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	<title>Jeanne Oliver</title>
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	<link>https://jeanneoliver.com</link>
	<description>Art+ Lifestyle Workshops &#124; Make the Whole World Your Studio</description>
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	<title>Jeanne Oliver</title>
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		<title>An Analog Life &#124; A True Artist Reflection</title>
		<link>https://jeanneoliver.com/an-analog-life-a-true-artist-reflection/</link>
					<comments>https://jeanneoliver.com/an-analog-life-a-true-artist-reflection/#comments</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Tue, 12 May 2026 17:36:51 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Lifestyle]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227765</guid>

					<description><![CDATA[We are barely into the new year and a consistent theme that I see being shared everywhere online, is that 2026 is the year to be analog. At first, I didn’t think much of it but then I was seeing it on Substack, blog posts, social media, etc. What struck me as odd was that [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227776" src="https://jeanneoliver.com/wp-content/uploads/2026/05/New-Thing-Post-4-scaled.jpg" alt="" width="701" height="876" /></p>
<p>We are barely into the new year and a consistent theme that I see being shared everywhere online, is that 2026 is the year to be analog. At first, I didn’t think much of it but then I was seeing it on Substack, blog posts, social media, etc. What struck me as odd was that all of these declarations were being made through or using technology (as this article is also being shared in a digital format). How ironic.</p>
<p>I do not have scientific data to back this up, but being an artist and knowing so many artists, I am of the opinion, that is the true artist reflection anyways. We are analog beings to start with, all of us, BUT the artist is more likely to observe and honor that part of how they have been made. At the least, probably more aware when they feel off physically, mentally or creatively.</p>
<p>My non-scientific analysis of the situation is based upon my own experience living as an analog person in a non-analog world. My mind and body don’t feel good in a world that dishonors our natural rhythms. Fluorescent lights, being inside all of the time, eyes in front of a computer/phone/television most of the day, disconnected from nature, time to be quiet, live in silence, let your mind wander, or creating just for creating’s sake.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227773" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-008-scaled.jpg" alt="" width="601" height="801" /></p>
<p>My children will be the last generation that spent part of their childhood without cell phones and portable computer devices. My generation grew up fully without them. So, my memories of what that period felt like is what pulls me back to what I know feels good, nurturing, restful, quiet, creative, connective and life giving.</p>
<p>Technology has allowed us to have an online business,  listen to my vinyl collection on a record player through clear speakers, watch movies from the AFI top 100 list with a projector and screen. I FaceTime our children in Nashville and my heart feels at rest just seeing their faces. I can learn about anything at any time.  Technology is not the problem. The problem is when we forget to put it away.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227772" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-006-scaled.jpg" alt="" width="602" height="803" /></p>
<p>When I kept hearing that people wanted this year to be analog, I took it as a collective human cry, “I need rest. I want to breathe again. I want to think my own thoughts.” Everything is coming at us morning to night IF we allow it. We cannot cry that we deeply desire a more analog life and then spend hours drowning in the distraction.</p>
<p>The more tired and overwhelmed we become can also mean that when we are at our most exhausted, we turn to the one thing that is right in front of us and easy. We turn to the very thing that is overwhelming us, keeping us from quiet, rest, connection and creativity.</p>
<p>So, what does an analog life really look like in the midst of a world full of technology? Making analog choices in a world constantly fighting for your attention takes intention.  The louder the world gets (and it will get louder) the more you will have to fight for quiet, rest, connection, and creativity.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227771" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-005-scaled.jpg" alt="" width="601" height="801" /></p>
<p>Replacing what is easy with what is real, truly desired and needed will take effort. I can promise you that once you dip your toe into a more analog world, the more your body and mind will crave it. It is like when you start drinking more water. As you drink the water your body truly needs, you notice when you aren’t getting enough. Sometimes we are so depleted in an area that, until we are filled back up, we don’t even realize the impact it was having on our life, mind and body.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227774" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-009-scaled.jpg" alt="" width="599" height="819" /></p>
<p>I had a traumatic brain injury my first year in college. It is not something I talk about often but it impacts me almost every day. I spent years in and out of hospitals and doctor’s offices trying to get help. The biggest healing I have seen in my day-to-day life (and this healing has been beautiful and extraordinary) started when I found a doctor that looked at my symptoms and then searched for the source of what was causing them. She didn’t try to mask the symptoms. Over the years I have had to take action in almost every area of my life to allow my brain to function well (or at least better). Sometimes I believe the car accident was a blessing in disguise because it wouldn’t allow the “normal” of this world to be acceptable to my function.</p>
<p>So much of what I’m sharing with you is because it truly makes me FEEL better. I am not choosing things out of nostalgia; I choose them because I live a better life. I am a better version of me when I acknowledge and honor that my brain can’t function in a busy/loud/technology heavy world. My brain will not allow my body to work the way the world may consider normal, so I don’t play along. I can’t. So, I would also acknowledge that I am years and years into living an analog life, but not because of some enlightenment, but because of necessity. I would also say that much of what society is now begging for is based on necessity too. The time has come for everyone to live a more analog life.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227770" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-004-scaled.jpg" alt="" width="605" height="807" /></p>
<p>I would encourage you to find your own rhythm and slower practices that help your body, brain and creativity to function better. Your version does not need to look like mine. When I share some of my practices I also want to remind you, once again, that I had to be intentional with my daily choices or I don’t think I would have survived. I am not saying that lightly. My choices are years in the making. Start slowly and add more once new habits become lifestyle choices.</p>
<p>I have worked through what my brain and body needs starting from my first pregnancy all the way to the present. This more analog life has helped me in all stages of motherhood and womanhood. I get to bed early enough that I wake up naturally without an alarm and allow myself slow and intentional mornings. This looks like devotions, walking a few miles, coffee and connecting with Kelly. I do my Morning Pages when I am in a good rhythm and when I am my most intentional.  It is important to me to make time to learn each day through reading. If the weather is beautiful, you will most likely find me sitting outside, probably with a book, with my feet to the ground. This allows my brain to slow down and rest from anything online that I have been doing. I am also a stickler for only doing one thing at a time. I do not even try to convince myself or others that I can multi-task. One tab is open on my computer at a time, I watch a movie with no phone, etc. My brain needs presence for each thing I do. A true limitation or side effect of my brain injury but a gift in hindsight.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227769" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-003-scaled.jpg" alt="" width="600" height="692" /></p>
<p>One of the most wonderful decisions we have made as empty nesters is to make room for rest, creativity, learning and then actually planning for it. It is easy to fall into television or my phone at the end of the night without making room for, and planning the alternative. Each week we have scheduled a night to read, a night to listen to records together, and a night to watch a new movie from the AFI 100 list. Because these nights are on the calendar, we go into our day intentionally planning for it and being excited to pick our record, book or movie, etc. These are just the things we do, but you could plan anything. Something that invites you to slow down, be present and do more things you talk about wanting to do.</p>
<p>Over the past few years, I have been writing letters back and forth with a few friends. I find that I am more honest and/or vulnerable when I write my thoughts on paper. These letters also often include drawings, newspaper clippings, recipes etc. As soon as one of their letters arrive, I put it aside until I can sit down and slowly take in each word as a treasure. I don’t take it for granted that another person I love took the time to write to me.</p>
<p>Of all my little analog lifestyle changes over the years I would say one of the most impactful to my mind has been a Sabbath. One day a week (it can be any day) that I 100% do not work. I do not answer emails, don’t clean the house, don’t do yard work, don’t talk about work, don’t buy things, don’t do laundry…I don’t work or consume. I rest. Rest can look like hiking, reading, making art, gathering with friends, watching a documentary, talking on the phone with a friend or making a beautiful meal. A Sabbath. This is not only for those of faith but a call to everyone, no matter what they believe. It is an intentional choice to remind yourself that the world still spins without your pursuing/hustling. This was one of the hardest lifestyles changes we implemented a few years ago and it has been the most healing in my mindset. I don’t want to ever go back.</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227768" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-002.jpg" alt="" width="602" height="790" /></p>
<p>Many years ago, my brain and body broke and needed me to live differently than the rest of the world. That broken part of me put me on a food, creativity, and lifestyle journey that put me back together in one of the most intentional ways I can even imagine. The most wonderful part for you is that you are most likely not physically broken and get to say yes to a more analog life for all that it holds for you. I believe the most authentic parts of you will show up!</p>
<p><img loading="lazy" decoding="async" class="aligncenter wp-image-5227767" src="https://jeanneoliver.com/wp-content/uploads/2026/05/analog-001-scaled.jpg" alt="" width="600" height="750" /></p>
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		<title>1 More Day Until Cyanotype As A Visual Practice with Reyes Boluda</title>
		<link>https://jeanneoliver.com/1-more-day-until-cyanotype-as-a-visual-practice-with-reyes-boluda/</link>
					<comments>https://jeanneoliver.com/1-more-day-until-cyanotype-as-a-visual-practice-with-reyes-boluda/#respond</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Thu, 07 May 2026 12:00:54 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227404</guid>

					<description><![CDATA[Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light. In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation. “In Exploring Cyanotype as a Visual Practice”, you [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227398" src="https://jeanneoliver.com/wp-content/uploads/2026/05/Launch-Countdown-3-scaled.jpg" alt="" width="763" height="954" /></a></p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226102" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1.jpg" alt="" width="1030" height="579" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-980x551.jpg 980w, https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1030px, 100vw" /></a></p>
<div>Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light.</div>
<div></div>
<div>In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation.</div>
<div>
<p>“In Exploring Cyanotype as a Visual Practice”, you are invited to work with botanicals, photographic images, textiles, and paper while learning both the technical foundations and the expressive possibilities of this legacy process. We will explore cyanotype as a language, moving between precision and chance, control and experimentation, allowing space for curiosity and discovery.</p>
<p>Throughout the course, I will guide you step by step through preparing your materials, understanding exposure, creating digital negatives, working with plants and images, toning, and experimenting with wet cyanotype techniques. Along the way, we will reflect on the history of cyanotype, its connection to nature, and how to develop a personal visual voice within this medium shaped by individual choices made during the cyanotype process.</p>
<p>This course is designed for creatives who are drawn to slow processes, tactile work, and meaningful image making. Whether you are new to cyanotype or looking to deepen your practice, you will leave with a clear technical foundation, a body of experimental work, and a renewed relationship with light, time, and material.</p>
</div>
<p><iframe loading="lazy" title="Cyanotype as a Visual Practice Promo" frameborder="0" height="720" src="https://player.vimeo.com/video/1173838957?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" width="1280"></iframe></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<h1>Techniques Taught</h1>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Preparing and mixing cyanotype chemistry safely</li>
<li>Coating paper, fabric, and ceramic surfaces with cyanotype solution</li>
<li>Controlling exposure using natural UV light</li>
<li>Rinsing and developing cyanotype prints properly</li>
<li>Troubleshooting exposure and development issues</li>
<li>Creating botanical cyanotypes using real plants</li>
<li>Designing and printing digital negatives for cyanotype</li>
<li>Printing photographic images in cyanotype</li>
<li>Applying wet cyanotype techniques for experimental effects</li>
<li>Toning cyanotype prints using natural materials</li>
<li>Adjusting pH to modify tonal outcomes</li>
<li>Adding hand stitching to finished cyanotype prints</li>
</ul>
</li>
</ul>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225311" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg" alt="" width="683" height="910" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg 683w, https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35-480x640.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 683px, 100vw" /></a></p>
<p class="ck-paragraph" data-slate-node="element">Meet Reyes</p>
<p data-slate-node="element">I am a Spanish visual artist working with both analog and digital processes, collage, and mixed media. My practice centers on portraiture as a space of identity, memory, and presence. I work intuitively, allowing materials, time, and chance to guide the process. Archival photographs, found documents, drawing, and painterly gesture coexist in my work, creating visual constructions that balance intimacy and distance, fragility and resilience. My portraits are not meant to describe a person, but to construct a visual presence. They explore how personal and collective histories surface through gesture, texture, and form. Cyanotype holds a special place in my practice. I am drawn to it as an ancient and almost magical way of writing with light, where chemistry, time, and nature collaborate in unpredictable ways. The moment of revelation, when the image emerges in water, continues to feel like a quiet act of wonder and transformation. I live and work between Spain and the UK, developing my work through independent practice, collaborative projects, and an ongoing exploration of material-based processes.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225339" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1024x768-collage.jpg" alt="" width="803" height="602" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226105" src="https://jeanneoliver.com/wp-content/uploads/2026/03/cyanotype-techniques-taught-scaled.jpg" alt="" width="749" height="937" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p>If this is your first course with us or you are a longtime member we want to share how easy it is to find out more, register, see the supply list and share with your friends.</p>
<p>1. Come and read all about the new course <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><strong>HERE.</strong></a><br />
2. If you think your friends would love this course we would be beyond honored to have you share the promo video. We have included all of the social media links under the video to make it easy. You can also directly share the course page. You do not have to be a member of this site to see what we have to offer!<br />
3. We also have over 160 other courses and to see what we are offering you can go directly to jeanneoliver.com and then click on courses.<br />
4. All of our courses are pre-recorded so you can watch them at your convenience. The best part is that you have lifetime* access.<br />
5. If you have any questions about the course <a href="https://jeanneoliver.com/contact">please contact support here</a>.</p>
<p>*As long as we manage the creative network</p>
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		<title>May Online Course Special &#124; Twombly with Jeanne Oliver 50% Off</title>
		<link>https://jeanneoliver.com/may-online-course-special-twombly-with-jeanne-oliver-50-off/</link>
					<comments>https://jeanneoliver.com/may-online-course-special-twombly-with-jeanne-oliver-50-off/#respond</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Thu, 07 May 2026 10:47:33 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227502</guid>

					<description><![CDATA[&#160; Cy Twombly has long been one of my very favorite abstract artists. I have been fascinated by his mark making language, his use of color (and sometimes complete lack thereof) and that he was diverse on canvas, paper and assemblage. Recently, as I stood in front of many of his original works a friend [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/courses/cy-twombly/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227503" src="https://jeanneoliver.com/wp-content/uploads/2026/05/TWOMBLY-MAY-SPECIAL.jpg" alt="" width="721" height="1282" /></a></p>
<p>&nbsp;</p>
<p>Cy Twombly has long been one of my very favorite abstract artists. I have been fascinated by his mark making language, his use of color (and sometimes complete lack thereof) and that he was diverse on canvas, paper and assemblage.</p>
<p>Recently, as I stood in front of many of his original works a friend turned to me and said, “When I see a Twombly it just makes me want to create”. I agreed with her. Seeing his works invites you to play, explore, experiment. You want to look closer and figure out what he used, why he used a staple or where he brought in plaster.</p>
<p>Growing up I wanted to be an archeologist when I grew up. Funny that is what we become as artists but with storytelling, layers, texture and paint.</p>
<h1>Techniques Taught</h1>
<ul>
<li>Short history of Cy Twombly</li>
<li>Create a chalkboard effect on paper or canvas</li>
<li>Working with white chalk and white china marker</li>
<li>Monochromatic works</li>
<li>Twombly’s mark making language</li>
<li>Creating layers and texture on canvas</li>
<li>Works on paper and layering like Twombly</li>
<li>Exploration of Twombly’s assemblage</li>
</ul>
<p>&nbsp;</p>
<p>Get <a href="https://jeanneoliver.com/courses/cy-twombly/">Twombly</a> for 50% off using the code TWOMBLY50</p>
<p>&nbsp;</p>
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		<title>2 More Days Until Cyanotype As A Visual Practice with Reyes Boluda</title>
		<link>https://jeanneoliver.com/2-more-days-until-cyanotype-as-a-visual-practice-with-reyes-boluda/</link>
					<comments>https://jeanneoliver.com/2-more-days-until-cyanotype-as-a-visual-practice-with-reyes-boluda/#respond</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Wed, 06 May 2026 12:00:54 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227401</guid>

					<description><![CDATA[Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light. In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation. “In Exploring Cyanotype as a Visual Practice”, you [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227402" src="https://jeanneoliver.com/wp-content/uploads/2026/05/Launch-Countdown-2-1-scaled.jpg" alt="" width="785" height="981" /></a></p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226102" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1.jpg" alt="" width="1030" height="579" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-980x551.jpg 980w, https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1030px, 100vw" /></a></p>
<div>Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light.</div>
<div></div>
<div>In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation.</div>
<div>
<p>“In Exploring Cyanotype as a Visual Practice”, you are invited to work with botanicals, photographic images, textiles, and paper while learning both the technical foundations and the expressive possibilities of this legacy process. We will explore cyanotype as a language, moving between precision and chance, control and experimentation, allowing space for curiosity and discovery.</p>
<p>Throughout the course, I will guide you step by step through preparing your materials, understanding exposure, creating digital negatives, working with plants and images, toning, and experimenting with wet cyanotype techniques. Along the way, we will reflect on the history of cyanotype, its connection to nature, and how to develop a personal visual voice within this medium shaped by individual choices made during the cyanotype process.</p>
<p>This course is designed for creatives who are drawn to slow processes, tactile work, and meaningful image making. Whether you are new to cyanotype or looking to deepen your practice, you will leave with a clear technical foundation, a body of experimental work, and a renewed relationship with light, time, and material.</p>
</div>
<p><iframe loading="lazy" title="Cyanotype as a Visual Practice Promo" frameborder="0" height="720" src="https://player.vimeo.com/video/1173838957?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" width="1280"></iframe></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<h1>Techniques Taught</h1>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Preparing and mixing cyanotype chemistry safely</li>
<li>Coating paper, fabric, and ceramic surfaces with cyanotype solution</li>
<li>Controlling exposure using natural UV light</li>
<li>Rinsing and developing cyanotype prints properly</li>
<li>Troubleshooting exposure and development issues</li>
<li>Creating botanical cyanotypes using real plants</li>
<li>Designing and printing digital negatives for cyanotype</li>
<li>Printing photographic images in cyanotype</li>
<li>Applying wet cyanotype techniques for experimental effects</li>
<li>Toning cyanotype prints using natural materials</li>
<li>Adjusting pH to modify tonal outcomes</li>
<li>Adding hand stitching to finished cyanotype prints</li>
</ul>
</li>
</ul>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225311" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg" alt="" width="683" height="910" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg 683w, https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35-480x640.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 683px, 100vw" /></a></p>
<p class="ck-paragraph" data-slate-node="element">Meet Reyes</p>
<p data-slate-node="element">I am a Spanish visual artist working with both analog and digital processes, collage, and mixed media. My practice centers on portraiture as a space of identity, memory, and presence. I work intuitively, allowing materials, time, and chance to guide the process. Archival photographs, found documents, drawing, and painterly gesture coexist in my work, creating visual constructions that balance intimacy and distance, fragility and resilience. My portraits are not meant to describe a person, but to construct a visual presence. They explore how personal and collective histories surface through gesture, texture, and form. Cyanotype holds a special place in my practice. I am drawn to it as an ancient and almost magical way of writing with light, where chemistry, time, and nature collaborate in unpredictable ways. The moment of revelation, when the image emerges in water, continues to feel like a quiet act of wonder and transformation. I live and work between Spain and the UK, developing my work through independent practice, collaborative projects, and an ongoing exploration of material-based processes.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225339" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1024x768-collage.jpg" alt="" width="803" height="602" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226105" src="https://jeanneoliver.com/wp-content/uploads/2026/03/cyanotype-techniques-taught-scaled.jpg" alt="" width="749" height="937" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p>If this is your first course with us or you are a longtime member we want to share how easy it is to find out more, register, see the supply list and share with your friends.</p>
<p>1. Come and read all about the new course <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><strong>HERE.</strong></a><br />
2. If you think your friends would love this course we would be beyond honored to have you share the promo video. We have included all of the social media links under the video to make it easy. You can also directly share the course page. You do not have to be a member of this site to see what we have to offer!<br />
3. We also have over 160 other courses and to see what we are offering you can go directly to jeanneoliver.com and then click on courses.<br />
4. All of our courses are pre-recorded so you can watch them at your convenience. The best part is that you have lifetime* access.<br />
5. If you have any questions about the course <a href="https://jeanneoliver.com/contact">please contact support here</a>.</p>
<p>*As long as we manage the creative network</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Icons + Legends &#124; In the Spotlight with Alma Thomas</title>
		<link>https://jeanneoliver.com/icons-legends-in-the-spotlight-with-alma-thomas/</link>
					<comments>https://jeanneoliver.com/icons-legends-in-the-spotlight-with-alma-thomas/#comments</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Wed, 06 May 2026 08:11:53 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227336</guid>

					<description><![CDATA[&#160; Welcome to the Icons + Legends series. Each month I will highlight a different artist and share what I find fascinating about their work and life. This month in the spotlight is educator, art advocate, and painter Alma Thomas. &#160; &#8220;Alma Thomas was an artist and educator best known for her colorful abstract paintings. [&#8230;]]]></description>
										<content:encoded><![CDATA[<div data-sfc-cp="" data-hveid="CAIQAA" data-complete="true" data-processed="true"><img loading="lazy" decoding="async" class="aligncenter wp-image-5227337" src="https://jeanneoliver.com/wp-content/uploads/2026/05/ALMA-THOMAS-ICONS-AND-LEGENDS.jpg" alt="" width="798" height="1064" /></div>
<div data-sfc-cp="" data-hveid="CAIQAA" data-complete="true" data-processed="true"></div>
<p>&nbsp;</p>
<div data-sfc-cp="" data-hveid="CAIQAA" data-complete="true" data-processed="true">Welcome to the Icons + Legends series. Each month I will highlight a different artist and share what I find fascinating about their work and life. This month in the spotlight is educator, art advocate, and painter Alma Thomas.</div>
<div class="Y3BBE" data-sfc-cp="" data-hveid="CAQQAA" data-complete="true" data-processed="true" aria-owns="action-menu-parent-container">
&nbsp;</p>
<p>&#8220;Alma Thomas was an artist and educator best known for her colorful abstract paintings. Born and raised in Columbus, GA., her family moved to Washington, D.C. when she was 15, seeking relief from the racial climate of the South. Thomas graduated from Howard University in 1924, becoming the first person to graduate from the newly-formed Department of Art. Though Thomas’s early artwork was realistic, her Howard professor James V. Herring and peer Lois Mailou Jones—both notable artists in their own right—encouraged her to experiment with abstract styles. Thomas taught art for 35 years and pursued painting in her free time. After retiring from teaching, Thomas developed her signature abstract style and debuted her first exhibition at Howard University at the age of 75. Her mosaic-like paintings translated art history, nature, and personal aesthetic in simple compositions influenced by the pointillism and abstract expressionism movements. Thomas was the first African American woman to have a solo exhibition at the Whitney Museum of American art. In 2015, 37 years after her death, Thomas&#8217;s piece “Resurrection” (1966) became the first piece of artwork by a Black woman to hang in a public space in the White House and enter the permanent collection.&#8221; &#8211; <a href="https://thedig.howard.edu/featured-people/alma-thomas">The Dig at Howard University</a></p>
<p>Previous Icons + Legends | <a href="https://jeanneoliver.com/icons-legends-in-the-spotlight-with-helene-schjerfbeck/">Helene Schjaefbeck</a> and <a href="https://jeanneoliver.com/icons-legends-in-the-spotlight-with-haidee-becker/">Haidee Becker </a>and <a href="https://jeanneoliver.com/icons-legends-in-the-spotlight-with-ruth-asawa/">Ruth Asawa</a></p>
</div>
<p>&nbsp;</p>
<p><a href="https://www.youtube.com/watch?v=CQnOnJh4_ns"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227462" src="https://jeanneoliver.com/wp-content/uploads/2026/05/composing-color.jpg" alt="" width="701" height="399" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/composing-color.jpg 701w, https://jeanneoliver.com/wp-content/uploads/2026/05/composing-color-480x273.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 701px, 100vw" /></a></p>
<p><a href="https://nmwa.org/blog/artist-spotlight/artist-spotlight-alma-thomas/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227461" src="https://jeanneoliver.com/wp-content/uploads/2026/05/artist-spotlight.jpg" alt="" width="702" height="406" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/artist-spotlight.jpg 702w, https://jeanneoliver.com/wp-content/uploads/2026/05/artist-spotlight-480x278.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 702px, 100vw" /></a></p>
<p><a href="https://www.youtube.com/watch?v=8i8_Ol3fjM0&amp;t=29s"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227464" src="https://jeanneoliver.com/wp-content/uploads/2026/05/life-and-career.jpg" alt="" width="700" height="394" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/life-and-career.jpg 700w, https://jeanneoliver.com/wp-content/uploads/2026/05/life-and-career-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></a></p>
<p><a href="https://www.singulart.com/blog/en/2023/11/20/alma-thomas-famous-paintings/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227463" src="https://jeanneoliver.com/wp-content/uploads/2026/05/famous-works.jpg" alt="" width="699" height="391" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/famous-works.jpg 699w, https://jeanneoliver.com/wp-content/uploads/2026/05/famous-works-480x269.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 699px, 100vw" /></a></p>
<p><a href="https://www.youtube.com/watch?v=pzgT9zEWhmI"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227466" src="https://jeanneoliver.com/wp-content/uploads/2026/05/your-new-favorite-artist.jpg" alt="" width="701" height="412" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/your-new-favorite-artist.jpg 701w, https://jeanneoliver.com/wp-content/uploads/2026/05/your-new-favorite-artist-480x282.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 701px, 100vw" /></a></p>
<p><a href="https://www.youtube.com/watch?v=BP15D3PJaVY"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227465" src="https://jeanneoliver.com/wp-content/uploads/2026/05/national-gallery-art-talks.jpg" alt="" width="701" height="412" srcset="https://jeanneoliver.com/wp-content/uploads/2026/05/national-gallery-art-talks.jpg 701w, https://jeanneoliver.com/wp-content/uploads/2026/05/national-gallery-art-talks-480x282.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 701px, 100vw" /></a></p>
]]></content:encoded>
					
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			<slash:comments>10</slash:comments>
		
		
			</item>
		<item>
		<title>3 More Days Until Cyanotype As A Visual Practice with Reyes Boluda</title>
		<link>https://jeanneoliver.com/3-more-days-until-cyanotype-as-a-visual-practice-with-reyes-boluda/</link>
					<comments>https://jeanneoliver.com/3-more-days-until-cyanotype-as-a-visual-practice-with-reyes-boluda/#respond</comments>
		
		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Tue, 05 May 2026 18:08:47 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227396</guid>

					<description><![CDATA[Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light. In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation. “In Exploring Cyanotype as a Visual Practice”, you [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227399" src="https://jeanneoliver.com/wp-content/uploads/2026/05/Launch-Countdown-scaled.jpg" alt="" width="880" height="1100" /></a></p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226102" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1.jpg" alt="" width="1030" height="579" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-980x551.jpg 980w, https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1030px, 100vw" /></a></p>
<div>Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light.</div>
<div></div>
<div>In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation.</div>
<div>
<p>“In Exploring Cyanotype as a Visual Practice”, you are invited to work with botanicals, photographic images, textiles, and paper while learning both the technical foundations and the expressive possibilities of this legacy process. We will explore cyanotype as a language, moving between precision and chance, control and experimentation, allowing space for curiosity and discovery.</p>
<p>Throughout the course, I will guide you step by step through preparing your materials, understanding exposure, creating digital negatives, working with plants and images, toning, and experimenting with wet cyanotype techniques. Along the way, we will reflect on the history of cyanotype, its connection to nature, and how to develop a personal visual voice within this medium shaped by individual choices made during the cyanotype process.</p>
<p>This course is designed for creatives who are drawn to slow processes, tactile work, and meaningful image making. Whether you are new to cyanotype or looking to deepen your practice, you will leave with a clear technical foundation, a body of experimental work, and a renewed relationship with light, time, and material.</p>
</div>
<p><iframe loading="lazy" title="Cyanotype as a Visual Practice Promo" frameborder="0" height="720" src="https://player.vimeo.com/video/1173838957?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" width="1280"></iframe></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<h1>Techniques Taught</h1>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Preparing and mixing cyanotype chemistry safely</li>
<li>Coating paper, fabric, and ceramic surfaces with cyanotype solution</li>
<li>Controlling exposure using natural UV light</li>
<li>Rinsing and developing cyanotype prints properly</li>
<li>Troubleshooting exposure and development issues</li>
<li>Creating botanical cyanotypes using real plants</li>
<li>Designing and printing digital negatives for cyanotype</li>
<li>Printing photographic images in cyanotype</li>
<li>Applying wet cyanotype techniques for experimental effects</li>
<li>Toning cyanotype prints using natural materials</li>
<li>Adjusting pH to modify tonal outcomes</li>
<li>Adding hand stitching to finished cyanotype prints</li>
</ul>
</li>
</ul>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225311" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg" alt="" width="683" height="910" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg 683w, https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35-480x640.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 683px, 100vw" /></a></p>
<p class="ck-paragraph" data-slate-node="element">Meet Reyes</p>
<p data-slate-node="element">I am a Spanish visual artist working with both analog and digital processes, collage, and mixed media. My practice centers on portraiture as a space of identity, memory, and presence. I work intuitively, allowing materials, time, and chance to guide the process. Archival photographs, found documents, drawing, and painterly gesture coexist in my work, creating visual constructions that balance intimacy and distance, fragility and resilience. My portraits are not meant to describe a person, but to construct a visual presence. They explore how personal and collective histories surface through gesture, texture, and form. Cyanotype holds a special place in my practice. I am drawn to it as an ancient and almost magical way of writing with light, where chemistry, time, and nature collaborate in unpredictable ways. The moment of revelation, when the image emerges in water, continues to feel like a quiet act of wonder and transformation. I live and work between Spain and the UK, developing my work through independent practice, collaborative projects, and an ongoing exploration of material-based processes.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225339" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1024x768-collage.jpg" alt="" width="803" height="602" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226105" src="https://jeanneoliver.com/wp-content/uploads/2026/03/cyanotype-techniques-taught-scaled.jpg" alt="" width="749" height="937" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p>If this is your first course with us or you are a longtime member we want to share how easy it is to find out more, register, see the supply list and share with your friends.</p>
<p>1. Come and read all about the new course <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><strong>HERE.</strong></a><br />
2. If you think your friends would love this course we would be beyond honored to have you share the promo video. We have included all of the social media links under the video to make it easy. You can also directly share the course page. You do not have to be a member of this site to see what we have to offer!<br />
3. We also have over 160 other courses and to see what we are offering you can go directly to jeanneoliver.com and then click on courses.<br />
4. All of our courses are pre-recorded so you can watch them at your convenience. The best part is that you have lifetime* access.<br />
5. If you have any questions about the course <a href="https://jeanneoliver.com/contact">please contact support here</a>.</p>
<p>*As long as we manage the creative network</p>
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		<title>Cyanotype as a Visual Practice with Reyes Boluda &#124; Begins on Friday</title>
		<link>https://jeanneoliver.com/cyanotype-as-a-visual-practice-with-reyes-boluda-begins-on-friday/</link>
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		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Mon, 04 May 2026 12:20:39 +0000</pubDate>
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					<description><![CDATA[Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light. In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation. “In Exploring Cyanotype as a Visual Practice”, you [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226102" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1.jpg" alt="" width="1030" height="579" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-980x551.jpg 980w, https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1920x1080-featured-1-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1030px, 100vw" /></a></p>
<div>Cyanotype is a slow, poetic photographic process that invites us to pause, observe, and work with light, time, and matter. An ancient way of writing with light.</div>
<div></div>
<div>In this course, cyanotype becomes more than a technique. It becomes a visual practice rooted in observation, materiality, and contemplation.</div>
<div>
<p>“In Exploring Cyanotype as a Visual Practice”, you are invited to work with botanicals, photographic images, textiles, and paper while learning both the technical foundations and the expressive possibilities of this legacy process. We will explore cyanotype as a language, moving between precision and chance, control and experimentation, allowing space for curiosity and discovery.</p>
<p>Throughout the course, I will guide you step by step through preparing your materials, understanding exposure, creating digital negatives, working with plants and images, toning, and experimenting with wet cyanotype techniques. Along the way, we will reflect on the history of cyanotype, its connection to nature, and how to develop a personal visual voice within this medium shaped by individual choices made during the cyanotype process.</p>
<p>This course is designed for creatives who are drawn to slow processes, tactile work, and meaningful image making. Whether you are new to cyanotype or looking to deepen your practice, you will leave with a clear technical foundation, a body of experimental work, and a renewed relationship with light, time, and material.</p>
</div>
<p><iframe loading="lazy" title="Cyanotype as a Visual Practice Promo" frameborder="0" height="720" src="https://player.vimeo.com/video/1173838957?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" width="1280"></iframe></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<h1>Techniques Taught</h1>
<ul>
<li style="list-style-type: none;">
<ul>
<li>Preparing and mixing cyanotype chemistry safely</li>
<li>Coating paper, fabric, and ceramic surfaces with cyanotype solution</li>
<li>Controlling exposure using natural UV light</li>
<li>Rinsing and developing cyanotype prints properly</li>
<li>Troubleshooting exposure and development issues</li>
<li>Creating botanical cyanotypes using real plants</li>
<li>Designing and printing digital negatives for cyanotype</li>
<li>Printing photographic images in cyanotype</li>
<li>Applying wet cyanotype techniques for experimental effects</li>
<li>Toning cyanotype prints using natural materials</li>
<li>Adjusting pH to modify tonal outcomes</li>
<li>Adding hand stitching to finished cyanotype prints</li>
</ul>
</li>
</ul>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225311" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg" alt="" width="683" height="910" srcset="https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35.jpg 683w, https://jeanneoliver.com/wp-content/uploads/2026/03/Reyes-Boluda-headshot-35-480x640.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 683px, 100vw" /></a></p>
<p class="ck-paragraph" data-slate-node="element">Meet Reyes</p>
<p data-slate-node="element">I am a Spanish visual artist working with both analog and digital processes, collage, and mixed media. My practice centers on portraiture as a space of identity, memory, and presence. I work intuitively, allowing materials, time, and chance to guide the process. Archival photographs, found documents, drawing, and painterly gesture coexist in my work, creating visual constructions that balance intimacy and distance, fragility and resilience. My portraits are not meant to describe a person, but to construct a visual presence. They explore how personal and collective histories surface through gesture, texture, and form. Cyanotype holds a special place in my practice. I am drawn to it as an ancient and almost magical way of writing with light, where chemistry, time, and nature collaborate in unpredictable ways. The moment of revelation, when the image emerges in water, continues to feel like a quiet act of wonder and transformation. I live and work between Spain and the UK, developing my work through independent practice, collaborative projects, and an ongoing exploration of material-based processes.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5225339" src="https://jeanneoliver.com/wp-content/uploads/2026/03/Cyanotype-as-a-Visual-Practice-1024x768-collage.jpg" alt="" width="803" height="602" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p><a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5226105" src="https://jeanneoliver.com/wp-content/uploads/2026/03/cyanotype-techniques-taught-scaled.jpg" alt="" width="749" height="937" /></a></p>
<p><b>Registration is open</b> for <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/">Cyanotype as a Visual Practice</a> with Reyes Boluda. <strong>Registration price is $98. The course begins on May 8th @ 5am MT. </strong>The course has 4 hours of content. <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><span class="s1">Come and read all about it</span></a>. All videos are downloadable, lifetime access* and closed captioned.</p>
<p>If this is your first course with us or you are a longtime member we want to share how easy it is to find out more, register, see the supply list and share with your friends.</p>
<p>1. Come and read all about the new course <a href="https://jeanneoliver.com/courses/cyanotype-as-a-visual-practice/" target="_blank" rel="noopener"><strong>HERE.</strong></a><br />
2. If you think your friends would love this course we would be beyond honored to have you share the promo video. We have included all of the social media links under the video to make it easy. You can also directly share the course page. You do not have to be a member of this site to see what we have to offer!<br />
3. We also have over 160 other courses and to see what we are offering you can go directly to jeanneoliver.com and then click on courses.<br />
4. All of our courses are pre-recorded so you can watch them at your convenience. The best part is that you have lifetime* access.<br />
5. If you have any questions about the course <a href="https://jeanneoliver.com/contact">please contact support here</a>.</p>
<p>*As long as we manage the creative network</p>
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		<title>Birthday Sale Ends Tomorrow Night @ Midnight! &#124; One Course 40% Off</title>
		<link>https://jeanneoliver.com/birthday-sale-ends-tomorrow-night-midnight-one-course-40-off/</link>
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		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Mon, 04 May 2026 12:00:25 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227278</guid>

					<description><![CDATA[&#160; This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too. Come celebrate with me and get ONE course that you have [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227279" src="https://jeanneoliver.com/wp-content/uploads/2026/05/bday-sale-may-five-scaled.jpg" alt="" width="799" height="999" /></a></p>
<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5210560" src="https://jeanneoliver.com/wp-content/uploads/2025/04/birthday-sale-2025.jpg" alt="" width="802" height="1203" /></a></p>
<p>&nbsp;</p>
<p class="p1">This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too.</p>
<p class="p2"><span class="s1">Come celebrate with me and <a href="https://jeanneoliver.com/course-home/"><span class="s2"><b>get ONE course that you have been looking at for 40% off! </b></span></a></span></p>
<p class="p1"><b>Use code: BIRTHDAY at checkout. </b></p>
<p class="p1"><i>Thank you so much for being a part of our creative community! It means everything to us!</i></p>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5227092" src="https://jeanneoliver.com/wp-content/uploads/2026/05/birthday-sale-40-scaled.jpg" alt="" width="773" height="966" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="entry-content jpibfi_container">
<p class="p1"><b>Note Promotion Details Applicable*</b></p>
<p class="p1"><b>Courses Not Included: </b>Beyond the Press and Cyanotype as a Visual Practice</p>
<p class="p1"><b>Does Not Apply Towards: </b>Shop Merchandise of any kind | Live Workshops | Gift Cards</p>
<p class="p1"><b>Cannot be applied towards previous purchase: </b>Not During the sale or after | No Exchanges | No Exceptions</p>
<p class="p1">Sale Expires on May 5th  @ 11:59 pm MT</p>
</div>
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		<title>Birthday Sale! &#124; 40% Off One Course</title>
		<link>https://jeanneoliver.com/birthday-sale-40-off-one-course-2/</link>
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		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Sat, 02 May 2026 16:07:30 +0000</pubDate>
				<category><![CDATA[All]]></category>
		<category><![CDATA[Art Studio]]></category>
		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227230</guid>

					<description><![CDATA[&#160; This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too. Come celebrate with me and get ONE course that you have [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5210560" src="https://jeanneoliver.com/wp-content/uploads/2025/04/birthday-sale-2025.jpg" alt="" width="802" height="1203" /></a></p>
<p>&nbsp;</p>
<p class="p1">This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too.</p>
<p class="p2"><span class="s1">Come celebrate with me and <a href="https://jeanneoliver.com/course-home/"><span class="s2"><b>get ONE course that you have been looking at for 40% off! </b></span></a></span></p>
<p class="p1"><b>Use code: BIRTHDAY at checkout. </b></p>
<p class="p1"><i>Thank you so much for being a part of our creative community! It means everything to us!</i></p>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5227092" src="https://jeanneoliver.com/wp-content/uploads/2026/05/birthday-sale-40-scaled.jpg" alt="" width="773" height="966" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="entry-content jpibfi_container">
<p class="p1"><b>Note Promotion Details Applicable*</b></p>
<p class="p1"><b>Courses Not Included: </b>Beyond the Press and Cyanotype as a Visual Practice</p>
<p class="p1"><b>Does Not Apply Towards: </b>Shop Merchandise of any kind | Live Workshops | Gift Cards</p>
<p class="p1"><b>Cannot be applied towards previous purchase: </b>Not During the sale or after | No Exchanges | No Exceptions</p>
<p class="p1">Sale Expires on May 5th  @ 11:59 pm MT</p>
</div>
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		<title>Birthday Sale! &#124; 40% Off One Course</title>
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		<dc:creator><![CDATA[Jeanne Oliver]]></dc:creator>
		<pubDate>Fri, 01 May 2026 12:00:23 +0000</pubDate>
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		<guid isPermaLink="false">https://jeanneoliver.com/?p=5227091</guid>

					<description><![CDATA[&#160; This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too. Come celebrate with me and get ONE course that you have [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter wp-image-5210560" src="https://jeanneoliver.com/wp-content/uploads/2025/04/birthday-sale-2025.jpg" alt="" width="802" height="1203" /></a></p>
<p>&nbsp;</p>
<p class="p1">This is ALMOST my birthday week and on May 5th I turn 54!  I love birthdays! I love making it extra special for those I love and I will squeeze out all of the goodness I can when it comes to me too.</p>
<p class="p2"><span class="s1">Come celebrate with me and <a href="https://jeanneoliver.com/course-home/"><span class="s2"><b>get ONE course that you have been looking at for 40% off! </b></span></a></span></p>
<p class="p1"><b>Use code: BIRTHDAY at checkout. </b></p>
<p class="p1"><i>Thank you so much for being a part of our creative community! It means everything to us!</i></p>
<p>&nbsp;</p>
<p><a href="https://jeanneoliver.com/course-home/"><img loading="lazy" decoding="async" class="aligncenter  wp-image-5227092" src="https://jeanneoliver.com/wp-content/uploads/2026/05/birthday-sale-40-scaled.jpg" alt="" width="773" height="966" /></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div class="entry-content jpibfi_container">
<p class="p1"><b>Note Promotion Details Applicable*</b></p>
<p class="p1"><b>Courses Not Included: </b>Beyond the Press and Cyanotype as a Visual Practice</p>
<p class="p1"><b>Does Not Apply Towards: </b>Shop Merchandise of any kind | Live Workshops | Gift Cards</p>
<p class="p1"><b>Cannot be applied towards previous purchase: </b>Not During the sale or after | No Exchanges | No Exceptions</p>
<p class="p1">Sale Expires on May 5th  @ 11:59 pm MT</p>
</div>
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<section id="comment-wrap">
<div id="comment-section" class="nocomments"></div>
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