<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-23605055</id><updated>2024-08-29T22:13:18.642+02:00</updated><category term="Libri"/><category term="Libri che mi piacciono"/><category term="Eventi"/><category term="Pensieri e Poesie"/><category term="micronarrativa"/><category term="Il Gioco dei Titoli"/><category term="Premio Strega"/><category term="Racconti"/><category term="ebook"/><category term="einaudi"/><category term="Adelphi"/><category term="Recensioni"/><category term="2.0"/><category term="stregathon"/><category term="totostrega"/><category term="Feltrinelli"/><category term="Italia"/><category term="Letteratura francese"/><category term="Neri Pozza"/><category term="Tv"/><category term="citazioni"/><category term="Catanzaro"/><category term="Napoli"/><category term="PCI"/><category term="bompiani"/><category term="Campiellathon"/><category term="Mondadori"/><category term="Mondo"/><category term="Premio Campiello"/><category term="Sellerio"/><category term="Sensibili alle foglie"/><category term="Calabria"/><category term="Documentari"/><category term="Domenico Starnone"/><category term="Emmanuel Carrère"/><category term="Giunti"/><category term="Guanda"/><category term="Irpinia"/><category term="L&#39;orma"/><category term="Marsilio"/><category term="Milano"/><category term="NNeditore"/><category term="Poesia"/><category term="Premio Sinbad"/><category term="Renato Curcio"/><category term="Roberto Bolaño"/><category term="Wanda Marasco"/><category term="Wu Ming"/><category term="francia"/><category term="gialli"/><category term="islam"/><category term="10:04"/><category term="1973"/><category term="2014"/><category term="23 aprile"/><category term="Accademia dei Lincei"/><category term="Aldo Busi"/><category term="Alessandro Robecchi"/><category term="Alexandre Alekine"/><category term="Allende"/><category term="Alpinismo"/><category term="Amical"/><category term="Amleto"/><category term="Anderson"/><category term="Andrea Gentile"/><category term="Andrea Marcolongo"/><category term="Anni 80"/><category term="Annie Ernaux"/><category term="Antonio Scurati"/><category term="Apostoli"/><category term="Azar Nafisi"/><category term="Baricco"/><category term="Ben Lerner"/><category term="Benito Bermejo"/><category term="Benni"/><category term="Berlinguer"/><category term="Bibbia"/><category term="Biografie"/><category term="Blair"/><category term="CGIL"/><category term="CNT"/><category term="Calais"/><category term="Capablanca"/><category term="Capodanno"/><category term="Carlo Monterossi"/><category term="Carlo Scalfaro"/><category term="Carmen Pellegrino"/><category term="Carver"/><category term="Cern"/><category term="Chiarelettere"/><category term="Cile"/><category term="Cinema"/><category term="Città del Sole"/><category term="Clara Sereni"/><category term="Claudio Magris"/><category term="Corrado Alvaro"/><category term="Costantinopoli"/><category term="Cristianesimo"/><category term="Danimarca"/><category term="Dante"/><category term="David Kelly"/><category term="Diego De Henriquez"/><category term="Discepoli"/><category term="Ebrei"/><category term="Ecco"/><category term="Edizioni Alegre"/><category term="Elena Ferrante"/><category term="Emanuele Trevi"/><category term="Emma Heley"/><category term="Enrico Ianniello"/><category term="Ermanno Rea"/><category term="Eshkol Nevo"/><category term="Facebook"/><category term="Fellini"/><category term="Firenze"/><category term="Folkstudio"/><category term="Fruttero &amp; 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Dick"/><category term="Piegari"/><category term="Pier Paolo Pasolini"/><category term="Pinochet"/><category term="Politica"/><category term="Ponte alle Grazie"/><category term="Portogallo"/><category term="Questione Meridionale"/><category term="Quinto Tipo"/><category term="Racconto"/><category term="Regione Calabria"/><category term="Risiera di San Sabba"/><category term="Ritorno al futuro"/><category term="Rizzoli"/><category term="Rousseau"/><category term="Rubbettino"/><category term="Russia"/><category term="Scacchi"/><category term="Serena Vitale"/><category term="Shakespeare"/><category term="Sinbadthon"/><category term="Sindacato"/><category term="Sinistra"/><category term="Smith &amp; Wesson"/><category term="Social Network"/><category term="Socianalisi narrativa"/><category term="Socioanalisi narrativa"/><category term="Sociologia"/><category term="Sordello"/><category term="Spagna"/><category term="Sándor Márai"/><category term="Tempi moderni"/><category term="Teresa Ciabatti"/><category term="Terremoto"/><category term="Tommaso Pincio"/><category term="Torino"/><category term="Twitter"/><category term="URSS"/><category term="Unione Sovietica"/><category term="Vincenzo Gemito"/><category term="Vinicio Capossela"/><category term="Viva i libri"/><category term="Voltaire"/><category term="Whatsapp"/><category term="Wikileaks"/><category term="Wu Ming 1"/><category term="abbandonologa"/><category term="afropolitan"/><category term="alzheimer"/><category term="amore"/><category term="apollonio rodio"/><category term="arte"/><category term="book"/><category term="budapest"/><category term="campi di sterminio"/><category term="capoluogo"/><category term="charcot"/><category term="classifiche"/><category term="complotto"/><category term="deportati"/><category term="e/o"/><category term="egemonia digitale"/><category term="einauidi"/><category term="essere"/><category term="eterno"/><category term="fiabe"/><category term="film"/><category term="fine anno"/><category term="freud"/><category term="ghana"/><category term="giallo"/><category term="giornalismo"/><category term="grand hotel"/><category term="greco"/><category term="greco antico"/><category term="haiku"/><category term="illuminismo"/><category term="io leggo perché"/><category term="jung"/><category term="la particella di Dio"/><category term="le argonautiche"/><category term="letteratura"/><category term="letteratura giapponese"/><category term="libertà"/><category term="libri belli"/><category term="macchina del fango"/><category term="mesmerismo"/><category term="moti di Reggio"/><category term="nigeria"/><category term="noir"/><category term="olocausto"/><category term="partito comunista italiano"/><category term="pensieri"/><category term="potere"/><category term="psicologia"/><category term="regali"/><category term="responsabilità"/><category term="rivoluzione francese"/><category term="romanzo storico"/><category term="tangentopoli"/><category term="tradimento"/><title type='text'>Kaos Blu</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default?alt=atom&amp;redirect=false'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default?alt=atom&amp;start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>207</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-23605055.post-1403109899407597955</id><published>2018-05-20T18:34:00.001+02:00</published><updated>2018-05-20T18:36:57.703+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Andrea Marcolongo"/><category scheme="http://www.blogger.com/atom/ns#" term="apollonio rodio"/><category scheme="http://www.blogger.com/atom/ns#" term="greco"/><category scheme="http://www.blogger.com/atom/ns#" term="greco antico"/><category scheme="http://www.blogger.com/atom/ns#" term="le argonautiche"/><category scheme="http://www.blogger.com/atom/ns#" term="Mondadori"/><title type='text'>La misura eroica di Andrea Marcolongo</title><content type='html'>&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4u6QM1kEh63XorzlQXioxAKH4Bvap7b76lhL8ZDefnNfkYp7cEQjoD9zTV4acdJnTHA7D_5U8dI0mP2bKvsbGlv7Q_7HsnEAqWSaVciCo1P9N5hBonBtjkElhvac1hK3tDDm5w/s1600/la+misura+eroica+di+andrea+marcolongo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1400&quot; data-original-width=&quot;1000&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4u6QM1kEh63XorzlQXioxAKH4Bvap7b76lhL8ZDefnNfkYp7cEQjoD9zTV4acdJnTHA7D_5U8dI0mP2bKvsbGlv7Q_7HsnEAqWSaVciCo1P9N5hBonBtjkElhvac1hK3tDDm5w/s320/la+misura+eroica+di+andrea+marcolongo.jpg&quot; width=&quot;228&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Dopo il gran successo del
primo libro, &lt;b&gt;La lingua geniale&lt;/b&gt;, nel quale &lt;b&gt;Marcolongo &lt;/b&gt;ci ha raccontato perché
amare il Greco antico, l&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;a scrittrice che non
voleva più scrivere di antico, di greco, si è presa del tempo per intraprendere
un viaggio interiore, alla fine ha scoperto che avrebbe perso parte di sé se
avesse abbandonato l’antico.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;In questo libro non parla di lingua greca ma
utilizza il mondo antico, &lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;Le Argonautiche&lt;/b&gt;&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt; di &lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;Apollonio Rodio&lt;/b&gt;&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;, l’archetipo dei
romanzi di formazione, il racconto della prima nave che solca i mari non per
fare la guerra ma per intraprendere un’impresa impossibile; conoscere se
stessi, incontrare l’amore, e intreccia il viaggio di &lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;Giasone &lt;/b&gt;&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;e dei suoi compagni con il suo viaggio personale. Tre piani narrativi, il mito greco più
antico, il viaggio e l’autobiografia.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;C’è nel libro una cura delle parole che
raramente ho riscontrato in altri libri, “&lt;i&gt;Quando non capisco qualcosa della
vita io risalgo all’etimologia della Parola per capire e dare un senso.&lt;/i&gt;”, dice
l’autrice. Viviamo anni di smarrimento, senza una guida, senza un porto da
raggiungere, per recuperare chi siamo e per capire chi vogliamo essere, è
necessario tornare al greco perché stanchi della vaghezza, della confusione – e
della nostra epoca, come diceva &lt;b&gt;Virginia Woolf&lt;/b&gt;. Questo libro è un ottimo punto
di partenza. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;https://www.librimondadori.it/libri/la-misura-eroica-andrea-marcolongo/?gclid=Cj0KCQjwuYTYBRDsARIsAJnrUXC2KMuPfJgMBFD_85gRfsq5rgg0SM7bVGybiVvSOB8rhsy5a5Ytqz0aAu_uEALw_wcB&quot; target=&quot;_blank&quot;&gt;La misura eroica di Andrea Marcolongo&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;Mondadori&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2018&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 20.79px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;208&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/1403109899407597955/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2018/05/la-misura-eroica-di-andrea-marcolongo.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1403109899407597955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1403109899407597955'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2018/05/la-misura-eroica-di-andrea-marcolongo.html' title='La misura eroica di Andrea Marcolongo'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV4u6QM1kEh63XorzlQXioxAKH4Bvap7b76lhL8ZDefnNfkYp7cEQjoD9zTV4acdJnTHA7D_5U8dI0mP2bKvsbGlv7Q_7HsnEAqWSaVciCo1P9N5hBonBtjkElhvac1hK3tDDm5w/s72-c/la+misura+eroica+di+andrea+marcolongo.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-1900689164069748394</id><published>2017-06-08T19:33:00.002+02:00</published><updated>2017-06-08T19:45:54.973+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Napoli"/><category scheme="http://www.blogger.com/atom/ns#" term="Neri Pozza"/><category scheme="http://www.blogger.com/atom/ns#" term="Premio Strega"/><category scheme="http://www.blogger.com/atom/ns#" term="Wanda Marasco"/><title type='text'>La compagnia delle anime finte di Wanda Marasco</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAq4_IoQfxUN4efhODlRC6xk_0twzHvVnSantNfaax0hfUsKrJHDxACNCCzj1AgnR8JOlhlT8F9iykippC4dUATrngq6QIiGzs48wTKJOFHnK6tFQ9z_I6Zwyt5cq4oLqBDFfwlg/s1600/la+compagnia+delle+anime+finte.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1600&quot; data-original-width=&quot;965&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAq4_IoQfxUN4efhODlRC6xk_0twzHvVnSantNfaax0hfUsKrJHDxACNCCzj1AgnR8JOlhlT8F9iykippC4dUATrngq6QIiGzs48wTKJOFHnK6tFQ9z_I6Zwyt5cq4oLqBDFfwlg/s320/la+compagnia+delle+anime+finte.jpg&quot; width=&quot;193&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Dopo il meraviglioso &lt;a href=&quot;https://kaosblu.blogspot.it/2015/05/il-genio-dellabbandono-di-wanda-marasco.html&quot; target=&quot;_blank&quot;&gt;Il genio dell’abbandono&lt;/a&gt;, &lt;b&gt;Wanda Marasco&lt;/b&gt; torna a raccontare Napoli. Città dei paradossi, palcoscenico ideale per i personaggi che vengon fuori dalla penna della scrittrice.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;La voce narrante è di Rosa, seduta accanto al letto della madre morta, le parla, rievoca l’infanzia
di Vincenzina, l’incontro con Rafele, suo padre, l’ostilità dei Maiorana, il
prestito a usura prima subìto per pagare le cure di Rafele e poi praticato da
Vincenzina, l’amica Annarella che vive con la madre pazza, il maestro Nunziata,
e Mariomaria «la creatura che ha dentro di sé una preghiera rovesciata»&lt;/span&gt;;
tutte “anime finte” che hanno un guasto. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;La &lt;b&gt;Marasco &lt;/b&gt;racconta nei
suoi romanzi gli umiliati e gli offesi, la sua scrittura coglie le interiorità
umane, le parole sono uno scandaglio che scendono negli abissi dell’animo di
chi legge, lo scrutano, lo interrogano. Chi legge rimarrà incantato dalla scrittura
poetica, evocativa, teatrale della &lt;b&gt;Marasco&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Il libro, tra i dodici
finalisti al premio &lt;b&gt;Strega,&lt;/b&gt; è anche bello, in copertina una foto di &lt;b&gt;Piergiorgio Branzi&lt;/b&gt;
la &lt;i&gt;guagliunera&lt;/i&gt; che corre su per una
scalinata tra panni stesi, un contrasto in bianco&amp;nbsp; e nero che “sottolinea l’essenziale”.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.neripozza.it/collane_dett.php?id_coll=3&amp;amp;id_lib=1058&quot; target=&quot;_blank&quot;&gt;La compagnia delle anime finte di Wanda Marasco&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;Neri Pozza&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana: &lt;b&gt;Bloom&lt;/b&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2017&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; text-align: justify;&quot;&gt;
&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 20.79px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;240&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/1900689164069748394/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/06/la-compagnia-delle-anime-finte-di-wanda.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1900689164069748394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1900689164069748394'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/06/la-compagnia-delle-anime-finte-di-wanda.html' title='La compagnia delle anime finte di Wanda Marasco'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAq4_IoQfxUN4efhODlRC6xk_0twzHvVnSantNfaax0hfUsKrJHDxACNCCzj1AgnR8JOlhlT8F9iykippC4dUATrngq6QIiGzs48wTKJOFHnK6tFQ9z_I6Zwyt5cq4oLqBDFfwlg/s72-c/la+compagnia+delle+anime+finte.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-6826014314226347102</id><published>2017-05-02T19:06:00.004+02:00</published><updated>2017-05-02T19:06:56.261+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alpinismo"/><category scheme="http://www.blogger.com/atom/ns#" term="einaudi"/><category scheme="http://www.blogger.com/atom/ns#" term="Montagna"/><category scheme="http://www.blogger.com/atom/ns#" term="Paolo Cognetti"/><category scheme="http://www.blogger.com/atom/ns#" term="Premio Strega"/><title type='text'>Le otto montagne di Paolo Cognetti</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtarroKcHwdhcK6PyxSD4O0mZpegqfacHdFC994SliFQ8iKmCzopQOeUtmpNsWX2iKfhl4L8TGFS5-qcNnOafRPFsycZdPdHMykGDdRXwuM2OtGNwdC7Bik5xB12sj_meqLo1MQw/s1600/le+otto+montagne.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtarroKcHwdhcK6PyxSD4O0mZpegqfacHdFC994SliFQ8iKmCzopQOeUtmpNsWX2iKfhl4L8TGFS5-qcNnOafRPFsycZdPdHMykGDdRXwuM2OtGNwdC7Bik5xB12sj_meqLo1MQw/s320/le+otto+montagne.jpg&quot; width=&quot;201&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;È una storia di formazione&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; font-size: 7.5pt; line-height: 115%;&quot;&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;di padri, di figli e di
amicizia. Al centro della storia la montagna, più che un luogo un altro
personaggio, il principale, un simbolo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Pietro vive a Milano è un
ragazzino introverso, la mamma lavora in un consultorio e il papà è un chimico.
Appena possono e soprattutto in estate si trasferiscono in montagna, a Grana un
paese ai piedi del monte Rosa. I genitori si sono conosciuti in montagna,
innamorati e sposati, Pietro in montagna ha conosciuto Bruno, il suo unico
amico. Bruno ci vive in montagna, porta al pascolo le mucche, lavora il
formaggio con i cugini e gioca con Pietro tra i ruderi e il torrente. In quegli
anni Pietro inizia a camminare con il padre alla scoperta delle cime e di se
stesso e in quelle montagne dopo la morte del padre lì lo riscoprirà.&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; font-size: 7.5pt; line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;Cognetti &lt;/b&gt;è proprio bravo,
usa la lingua senza fronzoli, le parole sono quelle giuste, concrete&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; font-size: 7.5pt; line-height: 115%;&quot;&gt;. &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Le&amp;nbsp;otto montagne&amp;nbsp;è
un caso editoriale,&amp;nbsp;venduto circa in 30&amp;nbsp;paesi&amp;nbsp;in occasione della
Fiera di Francoforte, prima ancora della sua pubblicazione in Italia. È candidato
al &lt;b&gt;Premio Strega&lt;/b&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&amp;nbsp;Un libro
appassionato e appassionante, restituisce l’amore che &lt;b&gt;Cognetti &lt;/b&gt;ha per la
montagna, finito di leggere il libro si ha voglia di avventurarsi in un sentiero,
di calpestare rami secchi tra abeti e larici, abbandonare il bosco ed i
torrenti e salire sempre più su per il desiderio di scoprire il non conosciuto
che forse è dentro di noi.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.einaudi.it/speciali/Paolo-Cognetti-Le-otto-montagne&quot; target=&quot;_blank&quot;&gt;Le otto montagne di Paolo Cognetti&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Editore:&amp;nbsp;&lt;b&gt;Einaudi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Collana:&lt;b&gt;&amp;nbsp;Supercoralli&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;199&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/6826014314226347102/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/05/le-otto-montagne-di-paolo-cognetti.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6826014314226347102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6826014314226347102'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/05/le-otto-montagne-di-paolo-cognetti.html' title='Le otto montagne di Paolo Cognetti'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtarroKcHwdhcK6PyxSD4O0mZpegqfacHdFC994SliFQ8iKmCzopQOeUtmpNsWX2iKfhl4L8TGFS5-qcNnOafRPFsycZdPdHMykGDdRXwuM2OtGNwdC7Bik5xB12sj_meqLo1MQw/s72-c/le+otto+montagne.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-8711190122978652120</id><published>2017-04-19T18:56:00.001+02:00</published><updated>2017-04-20T09:52:18.881+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Giorgio Almirante"/><category scheme="http://www.blogger.com/atom/ns#" term="Licio Gelli"/><category scheme="http://www.blogger.com/atom/ns#" term="Lorenzo Ciabatti"/><category scheme="http://www.blogger.com/atom/ns#" term="Mondadori"/><category scheme="http://www.blogger.com/atom/ns#" term="P2"/><category scheme="http://www.blogger.com/atom/ns#" term="Teresa Ciabatti"/><title type='text'>La più amata di Teresa Ciabatti</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3BR6LB_uzYXXEXfWjTOhdunyezXmS0OhdzS-sz6aQyb4lf9ss4wAZ0vKG8kOumKKbKkWFMhTizs1jnSHgShxoW3Fl0DuM4fRDPxFdNet-B9ChGSHNnKgiU6QN355ora71E6vI3A/s1600/la+pi%25C3%25B9+amata.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3BR6LB_uzYXXEXfWjTOhdunyezXmS0OhdzS-sz6aQyb4lf9ss4wAZ0vKG8kOumKKbKkWFMhTizs1jnSHgShxoW3Fl0DuM4fRDPxFdNet-B9ChGSHNnKgiU6QN355ora71E6vI3A/s320/la+pi%25C3%25B9+amata.jpg&quot; width=&quot;214&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Teresa Ciabatti&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;ha quarantaquattro anni, decide a ventisei anni dalla
morte del padre di scoprire perché è «egoista, superficiale, asociale».&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Teresa Ciabatti&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;cresce con la convinzione che il mondo giri intorno a
lei, il padre è il suo re e lei è la sua principessa.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Lorenzo Ciabatti&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;&amp;nbsp;è stato un amato e stimato primario
dell’ospedale di Orbetello: il Professore. La gente lo considera quasi un santo,
i suoi pazienti lo coprono di regali, possiede ville, terreni e in un cassetto
conserva dei lingotti d’oro. Cosa si cela dietro a quest’uomo che ha ad un dito
della mano un anello con dei simboli strani, e che nella sua casa compaiono
personaggi della politica, dell’economia, frequenta&lt;b&gt;&amp;nbsp;Licio Gelli&lt;/b&gt;,
alle feste di famiglia c’è anche&amp;nbsp;&lt;b&gt;Giorgio Almirante&lt;/b&gt;&amp;nbsp;e nel
giorno del matrimonio si canta faccetta nera. Nella villa di famiglia c’è una
piscina e sotto un bunker dove Teresa, il fratello e la mamma si rifugiano,
quando il padre subisce un sequestro di un solo giorno.&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Tutti questi fatti non sono compresi da
Teresa bambina ma all&#39;età di quarantaquattro anni sente la necessità di
capire chi era il padre. Forse è troppo tardi, la madre è morta, tanti
amici del padre sono morti, così come i colleghi, con il fratello non ha un
buon rapporto. La voce narrante è quella di una bambina, e il linguaggio rimane
tale per tutto il libro. Frasi brevi.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Questo libro è un autofiction ma non ha
la potenza e lo stile che ritroviamo nei libri di&amp;nbsp;&lt;b&gt;Walter Siti&lt;/b&gt;. È un
romanzo sofferto, di liberazione, un esercizio psicoanalitico ma non è
letteratura.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times new roman&amp;quot; , serif; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.librimondadori.it/libri/la-piu-amata-teresa-ciabatti&quot; target=&quot;_blank&quot;&gt;La più amata di Teresa Ciabatti&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Editore:&amp;nbsp;&lt;b&gt;Mondadori&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Collana:&lt;b&gt; Scrittori italiani e stranieri&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;&amp;nbsp;2017&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;218&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/8711190122978652120/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/04/la-piu-amata-di-teresa-ciabatti.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8711190122978652120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8711190122978652120'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/04/la-piu-amata-di-teresa-ciabatti.html' title='La più amata di Teresa Ciabatti'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3BR6LB_uzYXXEXfWjTOhdunyezXmS0OhdzS-sz6aQyb4lf9ss4wAZ0vKG8kOumKKbKkWFMhTizs1jnSHgShxoW3Fl0DuM4fRDPxFdNet-B9ChGSHNnKgiU6QN355ora71E6vI3A/s72-c/la+pi%25C3%25B9+amata.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-5115849303142805995</id><published>2017-04-09T18:57:00.003+02:00</published><updated>2017-04-10T12:47:45.523+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amleto"/><category scheme="http://www.blogger.com/atom/ns#" term="einaudi"/><category scheme="http://www.blogger.com/atom/ns#" term="Ian McEwan"/><category scheme="http://www.blogger.com/atom/ns#" term="Shakespeare"/><title type='text'>Nel guscio di Ian McEwan</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIkxwqiYXijiLSKajGNl9LZdJh6poMTjhyphenhyphenVmPOQljC1YstyTE-BD1p5V6PSyNXfg3tkkKJ20v0Q5FmXg3og6H1XLUbbWf696Wtfau1NainSpxwdBVdNuIyC7-HczKPeZSACvH3eg/s1600/Nel+guscio.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIkxwqiYXijiLSKajGNl9LZdJh6poMTjhyphenhyphenVmPOQljC1YstyTE-BD1p5V6PSyNXfg3tkkKJ20v0Q5FmXg3og6H1XLUbbWf696Wtfau1NainSpxwdBVdNuIyC7-HczKPeZSACvH3eg/s320/Nel+guscio.jpg&quot; width=&quot;201&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un romanzo irreale. L’io
narrante è un non nato. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un feto a testa in giù nel
guscio materno assiste alle trame omicide della madre e del suo amante, lo zio
Claude, un ricco immobiliarista. Dalla sua posizione non può vedere ma ascolta il
piano per uccidere il padre, poeta sconosciuto e innamorato della moglie,
assiste impotente al crimine.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Nel
guscio &lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;è una riproposizione di &lt;b&gt;Amleto &lt;/b&gt;a partire dall&#39;epigrafe “&lt;i&gt;Oddio, potrei anche essere confinato in un
guscio di noce e sentirmi il re di uno spazio infinito – se non fosse la
compagnia di brutti sogni.&lt;/i&gt;”, una tragedia la cui narrazione non si snoda
tra le mura del castello di &lt;b&gt;Elsinore &lt;/b&gt;ma nella posizione privilegiata del ventre
materno.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il piccolo ascolta dunque, ma non solo le voci anche gli stati
corporei della madre, il battito cardiaco, avverte la pressione sanguigna e
interpreta la madre da ciò che dice, dal suo agire e dal suo intimo.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 16px;&quot;&gt;Ha il tempo per porsi delle domande, un fluire di dubbi, fino al supremo dubbio amletico essere o non essere, nel caso specifico nascere o non nascere.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un romanzo inedito,
geniale.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.einaudi.it/libri/libro/ian-mcewan/nel-guscio/978880623274&quot; target=&quot;_blank&quot;&gt;Nel guscio di Ian McEwan&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Editore:&amp;nbsp;&lt;b&gt;Einaudi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;&amp;nbsp;2017&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;184&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: rgba(0, 0, 0, 0.843137); font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Traduzione: &lt;b&gt;Susanna Basso&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/5115849303142805995/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/04/nel-guscio-di-ian-mcewan.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/5115849303142805995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/5115849303142805995'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/04/nel-guscio-di-ian-mcewan.html' title='Nel guscio di Ian McEwan'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIkxwqiYXijiLSKajGNl9LZdJh6poMTjhyphenhyphenVmPOQljC1YstyTE-BD1p5V6PSyNXfg3tkkKJ20v0Q5FmXg3og6H1XLUbbWf696Wtfau1NainSpxwdBVdNuIyC7-HczKPeZSACvH3eg/s72-c/Nel+guscio.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-2634657365012625914</id><published>2017-03-26T17:04:00.000+02:00</published><updated>2017-03-27T12:58:23.410+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alessandro Robecchi"/><category scheme="http://www.blogger.com/atom/ns#" term="Carlo Monterossi"/><category scheme="http://www.blogger.com/atom/ns#" term="Milano"/><category scheme="http://www.blogger.com/atom/ns#" term="Sellerio"/><title type='text'>Torto marcio di Alessandro Robecchi</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYW2sXGe6IBI7he2pgIAYvw85nmz5lTt_OmP__CzCno9-ibG0JZDPLmGjO4aKE7ZVpV1nayYhvfUNN53PjMtitHW-cK2a5Kd16lWgeupy3eJ37PgbNqnOIK3kNhaS0caKcF1dT3g/s1600/torto+marcio.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYW2sXGe6IBI7he2pgIAYvw85nmz5lTt_OmP__CzCno9-ibG0JZDPLmGjO4aKE7ZVpV1nayYhvfUNN53PjMtitHW-cK2a5Kd16lWgeupy3eJ37PgbNqnOIK3kNhaS0caKcF1dT3g/s320/torto+marcio.jpg&quot; width=&quot;228&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Leggo pochi libri gialli,
questo l’ho comprato perché convinto dalle parole di &lt;b&gt;Corrado Augias&lt;/b&gt; nella
trasmissione “&lt;i&gt;Quante storie&lt;/i&gt;”.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;Torto marcio&lt;/b&gt; è un giallo ma anche no. Ambientato
a Milano tra San Siro e via Manzoni, tra i quartieri di lusso e le case popolari occupate dai poveri, dagli africani, dai malviventi.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il sovrintendente
&lt;b&gt;Carella &lt;/b&gt;e il vice &lt;b&gt;Ghezzi&lt;/b&gt; (personaggi familiari per chi ha già letto altri libri
di &lt;b&gt;Robecchi&lt;/b&gt;) devono risolvere alcuni casi di omicidi, tre uomini, ricchi, il
proprietario di una catena di macellerie di lusso, un architetto e un uomo
dell&#39;alta finanza; non hanno nulla in comune se non il fatto di essere stati
trovati morti con un sasso bianco e liscio poggiato sul petto.&amp;nbsp;&lt;b&gt;Carlo
Monterossi&lt;/b&gt; (il protagonista di tutti i gialli di &lt;b&gt;Robecchi&lt;/b&gt;) autore televisivo
della trasmissione trash Crazy Love, che non sopporta più, condotta da &lt;b&gt;Flora De
Pisis&lt;/b&gt;, che l&#39;ha trasformata passando dalle lacrime d’amore a
quelle per i morti ammazzati. &lt;b&gt;Monterossi &lt;/b&gt;preferirebbe scrivere un saggio su &lt;b&gt;Bob
Dylan&lt;/b&gt;, ma suo malgrado gira per Milano alla ricerca di un anello prezioso rubato
alla mamma della sua collaboratrice Katia, con l’aiuto del suo amico Oscar che
sa sempre tutto. E in qualche modo finirà nell’imbattersi nella storia dei
sassi. Il colpevole si troverà, ma sarà fatta giustizia? Tre morti ammazzati,
varie ingiustizie del passato e del presente che si intrecciano.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Tutti i
personaggi hanno delle motivazioni, tutte comprensibili e giustificabili tanto
da poter dire che tutti hanno ragione ma anche che tutti hanno torto, torto
marcio. &lt;b&gt;Robecchi &lt;/b&gt;stende diverse trame e con maestria le intreccia con abilità
narrativa, con punte di riflessione sociale senza trascurare l’ironia. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://sellerio.it/it/catalogo/Torto-Marcio/Robecchi/9129&quot; target=&quot;_blank&quot;&gt;Torto marcio di Alessandro Robecchi&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Editore:&amp;nbsp;&lt;b&gt;Sellerio editore&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 12pt;&quot;&gt;&amp;nbsp;2017&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;432&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/2634657365012625914/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/03/torto-marcio-di-alessandro-robecchi.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/2634657365012625914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/2634657365012625914'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/03/torto-marcio-di-alessandro-robecchi.html' title='Torto marcio di Alessandro Robecchi'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYW2sXGe6IBI7he2pgIAYvw85nmz5lTt_OmP__CzCno9-ibG0JZDPLmGjO4aKE7ZVpV1nayYhvfUNN53PjMtitHW-cK2a5Kd16lWgeupy3eJ37PgbNqnOIK3kNhaS0caKcF1dT3g/s72-c/torto+marcio.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-6895646077009830111</id><published>2017-03-14T11:56:00.000+01:00</published><updated>2017-03-15T19:10:46.517+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto Bolaño"/><title type='text'>Il gaucho insopportabile di Roberto Bolaño</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlu4-mHwUt4sadhyphenhyphent-6f8Lt1UsMupONMPRyQtCoG-ZNFU81PQchLDt4QdzY1Fm3JDAEO0rCPHUXtv86_f-riHiLyCayxDtIVodWO7lLXADQH3SE4QLNg-IeRhNAHFWwwi63W8dtw/s1600/il+gaucho+insopportabile.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlu4-mHwUt4sadhyphenhyphent-6f8Lt1UsMupONMPRyQtCoG-ZNFU81PQchLDt4QdzY1Fm3JDAEO0rCPHUXtv86_f-riHiLyCayxDtIVodWO7lLXADQH3SE4QLNg-IeRhNAHFWwwi63W8dtw/s320/il+gaucho+insopportabile.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Quando viene pubblicato un
libro postumo c’è sempre il sospetto che sia solo una trovata editoriale per
guadagnarci su e che l’opera in sé sia solo un’accozzaglia di scritti messi
insieme alla bell&#39;e meglio. Ho letto, quindi, qualche recensione prima di
acquistare il libro, erano tutte positive ma confesso di aver serbato qualche
dubbio fin quando non ho avuto il libro tra le mani e ho iniziato a leggerlo.
Un libro magico. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Capita più spesso, ho
letto da qualche parte, di leggere tra le righe di un testo, soffermandosi solo
su alcune parole, credo che in inglese si dica skin reading, capita anche a me;
quando il testo è ampolloso ripetitivo. Alcune volte, invece, mi soffermo sulle
parole; leggo una frase, ritorno all&#39;inizio del periodo, leggo e rileggo
lentamente. Ecco, quando capita è perché mi trovo tra le mani un libro in cui
l’autore ha cesellato ogni parola e ogni parola merita di essere letta con
attenzione, con il tempo dovuto. Quando raramente ho la fortuna di imbattermi
in questi libri, leggo tutto anche i risvolti, le note bibliografiche, tutto. E
quando ho letto tutto quello che c’era da leggere due sono i sentimenti, aver
avuto la fortuna di leggere un libro magico e averlo già finito di leggere.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&amp;nbsp;Andate a comprare&amp;nbsp;&lt;b&gt;Il gaucho insopportabile&lt;/b&gt; voi che avete ancora la fortuna di leggerlo
e fatelo lentamente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;https://www.adelphi.it/libro/9788845931475&quot; target=&quot;_blank&quot;&gt;Il gaucho insopportabile di&amp;nbsp;Roberto Bolaño&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Editore: &lt;b&gt;Adelphi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Collana:&lt;b&gt; Fabula&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Anno di pubblicazione:&lt;b&gt; 2017&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Pagine:&lt;b&gt; 158&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/6895646077009830111/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/03/il-gaucho-insopportabile-di-roberto.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6895646077009830111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6895646077009830111'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/03/il-gaucho-insopportabile-di-roberto.html' title='Il gaucho insopportabile di Roberto Bolaño'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlu4-mHwUt4sadhyphenhyphent-6f8Lt1UsMupONMPRyQtCoG-ZNFU81PQchLDt4QdzY1Fm3JDAEO0rCPHUXtv86_f-riHiLyCayxDtIVodWO7lLXADQH3SE4QLNg-IeRhNAHFWwwi63W8dtw/s72-c/il+gaucho+insopportabile.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-3834593902571869872</id><published>2017-03-01T19:41:00.000+01:00</published><updated>2017-03-02T12:29:20.517+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="einaudi"/><category scheme="http://www.blogger.com/atom/ns#" term="Internet"/><category scheme="http://www.blogger.com/atom/ns#" term="Jonathan Franzen"/><category scheme="http://www.blogger.com/atom/ns#" term="Wikileaks"/><title type='text'>Purity di Jonathan Franzen</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEqAwDJPRNK48ryftwh6SE_c6NnQi1x-MHqRWwpAeYh3NNht0x8DfHZP5SW2L1ctaJ0QXWFz6kp_JKv5Fb7WOCFFZII8MKr9F_uDmoFph_VmHdqCrI38hizrZCrApcGw1eDFg-bg/s1600/purity.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEqAwDJPRNK48ryftwh6SE_c6NnQi1x-MHqRWwpAeYh3NNht0x8DfHZP5SW2L1ctaJ0QXWFz6kp_JKv5Fb7WOCFFZII8MKr9F_uDmoFph_VmHdqCrI38hizrZCrApcGw1eDFg-bg/s320/purity.jpg&quot; width=&quot;201&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il libro è
suddiviso in sette capitoli, interessante è il parallelo tra il regime
socialista e quello digitale, tra i dossier della Stasi e quello della rete che
mi ha fatto pensare all’ultimo libro di &lt;b&gt;Renato Curcio&lt;/b&gt;, &lt;b&gt;&lt;a href=&quot;https://kaosblu.blogspot.it/2016/11/legemonia-digitale-di-renato-curcio.html&quot; target=&quot;_blank&quot;&gt;L&#39;egemonia digitale&lt;/a&gt;&lt;/b&gt; e in
particolare al passo in cui &lt;b&gt;Curcio &lt;/b&gt;dice: “&lt;i&gt;Nel Grande imprigionamento digitale –
a differenza dei totalitarismi che hanno afflitto il secolo passato – sono i
nostri “dati” e i nostri “profili” che vengono rastrellati, deportati e
internati mentre i nostri corpi vengono lasciati “liberi” di imbrigliarsi
ulteriormente nella Rete affinché possano contribuire incessantemente a
produrre gratuitamente ulteriori aggiornamenti.&lt;/i&gt;”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;I personaggi
sono complessi, ci sono intrecci erotici e soprattutto cerebrali, ognuno dei
personaggi cerca di fare i conti con il passato, alcuni lo vorrebbero eliminare,
altri metterlo in luce&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;, tutti sono divorati dal senso di
colpa e &lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818;&quot;&gt;tutti hanno dei segreti e i segreti cosa sono se non il segno
distintivo, la cifra identitaria di ciascun essere umano. La società attuale è
sempre più trasparente, social, connessa e il risultato è la sostituzione dell’individuo
con il collettivo, l’unico con la massa uniforme, così come era nei regimi
totalitari. &lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Tutti i personaggi hanno
una necessità, che sia l’amore assoluto, la ricerca della verità, personale o
collettiva, tutti sono insofferenti e insoddisfatti del presente. &lt;b&gt;Purity&lt;/b&gt;, la
protagonista del libro, ha due necessità, estinguere il debito universitario di
centotrentamila dollari&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818; font-family: &amp;quot;georgia&amp;quot; , &amp;quot;serif&amp;quot;; font-size: 7.0pt; line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;e scoprire l’identità del
padre che la mamma non vuole rivelarle.&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #181818;&quot;&gt; Nella casa che condivide con alcuni
squatter incontra una ragazza tedesca che le offre l’opportunità di risolvere
entrambi i suoi problemi: uno stage in Bolivia presso la &lt;b&gt;Sunlight Project&lt;/b&gt;,
l’organizzazione che divulga le malefatte di governi e privati tramite la rete,
una &lt;b&gt;wikileaks &lt;/b&gt;più pura. Il leader dell’organizzazione è &lt;b&gt;Andrea Wolf&lt;/b&gt;, personaggio
carismatico e misterioso. La storia è ambientata tra la Germania est, la &lt;/span&gt;Philadelphia,
Oakland, Denver,&lt;span style=&quot;background: white; color: #181818;&quot;&gt; fino giù in
Bolivia e in un periodo storico che va dalla caduta del muro di Berlino ai
giorni nostri. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Buon libro forse un po’
lungo, &amp;nbsp;i dialoghi sono ottimi, alcuni memorabili.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.einaudi.it/libri/libro/jonathan-franzen/purity/978880621660&quot; target=&quot;_blank&quot;&gt;Purity di Jonathan Franzen&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Editore: &lt;b&gt;Einaudi&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Collana:&lt;b&gt; Supercoralli&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Anno di pubblicazione: &lt;b&gt;2016&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Pagine: &lt;b&gt;642&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/3834593902571869872/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/03/purity-di-jonathan-franzen.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/3834593902571869872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/3834593902571869872'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/03/purity-di-jonathan-franzen.html' title='Purity di Jonathan Franzen'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEqAwDJPRNK48ryftwh6SE_c6NnQi1x-MHqRWwpAeYh3NNht0x8DfHZP5SW2L1ctaJ0QXWFz6kp_JKv5Fb7WOCFFZII8MKr9F_uDmoFph_VmHdqCrI38hizrZCrApcGw1eDFg-bg/s72-c/purity.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-8991226201906051817</id><published>2017-01-09T18:57:00.000+01:00</published><updated>2017-01-10T13:12:31.202+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Domenico Starnone"/><category scheme="http://www.blogger.com/atom/ns#" term="einaudi"/><category scheme="http://www.blogger.com/atom/ns#" term="Henry James"/><category scheme="http://www.blogger.com/atom/ns#" term="Milano"/><category scheme="http://www.blogger.com/atom/ns#" term="Napoli"/><title type='text'>Scherzetto di Domenico Starnone</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDuXzDpP8H7aScBAdX8qODWAptxGu4ZWXQtuItnBuJSleGrqUVoictA59Z8voU60J96UT037WD-LRJTVrB809FcdrSsQt8XYvc6nUvh0urgipYw0eBTTGD4FXcGVxmNPJ5WldQPA/s1600/scherzetto+di+domenico+starnone.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDuXzDpP8H7aScBAdX8qODWAptxGu4ZWXQtuItnBuJSleGrqUVoictA59Z8voU60J96UT037WD-LRJTVrB809FcdrSsQt8XYvc6nUvh0urgipYw0eBTTGD4FXcGVxmNPJ5WldQPA/s1600/scherzetto+di+domenico+starnone.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Daniele Mallarico, noto
illustratore di settantacinque anni ormai in declino, è costretto a trasferirsi
per un fine settimana da &lt;b&gt;Milano &lt;/b&gt;a &lt;b&gt;Napoli&lt;/b&gt;&amp;nbsp;nella sua casa di infanzia, ora di
proprietà della figlia, per accudire il piccolo nipote di quattro anni. I
genitori, due matematici, devono partecipare a un convegno a Cagliari. Daniele
sta lavorando alle tavole che dovranno illustrare un racconto di &lt;b&gt;Henry James&lt;/b&gt;, &lt;b&gt;The jolly corner&lt;/b&gt;, la storia di un uomo che torna nella sua vecchia
casa di &lt;b&gt;New York,&lt;/b&gt; lì trova un fantasma
che somiglia a quello che sarebbe potuto diventare se non fosse partito. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;In quei giorni Daniele, per
la prima volta, si confronta con il piccolo nipote, due perfetti sconosciuti: un
io in declino, contro un io in potenza. Il nonno ha l’occasione di fare i conti
con se stesso. Camminando tra la casa, affiorano vecchi fantasmi (ricalco
narrativo del racconto che dovrà illustrare); l’adolescente ribelle e violento -
un riflesso dell’ambiente in cui era nato - è diventato un’artista. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Ora vecchio, Daniele, deve
sforzarsi di accettare il venir meno del vigore e delle capacità fisiche e cognitive,
saper gestire il nuovo corpo e la nuova mente, rapportarsi con il piccolo
nipote onnisciente, la cui educazione è lontana dai suoi canoni. Mario è un
bimbo di quattro anni, pedante e saccente, con grande capacità di linguaggio e saper
fare, ricorda tanti bimbi della nostra età, le cui capacità vengono messe in
mostra con orgoglio, come se si trattasse di oggetti, o animali da circo a
parenti o amici come potenziali geni. Ma “Mario era solo il piccolo ritaglio di
una sostanza viva le cui potenzialità - come accade a chiunque – se ne stavano
compresse in attesa di sviluppo. Nel giro di un paio di decenni, per comodità,
avrebbe messo la sordina a gran parte di sé – un’area vasta da dismettere pian
piano – e sarebbe corso dietro a un qualche abbaglio da chiamare in seguito &lt;i&gt;il mio destino&lt;/i&gt;.”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Una riflessione sulla
vecchiaia e generazionale inconsueta. Una caratterizzazione del mondo infantile
non stereotipata. Un bel racconto, con colpi di scena e situazioni inaspettate.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.einaudi.it/libri/libro/domenico-starnone/scherzetto/978880623235&quot; target=&quot;_blank&quot;&gt;Scherzetto di Domenico Starnone&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
Editore:&lt;b&gt;&amp;nbsp;Einaudi&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
Collana:&lt;b&gt; Supercoralli&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 18.4px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;166&lt;/b&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/8991226201906051817/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/01/scherzetto-di-domenico-starnone.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8991226201906051817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8991226201906051817'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/01/scherzetto-di-domenico-starnone.html' title='Scherzetto di Domenico Starnone'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDuXzDpP8H7aScBAdX8qODWAptxGu4ZWXQtuItnBuJSleGrqUVoictA59Z8voU60J96UT037WD-LRJTVrB809FcdrSsQt8XYvc6nUvh0urgipYw0eBTTGD4FXcGVxmNPJ5WldQPA/s72-c/scherzetto+di+domenico+starnone.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-7656719293367150247</id><published>2017-01-07T18:19:00.000+01:00</published><updated>2017-03-05T11:03:29.551+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="alzheimer"/><category scheme="http://www.blogger.com/atom/ns#" term="Emma Heley"/><category scheme="http://www.blogger.com/atom/ns#" term="giallo"/><category scheme="http://www.blogger.com/atom/ns#" term="Mondadori"/><title type='text'>Elisabeth è scomparsa di Emma Healey</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy4MW04vKlqJtzhGFiIZ8fvhcZYcN1i1P2wSfFc5zp3tqq9rJpscNN0b3wabGkDtq-YkD-hc0Vf9b3q7nHxrRodKG-RdYg008Y17LBFguGCn8ZpkNClafxOJ3hMou_zb1LQ-VUHg/s1600/Elisabeth+%25C3%25A8+scomparsa.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy4MW04vKlqJtzhGFiIZ8fvhcZYcN1i1P2wSfFc5zp3tqq9rJpscNN0b3wabGkDtq-YkD-hc0Vf9b3q7nHxrRodKG-RdYg008Y17LBFguGCn8ZpkNClafxOJ3hMou_zb1LQ-VUHg/s320/Elisabeth+%25C3%25A8+scomparsa.jpg&quot; width=&quot;207&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Due donne anziane, una
pazza, l’altra affetta da Alzheimer&lt;/span&gt;(?). Nessuno le ascolta e chi lo fa
non dà credito alle loro parole, eppure conoscono la verità. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Maud
Horsham&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt; è una donna di ottantadue anni, vedova, vive da sola.
La figlia &lt;b&gt;Helen&lt;/b&gt; e due assistenti
domiciliari si alternano per dare una mano alla signora &lt;b&gt;Horsham&lt;/b&gt;. Anche se in condizioni fisiche perfette, &lt;b&gt;Maud&lt;/b&gt; ha una forma di demenza senile,
pian piano dimentica i nomi delle persone, non riesce a dare un significato agli
oggetti, confonde il passato con il presente. Ha un pensiero fisso, l’unica ancora
con la realtà, ritrovare &lt;b&gt;Elisabeth&lt;/b&gt;,
la sua migliore amica. &quot;&lt;i&gt;Elizabeth è
scomparsa&lt;/i&gt;!&quot; è scritto sui fogli che &lt;b&gt;Maud&lt;/b&gt; si ritrova nelle tasche. Ma chi è scomparsa è davvero
Elisabeth?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;La pazza ha perso tutto, la
figlia investita da un autobus, abbandonata dal marito, la casa sotto i bombardamenti della seconda guerra mondiale, e infine testa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Settant’anni prima la sorella
della signora &lt;b&gt;Horsham&lt;/b&gt; è svanita nel
nulla. &lt;b&gt;Sukey&lt;/b&gt; era una giovane sposa
di un trafficante di beni al mercato nero, l’ultima volta prima della scomparsa
è stata sentita dai vicini urlare dopo essersi precipitata fuori di casa.
Nonostante le ricerche della famiglia e della polizia non viene mai ritrovata. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Emma
Heley&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt; intreccia il passato e il presente di una donna
anziana il cui tempo è annullato in una sola dimensione, il suo parlare è un
flusso in cui tutto confluisce, ricordi e fatti presenti. Ha commesso un solo
errore la scrittrice, sfuggito anche all’editor (vabbè io sono “ossessionato”
dalle parole, l’ho scovato, ma non faccio testo, vi dico solo che riguarda una
matita.). &lt;b&gt;Heley&lt;/b&gt; ha scritto un giallo
originale, un romanzo con una trama straordinaria e dei personaggi che
rimangono impressi nella memoria anche dopo aver chiuso il libro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.librimondadori.it/libri/elizabeth-e-scomparsa-emma-healey&quot; target=&quot;_blank&quot;&gt;Elisabeth è scomparsa&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
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Editore:&lt;b&gt;&amp;nbsp;Mondadori&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana&lt;b&gt;: i narratori&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;2014&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;280&lt;/b&gt;&lt;br /&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/7656719293367150247/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2017/01/elisabeth-e-scomparsa-di-emma-healey.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7656719293367150247'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7656719293367150247'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2017/01/elisabeth-e-scomparsa-di-emma-healey.html' title='Elisabeth è scomparsa di Emma Healey'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy4MW04vKlqJtzhGFiIZ8fvhcZYcN1i1P2wSfFc5zp3tqq9rJpscNN0b3wabGkDtq-YkD-hc0Vf9b3q7nHxrRodKG-RdYg008Y17LBFguGCn8ZpkNClafxOJ3hMou_zb1LQ-VUHg/s72-c/Elisabeth+%25C3%25A8+scomparsa.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-8670861591502159027</id><published>2016-12-21T18:39:00.001+01:00</published><updated>2016-12-21T18:50:43.262+01:00</updated><title type='text'>I libri più belli che ho letto nel 2016</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj864Nxg0JY20cJ3MbnZLtAEmPzpyvjgyjoniynDhDVv0lUsOdBVkf80U0SjIXfRs4jGWwjlvOEF5aXdMEdHwcXClLzJd7RGQXNYv5YM9c0i4U6kd5GHhGncpoW4c7Hy5iYkbvVDQ/s1600/I+libri+pi%25C3%25B9+belli+che+ho+letto+nel+2016.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;165&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj864Nxg0JY20cJ3MbnZLtAEmPzpyvjgyjoniynDhDVv0lUsOdBVkf80U0SjIXfRs4jGWwjlvOEF5aXdMEdHwcXClLzJd7RGQXNYv5YM9c0i4U6kd5GHhGncpoW4c7Hy5iYkbvVDQ/s320/I+libri+pi%25C3%25B9+belli+che+ho+letto+nel+2016.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Eccomi. Anche quest&#39;anno fra le tante liste di libri che vi propongono ovunque, c&#39;è anche la mia. E anche quest&#39;anno nessun filo logico che lega un libro all&#39;altro (perché ci dovrebbe essere?) se non la bellezza della parola scritta. &amp;nbsp;Ci sono libri sull&#39;amicizia; un racconto in cui c&#39;è un Re, una barca e un&#39;isola che non c&#39;è; un libro da&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 16px;&quot;&gt;leggere per comprendere l’Islam; una storia sulla quotidianità di una persona che sta per lasciare la vita e la sua famiglia; e poi ancora una storia d&#39;amore inedita, sorprendente; un libro che è un&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 16px;&quot;&gt;’analisi schietta, originale, scrupolosa, obiettiva e critica della situazione politica del Novecento, del PCI della sinistra occidentale, che ci permette di comprendere le dinamiche politiche, sociali e la trasformazione della città di Catanzaro, della Calabria e del Paese; la storia della scoperta del bosone di&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: windowtext; font-family: &amp;quot;verdana&amp;quot; , sans-serif; text-align: start;&quot;&gt;&lt;b&gt;Higgs&lt;/b&gt;;&lt;b&gt;&amp;nbsp;&lt;/b&gt;c&#39;è &lt;b&gt;Murakami&lt;/b&gt;;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt;&quot;&gt;un&#39; indagine sociologica sul lavoro ai tempi dell&#39;egemonia digitale; un libro pubblicato nel 1927 e ancora attuale; e infine un noir. &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Andiamo per ordine.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/02/la-simmetria-dei-desideri-di-eshkol-nevo.html&quot; target=&quot;_blank&quot;&gt;La simmetria dei desideri di Eshol Nevo&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZy8drv0jQQJt9rXNZENsD10nN_4VR0-i7sev1vZWFQz1MbpoXBo4HpnxB4YjpbHnMW8Q4kZEEISwTVlTIViYW7urgmfPToUE7nhrVI094xKcuVdMAIlCSC-H995g6voSF28_jg/s1600/la+simmetria+dei+desideri.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlZy8drv0jQQJt9rXNZENsD10nN_4VR0-i7sev1vZWFQz1MbpoXBo4HpnxB4YjpbHnMW8Q4kZEEISwTVlTIViYW7urgmfPToUE7nhrVI094xKcuVdMAIlCSC-H995g6voSF28_jg/s320/la+simmetria+dei+desideri.jpg&quot; width=&quot;192&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;La trama del libro è banale, quattro amici, i mondiali di calcio del 1998 e un gioco: scrivere i desideri di ognuno su dei bigliettini e riaprirli fra quattro anni, durante la prossima finale dei mondiali per vedere se i sogni si sono realizzati. Se avessi letto solo la quarta di copertina, non avrei mai acquistato il libro, per fortuna la comunità di lettori e il passaparola hanno evitato che mi perdessi il piacere di conoscere un ottimo scrittore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Yuval&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;,&amp;nbsp;&lt;b&gt;Churchill&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Ofir&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;b&gt;Amichai&lt;/b&gt;&amp;nbsp;sono amici fin dal liceo. Quattro amici e il calcio, un’idea adolescenziale, semplice, che solo un bravo scrittore poteva trasformare in un bel libro.&lt;b&gt;Nevo&lt;/b&gt;&amp;nbsp;è riuscito a creare dei personaggi verosimili, quelli che ti sembra di incontrare per strada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;La voce narrante è di&amp;nbsp;&lt;b&gt;Yuval&lt;/b&gt;&amp;nbsp;che quel giorno del 1998 ha incontrato all’università&amp;nbsp;&lt;b&gt;Yaara&lt;/b&gt;, la donna che avrebbe fatto parte della sua vita. Le altre due donne del libro sono&amp;nbsp;&lt;b&gt;Liana&lt;/b&gt;&amp;nbsp;e&lt;b&gt;Maria&lt;/b&gt;&amp;nbsp;che hanno un ruolo altrettanto forte nella struttura narrativa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;La simmetria dei desideri&lt;/b&gt;&amp;nbsp;è un libro sull’amicizia ma c’è dell’altro, i percorsi di vita, le trame consapevoli e inconsapevoli, dirette e indirette che conducono i quattro amici là, dove sempre sapevano di voler stare: il loro destino, non prima&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;, però, che le dinamiche intrinseche ed estrinseche li trascinino lontano dall’obiettivo, perché, così come accade ad ognuno di noi, ciò che decidono finisce con l’oscurare ciò che veramente vogliono - quante volte ci impegniamo a realizzare caparbiamente ciò che abbiamo manifestato senza renderci conto che non ha più alcun valore? - ; finché volontariamente o involontariamente non cambiano rotta.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Neri Pozza&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;384&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
&lt;h1 class=&quot;title entry-title&quot; itemprop=&quot;name&quot; style=&quot;display: table-cell; margin: 0px; padding: 0px 40px 0px 0px; position: relative; vertical-align: middle; width: 710px;&quot;&gt;
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&lt;a href=&quot;http://kaosblu.blogspot.it/2016/03/il-racconto-dellisola-sconosciuta-di.html&quot; style=&quot;color: #333333; font-weight: normal;&quot; target=&quot;_blank&quot;&gt;Il racconto dell&#39;isola sconosciuta di José Saramago&lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;Il racconto dell’isola sconosciuta ha un solo difetto, è troppo breve. Avrei voluto leggere ancora e ancora, e abbandonare lo sguardo fra le parole che&amp;nbsp;&lt;b&gt;Saramago&lt;/b&gt;, come al solito, utilizza con grande maestria.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;Nel racconto un uomo chiede al Re di avere una barca per andare alla scoperta di un’isola che non c’è, infatti “&lt;i&gt;Tutte le isole, anche quelle conosciute, sono sconosciute finché non vi si sbarca.&lt;/i&gt;”&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;Il dubbio e la voglia di conoscere, di sapere chi sei - e solo allontanandoci da noi possiamo vederci e conoscerci veramente -, il possesso ma solo come piacere, e il destino che, mentre siamo lì ancora a mormorare, è già dietro di noi, ha già allungato la mano per toccarci, sono alcune riflessioni che&amp;nbsp;&lt;b&gt;Saramago&amp;nbsp;&lt;/b&gt;ci dona nel racconto.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 18.4px;&quot;&gt;Siamo tutti in viaggio verso un’isola sconosciuta, consapevolmente o meno. Avrà trovato la sua, il protagonista del racconto? Una breve storia, solo 43 pagine, ma&amp;nbsp;&lt;b&gt;Saramago&amp;nbsp;&lt;/b&gt;riesce comunque ad incantarci come solo un grande narratore sa fare.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Feltrinelli&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Collana:&lt;b&gt;&amp;nbsp;I Narratori&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style=&quot;color: #4d4d4d; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;color: #4d4d4d; font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;384&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;http://kaosblu.blogspot.it/2016/03/leggere-lolita-teheran.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: large; font-weight: normal;&quot;&gt;&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;Leggere Lolita a Teheran di&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; text-align: justify;&quot;&gt;Azar Nafisi&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;È un libro importante e necessario, ho pensato mentre lo leggevo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Dopo gli attentati alle torri gemelle, e dopo l’Isis, leggere e comprendere l’Islam è un imperativo categorico per evitare di farsi trascinare in conclusioni strumentali che provengono sia da una parte che dall’altra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Leggere Lolita a Teheran&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;non è un saggio, è il racconto di un periodo di vita della protagonista,&amp;nbsp;&lt;b&gt;Azar Nafisi&lt;/b&gt;, scrittrice iraniana che dal 1997 risiede negli Stati Uniti. Laureata in Letteratura inglese e americana all’Università dell’Oklahoma, torna nel suo paese e vi insegna letteratura per quasi diciott’anni. Nel 1995 si trova impossibilitata nel continuare le sue lezioni universitarie senza attirare dissensi da parte delle autorità, a causa della sua educazione occidentale e, per questo motivo, deve abbandonare l’insegnamento: siamo nell’Iran che ha conosciuto la rivoluzione islamica e la presa di potere dell’Ayatollah&lt;b&gt;Khomeini&lt;/b&gt;.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Una volta allontanatasi dall’Università&amp;nbsp;&lt;b&gt;Tabatabai&lt;/b&gt;&amp;nbsp;decide di organizzare un ciclo di lezioni segrete, da tenere nel suo appartamento, per le sue sette migliori allieve. Le otto donne cominciano a incontrarsi in segretezza ogni giovedì mattina e&amp;nbsp;&lt;b&gt;Lolita&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Il grande Gatsby&lt;/b&gt;,&amp;nbsp;&lt;b&gt;James&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Austen&lt;/b&gt;, sono gli autori o le opere che discutono. La letteratura, quindi, diviene evasione dalla realtà e spunto di discussione della realtà.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;La religione era diventato uno strumento di potere, il regime aveva usurpato le vite di tutti gli iraniani, aveva confiscato i loro momenti più intimi e i loro desideri. Il regime aveva annullato l’individualità e la capacità immaginativa di ognuno, sostituendola con quella della dittatura. La capacità di rappresentare un altro mondo al di fuori di qualsiasi controllo spaventa tutti i regimi totalitari.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Il libro è un omaggio alle donne che in quegli anni hanno resistito, un omaggio alla letteratura e alla sua capacità di creare mondi e di alimentare la libertà di pensiero e dunque d’azione. “&lt;i&gt;Ormai mi sono convinta che la vera democrazia non può esistere senza la libertà di immaginazione&lt;/i&gt;” scrive Nafisi alla fine del libro.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Collana:&lt;b&gt;Gli Adelphi&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;3 ediz. 2007&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;379&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/04/benedizione-di-kent-haruf.html&quot; style=&quot;font-weight: normal;&quot; target=&quot;_blank&quot;&gt;Benedizione di Kent Haruf&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7pTs8Q22Tge4jNsfUlIy36eg8ZyUrL-3UIgrB5yeX1XypUYQF3NfZwqgEXCaaFp1amrWR1OfK3tbOuV5pm8ekt6TbLWxpUzmDqIf83NS6XQ5_fB16kSsLAtakovBr7YHbfpyC2w/s1600/benedizione.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7pTs8Q22Tge4jNsfUlIy36eg8ZyUrL-3UIgrB5yeX1XypUYQF3NfZwqgEXCaaFp1amrWR1OfK3tbOuV5pm8ekt6TbLWxpUzmDqIf83NS6XQ5_fB16kSsLAtakovBr7YHbfpyC2w/s320/benedizione.jpg&quot; width=&quot;202&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div align=&quot;justify&quot; style=&quot;color: #333333; line-height: 14px; margin: 0px 0px 0cm; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;Un uomo, vittima di un male incurabile, ha poco mesi da vivere. Ha una moglie e due figli. Frank, il figlio maschio, fuggito di casa, non ha più dato notizie di sé. La figlia, Lorraine, è tornata a casa dei suoi per dare una mano alla mamma ad assistere amorevolmente il padre, ha perso la sua di figlia in un tragico incidente.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;div align=&quot;justify&quot; style=&quot;color: #333333; line-height: 14px; margin: 0px 0px 0cm; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;b&gt;Bendizione&lt;/b&gt;&amp;nbsp;fa parte della trilogia della pianura.&amp;nbsp;&lt;b&gt;Kent Haruf&lt;/b&gt;&amp;nbsp;è scomparso nel 2014, da noi finora lo scrittore americano è stato totalmente sconosciuto.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;div align=&quot;justify&quot; style=&quot;color: #333333; line-height: 14px; margin: 0px 0px 0cm; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;La scrittura di&amp;nbsp;&lt;b&gt;Haruf&lt;/b&gt;&amp;nbsp;è sobria, senza fronzoli, racconta la quotidianità di una persona che sta per lasciare la vita, e della sua famiglia. Intorno altri personaggi di una piccola cittadina del Colorado: nella casa accanto una ragazzina orfana viene a vivere dalla nonna; il reverendo Lyle della chiesa locale, che porta con sé un segreto, con i suoi sermoni poco ortodossi non riesce nell&#39;intento di svegliare le coscienze di una comunità conforme, piuttosto li irrita al punto che sarà costretto ad abbandonare la chiesa; le vicine di casa della famiglia Lewis.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;Il libro mi ha lasciato la stessa sensazione che ebbi nel leggere&amp;nbsp;&lt;a href=&quot;http://kaosblu.blogspot.it/2014/02/il-commesso-di-bernard-malamud.html&quot; style=&quot;color: #009eb8; display: inline; outline: none; text-decoration: none; transition: color 0.3s;&quot; target=&quot;_blank&quot;&gt;Il commesso&lt;/a&gt;&amp;nbsp;di&amp;nbsp;&lt;b&gt;Malamud&lt;/b&gt;.&amp;nbsp;&lt;b&gt;Kent Haruf&lt;/b&gt;&amp;nbsp;ha la stessa straordinaria capacità di&amp;nbsp;&lt;b&gt;Malamud&lt;/b&gt;: costruisce i personaggi dei suoi libri con cura da cesellatore, quando distogli lo sguardo dal libro sembra di vederli nella vita di tutti giorni.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; text-align: justify;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: small;&quot;&gt;“&lt;i&gt;Ero semplicemente scioccato da ciò che&amp;nbsp;&lt;b&gt;Faulkner&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;b&gt;Hemingway&lt;/b&gt;&amp;nbsp;riuscivano a fare sulla pagina – era come se le parole si sollevassero, come se emanassero una specie di aura iridescente, come se le storie fossero sante, sacre, le cose più importanti al mondo – e non ho mai superato questa sensazione, non voglio superarla&lt;/i&gt;.” disse nel 2014&amp;nbsp;&lt;b&gt;Kent Haruf&lt;/b&gt;, raccontando il percorso personale e professionale che lo ha portato a diventare uno scrittore.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;NN Editore&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;277&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/05/notturno-cileno-di-roberto-bolano.html&quot; style=&quot;font-weight: normal;&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;Notturno cileno di Roberto&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;border: 1pt none windowtext; padding: 0cm;&quot;&gt;Bolaño&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Non potete non leggere, se non lo avete già fatto,&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.adelphi.it/libro/9788845930560&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; target=&quot;_hplink&quot;&gt;&lt;em&gt;&lt;span style=&quot;border: 1pt none; color: #015e50; padding: 0cm;&quot;&gt;Notturno cileno&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;, l&#39;ultimo grande romanzo di&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;border: 1pt none windowtext; padding: 0cm;&quot;&gt;Roberto Bolaño&lt;/span&gt;&lt;/strong&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;che in Spagna venne pubblicato nel 2000 quando era ancora vivo (è morto nel 2003), e ripubblicato da&amp;nbsp;&lt;b&gt;Adelphi&lt;/b&gt;&amp;nbsp;quest’anno e tradotto da&amp;nbsp;&lt;b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;Ilide Carmignani&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div style=&quot;color: #333333; font-family: verdana, sans-serif; font-size: 14px; font-weight: normal; line-height: 13.15pt; margin: 0cm 0cm 9.4pt; outline: none; padding: 0px; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Un prete cileno,&amp;nbsp;&lt;b&gt;Sebastián Urrutia Lacroix&lt;/b&gt;, in una notte di agonia e delirio ripercorre la sua vita.&amp;nbsp; Poeta, critico letterario e appartenente&amp;nbsp;&lt;b&gt;all’Opus Dei&lt;/b&gt;, ha dovuto accettare&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;gli incarichi più strani, come dare lezioni di&amp;nbsp;&lt;b&gt;marxismo&lt;/b&gt;&amp;nbsp;a&amp;nbsp;&lt;b&gt;Pinochet&lt;/b&gt;&amp;nbsp;e ai membri della sua giunta, come prender parte a serate letterarie in una villa alla periferia di Santiago, dove venivano torturati gli oppositori politici al regime.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Una storia di poco più di cento pagine, senza capitoli né paragrafi, un domino di parole, un flusso di coscienza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Apri il libro, leggi l’incipit: “&amp;nbsp;&lt;i&gt;Ora muoio, ma ho ancora molte cose da dire. Ero in pace con me stesso. Muto e in pace. Ma all’improvviso le cose sono emerse. La colpa è di quel giovane invecchiato. Io ero in pace. Ora non sono più in pace.&amp;nbsp; Bisogna chiarire certi punti.”&lt;/i&gt;, e ne sei catturato. Che dire della chiusura, poi, straordinaria, ma questa non la riporto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Urrutia Lacroix&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;legge i classici mentre la società cilena si tuffa in un bagno di sangue, è aristocratico, disprezza la gente comune “&lt;i&gt;in realtà, tutti erano brutti. Le contadine erano brutte e le loro parole incoerenti. Il contadino fermo era brutto e la sua immobilità incoerente. I contadini che si allontanavano erano brutti e il loro camminare a zigzag incoerente. Che Dio mi perdoni e li perdoni. Anime smarrite nel deserto&lt;/i&gt;”, è un reazionario, conservatore, per lui il cambiamento rappresenta decadenza, perdita dell&#39;età d&#39;oro dei grandi eroi, come vengono idealizzati nella famosa storia della ‘&lt;b&gt;Collina degli Eroi’&lt;/b&gt;, raccontata da&amp;nbsp;&lt;b&gt;Farawell&lt;/b&gt;, un importante critico letterario.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&amp;nbsp;Nel racconto vengono citati personaggi storici:&amp;nbsp;&lt;b&gt;Ernst &amp;nbsp;Junger&lt;/b&gt;, scrittore e filosofo, critico della modernità, e poi&amp;nbsp;&lt;b&gt;Neruda&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Sordello&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;b&gt;Leopardi:&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #363636; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;scrittori e poeti, protagonisti sconfitti, votati a una rivoluzione impossibile o condannati alla complicità&lt;/span&gt;,&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 13.15pt;&quot;&gt;che è quello che secondo la mia interpretazione ci ha voluto raccontare con Notturno cileno,&amp;nbsp;&lt;/span&gt;&lt;strong style=&quot;font-family: Verdana, sans-serif; line-height: 17.5333px;&quot;&gt;&lt;span style=&quot;border: 1pt none windowtext; padding: 0cm;&quot;&gt;Bolaño&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Collana:&amp;nbsp;&lt;b&gt;Fabula&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;123&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/05/aspettando-bojangles-di-olivier.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: large; font-weight: normal;&quot;&gt;Aspettando Bojangles di Olivier Bourdeaut&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;L’amore è stato raccontato in tanti modi, ha riempito pagine e pagine di libri, i grandi scrittori hanno scritto pagine memorabili, il solo pensiero di cimentarsi sfiora l’impresa o la presunzione. &amp;nbsp;&lt;b&gt;Bourdeaut&amp;nbsp;&lt;/b&gt;ha compiuto un’impresa, ha scritto una storia d’amore inedita, sorprendente, ed è riuscito con la sua prosa a toccare ogni corda dei sentimenti.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Un uomo è innamorato di sua moglie, al punto che asseconda la sua pazzia e per tutta la vita, racconta a sé e a suo figlio una bella storia, per sfuggire dalla realtà banale e triste, per sfuggire dalla gabbia che la società e gli uomini superficiali costruiscono intorno alle vicende umane. Non può essere ricondotta, la vita di un individuo, solo sotto i lumi della razionalità, a una classificazione, a una categoria; &amp;nbsp;l’uomo è più complesso di una legge, di una regola.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;A seguito dell’incendio della casa, i medici certificano con un nome la malattia, schizofrenia bipolare e rinchiudono Renée, o la nuova Joséphine, o la nuova Marylou - alcuni dei nomi con cui il marito ha l’abitudine di chiamare la moglie -, in una clinica psichiatrica ma l’uomo non si rassegna, innamorato della donna, che se avesse voluto avrebbe potuto dare del tu alle stelle, pianifica il rapimento per riportarla alla “normalità” familiare: momenti buoni e cattivi, balli, risate, bugie, pianti, viaggi, un senatore come amico, cocktail, crisi di nervi, un grosso uccello e un libro, questo, trascritto in diversi quaderni e ritrovato dal figlio che rileggendolo aveva avuto l’occasione di rivivere tutto una seconda volta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Un altro gran bel libro pubblicato da&amp;nbsp;&lt;b&gt;Neri Pozza&lt;/b&gt;, casa editrice che ho scoperto lo scorso anno leggendo&amp;nbsp;&lt;a href=&quot;http://kaosblu.blogspot.it/2015/05/il-genio-dellabbandono-di-wanda-marasco.html&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; target=&quot;_blank&quot;&gt;Il genio dell’abbandono di&amp;nbsp;&lt;b&gt;Wanda Marasco&lt;/b&gt;&lt;/a&gt;, che ha partecipato al&amp;nbsp;&lt;b&gt;Premio Strega&lt;/b&gt;, e che ormai non ho più dubbi pubblica libri meravigliosi. Un libro malinconico, allegro e struggente, surreale, da leggere ascoltando&amp;nbsp;&lt;b&gt;&amp;nbsp;Mr Bonjangles&lt;/b&gt;&amp;nbsp;di&amp;nbsp;&lt;b&gt;Nina Simone&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;Neri Pozza&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Collana:&amp;nbsp;&lt;b&gt;I narratori delle tavole&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;144&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/06/una-sera-di-luglio-di-carlo-scalfaro.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Una sera di luglio di Carlo Scalfaro&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Una sera di luglio del 1961, Carlo Scalfaro salii su un treno, aveva quindici anni. Il treno era diretto a Torino dove si sarebbe svolta la manifestazione nazionale della federazione giovanile comunista e la mostra “Italia 61” organizzata per la celebrazione dei primi cento anni dell’Unità d’Italia. Questo libro è il racconto del percorso personale, politico di quel ragazzo, di quella generazione a partire da quella sera del 1961. Un racconto di parte, di un comunista che ancora in larga misura analizza la realtà attraverso il metodo marxista, senza ritenersi sconfitto ma sapendo che la battaglia per un mondo nuovo è stata irrimediabilmente perduta. Carlo Scalfaro è stato un dirigente del Partito comunista catanzarese e poi un dirigente sindacale della Cgil. Attraverso i suoi ricordi questo libro restituisce a chi c’era la memoria di quegli anni, a chi non c’era fornisce elementi di conoscenza su un periodo molto vivace della storia calabrese e italiana, dall’omicidio di Gigino Silipo al Sessantotto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Nel libro c’è una riflessione sul Sessantotto, “ la lotta all’autoritarismo e al classismo nelle scuole e nelle università si trasformò immediatamente nell’obiettivo della scuola “facile”dove si può fare tutto fuorché studiare davvero.”, e tante pagine sono dedicate alla “Questione meridionale” ai tanti errori ideali che invece di portare a soluzione hanno confermato ed allargato il divario con il Nord del paese, “Il tecnicismo mostrava la sua incapacità a cambiare nel profondo la realtà meridionale. Però ne modificava il volto, gli usi, i costumi, dando la stura a quel modernismo senza modernità che è stata la piaga aggiuntiva della condizione del Mezzogiorno.” E infine, naturalmente, una larga riflessione sul partito comunista, e sull’organizzazione partito in sé che agli occhi di chi è nato dopo gli anni ottanta potrebbe essere utile per farsi un’idea dell’importanza di un’organizzazione solida, capillare invece di un partito liquido che si regge sulla figura del leader, dell’uomo solo al comando. Quello che sono i partiti oggi o quello che ne rimane sono il risultato di un processo che viene da lontano che Scalfaro individua a partire dagli anni Settanta, in quegli anni c’erano già i “…prodromi eclatanti di una mutazione genetica del partito che annullava i caratteri fondamentali del costume comunista e conduceva sempre più i gruppi dirigenti ad occupare posti in prima fila nel “teatrino della politica” con le conseguenti lotte interne, personali e di gruppi, per posizioni di potere nel partito e quindi nelle istituzioni.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; font-weight: normal; line-height: 18.4px;&quot;&gt;Un libro per tutti, per chi era comunista e non lo è più, per chi lo è ancora e per chi non lo è mai stato. Un libro di parte ma non partigiano. L’analisi schietta, originale, scrupolosa, obiettiva e critica della situazione politica del Novecento, del PCI della sinistra occidentale, ci permette di comprendere le dinamiche politiche, sociali e la trasformazione della città di Catanzaro, della Calabria e del Paese. Trasformazioni che alcune volte sono trasformismi “ …famiglie della cosiddetta “Catanzaro bene”, già volgarmente ed utilitaristicamente al servizio del regime fascista, collocate in egual modo e con gli stessi privilegi nelle pieghe del potere democristiano.” E poi i vizi che nonostante gli anni non sono mai cambiati, il servilismo verso i potenti, e il servirsi del partito e del potere da parte dei notabili della città; il campanilismo uno dei mali endemici della Calabria. Un libro da leggere per comprendere l’origine di alcune problematicità o il perdurare di altre. &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;Città del Sole Edizioni&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;264&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/09/la-nascita-imperfetta-delle-cose-di.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;La nascita imperfetta delle cose di Guido&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/09/la-nascita-imperfetta-delle-cose-di.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;Tonelli&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;Guido Tonelli&amp;nbsp;&lt;/b&gt;è un fisico, uno dei principali protagonisti, insieme a&amp;nbsp;&lt;span style=&quot;color: windowtext;&quot;&gt;&lt;b&gt;Fabiola Gianotti&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;text-align: start;&quot;&gt;, della scoperta del&amp;nbsp;&lt;span style=&quot;color: windowtext;&quot;&gt;bosone di&amp;nbsp;&lt;b&gt;Higgs&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;previsto da quasi 50 anni, la cui esistenza garantisce un balzo in avanti nella comprensione della fisica delle particelle, e che giornalisticamente è stata definito la particella di Dio. “Il minuscolo difetto, la sottile imperfezione da cui è nato tutto. Un’anomalia che dà origine a un universo materiale che può evolvere per miliardi di anni.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;È sorprendente scoprire che l’essere, in tutte le sue forme, è il frutto di un’imperfezione, un’anomalia. Parola dopo parola il libro stravolge le convinzioni radicate; non è la ricerca della perfezione, l’optimum, non può essere, perché siamo ontologicamente imperfetti. Siamo esseri che osservano la realtà e credono sia la verità ma ciò che osserviamo non esiste, almeno non nella forma in cui ci appare: quando volgiamo lo sguardo al cielo, la luce delle stelle che osserviamo è quella dell’astro nel preciso momento in cui ha emesso quella luce, magari migliaia di anni fa oppure nel frattempo quella stella si è spostata di chilometri o è addirittura morta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Leggere il libro mi ha riportato a uno stato di curiosità infantile, quella dei “perché”, aperto alla gioia della scoperta e della meraviglia che l’universo, la natura ci dona.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Un libro importante che ci avvicina all’essere nella sua forma essenziale, per quello che può al momento lo stato della conoscenza della filosofia attuale, fisica &amp;nbsp;teorica, e verificata dalla fisica sperimentale e dalle tecnologie.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Trecentotrentatré pagine di meraviglia.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;&lt;/b&gt;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;333&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/09/la-strana-biblioteca-di-haruki-murakami.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;La strana biblioteca di Haruki Murakami&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Questa mattina come è iniziata la giornata, avrei voluto che finisse all’istante, poi penso a un libro - mi rifugio sempre dentro le storie di un libro quando le cose non vanno -, ma quale?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Il libro migliore in questi momenti non può essere altro che di&amp;nbsp;&lt;b&gt;Murakami&amp;nbsp;&lt;/b&gt;anzi è necessaria la sua scrittura; il giapponese ha la capacità come pochi di alienarti dalla realtà, trasportarti in altri mondi, mondi che si intrecciano. La strana biblioteca, un piccolo racconto del 2005, pubblicato da&amp;nbsp;&lt;b&gt;Einaudi&amp;nbsp;&lt;/b&gt;lo scorso anno, ha queste caratteristiche: un bimbo entra in una biblioteca alla ricerca di un libro che gli faccia conoscere come venivano raccolte le tasse nell’Impero Ottomanno, segue un vecchio che dovrebbe portarlo nella sala lettura, perché il libro non può essere dato in prestito ma letto sul posto, percorrono un lungo corridoio e tante biforcazioni, la biblioteca diventa un labirinto e al termine del viaggio, il bambino, incontra l’Uomo-pecora&lt;/span&gt;. Il bimbo finisce in una trappola, l’Uomo–pecora è un sottoposto del vecchio, dovrà leggere i tre libri sull’Impero Ottomanno e impararli a memoria dall’inizio alla fine e solo fra un mese, il vecchio, verrà a fargli un esame. Se li avrai memorizzati bene, lo lascerà uscire. Uscire da dove? Da un non luogo, dove lo spazio e il tempo sono distorti, dove il bimbo vive un suo mondo, che leggendo si intreccia con quello di Ibn Armut Hasir un collettore di tasse di Istanbul - il protagonista di uno dei libro che ha iniziato a leggere -, anzi diventa lui, Ibn Armut Hasir.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;La lettura cambia, trasforma il lettore, attraverso le parole la coscienza muta, si distorce, la vita dei personaggi si intreccia a quella del lettore che ne fa esperienza e si trasforma.&amp;nbsp;&lt;b&gt;La strana biblioteca&lt;/b&gt;&lt;/span&gt;&amp;nbsp;è la storia di un cambiamento attraverso l’esperienza della lettura.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;arial&amp;quot; , &amp;quot;tahoma&amp;quot; , &amp;quot;helvetica&amp;quot; , &amp;quot;freesans&amp;quot; , sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;Einaudi&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;arial&amp;quot; , &amp;quot;tahoma&amp;quot; , &amp;quot;helvetica&amp;quot; , &amp;quot;freesans&amp;quot; , sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Collana: Supercoralli&lt;/span&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;&lt;/b&gt;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;88&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/11/legemonia-digitale-di-renato-curcio.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;L&#39;egemonia digitale di Renato Curcio&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqdi_-9RX73SCYBVqAUr7eexXmrqNcBnsAa1ZyLu-kIvr7fwnuXwCEDv0TtBcPOPHetGaugvi87bcGYnFApqeC8A5mVobUTT8IBQw80M5s0dsPpHXSB6Opm26lQjpghjdykV2W3w/s1600/l%2527egemonia+digitale.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqdi_-9RX73SCYBVqAUr7eexXmrqNcBnsAa1ZyLu-kIvr7fwnuXwCEDv0TtBcPOPHetGaugvi87bcGYnFApqeC8A5mVobUTT8IBQw80M5s0dsPpHXSB6Opm26lQjpghjdykV2W3w/s320/l%2527egemonia+digitale.jpg&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Questo libro ci restituisce le narrazioni d’esperienza di chi ha partecipato a un cantiere socianalitico che si è interessato alle modalità con cui&amp;nbsp;&lt;a href=&quot;http://kaosblu.blogspot.it/2015/06/limpero-virtuale-di-renato-curcio_16.html&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; target=&quot;_blank&quot;&gt;l’impero virtuale&lt;/a&gt;&amp;nbsp;cerca di costruire una capacità egemonica sul mondo del lavoro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;I lavoratori di diversi settori, sanitario, istruzione, giuridico, servizi, trasporti ecc.. hanno raccontato la loro esperienza di lavoro; il radicale cambiamento del lavoro ma più profondamente il proprio rapporto con gli strumenti digitali che mediano l’attività lavorativa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Il libro ci invita a riflettere su questo processo in atto da tempo, l’impatto delle nuove tecnologie sul mondo del lavoro e il disorientamento dei lavoratori. “Io sono l’Automa”, così si è presentato a una visita medica obbligatoria, un lavoratore Acea di Roma. “ In che senso, scusi?” gli ha chiesto la dottoressa. E lui, con un tono angosciato: ”Nel senso che ormai non sono più una persona, il tablet personale mi comanda come un robot; nel senso che mi sento un automa, gli presto le mani è vero, ma per il resto quasi non decido più nulla; nel senso che questi ci pilotano…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Siamo immersi in un cambiamento sociale, e i più non ne sono consapevoli. “Nel Grande imprigionamento digitale – a differenza dei totalitarismi che hanno afflitto il secolo passato – sono i nostri “dati” e i nostri “profili” che vengono rastrellati, deportati e internati mentre i nostri corpi vengono lasciati “liberi” di imbrigliarsi ulteriormente nella Rete affinché possano contribuire incessantemente a produrre gratuitamente ulteriori aggiornamenti.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 20.79px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;Il libro si conclude indicandoci quattro pericolose tendenze digitali: l’autismo digitale, l’obesità tecnologica, l’ethos della quantità, lo smarrimento dei limiti.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Sensibili alle foglie&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;br style=&quot;font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px;&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;144&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 20.79px;&quot;&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/11/fuga-senza-fine-di-joseph-roth.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif; font-size: large;&quot;&gt;Fuga senza fine di Joseph Roth&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu3ArE4STZW2R-IbAeWV7LCLKMVwZ9_8ekPJz9WWPxxE4Jtj0d4sUIipW3f6ol9_zCrsm6kK_ArAQZ7c4Trc3gu0UTdQ6hce4dt7OVShW_OJsdduq1Kkd84E8YHaWn29_rfTcjnQ/s1600/fuga+senza+fine.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu3ArE4STZW2R-IbAeWV7LCLKMVwZ9_8ekPJz9WWPxxE4Jtj0d4sUIipW3f6ol9_zCrsm6kK_ArAQZ7c4Trc3gu0UTdQ6hce4dt7OVShW_OJsdduq1Kkd84E8YHaWn29_rfTcjnQ/s320/fuga+senza+fine.jpg&quot; width=&quot;205&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;Luciano Foà&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;nel 1962 fu uno dei fondatori della&amp;nbsp;&lt;b&gt;Adelphi&lt;/b&gt;. Amava pochi scrittori senza riserve. Primi fra tutti,&amp;nbsp;&lt;b&gt;Stendhal&lt;/b&gt;&amp;nbsp;e&amp;nbsp;&lt;b&gt;Kafka&lt;/b&gt;. E in&amp;nbsp;&lt;b&gt;Roth&lt;/b&gt;&amp;nbsp;riconosceva la massima approssimazione a&amp;nbsp;&lt;b&gt;Stendhal&lt;/b&gt;&amp;nbsp;che il Novecento aveva raggiunto.&amp;nbsp;&lt;b&gt;Fuga senza fine&lt;/b&gt;&amp;nbsp;fu pubblicato nel&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/1927&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;1927&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 18.4px;&quot;&gt;1927&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;in tedesco, per le edizioni&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Kurt_Wolff_(editore)&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;Kurt Wolff (editore)&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 18.4px;&quot;&gt;Kurt Wolff&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;a Monaco di Baviera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;Fuga senza fine&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;è la storia di&amp;nbsp;&lt;b&gt;Franz Tunda&lt;/b&gt;&amp;nbsp;tenente dell&#39;&lt;a href=&quot;https://it.wikipedia.org/wiki/Imperial_regio_Esercito_austro-ungarico&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;Imperial regio Esercito austro-ungarico&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;Imperial regio Esercito austro-ungarico&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;nella&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Grande_guerra&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;Grande guerra&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 18.4px;&quot;&gt;grande guerra&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;, fatto prigioniero dai russi nell&#39;agosto del 1916, riesce a fuggire e si rifugia in un solitario, triste casolare in Siberia, ai margini di una foresta, fino al 1919. Quando scopre che la guerra è finita, parte, attraversa la Siberia, arriva in Ucraina, nei pressi di Kiev, viene preso dapprima come spia bolscevica, diventa poi rivoluzionario, crede di innamorarsi, finisce sul Mar Nero a Baku, fino a ritornare nell&#39;impero che non c&#39;è più, in una città sul Reno, poi a Berlino e infine a Parigi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;Mai come in questo romanzo nel protagonista si nasconde il suo autore.&amp;nbsp;&lt;b&gt;Tunda&lt;/b&gt;&amp;nbsp;è un nomade. Aveva vissuto l’esperienza della&amp;nbsp;&lt;b&gt;Grande Guerra&lt;/b&gt;, della rivoluzione russa, della crisi dell&#39;impero asburgico e dell&#39;antica cultura europea. Nell’ interessante dialogo con il fratello, direttore d&#39;orchestra di successo,&amp;nbsp;&lt;b&gt;Tunda&lt;/b&gt;&amp;nbsp;mostra i mille buchi che sostituiscono nella vita quotidiana una cultura borghese ammuffita: i Buddha, i cuscini, i larghi e profondi divani, i tappeti orientali, le danze negre...&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;Fuga senza fine&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;è uno dei racconti più conosciuti di&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Joseph_Roth&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;Joseph Roth&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 18.4px;&quot;&gt;Joseph Roth&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;. Il 1919 è l&#39;anno della formazione della&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Repubblica_di_Weimar&quot; style=&quot;color: #009eb8; display: inline; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; outline: none; text-decoration: none; transition: color 0.3s;&quot; title=&quot;Repubblica di Weimar&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 18.4px;&quot;&gt;Repubblica di Weimar&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;.&amp;nbsp;&lt;b&gt;Tunda&lt;/b&gt;, l&#39;ex militare, impoverito, orfano dell&#39;identità dissolta del mondo&amp;nbsp;&lt;b&gt;Austro Ungarico&lt;/b&gt;,&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;“&lt;i&gt;Siamo stranieri in questo mondo, veniamo dal regno delle ombre.&lt;/i&gt;”, è il portatore di tutto lo straniamento e la frustrazione della guerra passata e del miserabile presente e della disfatta della vecchia amata Europa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14px; margin: 0px; outline: none; padding: 0px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 12pt; line-height: 18.4px;&quot;&gt;Vive la perdita inesorabile del nome, del credito, del rango, del titolo, dei soldi e della professione&lt;/span&gt;; una spoliazione del suo essere, della sua identità ma non si abbatte. «&lt;i&gt;Io so soltanto che non è stata, come si dice, la ‘inquietudine’ a spingermi, ma al contrario – una assoluta quiete. Non ho nulla da perdere. Non sono né coraggioso né curioso di avventure. Un vento mi spinge, e non temo di andare a fondo&lt;/i&gt;».&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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Editore:&lt;b&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana&lt;b&gt;: gli Adelphi&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;1995&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;151&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;a href=&quot;http://kaosblu.blogspot.it/2016/12/numero-undici-di-jonathan-coe.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: large;&quot;&gt;Numero undici di Jonathan Coe&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVTaw359ySx8286cI-nb1BYQYCsLNE-51YjVrZ2Lz1pPiUyji8GebRLWoPQDNL4ifuY85oYk951gK36hex1Uw_iR2t10Mk8N9H5IgJCOPsf4YUJcvluHfqGnzmc8TmAzcq-RHv4A/s1600/numero+undici.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVTaw359ySx8286cI-nb1BYQYCsLNE-51YjVrZ2Lz1pPiUyji8GebRLWoPQDNL4ifuY85oYk951gK36hex1Uw_iR2t10Mk8N9H5IgJCOPsf4YUJcvluHfqGnzmc8TmAzcq-RHv4A/s320/numero+undici.jpg&quot; width=&quot;204&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;L’ambizione di ogni lettore è leggere quanti più libri possibile, ma per quanto si riesca ad entrare nell&#39;esclusivo club dei lettori forti, ci sono sempre tanti e tanti libri che ingrossano la lista dei desideri. Jonathan&amp;nbsp;&lt;b&gt;Coe&amp;nbsp;&lt;/b&gt;faceva parte, fino a qualche giorno fa, di questa lista, ora che ho finito di leggere&amp;nbsp;&lt;b&gt;Numero undici&lt;/b&gt;, mi sto chiedendo come è stato possibile lasciarlo marcire per così tanto tempo in quella lista.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Numero undici è composto da cinque storie, in ognuna compaiono due ragazze, il numero undici e dei ragni. Il romanzo si apre con Rachel e Alison, due ragazze di otto anni, compagne di scuola, che trascorrono qualche giorno dai nonni di Rachel nello&amp;nbsp;&lt;b&gt;Yorkshire&lt;/b&gt;. È il 2003, Rachel fa per la prima volta conoscenza della morte. Ascolta per caso dalla radio del nonno che&amp;nbsp;&lt;b&gt;David Kelly&lt;/b&gt;, scienziato e ispettore ONU, è stato rinvenuto cadavere ad&lt;b&gt;Harrowdown&lt;/b&gt;&amp;nbsp;&lt;b&gt;Hill&lt;/b&gt;, una foresta nell&#39;Oxfordshire&lt;/span&gt;. Qualche giorno prima, Kelly, durante un’intervista riteneva infondato il dossier presentato dal governo&amp;nbsp;&lt;b&gt;Blair&lt;/b&gt;&amp;nbsp;circa la presenza di armi di distruzione di massa in&amp;nbsp;&lt;b&gt;Iraq&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Un romanzo attuale, politico, fantastico. I personaggi sono lo strumento che&amp;nbsp;&lt;b&gt;Coe&lt;/b&gt;&amp;nbsp;utilizza per descrivere la contemporaneità che lo disturba. Rachel, cresciuta e laureata, accetta di impartire lezioni private alle gemelle di una famiglia di super ricchi in cambio di un ottimo salario e vitto e alloggio in un palazzo principesco nella&amp;nbsp;&lt;b&gt;Londra&amp;nbsp;&lt;/b&gt;più chic.&lt;/span&gt;&amp;nbsp;Alison, la sua amica, nera, disabile ed omosessuale diventa il bersaglio di una giornalista conservatrice, e sua madre, Val, ex cantante di successo che decide di partecipare ad un reality show, l’&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;color: #2b2a2a; font-size: 9pt; line-height: 13.8px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;Isola dei famosi&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;, per pagarsi i debiti, diventa suo malgrado parte di una narrazione già decisa dalla produzione.&amp;nbsp;&lt;b&gt;Coe&amp;nbsp;&lt;/b&gt;ci racconta l’instabilità, la mercificazione, la manipolazione della realtà, il racconto del reale vs il reale, l’insoddisfazione per i propri leader politici, il tradimento di una giustizia sociale&lt;/span&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; font-size: 8pt; line-height: 12.2667px;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;promessa: un horror sociale. Un romanzo sulla rabbia “sepolta sotto strati di abitudini e di comfort molti difficile da scalfire.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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Editore:&lt;b&gt;&amp;nbsp;Feltrinelli&lt;/b&gt;&lt;/div&gt;
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Collana&lt;b&gt;: i narratori&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;381&lt;/b&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/8670861591502159027/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/12/i-libri-piu-belli-che-ho-letto-nel-2016.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8670861591502159027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8670861591502159027'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/12/i-libri-piu-belli-che-ho-letto-nel-2016.html' title='I libri più belli che ho letto nel 2016'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj864Nxg0JY20cJ3MbnZLtAEmPzpyvjgyjoniynDhDVv0lUsOdBVkf80U0SjIXfRs4jGWwjlvOEF5aXdMEdHwcXClLzJd7RGQXNYv5YM9c0i4U6kd5GHhGncpoW4c7Hy5iYkbvVDQ/s72-c/I+libri+pi%25C3%25B9+belli+che+ho+letto+nel+2016.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-792000371250584328</id><published>2016-12-20T12:11:00.000+01:00</published><updated>2017-01-22T16:36:59.044+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Blair"/><category scheme="http://www.blogger.com/atom/ns#" term="David Kelly"/><category scheme="http://www.blogger.com/atom/ns#" term="Feltrinelli"/><category scheme="http://www.blogger.com/atom/ns#" term="Iraq"/><category scheme="http://www.blogger.com/atom/ns#" term="Jonathan Coe"/><category scheme="http://www.blogger.com/atom/ns#" term="Londra"/><title type='text'>Numero undici di Jonathan Coe</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgES63KaGiLPHsbb0yEblOYOviBlkemhadW8sHjCftKSHWBqCsr2QtrQexroqF7H6mHD1TFNUevTzP_2gLylKelInZnWEreO34hiGAKVST3IZbZaCZXERQ5DcYT1OUnyrKvhdn8SA/s1600/numero+undici.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgES63KaGiLPHsbb0yEblOYOviBlkemhadW8sHjCftKSHWBqCsr2QtrQexroqF7H6mHD1TFNUevTzP_2gLylKelInZnWEreO34hiGAKVST3IZbZaCZXERQ5DcYT1OUnyrKvhdn8SA/s320/numero+undici.jpg&quot; width=&quot;204&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;L’ambizione di ogni
lettore è leggere quanti più libri possibile, ma per quanto si riesca ad
entrare nell&#39;esclusivo club dei lettori forti, ci sono sempre tanti e tanti
libri che ingrossano la lista dei desideri. Jonathan &lt;b&gt;Coe &lt;/b&gt;faceva parte, fino a
qualche giorno fa, di questa lista, ora che ho finito di leggere &lt;b&gt;Numero undici&lt;/b&gt;,
mi sto chiedendo come è stato possibile lasciarlo marcire per così tanto tempo
in quella lista. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Numero undici è composto
da cinque storie, in ognuna compaiono due ragazze, il numero undici e dei ragni.
Il romanzo si apre con Rachel e Alison, due ragazze di otto anni, compagne di
scuola, che trascorrono qualche giorno dai nonni di Rachel nello &lt;b&gt;Yorkshire&lt;/b&gt;. È
il 2003, Rachel fa per la prima volta conoscenza della morte. Ascolta per caso
dalla radio del nonno che &lt;b&gt;David Kelly&lt;/b&gt;,
scienziato e ispettore ONU, è stato rinvenuto cadavere ad &lt;b&gt;Harrowdown&lt;/b&gt; &lt;b&gt;Hill&lt;/b&gt;, una
foresta nell&#39;Oxfordshire&lt;/span&gt;. Qualche giorno prima, Kelly, durante un’intervista
riteneva infondato il dossier presentato dal governo &lt;b&gt;Blair&lt;/b&gt; circa la presenza di armi di distruzione di massa in &lt;b&gt;Iraq&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Un romanzo attuale,
politico, fantastico. I personaggi sono lo strumento che &lt;b&gt;Coe&lt;/b&gt; utilizza per descrivere la contemporaneità che lo disturba. Rachel,
cresciuta e laureata, accetta di impartire lezioni private alle gemelle di una famiglia
di super ricchi in cambio di un ottimo salario, vitto e alloggio in un palazzo
principesco nella &lt;b&gt;Londra &lt;/b&gt;più chic.&lt;/span&gt; Alison, la sua amica, nera, disabile
ed omosessuale diventa il bersaglio di una giornalista conservatrice, e sua madre,
Val, ex cantante di successo che decide di partecipare ad un reality show, l’&lt;span class=&quot;apple-converted-space&quot;&gt;&lt;span style=&quot;background: white; color: #2b2a2a; font-size: 9pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Isola
dei famosi&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;, per pagarsi i debiti, diventa suo malgrado parte di
una narrazione già decisa dalla produzione. &lt;b&gt;Coe &lt;/b&gt;ci racconta l’instabilità, la
mercificazione, la manipolazione della realtà, il racconto del reale vs il
reale, l’insoddisfazione per i propri leader politici, il tradimento di una
giustizia sociale&lt;/span&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 8pt; line-height: 115%;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;promessa:
un horror sociale. Un romanzo sulla rabbia “sepolta sotto strati di abitudini e
di comfort molti difficile da scalfire.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.feltrinellieditore.it/opera/opera/numero-undici/&quot; target=&quot;_blank&quot;&gt;Numero undici di Jonathan Coe&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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Editore:&lt;b&gt;&amp;nbsp;Feltrinelli&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana&lt;b&gt;: i narratori&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;381&lt;/b&gt;&lt;br /&gt;
&lt;div&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/792000371250584328/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/12/numero-undici-di-jonathan-coe.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/792000371250584328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/792000371250584328'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/12/numero-undici-di-jonathan-coe.html' title='Numero undici di Jonathan Coe'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgES63KaGiLPHsbb0yEblOYOviBlkemhadW8sHjCftKSHWBqCsr2QtrQexroqF7H6mHD1TFNUevTzP_2gLylKelInZnWEreO34hiGAKVST3IZbZaCZXERQ5DcYT1OUnyrKvhdn8SA/s72-c/numero+undici.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-1484861586508341031</id><published>2016-11-23T18:35:00.000+01:00</published><updated>2016-11-23T18:35:16.616+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Grande Guerra"/><category scheme="http://www.blogger.com/atom/ns#" term="Impero Austro Ungarico"/><category scheme="http://www.blogger.com/atom/ns#" term="Joseph Roth"/><category scheme="http://www.blogger.com/atom/ns#" term="Letteratura mitteleuropea"/><title type='text'>Fuga senza fine di Joseph Roth</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8dS8FRG85m-jBX1w516TkTZgqOuPy0pTZyHS70I-YYxES3RF19CVwJBMsx_exG0C35c6Cmn8MS5ws6sMfp8RbzRbHZAz8hUh1yv6a51SXzdqHxqtOdATjNo4sxebCnL3b9DoB6A/s1600/fuga+senza+fine.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8dS8FRG85m-jBX1w516TkTZgqOuPy0pTZyHS70I-YYxES3RF19CVwJBMsx_exG0C35c6Cmn8MS5ws6sMfp8RbzRbHZAz8hUh1yv6a51SXzdqHxqtOdATjNo4sxebCnL3b9DoB6A/s320/fuga+senza+fine.jpg&quot; width=&quot;205&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;Luciano Foà&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt; nel 1962 fu uno dei fondatori della &lt;b&gt;Adelphi&lt;/b&gt;. Amava pochi scrittori senza riserve. Primi fra tutti, &lt;b&gt;Stendhal&lt;/b&gt; e &lt;b&gt;Kafka&lt;/b&gt;. E in &lt;b&gt;Roth&lt;/b&gt;
riconosceva la massima approssimazione a &lt;b&gt;Stendhal&lt;/b&gt;
che il Novecento aveva raggiunto. &lt;b&gt;Fuga
senza fine&lt;/b&gt; fu pubblicato nel&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/1927&quot; title=&quot;1927&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%; text-decoration: none;&quot;&gt;1927&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;in tedesco, per le edizioni&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Kurt_Wolff_(editore)&quot; title=&quot;Kurt Wolff (editore)&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%; text-decoration: none;&quot;&gt;Kurt Wolff&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;a Monaco di Baviera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;Fuga senza fine&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt; è la storia di &lt;b&gt;Franz Tunda&lt;/b&gt; tenente dell&#39;&lt;a href=&quot;https://it.wikipedia.org/wiki/Imperial_regio_Esercito_austro-ungarico&quot; title=&quot;Imperial regio Esercito austro-ungarico&quot;&gt;&lt;span style=&quot;color: #333333; text-decoration: none; text-underline: none;&quot;&gt;Imperial regio Esercito
austro-ungarico&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;nella&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Grande_guerra&quot; title=&quot;Grande guerra&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%; text-decoration: none;&quot;&gt;grande guerra&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;, fatto prigioniero dai russi nell&#39;agosto del
1916, riesce a fuggire e si rifugia in un solitario, triste casolare in
Siberia, ai margini di una foresta, fino al 1919. Quando scopre che la guerra è
finita, parte, attraversa la Siberia, arriva in Ucraina, nei pressi di Kiev,
viene preso dapprima come spia bolscevica, diventa poi rivoluzionario, crede di
innamorarsi, finisce sul Mar Nero a Baku, fino a ritornare nell&#39;impero che non
c&#39;è più, in una città sul Reno, poi a Berlino e infine a Parigi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;Mai come in questo romanzo nel protagonista si nasconde il suo autore. &lt;b&gt;Tunda&lt;/b&gt; è un nomade. Aveva vissuto l’esperienza
della &lt;b&gt;Grande Guerra&lt;/b&gt;, della
rivoluzione russa, della crisi dell&#39;impero asburgico e dell&#39;antica cultura
europea. Nell’ interessante dialogo con il fratello, direttore d&#39;orchestra di
successo, &lt;b&gt;Tunda&lt;/b&gt; mostra i mille buchi
che sostituiscono nella vita quotidiana una cultura borghese ammuffita: i
Buddha, i cuscini, i larghi e profondi divani, i tappeti orientali, le danze
negre...&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;Fuga senza fine&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;span style=&quot;background: white;&quot;&gt;è uno dei racconti più
conosciuti di&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Joseph_Roth&quot; title=&quot;Joseph Roth&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%; text-decoration: none;&quot;&gt;Joseph Roth&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;. Il 1919 è l&#39;anno della formazione della&lt;/span&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Repubblica_di_Weimar&quot; title=&quot;Repubblica di Weimar&quot;&gt;&lt;span style=&quot;color: #333333; font-size: 12pt; line-height: 115%; text-decoration: none;&quot;&gt;Repubblica di Weimar&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;. &lt;b&gt;Tunda&lt;/b&gt;, l&#39;ex
militare, impoverito, orfano dell&#39;identità dissolta del mondo &lt;b&gt;Austro Ungarico&lt;/b&gt;,&lt;/span&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt; &lt;span style=&quot;background: white; color: #333333;&quot;&gt;“&lt;i&gt;Siamo
stranieri in questo mondo, veniamo dal regno delle ombre.&lt;/i&gt;”, è il portatore
di tutto lo straniamento e la frustrazione della guerra passata e del
miserabile presente e della disfatta della vecchia amata Europa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;background: white; color: #333333;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background: white; color: #333333; font-size: 12pt; line-height: 115%;&quot;&gt;Vive la perdita inesorabile del nome, del credito, del rango, del
titolo, dei soldi e della professione&lt;/span&gt;; una spoliazione del suo essere, della
sua identità ma non si abbatte. «&lt;i&gt;Io so soltanto che non è stata, come si dice,
la ‘inquietudine’ a spingermi, ma al contrario – una assoluta quiete. Non ho
nulla da perdere. Non sono né coraggioso né curioso di avventure. Un vento mi
spinge, e non temo di andare a fondo&lt;/i&gt;».&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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Editore:&lt;b&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana&lt;b&gt;: gli Adelphi&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;line-height: 18.9px;&quot;&gt;&amp;nbsp;1995&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: verdana, sans-serif; line-height: 18.4px;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;151&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;br /&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/1484861586508341031/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/11/fuga-senza-fine-di-joseph-roth.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1484861586508341031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1484861586508341031'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/11/fuga-senza-fine-di-joseph-roth.html' title='Fuga senza fine di Joseph Roth'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8dS8FRG85m-jBX1w516TkTZgqOuPy0pTZyHS70I-YYxES3RF19CVwJBMsx_exG0C35c6Cmn8MS5ws6sMfp8RbzRbHZAz8hUh1yv6a51SXzdqHxqtOdATjNo4sxebCnL3b9DoB6A/s72-c/fuga+senza+fine.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-7940552433976701114</id><published>2016-11-02T12:45:00.000+01:00</published><updated>2016-11-02T16:51:12.965+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="egemonia digitale"/><category scheme="http://www.blogger.com/atom/ns#" term="Renato Curcio"/><category scheme="http://www.blogger.com/atom/ns#" term="Sensibili alle foglie"/><category scheme="http://www.blogger.com/atom/ns#" term="Socianalisi narrativa"/><title type='text'>L&#39;egemonia digitale di Renato Curcio</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0mzpC9iTBMWGk0iKfGvIB97ExLdfojWR8vbDSutIA4DCvc5YivKxyJdez5Dym87nUG4SUa3GdNb0WQrKw8eWEQtnCs93thM2r2FyhrcyqOlx-M4WCw9lVoSj-bB1f7Fm_87pKMw/s1600/l%2527egemonia+digitale.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0mzpC9iTBMWGk0iKfGvIB97ExLdfojWR8vbDSutIA4DCvc5YivKxyJdez5Dym87nUG4SUa3GdNb0WQrKw8eWEQtnCs93thM2r2FyhrcyqOlx-M4WCw9lVoSj-bB1f7Fm_87pKMw/s320/l%2527egemonia+digitale.jpg&quot; width=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Questo libro ci
restituisce le narrazioni d’esperienza di chi ha partecipato a un cantiere
socianalitico che si è interessato alle modalità con cui &lt;a href=&quot;http://kaosblu.blogspot.it/2015/06/limpero-virtuale-di-renato-curcio_16.html&quot; target=&quot;_blank&quot;&gt;l’impero virtuale&lt;/a&gt; cerca di costruire una
capacità egemonica sul mondo del lavoro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;I lavoratori di diversi
settori, sanitario, istruzione, giuridico, servizi, trasporti ecc.. hanno raccontato
la loro esperienza di lavoro; il radicale cambiamento del lavoro ma più
profondamente il proprio rapporto con gli strumenti digitali che mediano l’attività
lavorativa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il libro ci invita a
riflettere su questo processo in atto da tempo, l’impatto delle nuove
tecnologie sul mondo del lavoro e il disorientamento dei lavoratori. “Io sono l’Automa”,
così si è presentato a una visita medica obbligatoria, un lavoratore Acea di Roma.
“ In che senso, scusi?” gli ha chiesto la dottoressa. E lui, con un tono
angosciato: ”Nel senso che ormai non sono più una persona, il tablet personale
mi comanda come un robot; nel senso che mi sento un automa, gli presto le mani
è vero, ma per il resto quasi non decido più nulla; nel senso che questi ci
pilotano…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Siamo immersi in un
cambiamento sociale, e i più non ne sono consapevoli. “Nel Grande
imprigionamento digitale – a differenza dei totalitarismi che hanno afflitto il
secolo passato – sono i nostri “dati” e i nostri “profili” che vengono
rastrellati, deportati e internati mentre i nostri corpi vengono lasciati “liberi”
di imbrigliarsi ulteriormente nella Rete affinché possano contribuire
incessantemente a produrre gratuitamente ulteriori aggiornamenti.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il libro si conclude indicandoci
quattro pericolose tendenze digitali: l’autismo digitale, l’obesità
tecnologica, l’ethos della quantità, lo smarrimento dei limiti.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.libreriasensibiliallefoglie.com/dettagli.asp?sid=6378015320161101124851&amp;amp;idp=268&amp;amp;categoria=&quot; target=&quot;_blank&quot;&gt;L&#39;egemonia digitale (L&#39;impatto delle nuove tecnologie nel mondo del lavoro) di Renato Curcio&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;&lt;span style=&quot;font-size: x-small;&quot;&gt;Sensibili alle foglie&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br style=&quot;background-color: white; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px;&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 15px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;/span&gt;&lt;b&gt;&amp;nbsp;144&lt;/b&gt;&lt;/div&gt;
&lt;div&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/7940552433976701114/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/11/legemonia-digitale-di-renato-curcio.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7940552433976701114'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7940552433976701114'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/11/legemonia-digitale-di-renato-curcio.html' title='L&#39;egemonia digitale di Renato Curcio'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0mzpC9iTBMWGk0iKfGvIB97ExLdfojWR8vbDSutIA4DCvc5YivKxyJdez5Dym87nUG4SUa3GdNb0WQrKw8eWEQtnCs93thM2r2FyhrcyqOlx-M4WCw9lVoSj-bB1f7Fm_87pKMw/s72-c/l%2527egemonia+digitale.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-2742111456292793563</id><published>2016-09-17T20:13:00.001+02:00</published><updated>2016-09-17T20:13:26.958+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="einaudi"/><category scheme="http://www.blogger.com/atom/ns#" term="Giappone"/><category scheme="http://www.blogger.com/atom/ns#" term="Haruki Murakami"/><title type='text'>La strana biblioteca di Haruki Murakami </title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiGRBXcqf6tIoRmxWNL9rsrqY7Xrxm2JRV2njti2ukL7hn9JzwkyxibEKjnTkMUdRrbg_PDOG6_I96DTPuCEWSXVmfpYf8ybZvU6omk2n9WD53S79Sy98ZbomD4MrZk70ZtaXBWA/s1600/la+strana+biblioteca.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiGRBXcqf6tIoRmxWNL9rsrqY7Xrxm2JRV2njti2ukL7hn9JzwkyxibEKjnTkMUdRrbg_PDOG6_I96DTPuCEWSXVmfpYf8ybZvU6omk2n9WD53S79Sy98ZbomD4MrZk70ZtaXBWA/s320/la+strana+biblioteca.jpg&quot; width=&quot;198&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Questa mattina come è
iniziata la giornata, avrei voluto che finisse all’istante, poi penso a un
libro - mi rifugio sempre dentro le storie di un libro quando le cose non vanno
-, ma quale? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;Il libro migliore in
questi momenti non può essere altro che di &lt;b&gt;Murakami &lt;/b&gt;anzi è necessaria la sua scrittura;
il giapponese ha la capacità come pochi di alienarti dalla realtà, trasportarti
in altri mondi, mondi che si intrecciano. La strana biblioteca, un piccolo
racconto del 2005, pubblicato da &lt;b&gt;Einaudi &lt;/b&gt;lo scorso anno, ha queste
caratteristiche: un bimbo entra in una biblioteca alla ricerca di un libro che
gli faccia conoscere come venivano raccolte le tasse nell’Impero Ottomanno,
segue un vecchio che dovrebbe portarlo nella sala lettura, perché il libro non
può essere dato in prestito ma letto sul posto, percorrono un lungo corridoio e
tante biforcazioni, la biblioteca diventa un labirinto e al termine del viaggio,
il bambino, incontra l’Uomo-pecora&lt;/span&gt;. Il bimbo finisce in una trappola, l’Uomo–pecora
è un sottoposto del vecchio, dovrà leggere i tre libri sull’Impero Ottomanno e
impararli a memoria dall’inizio alla fine e solo fra un mese, il vecchio, verrà
a fargli un esame. Se li avrai memorizzati bene, lo lascerà uscire. Uscire da
dove? Da un non luogo, dove lo spazio e il tempo sono distorti, dove il bimbo
vive un suo mondo, che leggendo si intreccia con quello di Ibn Armut Hasir un
collettore di tasse di Istanbul - il protagonista di uno dei libro che ha
iniziato a leggere -, anzi diventa lui, Ibn Armut Hasir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;La lettura cambia,
trasforma il lettore, attraverso le parole la coscienza muta, si distorce, la
vita dei personaggi si intreccia a quella del lettore che ne fa esperienza e si
trasforma. &lt;b&gt;La strana biblioteca&lt;/b&gt;&lt;/span&gt; è la storia di un
cambiamento attraverso l’esperienza della lettura.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;a href=&quot;http://www.einaudi.it/libri/libro/murakami-haruki/la-strana-biblioteca/978880622588&quot; target=&quot;_blank&quot;&gt;La strana biblioteca di Haruki Murakami&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19.6px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;Einaudi&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Collana: Supercoralli&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;&lt;/b&gt;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;88&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/2742111456292793563/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/09/la-strana-biblioteca-di-haruki-murakami.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/2742111456292793563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/2742111456292793563'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/09/la-strana-biblioteca-di-haruki-murakami.html' title='La strana biblioteca di Haruki Murakami '/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiGRBXcqf6tIoRmxWNL9rsrqY7Xrxm2JRV2njti2ukL7hn9JzwkyxibEKjnTkMUdRrbg_PDOG6_I96DTPuCEWSXVmfpYf8ybZvU6omk2n9WD53S79Sy98ZbomD4MrZk70ZtaXBWA/s72-c/la+strana+biblioteca.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-4062716614430846753</id><published>2016-09-12T16:58:00.000+02:00</published><updated>2016-09-12T17:17:27.527+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cern"/><category scheme="http://www.blogger.com/atom/ns#" term="Guido Tonelli"/><category scheme="http://www.blogger.com/atom/ns#" term="Higgs"/><category scheme="http://www.blogger.com/atom/ns#" term="la particella di Dio"/><category scheme="http://www.blogger.com/atom/ns#" term="Rizzoli"/><title type='text'>La nascita imperfetta delle cose di Guido Tonelli</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdQYFoY9Bg8pcpAFLvr-ylyokma8xgLaz3XC5GjCTRx7dp29MXumhWp_A1Wu353oaVhydKUrIEupJa33eUH0HKOAh2ptBRZkgCKEXbUUWKMFpBsg006UBMYrmk6_stINn6tj-EA/s1600/la+nascita+imperfette+delle+cose.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdQYFoY9Bg8pcpAFLvr-ylyokma8xgLaz3XC5GjCTRx7dp29MXumhWp_A1Wu353oaVhydKUrIEupJa33eUH0HKOAh2ptBRZkgCKEXbUUWKMFpBsg006UBMYrmk6_stINn6tj-EA/s320/la+nascita+imperfette+delle+cose.jpg&quot; width=&quot;207&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;b&gt;Guido
Tonelli &lt;/b&gt;è un fisico, uno dei principali protagonisti, insieme a&amp;nbsp;&lt;span style=&quot;color: windowtext;&quot;&gt;&lt;b&gt;Fabiola
Gianotti&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;text-align: start;&quot;&gt;, della scoperta del&amp;nbsp;&lt;span style=&quot;color: windowtext;&quot;&gt;bosone di
&lt;b&gt;Higgs&lt;/b&gt;&lt;/span&gt;&lt;b&gt; &lt;/b&gt;previsto da quasi 50 anni, la cui esistenza
garantisce un balzo in avanti nella comprensione della fisica delle particelle,
e che giornalisticamente è stata definito la particella di Dio. “Il minuscolo
difetto, la sottile imperfezione da cui è nato tutto. Un’anomalia che dà
origine a un universo materiale che può evolvere per miliardi di anni.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;span style=&quot;text-align: start;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;È
sorprendente scoprire che l’essere, in tutte le sue forme, è il frutto di un’imperfezione,
un’anomalia. Parola dopo parola il libro stravolge le convinzioni radicate; non
è la ricerca della perfezione, l’optimum, non può essere, perché siamo
ontologicamente imperfetti. Siamo esseri che osservano la realtà e credono sia
la verità ma ciò che osserviamo non esiste, almeno non nella forma in cui ci
appare: quando volgiamo lo sguardo al cielo, la luce delle stelle che
osserviamo è quella dell’astro nel preciso momento in cui ha emesso quella luce,
magari migliaia di anni fa oppure nel frattempo quella stella si è spostata di
chilometri o è addirittura morta. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Leggere
il libro mi ha riportato a uno stato di curiosità infantile, quella dei “perché”,
aperto alla gioia della scoperta e della meraviglia che l’universo, la natura
ci dona. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Un
libro importante che ci avvicina all’essere nella sua forma essenziale, per
quello che può al momento lo stato della conoscenza della filosofia attuale, fisica
&amp;nbsp;teorica, e verificata dalla fisica
sperimentale e dalle tecnologie. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Trecentotrentatré pagine di meraviglia.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;a href=&quot;http://www.rizzolilibri.it/libri/la-nascita-imperfetta-delle-cose/&quot; target=&quot;_blank&quot;&gt;La nascita imperfetta delle cose di Guido Tonelli&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class=&quot;article-content entry-content&quot; itemprop=&quot;articleBody&quot; style=&quot;-webkit-text-stroke-width: 0px; background-color: white; clear: both; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: normal; letter-spacing: normal; line-height: 1.4; margin: 10px auto 5px; orphans: 2; outline: none; padding: 0px; text-align: justify; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;&quot;&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;arial&amp;quot; , &amp;quot;tahoma&amp;quot; , &amp;quot;helvetica&amp;quot; , &amp;quot;freesans&amp;quot; , sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;Rizzoli&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;&lt;/b&gt;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;333&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/4062716614430846753/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/09/la-nascita-imperfetta-delle-cose-di.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/4062716614430846753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/4062716614430846753'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/09/la-nascita-imperfetta-delle-cose-di.html' title='La nascita imperfetta delle cose di Guido Tonelli'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdQYFoY9Bg8pcpAFLvr-ylyokma8xgLaz3XC5GjCTRx7dp29MXumhWp_A1Wu353oaVhydKUrIEupJa33eUH0HKOAh2ptBRZkgCKEXbUUWKMFpBsg006UBMYrmk6_stINn6tj-EA/s72-c/la+nascita+imperfette+delle+cose.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-1981464783352338589</id><published>2016-06-16T16:59:00.002+02:00</published><updated>2016-06-16T16:59:49.972+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Calais"/><category scheme="http://www.blogger.com/atom/ns#" term="Emmanuel Carrère"/><category scheme="http://www.blogger.com/atom/ns#" term="francia"/><category scheme="http://www.blogger.com/atom/ns#" term="Migranti"/><title type='text'>A Calais di Emmanuel Carrére</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_IEQlg_EF6q_QhoJQRm8su4d5LINPzLNhhr6MaINnrZcYQb_JWmoyR2IXrr0WN47Rb4OzTnixTqpoBhs-GNpsa9tLUgZVDIRzWnzaU4orYOul9oxM_M58cbrAI1uMiFi02ujNnA/s1600/a+calais.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_IEQlg_EF6q_QhoJQRm8su4d5LINPzLNhhr6MaINnrZcYQb_JWmoyR2IXrr0WN47Rb4OzTnixTqpoBhs-GNpsa9tLUgZVDIRzWnzaU4orYOul9oxM_M58cbrAI1uMiFi02ujNnA/s320/a+calais.jpg&quot; width=&quot;195&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Calais&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt; è
una città del nord della Francia, negli ultimi due anni a ridosso del porto e
del terminal ferroviario, dal quale partono i treni per la Gran Bretagna, una
enorme bidonville accoglie 7 mila migranti. Nella “giungla”, così è chiamata,
non c’è acqua, corrente; si vive al fango e al freddo e solo nel marzo scorso la
Francia ha realizzato, a fianco della “giungla”, un campo di container-alloggio
riscaldati e un altro, non lontano, riservato a donne e bambini che accoglie solo
una parte dei migranti.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Carrére&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;
ha visitato la città e realizzato un resoconto ma evitando il racconto della “giungla”,
spostando l’attenzione sulla città e i suoi abitanti, raccogliendo umori,
percezioni. In tutto cinquanta pagine che parlano di &lt;b&gt;Calais&lt;/b&gt; ma potrebbero riferirsi a qualsiasi città che in questi
ultimi anni sta cercando di accogliere migranti e di gestire gli umori, la
percezione e le prese di posizione e le azioni degli abitanti che sono contro i
migranti, “&lt;i&gt;Molti bianchi del Beau Marais,
che vivono di disoccupazione, si trovano in una situazione forse meno precaria
ma per certi versi molto più stagnante, più irrimediabile, e io mi chiedo se
questo non incida, in modo consapevole o meno, sul loro risentimento.&lt;/i&gt;”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background: white; color: #606569; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;b&gt;Carrère &lt;/b&gt;si è
confrontato nei quindici giorni di permanenza con tante realtà, il centro
culturale, le vie della città con i negozi serrati, il prete di frontiera e la
libraia solidale. Il graffito di Banksy all’ingresso della baraccopoli, gli
abitanti di Saint- Pierre, beneficiari di assegni sociali che vivono nei mini
appartamenti in fitto, che espongono a Carrére la teoria del colibrì. “&lt;i&gt;Nella Foresta scoppia un incendio, tutti gli
animali fuggono, solo un colibrì vola fino al fiume, si riempie d’acqua il
minuscolo becco e riparte velocemente per versarne il contenuto sulle fiamme. E
continua così, andando avanti e indietro per tutto il giorno, fino a quando un
ippopotamo gli fa notare che quelle poche gocce su un incendio così grande sono
ridicole; lui gli risponde: forse, ma faccio la mia parte.&lt;/i&gt;” &amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;In quarta di copertina
&lt;b&gt;Carrére &lt;/b&gt;scrive: “Quello che mi interessa è poter scrivere un reportage
esattamente nello stesso modo in cui scriverei un libro”. Ci è riuscito. Ma io
sono di parte. &lt;b&gt;Carrére &lt;/b&gt;è uno dei miei scrittori preferiti.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.adelphi.it/libro/9788845931147&quot; target=&quot;_blank&quot;&gt;A Calais di Emmanuel Carrére&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br style=&quot;background-color: white; color: #333333; font-family: &amp;quot;Helvetica Neue Light&amp;quot;, HelveticaNeue-Light, &amp;quot;Helvetica Neue&amp;quot;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19.6px;&quot; /&gt;&lt;span style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;Adelphi&amp;nbsp;&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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Collana:&lt;b&gt; Biblioteca minima&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;/div&gt;
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&lt;b&gt;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;48&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/1981464783352338589/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/06/a-calais-di-emmanuel-carrere.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1981464783352338589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/1981464783352338589'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/06/a-calais-di-emmanuel-carrere.html' title='A Calais di Emmanuel Carrére'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_IEQlg_EF6q_QhoJQRm8su4d5LINPzLNhhr6MaINnrZcYQb_JWmoyR2IXrr0WN47Rb4OzTnixTqpoBhs-GNpsa9tLUgZVDIRzWnzaU4orYOul9oxM_M58cbrAI1uMiFi02ujNnA/s72-c/a+calais.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-7185671110574647575</id><published>2016-06-03T13:30:00.000+02:00</published><updated>2016-06-05T16:26:52.593+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Calabria"/><category scheme="http://www.blogger.com/atom/ns#" term="Carlo Scalfaro"/><category scheme="http://www.blogger.com/atom/ns#" term="Catanzaro"/><category scheme="http://www.blogger.com/atom/ns#" term="CGIL"/><category scheme="http://www.blogger.com/atom/ns#" term="Città del Sole"/><category scheme="http://www.blogger.com/atom/ns#" term="partito comunista italiano"/><category scheme="http://www.blogger.com/atom/ns#" term="PCI"/><category scheme="http://www.blogger.com/atom/ns#" term="Politica"/><category scheme="http://www.blogger.com/atom/ns#" term="Sindacato"/><title type='text'>Una sera di luglio di Carlo Scalfaro</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggIHSbTfciKEgbWne0TkpOvpsTa8jKoD5BHRuPrW9xjxqkunROG6fDPxmVzs-RiBJx5BYwIZ6mUCJq9oay93oMPUASuclbcEJpnvWJGWSkEGZHQNl10hF-1EZvWrJti81cQpMuYQ/s1600/una+sera+di+luglio+di+carlo+scalfaro.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggIHSbTfciKEgbWne0TkpOvpsTa8jKoD5BHRuPrW9xjxqkunROG6fDPxmVzs-RiBJx5BYwIZ6mUCJq9oay93oMPUASuclbcEJpnvWJGWSkEGZHQNl10hF-1EZvWrJti81cQpMuYQ/s320/una+sera+di+luglio+di+carlo+scalfaro.jpg&quot; width=&quot;221&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Una sera di luglio del
1961, Carlo Scalfaro salii su un treno, aveva quindici anni. Il treno era
diretto a Torino dove si sarebbe svolta la manifestazione nazionale della
federazione giovanile comunista e la mostra “Italia 61” organizzata per la
celebrazione dei primi cento anni dell’Unità d’Italia. Questo libro è il
racconto del percorso personale, politico di quel ragazzo, di quella
generazione a partire da quella sera del 1961. Un racconto di parte, di un
comunista che ancora in larga misura analizza la realtà attraverso il metodo
marxista, senza ritenersi sconfitto ma sapendo che la battaglia per un mondo
nuovo è stata irrimediabilmente perduta. Carlo Scalfaro è stato un dirigente
del Partito comunista catanzarese e poi un dirigente sindacale della Cgil. Attraverso
i suoi ricordi questo libro restituisce a chi c’era la memoria di quegli anni,
a chi non c’era fornisce elementi di conoscenza su un periodo molto vivace
della storia calabrese e italiana, dall’omicidio di Gigino Silipo al
Sessantotto. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Nel libro c’è una
riflessione sul Sessantotto, “ la lotta all’autoritarismo e al classismo nelle
scuole e nelle università si trasformò immediatamente nell’obiettivo della
scuola “facile”dove si può fare tutto fuorché studiare davvero.”, e tante
pagine sono dedicate alla “Questione meridionale” ai tanti errori ideali che
invece di portare a soluzione hanno confermato ed allargato il divario con il
Nord del paese, “Il tecnicismo mostrava la sua incapacità a cambiare nel
profondo la realtà meridionale. Però ne modificava il volto, gli usi, i
costumi, dando la stura a quel modernismo senza modernità che è stata la piaga
aggiuntiva della condizione del Mezzogiorno.” E infine, naturalmente, una larga
riflessione sul partito comunista, e sull’organizzazione partito in sé che agli
occhi di chi è nato dopo gli anni ottanta potrebbe essere utile per farsi un’idea
dell’importanza di un’organizzazione solida, capillare invece di un partito
liquido che si regge sulla figura del leader, dell’uomo solo al comando. Quello
che sono i partiti oggi o quello che ne rimane sono il risultato di un processo
che viene da lontano che Scalfaro individua a partire dagli anni Settanta, in
quegli anni c’erano già i “…prodromi eclatanti di una mutazione genetica del
partito che annullava i caratteri fondamentali del costume comunista e
conduceva sempre più i gruppi dirigenti ad occupare posti in prima fila nel “teatrino
della politica” con le conseguenti lotte interne, personali e di gruppi, per
posizioni di potere nel partito e quindi nelle istituzioni.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un libro per tutti, per chi
era comunista e non lo è più, per chi lo è ancora e per chi non lo è mai stato.
Un libro di parte ma non partigiano. L’analisi schietta, originale, scrupolosa,
obiettiva e critica della situazione politica del Novecento, del PCI della
sinistra occidentale, ci permette di comprendere le dinamiche politiche,
sociali e la trasformazione della città di Catanzaro, della Calabria e del
Paese. Trasformazioni che alcune volte sono trasformismi “ …famiglie della
cosiddetta “Catanzaro bene”, già volgarmente ed utilitaristicamente al servizio
del regime fascista, collocate in egual modo e con gli stessi privilegi nelle
pieghe del potere democristiano.” E poi i vizi che nonostante gli anni non sono
mai cambiati, il servilismo verso i potenti, e il servirsi del partito e del
potere da parte dei notabili della città; il campanilismo uno dei mali endemici
della Calabria. Un libro da leggere per comprendere l’origine di alcune
problematicità o il perdurare di altre. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.cdse.it/index.php?id=913&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.cdse.it/index.php?id=913&quot; target=&quot;_blank&quot;&gt;Una sera di luglio di Carlo Scalfaro&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;Città del Sole Edizioni&lt;/b&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;b&gt;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;264&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/7185671110574647575/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/06/una-sera-di-luglio-di-carlo-scalfaro.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7185671110574647575'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7185671110574647575'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/06/una-sera-di-luglio-di-carlo-scalfaro.html' title='Una sera di luglio di Carlo Scalfaro'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggIHSbTfciKEgbWne0TkpOvpsTa8jKoD5BHRuPrW9xjxqkunROG6fDPxmVzs-RiBJx5BYwIZ6mUCJq9oay93oMPUASuclbcEJpnvWJGWSkEGZHQNl10hF-1EZvWrJti81cQpMuYQ/s72-c/una+sera+di+luglio+di+carlo+scalfaro.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-582614364477102561</id><published>2016-05-26T12:10:00.000+02:00</published><updated>2016-05-26T12:10:15.275+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Costantinopoli"/><category scheme="http://www.blogger.com/atom/ns#" term="Impero Romano d&#39;Oriente"/><category scheme="http://www.blogger.com/atom/ns#" term="Maometto II"/><category scheme="http://www.blogger.com/atom/ns#" term="Neri Pozza"/><category scheme="http://www.blogger.com/atom/ns#" term="Paolo Malaguti"/><category scheme="http://www.blogger.com/atom/ns#" term="Premio Strega"/><category scheme="http://www.blogger.com/atom/ns#" term="stregathon"/><title type='text'>La reliquia di Costantinopoli di Paolo Malaguti</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ7OExDWRcv1SoeLul3Zox34sM027M9kGGCfe6h38FJ9_Q71095IOWpDId1cumDq7aBynyUY0jeFX7rWlu8Cvoh9eEQRJWjAm0jJymxU5s7TcN3xcB0ALIJmLDtYdXjmaOLIUDLw/s1600/la+reliquia+di+costantinopoli.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ7OExDWRcv1SoeLul3Zox34sM027M9kGGCfe6h38FJ9_Q71095IOWpDId1cumDq7aBynyUY0jeFX7rWlu8Cvoh9eEQRJWjAm0jJymxU5s7TcN3xcB0ALIJmLDtYdXjmaOLIUDLw/s320/la+reliquia+di+costantinopoli.jpg&quot; width=&quot;208&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Ho deciso, quest’anno, di
iniziare la mia partecipazione allo &lt;b&gt;#Stregathon&lt;/b&gt; - lo sport per lettori forti-,
ideato da &lt;a href=&quot;http://nonriescoasaziarmidilibri.blogspot.it/&quot; target=&quot;_blank&quot;&gt;Diana D’Ambrosio&lt;/a&gt;, che consiste nel leggere i libri finalisti che si
contendono il &lt;b&gt;Premio Strega&lt;/b&gt;, con &lt;b&gt;La reliquia di Costantinopoli&lt;/b&gt; perché lo scorso
anno &lt;b&gt;Neri Pozza&lt;/b&gt;, casa editrice del libro, con &lt;a href=&quot;http://kaosblu.blogspot.it/2015/05/il-genio-dellabbandono-di-wanda-marasco.html&quot; target=&quot;_blank&quot;&gt;Il genio dell’abbandono di WandaMarasco&lt;/a&gt; mi aveva regalato la più bella esperienza di lettura di tutti i libri
partecipanti al &lt;b&gt;Premio Strega&lt;/b&gt;. Quest’anno il livello generale delle opere è
inferiore rispetto allo scorso anno e anche il libro di &lt;b&gt;Malaguti&lt;/b&gt;, un romanzo
storico, lo conferma: narra la caduta dell’Impero Romano d’Oriente e le vicende
di un mercante greco di Costantinopoli e del suo socio ebreo-veneziano.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il
pretesto narrativo è il recupero di un manoscritto che il precettore di Giovanni,
il mercante &lt;b&gt;Gregorio Eparco&lt;/b&gt;, aveva raccomandato di nascondere. Il manoscritto è
un diario scritto in greco che racconta i giorni che precedono la caduta di
&lt;b&gt;Costantinopoli &lt;/b&gt;ad opera dell’esercito turco guidati da &lt;b&gt;Maometto II&lt;/b&gt; e la
missione di salvare le reliquie della cristianità custodite a &lt;b&gt;Costantinopoli&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il libro come si può
immaginare ha una trama già ampiamente utilizzata, mi aspettavo quindi qualcosa
di più. Apprezzo la precisa ricostruzione storica e l’imponente lavoro
preparatorio che un’opera del genere immagino abbia riservato ma dal punto di vista
narrativo il risultato non è dei migliori: i personaggi non sono mai usciti
dalla pagina, i dialoghi sono poca cosa. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: 12pt; line-height: 18.4px;&quot;&gt;&lt;a href=&quot;http://www.neripozza.it/collane_dett.php?id_coll=1&amp;amp;id_lib=934&quot; target=&quot;_blank&quot;&gt;La reliquia di Costantinopoli di Paolo Malaguti&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.5455px; font-weight: normal; line-height: 18.9px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px;&quot;&gt;Editore:&lt;/span&gt;&lt;b&gt;&amp;nbsp;Neri Pozza&lt;/b&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;b&gt;&amp;nbsp;&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/div&gt;
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&lt;b style=&quot;font-size: 14.5455px;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 14.5455px; line-height: 18.9px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;592&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/582614364477102561/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/05/la-reliquia-di-costantinopoli-di-paolo.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/582614364477102561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/582614364477102561'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/05/la-reliquia-di-costantinopoli-di-paolo.html' title='La reliquia di Costantinopoli di Paolo Malaguti'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ7OExDWRcv1SoeLul3Zox34sM027M9kGGCfe6h38FJ9_Q71095IOWpDId1cumDq7aBynyUY0jeFX7rWlu8Cvoh9eEQRJWjAm0jJymxU5s7TcN3xcB0ALIJmLDtYdXjmaOLIUDLw/s72-c/la+reliquia+di+costantinopoli.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-7283523291252880236</id><published>2016-05-15T19:12:00.000+02:00</published><updated>2016-05-16T13:04:41.187+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="amore"/><category scheme="http://www.blogger.com/atom/ns#" term="Letteratura francese"/><category scheme="http://www.blogger.com/atom/ns#" term="Neri Pozza"/><category scheme="http://www.blogger.com/atom/ns#" term="Olivier Bourdeaut"/><title type='text'>Aspettando Bojangles di Olivier Bourdeaut</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4QmV-4FYqUjp7kXK7-HQ_KRGcnwk1ltnhl4XcSsyFc7xnhSMPV7_WtjM5oOVWudE1wihggXP3r_LRdpT3CMn-cpJxz9PdzLZNwwfP9ZRf9C_nmf0gTVYuxjVZrHt6_VQX18gVcg/s1600/aspettando+bojangles.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4QmV-4FYqUjp7kXK7-HQ_KRGcnwk1ltnhl4XcSsyFc7xnhSMPV7_WtjM5oOVWudE1wihggXP3r_LRdpT3CMn-cpJxz9PdzLZNwwfP9ZRf9C_nmf0gTVYuxjVZrHt6_VQX18gVcg/s320/aspettando+bojangles.jpg&quot; width=&quot;206&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;L’amore è stato raccontato
in tanti modi, ha riempito pagine e pagine di libri, i grandi scrittori hanno
scritto pagine memorabili, il solo pensiero di cimentarsi sfiora l’impresa o la
presunzione. &amp;nbsp;&lt;b&gt;Bourdeaut &lt;/b&gt;ha compiuto un’impresa,
ha scritto una storia d’amore inedita, sorprendente, ed è riuscito con la sua prosa a toccare
ogni corda dei sentimenti. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un uomo è innamorato di
sua moglie, al punto che asseconda la sua pazzia e per tutta la vita, racconta a
sé e a suo figlio una bella storia, per sfuggire dalla realtà banale e triste, per sfuggire dalla gabbia che la società e gli uomini superficiali costruiscono
intorno alle vicende umane. Non può essere ricondotta, la vita di un individuo, solo sotto i lumi della razionalità, a una
classificazione, a una categoria; &amp;nbsp;l’uomo è più complesso di una legge, di una regola. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;A seguito dell’incendio
della casa, i medici certificano con un nome la malattia, schizofrenia bipolare
e rinchiudono Renée, o la nuova Joséphine, o la nuova Marylou - alcuni dei nomi
con cui il marito ha l’abitudine di chiamare la moglie -, in una clinica psichiatrica
ma l’uomo non si rassegna, innamorato della donna, che se avesse voluto avrebbe
potuto dare del tu alle stelle, pianifica il rapimento per riportarla alla “normalità”
familiare: momenti buoni e cattivi, balli, risate, bugie, pianti, viaggi, un senatore come amico, cocktail, crisi di nervi, un grosso uccello e un libro,
questo, trascritto in diversi quaderni e ritrovato dal figlio che rileggendolo
aveva avuto l’occasione di rivivere tutto una seconda volta. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Un altro gran bel libro
pubblicato da &lt;b&gt;Neri Pozza&lt;/b&gt;, casa editrice che ho scoperto lo scorso anno leggendo
&lt;a href=&quot;http://kaosblu.blogspot.it/2015/05/il-genio-dellabbandono-di-wanda-marasco.html&quot; target=&quot;_blank&quot;&gt;Il genio dell’abbandono di &lt;b&gt;Wanda Marasco&lt;/b&gt;&lt;/a&gt;, che ha partecipato al &lt;b&gt;Premio Strega&lt;/b&gt;,
e che ormai non ho più dubbi pubblica libri meravigliosi. Un libro malinconico,
allegro e struggente, surreale, da leggere ascoltando&amp;nbsp;&lt;b&gt; Mr Bonjangles&lt;/b&gt; di &lt;b&gt;Nina
Simone&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;iframe allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;344&quot; src=&quot;https://www.youtube.com/embed/eAW3y5l6Dm4&quot; width=&quot;459&quot;&gt;&lt;/iframe&gt;

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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.neripozza.it/collane_dett.php?id_coll=1&amp;amp;id_lib=973&quot; target=&quot;_blank&quot;&gt;Aspettando Bojangles di Olivier Bourdeaut&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; color: #333333; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 13.15pt; margin: 0cm 0cm 9.4pt; outline: none; padding: 0px; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;Neri Pozza&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; color: #333333; font-family: &#39;Helvetica Neue Light&#39;, HelveticaNeue-Light, &#39;Helvetica Neue&#39;, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 13.15pt; margin: 0cm 0cm 9.4pt; outline: none; padding: 0px; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Collana:&amp;nbsp;&lt;b&gt;I narratori delle tavole&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;144&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/7283523291252880236/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/05/aspettando-bojangles-di-olivier.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7283523291252880236'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7283523291252880236'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/05/aspettando-bojangles-di-olivier.html' title='Aspettando Bojangles di Olivier Bourdeaut'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4QmV-4FYqUjp7kXK7-HQ_KRGcnwk1ltnhl4XcSsyFc7xnhSMPV7_WtjM5oOVWudE1wihggXP3r_LRdpT3CMn-cpJxz9PdzLZNwwfP9ZRf9C_nmf0gTVYuxjVZrHt6_VQX18gVcg/s72-c/aspettando+bojangles.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-6787674933432766838</id><published>2016-05-05T12:52:00.002+02:00</published><updated>2016-05-05T12:53:30.740+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Allende"/><category scheme="http://www.blogger.com/atom/ns#" term="Cile"/><category scheme="http://www.blogger.com/atom/ns#" term="Junger"/><category scheme="http://www.blogger.com/atom/ns#" term="Leopardi"/><category scheme="http://www.blogger.com/atom/ns#" term="Neruda"/><category scheme="http://www.blogger.com/atom/ns#" term="Opus dei"/><category scheme="http://www.blogger.com/atom/ns#" term="Pinochet"/><category scheme="http://www.blogger.com/atom/ns#" term="Roberto Bolaño"/><category scheme="http://www.blogger.com/atom/ns#" term="Sordello"/><title type='text'>Notturno cileno di Roberto Bolaño</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVrAeE4uyoqgqdv4yMGAHPqfTtLvac-Xa1-m4micY_IMFr0lB8ZZVVQZ5ylbfMXQ4w23owM6bda9V-Q9g_IbBmM8BOqmqlsrGQqnFMisGDqeyXQaLlV9kLWyt2_6yLTYp2WJKyg/s1600/Notturno+cileno.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVrAeE4uyoqgqdv4yMGAHPqfTtLvac-Xa1-m4micY_IMFr0lB8ZZVVQZ5ylbfMXQ4w23owM6bda9V-Q9g_IbBmM8BOqmqlsrGQqnFMisGDqeyXQaLlV9kLWyt2_6yLTYp2WJKyg/s320/Notturno+cileno.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Non potete non
leggere, se non lo avete già fatto,&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;a href=&quot;http://www.adelphi.it/libro/9788845930560&quot; target=&quot;_hplink&quot;&gt;&lt;em&gt;&lt;span style=&quot;border: 1pt none; color: #015e50; padding: 0cm; text-decoration: none;&quot;&gt;Notturno cileno&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;color: #333333;&quot;&gt;, l&#39;ultimo
grande romanzo di&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;border: 1pt none windowtext; padding: 0cm;&quot;&gt;Roberto Bolaño&lt;/span&gt;&lt;/strong&gt;&lt;span class=&quot;apple-converted-space&quot;&gt;&amp;nbsp;&lt;/span&gt;che in Spagna venne pubblicato nel
2000 quando era ancora vivo (è morto nel 2003), e ripubblicato da &lt;b&gt;Adelphi&lt;/b&gt; quest’anno e tradotto da&amp;nbsp;&lt;b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;Ilide Carmignani&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;&quot;&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Un
prete cileno, &lt;b&gt;Sebastián Urrutia Lacroix&lt;/b&gt;,
in una notte di agonia e delirio ripercorre la sua vita.&amp;nbsp; Poeta, critico letterario e appartenente &lt;b&gt;all’Opus Dei&lt;/b&gt;, ha dovuto accettare &lt;/span&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;gli incarichi più
strani, come dare lezioni di &lt;b&gt;marxismo&lt;/b&gt;
a &lt;b&gt;Pinochet&lt;/b&gt; e ai membri della sua
giunta, come prender parte a serate letterarie in una villa alla periferia di
Santiago, dove venivano torturati gli oppositori politici al regime.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Una storia di poco più
di cento pagine, senza capitoli né paragrafi, un domino di parole, un flusso di
coscienza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Apri il libro, leggi
l’incipit: “ &lt;i&gt;Ora muoio, ma ho ancora
molte cose da dire. Ero in pace con me stesso. Muto e in pace. Ma
all’improvviso le cose sono emerse. La colpa è di quel giovane invecchiato. Io
ero in pace. Ora non sono più in pace.&amp;nbsp;
Bisogna chiarire certi punti.”&lt;/i&gt;, e ne sei catturato. Che dire della
chiusura, poi, straordinaria, ma questa non la riporto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;Urrutia Lacroix&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt; legge i classici mentre la società cilena si tuffa in un bagno
di sangue, è aristocratico, disprezza la gente comune “&lt;i&gt;in realtà, tutti erano brutti. Le contadine erano brutte e le loro
parole incoerenti. Il contadino fermo era brutto e la sua immobilità
incoerente. I contadini che si allontanavano erano brutti e il loro camminare a
zigzag incoerente. Che Dio mi perdoni e li perdoni. Anime smarrite nel deserto&lt;/i&gt;”,
è un reazionario, conservatore, per lui il cambiamento rappresenta decadenza,
perdita dell&#39;età d&#39;oro dei grandi eroi, come vengono idealizzati nella famosa
storia della ‘&lt;b&gt;Collina degli Eroi’&lt;/b&gt;,
raccontata da &lt;b&gt;Farawell&lt;/b&gt;, un
importante critico letterario.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&amp;nbsp;Nel racconto vengono citati personaggi storici: &lt;b&gt;Ernst &amp;nbsp;Junger&lt;/b&gt;, scrittore e filosofo, critico
della modernità, e poi &lt;b&gt;Neruda&lt;/b&gt;, &lt;b&gt;Sordello&lt;/b&gt; e &lt;b&gt;Leopardi: &lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #363636; font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;scrittori e poeti, protagonisti sconfitti,
votati a una rivoluzione impossibile o condannati alla complicità&lt;/span&gt;,&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 13.15pt;&quot;&gt;che è quello che
secondo la mia interpretazione ci ha voluto raccontare con Notturno cileno,&amp;nbsp;&lt;/span&gt;&lt;strong style=&quot;color: #333333; font-family: Verdana, sans-serif; line-height: 17.5333px;&quot;&gt;&lt;span style=&quot;border: 1pt none windowtext; padding: 0cm;&quot;&gt;Bolaño&lt;/span&gt;&lt;/strong&gt;&lt;span class=&quot;apple-converted-space&quot; style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 17.5333px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 13.15pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 13.15pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;a href=&quot;http://www.adelphi.it/libro/9788845930560&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 13.15pt;&quot;&gt;Notturno cileno di Roberto&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: transparent; color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 17.5333px;&quot;&gt;Bolaño&lt;/span&gt;&lt;span class=&quot;apple-converted-space&quot; style=&quot;background-color: transparent; color: #333333; font-family: &amp;quot;verdana&amp;quot; , sans-serif; line-height: 17.5333px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #333333; font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 9.5pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px; text-align: justify;&quot;&gt;Editore:&lt;/span&gt;&lt;b style=&quot;color: #4d4d4d; font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px; text-align: justify;&quot;&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/div&gt;
&lt;div style=&quot;background: white; line-height: 13.15pt; margin-bottom: 9.4pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; vertical-align: baseline;&quot;&gt;
&lt;span style=&quot;color: #4d4d4d; font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px; text-align: justify;&quot;&gt;Collana: &lt;b&gt;Fabula&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;/span&gt;&lt;b style=&quot;font-family: verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;&amp;nbsp;2016&lt;/b&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;123&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/6787674933432766838/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/05/notturno-cileno-di-roberto-bolano.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6787674933432766838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6787674933432766838'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/05/notturno-cileno-di-roberto-bolano.html' title='Notturno cileno di Roberto Bolaño'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVrAeE4uyoqgqdv4yMGAHPqfTtLvac-Xa1-m4micY_IMFr0lB8ZZVVQZ5ylbfMXQ4w23owM6bda9V-Q9g_IbBmM8BOqmqlsrGQqnFMisGDqeyXQaLlV9kLWyt2_6yLTYp2WJKyg/s72-c/Notturno+cileno.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-6692940423077876707</id><published>2016-04-07T10:36:00.000+02:00</published><updated>2016-04-07T10:36:51.820+02:00</updated><title type='text'>Benedizione di Kent Haruf</title><content type='html'>&lt;style type=&quot;text/css&quot;&gt;p { margin-bottom: 0.25cm; line-height: 120%; }&lt;/style&gt;


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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Un
uomo, vittima di un male incurabile, ha poco mesi da vivere. Ha una
moglie e due figli. Frank, il figlio maschio, fuggito di casa, non ha più dato notizie di sé. La figlia, Lorraine, è
tornata a casa dei suoi per dare una mano alla mamma ad assistere
amorevolmente il padre, ha perso la sua di figlia in un tragico
incidente. 
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&lt;b&gt;Bendizione&lt;/b&gt; fa parte della trilogia della pianura. &lt;b&gt;Kent Haruf&lt;/b&gt; è
scomparso nel 2014, da noi finora lo scrittore americano è
stato totalmente sconosciuto.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;La
scrittura di &lt;b&gt;Haruf&lt;/b&gt; è sobria, senza fronzoli, racconta la
quotidianità di una persona che sta per lasciare la vita, e della sua
famiglia.  Intorno altri personaggi di una piccola cittadina del
Colorado: nella casa accanto una ragazzina orfana viene a vivere
dalla nonna; il reverendo Lyle della chiesa locale, che porta con sé
un segreto,  con i suoi sermoni poco ortodossi non riesce
nell&#39;intento di svegliare le coscienze di una comunità conforme,
piuttosto li irrita al punto che sarà costretto ad abbandonare la
chiesa; le vicine di casa della famiglia Lewis.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Il
libro mi ha lasciato la stessa sensazione che ebbi nel leggere &lt;a href=&quot;http://kaosblu.blogspot.it/2014/02/il-commesso-di-bernard-malamud.html&quot; target=&quot;_blank&quot;&gt;Il commesso&lt;/a&gt; di &lt;b&gt;Malamud&lt;/b&gt;. &lt;b&gt;Kent Haruf&lt;/b&gt; ha la stessa straordinaria capacità
di &lt;b&gt;Malamud&lt;/b&gt;: costruisce i personaggi dei suoi libri con cura da
cesellatore, quando distogli lo sguardo dal libro sembra di vederli
nella vita di tutti giorni. 
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;“&lt;i&gt;Ero
semplicemente scioccato da ciò che &lt;b&gt;Faulkner&lt;/b&gt; e &lt;b&gt;Hemingway&lt;/b&gt; riuscivano a
fare sulla pagina – era come se le parole si sollevassero, come se
emanassero una specie di aura iridescente, come se le storie fossero
sante, sacre, le cose più importanti al mondo – e non ho mai
superato questa sensazione, non voglio superarla&lt;/i&gt;.” disse nel 2014
&lt;b&gt;Kent Haruf&lt;/b&gt;,  raccontando il percorso personale e professionale che lo
ha portato a diventare uno scrittore.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.nneditore.it/libri/benedizione/&quot; target=&quot;_blank&quot;&gt;Benedizione di Kent Haruf &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt; NN Editore&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px; outline: none; padding: 0px; text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt; 2015&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;277&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/6692940423077876707/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/04/benedizione-di-kent-haruf.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6692940423077876707'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/6692940423077876707'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/04/benedizione-di-kent-haruf.html' title='Benedizione di Kent Haruf'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu0CBsZ_QDhbP_paJ6-BBH3YGVwkROuj-qeKTI_RH4WY7WiNK-_6PXRS8Wx8VInREAO69MN8owjgdKRNMd9KoGlz_lAzgvhDlNJlXniXwvBAJ_bpYzA-GrvIACRlPqEBvgHJ2ndA/s72-c/benedizione.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-5221093813575622670</id><published>2016-03-22T11:59:00.000+01:00</published><updated>2016-03-22T12:03:04.717+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Azar Nafisi"/><category scheme="http://www.blogger.com/atom/ns#" term="Iran"/><category scheme="http://www.blogger.com/atom/ns#" term="islam"/><category scheme="http://www.blogger.com/atom/ns#" term="Letteratura inglese"/><title type='text'>Leggere Lolita a Teheran</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5D7osVdssXzFWBNP1qu4rjazARSoRVBVIXYzFADxxRF_F9Mlf5KDo4rwcusM7_SGtIqs8Ev3CaeB-5mvZOgHMumRFSu-Tl7hY0_3fm4O2q_WxcZsUQM2z6gFee1YJcEwYGi5TQg/s1600/leggere+lolita+a+teheran.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5D7osVdssXzFWBNP1qu4rjazARSoRVBVIXYzFADxxRF_F9Mlf5KDo4rwcusM7_SGtIqs8Ev3CaeB-5mvZOgHMumRFSu-Tl7hY0_3fm4O2q_WxcZsUQM2z6gFee1YJcEwYGi5TQg/s320/leggere+lolita+a+teheran.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;È un libro importante e
necessario, ho pensato mentre lo leggevo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Dopo gli attentati alle torri gemelle, e dopo l’Isis, leggere e comprendere
l’Islam è un imperativo categorico per evitare di farsi trascinare in
conclusioni strumentali che provengono sia da una parte che dall’altra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Leggere
Lolita a Teheran&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt; non è un saggio, è il racconto di un
periodo di vita della protagonista, &lt;b&gt;Azar
Nafisi&lt;/b&gt;, scrittrice iraniana che dal 1997 risiede negli Stati Uniti.
Laureata in Letteratura inglese e americana all’Università dell’Oklahoma, torna
nel suo paese e vi insegna letteratura per quasi diciott’anni. Nel 1995 si
trova impossibilitata nel continuare le sue lezioni universitarie senza
attirare dissensi da parte delle autorità, a causa della sua educazione
occidentale e, per questo motivo, deve abbandonare l’insegnamento: siamo
nell’Iran che ha conosciuto la rivoluzione islamica e la presa di potere
dell’Ayatollah &lt;b&gt;Khomeini&lt;/b&gt;.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Una volta allontanatasi
dall’Università &lt;b&gt;Tabatabai&lt;/b&gt; decide di
organizzare un ciclo di lezioni segrete, da tenere nel suo appartamento, per le
sue sette migliori allieve. Le otto donne cominciano a incontrarsi in segretezza
ogni giovedì mattina e &lt;b&gt;Lolita&lt;/b&gt;,&amp;nbsp;&lt;b&gt;Il grande Gatsby&lt;/b&gt;,&amp;nbsp;&lt;b&gt;James&lt;/b&gt;, &lt;b&gt;Austen&lt;/b&gt;, sono gli autori o le opere che discutono. La letteratura,
quindi, diviene evasione dalla realtà e spunto di discussione della realtà.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;text-align: justify;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;La religione era diventato
uno strumento di potere, il regime aveva usurpato le vite di tutti gli iraniani,
aveva confiscato i loro momenti più intimi e i loro desideri. Il regime aveva
annullato l’individualità e la capacità immaginativa di ognuno, sostituendola
con quella della dittatura. La capacità di rappresentare un altro mondo al di
fuori di qualsiasi controllo spaventa tutti i regimi totalitari. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;Il libro è un omaggio alle
donne che in quegli anni hanno resistito, un omaggio alla letteratura e alla
sua capacità di creare mondi e di alimentare la libertà di pensiero e dunque
d’azione. “&lt;i&gt;Ormai mi sono convinta che la vera democrazia non può esistere senza
la libertà di immaginazione&lt;/i&gt;” scrive Nafisi alla fine del libro.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , &amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; line-height: 115%;&quot;&gt;&lt;a href=&quot;http://www.adelphi.it/libro/9788845921544&quot; target=&quot;_blank&quot;&gt;Leggere Lolita a Teheran&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Collana:&lt;b&gt;Gli Adelphi&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;3 ediz. 2007&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;379&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/5221093813575622670/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/03/leggere-lolita-teheran.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/5221093813575622670'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/5221093813575622670'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/03/leggere-lolita-teheran.html' title='Leggere Lolita a Teheran'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5D7osVdssXzFWBNP1qu4rjazARSoRVBVIXYzFADxxRF_F9Mlf5KDo4rwcusM7_SGtIqs8Ev3CaeB-5mvZOgHMumRFSu-Tl7hY0_3fm4O2q_WxcZsUQM2z6gFee1YJcEwYGi5TQg/s72-c/leggere+lolita+a+teheran.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-8683261995299175663</id><published>2016-03-11T12:54:00.000+01:00</published><updated>2016-03-11T12:54:51.656+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Adelphi"/><category scheme="http://www.blogger.com/atom/ns#" term="Alexandre Alekine"/><category scheme="http://www.blogger.com/atom/ns#" term="Capablanca"/><category scheme="http://www.blogger.com/atom/ns#" term="Germania"/><category scheme="http://www.blogger.com/atom/ns#" term="Nazismo"/><category scheme="http://www.blogger.com/atom/ns#" term="Paolo Maurensig"/><category scheme="http://www.blogger.com/atom/ns#" term="Portogallo"/><category scheme="http://www.blogger.com/atom/ns#" term="Russia"/><category scheme="http://www.blogger.com/atom/ns#" term="Scacchi"/><category scheme="http://www.blogger.com/atom/ns#" term="Unione Sovietica"/><category scheme="http://www.blogger.com/atom/ns#" term="URSS"/><title type='text'>Teoria delle ombre di Paolo Maurensig</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0xwOdjMhosRTkAqSCXb3lmbHhIkrK771JdMYpDWHKg8sq65HQU5s9Eq56ndpRpE2u2B1wSZkttLyY2X9MGFGPMIIhyUClFRbbWP3Au00ap8hH95OPofn_bCL0vAoZfjyeGfNdA/s1600/teorie+delle+ombre.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0xwOdjMhosRTkAqSCXb3lmbHhIkrK771JdMYpDWHKg8sq65HQU5s9Eq56ndpRpE2u2B1wSZkttLyY2X9MGFGPMIIhyUClFRbbWP3Au00ap8hH95OPofn_bCL0vAoZfjyeGfNdA/s320/teorie+delle+ombre.jpg&quot; width=&quot;203&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Dopo 23 anni&lt;b&gt; Paolo Maurensig&lt;/b&gt; ritorna a scrivere un libro il cui centro sono gli scacchi e lo fa ritornando nella casa editrice &lt;b&gt;Adelphi &lt;/b&gt;che lo tenne a battesimo con il libro &lt;b&gt;La variante di Luneburg&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;che ebbe un notevole&amp;nbsp;successo nel 1993.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;Teoria delle ombre&lt;/b&gt; è un bel libro. Si ritrova in questa storia, finalmente, la capacità di &lt;b&gt;Maurensig &lt;/b&gt;di tenere il lettore incollato alle pagine, che dopo &lt;b&gt;Canone inverso&lt;/b&gt;, il suo secondo libro, non avevo più riscontrato.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Questa storia parte da uno spunto di realtà: &lt;b&gt;Alexandre Alekhine&lt;/b&gt;, campione del mondo di scacchi, tra i più forti giocatori del mondo già all&#39;età di 21 anni, la mattina del 24 marzo 1946 viene trovato morto nella sua stanza dell’ Hotel do Parque, a Estoril. Le cause del decesso - morte per asfissia - lasciarono delle ombre, ancora oggi non dissipate. Il campione fu ritrovato nella propria stanza, numero 43, dal cameriere che abitualmente gli portava la colazione in camera, seduto in poltrona con il cappotto addosso.&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;L’io narrante, l’alter ego di &lt;b&gt;Maurensig &lt;/b&gt;indaga sulla morte misteriosa dello scacchista russo - considerato in Urss un dissidente, un traditore - con passaporto francese. &amp;nbsp;Un appassionato giocatore di scacchi, decide così di riaprire il caso &lt;b&gt;Alekhine &lt;/b&gt;e scriverne addirittura un libro. Alla ricerca di informazioni utili al suo libro, si recherà in un Portogallo diverso rispetto ai tempi in cui il campione visse.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Lo scrittore goriziano riesce a tessere diversi piani narrativi, tra il giallo e l’indagine storico - giornalistica intreccia le storie dei personaggi, costruendo un effetto suspense, infondendo nel lettore infinite aspettative che vengono placate solo nell’ultima riga dell’ultima pagina del libro.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.adelphi.it/libro/9788845930256&quot; target=&quot;_blank&quot;&gt;Teorie delle ombre di Paolo Maurensig&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Adelphi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;background-color: white; color: #4d4d4d; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;Collana:&lt;b&gt;Fabula&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style=&quot;font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;br style=&quot;font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;200&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/8683261995299175663/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/03/teoria-delle-ombre-di-paolo-maurensig.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8683261995299175663'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/8683261995299175663'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/03/teoria-delle-ombre-di-paolo-maurensig.html' title='Teoria delle ombre di Paolo Maurensig'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc0xwOdjMhosRTkAqSCXb3lmbHhIkrK771JdMYpDWHKg8sq65HQU5s9Eq56ndpRpE2u2B1wSZkttLyY2X9MGFGPMIIhyUClFRbbWP3Au00ap8hH95OPofn_bCL0vAoZfjyeGfNdA/s72-c/teorie+delle+ombre.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-23605055.post-7180069124131303001</id><published>2016-03-05T19:38:00.000+01:00</published><updated>2016-03-05T19:49:47.471+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Feltrinelli"/><category scheme="http://www.blogger.com/atom/ns#" term="José Saramago"/><category scheme="http://www.blogger.com/atom/ns#" term="Racconto"/><title type='text'>Il racconto dell&#39;isola sconosciuta di José Saramago</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGJGA6bLwis2FnwIRxnIMf-7cpqwe_CdJ7m4XnhKyUeGmE-23tq-qjfXisT46R_49mhTH541PtC6ym7ApqsU3NcEH0SBVf0nhAJ-vSWFaSh-7TsEAvtTX43FUBCJLjU3Zvl0bF_w/s1600/Il+racconto+dell%2527isola+sconosciuta.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGJGA6bLwis2FnwIRxnIMf-7cpqwe_CdJ7m4XnhKyUeGmE-23tq-qjfXisT46R_49mhTH541PtC6ym7ApqsU3NcEH0SBVf0nhAJ-vSWFaSh-7TsEAvtTX43FUBCJLjU3Zvl0bF_w/s320/Il+racconto+dell%2527isola+sconosciuta.jpg&quot; width=&quot;196&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Il racconto dell’isola sconosciuta ha un solo difetto, è troppo breve. Avrei voluto leggere ancora e ancora, e abbandonare lo sguardo fra le parole che &lt;b&gt;Saramago&lt;/b&gt;, come al solito, utilizza con grande maestria.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Nel racconto un uomo chiede al Re di avere una barca per andare alla scoperta di un’isola che non c’è, infatti “&lt;i&gt;Tutte le isole, anche quelle conosciute, sono sconosciute finché non vi si sbarca.&lt;/i&gt;”&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Il dubbio e la voglia di conoscere, di sapere chi sei - e solo allontanandoci da noi possiamo vederci e conoscerci veramente -, il possesso ma solo come piacere, e il destino che, mentre siamo lì ancora a mormorare, è già dietro di noi, ha già allungato la mano per toccarci, sono alcune riflessioni che &lt;b&gt;Saramago &lt;/b&gt;ci dona nel racconto.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style=&quot;line-height: 18.4px;&quot;&gt;&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Siamo tutti in viaggio verso un’isola sconosciuta, consapevolmente o meno. Avrà trovato la sua, il protagonista del racconto? Una breve storia, solo 43 pagine, ma &lt;b&gt;Saramago &lt;/b&gt;riesce comunque ad incantarci come solo un grande narratore sa fare.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-size: 12pt; line-height: 115%;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;verdana&amp;quot; , sans-serif;&quot;&gt;&lt;a href=&quot;http://www.feltrinellieditore.it/opera/opera/il-racconto-dellisola-sconosciuta/&quot; target=&quot;_blank&quot;&gt;Il racconto dell&#39;isola sconosciuta di José Saramago&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;background-color: white; color: #4d4d4d; font-family: Verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Editore:&lt;b&gt;&amp;nbsp;Feltrinelli&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;Collana:&lt;b&gt; I Narratori&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #4d4d4d; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Anno di pubblicazione:&lt;b&gt;&amp;nbsp;2015&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Verdana, sans-serif;&quot;&gt;&lt;br style=&quot;background-color: white; color: #4d4d4d; font-size: 14.85px; line-height: 20.79px;&quot; /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: white; color: #4d4d4d; font-family: Verdana, sans-serif; font-size: 14.85px; line-height: 20.79px;&quot;&gt;Pagine:&lt;b&gt;&amp;nbsp;384&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://kaosblu.blogspot.com/feeds/7180069124131303001/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://kaosblu.blogspot.com/2016/03/il-racconto-dellisola-sconosciuta-di.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7180069124131303001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/23605055/posts/default/7180069124131303001'/><link rel='alternate' type='text/html' href='http://kaosblu.blogspot.com/2016/03/il-racconto-dellisola-sconosciuta-di.html' title='Il racconto dell&#39;isola sconosciuta di José Saramago'/><author><name>Carlo Spada</name><uri>http://www.blogger.com/profile/15042610549267284673</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGJGA6bLwis2FnwIRxnIMf-7cpqwe_CdJ7m4XnhKyUeGmE-23tq-qjfXisT46R_49mhTH541PtC6ym7ApqsU3NcEH0SBVf0nhAJ-vSWFaSh-7TsEAvtTX43FUBCJLjU3Zvl0bF_w/s72-c/Il+racconto+dell%2527isola+sconosciuta.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>