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/><category term="Entartete Musik" /><category term="Baltimore Symphony" /><category term="John Cage" /><category term="Mieczysław Weinberg" /><category term="G.Mahler Survey" /><category term="Strathmore" /><category term="Saints" /><category term="DVD Reviews" /><category term="Ferruccio Busoni" /><category term="Christoph Willibald Gluck" /><category term="Gustav Mahler" /><category term="Paul Hindemith" /><category term="Sergei Rachmaninov" /><category term="Washington Choral Arts Society" /><category term="Lied - Mélodie - Artsong" /><category term="The Classical Review" /><category term="Robert Schumann" /><category term="Arvo Pärt" /><category term="Witold Lutosławski" /><category term="Hans Pfitzner" /><category term="Architecture" /><category term="ARD Music Competition" /><category term="World Premiere Performance" /><category term="Jacques Offenbach" /><category term="Folger Consort" /><category term="Calendar" /><category term="Alfred Schnittke" /><category 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Boyle" /><category term="Edward Elgar" /><category term="Theater" /><category term="Ionarts from Vienna" /><category term="The Chéreau Ring" /><category term="Giacomo Puccini" /><category term="Quatuor Ébène" /><category term="Karol Szymanowski" /><category term="György Kurtág" /><category term="Georgia O'Keeffe" /><category term="Chamber Music" /><category term="Bohuslav Martinů" /><category term="Galleries" /><category term="Washington Bach Consort" /><category term="National Gallery of Art" /><category term="Art" /><category term="Joseph Marx" /><category term="In Brief" /><category term="César Franck" /><category term="George Antheil" /><category term="Dresden Music Festival" /><category term="Musica Viva" /><category term="Metropolitan Opera" /><category term="Franz Liszt" /><category term="Herman Maril" /><category term="Jean Sibelius" /><category term="Max Bruch" /><category term="Luciano Berio" /><category term="Franz Mittler" /><category term="Hans Gál" /><category term="Philip Glass" /><category term="Julius Reubke" /><category term="Jennifer Higdon" /><category term="Francis Poulenc" /><category term="Modest Musorgsky" /><category term="Gabriel Fauré" /><category term="Books" /><category term="Wolfgang Rihm" /><title>Ionarts</title><subtitle type="html">Something other than politics in Washington, D.C.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>5865</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/Ionarts" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="ionarts" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;CUYGQHkzeSp7ImA9WhBbGUU.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-1030559871298130329</id><published>2013-05-19T12:05:00.001-05:00</published><updated>2013-05-19T12:05:21.781-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-19T12:05:21.781-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="In Brief" /><title>In Brief: Almost Wagner's Birthday Edition</title><summary>Here is your regular Sunday selection of links to online audio, online video, and other good things in Blogville and Beyond. (After clicking to an audio or video stream, press the "Play" button to start the broadcast.)


     
 
 
  From the Musikverein in Vienna (video embedded at right), Daniele Gatti leads a performance of Rossini's Petite Messe Solenelle with the Orchestre National de France </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/1030559871298130329/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=1030559871298130329&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1030559871298130329?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1030559871298130329?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/in-brief-almost-wagners-birthday-edition.html" title="In Brief: Almost Wagner's Birthday Edition" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;AkMHR30zfyp7ImA9WhBbGUo.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-2192880375954544101</id><published>2013-05-19T10:46:00.000-05:00</published><updated>2013-05-19T10:47:16.387-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-19T10:47:16.387-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Art" /><title>It's Raining Cats and Cash</title><summary>There's a cool rain falling in New York City, at the Museum of Modern Art. The Rain Room, by Random International, is a field of falling water that pauses wherever a human body is detected: there may be no need to carry an umbrella again. Think of yourself as Moses. I don't know how many sensors it takes to run this project, but it's quite interesting and fun. The faster you walk, the more you </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/2192880375954544101/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=2192880375954544101&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/2192880375954544101?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/2192880375954544101?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/its-raining-cats-and-cash.html" title="It's Raining Cats and Cash" /><author><name>Mark Barry</name><uri>https://plus.google.com/101601546536498148699</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh5.googleusercontent.com/-4gCqZcs9BIg/AAAAAAAAAAI/AAAAAAAAB3M/xQLp2VB_ilA/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-OUgsrvorsAU/UZZW2UiXHBI/AAAAAAAACRU/E-soMLKJOC4/s72-c/IMG_0516.JPG" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;Ak8EQX88fip7ImA9WhBbGEU.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-57462713197811056</id><published>2013-05-18T09:30:00.000-05:00</published><updated>2013-05-18T09:53:20.176-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-18T09:53:20.176-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Organ Music" /><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="jfl" /><category scheme="http://www.blogger.com/atom/ns#" term="Felix Mendelssohn" /><category scheme="http://www.blogger.com/atom/ns#" term="Dip Your Ears" /><title>Dip Your Ears, No. 138 (Mendelssohn Organ Works)</title><summary>
F.Mendelssohn-B., Organ Works
Yuval Rabin (Braun/Mathis organ of St.Marzellus, CH)
MDG

   
Felix Mendelssohn B. was fond of organs and organ music and wrote idiomatically for the instrument. You just can’t hear it in his other compositions (think Bruckner, for contrast), and since you just about never hear Mendelssohn’s organ music in recital or concert either, that part of his output—limited </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/57462713197811056/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=57462713197811056&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/57462713197811056?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/57462713197811056?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/dip-your-ears-no-138-mendelssohn-organ.html" title="Dip Your Ears, No. 138 (Mendelssohn Organ Works)" /><author><name>jfl</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="21" height="32" src="http://3.bp.blogspot.com/_fvqDJniJWuw/TAQbHPYAK3I/AAAAAAAABE8/XxrCB4el5ck/S220/FrankfurtXII2009_1.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-5qNdvoe4EdM/T385kcE3K6I/AAAAAAAAB6E/nR1C_9bD0sI/s72-c/DIP-YOUR-EARS.png" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0MFQXk6fyp7ImA9WhBbGEw.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-2319778543281778361</id><published>2013-05-17T12:23:00.000-05:00</published><updated>2013-05-17T12:23:30.717-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-17T12:23:30.717-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Calendar" /><category scheme="http://www.blogger.com/atom/ns#" term="Summer Festivals" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera" /><title>Summer Music Festivals: U.S.</title><summary>

Soprano Angela Meade
What would Ionarts be covering this summer if we had an unlimited travel budget? Here are our picks for the best performances of opera and classical music being presented by American summer festivals.

CINCINNATI OPERA
This may be the summer for my first visit to Cincinnati Opera, primarily because Angela Meade will be the Donna Anna in their production of Don Giovanni (</summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/2319778543281778361/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=2319778543281778361&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/2319778543281778361?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/2319778543281778361?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/summer-music-festivals-us.html" title="Summer Music Festivals: U.S." /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-0y331TQYciI/UCHQza5GNoI/AAAAAAAADLA/13ENSLpXDU4/s72-c/ameade1.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkYNRHY4cSp7ImA9WhBbF0s.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-1303076568129885796</id><published>2013-05-16T09:26:00.001-05:00</published><updated>2013-05-16T22:09:55.839-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-16T22:09:55.839-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Calendar" /><title>Classical Music Agenda (June 2013)</title><summary>Summer is at hand, meaning that the pickings get slimmer in the monthly concert agenda for local events. On the other hand, we will also have a summer festival preview coming up, with some of the performances outside of Washington we most want to hear.


Composer James MacMillan
ORCHESTRAS:
Happily the National Symphony Orchestra is extending its season at the Kennedy Center through June, until </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/1303076568129885796/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=1303076568129885796&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1303076568129885796?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1303076568129885796?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/classical-music-agenda-june-2013.html" title="Classical Music Agenda (June 2013)" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-rNXRqaW3j-g/UZTgEzv2tWI/AAAAAAAAEso/F3ftFf-BARQ/s72-c/jmacmillan.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;C0cMR3w8cSp7ImA9WhBbFko.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-1009286863430878105</id><published>2013-05-15T07:37:00.001-05:00</published><updated>2013-05-15T21:24:46.279-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-15T21:24:46.279-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="Claude Debussy" /><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><title>Debussy's 'Jeux', 100 Years Later</title><summary>

Tamara Karsavina (first young lady), Vaslav Nijinsky (young man), and Ludmilla Schollar (second young lady) in Jeux, 1913
As you have doubtless heard by now, we are coming up on the 100th anniversary of the first performance of Stravinsky's Rite of Spring. The groundwork of that infamously riotous premiere was laid by the much less notorious debut of a ballet that was in many ways more </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/1009286863430878105/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=1009286863430878105&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1009286863430878105?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/1009286863430878105?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/debussys-jeux-100-years-later.html" title="Debussy's 'Jeux', 100 Years Later" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-mNS8YNa8E1A/UZLfJSfE5DI/AAAAAAAAEsY/R8kCS0p1mcc/s72-c/nijinskyjeux.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkcARnY9eyp7ImA9WhBbFUk.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-6680060849411988130</id><published>2013-05-14T08:59:00.000-05:00</published><updated>2013-05-14T09:00:47.863-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-14T09:00:47.863-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Wolfgang Amadeus Mozart" /><category scheme="http://www.blogger.com/atom/ns#" term="Sergei Prokofiev" /><category scheme="http://www.blogger.com/atom/ns#" term="Washington Post" /><category scheme="http://www.blogger.com/atom/ns#" term="Robert Schumann" /><category scheme="http://www.blogger.com/atom/ns#" term="Phillips Collection" /><category scheme="http://www.blogger.com/atom/ns#" term="Alexander Scriabin" /><title>Martina Filjak @ Phillips</title><summary>

Charles T. Downey, At Phillips, pianist Martina Filjak offers unexpected interpretations of familiar works
Washington Post, May 14, 2013


Soler, Keyboard Sonatas 1-15, M. Filjak (Naxos, 2011)
Martina Filjak offered some surprises during her recital Sunday afternoon at the Phillips Collection. The Croatian-born pianist gave sometimes unexpected interpretations of familiar works, paired with </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/6680060849411988130/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=6680060849411988130&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/6680060849411988130?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/6680060849411988130?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/martin-filjak-phillips.html" title="Martina Filjak @ Phillips" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jz1q2KzrvyI/URxGN3j8YpI/AAAAAAAAEbk/YPMe0NqV6Qc/s72-c/Washington_Style_Section2_ionarts_600.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CEACQX45fCp7ImA9WhBbFE8.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4221322809890712386</id><published>2013-05-13T00:26:00.000-05:00</published><updated>2013-05-13T00:26:00.024-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-13T00:26:00.024-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="Joseph Haydn" /><category scheme="http://www.blogger.com/atom/ns#" term="Chamber Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Emerson Quartet" /><category scheme="http://www.blogger.com/atom/ns#" term="Franz Schubert" /><category scheme="http://www.blogger.com/atom/ns#" term="Béla Bartók" /><title>Farewell to David Finckel</title><summary>Emerson Quartet:

Haydn, String Quartets


Bartók, String QuartetsDavid Finckel has left the Emerson Quartet, with whom he has performed as cellist since 1979. The group gave their last performance with Finckel on Saturday evening, the conclusion of their Smithsonian Associates concert series at the National Museum of Natural History. As Finckel explained in brief remarks before the second half, </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4221322809890712386/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4221322809890712386&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4221322809890712386?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4221322809890712386?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/farewell-to-david-finckel.html" title="Farewell to David Finckel" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D04GRX47cSp7ImA9WhBbE0U.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4873077336094353582</id><published>2013-05-12T14:12:00.000-05:00</published><updated>2013-05-12T14:12:04.009-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-12T14:12:04.009-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="In Brief" /><title>In Brief: Call Mom Edition</title><summary>Here is your regular Sunday selection of links to online audio, online video, and other good things in Blogville and Beyond. (After clicking to an audio or video stream, press the "Play" button to start the broadcast.)


     
 
 
  From last month, John Eliot Gardiner leads a performance of Bach's B Minor Mass, with English Baroque Soloists and the Monteverdi Choir at Royal Albert Hall. [</summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4873077336094353582/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4873077336094353582&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4873077336094353582?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4873077336094353582?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/in-brief-call-mom-edition.html" title="In Brief: Call Mom Edition" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;Ak8HRXw6eyp7ImA9WhBbGEU.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-8869453700176185912</id><published>2013-05-11T09:30:00.000-05:00</published><updated>2013-05-18T09:53:54.213-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-18T09:53:54.213-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Johann Sebastian Bach" /><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="jfl" /><category scheme="http://www.blogger.com/atom/ns#" term="Dip Your Ears" /><title>Dip Your Ears, No. 137 (Orchestral Suites Reconstructed)</title><summary>
J.S.Bach, Orchestral Suites
M.Huggett / Ensemble Sonnerie / G.X.Ruiz
Avie
   
Monica Hugget is one of the baroque music scene’s most cherished pioneer-veterans, co-founder of the Amsterdam Baroque Orchestra with Ton Koopman and founding member of the Academy of Ancient Music, she also worked with Trevor Pinnock and his English Concert and has led Toronto based Tafelmusik. She is currently the </summary><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8869453700176185912?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8869453700176185912?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/dip-your-ears-no-137-orchestral-suites.html" title="Dip Your Ears, No. 137 (Orchestral Suites Reconstructed)" /><author><name>jfl</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="21" height="32" src="http://3.bp.blogspot.com/_fvqDJniJWuw/TAQbHPYAK3I/AAAAAAAABE8/XxrCB4el5ck/S220/FrankfurtXII2009_1.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-5qNdvoe4EdM/T385kcE3K6I/AAAAAAAAB6E/nR1C_9bD0sI/s72-c/DIP-YOUR-EARS.png" height="72" width="72" /></entry><entry gd:etag="W/&quot;AkAHRnY_eip7ImA9WhBbEUQ.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-8881190955970509832</id><published>2013-05-10T10:12:00.000-05:00</published><updated>2013-05-10T10:12:17.842-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-10T10:12:17.842-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Film" /><title>For Your Consideration: 'Kiss of the Damned'</title><summary>Truth be told, I love a good vampire movie: Nosferatu, Frank Langella as Dracula, Fright Night, Guillermo del Toro's Cronos, the Swedish Let the Right One In -- excellent examples have come in lots of different forms. That predilection means that I can also enjoy a truly bad vampire movie, and that is where Kiss of the Damned, the new feature from Xan Cassavetes, comes in. This is the first </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/8881190955970509832/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=8881190955970509832&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8881190955970509832?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8881190955970509832?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/for-your-consideration-kiss-of-damned.html" title="For Your Consideration: 'Kiss of the Damned'" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-mv-VjJi77a4/UYzvxMRt64I/AAAAAAAAEr4/GES3pI0lXjA/s72-c/kissdamned.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkAMQn08cSp7ImA9WhBbEU4.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4026216052402924781</id><published>2013-05-09T15:18:00.002-05:00</published><updated>2013-05-09T15:19:43.379-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T15:19:43.379-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Benjamin Britten" /><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><title>Briefly Noted: 'Such the tenor man told...'</title><summary>

Britten, Songs, I. Bostridge, A. Pappano, X. Yang
(released on May 21, 2013)
EMI 4334302 | 70'15"
As noted earlier this week, the Britten centenary is yielding some welcome recordings of the composer's lesser-known works. Add to the list this disc of Britten's songs performed by tenor Ian Bostridge, who has the optimal type of voice for much of Britten's writing. Britten wrote most of these </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4026216052402924781/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4026216052402924781&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4026216052402924781?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4026216052402924781?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/briefly-noted-such-tenor-man-told.html" title="Briefly Noted: 'Such the tenor man told...'" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DEIMQ3w4cSp7ImA9WhBbEEk.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-8362038290100977392</id><published>2013-05-08T15:55:00.000-05:00</published><updated>2013-05-08T15:56:22.239-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-08T15:56:22.239-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="George Frideric Handel" /><category scheme="http://www.blogger.com/atom/ns#" term="Early Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera" /><title>Briefly Noted: 'Giove in Argo'</title><summary>

Handel, Giove in Argo, A. Hallenberg, K. Gauvin, A. Z. Giustiniani, Il Complesso Barocco, A. Curtis
(released on April 9, 2013)
Virgin 50999 72311622 | 156'50"

Previously:
Berenice | Alcina | Ezio
The Handel opera revival continues apace, with the latest work rediscovered being Giove in Argo, first performed at the King's Theater in London on May 1, 1739. The less said about the libretto, a </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/8362038290100977392/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=8362038290100977392&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8362038290100977392?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8362038290100977392?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/briefly-noted-giove-in-argo.html" title="Briefly Noted: 'Giove in Argo'" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CkQCQHk-fSp7ImA9WhBUGUo.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-3680920130136640762</id><published>2013-05-07T18:46:00.000-05:00</published><updated>2013-05-07T18:46:01.755-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-07T18:46:01.755-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Benjamin Britten" /><category scheme="http://www.blogger.com/atom/ns#" term="Summer Festivals" /><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera" /><title>Briefly Noted: 'Rape of Lucretia'</title><summary>

Britten, The Rape of Lucretia, I. Bostridge, S. Gritton, A. Kirchschlager, Aldeburgh Festival, O. Knussen
(released on February 5, 2013)
Virgin 50999 60267221 | 105'33"
On November 22nd this year -- St. Cecilia's Day -- Benjamin Britten would have celebrated his 100th birthday. Composer anniversaries are mostly for powering the engines of publicity, but if good performances and recordings come </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/3680920130136640762/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=3680920130136640762&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/3680920130136640762?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/3680920130136640762?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/briefly-noted-rape-of-lucretia.html" title="Briefly Noted: 'Rape of Lucretia'" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUQBRn8-cCp7ImA9WhBUGEo.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4410355754080186752</id><published>2013-05-06T15:49:00.000-05:00</published><updated>2013-05-06T15:49:17.158-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-06T15:49:17.158-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Theater" /><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Washington Post" /><category scheme="http://www.blogger.com/atom/ns#" term="Contemporary Music" /><title>Meredith Monk, 'On Behalf of Nature'</title><summary>

Charles T. Downey, Meredith Monk’s ‘On Behalf of Nature’ at Clarice Smith Center
Washington Post, May 6, 2013


Monk, Impermanence (ECM, 2008)
[READ REVIEW]If nature were to rise up and speak in defense of itself, its voice might sound like a Meredith Monk theater piece. That was the goal of Monk’s new work, “On Behalf of Nature,” presented at the Clarice Smith Performing Arts Center on </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4410355754080186752/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4410355754080186752&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4410355754080186752?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4410355754080186752?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/meredith-monk-on-behalf-of-nature.html" title="Meredith Monk, 'On Behalf of Nature'" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jz1q2KzrvyI/URxGN3j8YpI/AAAAAAAAEbk/YPMe0NqV6Qc/s72-c/Washington_Style_Section2_ionarts_600.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkcNQno6eCp7ImA9WhBUGE0.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4383582696063780642</id><published>2013-05-05T20:34:00.000-05:00</published><updated>2013-05-05T20:34:53.410-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-05T20:34:53.410-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="In Brief" /><title>In Brief: First Communion Edition</title><summary>Here is your regular Sunday selection of links to online audio, online video, and other good things in Blogville and Beyond. (After clicking to an audio or video stream, press the "Play" button to start the broadcast.)


     
 
 
  Watch the production of Debussy's Pelléas et Mélisande from Brussels, directed by Pierre Audi and conducted by Ludovic Morlot, with sets by Anish Kapoor and a cast </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4383582696063780642/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4383582696063780642&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4383582696063780642?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4383582696063780642?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/in-brief-first-communion-edition.html" title="In Brief: First Communion Edition" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;CUYFRXk-fSp7ImA9WhBbFE8.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-7592863565318563647</id><published>2013-05-04T10:21:00.000-05:00</published><updated>2013-05-13T00:31:54.755-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-13T00:31:54.755-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Alfred Schnittke" /><category scheme="http://www.blogger.com/atom/ns#" term="Dmitry Shostakovich" /><category scheme="http://www.blogger.com/atom/ns#" term="Rodion Shchedrin" /><category scheme="http://www.blogger.com/atom/ns#" term="National Symphony" /><category scheme="http://www.blogger.com/atom/ns#" term="Christoph Eschenbach" /><title>NSO's Russian Tribute to Rostropovich</title><summary>

Schnittke, Viola Concerto, D. A. Carpenter, Philharmonia Orchestra, C. Eschenbach (Ondine, 2009)


Shostakovich, Symphony No. 5, Philadelphia Orchestra, C. Eschenbach (Ondine, 2008)
Christoph Eschenbach is taking the National Symphony Orchestra to Carnegie Hall next weekend, with a program of Russian music in tribute to the ensemble's venerated former music director, Mstislav Rostropovich. The </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/7592863565318563647/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=7592863565318563647&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/7592863565318563647?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/7592863565318563647?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/nsos-russian-tribute-to-rostropovich.html" title="NSO's Russian Tribute to Rostropovich" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DU8EQXkyeip7ImA9WhBUFko.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-5435354049118657887</id><published>2013-05-04T09:30:00.000-05:00</published><updated>2013-05-04T09:30:00.792-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-04T09:30:00.792-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="CD Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="jfl" /><category scheme="http://www.blogger.com/atom/ns#" term="Early Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Dip Your Ears" /><title>Dip Your Ears, No. 136 (A Versatile Viol)</title><summary>

The Versatile Viol
Scottish &amp; Irish Music
Tina Chancey &amp; members of Hesperus
Golden Apple
   
This 2007 release is for all practical purposes a self-published CD; a tribute to Violist Tina Chancey’s (recorder-playing) husband Scott Reiss who took his life days after contributing to five of the 16 Scottish and Irish early folk songs here. In a technical sense, it’s a ‘vanity release’, except </summary><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5435354049118657887?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5435354049118657887?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/dip-your-ears-no-136-versatile-viol.html" title="Dip Your Ears, No. 136 (A Versatile Viol)" /><author><name>jfl</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="21" height="32" src="http://3.bp.blogspot.com/_fvqDJniJWuw/TAQbHPYAK3I/AAAAAAAABE8/XxrCB4el5ck/S220/FrankfurtXII2009_1.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-5qNdvoe4EdM/T385kcE3K6I/AAAAAAAAB6E/nR1C_9bD0sI/s72-c/DIP-YOUR-EARS.png" height="72" width="72" /></entry><entry gd:etag="W/&quot;C0cGRH8-fSp7ImA9WhBUFkw.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-5458775715795549082</id><published>2013-05-03T14:57:00.000-05:00</published><updated>2013-05-03T14:57:05.155-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T14:57:05.155-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera Lafayette" /><category scheme="http://www.blogger.com/atom/ns#" term="Jean-Philippe Rameau" /><category scheme="http://www.blogger.com/atom/ns#" term="Washington Post" /><category scheme="http://www.blogger.com/atom/ns#" term="Early Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Opera" /><title>Oh Dear, Poor Actaeon</title><summary>

Charles T. Downey, At the Kennedy Center, Opera Lafayette performs Charpentier’s ‘Actéon’
Washington Post, May 4, 2013


M.-A. Charpentier, Actéon, A. Sheehan, Boston Early Music Festival, P. O'Dette, S. Stubbs (cpo, 2010)The vengeful gods of ancient Greece devised devilishly clever punishments. The hunter Actaeon found that out when he glimpsed Artemis bathing in a pool. The goddess, her </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/5458775715795549082/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=5458775715795549082&amp;isPopup=true" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5458775715795549082?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5458775715795549082?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/oh-dear-poor-actaeon.html" title="Oh Dear, Poor Actaeon" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jz1q2KzrvyI/URxGN3j8YpI/AAAAAAAAEbk/YPMe0NqV6Qc/s72-c/Washington_Style_Section2_ionarts_600.jpg" height="72" width="72" /><thr:total>1</thr:total></entry><entry gd:etag="W/&quot;A08FQHc9cCp7ImA9WhBUFUk.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-5135371004330906650</id><published>2013-05-02T16:01:00.000-05:00</published><updated>2013-05-02T21:56:51.968-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-02T21:56:51.968-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Erich Wolfgang Korngold" /><category scheme="http://www.blogger.com/atom/ns#" term="WPAS" /><category scheme="http://www.blogger.com/atom/ns#" term="Anton Bruckner" /><title>Philadelphia Orchestra</title><summary>

Hilary Hahn: A Portrait (excerpts of Korngold concerto) (DG, 2007)


Bruckner, Symphony No. 7, Orchestre Métropolitain de Montréal, Y. Nézet-Séguin (Atma, 2007)
The Philadelphia Orchestra has survived the past few years of financial and leadership crises, but not without some damage to that venerable institution's reputation. Hopes are high that the tenure of the orchestra's new music director,</summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/5135371004330906650/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=5135371004330906650&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5135371004330906650?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5135371004330906650?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/philadelphia-orchestra.html" title="Philadelphia Orchestra" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;D0YFQng7eyp7ImA9WhBUFEk.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-4140775960269968945</id><published>2013-05-01T16:51:00.002-05:00</published><updated>2013-05-01T16:51:53.603-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-01T16:51:53.603-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Frédéric Chopin" /><category scheme="http://www.blogger.com/atom/ns#" term="Wolfgang Amadeus Mozart" /><category scheme="http://www.blogger.com/atom/ns#" term="Washington Post" /><category scheme="http://www.blogger.com/atom/ns#" term="Johann Sebastian Bach" /><category scheme="http://www.blogger.com/atom/ns#" term="Alexander Scriabin" /><title>Andrew Tyson, YCA</title><summary>

Charles T. Downey, At Kennedy Center, pianist Andrew Tyson makes debut solo recital
Washington Post, May 2, 2013


Scriabin, Sonata No. 3 (inter alia), E. KissinWhat does it take for a young performer to distinguish himself in the world of classical music? One way is to win a competition, which Andrew Tyson did by taking first prize in the Young Concert Artists International Auditions in 2011. </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/4140775960269968945/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=4140775960269968945&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4140775960269968945?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/4140775960269968945?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/05/andrew-tyson-yca.html" title="Andrew Tyson, YCA" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jz1q2KzrvyI/URxGN3j8YpI/AAAAAAAAEbk/YPMe0NqV6Qc/s72-c/Washington_Style_Section2_ionarts_600.jpg" height="72" width="72" /><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkMGSHg7fCp7ImA9WhBbF0w.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-8616955519146210028</id><published>2013-04-30T23:44:00.000-05:00</published><updated>2013-05-16T09:27:09.604-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-16T09:27:09.604-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Calendar" /><title>Classical Month in Washington (June)</title><summary>Last month | Next monthClassical Month in Washington is a monthly feature. If there are concerts you would like to see included on our schedule, send your suggestions by e-mail (ionarts at gmail dot com). Happy listening!

June 1, 2013 (Sat)
2 pm
Markus Groh, piano
WPAS
Kennedy Center Terrace Theater

June 1, 2013 (Sat)
7:30 pm
National Chamber Ensemble
With Carlos Rodriguez, piano
Rosslyn </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/8616955519146210028/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=8616955519146210028&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8616955519146210028?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8616955519146210028?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/04/classical-month-in-washington-june.html" title="Classical Month in Washington (June)" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DkYMSXgyeCp7ImA9WhBUE04.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-5776716133264889596</id><published>2013-04-30T10:03:00.000-05:00</published><updated>2013-04-30T10:03:08.690-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-30T10:03:08.690-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Ludwig van Beethoven" /><category scheme="http://www.blogger.com/atom/ns#" term="Pyotr Tchaikovsky" /><category scheme="http://www.blogger.com/atom/ns#" term="National Symphony" /><title>Jaap van Zweden Directs the NSO</title><summary>Dutch conductor Jaap van Zweden led the National Symphony Orchestra on Saturday evening in a program of Wagenaar, Beethoven, and Tchaikovsky. Van Zweden, who is Music Director of the Dallas Symphony, violently jerked the musical leash of the hundred-plus musical personalities to establish leadership in the beginning of Johan Wagenaar’s Overture to Cyrano de Bergerac. His abusive gestures during </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/5776716133264889596/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=5776716133264889596&amp;isPopup=true" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5776716133264889596?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/5776716133264889596?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/04/jaap-van-zweden-directs-nso.html" title="Jaap van Zweden Directs the NSO" /><author><name>Michael Lodico</name><uri>http://www.blogger.com/profile/04689017729693889908</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-CLL-bXOC10s/UX9KKo63WqI/AAAAAAAAEro/MFCi7IpDUuQ/s72-c/vanzweden.jpg" height="72" width="72" /><thr:total>1</thr:total></entry><entry gd:etag="W/&quot;CE8GRXkzfyp7ImA9WhBUEk4.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-8716365222736985867</id><published>2013-04-29T05:53:00.000-05:00</published><updated>2013-04-29T05:53:44.787-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-29T05:53:44.787-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Concert Reviews" /><category scheme="http://www.blogger.com/atom/ns#" term="Frédéric Chopin" /><category scheme="http://www.blogger.com/atom/ns#" term="Johann Sebastian Bach" /><category scheme="http://www.blogger.com/atom/ns#" term="WPAS" /><category scheme="http://www.blogger.com/atom/ns#" term="Ludwig van Beethoven" /><category scheme="http://www.blogger.com/atom/ns#" term="Karol Szymanowski" /><title>Rafał Blechacz in Holding Pattern</title><summary>

Debussy / Szymanowski, Sonata, R. Blechacz (DG, 2012)
Rafał Blechacz's first visit to Washington, in 2010, confirmed the Polish pianist's gift for the music of Chopin. The jury and audience at the 2005 Chopin Competition in Warsaw were so impressed with his ability to play Chopin that he swept every prize, an achievement so remarkable that the jury decided not to award a second prize. </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/8716365222736985867/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=8716365222736985867&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8716365222736985867?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/8716365222736985867?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/04/rafa-blechacz-in-holding-pattern.html" title="Rafał Blechacz in Holding Pattern" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry><entry gd:etag="W/&quot;DEMESXc4fSp7ImA9WhBUEUs.&quot;"><id>tag:blogger.com,1999:blog-5607352.post-606272234822773292</id><published>2013-04-28T11:25:00.000-05:00</published><updated>2013-04-28T11:26:48.935-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-28T11:26:48.935-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="News" /><category scheme="http://www.blogger.com/atom/ns#" term="In Brief" /><title>In Brief: Cool Spring Edition</title><summary>Here is your regular Sunday selection of links to online audio, online video, and other good things in Blogville and Beyond. (After clicking to an audio or video stream, press the "Play" button to start the broadcast.)

         
The French premiere of Gerald Barry's new opera The Importance of Being Earnest, recorded last month in Nancy, plus a performance of Viktor Ullmann's one-act opera Der </summary><link rel="replies" type="application/atom+xml" href="http://ionarts.blogspot.com/feeds/606272234822773292/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=5607352&amp;postID=606272234822773292&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/606272234822773292?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/5607352/posts/default/606272234822773292?v=2" /><link rel="alternate" type="text/html" href="http://ionarts.blogspot.com/2013/04/in-brief-cool-spring-edition.html" title="In Brief: Cool Spring Edition" /><author><name>Charles T. Downey</name><uri>http://www.blogger.com/profile/14978821617871429169</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="26" height="32" src="http://photos1.blogger.com/blogger/5654/208/320/ctdpiano.jpg" /></author><thr:total>0</thr:total></entry></feed>
