toronto-international-film-festival.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkMDQ348eCp7ImA9WhdVEEw.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-4831406707098950907</id><published>2011-09-13T14:12:00.000-07:00</published><updated>2011-09-14T08:34:32.070-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-14T08:34:32.070-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="68th annual Venice Film Festival" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 Venice Film Festival Winners" /><category scheme="http://www.blogger.com/atom/ns#" term="film festivals" /><category scheme="http://www.blogger.com/atom/ns#" term="film" /><category scheme="http://www.blogger.com/atom/ns#" term="award winning film" /><category scheme="http://www.blogger.com/atom/ns#" term="Venice Film Festival Winners 2011" /><title>Venice Film Festival Winners 2011 | 2011 Venice Film Festival Winners</title><content type="html">&lt;span class="Apple-style-span" style="background-color: white; font-family: arial, sans-serif; font-size: 13px;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium; font-weight: normal;"&gt;Venice Film Festival 2011 winners. Below are the award winners of the 2011 Venice Film Festival.&lt;/span&gt;&lt;/h3&gt;&lt;div&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;b&gt;68th Annual Venice Film Festival Winners&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;VENEZIA 68&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Golden Lion for Best Film&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Faust by Aleksander Sokurov (Russia)&amp;nbsp;&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Silver Lion for Best Director&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Shangjun CAI for the film Ren Shan Ren Hai (People Mountain People Sea) (China - Hong Kong)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Special Jury Prize&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Terraferma by Emanuele Crialese (Italy)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Coppa Volpi for Best Actor&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Michael Fassbender in the film Shame by Steve McQueen (United Kingdom)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Coppa Volpi for Best Actress&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Deanie Yip in the film Tao jie (A Simple Life) by Ann Hui (China - Hong Kong)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Marcello Mastroianni Award for Best New Young Actor or Actress&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Shôta Sometani and Fumi Nikaidô in the film Himizu by Sion Sono (Japan)&amp;nbsp;&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Osella for the Best Cinematography&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Robbie Ryan for the film Wuthering Heights by Andrea Arnold (United Kingdom)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Osella for Best Screenplay&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Yorgos Lanthimos and Efthimis Filippou for the film Alpis (Alps) by Yorgos Lanthimos (Grecia)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="color: white; font-family: inherit;"&gt;Lion of the Future - “Luigi De Laurentiis”Venice Award for a Debut Film&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Là-bas by Guido Lombardi (Italy) - International Critics' Week&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;and a prize of 100,000 USD, donated by Filmauro di Aurelio e Luigi De Laurentiis, to be divided equally between the director and the producer&amp;nbsp;&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;ORIZZONTI&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Orizzonti Award (full-length films):&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Kotoko by Shinya Tsukamoto (Japan)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Special Orizzonti Jury Prize (full-length films):&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Whores’ Glory di Michael Glawogger (Austria, Germania)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Orizzonti Award:&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Accidentes Gloriosos (medium-length films) by Mauro Andrizzi and Marcus Lindeen (Sweden, Denmark, Germany)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Orizzonti Award (short films):&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;In attesa dell'avvento by Felice D'Agostino and Arturo Lavorato (Italia)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Special Mentions:&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;O Le Tulafale (The Orator) by Tusi Tamasese (New Zealand, Samoa)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;All The Lines Flow Out by Charles LIM Yi Yong (Singapore)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="color: white; font-family: inherit;"&gt;CONTROCAMPO ITALIANO&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Controcampo Award (for narrative feature-length films)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Scialla! by Francesco Bruni&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Controcampo Award (for short films)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;A Chjàna by Jonas Carpignano&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Controcampo Doc Award (for documentaries)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Pugni chiusi by Fiorella Infascelli&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Special Mentions:&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;to the documentary Black Block by Carlo Augusto Bachschmidt&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;to Francesco Di Giacomo for the cinematography of Pugni chiusi&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Golden Lion for Lifetime Achievement&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Marco Bellocchio&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Jaeger-LeCoultre Glory to the Filmmaker Award 2011&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Al Pacino&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Persol 3D Award for the Most Creative Stereoscopic Film of the Year&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Zapruder Filmmakers Group (David Zamagni, Nadia Ranocchi, and Monaldo Moretti)&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;L'Oréal Paris Award for Cinema&lt;/span&gt;&lt;/h3&gt;&lt;h3 style="margin-bottom: 0.5em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="color: white; font-family: inherit; font-size: medium;"&gt;Nicole Grimaudo&lt;/span&gt;&lt;/h3&gt;&lt;div&gt;&lt;span style="color: #cd0033; font-family: 'trebuchet MS', Verdana, sans-serif; font-size: medium;"&gt;&lt;br /&gt;
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&lt;br /&gt;
The Venice film festival runs from August 31, - September 10, 2011. Below is a list of films that will be featured. This film festival is considered to be the oldest running film festival on record.&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
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&lt;b&gt;2011 Venice Film Festival&amp;nbsp;&lt;/b&gt;&lt;br /&gt;
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TOMAS ALFREDSON - TINKER, TAILOR, SOLDIER, SPY - UK, Germany&lt;br /&gt;
Gary Oldman, Colin Firth, Tom Hardy, John Hurt&lt;br /&gt;
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ANDREA ARNOLD - WUTHERING HEIGHTS - UK&lt;br /&gt;
Kaya Scodelario, Nichola Burley, Steve Evets, Oliver Milburn&lt;br /&gt;
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AMI CANAAN MANN - TEXAS KILLING FIELDS - USA&lt;br /&gt;
Sam Worthington, Jessica Chastain, Chloe Grace Moretz, Jeffrey Dean Morgan&lt;br /&gt;
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GEORGE CLOONEY - THE IDES OF MARCH [OPENING FILM] - USA&lt;br /&gt;
Ryan Gosling, George Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Evan Rachel Wood&lt;br /&gt;
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CRISTINA COMENCINI - QUANDO LA NOTTE - Italy&lt;br /&gt;
Claudia Pandolfi, Filippo Timi, Michela Cescon, Thomas Trabacchi&lt;br /&gt;
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EMANUELE CRIALESE - TERRAFERMA - Italy, France&lt;br /&gt;
Filippo Pucillo, Donatella Finocchiaro, Giuseppe Fiorello, Claudio Santamaria&lt;br /&gt;
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DAVID CRONENBERG - A DANGEROUS METHOD - Germany, Canada&lt;br /&gt;
Keira Knightley, Viggo Mortensen, Michael Fassbender, Vincent Cassel&lt;br /&gt;
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ABEL FERRARA - 4:44 LAST DAY ON EARTH - USA&lt;br /&gt;
Willem Dafoe, Shanyn Leigh, Paz de la Huerta, Natasha Lyonne&lt;br /&gt;
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WILLIAM FRIEDKIN - KILLER JOE - USA&lt;br /&gt;
Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon&lt;br /&gt;
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PHILIPPE GARREL - UN ÉTÉ BRULANT - France, Italy, Switzerland&lt;br /&gt;
Monica Bellucci, Louis Garrel, Céline Sallette, Jérôme Robart&lt;br /&gt;
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ANN HUI - TAOJIE (A SIMPLE LIFE) - China-Hong Kong, China&lt;br /&gt;
Andy Lau, Deanie Yip, Anthony Wong, Tsui Hark&lt;br /&gt;
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ERAN KOLIRIN - HAHITHALFUT (THE EXCHANGE) - Israel, Germany&lt;br /&gt;
Rotem Keinan, Sharon Tal, Dov Navon, Shirili Deshe&lt;br /&gt;
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YORGOS LANTHIMOS - ALPEIS (ALPS) - Greece&lt;br /&gt;
Ariane Labed, Aggeliki Papoulia, Aris Servetalis, Johnny Vekris&lt;br /&gt;
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STEVE MCQUEEN - SHAME - United Kingdom&lt;br /&gt;
Michael Fassbender, Carey Mulligan, James Badge, Nicole Beharie&lt;br /&gt;
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GIAN ALFONSO PACINOTTI [GIPI] - L'ULTIMO TERRESTRE - Italy&lt;br /&gt;
Gabriele Spinelli, Anna Bellato, Roberto Herlitzka, Teco Celio&lt;br /&gt;
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ROMAN POLANSKI - CARNAGE France, Germany, Spain, Poland&lt;br /&gt;
Jodie Foster, Kate Winslet, Christoph Waltz, John C. Reilly&lt;br /&gt;
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MARJANE SATRAPI, VINCENT PARONNAUD - POULET AUX PRUNES - France, Belgium, Germany&lt;br /&gt;
Mathieu Amalric, Maria De Medeiros, Golshifteh Farahani, Isabella Rossellini, Chiara Mastroianni&lt;br /&gt;
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ALEKSANDER SOKUROV - FAUST - Russia&lt;br /&gt;
Johannes Zeiler, Anton Adasinskiy, Isolda Dychauk, Hanna Schygulla&lt;br /&gt;
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TODD SOLONDZ - DARK HORSE - USA&lt;br /&gt;
Mia Farrow, Christopher Walken, Justin Bartha, Selma Blair&lt;br /&gt;
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SION SONO - HIMIZU - Japan&lt;br /&gt;
Shôta Sometani, Fumi Nikaidô, Tetsu Watanabe, Mitsuru Fukikoshi&lt;br /&gt;
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TE-SHENG WEI - SEEDIQ BALE - China, Taiwan&lt;br /&gt;
Da-Ching, Umin Boya, Landy Wen, Lo Mei-ling&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-2766265713977207930?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-CA"&gt;Filmmakers &lt;/span&gt;&lt;span lang="EN-CA"&gt;Pedro Almodóvar,&lt;/span&gt;&lt;span lang="EN-CA"&gt; George Clooney, David Cronenberg, Ralph Fiennes, &lt;/span&gt;William Friedkin, &lt;span lang="EN-CA"&gt;Ann Hui, Madonna, Steve McQueen, &lt;/span&gt;Nanni Moretti,&lt;span lang="EN-CA"&gt; Marjane Satrapi and Vincent Paronnaud,&lt;/span&gt;&lt;span lang="EN-CA"&gt; &lt;/span&gt;Lynne Ramsay, Todd Solondz, Morten Tyldum and &lt;span lang="EN-CA"&gt;Lars von Trier make their North American premieres in Toronto.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Gala Independent Feature Film Events&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
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Albert Nobbs Rodrigo Garcia, World Premiere&lt;br /&gt;
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A witty Irish-set period drama about the lives of staff at Dublin’s most luxurious hotel: the illegitimate child of a maid, a beautiful couple’s impossible love, and Albert… a woman who pretends to be a man to survive. Nineteenth century Ireland: for a woman to be independent and single, she must deceive everyone — by pretending to be a man. Albert, a shy butler who keeps to himself, has been hiding a deep secret for years — ‘he’ is a woman who has had to behave as a man all her life in order to escape a life of poverty and loneliness. When a handsome painter Hubert Page arrives at the hotel, Albert is inspired to try and escape the false life she has created for herself. She gathers her nerve to court beautiful, saucy young maid Helen in whom she thinks she’s found a companion – but Helen’s eye is on a new arrival: handsome, bad-boy Joe, the new handy-man. As Albert dares to hope that she might one day live a normal life, we catch a glimpse of a free-spirited woman who is caught in the wrong time… Stars Glenn Close.&lt;br /&gt;
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&lt;b&gt;Butter Jim Field Smith, World Premiere&lt;/b&gt;&lt;br /&gt;
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Set in the highly competitive world of championship butter carving, Butter blends social commentary, outrageous comedy and heartfelt drama in telling the story of the ambitious Laura Pickler (Jennifer Garner), the self-anointed First Lady of Butter Carving. Refusing to accept that her husband (Ty Burrell) wants to step down after his 15-year run as the “Iowa State Butter Carving Champion,” and therefore end the Pickler family’s reign in the spotlight, Laura takes a stab at the title herself. But her bid for glory is complicated when two unlikely contestants enter the race — one, her husband’s hard-living mistress (Olivia Wilde), and the other a 10-year-old foster child named Destiny (Yara Shahidi). Enlisting the help of her high school sweetheart, Boyd (Hugh Jackman), Laura will stop at nothing to be crowned champion, even if it means resorting to sabotage. Part political satire, part Capra-esque comedy, Butter is a story about what it means to win at all costs and against all odds.&lt;br /&gt;
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&lt;b&gt;A Dangerous Method David Cronenberg, North American Premiere&lt;/b&gt;&lt;br /&gt;
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On the eve of World War I, Zurich and Vienna are the setting for a dark tale of sexual and intellectual discovery. Drawn from true-life events, A Dangerous Method takes a glimpse into the turbulent relationships between fledgling psychiatrist Carl Jung, his mentor Sigmund Freud and Sabina Spielrein, the troubled but beautiful young woman who comes between them. Into the mix comes Otto Gross, a debauched patient who is determined to push the boundaries. In this exploration of sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought. Starring Michael Fassbender, Viggo Mortensen and Keira Knightley.&lt;br /&gt;
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&lt;b&gt;A Happy Event Rémi Bezancon, World Premiere&lt;/b&gt;&lt;br /&gt;
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She turned my life upside-down, drove me into a corner, pushed me beyond my limits. She taught me about self-renouncement, tenderness and sacrifice in their most extreme forms.” “Why didn’t my mother ever tell me? Why doesn’t anyone ever mention this?” A Happy Event breaks the taboo of pregnancy through the tragicomic diary of a young woman who becomes a mother. Stars Louise Bourgoin.&lt;br /&gt;
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&lt;b&gt;The Ides of March George Clooney, North American Premiere&lt;/b&gt;&lt;br /&gt;
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The Ides of March takes place during the frantic last days before a heavily contested Ohio presidential primary, when an up-and-coming campaign press secretary (Ryan Gosling) finds himself involved in a political scandal that threatens to upend his candidate’s shot at the presidency. Also starring George Clooney, Paul Giamatti and Philip Seymour Hoffman.&lt;br /&gt;
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&lt;b&gt;The Lady Luc Besson, World Premiere&lt;/b&gt;&lt;br /&gt;
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The Lady is the extraordinary story of Aung San Suu Kyi and her husband, Michael Aris. It is also the story of the peaceful quest of the woman who is at the core of Burma’s democracy movement. Despite distance, long separations, and a dangerously hostile regime, their love endures until the very end. It’s a story of devotion and human understanding set against a backdrop of political turmoil that continues today. The Lady was written over a period of three years by Rebecca Frayn. Interviews with key figures in Aung San Suu Kyi’s entourage enabled her to reconstruct for the first time the true story of Burma’s national heroine. Stars Michelle Yeoh and David Thewlis.&lt;br /&gt;
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&lt;b&gt;Moneyball Bennett Miller, World Premiere&lt;/b&gt;&lt;br /&gt;
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Based on a true story, Moneyball stars Brad Pitt as Billy Beane, the general manager of the Oakland As and the guy who assembles the team, who has an epiphany: all of baseball’s conventional wisdom is wrong. Forced to reinvent his team on a tight budget, Beane will have to outsmart the richer clubs. The onetime jock teams with Ivy League grad Peter Brand (Jonah Hill) in an unlikely partnership, recruiting bargain players that the scouts call flawed, but all of whom have an ability to get on base, score runs, and win games. It’s more than baseball, it’s a revolution — one that challenges old school traditions and puts Beane in the crosshairs of those who say he’s tearing out the heart and soul of the game.&lt;br /&gt;
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&lt;b&gt;Peace, Love, &amp;amp; Misunderstanding Bruce Beresford, World Premiere&lt;/b&gt;&lt;br /&gt;
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Directed by two-time Academy Award nominated Bruce Beresford, Peace, Love, &amp;amp; Misunderstanding stars Academy Award-winning Jane Fonda, two-time Academy Award-nominated Catherine Keener, international heartthrob Chace Crawford, and Sundance’s breakout star Elizabeth Olsen. The film is a comedy about an uptight New York City lawyer who takes her two spirited teenagers to her hippie mother’s farmhouse in the countryside for a family vacation. What was meant to be a weekend getaway quickly turns into a summer adventure of romance, music, family secrets, and self-discovery.&lt;br /&gt;
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&lt;b&gt;Take this Waltz Sarah Polley, World Premiere&lt;/b&gt;&lt;br /&gt;
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Swelteringly hot, bright and colourful like a bowl of fruit, Take this Waltz leads us laughing through the familiar, but uncharted question of what long-term relationships do to love, sex, and our images of ourselves. Starring Michelle Williams, Seth Rogen and Luke Kirby.&lt;br /&gt;
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&lt;b&gt;W.E. Madonna, North American Premiere&lt;/b&gt;&lt;br /&gt;
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W.E. is a romantic exploration of the mysterious connection across decades between two women confronting the consequences of desire. Caught in a loveless Manhattan marriage, abused and frustrated Wally (Abbie Cornish) obsesses over Wallis Simpson (Andrea Riseborough), the stylish American divorcee who captured the heart of Edward the VIII (James D’Arcy) who abdicated the throne as King of England. As the Duchess of Windsor, Wallis spends the rest of her life in the glare of celebrity exile. Inspired by the Duchess’ determination to pursue love in the face of social exile, Wally escapes into the arms of another man (Oscar Isaac) whose love sets her free. Madonna and a world class team of collaborators present a passionate tale of the search for love and the meaning of happiness. W.E. (for Wallis and Edward, forever entwined in the love story of the 20th century) is a rich, cinematic portrayal of two strong women resolved to find romance.&lt;br /&gt;
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&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Special Presentations&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
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&lt;b&gt;11 Flowers Wang Xiaoshuai, World Premiere&lt;/b&gt;&lt;br /&gt;
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Wang Han, an 11-year-old boy in the province of Ghizhou, is confronted by a runaway murderer hiding in the woods. The wounded man persuades Wang Han to help him out. Both frightened and fascinated, Wang Han and his friends promise to keep the man’s whereabouts secret from the police even when strange things begin happening at school. Stars Liu Wenqing, Wang Jinchun and Yen Ni.&lt;br /&gt;
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&lt;b&gt;50/50 Jonathan Levine, World Premiere&lt;/b&gt;&lt;br /&gt;
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Inspired by personal experiences, 50/50 is a funny, touching and original story of friendship, love, and survival starring Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard and Anjelica Huston. Written by Will Riser and directed by Jonathan Levine.&lt;br /&gt;
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&lt;b&gt;360 Fernando Meirelles, World Premiere&lt;/b&gt;&lt;br /&gt;
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Inspired by Arthur Schnitzler’s classic La Ronde, in 360, director Fernando Meirelles and screenwriter Peter Morgan combine a modern and dynamic roundelay of original stories into one, linking characters: from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative. Stars Jude Law, Anthony Hopkins, Rachel Weisz and Ben Foster.&lt;br /&gt;
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The Artist Michel Hazanavicius, Toronto Premiere&lt;/b&gt;&lt;br /&gt;
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Hollywood 1927. George Valentin is a very successful silent movie star. The arrival of talking pictures will mark the end of his career. Peppy Miller, a young woman extra, becomes a major movie star. Starring Malcolm McDowell, James Cromwell and John Goodman.&lt;br /&gt;
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&lt;b&gt;Americano Mathieu Demy, World Premiere&lt;/b&gt;&lt;br /&gt;
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When Mathieu was little, his name was Martin and he lived in Los Angeles. Martin grew up and lives in Paris. When he loses his mother back in California, Martin must return to the city of his childhood to deal with the formalities surrounding his inheritance. Unable to face up to his mom’s death, Martin takes off to Tijuana on the trail of Lola, a Mexican woman he used to know, and who held a special place in his mother’s life. To make his own peace, Martin must delve into his past. Stars Salma Hayek and Géraldine Chaplin.&lt;br /&gt;
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&lt;b&gt;Anonymous Roland Emmerich, World Premiere&lt;/b&gt;&lt;br /&gt;
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Set in the political snake-pit of Elizabethan England, Anonymous speculates on an issue that has for centuries intrigued academics and brilliant minds, namely: who actually created the body of work credited to William Shakespeare? Experts have debated, books have been written, and scholars have devoted their lives to protecting or debunking theories surrounding the authorship of the most renowned works in English literature. Anonymous poses one possible answer, focusing on a time when scandalous political intrigue, illicit romances in Royal Court, and the schemes of greedy nobles lusting for the power of the throne were brought to light in the most unlikely of places: the London stage. Starring David Thewlis and Vanessa Redgrave.&lt;br /&gt;
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&lt;b&gt;A Better Life Cédric Kahn, World Premiere&lt;/b&gt;&lt;br /&gt;
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Yann, a cook, and Nadia, a waitress and mother of nine-year-old child, decide to risk everything on the purchase of a restaurant. With plenty of talent, energy, love and dreams, but no finances of their own, they find themselves forced into a jungle of financing and bank loans that quickly overwhelms them. To bail them out, Nadia has to take a job in Canada, while Yann is forced to stay behind to save the restaurant. Together, he and the child confront a relentless avalanche of creditors, an uncaring system and the daily grind from which there is no respite. Yann finally understands that his only chance of salvation lies in joining his lover – as well as reuniting mother and child – by following Nadia to Canada and a better life. Stars Guillaume Canet, Leïla Bekhti and Slimane Ketthabi.&lt;br /&gt;
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&lt;b&gt;Burning Man Jonathan Teplitzky, World Premiere&lt;/b&gt;&lt;br /&gt;
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Why is Tom behaving so badly? Six women and an eight-year-old boy are fighting, in very different ways, to help. But for Tom, it seems, there are no rules. Burning Man is the reckless, provocative and moving story of a father and son’s journey back to happiness. Stars Matthew Goode and Rachel Griffiths.&lt;br /&gt;
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Chicken with Plums Marjane Satrapi and Vincent Paronnaud, North American Premiere&lt;br /&gt;
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Tehran, 1958: Nasser Ali Khan, the most celebrated violin player, has his beloved instrument broken. Unable to find another to replace it, life without music seems intolerable. He stays in bed and slips further and further into his reveries from his youth to his own children’s futures. Over the course of the week that follows, and as the pieces of this captivating story fall into place, we understand his poignant secret and the profundity of his decision to give up life for music and love.&lt;br /&gt;
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&lt;b&gt;Coriolanus Ralph Fiennes, North American Premiere&lt;/b&gt;&lt;br /&gt;
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Coriolanus (Ralph Fiennes), a hero of Rome, is a great soldier but despises the people. His extreme views ignite a mass riot and he is banished from Rome. Coriolanus allies with a sworn enemy (Gerard Butler) to take his revenge on the city.&lt;br /&gt;
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&lt;b&gt;Countdown Huh Jong-ho, World Premiere&lt;/b&gt;&lt;br /&gt;
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Jeon Do-youn plays a beautiful ex-con who, after being released from prison, tries to make some quick cash by manipulating a heartless debt collector.&lt;br /&gt;
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&lt;b&gt;Dark Horse Todd Solondz, North American Premiere&lt;/b&gt;&lt;br /&gt;
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A thirtysomething guy with arrested development (Justin Bartha) falls for a thirtysomething girl with arrested development (Selma Blair), but moving out of his junior high school bedroom proves too much and tragedy ensues.&lt;br /&gt;
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&lt;b&gt;The Deep Blue Sea Terence Davies, World Premiere&lt;/b&gt;&lt;br /&gt;
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Hester Collyer (Academy Award-winner Rachel Weisz) leads a privileged life in 1950s London as the beautiful wife of high court judge Sir William Collyer (Simon Russell Beale). To the shock of those around her, she walks out on her marriage to move in with young ex-RAF pilot, Freddie Page (Tom Hiddleston), with whom she has fallen passionately in love.&lt;br /&gt;
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&lt;b&gt;The Descendants Alexander Payne, World Premiere&lt;/b&gt;&lt;br /&gt;
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From Alexander Payne, the creator of the Oscar-winning Sideways, set in Hawaii, The Descendants is a sometimes humourous, sometimes tragic journey for Matt King (George Clooney) an indifferent husband and father of two girls, who is forced to re-examine his past and embrace his future when his wife suffers a boating accident off of Waikiki. The event leads to a rapprochement with his young daughters while Matt wrestles with a decision to sell the family’s land handed down from Hawaiian royalty and missionaries.&lt;br /&gt;
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&lt;b&gt;Drive Nicolas Winding Refn, Canadian Premiere&lt;/b&gt;&lt;br /&gt;
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Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbour Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defence for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman).&lt;br /&gt;
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&lt;b&gt;Elles Malgoska Szumowska, World Premiere&lt;/b&gt;&lt;br /&gt;
Anne (Juliette Binoche), a well-off Paris-based mother of two and investigative journalist for ELLE, is writing an article about university student prostitution. Her meetings with two fiercely independent young women, Alicja (Joanna Kulig) and Charlotte (Anaïs Demoustier), are profound and unsettling, moving her to question her most intimate convictions about money, family and sex.&lt;br /&gt;
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&lt;b&gt;The Eye of the Storm Fred Schepisi, International Premiere&lt;/b&gt;&lt;br /&gt;
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In the Sydney suburb of Centennial Park, two nurses, a housekeeper and a solicitor attend to Elizabeth Hunter as her expatriate son and daughter convene at her deathbed. But in dying, as in living, Mrs. Hunter remains a powerful force on those who surround her. Based on the novel by Nobel Prize-winner Patrick White, The Eye of the Storm is a savage exploration of family relationships – and the sharp undercurrents of love and hate, comedy and tragedy, which define them. Stars Geoffrey Rush and Charlotte Rampling.&lt;br /&gt;
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&lt;b&gt;Friends With Kids Jennifer Westfeldt, World Premiere&lt;/b&gt;&lt;br /&gt;
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Friends With Kids is a poignant ensemble comedy about a close-knit circle of friends at that moment in life when children arrive and everything changes. There are big laughs and unexpected emotional truths as the last two singles in the group, out of step with their married pals, resolve to have a kid together… and date other people. Stars Kristen Wiig, Megan Fox, Jon Hamm, Maya Rudolph and Edward Burns.&lt;br /&gt;
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&lt;b&gt;Habemus Papam Nanni Moretti, North American Premiere&lt;/b&gt;&lt;br /&gt;
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The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist). But his fear of the responsibility suddenly thrust upon him is one that he must face on his own.&lt;br /&gt;
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&lt;b&gt;Headhunters Morten Tyldum, North American Premiere&lt;/b&gt;&lt;br /&gt;
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Roger (Aksel Hennie) is a successful Headhunter. But he lives above his means and steals art on the side. When introduced to Clas Greve (Nikolaj Coster-Waldau), Roger starts planning his biggest theft ever. But Roger runs into trouble and it’s not financial problems that are threatening to knock him over this time…&lt;br /&gt;
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&lt;b&gt;Hick Derick Martini, World Premiere&lt;/b&gt;&lt;br /&gt;
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Tired of fending for herself and her mother’s penchant for hard-drinking men and barroom drama, 13-year-old Luli hits the road on her own, heading west to realize her dream of becoming a superstar. Among her travels she meets Eddie, a drifter with a chip on his shoulder, and Glenda, a troubled but spirited woman who takes Luli under her wing. Luli’s quick wit, some help from Glenda, the mercurial Eddie, and her colourful daydreams help protect her from the incredibly unpredictable band of characters she encounters on her journey. Hick is a road picture about a young girl who comes face-to-face with the realities of just how complicated adulthood can be. Stars Blake Lively, Chloe Moretz, Alec Baldwin, Juliette Lewis, Eddie Redmayne and Rory Culkin.&lt;br /&gt;
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&lt;b&gt;The Hunter Daniel Nettheim, World Premiere&lt;/b&gt;&lt;br /&gt;
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Based on the acclaimed novel by Julia Leigh, The Hunter is a powerful psychological drama that tells the story of Martin (Willem Dafoe), a mercenary sent from Europe by an anonymous biotech company to the Tasmanian wilderness on a dramatic hunt for the last Tasmanian Tiger. Against his wishes, Martin’s only option is to stay at a base camp house with the despondent wife and spirited children of a missing zoologist. Drawn deeper into the wild landscape in his search for the mysterious Tiger, Martin’s unexpected connection to the family and the majestic wilderness around him, forces him to confront the reality of his work and personal morality, with dramatic consequences. Stars Academy Award-nominee Willem Dafoe, Frances O’Connor and Sam Neill.&lt;br /&gt;
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&lt;b&gt;Jeff, Who Lives at Home Jay and Mark Duplass, World Premiere&lt;/b&gt;&lt;br /&gt;
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Jeff, Who Lives at Home stars Jason Segel, Ed Helms, Judy Greer and Susan Sarandon. Penned by the writer/director team of brothers Jay and Mark Duplass (Cyrus), this is the story of one man searching for the meaning of life while running to the store to buy wood glue. Using the universe as his guide, Jeff looks for signs to help determine his path. However, a series of comedic and unexpected events leads him to cross paths with his family in the strangest of locations and circumstances. Jeff just may find the meaning of his life… and if he’s lucky, pick up the wood glue as well.&lt;br /&gt;
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&lt;b&gt;Killer Joe William Friedkin, North American Premiere&lt;/b&gt;&lt;br /&gt;
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When 22-year-old drug dealer Chris (Emile Hirsch) has his stash stolen by his mother, he has to come up with six thousand dollars quick or he’s dead. Desperate, he turns to “Killer Joe” (Matthew McConaughey) when he finds out that his mother’s life insurance policy is worth $50,000. Although Joe usually demands cash up front, he finds himself willing to bend the rules in exchange for Chris’ attractive younger sister, Dottie, who will serve as sexual collateral until the money comes in… if it ever does.&lt;br /&gt;
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&lt;b&gt;Like Crazy Drake Doremus, International Premiere&lt;/b&gt;&lt;br /&gt;
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Like Crazy is a film from and about the heart. Jacob, an American, and Anna, who is British, meet at college in Los Angeles and fall madly in love. It’s the purest kind of romance – they’re each other’s first significant attachment. When Anna returns to London, the couple is forced into a long-distance relationship. Their perfect love is tested, and youth, trust, and geography become their biggest enemies. Anton Yelchin and Felicity Jones star as the young couple. An original, contemplative look at first love, Like Crazy strikes a universal chord as it explores the bittersweet beauty and impermanence of relationships.&lt;br /&gt;
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&lt;b&gt;Machine Gun Preacher Marc Forster, World Premiere&lt;/b&gt;&lt;br /&gt;
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This inspirational true story, Machine Gun Preacher is about Sam Childers, a former drug-dealing criminal who undergoes an astonishing transformation and finds an unexpected calling as the savior of hundreds of kidnapped and orphaned children. Gerard Butler (300) delivers a searing performance as Childers in Golden Globe®-nominated director Marc Forster’s (Monster’s Ball, Finding Neverland) moving story of violence and redemption.&lt;br /&gt;
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&lt;b&gt;Martha Marcy May Marlene Sean Durkin, Canadian Premiere&lt;/b&gt;&lt;br /&gt;
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Martha Marcy May Marlene is a powerful psychological thriller starring Elizabeth Olsen as Martha, a young woman rapidly unravelling amidst her attempt to reclaim a normal life after fleeing from a cult and its charismatic leader (John Hawkes). Seeking help from her estranged older sister Lucy (Sarah Paulson) and brother-in-law (Hugh Dancy), Martha is unable and unwilling to reveal the truth about her disappearance. When her memories trigger a chilling paranoia that her former cult could still be pursuing her, the line between Martha’s reality and delusion begins to blur.&lt;br /&gt;
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&lt;b&gt;Melancholia Lars von Trier, North American Premiere&lt;/b&gt;&lt;br /&gt;
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In this beautiful movie about the end of the world, Justine (Kirsten Dunst) and Michael (Alexander Skarsgård) are celebrating their marriage at a sumptuous party in the home of her sister Claire (Charlotte Gainsbourg), and brother-in-law John (Kiefer Sutherland). Despite Claire’s best efforts the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth… Melancholia is a psychological disaster film from director Lars von Trier.&lt;br /&gt;
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&lt;b&gt;The Oranges Julian Farino, World Premiere&lt;/b&gt;&lt;br /&gt;
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The Ostroff and Walling families are best friends and neighbours, living across the street from each other on Orange Drive. Prodigal daughter Nina Ostroff (Leighton Meester) returns home for Thanksgiving dinner after a five-year absence, newly broken up with her fiancé Ethan (Sam Rosen). Rather than developing an interest in the successful son of her neighbours, Toby Walling (Adam Brody), which would please both families, it’s her parents’ best friend David Walling (Hugh Laurie) that captures Nina’s attention. When the romantic attraction between Nina and David Walling becomes too great to ignore, the lives of the two families are thrown into upheaval. It is not long, however, before the ramifications of the affair begin to work on the other family members in unexpected, hilarious and even positive ways, leading everyone to reassess what it means to be happy, and how to find happiness with, and perhaps in spite of, your own family and friends.&lt;br /&gt;
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&lt;b&gt;Pearl Jam Twenty Cameron Crowe, World Premiere&lt;/b&gt;&lt;br /&gt;
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Pearl Jam Twenty chronicles the years leading up to the band’s formation, the chaos that ensued soon after their rise to megastardom, their step back from centre stage, and the creation of a trusted circle that would surround them – giving way to a work culture that would sustain them. Told in big themes and bold colours with blistering sound, the film is carved from over 1,200 hours of rarely seen and never-before seen footage spanning the band’s career. Pearl Jam Twenty is the definitive portrait of Pearl Jam: part concert film, part intimate insider-hang, and part testimonial to the power of music and uncompromising artists.&lt;br /&gt;
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&lt;b&gt;Rampart Oren Moverman, World Premiere&lt;/b&gt;&lt;br /&gt;
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A genre-bending, 1990s Los Angeles police family drama, Rampart explores the dark soul and romantic misadventures of a never-changing LAPD cop (Woody Harrelson) whose past is finally catching up with him in the wake of a department-wide corruption scandal. Along the way, he is forced to confront his disgruntled daughters (Brie Larson, Sammy Boyarsky), his two ex-wives (Anne Heche, Cynthia Nixon), a tenacious Deputy DA (Sigourney Weaver), an investigator on his trail (Ice Cube), a homeless witness to his crimes (Ben Foster), his aging mentor (Ned Beatty) and a mysterious new lover who may or may not be on his side (Robin Wright), as he fights for his own sanity and survival.&lt;br /&gt;
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&lt;b&gt;Salmon Fishing in the Yemen Lasse Hallstrom, World Premiere&lt;/b&gt;&lt;br /&gt;
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Stuffy government fisheries scientist Fred is asked by a fishing-obsessed Arab Sheik to do the seemingly impossible – introduce British salmon to the wadis of the Yemen. Despite considerable trepidation, Fred is finally won over by the charismatic Sheik, who reveals that fishing brings him closer to God, and he hopes it will have the same effect on his countrymen. Fred also begins to fall for the Sheik’s beautiful legal representative Harriet; and so he rises to the Sheik’s eccentric challenge, casting off his English reserve on a transformative journey of self discovery and late blooming love. Stars Ewan McGregor and Emily Blunt.&lt;br /&gt;
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&lt;b&gt;Shame Steve McQueen, North American Premiere&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Brandon is a thirty-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon’s world spirals out of control. From director Steve McQueen (Hunger), Shame is a compelling and timely examination of the nature of need, how we live our lives and the experiences that shape us. Stars Michael Fassbender, Carey Mulligan, James Badge Dale and Nicole Beharie.&lt;br /&gt;
&lt;br /&gt;
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&lt;b&gt;A Simple Life Ann Hui, Hong Kong, North American Premiere&lt;/b&gt;&lt;br /&gt;
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Based on real people and events. Ah Tao was born in Taishan, China. She works as a servant for 60 years and has been serving four generations of the Leung family. For the past decade, Ah Tao lived with Roger, the only family member left in Hong Kong. Stars Andy Lau, Deanie Ip, Wang Fuli and Qin Hailu.&lt;br /&gt;
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&lt;b&gt;The Skin I Live In Pedro Almodóvar, North American Premiere&lt;/b&gt;&lt;br /&gt;
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Ever since his wife was burned in a car crash, Dr. Robert Ledgard, an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he manages to cultivate a skin that is a real shield against every assault. In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig… Stars Antonio Banderas, Elena Anaya, Blanca Suárez and Jan Cornet.&lt;br /&gt;
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T&lt;b&gt;ake Shelter Jeff Nichols, Canadian Premiere&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Curtis lives in Ohio with his wife Samantha and daughter Hannah. When he begins having dreams about an encroaching apocalyptic storm, he channels his anxiety into building a shelter in their backyard. Though his obsessive behaviour provokes intolerance in his community, Curtis confides in Samantha, testing their bond against the highest possible stakes. Stars Michael Shannon and Jessica Chastain.&lt;br /&gt;
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&lt;b&gt;Ten Year Jamie Linden, World Premiere&lt;/b&gt;&lt;br /&gt;
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Ten Year focuses on a group of friends – married and unmarried, successful and unsuccessful, happy and unhappy – as they return home on the night of their high school reunion. It stars a large ensemble cast that includes Channing Tatum, Rosario Dawson, Justin Long, Kate Mara, Anthony Mackie and Chris Pratt.&lt;br /&gt;
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&lt;b&gt;Trishna Michael Winterbottom, World Premiere&lt;/b&gt;&lt;br /&gt;
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Starring Freida Pinto (Slumdog Millionaire) and Riz Ahmed (Centurion) and based on Thomas Hardy’s novel Tess of the d’Urbervilles, the film is set in contemporary India and tells the tragic love story between the son of a wealthy property developer and the daughter of a rickshaw driver.&lt;br /&gt;
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&lt;b&gt;Twixt Francis Ford Coppola, World Premiere&lt;/b&gt;&lt;br /&gt;
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A writer with a career in decline arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. Stars Val Kilmer, Bruce Dern, Elle Fanning and Ben Chaplin.&lt;br /&gt;
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&lt;b&gt;Tyrannosaur Paddy Considine, Canadian Premiere&lt;/b&gt;&lt;br /&gt;
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Joseph is a man plagued by violence and rage that is driving him to self-destruction. As Joseph’s life spirals into turmoil, a chance of redemption appears in the form of Hannah, a Christian charity shop worker. Their relationship develops to reveal that Hannah is hiding a secret of her own which has devastating results on both of their lives. Starring Peter Mullan and Olivia Colman.&lt;br /&gt;
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&lt;b&gt;We Need to Talk About Kevin Lynne Ramsay, North American Premiere&lt;/b&gt;&lt;br /&gt;
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A suspenseful and psychologically gripping exploration into a parent dealing with her child doing the unthinkable, We Need to Talk About Kevin is the highly-anticipated third feature from director Lynne Ramsay and features a tour-de-force performance by Tilda Swinton.&lt;br /&gt;
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&lt;b&gt;Where Do We Go Now? Nadine Labaki, International Premiere&lt;/b&gt;&lt;br /&gt;
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Set against the backdrop of a war-torn country, Where Do We Go Now? tells the heart-warming tale of a group of women’s determination to protect their isolated, mine-encircled community from the pervasive and divisive outside forces that threaten to destroy it from within. Stars Kevin Abboud and Julian Farhat.&lt;br /&gt;
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&lt;b&gt;Woman in the Fifth Pawel Pawlikowski, World Premiere&lt;/b&gt;&lt;br /&gt;
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American writer Tom Ricks comes to Paris desperate to put his life together again and win back the love of his estranged wife and daughter. When things don’t go according to plan, he ends up in a shady hotel in the suburbs, having to work as a night guard to make ends meet. Then Margit, a beautiful, mysterious stranger walks into his life and things start looking up. Their passionate and intense relationship triggers a string of inexplicable events… as if an obscure power is taking control of his life. Stars Ethan Hawke and Kristin Scott Thomas.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-4651099590690473190?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;br /&gt;
&lt;b&gt;LAFF Winners 2011&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Narrative Award – Familiar Ground&lt;/b&gt;&lt;br /&gt;
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Familiar Ground – Best Narrative Feature&lt;br /&gt;
Directed By: Stéphane Lafleur&lt;br /&gt;
Executive Producer: Francois Reid&lt;br /&gt;
Producers: Luc Déry, Kim McCraw&lt;br /&gt;
Screenwriter: Stéphane Lafleur&lt;br /&gt;
Cinematographer: Sara Mishara&lt;br /&gt;
Editor: Sophie Leblond&lt;br /&gt;
Featuring: Francis La Haye, Fanny Mallette, Sylvain Marcel, Michel Daigle, Suzanne Lemoine&lt;br /&gt;
The gifted Quebecois filmmaker Stephane Lafleur has a rare affinity for unhappy, isolated ordinary people and a rare ability to make their miseries both funny and oddly magical. He’s in total control of his craft in Familiar Ground—every shot has a purpose—as he tells the story of an unhappy wife, Maryse, trapped in a bad marriage, and her slacker brother Benoit, who still lives at home with his cranky, widowed father. Their bleak lives—not helped by the constant snow that falls around them—get an unexpected jolt when a man who proclaims himself from the future (“Not too distant,” he quips, “just September”) warns Maryse of an accident that may befall them. This droll, deadpan comedy quietly builds to its surprising conclusion.&lt;br /&gt;
In bestowing Stéphane Lafleur with the Narrative Award, the Jury stated:&lt;br /&gt;
“An entire tree sticking out of a fireplace…a beaten-up snowman…an operatically dancing inflatable blue dude…the anything but familiar images of Familiar Ground won’t soon be forgotten. In a strong narrative competition this year, this was the singular vision that stood out the most.”&lt;br /&gt;
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&lt;b&gt;Documentary Award – Wish Me Away&lt;/b&gt;&lt;br /&gt;
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Wish Me Away - Best Documentary Feature&lt;br /&gt;
Directed By: Beverly Kopf and Bobbie Birleffi&lt;br /&gt;
Executive Producers: Rhonda Eiffe, Richard Bever, Fletcher Foster&lt;br /&gt;
Producers: Bobbie Birleffi, Beverly Kopf&lt;br /&gt;
Cinematographer: Paul Mailman&lt;br /&gt;
Editor: Lisa Palattella&lt;br /&gt;
Music: Chely Wright&lt;br /&gt;
Country singer Chely Wright knew she was a lesbian at a young age, but she instinctively knew that her orientation was in direct conflict with her aspirations to one day perform at the Grand Ole Opry. She prayed for help from God, stayed in the closet and went on to sell more than 1,000,000 albums.&lt;br /&gt;
Wish Me Away chronicles the days leading up to Wright’s coming out announcement on national television in 2010, and it provides both an intimate look at the fear and torment behind her high-risk decision and a revealing glimpse into the multi-media P.R. campaign that attended her brave act of self-exposure.&lt;br /&gt;
In bestowing Beverly Kopf and Bobbie Birleffi with the Documentary Award, the Jury stated:&lt;br /&gt;
“For its honesty, humor and potential to changes minds and even save lives, the jury awards the Documentary Award to Wish Me Away.”&lt;br /&gt;
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&lt;b&gt;Best Peformance in the Narrative Competition – The Cast of How to Cheat&lt;/b&gt;&lt;br /&gt;
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How to Cheat – Amber Sealey, Kent Osborne, Amanda Street and Gabriel Diamond&lt;br /&gt;
Directed By: Amber Sealey&lt;br /&gt;
Producer: Ben Thoma&lt;br /&gt;
Screenwriter: Amber Sealey&lt;br /&gt;
Cinematographer: Gabriel Diamond&lt;br /&gt;
Editor: Michelle M. Witten&lt;br /&gt;
Cast: Amber Sealey, Kent Osborne, Amanda Street, Gabriel Diamond&lt;br /&gt;
In this funny and honest depiction of the messiness of modern marriage, writer-director Amber Sealey also stars as Beth, a woman of child-bearing age and inclination who, with her husband Mark, has been struggling to conceive. Sealey’s guileless performance as a woman betrayed by her own body is matched by Kent Osborne’s as the awkward Mark, who, confused and frustrated, turns to online dating, where he shops for the perfect affair to shake up his life. Given his counterproductive tendency to reveal his motives up front, his encounters tend to be short and ugly, until he meets the avid Louise, whose complex attitude sets them all down an unexpected path.&lt;br /&gt;
In bestowing the actors with the Best Performance, the Jury stated:&lt;br /&gt;
“At a time where actors are often asked to take a larger role in the creation of what is said in a film and how it’s done, the performers of How to Cheat deserve special distinction. Kent Osborne, Amber Sealey, Amanda Street, and Gabriel Diamond dug deeper and messier, heroically past the point of comfort.”&lt;br /&gt;
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&lt;b&gt;Audience Award for Best Narrative Feature – Attack the Block&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Audience Award – Attack the Block&lt;br /&gt;
Directed By: Joe Cornish&lt;br /&gt;
Executive Producers: Jenny Borgars, Will Clarke, Matthew Justice, Tessa Ross, Edgar Wright&lt;br /&gt;
Producers: Nira Park, James Wilson&lt;br /&gt;
Writer: Joe Cornish&lt;br /&gt;
Cinematographer: Thomas Townend&lt;br /&gt;
Editor: Jonathan Amos&lt;br /&gt;
Cast: Jodie Whittaker, John Boyega, Alex Esmail, Franz Drameh, Leeon Jones, Simon Howard, Luke Treadaway, Jumayn Hunter, Nick Frost&lt;br /&gt;
&lt;br /&gt;
From the producers of Shaun of the Dead and Hot Fuzz, Attack the Block is a fast, funny, frightening adventure that pits a teen gang against a savage alien invasion and turns a London apartment complex into a fortress under siege.&lt;br /&gt;
When a strange alien creature falls from the sky and attacks the gang of underage hoodlums in the middle of a mugging, the gang grabs weapons, mounts bikes and sets out to defend their turf. Fighting off the next wave of invaders, who are bigger and meaner than before, this bunch of no-hope kids is about to become London’s only hope and the most unlikely batch of heroes you have seen.&lt;br /&gt;
This award is given to the narrative feature audiences liked most as voted by a tabulated rating system. &amp;nbsp;Select narrative feature-length films screening in the following sections were eligible for the Audience Award for Best Narrative Feature: Narrative Competition, Gala Screenings, International Showcase, International Spotlight, Summer Showcase, Community Screenings, Ford Amphitheatre Screenings, and The Beyond.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Audience Award for Best Documentary Feature – Beats Rhymes and Life: The Travels of a Tribe Called Quest&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Audience Award – Beats Rhymes and Life: The Travels of a Tribe Called Quest&lt;br /&gt;
Directed By: Michael Rapaport&lt;br /&gt;
Producers: Edward Parks, Michael Rapaport, Frank Mele, Eric Matthies, Robert Benavides, Debra Koffler, ATCQ&lt;br /&gt;
As Beats, Rhymes &amp;amp; Life begins, the rappers who anchored pioneering group A Tribe Called Quest are already going their separate ways. As youths in the mid-’80s, the Queens-born foursome of Tribe—Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi White—found success with their exhuberant exploration and combination of hip hop, pop and jazz. But in recent years, Q-Tip, the band’s visionary and reluctant pop star, has tired of the street-bred capriciousness of his lyrical partner Phife, who is equally frustrated with Q-Tip. How these two friends and musical partners got to this state forms the guts of actor-turned-filmmaker Michael Rapaport’s candid and combustible documentary.&lt;br /&gt;
This award is given to the documentary feature audiences liked most as voted on by a tabulated rating system. &amp;nbsp;Select documentary feature-length films screening in the following sections were eligible for the Audience Award for Best Documentary Feature: Documentary Competition, International Showcase, International Spotlight, Documenting Mexico, Summer Showcase, Community Screenings, and Ford Amphitheatre Screenings.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Audience Award for Best International Feature – Senna&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Audience Award – Senna&lt;br /&gt;
Directed By: Asif Kapadia&lt;br /&gt;
Producers: James Gay-Rees, Tim Bevan, Eric Fellner&lt;br /&gt;
Screenwriter: Manish Pandey&lt;br /&gt;
Editors: Gregers Sall, Chris King&lt;br /&gt;
The most exciting driver to ever race Formula One, the handsome, charismatic Ayrton Senna became a Brazilian national hero and an icon to racing fans worldwide. But you don’t need to know the first thing about racing to be thrilled and moved by Asif Kapadia’s high-octane documentary, composed entirely from archival footage. This edge-of you-seat documentary, which literally puts the audience in the driver’s seat, explores the backroom politics, bitter rivalries and the glamour of a sport that leaves no room for error.&lt;br /&gt;
This award is given to the international feature audiences liked most as voted on by a tabulated rating system. &amp;nbsp;Select international feature-length films, both narrative and documentary, in the Narrative Competition, Documentary Competition, International Showcase, International Spotlight, Documenting Mexico, Summer Showcase, Ford Amphitheatre Screenings, and The Beyond were eligible for the Audience Award for Best International Feature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Narrative Short Film – The Wind Is Blowing on My Street&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The Wind Is Blowing on My Street - Best Narrative Short&lt;br /&gt;
Directed By: Saba Riazi&lt;br /&gt;
Producer: Mohammad Hoseseni&lt;br /&gt;
Screenwriter: Saba Riazi&lt;br /&gt;
Cinematographer: Touraj Asiani&lt;br /&gt;
Editor: Saba Riazi&lt;br /&gt;
Cast: Rahman Houshyar, Sajjad Salehivand, Forough Bonakdar, Ashraf Abolfazlian&lt;br /&gt;
A young girl in Tehran is accidentally locked out of her home with no scarf on her head.&lt;br /&gt;
In bestowing Saba Riazi with Best Narrative Short Film, the Jury stated:&lt;br /&gt;
“For offering insight into the specifics of life under theocratic rule in Iran in a way that speaks to us all, with a remarkable lead performance by an actress forced by circumstances to remain anonymous, the jury presents the Narrative Short Film Award to Saba Riazi for The Wind is Blowing on My Street.”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Documentary Short Film – I Am A Girl!&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
I Am a Girl!- Best Documentary Short Film&lt;br /&gt;
Directed By: Susan Koenen&lt;br /&gt;
Producer: Albert Klein Haneveld&lt;br /&gt;
Screenwriter: Susan Koenen&lt;br /&gt;
Cinematographer: Reinout Steenhuizen&lt;br /&gt;
Editors: Denise Janzée and Susan Koenen&lt;br /&gt;
Joppe dreams of love, marriage and children. Being born a boy only complicates things slightly.&lt;br /&gt;
In bestowing Susan Koenen with Best Documentary Short Film, the Jury stated:&lt;br /&gt;
“For using gorgeous cinematography and energetic editing to capture a young woman’s journey from biological maleness to forthright femininity, and for giving us a glimpse at an open-minded new generation with a better understanding of gender and sexuality issues than their parents ever dreamed, the jury presents the Documentary Short Film Award to Susan Koenen for I Am a Girl!”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Audience Award for Best Short Film – Blind Date&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Audience Award – Blind Date&lt;br /&gt;
Directed By: Joe Rosen&lt;br /&gt;
Producers: Joe Rosen, Abigail Blackmore&lt;br /&gt;
Screenwriter: Abigail Blackmore&lt;br /&gt;
Cinematographer: Jon Wood&lt;br /&gt;
Editors: Joe Rosen, Abigail Blackmore&lt;br /&gt;
Cast: Abigail Blackmore, Cavan Clerkin, Zeben Jameson, Matthew Blackmore&lt;br /&gt;
&lt;br /&gt;
Waiting for her date, Rachel has an unexpected encounter.&lt;br /&gt;
Awarded to the short film audiences liked most as voted on by a tabulated rating system. &amp;nbsp;Short films screening in the Shorts Programs or before Narrative Competition, Documentary Competition, or International Showcase feature-length screenings were eligible for the Audience Award for Best Short Film.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Animated Short Film – The Eagleman Stag&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
The Eagleman Stag – Best Animated Short Film&lt;br /&gt;
Directed By: Mikey Please&lt;br /&gt;
Producer: Royal College of Art&lt;br /&gt;
Screenwriter: Mikey Please&lt;br /&gt;
Cinematographer: Mikey Please&lt;br /&gt;
Editor: Mikey Please&lt;br /&gt;
Cast: David Cann, Tony Guilfoyle&lt;br /&gt;
This unique stop-motion animated film depicts a man’s haunting obsession with the passage of time and his unorthodox relationship with a beetle.&lt;br /&gt;
In bestowing Mike Please with Best Animated Short Film, the Jury stated:&lt;br /&gt;
“For mixing innovative three-dimensional paper-cut animation, a stunning white-on-white visual style, and a wryly original sense of storytelling, the jury presents the Animated Short Film Award to Mikey Please for The Eagleman Stag.”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Audience Award for Best Music Video – Can’t Shake This Feeling&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Audience Award - Can’t Shake This Feeling by The General Assembly’s Adam Littke, Ryan McNeill, Adam Willis&lt;br /&gt;
Directed By: The General Assembly&lt;br /&gt;
Producer: Frenchie Alburtis&lt;br /&gt;
Cinematographers: Scott Kassenoff&lt;br /&gt;
Editor: Joseph Remerowski&lt;br /&gt;
Cast: Terry G. Reed, Juliana Milton, Zach Steel, Matt Hinrichs, Steve Taschler, Fotini Patris, Adam Carpenter&lt;br /&gt;
Music: Grum&lt;br /&gt;
This award is given to the music video audiences liked most as voted on by a tabulated rating system.&lt;br /&gt;
&lt;br /&gt;
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&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;The Los Angeles Film Festival runs June 16th to June 26th. Below are the 2011 Los Angeles Film Festival Nominees.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;NARRATIVE COMPETITION:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;The Bad Intentions (&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Las Malas Intenciones)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Argentina/Germany/Peru&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR/WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Rosario Garcia-Montero PRODUCERS Benito Mueller, Wolfgang Müller, Paul Typaldos, Rosario García-Montero CAST Fatima Buntinx, Katerina D'Onofrio, Paul Vega, Kani Hart, Melchor Gorrochategul, Jean Paul Strauss, &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Liliana Alegria, Tania Ruiz, Flor de Maria Andrade) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Lima, Peru, 1983. What upsets only child Cayetana is not the threat of terrorists but the news that her wealthy, valium-becalmed mother is going to have another baby. She begins, morbidly, to act out her resentments in this deft, seriocomic coming of age story.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; US Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;The Dynamiter&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – (DIRECTOR Matthew Gordon WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Brad Ingelsby PRODUCERS Kevin Abrams, Amile Wilson, Merilee Holt CAST William Ruffin, John Alex Nunnery, Patrick Rutherford, Joice Baldwin, Debra Toth, Braxton Gardon, Ciara McMillan) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;During a balmy Mississippi summer, a teenage boy who finds himself the head of his family must grapple with his identity or else give in to the powder keg of dissatisfaction. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;North American Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-indent: -.3in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Familiar Ground&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; (En Terrains Connus)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – Canada (DIRECTOR/WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Stéphane Lafleur PRODUCER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Luc Déry, Kim McCraw CAST Francis La Haye, Fanny Mallette, Sylvain Marcel, Michel Daigle, Suzanne Lemoine) – This droll, deadpan comedy from snowbound Quebec features an unhappy brother and sister whose fates seem to be known by a mysterious Man From the Future. Not too far in the future though. Just next September.&lt;i&gt; North American Premiere&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;The Fatherless&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; (&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Die Vaterlosen)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;– &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Austria (DIRECTOR/WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Marie Kreutzer PRODUCERS Robert Buchschwenter, Alexander Glehr, Franz Novotny, Ursula Wolschlager CAST Andreas Kiendl, Andrea Wenzl, Emily Cox, Philipp Hochmair) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Hans, the charismatic leader of a free-love commune, has died. His four estranged adult children reunite to thrash out the secrets and lies of a failed utopian dream. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;North American Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-indent: -.3in;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;How to Cheat&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; –&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR/WRITER/PRODUCER Amber Sealey &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;CAST Amber Sealey, Kent Osborne, Amanda Street, Paulette Osborne, Ina Barron, Vanessa Waters, Vanessa Peters, Francesca Ferrara, Colette Freedman, Leah Bailey, Jules Bruff, Jade Sealey, Nick Pavey, Gabriel Diamond, V. Kim Blish, Dan Ewen) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;An L.A. couple's struggle to get pregnant sets off the husband's wandering eye in this comedy that reveals marriage to be as funny as it is heartbreaking. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Mamitas&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – (DIRECTOR/WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Nicholas Ozeki PRODUCERS Adam Renehan, Andrew Daniel Wells CAST EJ Bonilla, Veronica Diaz-Carranza, Jennifer Esposito, Joaquim de Almeida, Jesse Garcia, Pedro Armendariz Jr.) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Beautifully shot against L.A.’s downtown skyline, this sensitive, coming-of-age story revolves around a young Latino player whose budding relationship with a bookish tomboy propels him to find out who he really is.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;An Ordinary Family&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – (DIRECTOR Mike Akel WRITERS &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Mike Akel, Matthew Patterson PRODUCERS Matthew Patterson, Mike Akel CAST Troy Schremmer, Greg Wise, Janelle Schremmer, Chad Miller, Steven Schaefer, Megan Minto, Laurie Coker, Rachel Wise, Huck Schremmer, Shannon Haragan, Richard C. Jones, Joe Ricks, Scott Harris, Charley Devaney, Jon Davis, Bill Taylor, Greg Grooms, Ryan Greene, Tom Elia) –&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;The Beiderman's annual family reunion gets rocky when Seth arrives with his new boyfriend. No one bats an eye except his brother, a married man of the cloth, in this fresh, bittersweet exploration of frayed family ties. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Please Do Not Disturb&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;I&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;ran (DIRECTOR/WRITER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Mohsen Abdolvahab PRODUCER Mohammad Ahmadi CAST Baran Kosari, Afshin Hashemi, Hedayat Hashemi, Shirin Yazdanbakhsh, Mohsen Kazemi, Hamed Behdad) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Through three surprising, interlocking stories, Mohsen Abdolvahab's incisive comedy reveals the daily struggles, fears and private dreams of distinctive city dwellers in contemporary Tehran. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;North American Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Sawdust City&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; (DIRECTOR/WRITER David Nordstrom PRODUCERS &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Mike Ott, Frederick Fulton, Henry Thornton CAST David Nordstrom, Carl McLaughin, Lee Lynch, John Brotherton) –&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;With a genuine feel for its Midwest setting, this directorial debut tracks two brothers as they spend a chilly Thanksgiving walking and talking their way through the bars of their hometown searching for their estranged father.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;You Hurt My Feelings &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR/WRITER Steve Collins PRODUCERS &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Anish Savjani, Jonathan Silberberg CAST Courtney Davis, Macon Blair, John Merriman) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;An unhappy thirty-something nanny, his ex-girlfriend, and her jovial new boyfriend become entangled in a hilarious and wrenching triangle that’s as much about friendship as it is love. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;DOCUMENTARY COMPETITION:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Cheonggyecheon Medley: A Dream of Iron&lt;/span&gt;&lt;/i&gt;&lt;/b&gt; &lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(Cheonggyecheon medeulli)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – South Korea (DIRECTOR &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Kelvin Kyung Kun Park PRODUCERS&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Kim Kyungmi, Lee Hwayoung) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;From Seoul’s increasingly gentrified Cheonggyecheon district, filmmaker Kelvin Kyung Kun Park composes a letter to his dead grandfather in this experimental ode to the obsolete techniques of metal casting. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;US Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Family Instinct &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(Gimenes lietas)&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Latvia (DIRECTOR &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Andris Gauja PRODUCER&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Madara Melberga) – You won’t know whether to laugh or cry at this wilder-than-fiction documentary about an impoverished Latvian woman and her coterie of drunken friends and family as they stumble their way through their bleak rural life.&lt;i&gt; US Premiere&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Once I Was a Champion &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Gerard Roxburgh PRODUCER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Kirk Porter FEATURING Evan Tanner, Randy Couture, Dana White, John Herzfeld, Forrest Griffin, Chael Sonnen, Rich Franklin) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;This moving documentary is the true story behind the troubled life and tragic death of Ultimate Fighting star Evan Tanner, whose belief in the power of one wasn’t enough to save himself. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Paraiso For Sale&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; –&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; (DIRECTOR/PRODUCER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Anayansi Prado) &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Bocas Del Toro, Panama, has become a haven for American retirees. But a bigger threat to the locals are the voracious corporations eager to build luxury resorts on land the native population considers its own.&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Salaam Dunk&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – Iraq/USA (DIRECTOR &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;David Fine PRODUCERS San Saravan, Peter Friedrich) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Set against the backdrop of war-torn Iraq, this debut documentary follows a team of novice female basketball players as they, and all of Iraq, begin to rebuild their country.&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Somewhere Between&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; – (DIRECTOR/PRODUCER &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Linda Goldstein Knowlton) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Coming of age in America is complicated by questions of self identity and family in this intimate look into the lives of four teenage girls, all united by one thing: They all were adopted from China. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;US Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Unfinished Spaces &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;–&lt;i&gt; &lt;/i&gt;(DIRECTORS/PRODUCERS &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Alysa &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Nahmias&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;, Benjamin Murray FEATURING &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Ricardo Porro, Vittorio Garatti, Roberto Gottardi) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Cuba, 1961. Fidel Castro launches a second revolution: Architecture. But his ambitious, curvaceous Arts academy was neither square nor Soviet-approved, cueing a Communist culture war.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; World Premiere&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Unraveled &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR Marc H. Simon PRODUCERS&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; Marc H. Simon, Miranda Bailey, Matthew Brian Makar, Steven Cantor FEATURING Marc S. Dreier, Spencer Dreier, Gerry Shargel, Ross Kramer, Bob Hart, Rich DeFellipo, Phil Scala, Robert Gilmore, Joel Sickler) – Marc Dreier was second only to Bernie Madoff in the enormity of his financial fraud. Under house arrest as he awaits his sentence, he opens up about the greed and desperation that led to his downfall.&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;US Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Wish Me Away &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTORS &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Bobbie Birleffi, Beverly Kopf PRODUCERS&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Beverly Kopf, Paul Mailman) – &lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;This intensely personal documentary chronicles the heart-wrenching decision of Nashville singing star Chely Wright to come out of the closet despite the potentially crushing response from the industry and her fans.&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt; World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-left: 0in; mso-list: l30 level1 lfo36; text-indent: -.3in;"&gt;&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: FranklinGotITC-Book; font-size: medium;"&gt;&lt;i&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;CLOSING NIGHT:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0in; margin-right: 0px; margin-top: 0px; text-indent: -0.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Don’t Be Afraid of the Dark&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;–&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Troy Nixey&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;WRITERS Guillermo del Toro, Matthew Robbins&amp;nbsp;PRODUCERS&lt;b&gt;&amp;nbsp;&lt;/b&gt;Guillermo del Toro, Mark Johnson CAST Katie Holmes, Guy Pearce, Bailee Madison) –&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: 'Franklin Gothic Book'; font-size: 11pt;"&gt;Based on the 1973 telefilm that del Toro believes is the scariest TV production ever made, the story follows Sally (Madison), a young girl who moves to Rhode Island to live with her father (Pearce) and his new girlfriend (Holmes) in the 19&lt;sup&gt;th&lt;/sup&gt;-century mansion they are restoring.&amp;nbsp;&amp;nbsp;While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;SPECIAL SCREENING:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0in; margin-right: 0px; margin-top: 0px; text-indent: -0.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Green Lantern&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;–&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;(DIRECTOR&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Martin Campbell WRITERS&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Greg Berlanti &amp;amp; Michael Green &amp;amp; Marc Guggenheim and Michael Goldenberg&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;PRODUCERS&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Donald De Line, Greg Berlanti&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;CAST&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong, Angela Bassett and Tim Robbins&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;) –&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Ryan Reynolds stars as Hal Jordan, a test pilot and the first human ever selected to wear the ring that grants him superpowers, as well as membership into the intergalactic Green Lantern Corps.&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;GALA SCREENINGS:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0in; margin-right: 0px; margin-top: 0px; text-indent: -0.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;A&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Better Life&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;– (DIRECTOR Chris Weitz WRITER&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Eric Eason&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;PRODUCERS&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Paul Junger Witt&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;, Christian McLaughlin, Chris Weitz, Jami Gertz, Stacey Lubliner CAST&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Demián Bichir, José Julián, Dolores Heredia, Joaquín Cosío, Carlos Linares –&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;A Better Life&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;is the poignant, suspenseful tale of an illegal immigrant in LA struggling to build a better life for his beloved son.&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0in; margin-right: 0px; margin-top: 0px; text-indent: -0.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Drive&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;– (DIRECTOR&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Nicolas Winding Refn WRITER Hossein Amini PRODUCERS&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Marc Platt, Gigi Pritzker, Michel Litvak, Adam Siegel, John Palermo&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;CAST Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Ron Perlman, Christina Hendricks) –&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Ryan Gosling is a stunt driver who moonlights as a getaway driver in a robbery that goes desperately wrong. Brutal and beautiful, Nicholas Winding Refn’s film noir is as black as they come.&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;North American Premiere&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;CONVERSATIONS SCREENINGS:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Times; font-size: medium; font-style: normal; margin-bottom: 0px; margin-left: 0in; margin-right: 0px; margin-top: 0px; text-indent: -0.3in;"&gt;&lt;span style="font-family: Symbol; font-size: 11pt;"&gt;·&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;An Evening with James Franco&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;– (DIRECTOR/WRITER James Franco PRODUCERS&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;Caroline Aragon, James Franco, Vince Jolivette, Miles Levy&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;CAST&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;James Franco, Michael Shannon, Stacey Miller –&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;A conversation with writer-director-star James Franco, who presents the world premiere of&amp;nbsp;&lt;i&gt;The Broken Tower&lt;/i&gt;, his daring film about the brief, burning life of the gay, visionary American poet Hart Crane.&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: FranklinGotITC-Book; font-size: 11pt;"&gt;World Premiere&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/i&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-3414269595527848912?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/yQgWjRBqBhBQG-UXbOczcNhyGRE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yQgWjRBqBhBQG-UXbOczcNhyGRE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/yQgWjRBqBhBQG-UXbOczcNhyGRE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yQgWjRBqBhBQG-UXbOczcNhyGRE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/QOSlKw_7tTo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/3414269595527848912/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=3414269595527848912" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/3414269595527848912?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/3414269595527848912?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/QOSlKw_7tTo/2011-la-film-fest-nominees-los-angeles.html" title="2011 LA Film Fest Nominees | Los Angeles Film Festival 2011 Nominees" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/06/2011-la-film-fest-nominees-los-angeles.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkYCSHw4cSp7ImA9WhZVEEQ.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-8224003062798917502</id><published>2011-05-22T13:59:00.000-07:00</published><updated>2011-05-22T14:02:49.239-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-05-22T14:02:49.239-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="cannes film festival 2011 winners" /><category scheme="http://www.blogger.com/atom/ns#" term="2011 canne film festival winners" /><title>Cannes Film Festival 2011 Winners</title><content type="html">&lt;h2 style="color: #212121; font-family: Arial, Verdana, sans-serif; font-size: 1.25em; margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase; vertical-align: baseline;"&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;2011 Cannes film festival winners for independent feature films and short films were awarded May 22, 2011. The following is a list of the cannes film festival winners 2011:&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Palme d'Or&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;THE TREE OF LIFE directed by Terrence MALICK&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Grand Prix Ex-aequo&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;BIR ZAMANLAR ANADOLU'DA (ONCE UPON A TIME IN ANATOLIA) directed by Nuri Bilge CEYLAN&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;LE GAMIN AU VÉLO (THE KID WITH A BIKE) directed by Jean-Pierre et Luc DARDENNE&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Award for Best Director&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Nicolas WINDING REFN for DRIVE&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Award for Best Screenplay&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Joseph CEDAR for HEARAT SHULAYIM (Footnote)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Award for Best Actress&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Kirsten DUNST in MELANCHOLIA directed by Lars VON TRIER&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Award for Best Actor&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jean DUJARDIN in THE ARTIST directed by Michel HAZANAVICIUS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jury Prize&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;POLISSE (POLISS) directed by MAÏWENN&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;SHORT FILMS&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/span&gt;&lt;/h2&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Palme d'Or - Short Film&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;CROSS (CROSS - COUNTRY) directed by Maryna VRODA&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jury Prize - Short Film&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;h2 style="margin-bottom: 7px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;BADPAKJE 46 (SWIMSUIT 46) directed by Wannes DESTOOP&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;ul class="list-movies-2" style="color: #212121; font-family: Arial, Verdana, sans-serif; font-size: 1.1em; list-style-image: initial; list-style-position: initial; list-style-type: none; margin-bottom: 30px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-8224003062798917502?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/pXUi6rCvuoGaJWTbGtv24Uh7Q1Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pXUi6rCvuoGaJWTbGtv24Uh7Q1Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/pXUi6rCvuoGaJWTbGtv24Uh7Q1Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pXUi6rCvuoGaJWTbGtv24Uh7Q1Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/hfUGG70yGEk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/8224003062798917502/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=8224003062798917502" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8224003062798917502?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/8224003062798917502?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/hfUGG70yGEk/cannes-film-festival-2011-winners.html" title="Cannes Film Festival 2011 Winners" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/05/cannes-film-festival-2011-winners.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0ENSXk4fyp7ImA9WhZXEkQ.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-5026518017829605104</id><published>2011-04-29T13:46:00.000-07:00</published><updated>2011-05-01T18:28:18.737-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-05-01T18:28:18.737-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="tribeca film festival 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="independent films" /><category scheme="http://www.blogger.com/atom/ns#" term="independent feature films" /><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca" /><category scheme="http://www.blogger.com/atom/ns#" term="Tribeca Film Festival Winners 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="winners tribeca film festival 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="independent feature film festival" /><title>Tribeca Film Festival Winners 2011</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-msMrOzo4B4k/Tb4IOLrAGrI/AAAAAAAAAb4/OtlQSES9z1M/s1600/FF.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="209" src="http://3.bp.blogspot.com/-msMrOzo4B4k/Tb4IOLrAGrI/AAAAAAAAAb4/OtlQSES9z1M/s320/FF.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;2011 Tribeca film festival winners were announced over the weekend. Following is a list of the Tribeca film festival winners 2011.&lt;br /&gt;
&lt;u&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;&lt;b&gt;World Narrative Competition Categories:&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;
The Founders Award for Best Narrative Feature – “&lt;b&gt;She Monkeys&lt;/b&gt;”  (Apflickorna), directed by Lisa Aschan, written by Josefine Adolfsson  and Lisa Aschan (Sweden). Winner receives $25,000 and the art award  “Anna Christie Entering the Bar, 1965-1967” by Robert De Niro Sr.  Sponsored by AKA Hotel Residences. The award was given by Jane Rosenthal  and Robert De Niro and Larry Korman from AKA Residences.&lt;br /&gt;
Best Actor in a Narrative Feature Film – &lt;b&gt;Ramadhan “Shami” Bizimana&lt;/b&gt;  as Yvan in “Grey Matter” (Matière Grise), directed and written by Kivu  Ruhorahoza (Rwanda, Australia). Winner receives $2,500. The award was  given by Rula Jebreal.&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;Best Actress in a Narrative Feature Film&lt;/b&gt;&lt;/u&gt; – &lt;b&gt;Carice van Houten&lt;/b&gt;  as Ingrid Jonker in “Black Butterflies,” directed by Paula van der Oest,  written by Greg Latter (Germany, Netherlands, South Africa). Winner  receives $2,500. The award was given by Rula Jebreal.&lt;br /&gt;
Best Cinematography in a Narrative Feature Film – &lt;b&gt;Luisa Tillinger&lt;/b&gt;,  “Artificial Paradises” (Paraisos Artificiales) (Mexico).&amp;nbsp; Winner  receives $5,000 and $50,000 in post production services provided by  Company 3. The award was given by Rula Jebreal.&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;  &lt;/b&gt;&lt;/u&gt;&lt;u&gt;&lt;b&gt;Best Screenplay for a Narrative Feature Film&lt;/b&gt;&lt;/u&gt; – &lt;b&gt;Jannicke Systad Jabobsen&lt;/b&gt;, “Turn Me On, Goddammit” (Få meg på, for faen) (Norway).&lt;br /&gt;
&lt;br /&gt;
Best Narrative Director - &lt;b&gt;Park Jungbum&lt;/b&gt;, writer and director of  Journals of Musan (Musan Il-gi) (South Korea). Winner receives $25,000,  sponsored by American Express; $50,000 in post production services  provided by Company 3; and the art award “Double Happiness” by Nate  Lowman. The award was given by Zoe Kazan and Jessica Igoe from American  Express.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;u&gt;Special Jury Mention&lt;/u&gt;&lt;/b&gt; – &lt;b&gt;Kivu Ruhorahoza&lt;/b&gt;, writer and director of “Grey Matter” (Matière Grise). The announcement was made by Anna Kendrick.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;u&gt;World Documentary Competition Categories&lt;/u&gt;:&lt;/b&gt;&lt;br /&gt;
Best Documentary Feature – “&lt;b&gt;Bombay Beach&lt;/b&gt;,” directed by Alma  Har’el (USA, Israel). Winner receives $25,000 and the art award  “Nathans” by Jeff Chien-Hsing Liao. The award was given by Louie  Psihoyos.&lt;br /&gt;
Best Editing in a Documentary Feature – &lt;b&gt;Purcell Carson&lt;/b&gt;, “Semper Fi: Always Faithful” (USA). Winner receives $5,000. The award was given by Amir Bar-Lev.&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;Best New Documentary Director&lt;/b&gt;&lt;/u&gt; – &lt;b&gt;Pablo Croce&lt;/b&gt; for “Like Water,”  (USA). Winner receives $25,000, sponsored by American Express; and the  art award “Path to the Stage” by Inka Essenhigh. The award was given by  Lauren Hutton and Jessica Igoe from American Express.&lt;br /&gt;
Special Jury Mention – &lt;b&gt;Michael Collins&lt;/b&gt;, director of “Give Up Tomorrow” (UK, USA). The announcement was made by Lauren Hutton.&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;Short Film Competition Categories&lt;/u&gt;:&lt;br /&gt;
Best Narrative Short – “&lt;b&gt;Man and Boy&lt;/b&gt;,” directed by David Leon  and Marcus McSweeney, written by David Leon and Rashid Rasaq (UK).  Winner receives $5,000, sponsored by Persol; 5,000 feet of film stock  donated by Kodak; and the art award “Gold Dust (Undeclared) by Taryn  Simon. The award was given by Denis Leary and Victor Melendez from  Persol.&lt;br /&gt;
&lt;div class="image-r"&gt;&lt;span class="image-caption"&gt;Carice  van Houten on stage for her Best Actress win for her role in “Black  Butterflies” (directed by Paula van der Oest). Photo by Brian Brooks.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
Special Jury Mention – “&lt;b&gt;The Terms&lt;/b&gt;,” written and directed by Jason LaMotte (UK)&lt;br /&gt;
&lt;br /&gt;
Best Documentary Short – “&lt;b&gt;Incident in New Baghdad&lt;/b&gt;,” written  and directed by James Spione (US). Winner receives $5,000, sponsored by  Persol; 5,000 feet of film stock donated Kodak; and the art award&lt;br /&gt;
“Big  Penny” by Tom Otterness. The award was given by Nicole Lapin and Victor  Melendez from Persol.&lt;br /&gt;
&lt;br /&gt;
Special Jury Mention – “&lt;b&gt;Guru&lt;/b&gt;,” written and directed by Jonathan Van Ballenberghe (USA).&lt;br /&gt;
&lt;br /&gt;
Student Visionary Award – “&lt;b&gt;Rooms&lt;/b&gt;,” written and directed by  Joanna Jurewicz (USA). Winner receives MacPro Desktop with Final Cut Pro  and a 24-inch monitor provided by Apple; and the art award “Study:  Northern City Renaissance (Mass MoCA #79N)” by Stephen Hannock. This  award was also given by Ahmed Ahmed.&lt;br /&gt;
&lt;br /&gt;
Special Jury Mention: “&lt;b&gt;Eva – Working Title&lt;/b&gt;,” written and directed by Dor Fadlon (Israel)&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;Tribeca (Online) Film Festival Categories&lt;/u&gt;:&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;b&gt;Tribeca (Online) Film Festival Best Feature Film&lt;/b&gt;&lt;/u&gt;: “&lt;b&gt;Donor Unknown&lt;/b&gt;,”  directed and written by Jerry Rothwell (USA). Winner receives $25,000,  sponsored by American Express, and the art award “Untitled” by Sarah  Crowner. The award was given by Geoffrey Gilmore and Jessica Igoe from  American Express.&lt;br /&gt;
&lt;u&gt;&lt;b&gt;&lt;br /&gt;
Tribeca (Online) Film Festival Best Short Film:&lt;/b&gt;&lt;/u&gt; “&lt;b&gt;Dungeon Master&lt;/b&gt;,”  directed by Shiloh &amp;amp; Rider Strong (USA). Winners receive $5,000,  sponsored by Accenture. The award was given by Geoffrey Gilmore and Dr.  Gavin Michael from Accenture.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-5026518017829605104?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LdWM7sQq0N8d4Xh4sM5TDMl7q_Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LdWM7sQq0N8d4Xh4sM5TDMl7q_Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LdWM7sQq0N8d4Xh4sM5TDMl7q_Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LdWM7sQq0N8d4Xh4sM5TDMl7q_Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/uFnlssI_tcw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/5026518017829605104/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=5026518017829605104" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5026518017829605104?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/5026518017829605104?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/uFnlssI_tcw/tribecca-film-festival-winners-2011.html" title="Tribeca Film Festival Winners 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-msMrOzo4B4k/Tb4IOLrAGrI/AAAAAAAAAb4/OtlQSES9z1M/s72-c/FF.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/04/tribecca-film-festival-winners-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkQHRX0-eCp7ImA9WhZQGEU.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-521090163194732271</id><published>2011-04-14T20:10:00.000-07:00</published><updated>2011-04-26T23:05:34.350-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-04-26T23:05:34.350-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Canne Film Festival Nominees 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="canne film festival" /><category scheme="http://www.blogger.com/atom/ns#" term="film festival canne" /><title>Canne Film Festival 2011 Nominees | Official Selections 2011 | Festival de Cannes 2011</title><content type="html">&lt;table cellpadding="1" cellspacing="1" style="width: 620px;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td&gt;Canne Film Festival 2011 Nominees. Winners of this international independent film festival will be announced May 22, 2011.&lt;/td&gt;&lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td&gt;&lt;br /&gt;
&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;span style="font-size: small;"&gt;Woody ALLEN&lt;/span&gt;&lt;/td&gt;             &lt;td&gt;&lt;span style="font-size: small;"&gt;MIDNIGHT IN PARIS (Out of Competition)&lt;/span&gt;&lt;/td&gt;             &lt;td style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt;1h40&lt;/span&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;h2&gt;&lt;b&gt;Competition&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt; &lt;/h2&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;&lt;table border="0" cellpadding="1" cellspacing="1" style="width: 615px;"&gt;&lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;Pedro ALMODÓVAR&lt;/td&gt;             &lt;td&gt;LA PIEL QUE HABITO&lt;/td&gt;             &lt;td&gt;2h00&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Bertrand BONELLO&lt;/td&gt;             &lt;td&gt;L'APOLLONIDE - SOUVENIRS DE LA MAISON CLOSE&lt;/td&gt;             &lt;td&gt;2h02&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Alain CAVALIER&lt;/td&gt;             &lt;td&gt;PATER&lt;/td&gt;             &lt;td&gt;1h45&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Joseph CEDAR&lt;/td&gt;             &lt;td&gt;HEARAT SHULAYIM&lt;br /&gt;
(&lt;i&gt;Footnote&lt;/i&gt;)&lt;/td&gt;             &lt;td&gt;1h45&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Nuri Bilge CEYLAN&lt;/td&gt;             &lt;td&gt;BIR ZAMANLAR ANADOLU'DA&lt;br /&gt;
(&lt;i&gt;Once upon a time in Anatolia&lt;/i&gt;)&lt;/td&gt;             &lt;td&gt;2h30&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Jean-Pierre et Luc DARDENNE&lt;/td&gt;             &lt;td&gt;LE GAMIN AU VÉLO&lt;/td&gt;             &lt;td&gt;1h27&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Aki KAURISMÄKI&lt;/td&gt;             &lt;td&gt;LE HAVRE&lt;/td&gt;             &lt;td&gt;1h43&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Naomi KAWASE&lt;/td&gt;             &lt;td&gt;HANEZU NO TSUKI&lt;/td&gt;             &lt;td&gt;1h31&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Julia LEIGH&lt;/td&gt;             &lt;td&gt;SLEEPING BEAUTY                          - 1st film -&lt;/td&gt;             &lt;td&gt;1h44&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;MAÏWENN&lt;/td&gt;             &lt;td&gt;POLISSE&lt;/td&gt;             &lt;td&gt;2h01&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Terrence MALICK&lt;/td&gt;             &lt;td&gt;THE TREE OF LIFE&lt;/td&gt;             &lt;td&gt;2h18&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Radu MIHAILEANU&lt;/td&gt;             &lt;td&gt;LA SOURCE DES FEMMES&lt;/td&gt;             &lt;td&gt;2h15&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Takashi MIIKE&lt;/td&gt;             &lt;td&gt;ICHIMEI&lt;br /&gt;
(&lt;i&gt;Hara-Kiri: Death of a Samuraï&lt;/i&gt;)&lt;/td&gt;             &lt;td&gt;2h06&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Nanni MORETTI&lt;/td&gt;             &lt;td&gt;HABEMUS PAPAM&lt;/td&gt;             &lt;td&gt;1h42&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Lynne RAMSAY&lt;/td&gt;             &lt;td&gt;WE NEED TO TALK ABOUT KEVIN&lt;/td&gt;             &lt;td&gt;1h50&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Markus SCHLEINZER&lt;/td&gt;             &lt;td&gt;MICHAEL                                          - 1st film -&lt;/td&gt;             &lt;td&gt;1h34&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Paolo SORRENTINO&lt;/td&gt;             &lt;td&gt;THIS MUST BE THE PLACE&lt;/td&gt;             &lt;td&gt;1h58&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Lars VON TRIER&lt;/td&gt;             &lt;td&gt;MELANCHOLIA&lt;/td&gt;             &lt;td&gt;2h10&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Nicolas WINDING REFN&lt;/td&gt;             &lt;td&gt;DRIVE&lt;/td&gt;             &lt;td&gt;1h35&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;h2&gt;&lt;b&gt;Un Certain Regard&lt;/b&gt; &lt;/h2&gt;&lt;table border="0" cellpadding="1" cellspacing="1" style="width: 620px;"&gt;&lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;Gus VAN SANT&lt;/td&gt;             &lt;td&gt;RESTLESS                      - Opening Film -&lt;/td&gt;             &lt;td&gt;1h31&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Bakur BAKURADZE&lt;/td&gt;             &lt;td&gt;THE HUNTER&lt;/td&gt;             &lt;td&gt;1h50&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Andreas DRESEN&lt;/td&gt;             &lt;td&gt;HALT AUF FREIER STRECKE&lt;/td&gt;             &lt;td&gt;1h35&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Bruno DUMONT&lt;/td&gt;             &lt;td&gt;HORS SATAN&lt;/td&gt;             &lt;td&gt;1h50&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Sean DURKIN&lt;/td&gt;             &lt;td&gt;MARTHA MARCY MAY MARLENE - 1st film -&lt;/td&gt;             &lt;td&gt;1h41&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Robert GUÉDIGUIAN&lt;/td&gt;             &lt;td&gt;LES NEIGES DU KILIMANDJARO&lt;/td&gt;             &lt;td&gt;1h47&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Oliver HERMANUS&lt;/td&gt;             &lt;td&gt;SKOONHEID&lt;/td&gt;             &lt;td&gt;1h38&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;HONG Sangsoo&lt;/td&gt;             &lt;td&gt;THE DAY HE ARRIVES&lt;/td&gt;             &lt;td&gt;1h19&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Cristián JIMÉNEZ&lt;/td&gt;             &lt;td&gt;BONSÁI&lt;br /&gt;
(&lt;i&gt;Bonsaï&lt;/i&gt;)&lt;/td&gt;             &lt;td&gt;1h42&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Eric KHOO&lt;/td&gt;             &lt;td&gt;TATSUMI&lt;/td&gt;             &lt;td&gt;1h34&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;KIM Ki-duk&lt;/td&gt;             &lt;td&gt;ARIRANG&lt;/td&gt;             &lt;td&gt;1h40&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Nadine LABAKI&lt;/td&gt;             &lt;td&gt;ET MAINTENANT ON VA OÚ ?&lt;/td&gt;             &lt;td&gt;1h50&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Catalin MITULESCU&lt;/td&gt;             &lt;td&gt;LOVERBOY&lt;/td&gt;             &lt;td&gt;1h35&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;NA Hong-jin&lt;/td&gt;             &lt;td&gt;YELLOW SEA&lt;/td&gt;             &lt;td&gt;2h20&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Gerardo NARANJO&lt;/td&gt;             &lt;td&gt;MISS BALA&lt;/td&gt;             &lt;td&gt;1h53&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Juliana  ROJAS,&lt;br /&gt;
Marco DUTRA&lt;/td&gt;             &lt;td&gt;TRABALHAR CANSA                      - 1st film -&lt;span style="font-style: italic;"&gt;&lt;br /&gt;
&lt;/span&gt; &lt;/td&gt;             &lt;td&gt;1h40&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Pierre  SCHOELLER&lt;/td&gt;             &lt;td&gt;L'EXERCICE DE L'ETAT&lt;/td&gt;             &lt;td&gt;1h55&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Ivan SEN&lt;/td&gt;             &lt;td&gt;TOOMELAH&lt;/td&gt;             &lt;td&gt;1h46&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Joachim TRIER&lt;/td&gt;             &lt;td&gt;OSLO, AUGUST 31ST&lt;/td&gt;             &lt;td&gt;1h35&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;h2&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/h2&gt;&lt;h2&gt;&lt;b&gt;Out of Competition&lt;br /&gt;
&lt;/b&gt;&lt;/h2&gt;&lt;table border="0" cellpadding="1" cellspacing="1" style="width: 620px;"&gt;&lt;tbody&gt;
&lt;tr&gt; &lt;td&gt;Xavier DURRINGER&lt;/td&gt;             &lt;td&gt;LA CONQUÊTE&lt;/td&gt;             &lt;td&gt;1h45&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Jodie FOSTER&lt;/td&gt;             &lt;td&gt;THE BEAVER&lt;/td&gt;             &lt;td&gt;1h40&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Michel&lt;br /&gt;
HAZANAVICIUS&lt;/td&gt;             &lt;td&gt;THE ARTIST&lt;/td&gt;             &lt;td&gt;1h40&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Rob MARSHALL&lt;/td&gt;             &lt;td&gt;PIRATES OF THE CARIBBEAN: &lt;br /&gt;
ON STRANGER TIDES&lt;/td&gt;             &lt;td&gt;2h20&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/td&gt;&lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;b&gt;Midnight Screenings&lt;br /&gt;
&lt;/b&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;CHAN Peter Ho-Sun&lt;/td&gt;             &lt;td&gt;WU XIA&lt;/td&gt;             &lt;td&gt;2h00&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Everardo GOUT&lt;/td&gt;             &lt;td&gt;DIAS DE GRACIA                                      - 1st film -&lt;/td&gt;             &lt;td&gt;2h13&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;b&gt;&lt;br /&gt;
Special Screnings &lt;br /&gt;
&lt;/b&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Frederikke ASPÖCK&lt;/td&gt;             &lt;td&gt;LABRADOR                                                 - 1st film -&lt;/td&gt;             &lt;td&gt;1h30&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Rithy PANH&lt;/td&gt;             &lt;td&gt;LE MAÎTRE DES FORGES DE L'ENFER&lt;/td&gt;             &lt;td&gt;1h45&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Michael RADFORD&lt;/td&gt;             &lt;td&gt;MICHEL PETRUCCIANI&lt;/td&gt;             &lt;td&gt;1h30&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;             &lt;td&gt;&lt;/td&gt;         &lt;/tr&gt;
&lt;tr&gt; &lt;td&gt;Christian ROUAUD&lt;/td&gt;             &lt;td&gt;TOUS AU LARZAC&lt;/td&gt;             &lt;td&gt;2h00&lt;/td&gt;         &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-521090163194732271?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/TA1wnVDj5vW44rPu9CU790f3DxI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TA1wnVDj5vW44rPu9CU790f3DxI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/0wQ-8TGBn68" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/521090163194732271/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=521090163194732271" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/521090163194732271?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/521090163194732271?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/0wQ-8TGBn68/canne-film-festival-2011-nominees.html" title="Canne Film Festival 2011 Nominees | Official Selections 2011 | Festival de Cannes 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/04/canne-film-festival-2011-nominees.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE8GRHk7fip7ImA9Wx9bF0U.&quot;"><id>tag:blogger.com,1999:blog-3349740070211392941.post-393495837918915925</id><published>2011-02-26T21:51:00.000-08:00</published><updated>2011-02-26T22:07:05.706-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-02-26T22:07:05.706-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="independent spirit awards 2011 winners" /><category scheme="http://www.blogger.com/atom/ns#" term="26th annual spirit awards" /><category scheme="http://www.blogger.com/atom/ns#" term="Spirit Awards" /><category scheme="http://www.blogger.com/atom/ns#" term="spirit award winners 2011" /><category scheme="http://www.blogger.com/atom/ns#" term="film independent" /><category scheme="http://www.blogger.com/atom/ns#" term="independent spirit awards" /><title>Independent Spirit Award Winners 2011</title><content type="html">Independent Spirit Award Winners 2011. The winners of film independent spirit awards are:&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Feature&lt;/b&gt;&lt;br /&gt;
Black Swan&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Director&lt;/b&gt;&lt;br /&gt;
Darren Aronofsky&lt;br /&gt;
&lt;div&gt;Black Swan&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Female Lead&lt;/b&gt;&lt;br /&gt;
Natalie Portman&amp;nbsp;&lt;/div&gt;&lt;div&gt;Black Swan&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Male Lead&lt;/b&gt;&lt;br /&gt;
James Franco&amp;nbsp;&lt;/div&gt;&lt;div&gt;127 Hours&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Supporting Female&lt;/b&gt;&lt;br /&gt;
Dale Dickey&amp;nbsp;&lt;/div&gt;&lt;div&gt;Winter’s Bone&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Supporting Male&lt;/b&gt;&lt;br /&gt;
John Hawks&amp;nbsp;&lt;/div&gt;&lt;div&gt;Winter’s Bone&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Screenplay&lt;/b&gt;&lt;br /&gt;
Stuart Blumberg, Lisa Cholodenko&lt;/div&gt;&lt;div&gt;The Kids Are All Right&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best First Feature&lt;/b&gt;&lt;br /&gt;
Get Low&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Cinematography&lt;/b&gt;&lt;br /&gt;
Matthew Libatique&lt;/div&gt;&lt;div&gt;Black Swan&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Foreign Film&lt;/b&gt;&lt;br /&gt;
The King’s Speech&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Best Documentary&lt;/b&gt;&lt;br /&gt;
Exit through the Gift Shop&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Robert AltmanAward&lt;/b&gt;&lt;br /&gt;
“Please Give” by Nicole Holofcener, Jeanne McCarthy, Ann Guilbert, Rebecca Hall, Catherine Keener, Amanda Peet, Oliver Platt, Lois Smith, and Sarah Steele&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Piaget Producers Award&lt;/b&gt;&lt;br /&gt;
Anish Savjani for “Meek’s Cutoff”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Acura Someone to Watch Award&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;Mike Ott in “Littlerock”&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;AVEENO Truer than Fiction Award&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;&lt;/b&gt;&amp;nbsp;Jeff Malmberg in “Marwencol”&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: arial, helvetica, sans-serif; font-size: 16px; line-height: 20px;"&gt;&lt;strong&gt;John Cassavetes&amp;nbsp;Award&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;
“Daddy Longlegs”&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3349740070211392941-393495837918915925?l=independentfeaturefilm.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/CpUP88yYsEP_KnzMvLO0jcza9DM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CpUP88yYsEP_KnzMvLO0jcza9DM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/IndependentFeatureFilm/~4/uItCwWHL7Ow" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://independentfeaturefilm.blogspot.com/feeds/393495837918915925/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=3349740070211392941&amp;postID=393495837918915925" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/393495837918915925?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/3349740070211392941/posts/default/393495837918915925?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndependentFeatureFilm/~3/uItCwWHL7Ow/independent-spirit-award-winners-2011.html" title="Independent Spirit Award Winners 2011" /><author><name>IndieFilms</name><uri>http://www.blogger.com/profile/11059855627670119024</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://bp3.blogger.com/_JPTQpQQSUug/SDH-2cBrFuI/AAAAAAAAAAw/LzsPzpFDkHc/S220/film.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://independentfeaturefilm.blogspot.com/2011/02/independent-spirit-award-winners-2011.html</feedburner:origLink></entry></feed>

