kangouro

Lily Scott left suddenly one night and they sent a limousine from heaven to take her to god, if there is one.So i knew she had gone; and i came from a broken home.

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Thu, 26 Jan 2012 21:26:00 +0000

From Gil's new album "I'm New Here"

I want to make this a special tribute to a family that contradicts the concepts heard the rules but wouldn’t accept and women-folk raised me and i was full grown before i knew I came from a broken home
sent to live with my grandma down south when my uncles was leaving and my grandfather had just left for heaventhey said and as every-ologist would certainly note i had no strong male figure right? But lily Scott was absolutely not your mail order room service type cast black grandmother i was moved in with her; temporarily, just until things were patched,til this was patched and til that was patched until i became at 3, 4, 5,6 ,7, 8, 9 and 10 the patch that held lily Scott who held me and like them 4 i become one more and I loved her from the absolute marrow of my bones and we was holdin on,i come from a broken home She had more then the 5 senses she knew more then books could teach and raised everyone she touched just a little bit higherand all around her there was a natural sense as though she sensed what the stars say what the birds say what the wind and the clouds say a sensual soul and self that African sense and she raised me like she raised 4 of her own and i was hurt and scared and shocked when lily Scott left suddenly one night and they sent a limousine from heaven to take her to god, if there is one.So i knew she had gone; and i came from a broken home.

Fuck this is geat! After 42 years..!!

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Tue, 24 Jan 2012 21:37:00 +0000

1, 2, 3, 4, 8, 9, 27

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sun, 22 Jan 2012 22:19:00 +0000

2 3

4 9

8 27

blitz theatre group

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sat, 21 Jan 2012 17:45:00 +0000

http://www.theblitz.gr/

CINEMASCOPE from blitz theatre group on Vimeo.

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Fri, 20 Jan 2012 23:52:00 +0000

Child's Song - Tom Rush

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sun, 15 Jan 2012 21:40:00 +0000

Goodbye momma goodbye to you too pa
Little sister you'll have to wait a while to come along
Goodybye to this house and all it's memories
We just got too old to say we're wrong
Got to make one last trip to my bedroom
Guess I'll have to leave some stuff behind
It's funny how the same old crooked pictures
Just don't seem the same to me tonight
There ain't no use in sheding lonely tears mamma
There ain't no use in shouting at me pa
I can't live no longer with your fears mamma
I love you but that hasn't helped at all
Each of us must do the things that matter
All of us must see what we can see
It was long ago you must remember
You were once as young and scared as me
I don't know how hard it is yet mamma
When you relaize you're growning old
I know how hard is not to be younger
I know you've tried to keep me from the cold
Thanks for all you done it may sound hollow
Thank you for the good times that we've known
But I must find my own road now to follow
You will all be welcome in my home
Got my suitacse I must go now
I don't mind about the things you said
I'm sorry Mom I don't know where I'm going
Remember little sister look ahead
Tomorrow I'll be in some other sunrise
Maybe I'll have someone at my side
Mamma give your love back to your husband
Father you've have taught we well goodbye
Goodbye Mamma goodbye to you too pa

Βλαντιμίρ Ναμπόκοφ

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sun, 15 Jan 2012 13:33:00 +0000

Ἡ ἀληθινή ζωή τοῦ Σεμπάστιαν Νάιτ,

μετάφραση Ἀνδρέας Ἀποστολίδης,

Ἀθήνα: Ἄγρα 1989

Αριθμός σελίδων: 304

Δυο μήνες μετά το θάνατο του μυθιστοριογράφου Σεμπάστιαν Νάιτ, ο νεαρός ετεροθαλής αδελφός του αναλαμβάνει να γράψει μια βιογραφία του κι ο αναγνώστης παρακολουθεί τις προσπάθειές του να συγκεντρώσει τα στοιχεία αυτής της βιογραφίας. Είναι λιγότερο η ζωή του Σεμπάστιαν Νάιτ που μας παρουσιάζεται εδώ και περισσότερο η ιστορία της απόπειρας να γραφεί η βιογραφία ενός ανθρώπου και η αδυναμία να φτάσει στη γνώση της πραγματικής ζωής του άλλου, έστω κι αν πρόκειται για τον χαμένο αδελφό.
"Η αληθινή ζωή του Σεμπάστιαν Νάιτ" είναι το πρώτο μυθιστόρημα που ο Vladimir Nabokov έγραψε απευθείας στ' αγγλικά. Έχει ένα διαυγές ύφος που το διαπερνά μια ένταση ονείρου.
Το μυθιστόρημα συνοδεύεται από Εργοβιογραφία και φωτογραφίες του συγγραφέα, καθώς και μία μελέτη του μεταφραστή Ανδρέα Αποστολίδη.

Celebration of the lizard king

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sat, 14 Jan 2012 22:00:00 +0000

Π Α Ρ Θ Ε Ν Ω Ν Α Σ

Look On Yonder Wall

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sat, 14 Jan 2012 16:16:00 +0000

beethoven

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Thu, 12 Jan 2012 12:17:00 +0000

Mad About The Boy

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Tue, 10 Jan 2012 21:55:00 +0000

Ain`t No Sunshine When She`s Gone.

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Mon, 09 Jan 2012 19:08:00 +0000

Ain't no sunshine when she's gone
It's not warm when she's away!

performance by Ivo Dimchev in collaboration with Franz West.

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sat, 07 Jan 2012 23:13:00 +0000

DIRTY BABY

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sat, 07 Jan 2012 01:03:00 +0000

DIRTY BABY is a provocative "trialogue" between the paintings of Ed Ruscha, the music of Nels Cline, and the poems of David Breskin. The title comes from the idea that when different art forms mate, the resulting offspring is no purebred but rather a wonderfully dirty and lovable mutt. The book is divided into two "sides" in the manner of a vinyl record: Side A offers a time-lapse history of Western Civilization; Side B charts the American misadventure in Iraq. The 66 Ruscha pictures in the book are drawn from two rarely seen bodies of work, the "Silhouettes" and the "Cityscapes," in which Ruscha uses "censor strips" in place of the words which normally occupy a prominent place in his pictures. Throughout, Breskin's lyrical verses, using the ancient Arabic form of the ghazal, serve as powerful companions to Ruscha's gorgeously reproduced paintings. To this mix Cline adds more than an hour-and-a-half of new music for a large ensemble: by turns rhapsodic and edgy, heartfelt and raucous, it ranges from acoustic impressionism to dense, dark electronica. Housed in a luscious slipcase and including four CDs, two of music and two of spoken-voice poetry, this vibrant, polyphonic book is a wild surprise produced by three of the most exciting artists working today.

Publication Date: September 1, 2010

http://www.amazon.com/DIRTY-BABY-Ed-Ruscha/dp/3791350838

Two Complete Collaborative Examples

I’m very happy to present two complete examples from the collaborative masterpiece. The first, from Side A, does not include Nels Cline’s musical contribution, as that side of the album is not divided into tracks that correspond directly with paintings or poems.The second

example, from Side B, includes Cline’s music, as each of the 33 poems and paintings on that side are accompanied by a single track of music.The obvious must be stated: the book itself is the ultimate housing of this collaborative work, and while these examples do reproduce something

of the originals, there is a good reason DIRTY BABY is featured alongside other books that fully embrace their physical form.

MY NAME IS ABSTRACT © Ed Ruscha, 24 x 20", acrylic on raw linen

“MY NAME IS ABSTRACT,” ghazal by David Breskin

MY NAME IS ABSTRACT

OOOfor Spencer Glendon

I will put those critters in their place. I will turn the world
inside out. Turn wolf into dog. Learn. I will learn the world.

My cave’s but nascent condo, my arms thrown rocks for starters.
See this lightning strike lecture how to slash-and-burn the world.

Gaur becomes cow. Macaw becomes headdress. Elephant, spear
then grand piano. It’s all very much my concern, the world.

If the hunting is exhausted or too exhausting here,
bloody right I’ll go there. I’m hardly out to churn the world.

Mistakes, sure. There have been problems with rats and many things
too small to see. But I hang in there. I don’t spurn the world.

Take the garden. Early work, and no mean feat. Putting plants
in rows brought neat sliced bread and more, machines to quern the world.

This cuts that. I’m cold, that cat can be my coat. There’s water
under dust. As you can see, actually, I yearn the world.

A moving finger in the dirt made a huge but quiet
bang. Numbers: a brand new liquid. Now I can CERN the world.

There are headaches. Eels, goats, butterflies, they’ve got no worries,
no loose particles, no lost bits. Me, I can urn the world.

It’s a sexy gas—revved up by the voltage, the chutzpah,
the wiles, the nads, the art and the oomph to adjourn the world.

GIVE UP THE GOLD OR GIVE UP YOUR LIFE © Ed Ruscha, 20 x 16", bleach on linen-covered board

“GIVE UP THE GOLD OR GIVE UP YOUR LIFE,” music Nels Cline

“GIVE UP THE GOLD OR GIVE UP YOUR LIFE,” ghazal by David Breskin

GIVE UP THE GOLD OR GIVE UP YOUR LIFE

A Rose Garden prayer for more gold and God
brought neither. Quaking before Gold and God.

Whatever hunger looked good on the stand
we bought, gorging on drugstore gold and god.

Bespoke preacher, multiplied and hidden
by screens, commands we adore Gold and God.

Riding cold caboose, the harmonica
paints a swollen tune: ignore Gold and god.

No materialists in foxholes? Sold
into war, poor soldiers wore gold and God.

Cradle of civilization, casket
of civilization, bore gold and god.

Lit by lipstick, in the blind and needled
alley lays the two-holed whore, Gold and God.

Give it up give it up give it up. Give
up your deathstyle. Carbon, gore, gold and god.

http://www.molossus.co/interview/fur-lined-handcuffs-dirty-baby-part-2/

http://www.artinfo.com/news/story/35650/a-qa-with-poet-david-breskin-on-dirty-baby-his-new-collaboration-with-ed-ruscha-and-nels-cline/

Iain BAXTER&

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Fri, 06 Jan 2012 23:55:00 +0000

IAIN BAXTER&: Works 1958-2011 from MCA Chicago on Vimeo.

Tony Smith

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Fri, 06 Jan 2012 11:08:00 +0000

Foi Na cruz

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Thu, 05 Jan 2012 21:48:00 +0000

best christmas scene

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Thu, 05 Jan 2012 12:46:00 +0000

Η Henriette Vogel προς τον Heinrich Von Kleist.

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Tue, 03 Jan 2012 18:55:00 +0000

o Heinrich Von Kleist και η Henriette Vogel αυτοκτόνησαν μαζί στις 22 Νοεμβρίου 1811 αφού κατανάλωσαν πολλές μπουκάλες κρασί και ρούμι και προπάντων καφέ, μέχρι δεκαέξι κούπες…ήταν και οι δυο 34χρονων.

Cyber Sex

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Tue, 03 Jan 2012 00:55:00 +0000

T A R A N T U L A

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Mon, 02 Jan 2012 13:44:00 +0000

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sun, 01 Jan 2012 15:45:00 +0000

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Sun, 01 Jan 2012 04:04:00 +0000

Rail Band - Duga

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Fri, 30 Dec 2011 22:56:00 +0000

from Mali, West Africa

Christian Metz---जीवन तलाश फोर्स

KOTOPOULASSK@GMAIL.COM (KANGOURO) — Fri, 30 Dec 2011 11:57:00 +0000

Ψυχανάλυση και κινηματογράφος

Το φαντασιακό σημαίνον

Συγγραφείς: Christian Metz

Θέμα: Κινηματογράφος

Εκδότης: Πλέθρον

Μετάφραση: Φώτης Σιατίτσας - Βασίλειος Πατσογιάννης

Σελίδες: 327

Ημ. Έκδοσης: 01/09/2007

Περιγραφή:

Στο βιβλίο αυτό ο Κριστιάν Μετς αναλύει τον κινηματογράφο με τα εργαλεία της ψυχανάλυσης, τα οποία συνδυάζει με τις κατακτήσεις της σύγχρονης γλωσσολογίας, χωρίς να παραγνωρίζει την κοινωνικοϊστορική πραγματικότητα στην οποία ριζώνει ο κινηματογράφος ως θεσμός.
Αναγνωρίζοντας τη σημασία που μπορεί να έχουν οι ψυχαναλυτικές μελέτες της υπόθεσης, των ηρώων ή των δημιουργών μιας ταινίας, ο συγγραφέας προχωρά στη μελέτη φαινομένων που διέπουν την τελετουργία της παρακολούθησης μιας ταινίας: ταύτιση, επιδειξιομανία και ηδονοβλεψία, προδιάθεση πίστης και ευπιστίας έναντι της ιστορίας που διηγείται η ταινία, σχέση της κατάστασης του θεατή με το όνειρο, την ονειροπόληση, την παραίσθηση.
Επιπλέον, εκκινώντας από τις θεωρίες του Λακάν και του Γιάκομπσον, ο Μετς συνδυάζει τη μετωνυμία και τη μεταφορά ως βασικά στοιχεία της ιδιάζουσας, σταδιακά συγκροτημένης κινηματογραφικής γλώσσας, με τη συμπύκνωση και τη μετάθεση, ως θεμελιώδη σχήματα της γλώσσας του ονείρου. Μέσα από τη γόνιμη αυτή συνάντηση προτείνει μια νέα, δυναμική αντίληψη για τη λογοκρισία μεταξύ συνειδητού και ασυνειδήτου, όπως και για την έννοια του ρητορικού σχήματος στην κινηματογραφική γλώσσα.
Έργο κλασικό πλέον στον χώρο του, το Φαντασιακό σημαίνον έχει ανοίξει νέες κατευθύνσεις στις κινηματογραφικές σπουδές και έχει εμπνεύσει ένα πλήθος μελετών σε όλο τον κόσμο.
"Η ιδιάζουσα θέση του κινηματογράφου οφείλεται στον διπλό χαρακτήρα του σημαίνοντός του: ασυνήθιστος αντιληπτικός πλούτος, που πλήττεται όμως εξ ορισμού σε έναν ασυνήθιστο βαθμό από την απουσία της πραγματικότητας. Περισσότερο απ’ ό,τι οι άλλες τέχνες, ή με έναν πιο ιδιαίτερο τρόπο, ο κινηματογράφος μάς εμπλέκει στο φαντασιακό: κινητοποιεί έντονα την αντίληψη, αλλά για να την ωθήσει ευθύς μέσα στην ίδια της την απουσία, που είναι εντούτοις το μόνο παρόν σημαίνον" (Κριστιάν Μετς)

--------------------------

Language:Sanskrit
Genre:Vocal
Performance
Trumpet:Don Cherry
Conductor:Krzysztof Penderecki
Orchestra:New Eternal Rhythm Orchestra
Feat1:Manfred Schoof
Feat2:Kenny Wheeler
Feat3:Tomasz Stanko
Feat4:Paul Rutherford
Feat5:Albert Mangelsdorff
Feat6:Gerd Dudek
Feat7:Peter Brotzmann
Feat8:Willem Breuker
Feat9:Gunter Hampel
Feat10:Terje Rypdal
Feat11:Loes Macgillycutty
Feat12:Mocqui Cherry

Don Cherry

Donald Eugene Cherry (November 18, 1936 – October 19, 1995) was an innovative African-American jazz cornetist whose career began with a long association with saxophonist Ornette Coleman. He went on to live in many parts of the world and work with a wide variety of musicians.

Krzysztof Penderecki

Krzysztof Penderecki (Polish pronunciation: [ˈkʂɨʂtɔf pɛndɛˈrɛt͡skʲi] (Krzysztof Eugeniusz Penderecki), born November 23, 1933 in Dębica) is a Polish composer and conductor. His 1960 avant-garde Threnody to the Victims of Hiroshima for string orchestra brought him to international attention, and this success was followed by acclaim for his choral St. Luke Passion.