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Sydney" /><category term="Rakhi Sarkar" /><category term="Anupam Sud" /><category term="Lindsay Pollock" /><category term="Show - Munich" /><category term="Conor Macklin" /><category term="Artistic Investment Advisers" /><category term="Auctions - Paris" /><category term="Christie's" /><category term="Gurusiddappa GE" /><category term="Economic Times" /><category term="Menaka Kumari Shah" /><category term="Show - Bangkok" /><category term="Tibetan Art" /><category term="Grosvenor Gallery" /><category term="Travancore House" /><category term="Gallery Espace" /><category term="Contemporary Indian Art: Open Your Third Eye" /><category term="Huffington Post" /><category term="Gargi Gupta" /><category term="Pheroza Godrej" /><category term="Melbourne" /><category term="Jack Shainman" /><category term="Saurashtra" /><category term="Art Tactic" /><category term="Jamal Mecklai" /><category term="Arani Bose" /><category term="Nomad Art Gallery" /><category term="Art Market India Report" /><category term="art" /><category term="Nina Pillai" /><category term="Lehman" /><category term="Signature Art Prize" /><category term="Sharon Apparao" /><category term="Indian Highway IV" /><category term="Musée Guimet" /><category term="Camel Art Foundation" /><category term="Poster Art" /><category term="PaceWildenstein" /><category term="1X1 Art Gallery" /><category term="AstaGuru" /><category term="Nicola Durvasula" /><category term="Ratheesh T." /><category term="Suruchi Chand" /><category term="Emami Chisel" /><category term="Gaurav Karan" /><category term="Hugo Weihe" /><category term="Show - Singapore" /><category term="Arzan Khambatta" /><category term="Philippe Dagen" /><category term="Adam Neate" /><category term="DS View" /><category term="Jagdish Swaminathan" /><category term="Art Market Correction" /><category term="Online Art Auction" /><category term="Kaushik Basu" /><category term="Bosedk" /><category term="Latitude 28" /><category term="Atul Dodiya" /><category term="Arvind Vijaymohan" /><category term="Passage to India" /><category term="Kala Ghoda Diary" /><category term="Delhi Art Gallery" /><category term="KM Adimoolam" /><category term="Todd Levin" /><category term="Observer" /><category term="Allan de Souza" /><category term="Ambadas" /><category term="Osian’s Art Fund" /><category term="Mumbai Festival" /><category term="N S Harsha" /><category term="Baptist Coelho" /><category term="Seoul" /><category term="Krishna Reddy" /><category term="Art Newspaper" /><category term="Huma Bhabha" /><category term="Chemould" /><category term="Arab Art Market" /><category term="NDTV" /><category term="Guggenheim Abu Dhabi" /><category term="Eli Broad" /><category term="Sujata Bajaj" /><category term="Girish Shahane" /><category term="Ganieve Grewal" /><category term="Shilpa Gupta" /><category term="of Visual Arts" /><category term="Frieze Art Fair" /><category term="Yusuf Arakkal" /><category term="Auction - Calcutta" /><category term="Sara Suleman" /><category term="Dhruva Mistry" /><category term="Anupam Poddar" /><category term="Devi Art Foundation" /><category term="Anish Kapoor" /><category term="Bajaj Capital Art House" /><category term="Gaurvi Sharma" /><category term="Kiran Nadar" /><category term="Arts Trust Online Magazine" /><category term="Artfact" /><category term="Indian Highway" /><category term="Art Market Boom" /><category term="Show -New York" /><category term="Blackstone" /><category term="Artparis-AbuDhabi" /><category term="Legacy Art Mumbai" /><category term="Jamini Roy" /><category term="The $12 Million Stuffed Shark" /><category term="Dr Seema Bawa" /><category term="Ishat Art" /><category term="Smithsonian Institution" /><category term="Paresh Maity" /><category term="Bani Abidi" /><category term="Korean" /><category term="GR Irannam Shanthi Swaroopini" /><category term="Osian’s Connoisseurs of Art" /><category term="Nalini Malani" /><category term="Chatsworth Park" /><category term="Book Review" /><category term="Biju Joze" /><category term="Jyothi Basu" /><category term="Internet" /><category term="Phillips De Pury" /><category term="Nature Morte" /><category term="Rob Dean Art Gallery" /><category term="Art Musings" /><category term="Guardian" /><category term="Erasing Borders 2008" /><category term="Gaurav Singhania" /><category term="Sheila Makhijani" /><category term="Museum of Fine Arts" /><category term="Grégory Picard" /><category term="Yamini Mehta" /><category term="Valuation" /><category term="Ganges Art Gallery." /><category term="Kanishka Raja" /><category term="Sudarshan Shetty" /><category term="India Public Places Private Spaces" /><category term="Book Release" /><category term="Vadehra Bookstore" /><category term="Suhashini Kejriwal" /><category term="Gareth Harris" /><category term="Kalpana Shah" /><category term="Sculpture" /><category term="ARTSingapore 2008" /><category term="Poonam Goel" /><category term="Royalty" /><category term="ArtTactic Survey" /><category term="Tasneem Mehta" /><category term="Philip Hoffman" /><category term="Delip Sharma" /><category term="Somnath Hore" /><category term="AMit Vadehra" /><category term="Amruta Patil" /><category term="Herve Perdriolle" /><category term="Tate" /><category term="Nayanaa Kanodia" /><category term="Neuberger Berman" /><category term="Glenbarra Art Museum" /><category term="Peter Osborne" /><category term="Red Earth" /><category term="Show - Dhaka" /><category term="Lines of Control" /><category term="Aparna Caur" /><category term="Prince Varughese Thomas" /><category term="ARTSingapore 2009" /><category term="Anindita Ghose" /><category term="Art of the Deal" /><category term="Nidhi Jalan" /><category term="Show - Delhi" /><category term="Philadelphia Museum of Art" /><category term="Islamic Art" /><category term="New Media courtesy" /><category term="Matthew Foss" /><category term="Abu Dhabi Art" /><category term="Leap of Faith" /><category term="Elizabeth Flock" /><category term="Fox Business" /><category term="Osian’s Connoisseurs" /><category term="Naiza Khan" /><category term="Viswanadhan" /><category term="Neha Choksi" /><category term="Singapore Showcase" /><category term="Deutsche Bank Collection" /><category term="India Art Summit" /><category term="Yves Saint Laurent" /><category term="Jogen Chowdhury" /><category term="Shoot First Mumble Later" /><category term="Singapore Biennale" /><category term="Photography" /><category term="IAN Forum" /><category term="Ravi Kumar" /><category term="Jitesh Kallat" /><category term="Raqib Shaw" /><category term="Shezad Dawood" /><category term="Indian Art" /><category term="Abani Sen" /><category term="Deen Dayal" /><category term="Prints" /><category term="VS Gaitonde" /><category term="Show - Oslo" /><category term="Tax" /><category term="Maqbool Fida Husain" /><category term="Baiju Parthan" /><category term="iPhone" /><category term="Ram Kumar" /><category term="Pradeep L Mishra" /><category term="artist’s resale right (ARR)" /><category term="Essl Museum" /><category term="Amritha Pillay" /><category term="Daily Telegraph" /><category term="Show - New York" /><category term="Bengal Art" /><category term="Show - Online" /><category term="Jewellery" /><category term="Mystic Inspiration" /><category term="Pratul Dosh" /><category term="AMCI" /><category term="Lalu Prasad Shaw" /><category term="Sadanand Bakre" /><category term="Picasso" /><category term="Dinesh Narayanan" /><category term="National Art Week" /><category term="Manchester Art Gallery" /><category term="Rekha Rodwittiya" /><category term="ET Art Index" /><category term="Surendran Nair" /><category term="Ravi Gossain" /><category term="Saatchi" /><category term="Bombay Art Society" /><category term="AIFACS Gallery" /><category term="Pundole Art Gallery" /><category term="RL Fine Art" /><category term="Sunil Gupta" /><category term="Riddhi Doshi" /><category term="Art Radar Asia" /><category term="Ai Weiwei" /><category term="Rajendra Kapse" /><category term="Sunil Gawde" /><category term="Amit Judge" /><category term="Charles Saatchi" /><category term="The Kings Road Gallery" /><category term="Copal Art Fund" /><category term="Index" /><category term="Uma Nair" /><category term="Indian Art Market Report" /><category term="Palette Art Gallery Delhi" /><category term="Gaganendranath Tagore" /><category term="Ella Datta" /><category term="FICA Emerging Artist Award 2008" /><category term="FN Souza" /><category term="Swapan Parekh" /><category term="Vadehra Art Gallery" /><category term="Mehar Afroz" /><category term="Pakistani Art" /><category term="Lines of Control. The Third Line" /><category term="Dubai" /><category term="Deepak Shahdadpuri" /><category term="Osian's" /><category term="Anna Indumati Bhushan" /><category term="Deccan Herald" /><category term="Galerie Muller Plate" /><category term="Satish Gujral" /><category term="Photoink" /><category term="Castlestone Management" /><category term="Bapu" /><category term="Contemporary Art" /><category term="Bharati Kher" /><category term="Garima Pant" /><category term="La Trobe University Museum of Art" /><category term="Artprice" /><category term="Art Chennai" /><category term="Art Market Monitor" /><category term="Siona Benjamin" /><category term="Indian Art Summit 2008" /><category term="Guardian Weekly" /><category term="Indian Art Summit 2009" /><category term="Pooja Sood" /><category term="Show - Palo Alto" /><category term="Show - Bombay" /><category term="Siraj Saxena" /><category term="Pablo Bartholomew" /><category term="Mint Delhi" /><category term="Song Dong" /><category term="Seven Days In The Art World" /><category term="Alok Bal" /><category term="Ananya Drushya" /><category term="Suhas Roy" /><category term="ArtTactic Indian Art Market Survey" /><category term="Chanel" /><category term="Rajeev Sethi" /><category term="Yash Birla" /><category term="Talwar Gallery" /><category term="Collection of Modern Art Fund" /><category term="Shloka Nath" /><category term="Chintan Upadhay" /><category term="Anu Bajaj" /><category term="Rohini Devasher" /><category term="Lakeeren Gallery" /><category term="Auction - Online" /><category term="Jeram Patel" /><category term="The Bharat Ratna" /><category term="Opus Gallery" /><category term="Threshold Art Gallery" /><category term="Lekha Poddar" /><category term="Puneet Kaushik" /><category term="Don Thomson" /><category term="Gen Next III" /><category term="Art Konsult" /><category term="N. Harsha" /><category term="Mallika Advani" /><category term="Dhoomimal Art Gallery" /><category term="Museum Of Fine Arts Boston" /><category term="FICA" /><category term="Gayatri Sinha" /><category term="Volte" /><category term="Sreenivasan" /><category term="Harmony Art Foundation" /><category term="Sumir Tagra" /><category term="Serigraph" /><category term="Art Trading Fund" /><category term="Show - Dubai" /><category term="John Studzinski" /><category term="Tamarind Gallery" /><category term="Pundole's" /><category term="Janice Pariat" /><category term="Public Places Private Spaces" /><category term="Philippe de Montebello" /><category term="Sotheby's" /><category term="Robin Dean" /><category term="FIAC" /><category term="Rajiv Saini" /><category term="Vivek Vilanini" /><category term="Madhusree Chatterjee" /><category term="Indian Art Market Report 2008" /><category term="Mohini Varma" /><category term="Ajit Khimji" /><category term="TP Premjee" /><category term="Vandana Kalra" /><category term="Laxman Shreshtha" /><category term="Roshini Vadehra" /><category term="Alexander Keefe" /><category term="Freemans Auctioneers" /><category term="Ram Rehman" /><category term="Thomas Erben" /><category term="Tanya Baxter Contemporary" /><category term="Banksy" /><category term="Artist Palette" /><category term="Anthony Blond" /><category term="Bajaj Capital" /><category term="Deepak Talwar" /><category term="Amit Sarup" /><category term="Deeksha Nath" /><category term="New York Times" /><category term="TV Santhosh" /><category term="Škoda Prize" /><category term="Bihar Flood Relief Auction" /><category term="Harry Bellet" /><category term="Paromita Chakrabarti" /><category term="Elmhirst Collection" /><category term="Bijay Anand" /><category term="Sakshi Gallery" /><category term="Bose Pacia" /><category term="Soham Gupta" /><category term="Sarah Douglas" /><category term="Jai Danani" /><category term="Tunty Chauhan" /><category term="Progressives" /><category term="Rajiv Savara" /><category term="Galerie Mirchandani + Steinruecke" /><category term="Chittoprasad" /><category term="SG Vasudev" /><category term="National Gallery of Modern Art" /><category term="Osian Art Fund" /><category term="Richa Bhatia" /><category term="The Daily Beast" /><category term="Etching" /><category term="Madhvi Parekh" /><category term="Art Advisory Services" /><category term="Asia" /><category term="Rare books" /><category term="Abanindranath Tagore" /><category term="Edward Dolman" /><category term="Paribartana Mohanty" /><category term="Auction" /><category term="India Art Collective" /><category term="Shifting Shapes — Unstable Signs" /><category term="Akbar Padamsee" /><category term="Noah Horowitz" /><category term="Art Vault" /><category term="Gallery Alternatives" /><category term="Sydney Biennale" /><category term="Regulation" /><category term="Deepak Tandon" /><category term="Bhavna Kakar" /><category term="Arun Vadehra" /><category term="Marc Ivan OGorman" /><category term="8Q SAM" /><category term="Somnath Hore and Rabindranath Tagore. Representing contemporary artists are Mithu Sen" /><category term="Gautam Thapar" /><category term="Khurshid Alam Salem" /><category term="Tasveer" /><category term="Arts-I" /><category term="Colin Gleadell" /><category term="Lakshana" /><category term="Artdaily" /><category term="Levin Art Group" /><category term="Pratul Dash" /><category term="Rent Art" /><category term="Finalternatives" /><category term="Khoj Live 08" /><category term="Anthea Art Investments" /><category term="Rameshwar Broota" /><category term="Fine Art Fund" /><category term="Nikhil Chopra" /><category term="Financial Express" /><category term="Harmony Show" /><category term="Victor Pinchuk" /><category term="Indian Art Market" /><category term="Camlin" /><category term="Capital Gains" /><category term="Empire Strikes Back" /><category term="Chandigarh Lalit Kala Akademi" /><category term="Art Market Watch" /><category term="Bose Krishnamachari" /><category term="Indian Art News" /><category term="Cymroza Art Gallery" /><category term="Sangeeta Ahuja" /><category term="Samanta Batra Mehta" /><category term="Amrita Sher Gil" /><category term="Francois Curiel" /><category term="ArtTactic" /><category term="Cate McQuaid" /><category term="Angeli Sowani" /><title>Indian Art News</title><subtitle type="html">News &amp;amp; views on the Indian modern and contemporary art market.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.indianartnews.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.indianartnews.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>2857</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/IndianArtNews" /><feedburner:info uri="indianartnews" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;A0MGQn0ycSp7ImA9WhRVGEw.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4615556015175828922</id><published>2012-01-17T16:46:00.003Z</published><updated>2012-01-17T16:57:03.399Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-17T16:57:03.399Z</app:edited><title>Kiran Chandra at Shrine Empire</title><summary>fields of grass...a mountain a cascading ‘charpai’blue skiesa man’s turban becomes his shroudThese are the elements which make up the installation in the space of Shrine Empire Gallery, Delhi. The gallery loses it’s pristine white walls and becomes an immersive environment where there is soil under your feet, the bluest of skies above and green fields around. In viewing the work, rhythms surface </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4615556015175828922/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4615556015175828922" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4615556015175828922?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4615556015175828922?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/297hkjFmRGQ/kiran-chandra-at-shrine-empire.html" title="Kiran Chandra at Shrine Empire" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-_shIQOjB0pY/TxWl-7H2FxI/AAAAAAAADJs/ajn18G4h0l0/s72-c/Video%2Bstill%2B3%2Bby%2BKiran%2BChandra.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2012/01/kiran-chandra-at-shrine-empire.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08MQXo5fip7ImA9WhRVFEo.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-806907389069695027</id><published>2012-01-13T18:36:00.001Z</published><updated>2012-01-13T18:38:00.426Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-13T18:38:00.426Z</app:edited><title>Art, architecture and the academy</title><summary>                                ART, ARCHITECTURE AND THE ACADEMY</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/806907389069695027/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=806907389069695027" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/806907389069695027?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/806907389069695027?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/qQ5jsgjyEIY/art-architecture-and-academy.html" title="Art, architecture and the academy" /><author><name>The Art Highwayman</name><uri>http://www.blogger.com/profile/13218033690385362250</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2012/01/art-architecture-and-academy.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEACQHk7eyp7ImA9WhRVFEo.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4087372513145131237</id><published>2012-01-13T16:35:00.000Z</published><updated>2012-01-13T16:39:21.703Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-13T16:39:21.703Z</app:edited><title>http://blogs.reuters.com/felix-salmon/2012/01/13/art-market-datapoints-of-the-day-china-edition/</title><summary>Art market datapoints of the day, China editionPosted: Fri, 13 Jan 2012 14:20:15 +0000I suspect we’re still only in its early days, but there’s no doubt that we’re in a massive Chinese-art bubble right now. And for proof, all you need to do is look at the league table of the highest-grossing artists of 2011.If you look at the artists who made the most money at auction in any given year, it’s </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4087372513145131237/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4087372513145131237" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4087372513145131237?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4087372513145131237?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/F3es2efJUqQ/httpblogsreuterscomfelix.html" title="http://blogs.reuters.com/felix-salmon/2012/01/13/art-market-datapoints-of-the-day-china-edition/" /><author><name>The Art Highwayman</name><uri>http://www.blogger.com/profile/13218033690385362250</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2012/01/httpblogsreuterscomfelix.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0QERnk_fSp7ImA9WhRWEU0.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-7631124036721523653</id><published>2011-12-25T21:32:00.013Z</published><updated>2011-12-28T21:55:07.745Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-28T21:55:07.745Z</app:edited><title>PAINTER VINOD DAVE AWARDED THE 2011 GOTTLIEB FELLOWSHIP</title><summary>Visual artist Vinod Dave has been awarded the 2011 Gottlieb Fellowship of the Adolph &amp; Esther Gottlieb Foundation Individual Artist’s Fellowship Program. Also a recipient of numerous other prestigious awards, like Rockefeller 3rd Fund, Pollock-Krasner and NYFA to name a few, in the past, Vinod has been practicing visual art in a wide variety of mediums and has exhibited internationally including </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/7631124036721523653/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=7631124036721523653" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/7631124036721523653?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/7631124036721523653?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/4GxIUXdzAnw/painter-vinod-dave-awarded-2011.html" title="PAINTER VINOD DAVE AWARDED THE 2011 GOTTLIEB FELLOWSHIP" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-K4dfpp396Yk/TveeG9_So4I/AAAAAAAADIk/Bp6otCI9i04/s72-c/4941227_f520.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/painter-vinod-dave-awarded-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEUCQnc-fSp7ImA9WhRQGEU.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-219515583116795329</id><published>2011-12-14T17:02:00.003Z</published><updated>2011-12-14T17:04:23.955Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-14T17:04:23.955Z</app:edited><title>And the falchion passed through his neck</title><summary>Latitude 28 presents And the falchion passed through his neck - a group show curated by Jasmine Wahi featuring works by Anjali Bhargava, Chitra Ganesh, Divya Mehra, Hamra Abbas, Samira Abbassy, Shweta Bhattad and Sangeeta Sandrasegar who explore feminism in their works at Latitude 28, F 208, G/F, Lado Sarai, New Delhi from Dec 14, 2011 till January 15, 2012. 11 a.m. to 7 p.m. Phone: 011-</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/219515583116795329/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=219515583116795329" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/219515583116795329?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/219515583116795329?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/b_uAf2YGHvY/and-falchion-passed-through-his-neck.html" title="And the falchion passed through his neck" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-52pSJDDKr9w/TujW1CGzrpI/AAAAAAAACr4/xOx7KY5Ep9k/s72-c/Contented%2Bby%2BAnjali%2BBhargava.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/and-falchion-passed-through-his-neck.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk8MRHY9fyp7ImA9WhRQFks.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-7635370910078083075</id><published>2011-12-12T04:39:00.001Z</published><updated>2011-12-12T04:41:25.867Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-12T04:41:25.867Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mario de Miranda" /><title>His sharp wit never needed a punchline by Vivek Menezes</title><summary>Source: LivemintAlmost until the very end, he was still in full creative flow: turning out inimitable, zesty drawings to burgeon a genuinely monumental legacy that began with a saucy can-can scene commissioned by Dosoo Karaka for The Current in 1953Panaji, Goa: One of India’s most influential artistic lives of the 20th century came to an end in Loutolim, Goa, on Sunday, when Mario de Miranda died</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/7635370910078083075/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=7635370910078083075" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/7635370910078083075?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/7635370910078083075?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/UNmzFP9XT8E/his-sharp-wit-never-needed-punchline-by.html" title="His sharp wit never needed a punchline by Vivek Menezes" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/his-sharp-wit-never-needed-punchline-by.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkINRH09cSp7ImA9WhRQFks.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4322961125867917735</id><published>2011-12-12T04:32:00.002Z</published><updated>2011-12-12T04:36:35.369Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-12T04:36:35.369Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="VS Gaitonde" /><category scheme="http://www.blogger.com/atom/ns#" term="India Today" /><category scheme="http://www.blogger.com/atom/ns#" term="FN Souza" /><category scheme="http://www.blogger.com/atom/ns#" term="MF Husain" /><title>We have a long way to go in art by PAVAN K. VARMA</title><summary>Source: India TodayIn 2008, 11 of the world's 20 top-selling artists were Chinese.I was last week in Delhi for the launch of a book on 5,000 years of Indian art. As is the style of Pramod Kapoor and Roli Books, the book is lavishly produced, with countless glossy illustrations, and an informative text by the well- known art historian Sushma Bahl.Karan Singh, with his usual eloquence, unveiled the</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4322961125867917735/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4322961125867917735" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4322961125867917735?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4322961125867917735?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/xVAp_bYyDuI/we-have-long-way-to-go-in-art-by-pavan.html" title="We have a long way to go in art by PAVAN K. VARMA" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/we-have-long-way-to-go-in-art-by-pavan.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEEMQno8eSp7ImA9WhRQFk4.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-5432038636408630410</id><published>2011-12-11T20:48:00.002Z</published><updated>2011-12-11T20:51:23.471Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-11T20:51:23.471Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Vandana Kalra" /><category scheme="http://www.blogger.com/atom/ns#" term="Neville Tuli" /><category scheme="http://www.blogger.com/atom/ns#" term="Indian Express" /><category scheme="http://www.blogger.com/atom/ns#" term="Osian's Art Fund" /><category scheme="http://www.blogger.com/atom/ns#" term="Osian's" /><title>The Travelling Hammer by Vandana Kalra</title><summary>Source: Indian ExpressThe last two years have not been the best for Osian’s, but the founder and chairman of the art organisation, Neville Tuli, is hopeful that 2012 will be more fruitful. After his Rs 102.4 crore art fund collapsed in 2009, plunging him into enormous debt, Tuli intends to put behind the past and be, once again, a forerunner in the art mart. “The Osian’s art fund will soon be </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/5432038636408630410/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=5432038636408630410" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/5432038636408630410?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/5432038636408630410?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/OCaD-Bn-4W4/travelling-hammer-by-vandana-kalra.html" title="The Travelling Hammer by Vandana Kalra" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/travelling-hammer-by-vandana-kalra.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEAEQH06eCp7ImA9WhRQFk4.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4765425445342533251</id><published>2011-12-11T03:07:00.006Z</published><updated>2011-12-11T19:45:01.310Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-11T19:45:01.310Z</app:edited><title>The Graphic Goddess</title><summary>Mother Victory, mixed-media on paper by Vinod DaveMahiṣāsuramardinī in the Modern Art WorldbyCALEB SIMMONS ModernArtAsiaThis paper examines six artists who have created Mahiṣāsuramardinī, images of the goddessDurgā slaying the buffalo-demon, including Maqbool Fida Husain, Bikash Bhattacharya, Tyeb Mehta, Vinod Dave, Roberto Custodio, and Arjuna. The paper focuses on the issues that arise when a </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4765425445342533251/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4765425445342533251" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4765425445342533251?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4765425445342533251?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/58dGP9xDYBM/graphic-goddess.html" title="The Graphic Goddess" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-xWBFFRLhHIQ/TuQej0ddoNI/AAAAAAAACrs/YR4PBROatvY/s72-c/l_bb24e8a62ae33c84ad7ddd3dfd647875.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/graphic-goddess.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUMFR30ycSp7ImA9WhRQE08.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4893623622193755445</id><published>2011-12-08T05:48:00.001Z</published><updated>2011-12-08T05:50:16.399Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-08T05:50:16.399Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saffronart" /><category scheme="http://www.blogger.com/atom/ns#" term="Art Radar Asia" /><category scheme="http://www.blogger.com/atom/ns#" term="India Art Collective" /><category scheme="http://www.blogger.com/atom/ns#" term="Internet" /><title>India Art Collective versus VIP Art Fair: Internet fair compare</title><summary>Source: Art Radar AsiaThe first India Art Collective online art fair, held from to 19 to 26 November 2011, has drawn to a close. Art Radar reviews the successes and the pitfalls of selling art online while also looking at how this newer initiative compares to 2011′s VIP Art Fair.Abhishek Hazra, 'The laws change after every seven feet thereby forcing you to pause and adapt yourself to the new laws</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4893623622193755445/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4893623622193755445" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4893623622193755445?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4893623622193755445?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/BPBvh2Bm2X8/india-art-collective-versus-vip-art.html" title="India Art Collective versus VIP Art Fair: Internet fair compare" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/india-art-collective-versus-vip-art.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEMCRXg8cSp7ImA9WhRQE0w.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-5731102850458681356</id><published>2011-12-08T03:48:00.002Z</published><updated>2011-12-08T03:54:24.679Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-08T03:54:24.679Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Osianama" /><category scheme="http://www.blogger.com/atom/ns#" term="Neville Tuli" /><category scheme="http://www.blogger.com/atom/ns#" term="Osian's Art Fund" /><title>Osian Art Fund failure: Mr Tuli’s version</title><summary>DS Comment: Unbelievable that any asset manager would even take these sort of risks with any type of illiquid assets with no dynamic market. Source: MoneylifeNeville Tuli, chief advisor of the fund, explained that many buyers, who had promised to buy art at preset prices in 2007-08 refused to pay those prices in 2009 when redemption demanded it. Besides, banks also refused to led to the fund, </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/5731102850458681356/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=5731102850458681356" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/5731102850458681356?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/5731102850458681356?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/nqa9irhW9Xk/osian-art-fund-failure-mr-tulis-version.html" title="Osian Art Fund failure: Mr Tuli’s version" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/osian-art-fund-failure-mr-tulis-version.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUEQH0zcSp7ImA9WhRQEUw.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-2107650122103448258</id><published>2011-12-05T19:41:00.000Z</published><updated>2011-12-05T19:43:21.389Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-05T19:43:21.389Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Neville Tuli" /><category scheme="http://www.blogger.com/atom/ns#" term="Jashn Osianama" /><category scheme="http://www.blogger.com/atom/ns#" term="Osian Art Fund" /><category scheme="http://www.blogger.com/atom/ns#" term="Moneylife" /><category scheme="http://www.blogger.com/atom/ns#" term="Osian's" /><title>5 Dec 2011: Osian’s resurfaces, but creditors remain unpaid</title><summary>Source: MoneylifeNeville Tuli, chief advisor of Osian Art Fund has been evading questions regarding payments to creditors and unit-holders despite notices from SEBIOsian’s Art Fund is back with a new website. And this time it plans to hold an auction on 15th December in Delhi. It has also announced that its dream project, Osianama, will be completed next year. These announcements have irked many </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/2107650122103448258/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=2107650122103448258" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2107650122103448258?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2107650122103448258?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/w5ONshIIY38/5-dec-2011-osians-resurfaces-but.html" title="5 Dec 2011: Osian’s resurfaces, but creditors remain unpaid" /><author><name>Deepak I. Shahdadpuri</name><uri>http://www.blogger.com/profile/03462830679486981221</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="30" height="32" src="http://bp0.blogger.com/_WoWSPPR2XSU/RZwgjSc9wRI/AAAAAAAAAA0/Cn90KGg7eec/s320/dis1.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/12/5-dec-2011-osians-resurfaces-but.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkIAQ347cSp7ImA9WhRRFko.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-8882086578771788416</id><published>2011-11-30T17:30:00.003Z</published><updated>2011-11-30T17:35:42.009Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-30T17:35:42.009Z</app:edited><title>ART WORLD'S 100 POWER 2011</title><summary>Click  HERE for Slide Show</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/8882086578771788416/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=8882086578771788416" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/8882086578771788416?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/8882086578771788416?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/BSrTWOOFd6M/art-worlds-100-power-2011.html" title="ART WORLD'S 100 POWER 2011" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Fh8gvDzZVlM/TtZo-pOWPOI/AAAAAAAACrI/10voUNHBJBw/s72-c/Power2011crop.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/art-worlds-100-power-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D04NQHY-fyp7ImA9WhRREUg.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-911861361331117024</id><published>2011-11-24T17:31:00.002Z</published><updated>2011-11-24T17:33:11.857Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-24T17:33:11.857Z</app:edited><title>Anupam  Sud</title><summary>Latitude 28 presents Anupam Sud’s solo showAt F-208, Old MB Road, Lado Sarai, New Delhi, 11.m. to 7 p.m.,from November 25 till December 9, 2011.One indirect consequence of the valorization of the exhibition worthy, finished artwork is that the viewing audience rarely gets to see the ideational phase of an artist’s working method; the tentative visual probing (which often takes months) before an </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/911861361331117024/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=911861361331117024" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/911861361331117024?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/911861361331117024?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/vIpwaYQkTcs/anupam-sud.html" title="Anupam  Sud" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-HedE6J8_-qM/Ts5_s4WWsQI/AAAAAAAACqw/q5GRa-6luAQ/s72-c/Anupam%2BSud%252C%2BIbadat%252C%2B5.25%2Bx%2B8%2Binches%252C%2Bmixed%2Bmedia%2Bon%2Bpaper.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/anupam-sud.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C04HSXg6cSp7ImA9WhRSGUU.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-327944990937151177</id><published>2011-11-22T17:10:00.002Z</published><updated>2011-11-22T17:12:18.619Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-22T17:12:18.619Z</app:edited><title>Certificates of Authenticity</title><summary>New Delhi: KHOJ International Artists’ Association presents In Deed: Certificates of Authenticity in Art, a travelling exhibition curated by Susan Hapgood and Cornelia Lauf, that is accompanied by a fully-illustrated catalogue with texts by the curators Lorenzo Benedetti, Martha Buskirk, and Daniel McClean, till December 16, 2011 at  Khoj Studios, S-17, Khirkee Extension, New Delhi. There will </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/327944990937151177/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=327944990937151177" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/327944990937151177?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/327944990937151177?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/8AdJhCQuCmU/certificates-of-authenticity.html" title="Certificates of Authenticity" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-F7xCfZ9bxOA/TsvXpVfchWI/AAAAAAAACqk/H3cqNygOULA/s72-c/Piero%2BManzoni.Jpeg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/certificates-of-authenticity.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk8EQ3o_fCp7ImA9WhRSFEs.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-734557246577671175</id><published>2011-11-16T17:26:00.002Z</published><updated>2011-11-16T17:33:22.444Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-16T17:33:22.444Z</app:edited><title>Is India Becoming the World's Hub for Internet Art Commerce?</title><summary>Shane Ferro for ArtInfoIndia is a country of 1.2 billion people, and though the percentage of those people in the middle and upper classes is small, it's growing quickly. Now, a new group of art-minded investors is trying to lure some of that wealth toward the art market in India, via an Internet-based art fair, the India Art Collective. While many of India's newly wealthy are comfortable with </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/734557246577671175/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=734557246577671175" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/734557246577671175?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/734557246577671175?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/fmG--ZXPbuY/is-india-becoming-worlds-hub-for.html" title="Is India Becoming the World's Hub for Internet Art Commerce?" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-QbkoRVw5qi0/TsPyvbJH17I/AAAAAAAACqA/WLK8eUFea7U/s72-c/Paresh-Maity%252C-Oil-on-canvas.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/is-india-becoming-worlds-hub-for.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkQGRXo4cSp7ImA9WhRTGUk.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-2224235258352771144</id><published>2011-11-10T16:56:00.001Z</published><updated>2011-11-10T16:58:44.439Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-10T16:58:44.439Z</app:edited><title>Revisiting the Popular</title><summary>Kanchan Chander is exhibiting a new body of work titled Revisiting The Popular at Art Positive, New Delhi from November 10 till December 03, 2011. Curated by Sushma Bahl, the show will include over sixty works including paintings on canvas and paper, mixed media works on inkjet and archival paper and sculptures.Mixed media – paper cuttings, sequins, swarovski, laces, appliqués, bindis, stickers, </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/2224235258352771144/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=2224235258352771144" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2224235258352771144?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2224235258352771144?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/SC9Onj4ta9w/revisiting-popular.html" title="Revisiting the Popular" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-PCL6l7FxTFs/TrwCiBzXYqI/AAAAAAAACo4/j0Ys6t4rzV0/s72-c/Frida%2B%2526%2BMe%2B-2.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/revisiting-popular.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMDSH05cSp7ImA9WhRTFUk.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-6740411859369422935</id><published>2011-11-06T02:42:00.001Z</published><updated>2011-11-06T02:44:39.329Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-06T02:44:39.329Z</app:edited><title>Yamuna as the Muse</title><summary>New Delhi: As part of “Germany and India 2011-2012: Infinite Opportunities”, the City of Hamburg along with Goethe-Institut / Max Mueller Bhavan New Delhi, and with the Govt. of NCT of Delhi, presents Yamuna – Elbe: Public.Art.Outreach project that will be held in the cities of Delhi and Hamburg. In Delhi, The Yamuna-Elbe art project will be held from November 9 till November 23, 2011 on site at </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/6740411859369422935/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=6740411859369422935" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6740411859369422935?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6740411859369422935?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/1Jgp1OdpzP8/yamuna-as-muse.html" title="Yamuna as the Muse" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-4BrA72OUv70/TrX0hYk7nhI/AAAAAAAACog/WOyf8uqy6to/s72-c/From%2Ba%2Btwelve%2Bpart%2Bseries%2Bof%2Ba%2BPhotoperformance%2Bon%2Bthe%2Briver%2BElbe%2Bin%2BHamburg%2B-%2B%2528What%2BWill%2Bbe%2BMy%2BDefeat%2529by%2BAtul%2BBhalla2.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/yamuna-as-muse.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0ENRHoyeyp7ImA9WhRTE08.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-499029854906335782</id><published>2011-11-03T13:06:00.002Z</published><updated>2011-11-03T13:08:15.493Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-03T13:08:15.493Z</app:edited><title>Khoj Fundraiser</title><summary>New Delhi: Forty leading contemporary artists from across India and South Asia have donated artworks for a unique fundraiser event by and for Khoj International Artists Association in New Delhi on November 6, 2011 at Gallery Nature Morte, Neeti Bagh, New Delhi from 5 p.m. onwards.Khoj is a non-profit art space which was founded fourteen years ago by a core group of artists and since then Khoj has</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/499029854906335782/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=499029854906335782" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/499029854906335782?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/499029854906335782?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/FtnS6WNj-OA/khoj-fundraiser.html" title="Khoj Fundraiser" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ujxuzKYq5gk/TrKSGyp-69I/AAAAAAAACn8/BsDBdLdCsoU/s72-c/Manu%2BParekh%2B%2528drawing%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/11/khoj-fundraiser.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUIDRXYycCp7ImA9WhdaFk4.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-3357375137816595025</id><published>2011-10-26T13:58:00.003Z</published><updated>2011-10-26T13:59:34.898Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-26T13:59:34.898Z</app:edited><title>Tibetan Artist Transports Twenty Tonnes of soil from Tibet to India</title><summary>Dharamshala: - The Tibetan contemporary artist Tenzing Rigdol has transported 20,000 kg of soil from Tibet to Dharamshala, northern India, to build a site-specific installation.Constructed as a raised platform, the installation Our People, Our Land allows people to stand and walk on Tibetan soil. A microphone is also provided for visitors to express their feelings.The work’s design was inspired </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/3357375137816595025/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=3357375137816595025" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/3357375137816595025?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/3357375137816595025?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/0Acj7nrC-2I/tibetan-artist-transports-twenty-tonnes.html" title="Tibetan Artist Transports Twenty Tonnes of soil from Tibet to India" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Clsm5FEq1FA/TqgSNTpQV6I/AAAAAAAACnk/_ejEVmNb0Tk/s72-c/26thoctobet2011-tibet-art.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/10/tibetan-artist-transports-twenty-tonnes.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUAFQnY9cCp7ImA9WhdaEkQ.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-6795609602310022698</id><published>2011-10-22T15:32:00.001Z</published><updated>2011-10-22T15:35:13.868Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-22T15:35:13.868Z</app:edited><title>AUGMENTING PRACTICES</title><summary>New Delhi: India Foundation for the Arts and KHOJ International Artists’ Association present AUGMENTING PRACTICES – three exhibitions curated by Rattanamol Singh Johal, Akansha Rastogi and Dr. Leon Tan, from November 3rd 2011 till November 10, 2011 at the KHOJ Studios, S-17, Khirkee Extension, New Delhi.This is the second program in a series of projects that KHOJ has undertaken as the nodal </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/6795609602310022698/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=6795609602310022698" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6795609602310022698?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6795609602310022698?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/BtdKX0MK6zs/augmenting-practices.html" title="AUGMENTING PRACTICES" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-eFR9d2Sgpzk/TqLiowRwaLI/AAAAAAAACnA/eb9lI2UvyRQ/s72-c/Rattan%2B-%2BStill%2Bfrom%2BSomething%2BLike%2BA%2BWar%2B%25281%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/10/augmenting-practices.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YBSHg6fCp7ImA9WhdbFEk.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-8872303003923385436</id><published>2011-10-12T17:36:00.002Z</published><updated>2011-10-12T17:39:19.614Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-12T17:39:19.614Z</app:edited><title>IN YOU IS THE ILLUSION OF EACH DAY</title><summary>Latitude 28 presents a group show titled “IN YOU IS THE ILLUSION OF EACH DAY”, which draws its title and thematics from a poem by Pablo Neruda, who understood our deep human need to feel intimately and inextricably connected to the world outside of each of us. Featuring new works by Dilip Chobisa, Neha Choksi, Han Bing, Pooja Iranna, Ranbir Kaleka, Malekeh Nayiny, Raqs Media Collective, Niyeti </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/8872303003923385436/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=8872303003923385436" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/8872303003923385436?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/8872303003923385436?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/wRwd0-r62fc/in-you-is-illusion-of-each-day.html" title="IN YOU IS THE ILLUSION OF EACH DAY" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ppeJC8Nyeis/TpXQgWlOqkI/AAAAAAAACmo/CzHQsadkQyM/s72-c/Everything%2Bis%2Bnot%2Bstraight%2Bby%2BPooja%2BIranna.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/10/in-you-is-illusion-of-each-day.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkIBQnw6eyp7ImA9WhdbFEk.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-2334201047771147274</id><published>2011-10-12T17:25:00.001Z</published><updated>2011-10-12T17:29:13.213Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-12T17:29:13.213Z</app:edited><title>Moods of Devotion</title><summary>Art Positive, a unit of Bajaj Capital Art House, hosts the sixth edition of its annual art show – titled ‘Devotion-Invocation’ - a group exhibition by 40 artists who explore the theme of devotion in a contemporary context, offering the viewers an aesthetic panorama of expressions that resonate around concepts ranging from the physical to the spiritual. Curated by Sushma Bahl, the exhibition will </summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/2334201047771147274/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=2334201047771147274" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2334201047771147274?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/2334201047771147274?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/hOytnI74Tbs/art-positive-unit-of-bajaj-capital-art.html" title="Moods of Devotion" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-wPWBOWwQBbg/TpXOOyyjk1I/AAAAAAAACmE/hGq5Rr6i86Y/s72-c/Seema%2BKohli%2B2.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/10/art-positive-unit-of-bajaj-capital-art.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0MFQHg_cSp7ImA9WhdUGE8.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-6221383688026757</id><published>2011-10-05T13:22:00.004Z</published><updated>2011-10-05T13:30:11.649Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-05T13:30:11.649Z</app:edited><title>City, Kaavad &amp; Other Works</title><summary>A solo exhibition by Gulammohammed Sheikh, his first in New Delhi since 2001, this major exhibition includes a number of works that are being exhibited for the first time in India, in addition to recent works. @ Rabindra Bhavan, 12-31 October, 2011.The show features Sheikh’s seminal piece Kaavad: Home, which premiered at the exhibition ‘Chalo India: A New Era of Indian Art’ at the Mori Art Museum</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/6221383688026757/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=6221383688026757" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6221383688026757?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/6221383688026757?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/aPhJQT5jqpI/city-kaavad-other-works.html" title="City, Kaavad &amp; Other Works" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-m7aUkZG6brg/ToxaI5X3NTI/AAAAAAAACl0/kj_U8rRJBIY/s72-c/gms_final_1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/10/city-kaavad-other-works.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEIBRno9eyp7ImA9WhdUEEk.&quot;"><id>tag:blogger.com,1999:blog-6805156243424383814.post-4452033346875438906</id><published>2011-09-26T14:13:00.001Z</published><updated>2011-09-26T14:15:57.463Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-26T14:15:57.463Z</app:edited><title>Intimate Architectures</title><summary>New Delhi: Khoj Studios presents Intimate Architectures: Materials at Play - a show of art works exploring the relationship between material and space by Gabi Schillig (Germany) and Masooma Syed (Pakistan/India) that have been created during a month long residency at Khoj Studios. The work will be displayed at Khoj Studios, S-17, Khirkee Extension, New Delhi from September 28 till October 8, 2011</summary><link rel="replies" type="application/atom+xml" href="http://www.indianartnews.com/feeds/4452033346875438906/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=6805156243424383814&amp;postID=4452033346875438906" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4452033346875438906?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6805156243424383814/posts/default/4452033346875438906?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/IndianArtNews/~3/3qtbHAbs8jc/intimate-architectures.html" title="Intimate Architectures" /><author><name>spiritualpanther</name><uri>http://www.blogger.com/profile/00850109157304640773</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="25" height="32" src="http://2.bp.blogspot.com/_qUSAN8iN1xA/SyGuLWxZlhI/AAAAAAAABag/_sRhilfQLDc/S220/untitled+copy.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-vowiBnSvgVY/ToCJA-LZGrI/AAAAAAAAClk/4CkxRQheCsM/s72-c/One%2Bof%2BGabis%2527s%2Bearlier%2Binteractive%2Bcloth%2Binstallations.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.indianartnews.com/2011/09/intimate-architectures.html</feedburner:origLink></entry></feed>

