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	<title>My music Archives</title>
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	<description>an exclusive Classical Music e-Magazine</description>
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		<title>Night Sounds: Tamayo Ikeda: Fauré and Chopin: Le Nocturne</title>
		<link>https://interlude.hk/night-sounds-tamayo-ikeda-faure-and-chopin-le-nocturne/</link>
					<comments>https://interlude.hk/night-sounds-tamayo-ikeda-faure-and-chopin-le-nocturne/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 17 Nov 2024 16:20:10 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Faure]]></category>
		<category><![CDATA[Chopin]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=132407</guid>

					<description><![CDATA[<p>Inspired by night, the Nocturne first came into our musical language in the 18th century, but the idea of a night-time work comes from the ancient church, where ‘nocturn’ was the last of the seven prayers of the day. Held</p>
<p>The post <a href="https://interlude.hk/night-sounds-tamayo-ikeda-faure-and-chopin-le-nocturne/">Night Sounds: Tamayo Ikeda: &lt;em&gt;Fauré and Chopin: Le Nocturne&lt;/em&gt;</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>In Love With the Bard: Vaughan Williams’ Stratford Works</title>
		<link>https://interlude.hk/in-love-with-the-bard-vaughan-williams-stratford-works/</link>
					<comments>https://interlude.hk/in-love-with-the-bard-vaughan-williams-stratford-works/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 03 Nov 2024 16:06:57 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Vaughan Williams]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=131481</guid>

					<description><![CDATA[<p>For the summer season in 1912 and for three weeks in the Spring of 1913, Ralph Vaughan Williams was invited to Stratford-upon-Avon to compose incidental music and conduct for the Shakespeare productions. Vaughan Williams was invited by Sir Frank Benson,</p>
<p>The post <a href="https://interlude.hk/in-love-with-the-bard-vaughan-williams-stratford-works/">In Love With the Bard: Vaughan Williams’ Stratford Works</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Tension and Anger: The Quartet Music of Paul Henley</title>
		<link>https://interlude.hk/tension-and-anger-the-quartet-music-of-paul-henley/</link>
					<comments>https://interlude.hk/tension-and-anger-the-quartet-music-of-paul-henley/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 27 Oct 2024 16:05:52 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=131959</guid>

					<description><![CDATA[<p>A new recording on Ulysses Arts of the string quartets of British composer Paul Henley’s String Quartets Nos. 1 and 2 is a far cry from Goethe’s imaginary discussion between 4 intelligent people. This isn’t a rational discussion but rather</p>
<p>The post <a href="https://interlude.hk/tension-and-anger-the-quartet-music-of-paul-henley/">Tension and Anger: The Quartet Music of Paul Henley</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Searching for a Button, Searching for Life: George Benjamin’s Picture a Day Like This</title>
		<link>https://interlude.hk/searching-for-a-button-searching-for-life-george-benjamins-picture-a-day-like-this/</link>
					<comments>https://interlude.hk/searching-for-a-button-searching-for-life-george-benjamins-picture-a-day-like-this/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 13 Oct 2024 16:35:35 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=131491</guid>

					<description><![CDATA[<p>English composer George Benjamin (b. 1960) started working with British playwright Martin Crimp (b.1956) in 2006, resulting in four operas: Into the Little Hill (2006), Written on Skin (2012), Lessons in Love and Violence (2018), and Picture a Day Like</p>
<p>The post <a href="https://interlude.hk/searching-for-a-button-searching-for-life-george-benjamins-picture-a-day-like-this/">Searching for a Button, Searching for Life: George Benjamin’s &lt;em&gt;Picture a Day Like This&lt;/em&gt;</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Grigory Sokolov’s Purcell and Mozart</title>
		<link>https://interlude.hk/finding-an-audience-grigory-sokolovs-purcell-and-mozart/</link>
					<comments>https://interlude.hk/finding-an-audience-grigory-sokolovs-purcell-and-mozart/#comments</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 08 Sep 2024 16:44:37 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=130718</guid>

					<description><![CDATA[<p>In his new 2-CD recording for Deutsche Grammophon, pianist Grigory Sokolov (b. 1950) gives a very thoughtful recording of two musical giants who rarely appear on the same program together: Henry Purcell and Mozart. Better known in Europe than in</p>
<p>The post <a href="https://interlude.hk/finding-an-audience-grigory-sokolovs-purcell-and-mozart/">Grigory Sokolov’s &lt;em&gt;Purcell and Mozart&lt;/em&gt;</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
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		<title>Darkness and Light: Tchaikovsky’s Symphony No. 5</title>
		<link>https://interlude.hk/darkness-and-light-tchaikovskys-symphony-no-5/</link>
					<comments>https://interlude.hk/darkness-and-light-tchaikovskys-symphony-no-5/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 01 Sep 2024 16:00:25 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Tchaikovsky]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=130605</guid>

					<description><![CDATA[<p>The music of Pyotr Ilyich Tchaikovsky (1840–1893) has come in and out of favour over the decades – listeners love his ability to tell stories in music. Then they tire of what seems to be the superficial aspects of his</p>
<p>The post <a href="https://interlude.hk/darkness-and-light-tchaikovskys-symphony-no-5/">Darkness and Light: Tchaikovsky’s Symphony No. 5</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>The Oldest Epic: Robert Saxton’s Scenes from the Epic of Gilgamesh</title>
		<link>https://interlude.hk/the-oldest-epic-robert-saxtons-scenes-from-the-epic-of-gilgamesh/</link>
					<comments>https://interlude.hk/the-oldest-epic-robert-saxtons-scenes-from-the-epic-of-gilgamesh/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 28 Jul 2024 16:58:32 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Saxton]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=129278</guid>

					<description><![CDATA[<p>The Epic of Gilgamesh comes from the civilization of ancient Mesopotamia. The story has come down to us in a set of tablets written in cuneiform from ca 2100–1200 BC. There are two major versions: the Old Babylonian, of which</p>
<p>The post <a href="https://interlude.hk/the-oldest-epic-robert-saxtons-scenes-from-the-epic-of-gilgamesh/">The Oldest Epic: Robert Saxton’s &lt;em&gt;Scenes from the Epic of Gilgamesh&lt;/em&gt;</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Fit to Commemorate a Queen: Stanford’s Te Deum</title>
		<link>https://interlude.hk/fit-to-commemorate-a-queen-stanfords-te-deum/</link>
					<comments>https://interlude.hk/fit-to-commemorate-a-queen-stanfords-te-deum/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 21 Jul 2024 16:05:33 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Standford]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=129274</guid>

					<description><![CDATA[<p>Written for the Leeds Festival and given its premiere on 6 October 1898, the Te Deum by Charles Villiers Stanford (1852–1924) brought opera to the English choral tradition. Written to commemorate the 60th anniversary of the accession to the throne</p>
<p>The post <a href="https://interlude.hk/fit-to-commemorate-a-queen-stanfords-te-deum/">Fit to Commemorate a Queen: Stanford’s Te Deum</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Death Goes Modern: Bruce Leto, Jr.’s Mood Poems</title>
		<link>https://interlude.hk/death-goes-modern-bruce-leto-jr-s-mood-poems/</link>
					<comments>https://interlude.hk/death-goes-modern-bruce-leto-jr-s-mood-poems/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 07 Jul 2024 16:01:35 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=129256</guid>

					<description><![CDATA[<p>American pianist Bruce Leto, Jr., took inspiration from his teacher at Haverford College, Curtis Cacioppo in creating his first album, Mood Poems. In working with Cacioppo, Leto says he was able to not only improve his musicality but also how</p>
<p>The post <a href="https://interlude.hk/death-goes-modern-bruce-leto-jr-s-mood-poems/">Death Goes Modern: Bruce Leto, Jr.’s &lt;em&gt;Mood Poems&lt;/em&gt;</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
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		<title>Orchestral Minimalism: Joe Hisaishi as Symphonist</title>
		<link>https://interlude.hk/orchestral-minimalism-joe-hisaishi-as-symphonist/</link>
					<comments>https://interlude.hk/orchestral-minimalism-joe-hisaishi-as-symphonist/#respond</comments>
		
		<dc:creator><![CDATA[Eliza]]></dc:creator>
		<pubDate>Sun, 30 Jun 2024 16:24:28 +0000</pubDate>
				<category><![CDATA[My music]]></category>
		<category><![CDATA[Music Of The Week]]></category>
		<category><![CDATA[Hisaishi]]></category>
		<guid isPermaLink="false">https://interlude.hk/?p=129249</guid>

					<description><![CDATA[<p>Mamoru Fujisawa (b. 1950), known professionally as Joe Hisaishi, is best known for his film work, having composed the scores for most of the animations created by Hayao Miyazaki and Studio Ghibli, including Laputa: Castle in the Sky (1986), My</p>
<p>The post <a href="https://interlude.hk/orchestral-minimalism-joe-hisaishi-as-symphonist/">Orchestral Minimalism: Joe Hisaishi as Symphonist</a> appeared first on <a href="https://interlude.hk"></a>.</p>
]]></description>
		
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