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<channel>
	<title>International Youth Theater Network</title>
	<link>http://www.iytn.org</link>
	<description>Web-based resource for youth theaters everywhere</description>
	<pubDate>Fri, 02 May 2008 17:53:16 +0000</pubDate>
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		<title>The Two Gentlemen of Verona</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/T6OwCv_xYF0/</link>
		<comments>http://www.iytn.org/2008/03/03/the-two-gentlemen-of-verona/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 15:18:44 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[The Two Gentlemen of Verona]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/03/03/the-two-gentlemen-of-verona/</guid>
		<description>The popular 2006 film, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, was said to be based on a comedy written by William Shakespeare entitled, “The Two Gentlemen of Verona.” Some episodes of the television show, Dawson’s Creek, was also inspired by the same play. In this Shakespearean comedy, the two [...]</description>
			<content:encoded><![CDATA[<p>The popular 2006 film, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, was said to be based on a comedy written by William Shakespeare entitled, “The Two Gentlemen of Verona.” Some episodes of the <a href="http://www.lesolelle.com" target="_blank">television show</a>, Dawson’s Creek, was also inspired by the same play. In this Shakespearean<a href="http://www.le-solelle.com" target="_blank"> comedy</a>, the two gentlemen referred in the title were Valentine and Proteus. They shared a bond of friendship but soon found themselves at odds when they fell in love with the same woman, Silvia.</p>
<p>“The Two Gentlemen of Verona” is considered by historians to be among the earliest works of Shakespeare. It was first published in the First Folio of Shakespearean plays in 1623. A major theme of this play is the question of whether friendship between two friends should outweigh the relationship between lovers. The <a href="http://www.confusedandamused.com" target="_blank">contest between friendship and love</a> is a recurring theme in many plays during the Renaissance. This is primarily because during Shakespeare’s time, friendship is considered to be the more important relationship. This culture explains why at the end of the play, Valentine decided to surrender Silvia to Proteus without even asking her permission. Ironically, Proteus remembered his great love for another woman, Julia which is why Valentine ended up with Silvia.</p>
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		<title>William Shakespeare’s The Merchant of Venice</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/5oR43mgvFoY/</link>
		<comments>http://www.iytn.org/2008/02/25/william-shakespeares-the-merchant-of-venice/#comments</comments>
		<pubDate>Mon, 25 Feb 2008 15:20:28 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[The Merchant of Venice]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/02/25/william-shakespeares-the-merchant-of-venice/</guid>
		<description>Historians speculate that “The Merchant of Venice” was created by William Shakespeare some time between 1596 and 1598. Although this play is considered a comedy, some elements of its plot have led critics to classify it as a romantic comedy. As one of the Bard’s well-known plays, this had been adapted into several television movies.
“The [...]</description>
			<content:encoded><![CDATA[<p>Historians speculate that “The Merchant of Venice” was created by William Shakespeare some time between 1596 and 1598. Although this play is considered a comedy, some elements of its plot have led critics to classify it as a romantic comedy. As one of the Bard’s well-known plays, this had been adapted into several television movies.</p>
<p>“The Merchant of Venice” is classified as one of Shakespeare’s “problem plays.” Unlike his other plays, the most prominent figure in this story is not the title character, Antonio. Rather, the spotlight is on Shylock, the Jewish moneylender and the play’s main antagonist. This was considered a problem play because it is up to the audience to decide whether they should sympathize or feel disdain for Shylock. Determining whether this character is the tormentor or <a href="http://www.a1oxygen.com" target="_blank">the tormented</a> will depend largely on the <a href="http://www.artmarketexpert.com" target="_blank">interpretation of the director</a> and the actors. Some actors presented the character of Shylock as a man who wants to exact revenge. Others present him as a man whose actions are dictated by his pride. As pointed out by many, it is but normal that Shylock should feel hatred for Antonio since the week previously, the latter spat on his face and <a href="http://www.confusedandamused.com" target="_blank">insulted him</a> for being a Jew.</p>
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		<title>William Shakespeare’s Hamlet</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/61UOZR2T4hA/</link>
		<comments>http://www.iytn.org/2008/02/18/william-shakespeares-hamlet/#comments</comments>
		<pubDate>Mon, 18 Feb 2008 15:17:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Hamlet]]></category>

		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/02/18/william-shakespeares-hamlet/</guid>
		<description>Among the best-known plays written by William Shakespeare, “Hamlet” is considered by many critics as his greatest play. It is also one of the most-performed plays in the list of Royal Shakespeare Company since 1879. Even during the Shakespeare’s most productive years in theater, “Hamlet” was among his popular plays. According to critics, Shakespeare created [...]</description>
			<content:encoded><![CDATA[<p>Among the best-known plays written by William Shakespeare, “Hamlet” is considered by many critics as his greatest play. It is also one of the most-performed plays in the list of Royal Shakespeare Company since 1879. Even during the Shakespeare’s most productive years in theater, “Hamlet” was among his popular plays. According to critics, Shakespeare created the role of Prince Hamlet, the lead protagonist of the story, especially for his friend and colleague in the Lord Chamberlain’s Men, Richard Burbage. Burbage was also the leading tragedy actor during their time. The play centers on the how Prince Hamlet, the Prince of Denmark, took revenge on his uncle for killing his father. His father was the former king and upon his death, the throne went to his uncle.</p>
<p>This tragedy by William Shakespeare features a play within the play. In the story, Prince Hamlet wanted to prove that his uncle had a hand in his father’s death. He intended to do this by watching his uncle’s reaction as he watches the play, “The Murder of Gonzago”, which Prince Hamlet will stage with the help of a troupe of actors. The play is actually a reenactment of how the former king was killed.</p>
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		<title>Romeo and Juliet</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/o1B_1nO5KuA/</link>
		<comments>http://www.iytn.org/2008/02/11/romeo-and-juliet/#comments</comments>
		<pubDate>Mon, 11 Feb 2008 15:10:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Romeo and Juliet]]></category>

		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/02/11/romeo-and-juliet/</guid>
		<description>“Romeo and Juliet” is undeniably one of the most popular plays of William Shakespeare. Through this play, literary critics praised his potential as a dramatist through his development of minor characters and subplots to embellish the plot. Contrary to what many people think, this play was not an original story of the playwright. Shakespeare developed [...]</description>
			<content:encoded><![CDATA[<p>“Romeo and Juliet” is undeniably one of the most popular plays of William Shakespeare. Through this play, literary critics praised his potential as a dramatist through his development of minor characters and subplots to embellish the plot. Contrary to what many people think, this play was not an original story of the playwright. Shakespeare developed his plot of “Romeo and Juliet” based on the narrative poem of Arthur Brooke in 1562 entitled “The Tragical History of Romeus and Juliet” and its prose version written by William Painter in 1582. Painter wrote his adaptation in prose which was entitled “The goodly History of the true and constant love of Rhomeo and Julietta.” He published it as one of the stories featured in the “Palace of Pleasure,” a collection of Italian tales.</p>
<p>The plot of “Romeo and Juliet” centers on the lives of two teenage lovers who belonged to two feuding families, the Capulets and the Montagues. Juliet Capulet is the play’s female protagonist while Romeo Montague is the male protagonist. These families eventually reconciled after the tragic deaths of the two lovers. Young love is considered to be the dominant theme of this story. At present, the characters of Romeo and Juliet have become emblems of those who die young for the sake of love.</p>
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		<item>
		<title>Much Ado About Nothing</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/u2qKj8ziN7o/</link>
		<comments>http://www.iytn.org/2008/02/05/much-ado-about-nothing/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 15:15:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Much Ado About Nothing]]></category>

		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/02/05/much-ado-about-nothing/</guid>
		<description>The 1993 film, “Much Ado About Nothing” which featured the all-star acting ensemble of Kenneth Branagh, Emma Thompson, Robert Sean Leonard, Denzel Washington, Keanu Reeves, Michael Keaton and Kate Beckinsale was actually the film version of a comedy written by William Shakespeare. The play centers on the romance of two couples, Claudio and Hero, the [...]</description>
			<content:encoded><![CDATA[<p>The 1993 film, “Much Ado About Nothing” which featured the all-star acting ensemble of Kenneth Branagh, Emma Thompson, Robert Sean Leonard, Denzel Washington, Keanu Reeves, Michael Keaton and Kate Beckinsale was actually the film version of a comedy written by William Shakespeare. The play centers on the romance of two couples, Claudio and Hero, the main protagonists and their comic counterparts, Benedick and Beatrice.</p>
<p>A common motif in “Much Ado About Nothing” is the use of the words “nothing” and “noting” which were homophones or words that were spoken in the same way during the time of Shakespeare. Double-entendre and some mild sexual innuendoes were also evident in some lines of the play. Interestingly, the word “nothing” was used by the playwright as a euphemism for female genitals. This led many to conclude that the play’s title could also mean “Much Ado about Female Genitalia.” A recurring theme in the story is the generic distrust of males in the fidelity of women. In the play, Don John, the lead antagonist, used Claudio’s fear of being cheated to dissuade the latter from marrying Hero in the first wedding scene. Regardless of its theme, motif and symbolism, this play continues to be one of the most enduring stage plays of the Bard of Avon.</p>
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		<title>William Shakespeare’s Taming of the Shrew</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/ewgpIYC_wXk/</link>
		<comments>http://www.iytn.org/2008/01/31/william-shakespeare%e2%80%99s-taming-of-the-shrew/#comments</comments>
		<pubDate>Thu, 31 Jan 2008 15:13:34 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[Taming of the Shrew]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/01/31/william-shakespeare%e2%80%99s-taming-of-the-shrew/</guid>
		<description>KR-008 10
The “Taming of the Shrew”, one of William Shakespeare’s earlier plays, had been the subject of much criticism especially from feminists who perceive it as offensively discriminatory to the female gender. This comedy tells the story of Petruchio, a young man who did not seem to care about the appearance or the personality of [...]</description>
			<content:encoded><![CDATA[<p>KR-008 10</p>
<p>The “Taming of the Shrew”, one of William Shakespeare’s earlier plays, had been the subject of much criticism especially from feminists who perceive it as offensively discriminatory to the female gender. This comedy tells the story of Petruchio, a young man who did not seem to care about the appearance or the personality of the woman he will marry so long as she came with a rich dowry and Kate, the shrewish daughter of a wealthy merchant. The play centers on how Petruchio transformed Kate from a hot-tempered woman to a completely tame and obedient wife. At the end of the play, Kate delivers a monologue stating why wives should always obey their husbands.</p>
<p>Many assumed that this Shakespearean play was well received by the theater-loving public during his time. However, this was not exactly accurate. In fact, many in the society felt uncomfortable after witnessing the “Taming of the Shrew.” John Fletcher, a contemporary playwright of Shakespeare, felt the need to write a play as a response to Shakespeare’s Shrew. The sort of sequel to the latter’s comedy was entitled, “The Woman’s Prize, or The Tamer Tamed.” In this play, Kate died and Petruchio soon married his second wife, Maria. The story revolves on how Petruchio, once the tamer, was tamed by his new wife.</p>
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		<title>A Midsummer Night’s Dream</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/LmaCaofXFEA/</link>
		<comments>http://www.iytn.org/2008/01/24/a-midsummer-night%e2%80%99s-dream/#comments</comments>
		<pubDate>Thu, 24 Jan 2008 15:09:19 +0000</pubDate>
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		<category><![CDATA[A Midsummer Night’s Dream]]></category>

		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/01/24/a-midsummer-night%e2%80%99s-dream/</guid>
		<description>Several of William Shakespeare’s plays are touted as among the best in the English language and in the Western literature. One of his critically acclaimed plays is “A Midsummer Night’s Dream,” a romantic comedy. Through the years, this play had been widely performed all over the world.
Historians do not know for sure when this play [...]</description>
			<content:encoded><![CDATA[<p>Several of William Shakespeare’s plays are touted as among the best in the English language and in the Western literature. One of his critically acclaimed plays is “A Midsummer Night’s Dream,” a romantic comedy. Through the years, this play had been widely performed all over the world.</p>
<p>Historians do not know for sure when this play was written. It was heavily speculated that this was written sometime between 1595 and 1596 for an aristocratic wedding, which was commonplace at that time. Some also speculated that “A Midsummer Night’s Dream” was written for the Queen of England as part of the celebration for the feast day of St. John.</p>
<p>The plot of this story centers on the escapades of four Athenian lovers, a band of amateur actors, and a fairy couple whose lives intermingled due to the wedding of Duke Theseus of Athens and Hippolyta, the Amazonian queen. This play was originally set in the realm of Fairyland. It was noted that some of the elements of its plot and characters are based on earlier literature. The story of Pyramus and Thisbe, for example, which was performed by the amateur actors within the play, came from “Metamorphoses”, Ovid’s masterpiece. Similarly, Apuleius also based the transformation of Nick Bottom, one of the play’s characters, into an ass on “The Golden Ass”.</p>
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		<title>Shakespeare Through Life and Death</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/9w-ebvEHRYE/</link>
		<comments>http://www.iytn.org/2008/01/17/shakespeare-through-life-and-death/#comments</comments>
		<pubDate>Thu, 17 Jan 2008 15:04:35 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/01/17/shakespeare-through-life-and-death/</guid>
		<description>Success did not come easily for William Shakespeare, considered the world’s greatest English writer. He was plucked from obscurity when he came to London in 1588 where he established a successful career in acting and playwriting as part of the theater company, Lord Chamberlain’s Men. His experience in the theater made him a rich man. [...]</description>
			<content:encoded><![CDATA[<p>Success did not come easily for William Shakespeare, considered the world’s greatest English writer. He was plucked from obscurity when he came to London in 1588 where he established a successful career in acting and playwriting as part of the theater company, Lord Chamberlain’s Men. His experience in the theater made him a rich man. With his wealth, he acquired New Place, a three-story house in Stratford. He was able to purchase other properties when his fortunes increased.</p>
<p>It was in New Place that Shakespeare spent his last years. He died on the 23rd of April in 1616. Incidentally, April 23 was also the month and day that historians assigned as his birth date. The cause of Shakespeare’s death was a mystery but it was speculated that he caught fever after a night of drinking with friends and fellow playwrights, Ben Jonson and Michael Drayton. His wife, Anne Hathaway and two daughters, Susanna and Judith, survived him. Aside from bequeathing his estate and some belongings to his family, he also left money for the poor people of Stratford and for his friends in his theatrical company, Richard Burbage, John Heminges and Henry Condell. For posterity, Heminges and Condell collected and published the 36 plays written by Shakespeare in a folio edition. Later known as the First Folio, this categorized the plays into comedies, histories and tragedies.</p>
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		<title>William Shakespeare Makes A Living</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/75vtzKuBNK4/</link>
		<comments>http://www.iytn.org/2008/01/10/william-shakespeare-makes-a-living/#comments</comments>
		<pubDate>Thu, 10 Jan 2008 15:02:44 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/01/10/william-shakespeare-makes-a-living/</guid>
		<description>William Shakespeare, English playwright and poet, is recognized as the world&amp;#8217;s greatest dramatist. His plays, created more than 400 years ago, continue to impact millions of people. During his time however, these plays did not make him rich. He did not receive any commissions or royalties for creating the plays that are now regarded as [...]</description>
			<content:encoded><![CDATA[<p>William Shakespeare, English playwright and poet, is recognized as the world&#8217;s greatest dramatist. His plays, created more than 400 years ago, continue to impact millions of people. During his time however, these plays did not make him rich. He did not receive any commissions or royalties for creating the plays that are now regarded as among the best ever created. Despite this, Shakespeare soon became a wealthy man because he was a sharer of his theatrical company called Lord Chamberlain&#8217;s Men. As a sharer, he received a percentage of the company&#8217;s profits aside from his salary as an actor and as a playwright.In London, Shakespeare successfully established his reputation as an actor and playwright. During his time, many poets and critics expressed admiration for his works. However, he was not as revered when he was alive as he is now. Critics during his time found his skills inferior to that of John Fletcher and Ben Jonson. In fact, many mocked and condemned his plays. Thomas Rymer, in fact, heavily criticized Shakespeare for combining the comic and the tragic in his plays. Another playwright, Robert Greene, distributed pamphlets in London lambasting Shakespeare for trying to outrank other playwrights who were university-educated such as Christopher Marlowe, Thomas Nashe and Greene himself.</p>
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		<title>Art Imitates Life for Shakespeare</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/wi_ez8qhwvc/</link>
		<comments>http://www.iytn.org/2008/01/03/art-imitates-life-for-shakespeare/#comments</comments>
		<pubDate>Thu, 03 Jan 2008 15:01:01 +0000</pubDate>
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		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2008/01/03/art-imitates-life-for-shakespeare/</guid>
		<description>There has been much speculation about many aspects of the life of William Shakespeare, the “Bard of Avon.” His mysterious persona could be attributed to the fact that there are only two primary sources of information about his personal history. These are the legal and church documents that have survived through the centuries and some [...]</description>
			<content:encoded><![CDATA[<p>There has been much speculation about many aspects of the life of William Shakespeare, the “Bard of Avon.” His mysterious persona could be attributed to the fact that there are only two primary sources of information about his personal history. These are the legal and church documents that have survived through the centuries and some facets of his life which he incorporated in the plays he created.</p>
<p>The lines in the play, “King John,” that talked about the grief that the character felt for losing his son was seen as a reflection of the sorrow that Shakespeare must have felt after his son, Hamnet, died at such a young. Moreover, in the play, “The Merry Wives of Windsor,” the comical scene between a Welsh headmaster and a pupil named William was speculated to be based on the experience of Shakespeare as a young student. The mysterious circumstances behind the death of Ophelia, one of the characters in the play “Hamlet,” were also based on an experience of Shakespeare when he was 15. A woman from a nearby village drowned and though it was deemed an accident, many suspect that the she may have committed suicide. These facets in Shakespeare’s life as revealed through his plays somehow gave us a glimpse of how he was as a person.</p>
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		<item>
		<title>The Childhood of William Shakespeare</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/plRoH_Qoxfg/</link>
		<comments>http://www.iytn.org/2007/12/26/the-childhood-of-william-shakespeare/#comments</comments>
		<pubDate>Wed, 26 Dec 2007 14:59:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[Childhood of William Shakespeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/12/26/the-childhood-of-william-shakespeare/</guid>
		<description>Very little is known about the personal history of William Shakespeare. To date, there are only two major sources of information about his life and these are his works as well as various legal and church documents from the Elizabethan era.
Scholars had hugely debated the childhood years of the Bard. It was speculated that he [...]</description>
			<content:encoded><![CDATA[<p>Very little is known about the personal history of William Shakespeare. To date, there are only two major sources of information about his life and these are his works as well as various legal and church documents from the Elizabethan era.</p>
<p>Scholars had hugely debated the childhood years of the Bard. It was speculated that he might have been educated in a free grammar school in Stratford due to his knowledge of Latin and Classical Greek. Though there had been no records found to substantiate this theory, scholars are convinced that Shakespeare must have had a solid education due to the literary quality of his works.</p>
<p>What happened to Shakespeare from childhood until his marriage when he was 18 years of age was a mystery to many. His marriage to Anne Hathaway in 1852 and the baptism of his children, Susanna and twins, Hamnet and Judith were documented. However, after the birth of his twins in 1585, no trace or record of Shakespeare had been found until seven years later. This period was labeled by scholars as Shakespeare’s “lost years.” His name resurfaced only in 1592 when he came to London to start his career as an actor and playwright.</p>
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		<title>William Shakespeare the Family man</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/KmFH-8r_Ihc/</link>
		<comments>http://www.iytn.org/2007/12/19/william-shakespeare-the-family-man/#comments</comments>
		<pubDate>Wed, 19 Dec 2007 14:56:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/12/19/william-shakespeare-the-family-man/</guid>
		<description>We always think of William Shakespeare as the creator of such immortal plays as “Hamlet” and “Romeo and Juliet” that we often forget that he was also a family man when he was alive. At the age of 18, he married Anne Hathaway, who was eight years older than he was. They were issued a [...]</description>
			<content:encoded><![CDATA[<p>We always think of William Shakespeare as the creator of such immortal plays as “Hamlet” and “Romeo and Juliet” that we often forget that he was also a family man when he was alive. At the age of 18, he married Anne Hathaway, who was eight years older than he was. They were issued a marriage license on November 27, 1582 by the consistory court of the Diocese of Worcester. They appeared to have wed in haste due to the impending birth of their first child who was born about six months after they were married.</p>
<p>Their eldest child, Susanna, was baptized on May 26, 1583. Two years after, they bore twins, a son whom they named Hamnet and a daughter, Judith. Hamnet was reported to have died for unknown reasons on August 11, 1596 when he was 11 years of age. Apart from this, not much is known about the family of Shakespeare except that when he died on April 23, 1616, he was survived by his wife and two daughters. When he died, he bequeathed his “second best bed” and one-third of his estate to his wife. He also stated through his will that the bulk of his estate will be given to Susanna, his elder daughter.</p>
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		<title>The Life of William Shakespeare</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/1A-6MHW97kE/</link>
		<comments>http://www.iytn.org/2007/12/12/the-life-of-william-shakespeare/#comments</comments>
		<pubDate>Wed, 12 Dec 2007 14:55:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/12/12/the-life-of-william-shakespeare/</guid>
		<description>Despite the popularity achieved by his plays and the worldwide recognition for his prowess in writing, very little is known about the personal life of William Shakespeare. In fact, up to this very day, nobody really knows his actual date of birth. According to historians, William&amp;#8217;s birth place was the house that his father owned [...]</description>
			<content:encoded><![CDATA[<p>Despite the popularity achieved by his plays and the worldwide recognition for his prowess in writing, very little is known about the personal life of William Shakespeare. In fact, up to this very day, nobody really knows his actual date of birth. According to historians, William&#8217;s birth place was the house that his father owned in Stratford-upon-Avon and he was baptized on April 26, 1564. Historians further theorized that he must have been born some days before his baptismal date since at that time, it was required that a newborn child should be baptized on the nearest Sunday or holy day following his birth.William, who would go down in history as the greatest writer in the English language, was the third of eight siblings and was the eldest surviving son. His father, John, was a glover and tanner of leathers. John soon prospered and ventured into the business of dealing farm products and wool. He married Mary Arden, William&#8217;s mother, sometime in 1556 to 1558. William&#8217;s two elder sisters, Joan and Margaret, died shortly after their births due to the waves of plague that swept England during the sixteenth century. Luckily, William survived to reach adulthood and from then on, carved his place in history through his immortal plays.</p>
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		<item>
		<title>William Shakespeare</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/YPDhn5Jweds/</link>
		<comments>http://www.iytn.org/2007/12/06/william-shakespeare/#comments</comments>
		<pubDate>Thu, 06 Dec 2007 14:52:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/12/06/william-shakespeare/</guid>
		<description>William Shakespeare never would have dreamt that he would someday be recognized as the world’s finest writer in the English language. Also called the “Bard of Avon” or simply, “The Bard,” Shakespeare came to London in 1588 to join the theater. It was around this time that he showed great promise as an actor and [...]</description>
			<content:encoded><![CDATA[<p>William Shakespeare never would have dreamt that he would someday be recognized as the world’s finest writer in the English language. Also called the “Bard of Avon” or simply, “The Bard,” Shakespeare came to London in 1588 to join the theater. It was around this time that he showed great promise as an actor and as a playwright. His tremendous talent for acting and writing was his ticket so he could join the Lord Chamberlain’s Men in 1594. Together with Will Kempe, a talented comedian and Richard Burbage, the leading tragic actor during their time, their theater company became a hit in London and was patronized both by the royalties and the theater-loving public.</p>
<p>During his time, Shakespeare was regarded as a very prolific writer. The publishers of First Folio, John Heminges and Henry Condell were often amazed with how Shakespeare’s mind and hand seemed to work together. So fast was Shakespeare as a writer that they seldom saw any errors in his original manuscripts. The First Folio of 1623 listed 36 plays written by the Bard. These plays were categorized as comedies, histories and tragedies. It is alleged that some of these plays were not entirely written by Shakespeare but rather were collaborations with another writer. Due to their popularity, there had been countless adaptations of these plays in films, television shows and theater productions.</p>
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		<item>
		<title>Macbeth</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/_NlJWt0Ftts/</link>
		<comments>http://www.iytn.org/2007/11/30/macbeth/#comments</comments>
		<pubDate>Fri, 30 Nov 2007 14:52:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Macbeth]]></category>

		<category><![CDATA[Shakeapeare]]></category>

		<category><![CDATA[Hector Boece]]></category>

		<category><![CDATA[King Duncan of Scotland]]></category>

		<category><![CDATA[Raphael Holinshed]]></category>

		<category><![CDATA[Scottish King]]></category>

		<category><![CDATA[Scottish philosopher]]></category>

		<category><![CDATA[Shakespeare]]></category>

		<category><![CDATA[the Scottish play]]></category>

		<category><![CDATA[tragedies]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/30/macbeth/</guid>
		<description>In the world of theater, many superstitions are associated with &amp;#8220;Macbeth&amp;#8221;, the shortest of the tragedies written by William Shakespeare. In fact, theater performers do not say the name of this play aloud. Instead, they refer to it as &amp;#8220;the Scottish play&amp;#8221;, &amp;#8220;MacBee&amp;#8221; or &amp;#8220;The Scottish King.&amp;#8221; According to superstitions, the play was cursed because [...]</description>
			<content:encoded><![CDATA[<p>In the world of theater, many superstitions are associated with &#8220;Macbeth&#8221;, the shortest of the tragedies written by William Shakespeare. In fact, theater performers do not say the name of this play aloud. Instead, they refer to it as &#8220;the Scottish play&#8221;, &#8220;MacBee&#8221; or &#8220;The Scottish King.&#8221; According to superstitions, the play was cursed because Shakespeare used real witches&#8217; spells in the text. Interestingly, actors who uttered &#8220;Macbeth&#8221; inside a theatre allegedly figured into accidents, misfortunes, and even deaths. The spread of the idea that it is an &#8220;unlucky&#8221; play may have also stemmed from the fact that in the past, it was usually the last play staged before a theatre shuts down. Nonetheless, critics consider this play an anomaly due to its brevity. Compared to Shakespeare&#8217;s other tragedies like Othello and King Lear, &#8220;Macbeth&#8221; is more than a thousand lines shorter.The plot of this Shakespearean tragedy was loosely based on the life of King Macbeth of Scotland as accounted by Raphael Holinshed and Hector Boece, a Scottish philosopher. The scene highlights the start of the play where three witches, called the Weird Sisters, revealed to Macbeth, an army general of King Duncan of Scotland, the prophecy that he would soon become king. This prophecy cultivated the title character&#8217;s lust for power which led him to commit deception and murders.</p>
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		<item>
		<title>Funding</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/RD-f4dVwNUQ/</link>
		<comments>http://www.iytn.org/2007/11/23/funding/#comments</comments>
		<pubDate>Fri, 23 Nov 2007 10:25:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Funding]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/23/funding/</guid>
		<description>- The network would look to grants and sponsorship to fund both the general administration and specific projects.
- Membership to the network would be free to participating youth theatre companies. However some charges may need to be levied to cover the nominal costs of such things as publications and postage etc. (i.e. news letters and [...]</description>
			<content:encoded><![CDATA[<p>- The network would look to grants and sponsorship to fund both the general administration and specific projects.</p>
<p>- Membership to the network would be free to participating youth theatre companies. However some charges may need to be levied to cover the nominal costs of such things as publications and postage etc. (i.e. news letters and &#8216;How to&#8217; literature for those without access to the internet.)</p>
<p>- Workshops, lectures and festivals may require fees from participating organisations.</p>
<p>- Groups requiring substantial support for specific projects may be required to cover the costs of the Networks involvement.</p>
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		<item>
		<title>Organization</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/iJJq0S3kpK4/</link>
		<comments>http://www.iytn.org/2007/11/18/organization/#comments</comments>
		<pubDate>Sun, 18 Nov 2007 10:25:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Organization]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/18/organization/</guid>
		<description>- The network could either be set up as a none profit making organisation or a limited company with in built ethical working practices.
- Although the network would rely partly on voluntary input it would aim to provide a living wage to its general staff and any professionals brought in for specific projects.
- Staffing levels [...]</description>
			<content:encoded><![CDATA[<p>- The network could either be set up as a none profit making organisation or a limited company with in built ethical working practices.</p>
<p>- Although the network would rely partly on voluntary input it would aim to provide a living wage to its general staff and any professionals brought in for specific projects.</p>
<p>- Staffing levels would depend on the success of the organisation but would consist of a core of planning, fund raising and administrative personnel. This initially would represent no more than 2 or 3 people. Additional staff would then be recruited for specific projects.</p>
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		<item>
		<title>Plan of Action</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/6FCIhhA_1i8/</link>
		<comments>http://www.iytn.org/2007/11/12/plan-of-action/#comments</comments>
		<pubDate>Mon, 12 Nov 2007 10:24:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Plan]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/12/plan-of-action/</guid>
		<description>- The set up and administration of a home page on the world wide web to include directories, forums and help pages.
- The compilation of a directory of Youth Theatre Companies and relevant organisations.
- The publishing of advice on the running of youth theatre companies and similar projects.
- Creating a data base of professional theatre [...]</description>
			<content:encoded><![CDATA[<p>- The set up and administration of a home page on the world wide web to include directories, forums and help pages.</p>
<p>- The compilation of a directory of Youth Theatre Companies and relevant organisations.</p>
<p>- The publishing of advice on the running of youth theatre companies and similar projects.</p>
<p>- Creating a data base of professional theatre practitioners with expertise in youth theatre.</p>
<p>- The commissioning of books and articles by professionals on specific subjects related to youth theatre in the community.</p>
<p>- To offer specific advice to youth theatre companies who are planning to take productions the Edinburgh Fringe Festival.</p>
<p>- To run a drop in centre to provide advice and support for Youth theatre companies visiting the 2000 Edinburgh Fringe Festival.</p>
<p>- The running of workshops and lectures by experienced individuals on related subjects.</p>
<p>- To organise an international festival of youth theatre in 2002.</p>
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		<item>
		<title>Aims</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/9S8vn9i0kxA/</link>
		<comments>http://www.iytn.org/2007/11/08/aims/#comments</comments>
		<pubDate>Thu, 08 Nov 2007 10:23:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Aims]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/08/aims/</guid>
		<description>- To provide a resource for youth theatre companies working with young people in the community.
- To encourage dialogue between youth theatre groups from around the world.
- To provide advice and information to those working with youth theatre companies.
- To provide administrative and technical support for youth theatre groups undertaking specific projects, such as participating [...]</description>
			<content:encoded><![CDATA[<p>- To provide a resource for youth theatre companies working with young people in the community.</p>
<p>- To encourage dialogue between youth theatre groups from around the world.</p>
<p>- To provide advice and information to those working with youth theatre companies.</p>
<p>- To provide administrative and technical support for youth theatre groups undertaking specific projects, such as participating in major festivals or undertaking international tours.</p>
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		<item>
		<title>Overview</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/RKcIE_jdq34/</link>
		<comments>http://www.iytn.org/2007/11/04/overview/#comments</comments>
		<pubDate>Sun, 04 Nov 2007 10:22:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Overview]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/11/04/overview/</guid>
		<description>The network would actively promote youth theatre in the community and encourage the interaction of youth theatre groups from around the world. The network would also provide a point of reference, where those working with youth theatre organisations can find support and resource material.
This would initially be achieved by setting up a home page on [...]</description>
			<content:encoded><![CDATA[<p>The network would actively promote youth theatre in the community and encourage the interaction of youth theatre groups from around the world. The network would also provide a point of reference, where those working with youth theatre organisations can find support and resource material.</p>
<p>This would initially be achieved by setting up a home page on the world wide web which would contain a directory of youth theatre groups along with contact lists for various relevant organisations from around the globe. The web site would go on to provide further advice and information such as book lists, how to pages and theatre industry contacts. A notice board, help desk and forum would also be a major part of this resource.</p>
<p>The network could then go on to organise specific events such as workshops, training, conferences and festivals.</p>
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		<title>Background</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/WTnHJKFUAL8/</link>
		<comments>http://www.iytn.org/2007/10/31/background/#comments</comments>
		<pubDate>Wed, 31 Oct 2007 10:21:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Background]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/10/31/background/</guid>
		<description>I now have around 15 years behind me working professionally        as a theatre technician, plus another 15 odd years as an enthusiastic stage        manager and performer in youth and community productions. My work in recent       [...]</description>
			<content:encoded><![CDATA[<p><font size="4">I now have around 15 years behind me working professionally        as a theatre technician, plus another 15 odd years as an enthusiastic stage        manager and performer in youth and community productions. My work in recent        years has again led me to become heavily involved with youth theatre projects.        </font> <font size="4"> During this years Edinburgh Fringe festival I was        once more working around a number of youth theatre groups, from around the        world, when it occurred to me that there was little opportunity for them        to link up with each other. Even during an event such as the Edinburgh Fringe        there is little chance. Due mainly to the fact that the festival is so big.        </font> <font size="4"> So from this, the idea emerged to set up some way        of networking all these groups together in order that they would then have        the chance to talk, meet, exchange ideas and even work with each other.        </font> <font size="4"> The internet is naturally the easiest way to start        this network so my first task is to create a directory of interested youth        theatre companies and related organisations. From there I hope the project        will grow to include many diverse activities including organising exchange        visits between companies and eventually an international festival of youth        theatre</font></p>
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		<item>
		<title>Introduction</title>
		<link>http://feedproxy.google.com/~r/InternationalYouthTheaterNetwork/~3/_sJUWxkQuBo/</link>
		<comments>http://www.iytn.org/2007/10/29/intro/#comments</comments>
		<pubDate>Mon, 29 Oct 2007 10:21:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[About]]></category>

		<category><![CDATA[Intro]]></category>

		<guid isPermaLink="false">http://www.iytn.org/2007/10/29/intro/</guid>
		<description>Welcome to the new and exciting world of the International Youth Theatre Network.  This organisation has been formed in order to try and link up youth theatre companies from round the world. Please click on the proposals link to learn more about its objectives and if you should then desire, please go to the [...]</description>
			<content:encoded><![CDATA[<p>Welcome to the new and exciting world of the International Youth Theatre Network.  This organisation has been formed in order to try and link up youth theatre companies from round the world. Please click on the proposals link to learn more about its objectives and if you should then desire, please go to the registration page to be included in the IYTN directory.     This is a very new project, having only been conceived in the summer of 1999, so I am on an extremely steep learning curve. If you have any suggestions or would like to contribute in any way please e-mail me. Any feedback will be gratefully received.</p>
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