tag:blogger.com,1999:blog-16967018587885341532026-10-12T10:45:38.988-04:00Listen to all of our subject driven themed playlists streaming exclusively on @Spotify, curated by @MotzANeli via @PlayListsOfLife. Also, check out @ClassicMixtapeRun! Where we dive back into some of our favorite mixtapes via classic mixtape sites. All ideas are welcomed!Unknownnoreply@blogger.comBlogger3660125tag:blogger.com,1999:blog-1696701858788534153.post-37687995169611718252026-10-12T10:41:35.365-04:002026-10-12T10:45:38.988-04:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8P569WYbJO2vvvoy6XYeftr7cDk26kGOtccdZmVYM24nkbDvu-stzK7hrvQewwm1JKIsA2YEjXnrmbZY6C54xTAEE96gE8SgrwABD4u4AxVK5Abu7t2ISUNswU-ja0ivCKMP5jkFZXZGDGuESazS86NmpyB4e6t8kF0zb8zSA3kGppmMtABU9P1dvDlkM/s500/Episode31Cover.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8P569WYbJO2vvvoy6XYeftr7cDk26kGOtccdZmVYM24nkbDvu-stzK7hrvQewwm1JKIsA2YEjXnrmbZY6C54xTAEE96gE8SgrwABD4u4AxVK5Abu7t2ISUNswU-ja0ivCKMP5jkFZXZGDGuESazS86NmpyB4e6t8kF0zb8zSA3kGppmMtABU9P1dvDlkM/s320/Episode31Cover.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;">Motzy Says…&nbsp;</span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;"><i>“Man, I can vividly recall being younger and hearing a guy and a girl collaborate on a song. I genuinely believed they were in a romantic relationship. However, as I grew older, I realized they were simply exceptional collaborations between a male and a female artist.&nbsp;</i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;"><i><br /></i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;"><i>The melodies and harmonies they created together made the song feel like we were witnessing a genuine relationship unfold in musical form. I often find myself pondering the creation of these songs, considering whose idea it was, who produced it, and what compelled the two artists to collaborate. They conveyed emotions through these songs, regardless of whether they dealt with love, hardships, or breakups.&nbsp;</i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;"><i><br /></i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-size-adjust: auto;"><span class="s1"><span style="font-family: inherit; font-size: medium;"><i>These songs resonated deeply with me, prompting me to reflect on my own past relationships. I questioned my choices, wondering how I could have improved things and whether the relationships were truly worth it. With this playlist titled “Singing Like A Couple,” I aimed to compile songs that evoke a wide range of relationship compelled emotions.”</i></span></span></p><div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" data-testid="embed-iframe" frameborder="0" height="232" loading="lazy" src="https://open.spotify.com/embed/episode/5jJCZGmFjSdVX1vonFONCR?utm_source=generator&amp;si=99ca301e40f64981" style="border-radius: 12px;" width="100%"></iframe></div></div></div><p style="text-align: center;">&nbsp;<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/NaIXrhE9Rbo?si=z2Ky1JUIUlQbgDV0" title="YouTube video player" width="560"></iframe></p><p style="text-align: center;"><i><span style="font-size: large;"><span style="font-style: normal;">MotzANeli goes into full detail of each song on this playlist through its origin, sample, producers, recording process, track listing and more. </span><span style="font-style: normal;"><span>As always go back and listen to the&nbsp;</span></span></span></i><a href="https://open.spotify.com/playlist/4fxI8qI7w0VwuqG0vrIFYJ"><span style="font-size: large;">“Singing Like A Couple”</span></a>&nbsp;&nbsp;<i><span style="font-size: large; font-style: normal;">playlist so you can see why this episode was made. Enjoy!</span></i></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/MotzANeli" style="font-style: normal;"><span style="font-size: medium;">Follow @MotzANeli</span></a></i></p><p style="text-align: center;"><i style="font-size: large;"><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span>Follow @JoinDaCrowd</span></a></i></p><div class="separator" style="clear: both; text-align: center;"><i><span style="font-size: medium; font-style: normal;"><div><div><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/PlaylistsOfLife"><span>Follow @PlaylistsOfLife</span></a></div><div><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/Spotify"><span>Follow @Spotify</span></a></div></div></span></i></div><blockquote style="border-color: currentcolor; border-image: none; border-style: none; border-width: medium; border: none; margin: 0px 0px 0px 40px; padding: 0px;"><div class="separator" style="clear: both; text-align: center;"><i><span style="font-size: medium; font-style: normal;"><div></div></span></i></div></blockquote>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-72505759468198300162026-07-31T08:21:29.626-04:002026-09-10T05:40:09.774-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZqfwvNG3RYOu96sbYxqnB69ENFfbtJqui5nlJiIhXeVIHq89yFxbFqcGVlYsg-lmm5fICDaHwF_ivOJPdIoXMZLyCvsmQ6v36TJK2-G5uH12yRnqxFmdl05XRVZRZKnLdAsoCC1bY9Ncj7yLaRq8EzQzwV8cJRPOscoNdm_cpjQJ9N6_jJ6-gMU62MsA/s1254/BA16A863-2110-4ADD-B56D-9F48E30F895E.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZqfwvNG3RYOu96sbYxqnB69ENFfbtJqui5nlJiIhXeVIHq89yFxbFqcGVlYsg-lmm5fICDaHwF_ivOJPdIoXMZLyCvsmQ6v36TJK2-G5uH12yRnqxFmdl05XRVZRZKnLdAsoCC1bY9Ncj7yLaRq8EzQzwV8cJRPOscoNdm_cpjQJ9N6_jJ6-gMU62MsA/s320/BA16A863-2110-4ADD-B56D-9F48E30F895E.PNG" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Growing up on R&amp;B, no songs hit quite like male-female duets. Hearing both sides on one track felt like listening to a relationship unfold in real time, making us pick sides, reflect on our own love lives, and feel every emotion. Nothing captures the drama of love like an R&amp;B duet. R&amp;B duets have a unique way of capturing the ups and downs of real relationships. This playlist is all about those iconic duets that feel like a real couple singing their hearts out to each other. Over 2 hours of songs from the 2020’s down to the 1960’s, immerse yourself into our favorite “couples vibes” through Rhythm &amp; Blues.</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGeRe2sNX0MgGLUI3NYsXs81MgOICAqL0xy35Ckul8MKNi9XWHJRP0rcthrq3TpWHc9lQSNz9ynl4OhOfzawW7OCp3qVMB1isdXVeR42w-HP-FN7621u7Vanv7jEm2VPvOauuixlNO3VMFDeafWKvfENC8pkQgtzcbeqzRsRA6vEiAL5F7RWLvjC47TBh7/s1254/9E2C3CE0-F4A3-40E8-BEE9-6E3E5B7EA8B8.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGeRe2sNX0MgGLUI3NYsXs81MgOICAqL0xy35Ckul8MKNi9XWHJRP0rcthrq3TpWHc9lQSNz9ynl4OhOfzawW7OCp3qVMB1isdXVeR42w-HP-FN7621u7Vanv7jEm2VPvOauuixlNO3VMFDeafWKvfENC8pkQgtzcbeqzRsRA6vEiAL5F7RWLvjC47TBh7/s320/9E2C3CE0-F4A3-40E8-BEE9-6E3E5B7EA8B8.PNG" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" data-testid="embed-iframe" frameborder="0" height="352" loading="lazy" src="https://open.spotify.com/embed/playlist/4fxI8qI7w0VwuqG0vrIFYJ?utm_source=generator&amp;si=66c907d85c634d1e" style="border-radius: 12px;" width="100%"></iframe></div><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-size: 28px; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px;"><span class="s1" style="font-family: UICTFontTextStyleBody; font-weight: bold;"><br /></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-align: center;"><span class="s1" style="font-weight: bold;"><span style="font-family: inherit; font-size: medium;">Motzy Says…&nbsp;</span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-align: center;"><span class="s1" style="font-weight: bold;"><span style="font-family: inherit; font-size: medium;"><i>“Man, I can vividly recall being younger and hearing a guy and a girl collaborate on a song. I genuinely believed they were in a romantic relationship. However, as I grew older, I realized they were simply exceptional collaborations between a male and a female artist.&nbsp;</i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-align: center;"><span class="s1" style="font-weight: bold;"><span style="font-family: inherit; font-size: medium;"><i>The melodies and harmonies they created together made the song feel like we were witnessing a genuine relationship unfold in musical form. I often find myself pondering the creation of these songs, considering whose idea it was, who produced it, and what compelled the two artists to collaborate. They conveyed emotions through these songs, regardless of whether they dealt with love, hardships, or breakups.&nbsp;</i></span></span></p><p class="p1" style="-webkit-text-size-adjust: auto; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-width: normal; line-height: normal; margin: 0px 0px 3px; text-align: center;"><span class="s1" style="font-weight: bold;"><span style="font-family: inherit; font-size: medium;"><i>These songs resonated deeply with me, prompting me to reflect on my own past relationships. I questioned my choices, wondering how I could have improved things and whether the relationships were truly worth it. With this playlist titled “Singing Like A Couple,” I aimed to compile songs that evoke a wide range of relationship compelled emotions.”</i></span></span></p><div style="text-align: center;"><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/MotzANeli" style="font-size: x-large; font-style: normal;">Follow @MotzANeli</a></i></div><div><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-size: x-large; font-style: normal;">Follow @JoinDaCrowd</a></i></div></div><div style="text-align: center;"><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/PlaylistsOfLife" style="font-size: x-large;">Follow @PlaylistsOfLife</a></div><div style="text-align: center;"><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/Spotify" style="font-size: x-large;">Follow @Spotify</a></div><div><br /></div><p style="text-align: center;"><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-44361886961596893972026-07-09T14:39:57.862-04:002026-07-09T14:39:57.862-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtb0KAbAQ0YYj3VQcVGx9PHW9YEzH8WPNREhXF-wa5j7iiFOWo3EsvH5lnR42Nw38sSveXWQwgWDh8bxuROJ07-vwiQCGgrqx80hptisvincT_Xrz6Nssk3b8ehoM9XbfRvRAn8WBbOP9zJKvdEwq0gfj3GxNdOdk2sXNo985mml_qxoQDnyIKa-OmpIjH/s1254/unnamed%20(1).png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtb0KAbAQ0YYj3VQcVGx9PHW9YEzH8WPNREhXF-wa5j7iiFOWo3EsvH5lnR42Nw38sSveXWQwgWDh8bxuROJ07-vwiQCGgrqx80hptisvincT_Xrz6Nssk3b8ehoM9XbfRvRAn8WBbOP9zJKvdEwq0gfj3GxNdOdk2sXNo985mml_qxoQDnyIKa-OmpIjH/s320/unnamed%20(1).png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Rich The Kid’s “Been About The Benjamins”, Larry June’s “Out The Trunk” and Chief Keef’s “Back From The Dead” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from ClassicMixtapeRun, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 10, we’ll delve into the impact of Rich The Kid, Larry June and Chief Keef on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/-Kr71YBOXSo?si=f_DZPzpEcwLmtkgd" title="YouTube video player" width="560"></iframe></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p><p style="text-align: center;"><br /></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-43765338439239122702026-06-22T11:47:29.917-04:002026-06-22T11:48:20.468-04:00<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSWDzNVKjZe6NZCzJ4sDMmc3MxDQmhmB7E-Yot1cPjUD7FopIuYjfUB3MfPCYYWPyxYGOpTvKGcrxqjWxkFbwhUuXt9cFDvBKq_EJwbqZXKotAbkZW2DTmtzCfiN0bnoUSnjJjzUBfu1-moBZis3MMUNwPIar-bz_1Rvz4sKJp6BPCfl0s_MTItnRSfShM/s1254/ChatGPT%20Image%20Jun%2011,%202026,%2012_58_02%20PM.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSWDzNVKjZe6NZCzJ4sDMmc3MxDQmhmB7E-Yot1cPjUD7FopIuYjfUB3MfPCYYWPyxYGOpTvKGcrxqjWxkFbwhUuXt9cFDvBKq_EJwbqZXKotAbkZW2DTmtzCfiN0bnoUSnjJjzUBfu1-moBZis3MMUNwPIar-bz_1Rvz4sKJp6BPCfl0s_MTItnRSfShM/s320/ChatGPT%20Image%20Jun%2011,%202026,%2012_58_02%20PM.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Boosie’s “Streetz Iz Maine, Dave East’s “Black Rose”, Elzhi’s “Elmatic” &amp; Styles P’s “Ghost In A Shell” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from ClassicMixtapeRun, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 9, we’ll delve into the impact of Boosie, Dave East, Elzhi &amp; Styles P and on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"></span><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/RYcL92PTzB8?si=4FsQ5lTQQFgW25Fr" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-77063825139201989392026-05-27T17:34:33.404-04:002026-05-27T17:34:33.404-04:00<p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi97tMLWISSBoqX7rpHIb_t5PmSmAf_YKf9-Vyu7-11V_gQ_yyuhL1iF2PCa2at9WIdnPx6xrTWSlg91rb5WKWipQFWJc7WTN_pM65PsJvOIQd63HNWl3Q4kC1knIlhLaMne8JbMYlLmwH2AzyZgO5TJ44O4xABRpRwHpaQ9rtsCquRFGjKYGRUN-z4xclX/s1254/CMRWeek8Art.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi97tMLWISSBoqX7rpHIb_t5PmSmAf_YKf9-Vyu7-11V_gQ_yyuhL1iF2PCa2at9WIdnPx6xrTWSlg91rb5WKWipQFWJc7WTN_pM65PsJvOIQd63HNWl3Q4kC1knIlhLaMne8JbMYlLmwH2AzyZgO5TJ44O4xABRpRwHpaQ9rtsCquRFGjKYGRUN-z4xclX/s320/CMRWeek8Art.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Kid Cudi’s, “A Kid Named Cudi”, Lloyd Banks’, “Return Of The PLK”, Drake’s, “Room For Improvement”, Dom Kennedy’s “From The Westside With Love” and Oschino Vasquez’s, Appetizer 5: The Real Is Back solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 8, we’ll delve into the impact of Kid Cudi, Lloyd Banks, Drake, Dom Kennedy and Oschino Vasquez on the mixtape scene. </span><br /><br /></p><p style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/6vQ_DkRxmkc?si=_WdkLeEIHchiCBL-" title="YouTube video player" width="560"></iframe></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-35628078978784735902026-05-08T00:01:00.000-04:002026-05-08T00:01:02.536-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh8LQTxV6lDMSvXJm6amYDSJpobExlj9tUE8_2bXw0ZG7KK-uS61qyiPPIzuWqavuCG2TLCaxp47MaYwSNp4_guVrMAlheZWQq9G9zifW99OAkGsCVne9UOQqdul8iVgNf3l_Vf0XLQ9QY1fOP0zBjsbTinbEUY31KnwkLHBCeUg6VmoTG6PcvzI6KUfE1/s1254/E992FE57-4548-44C6-9A84-F4D2BAA3D19D.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1254" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgh8LQTxV6lDMSvXJm6amYDSJpobExlj9tUE8_2bXw0ZG7KK-uS61qyiPPIzuWqavuCG2TLCaxp47MaYwSNp4_guVrMAlheZWQq9G9zifW99OAkGsCVne9UOQqdul8iVgNf3l_Vf0XLQ9QY1fOP0zBjsbTinbEUY31KnwkLHBCeUg6VmoTG6PcvzI6KUfE1/s320/E992FE57-4548-44C6-9A84-F4D2BAA3D19D.PNG" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including The Game’s “Purp &amp; Patron”, Freddie Gibbs’ “Cold Day In Hell, Nicki Minaj’s “Playtime Is Over”, Nipsey Hussle’s “Slauson Boy Vol. 1” and Lil Flip’s “Houston …Is Mine” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 7, we’ll delve into the impact of The Game, Freddie Gibbs, Nicki Minaj, Nipsey Hussle, and Lil Flip on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/jmbJe4XRU-0?si=rOaD5UDaXfImmUUk" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-14434171032983138072026-04-17T04:45:00.004-04:002026-04-17T04:50:47.277-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYNqBqoLya59fZOje8I6w5MfnquhfvgZzNB_q0_Oggxdue0nYplFDlN1veVL7BBTBThpA5g4W4gCJUcw7rXX37at9eYuJXspb1YQChXXCcANdU7UIuH5mQXxiJ6QmNQCUEiFZ_sGizh914gWwxM3hQ_oQGdSQJXnDFxItmzDv6wDCCBEwVjAkB_WWjGDy/s1024/unnamed%20(6).png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYNqBqoLya59fZOje8I6w5MfnquhfvgZzNB_q0_Oggxdue0nYplFDlN1veVL7BBTBThpA5g4W4gCJUcw7rXX37at9eYuJXspb1YQChXXCcANdU7UIuH5mQXxiJ6QmNQCUEiFZ_sGizh914gWwxM3hQ_oQGdSQJXnDFxItmzDv6wDCCBEwVjAkB_WWjGDy/s320/unnamed%20(6).png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Kendrick Lamar’s “Overly Dedicated”, Big Sean’s “Finally Famous” The Mixtape, Young Thug’s “Slime Season 2”, Juelz Santana’s “Back Like Cooked Crack” and Big Krit’s “K.R.I.T. Wuz Here” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 6, we’ll delve into the impact of Kendrick Lamar, Big Sean, Young Thug, Juelz Santana and Big K.R.I.T. on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/kTI_clYfiyo?si=vqxqj--5JNkMtqot" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-12466187267959192092026-04-03T08:22:00.004-04:002026-04-03T08:22:55.777-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgksCwEyAS_F7J6ld8WzxikSByDYon2nDM3S7JkhjRhIBdV39z3wLkUq8-trZJERgcaRoS8aDSyNzdGjJWwKAwicp4WDX1mqr8NcCvtabzSB-xbry9UZevqSYjBz95dfVsEiocxzCPpeDgRsvVlo3qF3n3966tFYVsIS1Sdr-1CapMmsSa51Pgh7rUlB5Yg/s1024/31C6E801-28A0-4743-9FD0-C2EDCA002CE5.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgksCwEyAS_F7J6ld8WzxikSByDYon2nDM3S7JkhjRhIBdV39z3wLkUq8-trZJERgcaRoS8aDSyNzdGjJWwKAwicp4WDX1mqr8NcCvtabzSB-xbry9UZevqSYjBz95dfVsEiocxzCPpeDgRsvVlo3qF3n3966tFYVsIS1Sdr-1CapMmsSa51Pgh7rUlB5Yg/s320/31C6E801-28A0-4743-9FD0-C2EDCA002CE5.PNG" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Jeezy’s “Trap Or Die”, Mac Miller’s “K.I.D.S.”, Gucci Mane’s “The Movie”, NBA Younboy’s “38 Baby” and Joey BadA$$’s “1999” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 4, we’ll delve into the impact of Jeezy, Mac Miller, Gucci Mane, NBA Youngboy and Joey BadA$$ on the mixtape scene. </span><br /><br /></p><p style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/voJw25tPVn0?si=v_XcqshujqlqVGb8" title="YouTube video player" width="560"></iframe></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-84321806758945402652026-03-25T17:29:00.001-04:002026-03-25T17:29:05.517-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhflBowOO6s_ysTOTQdaJQkH34SX6K84Lat7VOwXkttW87ado0jnKWmwE8NAtrUh1niPQr6V3exmTObR9ljOffXcXWEaGWjdpxWQRv-17pwOylTfcLKCbxnS5E7o642Z8ac5OwSLD1NFTTKu8NDs4lUEv3bOADcdalVgOKL2uTc1CTKX0ozScIVNOGRFoOI/s1024/395E3127-F0E9-4725-9296-923E0D8A4CB3.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhflBowOO6s_ysTOTQdaJQkH34SX6K84Lat7VOwXkttW87ado0jnKWmwE8NAtrUh1niPQr6V3exmTObR9ljOffXcXWEaGWjdpxWQRv-17pwOylTfcLKCbxnS5E7o642Z8ac5OwSLD1NFTTKu8NDs4lUEv3bOADcdalVgOKL2uTc1CTKX0ozScIVNOGRFoOI/s320/395E3127-F0E9-4725-9296-923E0D8A4CB3.PNG" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including T.I.’s “Fuck A Mixtape”, Curren$y’s “Covert Coup”, Chance The Rapper’s “Acid Rap”, Cam’ron’s “Public Enemy” and 50 Cent’s “Guess Who’s Back” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 4, we’ll delve into the impact of T.I., Curren$y, Chance The Rapper, Cam’ron and 50 Cent on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/iquB-z_7VoY?si=dMiprC2vGh2qQs_Q" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-55704777834724274932026-03-13T08:22:00.006-04:002026-03-13T08:49:50.769-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKEDqoNcNl_l_cdJB5AXACkC9wI4n03pPLg32761jwbk8Jeu4KX7xYvQPxOgFqKHBcT_YM_3AEQIEHv6k0GxPUB3xht5vKG6qCBQvqoTNhmTjDHrWZ0dViVkJCEpWz57XYM72PvhZjm1EDQ843sx9aibT8Gx7Kkg35bCsD-TZDjr0Z-MOz4MsAQWioacoJ/s1024/RIB3.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKEDqoNcNl_l_cdJB5AXACkC9wI4n03pPLg32761jwbk8Jeu4KX7xYvQPxOgFqKHBcT_YM_3AEQIEHv6k0GxPUB3xht5vKG6qCBQvqoTNhmTjDHrWZ0dViVkJCEpWz57XYM72PvhZjm1EDQ843sx9aibT8Gx7Kkg35bCsD-TZDjr0Z-MOz4MsAQWioacoJ/s320/RIB3.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Wale’s "100 Miles &amp; Running”, 2 Chainz’s “T.R.U. Realigon”, Jadakiss’s “The Champ Is Here”, Rick Ross’s “Rich Forever” and Beanie Sigel’s “The Best Of Beanie” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 2, we’ll delve into the impact of Wale, 2 Chainz, Jadakiss, Rick Ross and Beanie Sigel on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/lEPykz72s9U?si=Xi9nuxB3qoWuZkmq" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-31526761559914434872026-03-05T17:27:00.002-05:002026-03-05T17:27:14.839-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuNg2QjYJpXxQAmRHquKYHKS97qOu5Vg5ds1lozWx3_aE4qmNuc5czMxKx8rBNs7AN7zFr2BYE-nrqc9iS4Am2MQKOQU2iwpj7_kXdX4ZeTX0Dt8nmU-Inb_0e3OH88fmJluMn2Th196Zymmg0bQ_QLPkzerPtmQYnv3xdjd3HPoTsDJJEfjeY6Dyh0UQJ/s1024/Ep2x.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuNg2QjYJpXxQAmRHquKYHKS97qOu5Vg5ds1lozWx3_aE4qmNuc5czMxKx8rBNs7AN7zFr2BYE-nrqc9iS4Am2MQKOQU2iwpj7_kXdX4ZeTX0Dt8nmU-Inb_0e3OH88fmJluMn2Th196Zymmg0bQ_QLPkzerPtmQYnv3xdjd3HPoTsDJJEfjeY6Dyh0UQJ/s320/Ep2x.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s take a trip down memory lane and revisit the golden age of mixtapes! These iconic projects, including Meek Mill’s “Flamerz,” Future’s “Dirty Sprite,” Wiz Khalifa’s “Kush &amp; OJ,” Fabolous’s “There Is No Competition,” and J. Cole’s “The Come Up,” solidified an era and a sound that could never be replicated. From crashing mixtape sites to amassing massive tour earnings and cultivating devoted fan bases, these mixtapes were unlike any studio albums they ever released. We dedicated ourselves to honoring these legendary artists by not only revisiting their classic mixtapes but also exploring the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. In Episode 2, we’ll delve into the impact of Meek Mill, Future, Wiz Khalifa, Fabolous, and J. Cole on the mixtape scene.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/FTj4upFjOCg?si=ybncb8lOHe2KpCAD" title="YouTube video player" width="560"></iframe><br /></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-20564156018221856312026-03-04T16:53:00.003-05:002026-03-04T16:53:49.485-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3iluJeOZJq-VpWSsN8M0OP3apX-05wHKWs5LzQpun62D9ki9-8O0vNfdiNOq7LQSQqGYgJLacO6IAB9gFLqEUrlenVZyXeN6EV-XYPmhU9NFLW8UqkkkrpXXyE0c520qZ9nwP5wqnICxcVyuacU-xBoTQA9MDaUpJIVwCIiMfXECVsesLfIkBa4biDCYm/s1024/A39C99C3-6AE9-4A80-AD2F-77BC49C9B368.PNG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3iluJeOZJq-VpWSsN8M0OP3apX-05wHKWs5LzQpun62D9ki9-8O0vNfdiNOq7LQSQqGYgJLacO6IAB9gFLqEUrlenVZyXeN6EV-XYPmhU9NFLW8UqkkkrpXXyE0c520qZ9nwP5wqnICxcVyuacU-xBoTQA9MDaUpJIVwCIiMfXECVsesLfIkBa4biDCYm/s320/A39C99C3-6AE9-4A80-AD2F-77BC49C9B368.PNG" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Let’s… RUN IT BACK! Lil Wayne, from his mixtape “Da Drought 3” to “Dedication 2,” “Sorry For The Wait,” “No Ceilings,” and “The Prefix,” has left an indelible mark on the mixtape world that most rappers can only dream of achieving. Once hailed as “The Best Rapper Alive” during his “Mixtape Weezy” era, we dedicated ourselves to honoring this legendary artist by not only revisiting some of his classic mixtapes but also delving into the reasons behind our unwavering admiration for them. Join us as we share our insightful perspectives from Classic Mixtape Run, powered by Join Da Crowd, and brought to you by the talented MotzANeli. Let’s embark on a nostalgic journey back to the golden age of mixtapes with Episode 1: Weezy Tapes.</span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/PqdxEwc0K5Q?si=cehDiFNwXYMz0IrY" title="YouTube video player" width="560"></iframe></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-74430621778520670462026-02-12T22:58:00.001-05:002026-02-12T22:58:24.866-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVUuquhl3AmsMmacEJuMYexoXhhqIK_Jzb2eZuNr3Q9bTElRqYHwSZdEGWYoZKxh2sdW1zqLEYH2SPaR3crxxmfr2hBi0DBgAOFhGzi_PEDRWGTllEUUTOn4VyDXrZftuw3o27dk2I9xQ9XcFMd9xhR4X_wdTVp4L0KJxOWXthAKn-fuiYunz7AOzYiplm/s1000/CMR_KeefBack_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVUuquhl3AmsMmacEJuMYexoXhhqIK_Jzb2eZuNr3Q9bTElRqYHwSZdEGWYoZKxh2sdW1zqLEYH2SPaR3crxxmfr2hBi0DBgAOFhGzi_PEDRWGTllEUUTOn4VyDXrZftuw3o27dk2I9xQ9XcFMd9xhR4X_wdTVp4L0KJxOWXthAKn-fuiYunz7AOzYiplm/s320/CMR_KeefBack_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;"><span>Released in March 2012, this mixtape catapulted Keef onto the map and shifted the entire hip-hop scene toward Chicago. At just 16 years old and under house arrest at his grandmother’s house, the feeling of being trapped, young, and dangerous permeates the entire project. In December 2011, Keef had a run-in with Chicago police that resulted in shots being fired, leading to widespread speculation that he had been killed. Resurfacing from juvenile detention and facing house arrest after the altercation, Keef’s community saw him as “back from the dead.” With Young Chop on the beat, they singlehandedly created and perfected the Chicago drill sound that has since influenced hip-hop in cities like New York City and Philadelphia. This sound is characterized by heavy, ominous brass hits, rapid-fire hi-hats, and earth-shaking 808s. Keef’s blunt, repetitive, and nihilistic lyrics, paired with Chop’s cinematic, “horror movie” backdrop, demonstrated that artists could bypass traditional gatekeepers and gain recognition through platforms like YouTube and DatPiff. Songs like “I Don’t Like,” featuring Lil Reese, are a minimalist masterpiece of teenage defiance. Even Kanye West had to remix it, catapulting Keef into the global spotlight. “Monster” showcased an eerie, atmospheric production style that paved the way for “horrorcore” influences in modern trap music. “Save That Sh*t” showcased Keef’s early experimentation with catchy, pop-leaning drill hooks that would later dominate the charts. “3Hunna” became the ultimate “squad” anthem, solidifying the GLO Gang / OTF presence in the culture. Considered a foundational pillar of modern music, Keef’s influence can be heard in artists like 21 Savage and Lil Uzi Vert. They regard him as the Godfather of that sound. This mixtape remains a time capsule of a very specific, volatile, and creative moment in Chicago history. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2012 all over again! On behalf of LiveMixtapes</span><span>, listen to it below!</span></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/16560?theme=dark" width="100%"></iframe><br /><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-8225362654583126962026-02-11T21:23:00.000-05:002026-02-12T22:58:45.642-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkteTUqZKtxvpRhWL1eWRsP00Jg5Kzb3fyta6WhXpKn7k_9IHugdjjFxJHxx8H-N_V1atvVJaaetZeL0gdNX_8fbsi4RgZHdmGLuH6L3JMQK8DrOLvIn6bxAQc9LK-oAnOwxI-aE5b4mR7hM_rIgBEGgnbUk8ReUkzzjkZk_JPQM5T6x4G3N9eksR1gVSc/s1000/CMR_LarryTrunk_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkteTUqZKtxvpRhWL1eWRsP00Jg5Kzb3fyta6WhXpKn7k_9IHugdjjFxJHxx8H-N_V1atvVJaaetZeL0gdNX_8fbsi4RgZHdmGLuH6L3JMQK8DrOLvIn6bxAQc9LK-oAnOwxI-aE5b4mR7hM_rIgBEGgnbUk8ReUkzzjkZk_JPQM5T6x4G3N9eksR1gVSc/s320/CMR_LarryTrunk_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;"><span>Released in September 2019, at a crucial juncture in Larry June’s career after parting ways with Warner Records, the album’s title pays homage to the quintessential Bay Area hustle and serves as the blueprint for his “lifestyle rap” persona. Comprising only 10 tracks, this project boasts what is arguably Larry’s most renowned song, “Smoothies in 1991,” produced by Julian Avila. This track became the manifesto for his brand, encapsulating deep lines about financial discipline, organic eating, and avoiding unnecessary distractions. It transformed the “Good Job, Larry” ad-lib from a mere catchphrase into a widespread movement. Notably, Larry June famously sold 1000 physical units of his music independently to demonstrate his self-sufficiency and independence from a record label. His approach is often referred to as “Lifestyle Rap.” Throughout the album, he frequently references organic smoothies, tending to plants, driving classic cars (particularly Porsches), and emphasizing financial literacy. This man has made the orange emoji 🍊 an iconic symbol of his independent brand. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2019 all over again! On behalf of LiveMixtapes</span><span>, listen to it below!</span></span></p><p style="text-align: center;"><span style="font-size: medium;"><span><br /></span></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/50567?theme=dark" width="100%"></iframe><br /><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-46342642958503402062026-02-10T22:34:00.000-05:002026-02-12T00:39:59.446-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsbn1qq_XnGpF8GwHOXGewcBR0JF8VQi16WH0y7MyKc44uCkvr2vV0-HSCuhXAzU1KlZ5rsIoE8dPBq8wGiKRcias6uG_WbTGktVPU6S0_OB98y-cqhbk2L_yMJTHiYBYIogHFvS4PKc3N5dwjdv6rxVbuvSeeZqDDJtgmJvZrPQ6DjBf_CKexeWv2ktJb/s1000/CMR_RichBeen_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsbn1qq_XnGpF8GwHOXGewcBR0JF8VQi16WH0y7MyKc44uCkvr2vV0-HSCuhXAzU1KlZ5rsIoE8dPBq8wGiKRcias6uG_WbTGktVPU6S0_OB98y-cqhbk2L_yMJTHiYBYIogHFvS4PKc3N5dwjdv6rxVbuvSeeZqDDJtgmJvZrPQ6DjBf_CKexeWv2ktJb/s320/CMR_RichBeen_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: large;">Released on August 1, 2013, this mixtape was hosted by Trap-A Holics, DJ Victoriouz, and DJ Holiday, featuring Ca$hout, Rich Homie Quan, Migos, Tasha Catour, Syaridakid, Bambino Bold &amp; T Mack, D Dash, Lil Mouse, Cap1 &amp; Dolla Boy, Yung Tone &amp; Young Cooley, and Levi Leer. This project officially launched Rich the Kid’s career. It was considered his formal introduction to the music industry and led to his signing with the Atlanta-based Quality Control label. Rich used this mixtape to establish his “Plug” persona—a guy with connections, jewelry, and a high-energy flow. Songs like “Millionaire” set the tone for his “flexing,” “Flying High” showcases the chemistry between him and the Migos, and “My Swag” is an early example of the triplet flow that would eventually dominate the charts. With producers like Zaytoven and K.E. on the track, providing fast-paced, bass-heavy production that emphasizes vibe, catchiness, and “ad-lib” mastery, the mixtape delivers a melodic, bouncy trap sound. Surprisingly, we started promoting him back in 2010, even before his fame, when he used to go by Blackboy Da Kid. Check out the archive here:&nbsp;</span><a href="http://www.joindacrowd.com/search/label/BLACKBOYDAKID" style="text-align: left;">Join Da Crowd : BLACKBOYDAKID</a><span style="font-size: large;">&nbsp;With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2013 all over again! On behalf of LiveMixtapes</span><span style="font-size: large;">, listen to it below!</span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/21142?theme=dark" width="100%"></iframe><br /><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="medium" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-20328299274267225632026-02-09T22:32:00.000-05:002026-06-11T11:54:17.495-04:00<p style="text-align: center;"><span style="font-size: medium;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinhtY5Q80aGss0SBMVcoDvz_iMDImQg1oKLH9zQZTYykVvP1YP3Uq_DVtbTqmpc05Wih36pBCtFxnQYzmS3g-QWgMGW5AhspMhjJbhLW94pwlwyPEWDUkiz-I7efxkJ8nhztuRVRGhYcTn0C2gyzdNzKn4op2i_fJOhnk0qhrFA0IKDDMeb9gQgkfz3Wmp/s1000/CMR_StylesGhost_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinhtY5Q80aGss0SBMVcoDvz_iMDImQg1oKLH9zQZTYykVvP1YP3Uq_DVtbTqmpc05Wih36pBCtFxnQYzmS3g-QWgMGW5AhspMhjJbhLW94pwlwyPEWDUkiz-I7efxkJ8nhztuRVRGhYcTn0C2gyzdNzKn4op2i_fJOhnk0qhrFA0IKDDMeb9gQgkfz3Wmp/s320/CMR_StylesGhost_Cover.png" width="320" /></a></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span>Presented by Big Mike with Supa Mario, Ghost in the Shell was released in 2004 and stands as the definitive Styles P mixtape, delivering pure Yonkers grit. After leaving Bad Boy with his group, The Lox, Styles P transitioned to their own imprint, D-Block, where he gained more control and creative freedom over his career. This is where Ghost truly flourished, solidifying his status as the group’s most prolific solo artist. Maintaining his street credibility, this mixtape captured his raw essence while seamlessly blending his “gangster” aggression with the introspective, weed-fueled philosophy that has become synonymous with him. Collaborating with the masterminds of the classic D-Block sound, Vinny Idol and Supa Mario, you’ll be treated to heavy pianos, hard-hitting drums, and dark, eerie atmospheric sounds. Over 30 tracks of pure street Hip-Hop, featuring contributions from group members Jadakiss and Sheek Louch, infuse the project with the unmistakable Lox vibe. One of his most renowned underground storytelling tracks, “I-95,” takes listeners on a captivating journey along a drug trade route. “Immortal” showcases his “Ghost” persona, embodying untouchable street-certified status and lyrical superiority. Meanwhile, “Call My Name” serves as a high-energy anthem, highlighting his aggressive flow. While there’s a version available on Spotify for you streaming guys, it’s approximately 10 tracks shorter than the original. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2006 all over again! On behalf of Youtube</span><span>, listen to it below!</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/1oSKlU1Cs8E?si=ADTkYXnj3HqxSUwA" title="YouTube video player" width="560"></iframe></span></div><div class="separator" style="clear: both; text-align: center;"><p><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p><span style="font-size: medium;"></span></p><p><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p></div><br /><p></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-15905223928706234942026-02-06T20:46:00.003-05:002026-02-06T20:47:02.347-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqH3flp3aEB4LSsH4ScFcrHjW64X6CjMoLfoCgc3yZHb9Kd1Swxj2jolyh12PpFI2Cb61Uz6FYa83WljeHC4CsNq27sjv4mshzb-HEHhXIVXuR9nd2gKe6jIzGfiD3dnOVXkdBDxMAKtxRS4R33aEhYW0dFsg7a4tU32pCmZl9QbwMWmvhQaH0sl1K3BO4/s1000/CMR_ELMatic_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqH3flp3aEB4LSsH4ScFcrHjW64X6CjMoLfoCgc3yZHb9Kd1Swxj2jolyh12PpFI2Cb61Uz6FYa83WljeHC4CsNq27sjv4mshzb-HEHhXIVXuR9nd2gKe6jIzGfiD3dnOVXkdBDxMAKtxRS4R33aEhYW0dFsg7a4tU32pCmZl9QbwMWmvhQaH0sl1K3BO4/s320/CMR_ELMatic_Cover.png" width="320" /></a><br /></p><p style="text-align: center;"><span style="font-size: medium;">Elmatic, a track-by-track tribute and reimagining of Nas’s 1994 masterpiece Illmatic, was released in 2011. Widely regarded as one of the greatest mixtapes in hip-hop history, Elmatic is celebrated for its ambitious vision and exceptional execution. Collaborating with Will Sessions, El recreated and expanded upon the iconic production of the original, incorporating live instruments to create a rich and vibrant sound. While maintaining the structure of Illmatic, Elzhi rewrote the lyrics to reflect his own life and the city of Detroit. This project showcases his intricate multi-syllabic rhyme schemes and wordplay, often mirroring Nas’s original rhythmic cadences while adding his own unique twist. Tracks like “Detroit State of Mind” deliver a gritty and descriptive anthem that adapts the original’s energy to the landscape of Detroit. Featuring Royce da 5’9” and Stokley Williams, El flips Nas’ “Life’s a Bitch” to perfection. With live piano work from Detroit legend Amp Fiddler, “The World Is Yours” is recognized for its rich musicality. “Memory Lane” offers a nostalgic journey through Elzhi’s childhood connections and the history of the Detroit rap scene, further demonstrating his ability to reinterpret the original from his perspective. Originally suggested by DJ House Shoes, this mixtape served as a landmark solo moment for Elzhi following his departure from Slum Village. What truly sets Elmatic apart is the live band element and Elzhi’s elite lyricism. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2006 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" data-testid="embed-iframe" frameborder="0" height="352" loading="lazy" src="https://open.spotify.com/embed/album/4qsDGerRXRcwR4FF92Uo5q?utm_source=generator" style="border-radius: 12px;" width="100%"></iframe></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-64149615447087798072026-02-05T22:14:00.001-05:002026-02-06T20:22:18.322-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc6K9kCHE25e4Qy_q2Df2WIL7a9HI6irTPqoJgY3uIrwjCd-9qrTteGfEfgW57RowoGCleR-hBA04RdaIy7feOITXbPXpOhx5nhpvv3B0lI1-Lc0wakCxKF2phJezIysDJankTZmOyP8XTUgDeOVZ-uGPmxYyUA2jeT8N7X5pHM6_rytOeYgjkxzBPUJyn/s1000/CMR_DaveEastRose_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc6K9kCHE25e4Qy_q2Df2WIL7a9HI6irTPqoJgY3uIrwjCd-9qrTteGfEfgW57RowoGCleR-hBA04RdaIy7feOITXbPXpOhx5nhpvv3B0lI1-Lc0wakCxKF2phJezIysDJankTZmOyP8XTUgDeOVZ-uGPmxYyUA2jeT8N7X5pHM6_rytOeYgjkxzBPUJyn/s320/CMR_DaveEastRose_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Black Rose, released on July 22, 2014, stands as a defining project that transformed Dave East from an East Harlem hopeful into a national prospect. Renowned for its raw storytelling and classic New York feel, it’s considered some of Dave’s best work ever. While past mixtapes didn’t garner as much attention, East’s connection with Nas’s brother, Jungle, led to his signing to Mass Appeal Records shortly after the release of Black Rose. Nas was captivated by East’s lyricism and gritty production. Black Rose stayed away from the sound of the South with it’s New York’s “vintage” 90s feel, creating an atmospheric, soulful, and heavy-barged sound that was both modern enough for clubs and nostalgic for the era. The production was handled by a diverse array of veteran and rising New York producers, including Buda &amp; Grandz, RicoBeats, Sean C &amp; LV, Chinx Santana, SunnyDukes, and many others, all contributing to the iconic NYC boom bap sound. Songs like “The Offering” showcase East’s high lyrical aggression, setting the tone for the album. “Broke” delves into the struggles of being talented but financially disadvantaged. “Red Bottoms” leans more towards a “hit record” vibe, maintaining East’s edge while delivering a catchy beat. The infamous “In Some Shit” is where East’s signature storytelling shines, exploring themes of street life, violence, and the challenges faced by urban youth. The only feature on the tape is Harlem Legend, Smoke Dza, on the song “Hermes,” produced by Stoopidondabeat. Black Rose truly captures the hunger and determination of an artist who recognized this as his last real shot at the industry.&nbsp;</span><span style="font-size: large;">With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2014 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/29082?theme=dark" width="100%"></iframe><br /><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-27421938099378957522026-02-04T22:18:00.002-05:002026-02-05T01:55:45.440-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZHT4nN6VuDxG0JorWOFSkX_37UYQQbY7YRTXykbPF5u_i0oWT_p2NAcik6li0aB2sKE8Z86ow9n0atbB8jSCBCzJuapoJ2jIY9rOr8znoMEyEcgdkcm9YCPLU13p8kvcKWITn8rTZxqUzJIhXYW0S8fmtGt106iRBtcz90Himug4eC_SZrJ8HmzfbPVE/s1000/CMT_BoosieStreetz_Mixtape.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZHT4nN6VuDxG0JorWOFSkX_37UYQQbY7YRTXykbPF5u_i0oWT_p2NAcik6li0aB2sKE8Z86ow9n0atbB8jSCBCzJuapoJ2jIY9rOr8znoMEyEcgdkcm9YCPLU13p8kvcKWITn8rTZxqUzJIhXYW0S8fmtGt106iRBtcz90Himug4eC_SZrJ8HmzfbPVE/s320/CMT_BoosieStreetz_Mixtape.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Streetz Iz Mine, a Gangsta Grillz mixtape released in 2006, was a project that compelled the rest of the country to pay attention. Hosted by DJ Drama, Boosie knew that this collaboration would be the ultimate seal of approval in the hip-hop industry, solidifying his status as the “it” rapper from the streets. As a Louisiana and Mississippi hero, linking up with Drama from Atlanta provided Boosie with a national platform to showcase his raw Baton Rouge storytelling. This project could be perceived as both deep and soulful yet also brimming with braggadocio energy. Tracks like “Streetz Iz Mine” serve as a declaration of Boosie’s territorial claim. Mouse on Tha Track and Trill Entertainment provided the production for this tape, crafting a heavy, repetitive bassline sound that is complemented by horn samples and high-energy percussion. This kind of sound is perfect for blasting out of car stereos, creating an electrifying atmosphere. Following the success of his hit record, “Wipe Me Down,” this project captured Boosie at his most confident, solidifying his “The Bad Azz” moniker. It demonstrated his ability to maintain listener engagement through pure charisma, transcending the limitations of commercial records. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2006 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/764?theme=dark" width="100%"></iframe><br /><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-2147099380628171812026-02-03T20:02:00.004-05:002026-02-03T21:27:59.872-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPxndGPayYNMc__jYZIY2Nd5uH9DBvZjGRfOortbcuMI-aXQC6HklTNHxjxDb5zy7H8wMznKZ44GXbT1Vq_ekqtjxDVMPaEquQFauZXeT4JJWNzWYcECZnannLlBPPjVdekDLK6QaveVlk5yawAiXiuwzZ8IBMLtNSKhxsUCx8bEyPJ7KlXhylB19McS06/s1000/CMR_OschinoApp5_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPxndGPayYNMc__jYZIY2Nd5uH9DBvZjGRfOortbcuMI-aXQC6HklTNHxjxDb5zy7H8wMznKZ44GXbT1Vq_ekqtjxDVMPaEquQFauZXeT4JJWNzWYcECZnannLlBPPjVdekDLK6QaveVlk5yawAiXiuwzZ8IBMLtNSKhxsUCx8bEyPJ7KlXhylB19McS06/s320/CMR_OschinoApp5_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Released in 2016, App 5 is widely regarded as a comeback masterpiece for O. The city was eagerly anticipating that classic, unfiltered State Property grit, and O delivered vivid street narratives, pain, and resilience. This was his re-introduction after serving time in jail. With his unique raspy delivery and high-level storytelling, he focused on the realities of the streets, the legal system, and the struggle of maintaining authenticity in a changing industry. The mixtape provided a somber, cinematic backdrop with a mid-2010s aesthetic. Standout tracks include “Overdose,” which offers a deep, introspective look at the addiction of street life, “Bout the Money,” a more aggressive, high-energy track that showcases his flow and wordplay, “Hate,” a diss style track where he addresses his detractors, and “Check Me Out,” which highlights his confidence and veteran status in the game. This mixtape silenced those doubts that O couldn’t do it without State Property or Roc-A-Fella. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2016 all over again! On behalf of Spotify, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" allowfullscreen="" data-testid="embed-iframe" frameborder="0" height="352" loading="lazy" src="https://open.spotify.com/embed/album/42zKerPc6HyIA7FAgGFWj0?utm_source=generator" style="border-radius: 12px;" width="100%"></iframe><br /></span><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-86317726757438271952026-02-02T22:35:00.002-05:002026-05-14T10:09:05.470-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeqJThpqYGmHU8iCrcyNLsxsJgvnVFVkabzVbsVukmufJQ7QNCq4ANSbQEYdXmJClBu51FH32vzwYl6-o1dpkrcP5FepcmmBtGoVYeUoeMEetC7TgBSSKoMzXWIf2xNWf9iKKIY5bJkHqOW371S1bqmonqe1eZ7WpZ5e3rQ1n-RX29OUNmGtmrpRzdaAer/s1000/CMR_DomKenWestLove_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeqJThpqYGmHU8iCrcyNLsxsJgvnVFVkabzVbsVukmufJQ7QNCq4ANSbQEYdXmJClBu51FH32vzwYl6-o1dpkrcP5FepcmmBtGoVYeUoeMEetC7TgBSSKoMzXWIf2xNWf9iKKIY5bJkHqOW371S1bqmonqe1eZ7WpZ5e3rQ1n-RX29OUNmGtmrpRzdaAer/s320/CMR_DomKenWestLove_Cover.png" width="320" /></a><br /></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="font-size: medium;">Released in 2010, “From the Westside with Love” is widely regarded as Dom Kennedy’s breakthrough project. This mixtape is often seen as a pivotal moment in preserving the West Coast’s underground identity. As the region grappled with finding a new sound, “From the Westside with Love” offered a curated experience, capturing the essence of Leimert Park and South Central. Unlike typical 90’s gangsta rap, Dom’s flow was more conversational and less boastful. The mixtape delves into everyday experiences, such as checking your bank account, meeting a girl at a party, and driving around Crenshaw. It exudes a warm, analog feel, blending jazz, soul, and g-funk seamlessly. One of the first rap artists to embrace streetwear brands like Stüssy, Supreme, and Crooks &amp; Castles, Dom presents a lyrical time capsule of the fashion scene during that era. The mixtape encourages listeners to roll down the windows and let the city hear their music. Songs like “1997” evoke nostalgia, featuring a Gap Band sample and offering a glimpse into Dom’s childhood. “Locals Only” pays homage to the people from his hometown. “The 4 Heartbeats,” featuring Overdose, showcases Dom’s exceptional storytelling, weaving a narrative about relationships over a soulful, bouncy beat. “Choose Up” taps into Dom’s smooth, confident, and effortless “playa” persona. The production of “From the Westside with Love” was handled by The Polyseeds, Roach Gigz, and Chuck Inglish. This mixtape played a significant role in the “Post-Hyphy/New West” movement, bridging the gap between legendary figures like Snoop Dogg and the new generation of artists like Kendrick Lamar. It demonstrated that a rapper like Dom Kennedy could achieve global recognition through blog sites without signing a major label deal. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2010 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/11522?theme=dark" width="100%"></iframe><br /></span><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-12575189248735597952026-01-30T19:52:00.000-05:002026-01-31T03:01:31.656-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPyt8qf7MvoD0TI9NXpNV7o6OcZF_lLax9xne3XSPYKubT6SJm6q4R8USpayqFs3v4EINRlXz1rcyQdvm_q9_xe0D0LSlOTgxspVXA3_vwZWArmdhb7CgHvnkdbGDNOmCGpu6wRMfB4WEqgTNcZ-YMqaXxNJoSBBdciifBMm1bW7g2-MtcwcRsBHGW6aW/s1000/CMR_DrakeRoom_CoversGif.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPyt8qf7MvoD0TI9NXpNV7o6OcZF_lLax9xne3XSPYKubT6SJm6q4R8USpayqFs3v4EINRlXz1rcyQdvm_q9_xe0D0LSlOTgxspVXA3_vwZWArmdhb7CgHvnkdbGDNOmCGpu6wRMfB4WEqgTNcZ-YMqaXxNJoSBBdciifBMm1bW7g2-MtcwcRsBHGW6aW/s320/CMR_DrakeRoom_CoversGif.gif" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Presented by DJ Smallz as a Southern Smoke Special Edition, this mixtape was originally released in 2006 and remastered in 2009. It marks the beginning of Drake’s musical journey, showcasing his talent as a 19-year-old rapper. Inspired by the soulful and lyrical hip-hop of the underground scene, Drake crafted this mixtape in the classic format of rapping over industry beats. From the first listen, it’s clear that Drake drew early inspirations from artists like Phonte and Jay-Z, evident in his wordplay and backpacker rap flow. He staked his claim as the future king of Toronto with the track “City Is Mine,” tapped into his emotional side on “A Scorpio’s Mind,” and made a mark on creating songs for women on “Special” featuring Voyce. While this mixtape didn’t yet develop Drake’s signature drawl, it showcased a faster and more frantic flow. Early on, Drake addressed the concerns of being a biracial kid from Canada trying to break into a US-dominated industry, providing insights into his journey and the questions people had about him at the time. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 06/09 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/10441?theme=dark" width="100%"></iframe></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-65984893630417045512026-01-29T21:40:00.006-05:002026-01-29T21:40:53.949-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0RySzVcm7ye32rDx2SWqQtMJqGl3TR2pzEFc7Ko9uXLxdORITZbILPETSLC9gyKn8zpmoeLSE2Lk_39q5Z2PsO3rZdqWCNOo7ZE-h6dXXFv-j-kB2tOZPNDkHHi9ZTSI3mmeo2HzNZoHucPYLBPU1GWAbldmxVY7dw54FznrxaRLih9i27XMsWK3By1MC/s1000/CMR_BanksPLK_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0RySzVcm7ye32rDx2SWqQtMJqGl3TR2pzEFc7Ko9uXLxdORITZbILPETSLC9gyKn8zpmoeLSE2Lk_39q5Z2PsO3rZdqWCNOo7ZE-h6dXXFv-j-kB2tOZPNDkHHi9ZTSI3mmeo2HzNZoHucPYLBPU1GWAbldmxVY7dw54FznrxaRLih9i27XMsWK3By1MC/s320/CMR_BanksPLK_Cover.png" width="320" /></a></p><p style="text-align: center;"><br /></p><p style="text-align: center;"><span style="font-size: medium;">Hosted by DJ Whoo Kid, who was G Unit’s in-house DJ at the time, The Return of the PLK was released in September 2008. It marked the first installment of his '5 and Better' series and became a significant project in Lloyd Banks’ career. Following the underwhelming success of his second studio album, Rotten Apple, this mixtape aimed to demonstrate Banks’ ability to maintain his dominance in the rap scene without relying on radio-friendly tracks. Returning to his raw, gritty New York City lyricism, Banks delivered the aggressive sound that fans had come to expect. Whoo Kid and his Shadyville imprint, along with G-Unit, infused the project with its authentic, chaotic energy reminiscent of the mid-2000s. While still showcasing his signature “whispery” flow, Banks’ rhyme schemes became even more intricate, a style that would later become a hallmark of his career. Tracks like “Love and Hate / Don’t Matter,” “I Am Legend,” and “Hate On Me” highlight what sets Banks apart from other rappers. Through his effortless flow over soulful beats, Banks demonstrates that he hasn’t lost his touch. This mixtape offers an introspective look into his relationship with the music industry and helps establish a loyal fan base that would prove invaluable to him in the future. Notably, the song “Beamer, Benz, or Bentley” featuring Juelz Santana from The Diplomats further solidified his fan base. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2008 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/3310?theme=dark" width="100%"></iframe><br /></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-41511096983905470192026-01-28T21:37:00.005-05:002026-05-14T10:01:31.883-04:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJnlY0RVnLULw3Zsy_JX5mw2KxtnSHW1lEDuICt-2UWIOYmTmWcDEwXOMBDbMiW5HGxgQ7DmpwpPJyjKsxQhyVs2ApccaPomyRJPDiPuIpjuJuAWHdRRhrvTSrMTs09xwgyO_j9CVHXos_c4JMKRnD8NfWprklFNY0jrHIaiA3xYsS6VHLyBh_FisGpju/s1000/CMR_CudiKid_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKJnlY0RVnLULw3Zsy_JX5mw2KxtnSHW1lEDuICt-2UWIOYmTmWcDEwXOMBDbMiW5HGxgQ7DmpwpPJyjKsxQhyVs2ApccaPomyRJPDiPuIpjuJuAWHdRRhrvTSrMTs09xwgyO_j9CVHXos_c4JMKRnD8NfWprklFNY0jrHIaiA3xYsS6VHLyBh_FisGpju/s320/CMR_CudiKid_Cover.png" width="320" /></a><br /><br /></p><p style="text-align: center;"><span style="font-size: medium;">A Plain Pat and Emile Production mixtape, released on July 17, 2008, in collaboration with streetwear brand 10 Deep and Fool’s Gold Records, was a defining moment in the music industry for Cudi. It caught Kanye West’s attention and propelled emo rap to the forefront. This free download was accompanied by a limited edition 10 Deep x Kid Cudi “A Kid Named Cudi” t-shirt, which has since become a highly sought-after collector’s item. The mixtape featured classic tracks like “The Prayer,” widely regarded as a fan favorite, and “Day ’n’ Nite,” which achieved a remarkable #3 ranking on the Billboard Hot 100, marking his breakout hit. “Cleveland is the Reason,” produced by Dot Da Genius, paid homage to his upbringing. “Man on the Moon” introduced his Space Man persona, while “50 Ways to Make a Record” delved into the challenges, pressures, and creative process of making it in the music industry. Cudi seamlessly blended hip-hop with indie rock, electronica, and alternative, addressing themes of depression, loneliness, and drug use. This groundbreaking approach was considered revolutionary at a time when hip-hop was often perceived as having a tough exterior. The mixtape served as a precursor to his debut album, Man on the Moon: The End of Day (2009). With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2008 all over again! On behalf of LiveMixtapes, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><iframe allow="autoplay" frameborder="no" height="400" src="https://livemixtapes.com/embed/3043?theme=dark" width="100%"></iframe></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1696701858788534153.post-21509956911204418572026-01-27T21:25:00.003-05:002026-01-27T21:25:28.156-05:00<p style="text-align: center;">&nbsp;<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiodpeHWW11fUo1DaBDsCIH1K_lahWYi8f2lRS7LbqrVEpl4Xz3veVAwwWkKcsPKCwUUGH6l5jWaLj6Sn_f6BoHozkDNk9XQlDcvWGYLcjgafK7i20EraqI-zm1LfhuNoEQixaZ3pD9pXrokqWjRo-jsYCerzYhNZO_wO-MdayxxZ7iBK8MrYBYAc-dWzqM/s1000/CMR_LilFlipHouston_Cover.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiodpeHWW11fUo1DaBDsCIH1K_lahWYi8f2lRS7LbqrVEpl4Xz3veVAwwWkKcsPKCwUUGH6l5jWaLj6Sn_f6BoHozkDNk9XQlDcvWGYLcjgafK7i20EraqI-zm1LfhuNoEQixaZ3pD9pXrokqWjRo-jsYCerzYhNZO_wO-MdayxxZ7iBK8MrYBYAc-dWzqM/s320/CMR_LilFlipHouston_Cover.png" width="320" /></a></p><p style="text-align: center;"><span style="font-size: medium;">Houston… Is Mine, released in 2005, was a collaboration between Lil Flip, DJ Big Mike, and Evil Empire. It was originally streamed and downloaded on MixUnit.com. Flip, known for his massive success with his double-platinum album U Gotta Feel Me in 2004, showcased his dominance in Houston’s rap scene. While often associated with New York’s elite, this tape demonstrated Flip’s ability to dominate outside Texas. It served as a bridge between his earlier works, mixtapes, freestyles, and major label success, allowing him to release grittier and less radio-friendly tracks. Flip paid homage to Screwed Up Click and enlisted his Clover G comrades to participate in the project. This was a direct response to the intense competition in Houston from artists like Mike Jones, Paul Wall, Slim Thug, and Chamillionaire, asserting his claim to the city’s rap scene. Flip, the first artist to release an album (The Leprechaun in 2000) and the first to receive a personal co-sign from DJ Screw, wanted to prove to Swishahouse that he still had it. From the freestyles to the Clover G anthems and the diss/sub tracks, Flip was determined to retain his crown. With our new series, Class Mixtape Run, we are here to bring that feel back like it was 2005 all over again! On behalf of Youtube, listen to it below!</span></p><p style="text-align: center;"><span style="font-size: medium;"><br /></span></p><p style="text-align: center;"><span style="font-size: medium;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/IwUcDhpPnAA?si=noe3ei8XNNwK_pG-" title="YouTube video player" width="560"></iframe></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/ClassMixtapeRun" style="font-style: normal;"><span style="font-size: medium;">Follow @ClassMixtapeRun</span></a></i></p><p style="text-align: center;"><span style="font-size: medium;"></span></p><p style="text-align: center;"><i><a class="twitter-follow-button" data-show-count="false" data-size="large" href="https://twitter.com/JoinDaCrowd" style="font-style: normal;"><span style="font-size: medium;">Follow @JoinDaCrowd</span></a></i></p>Unknownnoreply@blogger.com