The music video will be showcased at the Kennedy Center (Millennium Stage) for the "What’s Going On…Now" campaign May 2 and May 3, 2012, followed by a John Legend concert on May 3rd. THATS TONIGHT! 6pm!

If you’re not able to attend, there’s live streaming available at 6pm EST here: http://www.kennedy-center.org/programs/millennium/

Afterwards we’ll be heading over to the center stage of the Kennedy Center for an exclusive John Legend concert. Excited to wear a fancy gown and high heels… not enough excuses to dress up, and this is a great one!

"What’s Going On…Now" is a digital project designed to inspire, engage, and educate youth on the powerful link between the arts and social action, based on the Marvin Gaye song "What’s Going On". This project brings together some of the brightest voices in youth-centered arts and media across the country.

Music video by Izaca Productions.
Cinematography by Isabelle Carbonell
Second camera by Richard Dean
Editing by Sarah Cannon. Produced by Jonathan Williams aka Boy Tokyo.

Tags: kennedy center, millenium stage, makes me wanna holla, whats going on now, marvin gaye, artlab+, artlab, hirschhorn museum, smithsonian, noise factory, LAYC Art and media house, youth, teens, civil liberties, social action, washington dc, izaca productions, isabelle carbonell, sarah cannon, jonathan williams, boy tokyo, richard dean

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Fantastic time, all around. Two premiers in one month, I could get used to this!

Tags: Mi Aldea Mi Langosta, My Village My Lobster, Nicaragua, Puerto Cabezas, Environmental Film Festival, Isabelle Carbonell, Izaca Productions, Nomading Films, Joshua Wolff, Brad Allgood, lobster divers, the bends, screening, world premierTags: spiny caribbean lobster

It was lovely to see our film up on the big screen, and we got plenty of laughs in all the right places!

The film could make a great festival run and we’re planning on submitting it elsewhere. We’re currently waiting to hear back from other festivals on other films too, so many irons in the fire.

Meanwhile, a film I worked on in Nicaragua is going to screen March 17th at the DC Environmental Film Festival: "My Village, My Lobster: Mi Aldea, Mi Langosta" about lobster diving, the spiny Caribbean Lobster trade, and the environmental and human cost of such an economy in poor coastal town of Puerto Cabezas. Trailer and more info: http://www.nomading.com/nomading/films/

Director Joshua Wolff will be in attendance and so will I. Come check it out!

Tags: My Village My Lobster, Mi Aldea Mi Langosta, Nicaragua, Puerto Cabezas, Lobster Diving, Spiny Caribbean Lobster, DC Envrionmental Film Festival, Baffle Their Minds with Bullshit Kerry Leigh, Kerry Leigh, DCIFF, DC Independent Film Festival, Isabelle Carbonell, Izaca, Izaca Productions

In the fury of getting this rough cut semi-ready for this work-in-progress screening, I forgot to send out a heads-up about this event.

We’re having a work-in-progress screening at George Washington University under the umbrella of Docs In Progress, a very cool organization based right here in Washington DC. It’ll be the very first time I show the whole documentary to an audience.

The past few months have seen me and an editor named Richard Dean working on crafting this cut, along with some encouragement from my story editor Fernanda Rossi.

Check this link for more information: http://docsinprogress.org/events/16/work-in-progress-screening-nov-3-2011/

It’s at 7pm-930pm at if you’d like to come,

George Washington University School of Media and Public Affairs Building
805 21st Street, NW
Auditorium B-07
Washington DC 20052

There definitely will be one more work-in-progress screening in about two months at another location so I will announce that one earlier!

Much love

Isabelle (& the team)

I wanted to do a quick shoutout to my fantastic web designer Ariela Steif, who between the two of us finally nailed down an awesome design and layout of the new Somos Buzos website. It’s really spiffy while still remaining accessible to most of the world’s browsers (i.e. not flash-based).

www.somosbuzos.com

Kickstarter money went to creating this! Thank you again!

As for the rough cut we are slogging through it – slow, but steady. I’m due for another session with Fernanda Rossi, the story consultant in NYC as soon as I have a visual cut ready! Stay tuned.

Abrazos

Isabelle

 Tags: Dominican Republic, Trash, Trash Divers, Somos Buzos, Buzos, Garbage, Landfill, Dump, Trash Dump, Trash workers, Website Redesign, Ariela Steif, Isabelle Carbonell, Izaca Productions, www.izaca.com, Izaca, Fernanda Rossi

Perhaps the information I’ll find will blow my mind?

Tags: Dubai, Surf Safely, Authority, Middle East, Internet, Censorship

http://www.amazon.com/Slow-Death-Rubber-Duck-Everyday/dp/1582435677

I now confirmed that I have a whole bunch of bad chemicals in my body resulting from my exposure to a  ton of chemicals that are in EVERYTHING. I removed my iphone case today and threw it away. That nice feeling rubber actually ends up in my body everyday.

The office chair from IKEA I’m sitting on right now, so lovely, is probably doused in flame retardants. Some of my baby nephew’s clothes are as well perhaps? Although they passed a law that prevented that.

The clothes that *I* wear, especially the cheap items I’ve bought over the years, is all polyester this, rayon that, PFO this, polymer-based fiber that, etc. at nauseum. I now try to pay really close attention to what I’m buying with my clothes… all natural fibers if possible. But damn. Hard to find. And I don’t like shopping at hippie festivals as the source of my clothes. I don’t really like shopping actually.

The teflon pans I’ve been avoiding like the plague are indeed one of the most toxic ideas ever invented. Let’s cook in plastic! Great idea! Everything slippery-ippery-doo! Nevermind that my baby bird dies at the slightest higher heat teflon is exposed to. I redouble my efforts to avoid it, but alas, what about restaurants? What about my friends who doesn’t have all this context and view me as batty and still use teflon even when I’ve relegated the pans to the darkest corner of the closet? (of course, they’re starting to switch, but I don’t believe in preaching)

Irons have teflon, did you know that? Yep, melts polymer-stuff into your clothes while you iron. My iron got stuck the other day with some sticky black stuff… a button? who knows. Friend of mine cleaned it with "paste made for irons". You press the beige-looking paste onto a towel, and then scrub off the synthetic melted fibers. That’s when I realized the iron had a teflon coating on it, because the teflon started to come off along with the black stuff. And nevermind the smoke. Great – breathed in a whole bunch of vaporized teflon chemicals.

Phthalates are in everything also: soaps, shampoos, cans, containers, packaging, FOOD (yes, actual FOOD), aftershave, lotion, perfumes, colognes, nailpolish, etc etc. Your body absorbs phthalates in record time… it is really crazy. You can test your exposure to phthalates over a 24 hour period and notice a difference (via blood tests before and after) after a specific exposure to phthalates.

As a final summary of my read so far… the whole organic products thing being in plastic containers is a big, big joke. We get a ton of chemicals in our food during the processing of it (in the factory) but also in the storage. So go glass baby. ALL the way. Metal cans? Lined with BPA plastic. Cartons? Lined with plastic. Plastic containers? … > so how can food be organic, chemically free, when they’re stored in unregulated plastic containers….?! It’s an oxymoron.

Ah. Sigh. Our society. How did this all happen? How can the greed of corporations and industries be so great as to be willing to harm consumers to make a profit? I mean that’s what it all comes down to because all these industries have the studies that spell out the negative effects of their products in human beings and in the environment. The studies are suffocated, hidden, and only dug up when mega-lawsuits are brought on to great personal costs of individual citizens. CITIZENS should not have the burden to prove multi-million dollar industries wrong. The INDUSTRY should have the burden to prove to the government (and the citizens) that its products are safe. Not the other way around.

Profit, man. It’s such a powerful motivator. Coupled with greed, it’s the end of all things good. Could you imagine a world not motivated by profit? Is that even possible?

Skyscrapers. What a funny word. I’d rather trees than concrete and find myself wishing mountains instead to mottle my sunlight and breath air into my lungs.

But. It would make for a great timelapse. Let me try and do that today with the new timer I bought a month ago. And don’t we always get tired of anything that is the same, day after day? Perhaps it is nothing to do with Dubai but my restless feet… I want to finish this big editing splurge I am on!

In other news, a lot of work is progressing on Somos Buzos (but I’ll reserve the news for it’s own post) and on my new shorts channel… which I will launch in another month! I’m still trying to find a good name. I’ve scoured my shooting from the past year, all on the 5D, and found something like 84 shorts which might make good small films, and of course, more being generated everyday! Experimental, whimsical, serious, they span the gamut.

xoxo, Isabelle

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"Some groups are far better than others at inculcating functional norms and social skills. Children from disorganized, unstable communities have a much harder time acquiring the discipline to succeed in life. And a famous experiment conducted around 1970 demonstrated that the ability of 4-year-olds to postpone gratification by leaving a marshmallow uneaten for a time as a condition of receiving a second marshmallow was a very good predictor of success in life: “The kids who could wait a full 15 minutes had, 13 years later, SAT scores that were 210 points higher than the kids who could wait only 30 seconds. . . . Twenty years later, they had much higher college-completion rates, and 30 years later, they had much higher incomes. The kids who could not wait at all had much higher incarceration rates. They were much more likely to suffer from drug- and alcohol-addiction problems.”

Tags: Delayed Gratification

http://www.nytimes.com/2011/03/13/books/review/book-review-the-social-animal-by-david-brooks.html

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As an independent filmmaker I use mainly the EX1/EX3, and my Canon 5D. When on other peoples’ shoots, I’m able to use other things, but this is specific to my set up for my shoots, for the time being.

The EX1/EX3 is a fail-safe. It’s been fantastic as a camera: even though I employ most of the manual controls it offers, it’s still a get-ready-and-go camera for me, combining all the features I need into one box and letting me worry more about interviewing and directing rather than shooting issues.

Being that I’m originally a photographer, I got really excited when the possibilities of the 5D became clearer. I could use my really shallow depth of field lenses that I already had and get gorgeous interviews without buying the $20,000 lens set ups other cameras needed, EX1 somewhat included (ok, more like $3000 or something but I’m still no where in that price range just for a lens).

Not. That. Simple. Hoooold up cowboy.

The 5D is an entirely different set up. It goes back to the old system of dual-recorded tracks. One for audio, and one for video. This is not a detail. It’s a Big Effing Deal. If you’re not an audio person, like me, then you suddenly find yourself having to scramble and learn how to use audio equipment for real. Most people recommend the H4N zoom recorder as a on-the-go field recorder. You can either use it as it is with the on-board mics (high quality) or you can plug in via XLR two externals.

So I got the Zoom H4N. It has now completely messed up three of my shoots, one of them being very important. I might attribute the first two to my lack of skills with it, but the third shoot was unacceptably not my fault.

Notes: The zoom H4N recorder  is NOT connected to the camera – it functions completely independently. That’s the whole point of the zoom H4N. It’s a separate entity. Well you’re then having to deal with a second entity and all its issues. The Zoom H4N apparently doesn’t like cards bigger than 8GB, nor does like certain brands, nor does the zoom manufacturer or company advertise this anywhere or warn you in the manual. The zoom H4N also does not take to shutting down safely if batteries run out. If you’re in the M4H mode like I was, trying to record 4 audio inputs at once and providing phantom power … the batteries run out extremely fast.

If the batteries run out while you’re recording, you will lose your whole recording. As I did. All files showed up, but empty. Poof. 3 hours. Unrepeatable. I had 16GB Sandisk in there. Previous failed recordings were on a 32GB Kingston. Both are really good brands.

Now, the phantom power: apparently you can’t switch on the phantom power for only one external input. So, if I have my wireless lav in Input 1 and my audiotechnica shotgun mic in input 2, which needs phantom power, then I’ll hear little jolts of power over input 1 as my wireless lav doesn’t need it. If I turn off the M4H mode and go into STEREO mode which is what most people record in, then I can’t use the zoom’s on-board mics. So I’m reduced to. Recording. Only. One. Input. NOT OKAY.

Now, the EX1 also has this either-or set up… either you use the onboard mic (very bad, you hear all the camera noise) or the external inputs, but the external XLR are individually controlled by little knobs where you can set up phantom power or not. So I can have two audio inputs. Which is all I ever, really need.

On the EX1 I have a big massive battery that lasts for 6 hours that takes care of EVERYTHING – audio AND video. So I have only one battery source to worry about. If my battery runs out, I do not lose any video or audio. If I hear the audio over my microphones… then it exists, it’s there, and its’ badaboom ALREADY SYNCED so I don’t have to go back over my files later and find the audio files I had separately recorded. The post is much easier in regards to audio.

Now, the zoom H4N does allow me to leave it on, while my camera is off. Sometimes I just don’t want to get video of someone talking forever in the same spot, with unchanging facial expressions and unlikely good material. Perhaps I’m out of cards or can’t download the footage yet and clear them. Whatever the case may be, the H4N allows me to still record audio in the meantime, a handy backup. That is, if it works, which it really hasn’t yet.

To make everything more complicated, the 5D isn’t really set up for all of this external stuff, so you need to get a rig. A rig can be made out of anything. PVC piping. Metal bars. Wood. Anything. But of course, if you want to look professional, you don’t want to show up to interviews with a duct-taped (however functional) piece of cobbled bits together, so you need to buy this rig or actually spend quite a bit of time building a nice one. If you’ve got power tools in your shed, and you’re good with them, and you have some patience, creativity and time… then great.

My Chinese-made rig, which I got for $160, isn’t great but it more than does the job. It keeps my shots stable. It folds up smallish. It’s a bit too heavy. It looks professional.

I bought a $4 flash bracket to fit onto my hot-shoe that holds my zoom H4N (why did they call that stupid recorder a zoom???) my wireless receiver, and the audio technica shotgun mic. At this point it’s about as heavy as I can have it if I’m going to do lots of handheld shooting over a long day.

However. It is advisable to also get an external monitor. I have a crappy one I need to send back. No comment as of now. Well, yes, I do have a comment: that external monitors are great in theory but when you’re shooting solo are ridiculous accessories you have no time for. I should use one for my EX1 but I don’t have time for it then either. I can focus fine in my viewfinder off the 5D. The extra amount of control that comes with the external monitor isn’t worth the crowds that gather behind me to “watch the show” nor the extra weight or hassle to set it up. Not to mention that my external monitor needs to be PLUGGED IN (not something I understood when I bought it, thumbs waaay down).

We come to the final two rounds of extra stuff you need for the 5D. Lenses, and follow focus.

So follow focus is a thing of Hollywood and fiction films. If you’ve got time for setting up and repeating shots and tracking focus, it’s absolutely necessary. But on-the-go, documentary style shooting? It falls low on my list, almost impractical [update: TOTALLY impractical]. The only thing which has made sense is the hybrid “friction” follow focus. Those just lay on your lens and via friction will focus your lens. I used mine that I got from IDCPro once on a shoot and it was nice… but that’s it. It was nice. It was a pain in the ass to take off afterwards as I had forgotten my key for it, and didn’t have an approximate tool. It’s heavy. It isn’t on-the-go friendly, at all. I’d use it ONLY if I was shooting something with my prime, and had time to worry.

Time to worry. Now that’s the big thing. When you’re shooting solo or on a two-(wo)man team, and you’re having to interview or direct as well as shoot… this set up is a nightmare to nail down right AND direct AND interview.

Lastly – lenses. I got all excited that I was going to use my 85mm prime lens I have for these upcoming interviews. On the first one, I realized that the distance I needed to my subject to get the right depth of field for a 2/3 body crop (him AND part of his motorcycle) made me having to stand far away to interview him. I had someone monitoring the camera and came closer but it was still too far away to create that intimate feel I’m used to. [update: this was taken care of with just switching to my 50mm]

Also, a big duh-moment for me, I had forgotten that there is no zooming on the prime. That’s why they call them primes… because they’re at a fixed-focal length. Which is why you can get such a beautiful image. But. It also means you can’t recrop in one interview without

a. moving the tripod + all your gear closer/farther away, or

b. changing your lenses halfway through the interview… which means stopping the flow of things.

So my idea to shoot with a prime doesn’t work reliably [update: I take the chance with it. See my latest film "Baffle Them with Bullsh*t, Kerry Leigh" completely filmed with a 50mm]. YES I would do this if I was the cinematographer and only the cinematographer. But I am too often playing multiple roles that take too much of my time to worry about changing lenses. Not to mention, checking camera batteries, audio batteries, sound (as it’s being recorded), and if the subject is still framed correctly, AND remembering what my subject says so I can keep moving forward in the interview. I went back to shooting on a 85-105 after that, and realized that the only other thing I could try and is shoot on a macro lens because that gives me great depth of field at really close ranges, but it still would be a pain to reframe if I wanted. So what I did with the first interview is just go wide as I could always crop in later on. [update: which is what I did for Kerry Leigh, and it works great. Perhaps it saves me the headache of having zoomed in when I shouldn't have].

So, it requires a new shooting style. The problem is that its takes waaaay too much brainpower if I’m the only one on location who knows what they’re doing. If I’ve got a cinematographer doing everything, and I can focus on other things, then it’s a go. If I’m able to let go of my other duties and just shoot, then it’s a go.

Together, I need to make compromises. Less so on sit-down, stable interviews, but definitely more-so on handheld verité style shoots.

I’m shooting all the time. This post will evolve over time. I thought I’d write this while it was still fresh from an intense week of experimenting new gear in Qatar.

Shoot me your comments or questions, let me know your experience with all this gear, and any suggestions you may have.

xoxoxo

Isabelle

UPDATE: I’ve gotten a lot more used to my set up and just can’t get over how relatively small and portable it all is compared to my EX1. My process is much smoother now. Confirmation on: No monitor for documentary shoots. No follow focus, its useless, but DO get a lens that has a smooth focus ring on it (all the new canon lenses, made in the USA, have that). Oh there’s more, but I’ll leave a big update for later. Ciao!

Tags: 5D, Canon 5D, friction follow focus, follow focus, external monitors, documentary film, documentary filmmaking, independent documentary filmmaking, 5D rig, 5D cages, EX1, EX3, wireless lav, wireless mics, shotgun mic, audio, sound, film, video, ethnography, on the go shooting, rough and ready shooting, easy shooting, zoom H4N recorder, prime lensesTags: isabelle carbonell, isabelle, carbonell