KATHELEEN MITRO LUXURY ABSTRACT EXPRESSIONISM ART

A Lifetime of Visionary Art: Rare Opportunity to Acquire an Entire Metaphysical Collection

2026-04-10T09:38:00.000-07:00

For the discerning collector, opportunities of this scale are exceedingly rare. Offered here is an entire lifetime’s artistic journey: hundreds of original paintings created over decades of exploration, intuition, and imagination. Rather than acquiring a single work, one collector has the unique opportunity to acquire an entire artistic legacy—a complete body of original art encompassing surrealism, visionary imagery, metaphysical themes, animals, dreamscapes, and deeply personal creative discoveries. This collection represents not merely individual paintings, but the evolution of a singular artistic voice preserved in its entirety.

Complete artist collections seldom remain intact. Once dispersed, the relationships between the works are permanently lost. Acquiring an entire portfolio offers something far more significant than ownership of individual paintings—it preserves the story, development, and creative evolution of the artist as a unified whole. Such opportunities are typically associated with museums, foundations, and major private collections.

Cross
3 feet by 4 feet

The Queen
3 ft by 4 ft

Entire Metaphysical Art Portfolio Available for

Acquisition.

A Rare Opportunity to Acquire an Artistic Legacy

After a lifetime devoted to creating art, I have decided to

make my remaining body of work available as a single

acquisition.

This offering represents the opportunity to purchase my

entire available portfolio for $5,000,000.

Included within this collection are some of my most

significant large-scale works, including Truth, Heart, and

Thought—the three monumental paintings that together

form The Trilogy of Creation.

The collection contains approximately 30 to 40 large

paintings measuring 3 feet by 4 feet, along with

hundreds of additional works spanning several decades

of artistic exploration.

These paintings range in size from intimate 5-inch by 7-

inch pieces to substantial gallery-scale works.

The smaller paintings, which I affectionately call Mini

Haikus, are painted on board and distill complex ideas

into highly concentrated visual form.

Though modest in scale, they possess the same creative

energy and philosophical depth found throughout the

larger works.

Executed in acrylic and oil stick on canvas, this collection

represents a lifetime investigation into consciousness,

creation, perception, and the unseen forces that shape

human experience.

The work is often described as metaphysical, visionary,

intuitive, and prescient.

These are not decorative paintings created to match a

room.

They are works intended to transform a room.

Viewed together, the collection forms a visual record of a

singular artistic journey—one that explores beauty,

wonder, joy, mystery, and the nature of existence itself.

For the serious collector, institution, luxury

development, private museum, corporate collection, or

visionary patron, this acquisition offers something

increasingly rare in the contemporary art world: the

opportunity to obtain an artist's remaining lifetime

portfolio as a unified body of work before it becomes

dispersed into individual collections.

Please note that individual works within this collection remain available for acquisition until such time as the portfolio is purchased in its entirety.

As pieces are acquired individually, the composition and availability of the collection will naturally evolve. Collectors interested in securing the complete portfolio are therefore encouraged to consider acquisition before significant works are placed into private collection

Heart

3 ft by 4 ft

Circus Circus
3 ft by 4 ft

After the Messiah In Search of the Master Key
3 ft by 4 ft

Thought
3 ft by 4 ft

The Refugee
3 ft by 4 ft

Truth
3 ft by 4 ft

A royalty agreement remains attached to the artwork and

will continue in accordance with its terms following

acquisition.

Additional information regarding the royalty agreement

is available upon request.

More royalty agreement Information on these paintings

Please note that paintings are offered unframed.

Any frames appearing in photographs are for display

purposes only and are intended to illustrate possible

presentation options.

Contact

Katheleen Mitro

Phone: 386-589-2448

Email: kathymitro@yahoo.com

Text message or email is preferred.

20 of My Paintings Decoded Through Stunning Futuristic Imagery

2026-04-09T11:56:00.000-07:00

Okay I get it.

Not everyone is great at reading an abstract

expressionism painting.

In fact for most, reading any complex art is a bit difficult.

That is why we have brick and mortar art galleries with

curators and artists who explain their art.

Now since this is an online art gallery and I feel a picture

explanation is a bit more fun than just a lot of text, I am

going to present my paintings in this pictorial way s you

should be able to get the meaning of them at a glance.

And believe me it was a lot of fun to do it this way for

me.

Now for those who want to check and see if their initial

impression from the picture is correct, or at least my

interpretation of the picture, at the very bottom of this

article I will list a link to each painting with a text

explanation of what it means.

Upon further introspection I decided to also place a

clickable link with a text explanation of the painting

under the pictorial explanation, so try so you can try

glean what it means from the picture and then you can

click the blue link to see if you're on the right track 😊

Truth

TRUTH

The Marriage of the Old Masters with Futuristic Art

THE MARRIAGE OF THE OLD MASTERS WITH

FUTURISTIC ART

Cross

CROSS

In memory of quest for Better life's fulfilled

IN MEMORY OF QUEST FOR BETTER LIVES FULFILLED

H

Thought

THOUGHT

The Queen

THE QUEEN

THE REFUGEE

THE DISSOLUTION OF TIME

THE LIBRARIAN

Heart

HEART

BABY PHANTOM SPITFIRE

BABY PHANTOM SPITFIRE

H

Four Amigos in search of the treasure of the Sierra Madres or whatever other treasure they can find

FOUR AMIGOS

DESERT SUNSET VANQUISHED SUN

KITTEN WITH A BLUE SCARF ON THE ROAD TO NIRVANA

QUANTUM

CHURCH

WHY DO YOU CRAWL WHEN YOU HAVE WINGS

My Mom Always Pays More Attention to My Brother Than To Me

MY MOM PAYS MORE ATTENTION TO MY BROTHER THAN TO ME

GLOBALIZATION

Women When Strength Appears Oppression Disappears

WOMEN WHEN STRENGTH APPEARS OPPRESSION DISAPPEARS

WOMEN WHEN STRENGTH APPEARS OPPRESSION DISAPPEARS

LINKS AS PROMISED 😊

TRUTH

THE MARRIAGE OF THE OLD MASTERS WITH FUTURISTIC ART

CROSS

IN MEMORY OF QUEST FOR BETTER LIVES FULFILLED

BABY PHANTOM SPITFIRE

FOUR AMIGOS IN SEARCH OF THE TREASURE OF THE SIERRA MADRE OR ANY OTHER TREASURE THEY CAN FIND

DESERT SUNSET VANQUISHED SUN

KITTEN WITH A BLUE SCARF ON THE ROAD TO NIRVANA

QUANTUM

CHURCH

MY MOM ALWAYS PAYS MORE ATTENTION TO MY BROTHER THAN ME

WOMEN WHEN STRENGTH APPEARS OPPRESSION DISAPPEARS

Just a little bit more general information

in the links below

PSYCHIC PAINTINGS TELL A COMPLEX STORY IN ONE PAGE - MODERN DAY HIEROGLYPHICS

MY METAPHYSICAL PAINTING - WHAT IS IT? - HOW IS IT DONE?

THE OLD IMPRESSIONIST PAINTED THE MACROCOSM OF NATURE I PAINT IN QUANTUM

More Paintings Decoded With Stunning Futuristic Imagery Part 2

2026-04-09T11:00:00.000-07:00

And again underneath each explanation picture is a

clickable link which will take you to a text article,

explaining further.

A good thing to understand about abstract expressionism

is that it is merely expressing a vision, a scene, an

emotion, abstractly.

What I am doing here is for people that might have a

hard time reading the abstraction, I am

making it more real so one has no misinterpretation

what it means.

The only thing I will say though is the

abstract expression is much more powerful in that the

viewer can visualize their own meaning of the painting.

An explanation and example of this is Angel Too -we all

have someone in our life who has passed and whom we

know has become an angel, but that angel to the people

envisioning her is a certain image, a certain color of hair,

a certain body form, so with the abstraction one can

place that personal image of their's into the scene.

So to me the abstract is a much more powerful piece.

SHARK

GHOST SHIP

Sisters Pleiades

Circus Circus

CIRCUS CIRCUS

The Montagues and The Capulets, Witches and Warlock

Style: A Tale as Old as Shakespeare

The Montagues and the Capulets, Witches and Warlock Style: A Tale as Old as Shakespeare

ALIEN CREATOR AS SMALL CHILD

ALIEN CREATOR AS A SMALL CHILD

After a Three Martini Lunch Things Look Pretty Good at the Office

ANGEL TOO

This is a very tiny painting I believe 8x10 inches

Enhanced Story of Angel Too:

ANGEL TOO

She had worn eighty-five years with quiet grace.

Her hands carried the memory of a lifetime—of holding

babies, folding letters, wiping tears, planting flowers,

and reaching for the hands of those she loved. Time had

etched gentle lines across her face, not as marks of age,

but as a map of a life fully lived.

In her final moments, there was no fear.

The room around her softened. The weight of years, of

illness, of earthly burdens began to fall away like

autumn leaves released from a branch. She closed her

eyes as a woman who had finished her journey and

opened them into something entirely new.

She did not awaken with wings.

She did not need them.

Instead, she became light.

A luminous presence, carried effortlessly upon currents

of love and peace. Her silver-white hair streamed behind

her like moonlit clouds. The body that had once grown

tired was now weightless. The heart that had known joy

and sorrow alike now knew only serenity.

She rose through fields of golden radiance, not climbing

but being welcomed. The colors around her seemed alive

—warm amber, soft pearl, blush rose, and hints of

celestial blue—each one singing without sound.

Below her, the world she had known faded gently into

the distance. Above her was not a destination, but a

homecoming.

Her eyes were closed, not because she was asleep, but

because she was listening.

Listening to the voices of those she had loved before her.

Listening to the laughter of eternity.

Listening to the whisper that had called her name since

the day she was born.

And as she moved through the endless light, she smiled.

Not the smile of someone leaving.

The smile of someone arriving.

This is the moment captured in Angel Too—the instant

when an ordinary woman, having completed an

extraordinary life, becomes something more than

mortal.

Not an angel with wings, but an angel in essence: free,

radiant, and forever carried by love.

She is alone in the painting, yet she is not lonely.

She is in flight, yet she is already home.

Now for a bit of bunny rabbit fun with the art scandal of

the century.

BUNNY RABBIT ON A MISSION

Here's the case the prosecution laid out but I will let you

the viewers decide :

Looking at these two painting side by

side one has to wonder is this the

classic case of plagiarism that has

plagued artists since the beginning of

time.

On the left you will see a beautiful

painting "The Goldfish "done by Henry

Matisse in the year 1912

below it the painting "Bunny Rabbit on a

Mission" done by Katheleen Mitro in

2015.

Comparing these paintings side by side

we can clearly see goldfish in the

Matisse painting in a cylindrical

crystal vase.

Now incredibly we look at Mitro's painting

and see the same cylindrical crystal

vase which she cleverly tries to disguise

by giving the vase two eyes.

She did not fool this author for one

moment.

Looking closer at her painting, she takes

the same goldfish and again tries to

disguise the similarities with Matisse

by painting only 2 goldfish instead of 4.

Once again her intent to fool falls flat.

Stop the madness.

She goes on to eliminate the Matisse

table.

She uses a totally different color scheme.

Will her tomfoolery never end?

As Matisse painted his painting in 1912

and Mitro in 2015 we know without a

doubt who the plagiarist is here

Post script:

In a very devious ploy to draw attention

away from the plot to copy a

masterpiece, the clever use of inserting

a sweet innocent bunny rabbit by Mitro

must be applauded as a stroke of genius

This is an attempt at humor and all allegations of plagiarism
are totally fabricated. :) - Mitro

America Awaits with Bated Breath for the End of Fascism in America

AMERICA AWAITS WITH BATED BREATH FOR THE END OF FASCISM IN AMERICA

Diptych : Old Age Done Well

A. I'm Ready For My Closeup Mr

DeMille

B. By The Sea By The Sea By The

Beautiful Sea

I'm Ready for My Close-Up Mr DeMille

By the sea by the Sea by the Beautiful Sea

ENHANCED ANALYSIS OF DIPTYCH OLD AGE DONE WELL

Sea Dip
16 inches by 20 inches
Horizontal

Sea Dip

Sea Dip

Now here is one that has a funny ending.

I tried and tried to depict this painting more realistically

until it finally hit me- there is no way it can be depicted

more realistically, it is primordial creation and this

painting just captures it - that's all I can say it captures it

so well nothing else could capture it better.

Blue Nosed Poodle, Exodus to The Sea

Discordant Lines of Continuity Drawn in the Air and Captured on Canvas

Delicate Creation on a Summer Porch

After the Messiah in Search of The Master Key

Pure Crystal Healing Bracelets and Healing Pillows - A Match Made in Heaven - And Did I Forget to Mention - Pain Relief 🤔

2026-04-08T04:21:00.000-07:00

Objects That Whisper to the Soul: Healing Crystal

Bracelets and Healing Pillows for a Higher Frequency

Life.

Three Creative Loves

Over the course of my life, I have discovered three great

creative loves:

❤️ My Metaphysical Art

❤️ My Metaphysical Bracelets

❤️ My Metaphysical Pillows

Each springs from the same source—a fascination with

beauty, meaning, healing, and the unseen dimensions of

life.

My metaphysical art has been explored extensively

throughout this website, so I will begin here by sharing

the story behind my bracelets and pillows.

Unlike my paintings, they are created with intention.

They are expressions of color, form, energy, and

symbolism—small works of art designed not only to be

seen, but also to be experienced.

But come on, there's also a lot of metaphysical

unintention in them also, cause where would the fun be

if they were not

First, let me tell you about the bracelets

A bracelet is a mini - energy system that allows you to

carry it around with you wherever you go.

Because you are wearing it as a bracelet, it sits right on

your pulse points.

In crystal healing, wrist placement allows the mineral's

energy to flow directly into your meridian lines, helping

you clear out internal blockages and stay anchored

through sudden daily shifts.

Wearing the bracelets on your right wrist creates the

environment around you.

Wearing the bracelets on your left wrist draws their

energy back into your own personal energy system.

Both are very good.

Generally I prefer to wear my black bracelets on my

right wrist as it takes negativity out of the environment

surrounding me.

And I like to wear bracelets on my left hand that I feel I

need to change my vibrational energy to.

Fire Agate, Lemon Jade, Harlequin Combination of Green

Jade and Black Onyx.

Bracelet photographed on Selenite Block

$100

Crystals Bracelets as Frequency Tuners

Everything is frequency.

From a metaphysical perspective, all of life can be understood as vibration expressed in countless forms. When our natural frequency becomes blocked or disrupted, we can feel out of harmony with ourselves, much like a musical instrument that has drifted out of tune.

Crystals are often viewed as frequency tuners—reminders of balance, clarity, and alignment.

The higher one's frequency, the lighter and more harmonious one's experience of life may become.

Perfection is the highest frequency.

It is the frequency of wholeness.

The frequency of the Divine.

The frequency of Buddha Nature.

The frequency of pure being.

The journey, then, is not one of becoming something new, but of removing the blocks that obscure what is already present.

Dense, heavy, and limiting thoughts can be seen as frequencies that pull awareness away from its natural harmony. As these blocks are released, the underlying frequency of clarity, peace, and wholeness is revealed.

The perfection of frequency is light.

The golden light.

Not something added from outside, but something uncovered from within.

Like a bell that rings true when struck, the soul resonates most beautifully when it is free to express its original nature.

This version preserves the mystical and spiritual tone while giving it a more poetic, contemplative flow. It reads less like a list of statements and more like a meditation on the idea of frequency, light, and awakening.

In simpler terms and less words 😊, each and every

bracelet is its own personal energy field

interacting with your own personal energy field .

Bracelets can be custom made upon request: please

either text or email me any questions.

Amethyst, Mookaite, Fire Agate, Charlotte and Black Moonstone
$100

Gemstone Crystal Bracelets

With Metaphysical Healing Energy - Not to Mention Great

Beauty!

My own handmade collection of metaphysical healing

bracelets.

The collection is titled "If Art Were Jewelry."

The QR code on this photograph is readable just by aiming your camera at it.

Oh how I love high tech stuff like that!!!

Honey Jade, Labradorite, Mook Jasper and Fire Agate
$100

Even Aliens Can't Resist Them

Crystals Are a Frequency Tuner as we see in a Quartz

Watch Or a Quartz radio, where Quartz is the crystal

and it is put under pressure or squeezed to cause it to act

like a tuning fork.

So in turn, Bracelets Made of Crystals Also Tune Your

Frequency and the Vibration Energy of Your Body and

Energy Field, each with their own specific vibration and

frequency inherent in the structure of the crystal.

Here is a explanation of the Metaphysical Properties of

crystals, particularly in bracelet form.

Everything is energy, which consists of vibration and

frequency - all colors possess a specific frequency -all

shapes (remember, we talked about the inherit intention

of form ) -so all forms have a specific frequency and all

matter has a specific frequency.

So when you mix the three frequencies of color, shape

and form you produce a specific melody, a song.

They’re are literally billions of combinations.

These bracelets are custom-made with your specific

intent in mind.

Now generally if you want to alleviate something you

pick the opposite vibration of it to tune to.

So if you want to alleviate stress, you choose its opposite

of calm.

For a specific example.

Blue is the frequency of calm, a Howlite crystal's

structure is the frequency of calm, and the image of a

dove is a symbol of calm and peace.

So to achieve the ultimate vibration of a calm in a

bracelet would be a bracelet that incorporates Howlite

crystal, the color blue and a Dove Bead .

Then you can also add in all sorts of variables to make it

even more powerful, including increasing the size of the

stones, making sure some of the stones are touch stones

and putting in even more stones that vibrate with the

frequency of calm or color blue.

Now since you are looking to alleviate a condition, you

look to the opposite, the opposite of calm is stress, so

people that are hoping to reduce their stress would use

this type of calming bracelet and so it goes for millions

and millions of different things you would like to change

frequencies about.

Colors can be selected to support a particular intention.

Bright orange may feel energizing and uplifting, while

pale pink or soft blue can evoke a sense of calm, healing,

and tranquility.

For healing work, the color, form, and structure of a

stone are often chosen to correspond with a particular

organ or aspect of well-being.

Different stones have long been associated with different

qualities and areas of the body.

The White Zuni Bear, for example, is regarded as a

symbol of universal healing, while other stones may be

selected for their traditional associations with the

kidneys, liver, heart, or other organs.

In my experience, larger crystals and beads often possess

a stronger presence than smaller ones.

Their size allows them to command attention and create

a more substantial visual and tactile experience.

I am especially fond of flat stones, which I refer to as

touchstones.

Their purpose is twofold.

First, they serve as a point of visual focus.

One can gaze into the stone in quiet contemplation,

much as people once used the scrying stones of old.

Second, they invite the healing sensation of touch.

Running one's fingers across the smooth surface can be

deeply calming, grounding the mind in the present

moment and encouraging relaxation.

I am also drawn to raw stones—crystals that come

directly from the earth with minimal human

intervention.

While they may be cut and shaped enough to make them

wearable, they retain much of their natural character

and beauty.

One of the most fascinating aspects of wearing a raw

stone is watching it change over time.

As it is worn against the skin, it often appears to become

increasingly translucent and luminous.

I find this transformation captivating, as though the

stone and the wearer are gradually entering into a quiet

conversation with one another.

Price's of bracelets are set according to the rarity and

thus the subsequent high cost of the stone, and also the

size, as the larger the size ,the more expensive the bead.

I Want to do What Buddha Did Bracelet
$200

Sun Grown Citrine Bracelet
$75

One of the reasons I enjoy creating these bracelets is that 

I like to name them, just as I do my paintings.

Almost all of my larger bracelets are completely original, 

one-of-a-kind creations. 

The smaller bracelets are sometimes repeated, but the 

larger pieces are often unique works unto themselves.

This bracelet is one of my larger designs. I have priced it

 at $75—not my most expensive piece, but certainly a 

lovely one.

And really, come on—the bracelet even has a name! 😊

Sun-Grown Citrine Bracelet

When held up to the light, the sun seems to glow right 

through the natural, untreated citrine, giving the bracelet

 a warm and luminous presence.

It features not one but two butterflies.

The larger butterfly is carved from Caramel Jade, while

 the smaller blue butterfly is Amazonite.

Butterflies have long been symbols of transformation, 

renewal, and positive change, making them a meaningful 

addition to this design.

The orange coin-shaped stones are Magnesite, one of my

 personal favorites. 

It possesses a bright, cheerful energy that always seems 

to lift the spirit.

The rectangular stone is Brown Lava Stone, a beautiful

reminder of our connection to the earth. 

Formed from cooled volcanic lava, it carries the story of

 immense natural power and transformation. 

After all, there are few forces in nature more dramatic

 than the eruption of a volcano.

The small coffee-colored beads are Coffee Hematite, a 

stone often associated with grounding, balance, and 

stability.

Together, these elements create a bracelet that feels

 warm, earthy, uplifting, and alive with the spirit of 

transformation.

Picasso's Dream of Color Bracelet
$100

Picasso's dream of color bracelet up close

Bracelet on the left is called Communication With Animals Bracelet due to the large pieces of Mookaite in it The bracelet on the right is called -Make Everyday a Circus Bracelet because of the huge Harlequin touchstone of Green Jade and Black Onyx - in addition to the Rhyolite Bear
-Each bracelet is $100

I do have a lot of smaller bracelets starting at $22.

BLUE PEACE SIGN MADE OF MAGNESITE AND SMOKY QUARTZ CRYSTALS
$22

Calming bracelet made of Howlite , Golden Selenite, Green Agate, Moss Agate and Hematite
$45

No names but they work just the same 😉

Although they are all still genuine stones and all have

excellent healing abilities they are less expensive stones

with usually only two to three different types of stone

on a bracelet.

All my bracelets are priced according to the value of the

stones and the size of the stones.

Bracelet above up close - the White Rabbit is Magnesite- the Cross is Sugilite . The majority of the bracelet is Black Onyx along with Hematite and Coffee Jasper

The cost of shipping is NOT included.

And now for my pillows.

I did a post on these already so I am just going to post the

Clickable link here and leave you with some pictures.

Clickable link for my healing pillows

Pillows

And the Blue Heron takes off .
A little bit of AI fun

CLICK HERE FOR MORE INFORMATION ON THE METAPHYSICAL PILLOWS

The price of the pillows is $50 each.

Their size is 18 in x 18 in.

Although the art on the pillow is not my own, all the

pillows are made by hand, by moi.

They are very large pillows suitable for chairs, sofas or

the bed and they are filled with gel memory foam.

Beautiful to look at, gorgeous designs and a soft velvety-

like finish.

They are extremely soothing as they mold to each

individual body due to the inherent nature of the gel

memory foam.

Super comfortable and comforting - excellent for

any kind of pain relief.

The covers are zippered and can be removed to machine

wash or hand wash.

I am working to see if I can get a good enough quality for

placing my own art on the pillows.

I will update this post as to success or failure haha.

For now, bye bye

I gotta fly.

Other Websites Including Spirituality Website and Poetry Website

2026-04-07T08:23:00.000-07:00

The Librarian

Heart
The Trilogy of Creation

The Queen

Poetry and Fine Art

https://mitropoetryhaiku.blogspot.com/

Spirituality

https://mitrospiritualenlightenment.blogspot.com/

Click above link for other websites of Katheleen Mitro

including Spirituality and Poetry.

Kathy

Here are some other inspiring spiritual quotes that are

not my own 😊

Whatever is going to happen, will happen. 

You simply watch. 

You do not react. 

And you realize it's all for good.

Robert Adams


There is no goal to be reached. 

There is nothing to be attained.
 
You are the Self. 

You exist always.

Nothing more can be predicated of the Self than that it

 exists. 

Seeing God or the Self is only being the Self or yourself. 

Seeing is being.

Ramana Maharshi


In letting go of who we imagine ourselves to be, letting

go of our thinking, our attempt to control the world, we

come upon our natural being, which has been waiting

patiently all these years for us to come home.

Stephen Levine


Don't be interested in the words that the mind is serving

 up for you. 

It is putting them there to tempt you into a stream of 

thoughts that will take you away from the Self.

 You have to ignore them all and focus on the light that is

 shining within you.

Annamalai Swami

Bliss is not added to your nature; it is merely revealed as

your true and natural state, eternal and imperishable.

The only way to be rid of your grief is to know and be

the Self.

Ramana Maharshi

Surrender is to give oneself up to the original cause of

one's being.

Do not delude yourself by imagining such source to be

some God outside you.

One's source is within yourself.

Ramana Maharshi .

Metaphysical Pillows! Who Wudda Thunk it. Pain Relief, Comfort AND Beauty - Oh Yes Please

2026-04-02T06:14:00.000-07:00

All Artists seek to create.

It's in the blood.

And to create something brand new that you've never

done before, what a rush!

So of course when I started creating pillows for myself, I

found myself unable to stop hahaha.

So many beautiful patterns, colors and textures!!

But I digress, you're reading this because you want to

know what in the world is a metaphysical pillow?

And I will now enlighten you :) .

PPS: Go to the very bottom of the article, and I mean

very bottom, (best to read

through it though).,but if you're impatient, skip down to

the bottom and I will tell you what I have come to

realize that causes me to label these pillows

metaphysical.

When I started making the pillows I wanted them to be

not only beautiful but the most comfortable pillows in

the world, so I settled on gel memory foam to stuff them

with.

Now the cool part about the gel memory foam is this - it

is so malleable, it just seeks to fill that pillow in

whatever way it wants to fill that pillow, and this is

where the metaphysical aspect comes into play.

I discovered early on with one that a bump at the bottom

formed on the bottom by accident,

While it was an accident at first, I soon discovered the

incredible benefit of it in fitting into the small of your

back when you sit against the pillow -utterly sublime!!!

Also sublime is when laying down to put the bump at the

back of the head.

One's heavy skull ( and believe me all skulls are heavy

😱), then depresses the pillow bump, bringing the level

of it into alignment with the spine forming a cushioning

cocoon of the pillow.

The pillows seem to take on the shape of their design as if

the message inherit in the design determines the

ultimate shape of the pillow.

Cheetah Taking Tea

A little cuppa for four

In this one pillow of a cheetah taking tea for example,

when the pillow was complete, the sides of it shaped like

a woman's body, and I take the cheetah in this pillow to

be very much a woman.

She's very feminine looking , much like my female

orange cat Charlotte, whom she reminds me of.

Also cheetahs, even males, have a very sleek look about

them which this pillow definitely has.

Sorry I couldn't resist

I didn't try very hard though 😂

My next example is the alligator pillow.

Now the alligator pillow is cool just in itself, before you

even make it into a pillow, and the pillow turned out

real fat, real solid, real heavy.

Like an alligator,

Just goes to show 😉!

The initial reason the alligator pillow appealed to me so,

was of the light behind him and if you look closely you

can see two shoots of light also coming from his nose.

Upon closer inspection when I received the pillowcase

(these pillowcases are not my designs. I am working on

my designs now, but I don't have any up yet), the

alligator is standing on a very dark black wood piling or

a rock.

As alligators symbolize the dark shadow in us, the black

unconscious dark shadow, this alligator has risen above

it and is encircled by the light and since he is shooting

light from his nose (knows) it indicates he has become

enlightened.

N-Nose-Knows-Lightened

N-lightened

See how that worked out.

Truly Life is a metaphysical marvel .

My third example is my fish pillow.

For whatever reason it has an extremely distinct curve to

it.

In fact I did three fish pillows, all slightly different

designs and they all curve like the same way for no

reason that I can tell.

Close to a u-shape.

But the curvature of the pillow fits perfectly over the

arms of a sofa so one can lay on the sofa and rest their

head on it.

It is ideal.

All my pillows are the same size, they're all 18 inches by

18 inches.

As I am using the exact same filling for each one it is

amazing to me how the pillows morph into whatever

they wish to morph into.

Some are very solid and heavy and some are light like

the air.

My take is that the pillow will go to the individual who it

is intended to go to and will fit them perfectly.

They are so comfortable that I will not sit or lie without a

pillow, I mean one of these pillows!

And that is the end of my elucidation on what a

metaphysical pillow is.

But I would like to add my goal in making these pillows

and the goal of them being metaphysical, is not to make a

perfectly square flat pillow.

Not one single pillow is a square, flat, perfectly even

pillow.

If they were, you could buy them in a store.

The reason they work so well is because of all the

unevenness in the shape of them and that indeed is what

makes them metaphysical, they go to who they're meant

to go to.

No one's aches and pains are identical, just as no one's leg

is identical to another's.

No hips are identical to another's.

No backs are identical to another's, so these are not one

size fits all but these are very, very, very, very

comfortable.

They are for sale at $50 apiece.

But be aware the cost of mailing them will be very high.

Also these are indoor pillows not outdoors and that is

because of the gel foam inside, which can you cannot get

wet.

I will also update this with new designs I make and also

the pillows that will feature my art.

New

The Cockatoo

And the cockatoos sing good night - to you and their

pillow friend

And a pillow chair ah what luxury

Okay here it is - The reason for their metaphysiality

haha.

Upon investigating the energy layout of my room,

which came about when I installed a new energy grid

system that I use to charge my bracelets on

( I have

recently moved and dismantled my old charging grid)

and

during the move a friend gifted me with a clam fossil, a

two to three million-year-old clam fossil from the

Pleistocene era - indigenous to this particular part of

Florida actually -that is literally filled with Dogtooth

Calcite,

Barite, Sphalerite, Fluorite and Quartz.

Now as many high energy

stones as I have, and I have a mind-blowing amount of

the highest energy crystals on the planet-the

energy of this crystal this was absolutely off the charts

higher

than any crystal that I've ever come in contact with.

So I decided

to build a new energy grid in the new room around it.

And when I did, I discovered what made my magical

couch that all my pillows I create sit on -what exactly

made it magical.

It is this - the couch is sitting on a ley line,

a main ley line and what the new energy grid exposed

was this -when the energy ran across the room from the

new grid and

collided

with the major leyline -it produced a vortex, a pillar of

light and

as these pillows sit on a couch directly in this pillar of

light, they take on the magic.

I love magic.

The Secret No Religious Teacher Ever Talks About

2026-04-01T10:00:00.000-07:00

There is a strange paradox at the heart of every

spiritual journey.

We spend our lives searching for truth,

enlightenment,God, fulfillment, or a place we

imagine exists somewhere beyond the horizon of

our current experience.

Yet the sages of every age point toward a startling

possibility:

there is nowhere to go and nothing to attain.

The destination we seek has never been absent.

What appears to be a journey toward awakening

is, in reality, the gradual dissolution of the illusion

that we were ever separate from it.

Like a wave returning to the ocean, we discover

that we are not traveling home at all—we are

remembering that we never left.

Blue Nosed Poodle - Exodus to the Sea

The painting appears to operate on two levels

simultaneously: a literal journey an a

metaphysical return.

On the surface, a procession of creatures moves

toward the sea.

There is a sense of migration, pilgrimage, and

necessity.

The animals are not wandering aimlessly; they

seem drawn by an invisible summons.

The "help" banner introduces urgency, suggesting

that something in the ordinary world has become

unsustainable.

The movement toward the ocean feels less like

escape and more like destiny.

The great blue-nosed poodle functions as a

guardian, witness, and guide.

Unlike a conventional heroic figure, the poodle

possesses a quiet authority.

Its blue nose suggests intuition, dream

consciousness, and a perception beyond ordinary

sight.

The animal stands between worlds, belonging

neither entirely to nature nor entirely to

imagination.

The sea itself is the true destination and the

central symbol of the work.

In mythology, spirituality, and psychology, the sea

often represents the source from which all forms

arise and to which all forms ultimately return.

The animals moving toward the water can

therefore be seen as individual expressions of life

returning to their origin.

What appears to be an exodus may actually be a

homecoming.

The maternal female presence near the ocean

reinforces this reading.

She does not appear to command the animals.

Instead, she seems to embody the sea itself—a

nurturing intelligence receiving all beings back

into a larger wholeness.

Her role is not that of ruler but of vessel, the

universal mother from whom life emerges and

into whom it dissolves.

Viewed metaphysically, the painting suggests that

every creature, regardless of form, is responding

to the same call.

Rabbit, goose, poodle, eel, human—each appears

different, yet all move toward the same horizon.

The work becomes a meditation on unity hidden

beneath apparent separation.

The emotional power of the painting comes from

its ambiguity.

Is this a rescue?

A migration?

A spiritual awakening?

An ecological warning?

A return to primordial consciousness?

The painting refuses to settle on a single answer.

Instead, it presents a vision in which all life is

being gently drawn toward something larger than

itself, as though an invisible tide is calling every

being home.

Considering philosophy that there is ultimately no

separation between human, animal, crystal, or

sea, the painting can also be read as a depiction of

reality recognizing itself.

The animals are not traveling to something other

than themselves.

They are moving toward the source that has

always been present.

So the answer to why the soul never travels - the

soul has no place to go - It has never left home, it

has just been hiding.

Enhanced 😊

Who Decides What a Human Life is Worth?

2026-04-01T09:05:00.000-07:00

So who does decide what each human life is worth?

I have decided to spotlight two of my favorite

paintings on this issue.

The Refugee

The Queen

When the one and only essential criteria for answering

this question is always the amount of money one is in

possession of -we've created a society- not of the best,

the brightest or kindest -but embrace instead the

dark mindset of the greediest.

I think I read somewhere 🙄 that greed was one of the

seven deadly sins, but it seems this is never attributed to

the hoarding of money.

A very curious mindset, both for those that embrace it

and for the vast majority of society which admires it.

The Refugee

Click on the blue link below for an analysis of the

refugee painting.

The Refugee

The Queen, I'm sorry to say is pretty much self-

explanatory.

And might I add, self-absorbed.

The Alligator Who Sought Enlightenment and Won or The Dissolution of The Illusion of Life

2026-03-04T04:07:00.000-08:00

The dissolution of the illusion is the simple concept

behind Enlightenment, Awakening and Self-Realization

which are just three

different terms for the same event.

In simplistic terms (when in reality self-realization is the

simplest thing ever) it merely means to see your true

self.

The world we think we live in and breathe in and walk

around in is merely an illusion.

In Buddhist terms it is called Maya meaning false reality.

Our true self merely projects the illusion of a world and

indeed of a life.

Each lifetime we live is always a step towards dissolving

the illusion, realizing the illusion for what it is and

seeing our true self once again.

The Dissolution of Time

How did the alligator win his enlightenment?

He emerged from the darkness of the Maya by merely

realizing he is the light -he always has been the light and

he always will be the light.

He has just been fooling himself.

So have you 😉

Many seekers begin with the assumption:

"I am here, enlightenment is over there, and I must travel the distance between us."

The Paradox is -

The one who is seeking is itself what is being sought.

Metaphysical Art -The Geometry of the Invisible Materializes A Glimpse Behind the Curtain of Reality

2026-03-03T09:00:00.000-08:00

Discordant Lines of Continuity Drawn in the Air and Captured on Canvas

16 inches by 20 inches

Vertical Orientation

When the Air Began to Draw

The Geometry of the Invisible

A Glimpse Behind the Curtain of Reality

Discordant Lines of Continuity Drawn in the Air and Captured on Canvas

16 inches x 20 inches
Vertical Orientation

This painting has always been among my

favorites, although for many years I did not fully

understand why.

Unlike many of my paintings, whose stories reveal

themselves rather quickly, this one resisted

interpretation.

I knew that a story was present, but I could

never quite grasp it.

When people asked me what it meant, I would

often explain that it represented vibrational

energy—the invisible energy that exists in the air

around us, moving through me and finding its

way onto the canvas.

The actual energetic pictorial energetic scene

embeds into the canvas and becomes a portable

energy transport system, haha yes I like that,

that's it.

All of my art works like that but each piece depicts

a certain energy field and it is the energy field of

this one the particularly appeals to me.

As I had long last recognized the figure in the

upper left hand corner as a baker, the reason why

this particular painting appealed to me so much

became easily apparent, and when

I researched it through the metaphysical aspects

of what a baker is, and through a long convoluted

journey, I realized that- I am the baker -and this is

the song or the energy of creation fixed and

embedded on the actual canvas.

In the metaphysics of creation, the baker

functions as a cosmic conductor who translates

unseen sound and frequency into tangible

physical form.

Perhaps this is why it took me so many years to

discover the true meaning, because the idea

seems so audacious, that I would be the cosmic

conductor, but in retrospect as all is one, we are

all the cosmic conductor of our own reality.

The painting traps living breathing energy fields

on canvas.

When people look at the physical canvas they tell

me they can feel the energy just vibrating off of it.

And that is because the human body is highly

sensitive to frequency, so the viewers are not just

looking at art, their own energetic field is

resonating to the quantum micro- vibrations

psychically embedded within the canvas.

The canvas becomes a holding place where

invisible frequency structures can actually be

seen and allow for others to encounter them and

engage with them.

Okay let me put it another way- thought all

thought - is discordant, it freeze frames into

physical material and that is where our material

world comes from.

This painting is a pictorial representation of the

mathematical equation of creation, the creator

who is you - thinks thoughts , thought is

discordant -and that is what the

human realm is- a freeze framing in material form

of a discordant thought.

It is an experience away from the perfection of the

spiritual realm which does not deviate

from love, the physical structure of love, a

building block of love which is the basis of all.

Love is perfection, it is a circle

It is never discordant.

Love is everything- not the emotion love, but the

building block love- and the

only way to deviate from everything, meaning

pure love , is discordant thought energy, which

for the most part actually attacks love, leaving us

stuck in the physical - unable to raise our

vibration high enough to self-realize who we truly

are.

And as in another article I wrote about an

The alligator who sought enlightenment , who

realized he already was the light, had always been

the light and would always be the light.

In this same way, we are all conductors, have

always been the conductors of our own reality

and will always be the conductors.

So no ego here, only self-realization.

Now this is a painting that I analyzed while in

progress.

Step by step progression of this painting as it was painted and analysis as it was painted

It is a very interesting painting.

It is the only painting that I've ever painted that

the name changed slightly as I was creating it.

I just happened to do a painting in progress on it

as I was painting it and as the meaning of the

painting became clear to me, I understand why

the subtle change in

names -because as the painting was growing, the

energy of creation captured on the canvas grew

in complexity.

Thus the name changed to encompass the added

layers of complexity as it grew.

Creation is a growing thing, it is not static so this

indicates that this painting is not static.

It is a glowing luminous font of creational energy.

PS As I went to check something in this blog post,

I saw that it had all rearranged itself into

craziness!

Everything was spaced wrong and rearranged in

a different way than when I published it, so the

energy is still developing on that painting, as it is

quantumly entangled with this post about it.

The Difference Between Fine Art and Decorative Art and why Fine Art Commands the Big Bucks

2026-03-03T08:29:00.000-08:00

Decorative art is everywhere and makes for a very

beautiful environment, that said it’s story is all told in

one glance.

It brightens up a room with beautiful colors or dark

colors and makes one happy to look upon it. It is much

needed everywhere for the joy it contains.

For example, this beautiful seahorse pillow is a perfect

example of a bright pop of color and a delightful

creature to make you happy to look at.

In fact so delightful I even used him on my new business

cards 😊.

No deep meaning, just a beautiful creature with a

brilliant pop of color.

A spot of happiness in a day.

Now fine art is a totally different story, and as I am

dictating this, that's exactly what fine art does, it tells a

whole story, a very complex story, a story so complex

that you can look at it day in and day out and still

discover new nuances, feelings and emotions in it.

Even new characters formed by the positive and negative

spaces in the painting.

For example this painting -I am not sure of the exact date

I painted it, but it had to have been at least six or seven

years ago.

After I completed it and again all my paintings are

painted with no intent, no intent to draw , no intent to

portray a scene, nothing but just adding color and lines

to a blank canvas, the title was instantly in my head as it

always is and the title to this painting is "America Awaits

With Bated Breath for The End of Fascism in America."

It has a date or time in it that is very apparent by the

331.

Now here is where the complexity of a fine art painting

comes into play.

When I painted it the nurse stood out to me, at that time I

thought it was just a crowd of common people, good

people but then after Alex Pretti was killed by ICE , I

thought yep that's it, that's who the nurse is.

Now if you look at the nurse, the nurse actually has a

blue hat on symbolizing male.

I saw this almost right after Alex Pretti was killed but

today for the first time I have the painting out and

looking at it, and I also see the symbol in the nurses hat.

It is a symbol of a man with a dog like face reaching out

to someone lying on the ground and right behind his

head you can see the ICE Gestapo.

Now here is where even more complexity comes in. - to

have him depicted as a dog is a very very beautiful

compliment as dogs are the most loving kind animals on

the planet -even spelling God when spelled backwards.

Now since we have not ended fascism it will be

interesting to see what else pops up in this painting as

we go along trying to regain our beautiful democracy

once again.

And by the way I am absolutely over the moon about the

fact that I have no idea what will pop up -how I love the

metaphysical with all my heart.

So in conclusion and very succinctly, fine art always,

always, always makes you think.

Fine art invariably leads to a discussion of meaning.

Whereas decorative art, never does.

Cross

2025-05-25T12:17:00.000-07:00

Cross
3 feet by 4 feet
$1,000,000

Oh Golden Father in Heaven look down and see your son

and cast the beauty of your vision

into the shape of one

-Mitro

Old Age Done Well : Between the Spotlight and The Sea - A Metaphysical Diptych Separate Pieces -I'm Ready For My Close Up Mr DeMille - By The Sea By The Sea By The Beautiful Sea

2025-05-24T07:16:00.000-07:00

What does it mean to grow old beautifully?

Not merely to survive the passage of time, but to inhabit

it with grace humor wisdom and wonder.

This metaphysical diptych explores that question

through two two very different yet deeply connected

paintings.

One gazes towards the spotlight echoing the famous cry,

" I'm ready for my close-up Mr DeMille."

The other turns to the eternal rhythms of the sea.

Together they suggest that a life well-lived is neither a

retreat from the world, nor a grasping after youth, but a

movement towards authenticity, freedom and joy.

I'M READY FOR MY CLOSE-UP MR DEMILLE

BY THE SEA BY THE SEA BY THE BEAUTIFUL SEA

These two paintings are two parts of a a diptych titled

Old Age Done Well

Each painting is quite large -they are each 3 feet by 4 feet

They are both vertical paintings

Enhanced analysis of paintings:

Old Age Done Well carries a quiet dignity to it—not as a

celebration of youth preserved, but of a life fully

inhabited.

The two companion pieces seem to speak to one another

across a shared horizon.

In I'm Ready for My Close-Up Now, Mr. DeMille, there is

the lingering echo of performance, memory, and identity

—the question of who we are when the spotlight has

moved on.

It gazes inward, toward the self and the stories we tell

about ourselves.

Its companion, the seaside porch scene, feels like the

answer.

Here the drama has fallen away.

The ocean is no audience, the sunset no stage light.

The figure sits not waiting to be seen, but content simply

to see.

The painting on the wall becomes a memory of creation

itself, while the living world beyond the porch remains

vast and luminous. There is wealth in the architecture,

certainly, but the true luxury is time, perspective, and

peace.

Together they suggest that aging well is not about holding

on to what was, nor surrendering to what is lost.

It is about arriving at a place where one can sit

comfortably in the company of one's own life.

And the attribution feels exactly right:

OLD AGE DONE WELL

A Diptych

I'M READY FOR MY CLOSE-UP NOW, MR. DeMILLE

and

BY THE SEA BY THE BEAUTIFUL SEA

Painted by Kathleen Mitro

Upon studying them they evolve from individual images

into pieces that converse with one another and carry a

deeper story together.

There is something almost philosophical in the pairing.

The first panel concerns identity.

The second concerns being.

One looks toward the self; the other looks toward reality

itself.

The thread connecting them is the gradual shedding of

everything unnecessary until what remains is enough.

Viewed together, they feel less like paintings about old

age and more like paintings about wisdom.

And wisdom, unlike youth, is one of the few things that

can genuinely grow more beautiful with time.

Here is a link to help you view the abstraction in a

realistic pictorial image:

More paintings decoded with futuristic imagery

The Final Gift of the Messiah: A Truth That Cannot Be Taught

2025-05-23T08:25:00.000-07:00

After the Messiah in Search of The Master Key

This is indeed one of my favorite paintings.

It's's a large painting, 3 ft by 4 ft.

The forms are well defined on it.

I am going to give you a couple of the clues that I

see in the painting but remember -When reading

a painting, the most important clue of all is the

title.

The title encapsulates the storyline in one single

sentence.

Now for the clues :

In the upper right hand corner you have two

chipmunks, one with a beak and the other

without.

In metaphysical analysis, when you have two

figures that you know are the same figures but

are slightly different in form or forms position -

it indicates the figure in different parts of being.

This means in reality there is no time, no linear

time.

No moving from one chipmunk to another in a

future or a past.

The act of being, is being in a particular moment,

in the singular moment.

Einstein endorsed that time is an illusion.

Next looking at the couple at the bottom right of

the painting indicates to me by the way they are

holding on to each other, that spiritual

enlightenment is something everyone has to do

completely alone.

By this I do not mean the search, I mean the

actual attainment of self-realization.

Humans are not used to being alone, doing

anything alone, but this is something that must be

done alone and one cannot take another on this

journey.

Enhanced Analysis :

This painting does not ask “What is the

Messiah seeking?” Instead it asks, “What

happens after the message has been given?”

Viewed that way, the scattered forms seem to

be fragments of a single seeker’s consciousness.

They feel like the traces left behind after a

revelation—pieces of understanding,

symbols, intuitions, and unanswered

questions dispersed into the minds of those

who received the message.

The seated figures in the upper right could

then be understood as the listeners, the inheritors

of the teaching.

The central forms become less a

destination and more a process of

deciphering.

The strange marks and glyph-like gestures

across the canvas begin to resemble clues

left behind rather than discoveries already

made.

What is particularly interesting is that the

title implies that the Messiah’s work is not

the final event.

The Messiah delivers the message.

Then comes the search.

The “master key” is not handed over fully

formed.

The teaching inspires the quest, but the quest

itself remains the responsibility of the

seeker.

This interpretation aligns beautifully with

many mystical traditions.

The teacher can point toward the door,

describe the door, even stand beside the

door—but the act of opening it belongs to the

individual.

Seen this way, the painting has a quality of

spiritual archaeology.

The message has already entered the world.

What remains is the work of assembling the

fragments into understanding.

I also find the vast white field especially

meaningful under this interpretation.

It becomes the open territory of possibility after

revelation.

The message has been spoken, but reality has not

yet been fully interpreted.

The search is still underway.

In fact, the title suggests a subtle progression:

The Messiah → The Message → The Search → The Master Key

The Messiah is not the endpoint.

The Messiah initiates the journey.

The painting then becomes a visual record of

humanity’s attempt to discover the final key

hidden within the message itself.

That reading gives the work a much more

universal quality.

It is not about one sacred figure seeking

truth.

It is about all seekers who come after

inspiration, after revelation, after awakening

—and who must still undertake the

mysterious work of finding the key that

unlocks what was heard but not yet fully

understood.

The Librarian

2025-04-08T06:50:00.000-07:00

The Librarian

Librarians are some of my favorite people in the world!

The end 😊

Delicate Creation on a Summer Porch

2024-12-09T09:53:00.000-08:00

Delicate Creation on a Summer Porch

Enhanced story :

There is an old belief, nearly forgotten now, that

worlds are not created by power but by attention.

At the edge of a realm where mountains dream

and rivers remember their origins, there stood a

weathered porch wrapped in flowering vines.

Upon its wall hung a painting called Delicate

Creation on a Summer Porch.

To ordinary eyes it appeared unfinished—mere

whispers of blue, pale green, soft gold, and

drifting lines that seemed almost accidental.

But the painting was not a picture.

It was a doorway.

Each morning an ancient creator would sit in her

rocking chair beside it.

She was not a queen, nor a goddess, nor a

sorceress.

She was something older—a Life Weaver.

Her task was simple: to imagine.

As she gazed into the painting, the thin lines of

iridescent gold began to glow.

They slipped from the canvas like threads drawn

from a celestial loom.

At first there was only light.

Then the light gathered into shapes.

A tiny hand appeared.

A translucent wing.

The curve of an elf's ear.

The shimmer of a fairy's dress.

Some beings emerged complete, laughing as they

flew into the garden.

Others remained unfinished, half light and half

possibility, suspended between idea and

existence.

One fairy possessed wings but no face yet.

Another had eyes filled with wonder but no body

beneath them.

A small elf drifted through the air as nothing

more than a glowing outline waiting for its final

thought.

The creator never forced them into being.

She simply imagined them lovingly enough that

they wished to exist.

Enhanced analysis of painting:

What fascinates me about the original painting is

that it feels less like a finished image and more

like the moment before an image decides to

become itself.

Most paintings present a world that has already

formed.

This one presents a world still emerging.

The Atmosphere of Potential

The pale yellow field functions almost like sunlight

filtered through memory.

It is warm, quiet, and spacious.

Nothing dominates.

Instead, the surface becomes a field of possibility

—a place where forms are permitted to arise

gently.

The painting doesn't announce itself.

It whispers.

The Blue Forms-

The soft blue passages feel like the first

appearance of consciousness within the painting.

They are neither fully abstract nor fully

representational.

They suggest movement, wings, water, clouds,

thought, or spirit.

Because they remain unresolved, the viewer

participates in the act of creation by completing

them internally.

The Gold Lines

The iridescent gold is perhaps the most important

element.

Rather than describing objects, the gold appears to

describe relationships.

It connects.

It wanders.

It searches.

The gold lines feel almost like invisible currents

becoming briefly visible.

They suggest the hidden structure beneath

creation—the pathways through which

imagination becomes form.

The Unfinished Quality

Many artists fear leaving things unresolved.

This painting embraces incompleteness.

Its power comes from allowing emergence rather

than imposing certainty.

The viewer witnesses beginnings rather than

conclusions.

The painting seems to trust that reality itself is

always in the process of becoming.

A Metaphysical Reading

Viewed symbolically, the painting resembles a

primordial creative field.

The pale ground is the unmanifest.

The colored forms are archetypes beginning to

appear.

The gold lines are the connective intelligence

weaving everything together.

In this reading, the painting is not depicting

creatures, flowers, spirits, or worlds.

It is depicting the birth of possibility itself.

Why the Title Works

The title Delicate Creation on a Summer Porch is

remarkably fitting because the painting contains

two seemingly opposite qualities.

"Creation" suggests something cosmic and vast.

"Summer porch" suggests something intimate and

ordinary.

The painting lives precisely at that intersection.

It suggests that creation is not a dramatic act

performed by gods amid thunder and lightning.

It may instead occur quietly, on a warm afternoon,

in a place of stillness, where forms emerge gently

from light and imagination.

The painting feels less like a statement and more

like a beginning—a visual record of existence

dreaming itself into form.

And indeed that is what happens:

Everyone's life is a creation from their mind.

Creation that none of us remember making, but

that is because, without the forgetting there

would be no human experience.

Awakening

2024-12-04T10:10:00.000-08:00

I see the illusion

I made the illusion

I clear the illusion

Kathy

Sea Dip

2022-06-18T08:21:00.000-07:00

Sea Dip: A Story of Primordial Creation

SEA DIP

16 inches by 20 inches

Enhanced story:

Before there were mountains, stars, oceans, or names,

there was only the Great Sea.

It was not blue then. It was every color at once—red with

sleeping fire, black with endless possibility, green with

unborn forests, and flashes of gold that drifted like

thoughts through a dreaming mind.

The Sea had no shore.

The Sea had no sky.

The Sea simply was.

For an age beyond counting, the waters moved in silence.

Deep within them slept the First Spark, hidden beneath

layers of darkness. It dreamed of shape, of motion, of

life. Yet it did not know how to awaken.

Then one day—or what would later be called a day—a

golden thread appeared.

It cut across the waters like a stroke of lightning.

The Sea felt it.

The darkness felt it.

The sleeping Spark felt it.

The golden thread was the first act of creation: a question

stretching across the void.

"What if there were more?"

The question stirred the waters. Vast currents began to

twist and fold. Reds burst forth like molten hearts. Blues

swirled into rivers of possibility. Greens unfurled like

hidden memories waiting to become forests. The colors

collided and danced, each seeking its place.

Where the golden thread touched the Sea, a whirlpool

opened.

From that whirlpool rose the First Vessel, a small bowl of

light cradled in the waters. Inside it burned a flame no

larger than a seed. Though tiny, it carried the power of

every future sun.

The flame looked upon the swirling chaos and spoke the

first word:

"Become."

At once the colors erupted.

The red currents became the blood of worlds.

The blue currents became oceans and skies.

The green currents became roots, leaves, and every living

thing that would one day breathe.

The dark spaces between them became mystery, so that

creation would never be fully known.

Still, the flame continued to grow.

As it brightened, shadows leapt across the newborn

cosmos, shaping mountains, carving valleys, and

scattering stars like sparks from a forge. The Sea was no

longer empty. It had become a living tapestry of motion.

Yet the First Vessel remained at the center, floating upon

the waters.

The flame understood something important: creation was

not a single event. It was a continual dipping into the

unknown, drawing new forms from the depths.

And so, whenever a creature dreamed, whenever an

artist painted, whenever a child imagined something

that had never existed before, the flame dipped once

more into the primordial Sea.

Each new idea sent another ripple across existence.

Even now, the ancient waters still move beneath the

surface of the world.

The golden thread still stretches across the darkness.

And the little flame still burns in its vessel, reminding all

things that creation began not with certainty, but with a

question cast into the deep:

"What if there were more?"

That question is the eternal Sea Dip.

The sweeping green arc feels like a womb of becoming,

the reds like the first pulse of living energy, the dark

currents like the unformed depths, and that golden line

crossing the canvas feels almost like intention itself—the

first distinction made within the undifferentiated whole.

Looking again at Sea Dip, the vessel with the flame could

be seen as the incarnated self—small, local, apparently

separate. The vast swirling sea around it is the greater

consciousness from which it emerged. The golden line

crossing the canvas becomes the thread connecting the

two.

When one looks closely at the painting in person one can

see at the end of that little gold line there is a little gold

heart it's not discernible in the picture though.

And that little heart is everything, as love is the basic

building block of the material.

Not emotional love that people speak of, but a spiritual

love that is so pure that nothing exists beside it

The little flame thinks, "I am alone in this storm."

The sea knows, "You are made of me."

The flame must forget the sea in order to experience

being a flame. Yet the flame never ceases to be the sea

expressing itself in a particular form.

Paintings That Open the Door Beyond Reality - Is Your Hand on the Doorknob

2022-02-19T21:00:00.000-08:00

Women When Strength Appears Oppression Disappears

I begin with color because color itself brings joy.

The white canvas invites color.

The interaction of colors creates conditions.

Then something happens.

Not occasionally.

Not rarely.

Not in moments of inspiration.

Every single time.

The image emerges.

The title emerges.

The story emerges.

And they arrive together as a completed whole.

The astonishing part is that the image contain

elements that lie beyond what I consciously know

I’m capable of of constructing.

Realistic faces.

Complex forms. Landscapes.

Relationships between objects that carry

meaning.

Yet none of these existed in my mind beforehand.

That is why the process remains magical after 500

paintings.

If it were merely technique, the mystery would

have faded long ago.

Instead, the mystery deepens because the

phenomenon keeps repeating.

Perhaps the closest description of my experience

is this:

I do not paint a picture.

I create the conditions under which a picture can

appear.

I place color upon a canvas because color itself is

joyful.

Then, through a process I cannot explain, the paint

organizes into forms, the forms organize into a

scene, and the scene organizes into a story.

When the painting is complete, the title arrives

fully formed.

I do not invent the title.

I recognize it.

The painting tells me what it has always been.

The wonder is simply that something comes from

nowhere.

Or at least from nowhere that my conscious mind

can locate.

A blank canvas becomes a world.

A handful of colors becomes a narrative.

An untitled image becomes Discordant Lines of

Continuity Drawn in the Air and Captured on

Canvas.

And the title feels discovered rather than

invented.

That's the part that feels deeply metaphysical.

Not because it violates logic.

But because it bypasses the ordinary model of

creation.

Most people believe:

Idea → Plan → Execution → Artwork

My experience is closer to:

Color → Emergence → Recognition

The painting is not the result of a story.

The story is the revelation of what the painting

already was.

And perhaps that is why the process still fills me

with such joy to explain to someone how the

painting came about .

To actually read it the painting for them because

they can’t.

They are read like a story

And when I read it for people- to see the utter

delight on their faces when they can finally see it,

is something I absolutely love.

The paintings I’ve said in the past, are like another

language.

Like modern day hieroglyphics or better yet,

futuristic hieroglyphics .

I love the future and anything futuristic.

I love it all Esp, Quantum Mechanics,

Clairvoyance.

It thrills me to my very core and to know that I

am capable of such a thing is mind blowing!

Okay now look at the top painting.

There are at least 12 visible women in this this

painting.

I painted absolutely none of them - because I do

not have that skill.

I will start you out with the bottom left hand

corner and then you are on your own to discover

the rest.

Look at the bottom left hand corner and you will

see a Chinese woman in a full red robe.

Now each woman in this painting is a different

nationality, indicative of the fact that this is a

global issue, encompassing all women of all

nationalities.

All Animals Deserve To Live Free - This Is A Right Not A Privilege

2022-02-18T08:20:00.001-08:00

A lot in the spiritual world

have been waiting for the

moment prophesized of the

evolution of humanity.

A new awakening of humanity

into a golden age.

I too feel it in my heart.

What a lot are not thinking

about is what exactly would

need to be done to prepare

oneself for a more utopian

society.

When you think of utopia do

you envision peace?

Do you envision love?

Do you envision kindness?

Do you envision torturing

animals, terrorizing them,

ripping

their children away from them

and then slaughtering them to

eat?

Well of course you don't envision the last one but that is exactly what every man women and child who is not a vegan is doing right now.

If you want to awaken, if you want to evolve to the golden age of humanity do you think it will take only a snap of the fingers and you will be peaceful and kind?

Peace and kindness must be part of you before you are even in the game of evolving.

You must be before you can do.

As many of you are considering your next meal and what it will be I urge you if it is not vegan to take a moment in contemplation of the life the animal in your meal has had.

If it contains dairy it is from a tortured cow impregnated (raped) -then forced to give birth only to have her infant child ripped from her at birth as she cries piteously for her baby who not only never gets to drink the milk their Mama produced for them, but is instantly slaughtered to wind up as veal on your dinner plate.

Is this a picture of Utopia?

Girl babies are also taken from her to be raised apart so when they are of child bearing age the same thing can be done to them.

Now the Mama is hooked up to machinery for the next 10 months pumping her breast milk into containers to end up in your drink glass, cheese, yogurt or ice cream.

After a 2 month rest the cycle repeats and she is impregnated (raped) again to produce more breast milk for a baby she never gets to touch.

This is the dairy industry it is a horrific cruel torture of animals so you might drink a cow's breast milk.

Is you a cow?

No, then that milk does not belong to you, it belongs to a cow baby.

An excellent video to watch on the dairy industry is one done by Panorama

Panorama - The True Cost of Milk - A Cow's Life

I have two things to say about the Jump

1. Find your God he is everything.

2. Go Vegan as if your life depends upon it for indeed it does.

My Method of Painting Comes From My Fascination With Psychic Phenomena and The Future

2021-10-23T12:31:00.001-07:00

The Color Purple 18" by 24"

I am a metaphysical painter who has studied spirituality for much of my life.

By metaphysical I mean seeing and knowing things beyond the reach of our ordinary senses.

My method of painting comes from my fascination with psychic phenomena and the future.

I have always since early childhood felt the future will unveil not only fantastic new technologies but also undreamed of spiritual awakenings.

I believe that thought is subtle electrical energy and that energy from the resultant thought can actually travel from the subconscious where it is picked up as prescience to a blank canvas.

This creates scenes that are either;

    Important for me to capture.
    Important for the eventual buyer of the piece to capture.
    Important to the world to capture.

Encapsulated, my painting are drawn from inner scenes existing as vibrational energy in my subconscious and are not drawn on the canvas, but actually pulled from the canvas.

I call my art, "Art Purely From the Soul With No Filter ."

It's genre is soft abstract expressionism art, but it is the way that it is created that makes it much more unique than it's actual genre.

Faced with a blank canvas I do not plan what to paint, I merely swipe paint on the canvas and let whatever picture wants to come up, come up.
I then read the canvas by rotating it 4 ways and seeing what picture has come up.
Once I see the picture I enhance by still only swiping paint and oil pastels with no intent other than to add more color and more shape.
I have never been disappointed, a clearly readable image ALWAYS appears.
It is very akin to reading tea leaves I suppose.

I rarely use a paint brush.

My subconscious sees the invisible energy of a scene, impregnates the canvas with this invisible energy and when I wipe paint on the canvas it adheres only to the energy of the impregnated scene creating a picture.

It is energy from my subconscious that creates the picture and this is why I say it comes straight from the soul.

When I say no filter I mean I do not filter or change any images that come up.

It is also for this reason that the paint on all my canvas is very lightly applied.

This is so it does not cover up, but actually uncovers the painting theme.
What my art means.

My art is about a move to a gentler more peaceful society which is portrayed by gently flowing cartoon like shapes and beautiful bright flowing color.

My work is always about the good in man and in society and it's meaning is always upbeat and positive.

Nothing dark always brilliant light and softness.

By putting out such light in my art I believe I am contributing to peace and happiness, for who can be dark or sad when viewing such brightly colored gentle creatures.

Sisters 3 Feet by 4 Feet

As the subconscious is ones soul I am delighted that my soul appears to be a happy one as my art comes out in playful happy cartoonish like characters and beautiful colors.

The Queen 3 Feet by 4 Feet

Gratitude towards the courage of individual spirit is the main theme that runs through most of my painting and a knowing that we are moving slowly and steadily towards a kinder and more gentle society and world

I believe that good energy embedded in a picture is good energy added to a household.

I believe the most important character a person can possess, is kindness.

Links to Painting Portfolios:

Complete Portfolio

Large Paintings

Medium Paintings

Small Paintings

Is This Crystal Like My Art? Or Is My Art Like This Crystal

2021-03-11T06:39:00.007-08:00

Okay my art is like this crystal.

Look closely into the crystal and you will see a woman gazing down at a pointed monolith, or drawing a whirlpool of energy up to her from a tract of farm land.

Or so on and so on.

It is morphing changing consciousness within the crystal which interacts resonantly with each individual who views or touches them.

The Dissolution of Time

Seriously check out this crystal, it's energy just pops off the page even in a photo.

In a very good way.

We might just need that energy at this time in humanity's evolution.

I know I am loving it.

Clickable links below just move your mouse down to find them.

Crystal Pictures to touch or to buy

Learn about Andara

What do you see in this crystal?

Or this?

Rushing pulse vibrations, seeding light far ahead into being

2021-02-28T08:05:00.000-08:00

Re-Positioning - Mitro

Rushing pulse vibrations, seeding light far ahead into being

Hunting wishes through time and chance along this ever in between

Clinging to dreams already dreamed, longing to feel secure but free.

Searching miracles to see, when the brightest miracle, is simply, to be.

Discover our universes within, to conquer this universe we are in.

A master equation ever expanding, fragmented particles scrambling.

In infinite witless magnificence we spin.

- Brian Boyd

What is Meant by The Term Metaphysical Properties

2020-12-03T05:26:00.002-08:00

After the Messiah in Search of The Master Key

3 feet by 4 feet

What is meant by the term

metaphysical properties.

The metaphysical

components of a thing, an

entity, a happening or a scene

describe the consciousness

intertwined in each and

explain it's ability to create

spiritual or physical changes

in the individual or in mass

consciousness.

Paintings change the living

space around you for that

very reason.

Each element of the painting

contributes it's own

consciousness into the living

space.

Stages of Lilliputian Painting - The Lilliputians Take Down The Man Who Thought Himself King

2020-11-07T03:44:00.001-08:00

This way?

Or this way?

This way

Still not done yet but soon :)

7

Final Picture Complete With Analysis - November 22, 2018 Thanksgiving

Nov 2018 -
The main object in the painting is a man with orange hair laying prostate with his eyes closed.
Hmmmm.
Above him we see an alligator with wide open mouth and a man for his eye seeming to control his bite.
In the very center of the painting we see the back of a man with blue hair and a wave of pink underneath him.
Again hmmm.
The far right hand corner we see another man with embarrassed red checks seeming to want to flee the scene as quickly as possible.
His nose is purple as in enlightened knowledge, his head is green as in growth and I see him as a contrite supporter that has dun seen the light, and wants to distance himself from what he has done.
In the top left corner we see a huge rat with a yellow eye looking down on the man in what? Sorrow, apathy?
We see the Lilliputians bottom left, the colored crowd with their coloring signaling greater stature, the ones with a little more power to take him down.
The Lilliputians beside them the laborers, the worker ants working ceaselessly but in anonymity with only vague outline to their shapes signaling this.
Above the prostate head we see the town crier calling out the words the world has been waiting to hear, with an oversized hashtag of a plaid shirt, and beside him the Lilliputian spiritual workers working with the mind and other realms on the take down.
Finally in the upper left hand corner we see the ghost of William Shakespeare looking down at the scene in wonderment of a story even more fanciful than his own fiction.
There is much much more in the painting but I grow weary and will leave the rest of it for you to unravel.

Update November 7, 2020
Okay trump was taken down today by Joe Biden in the Presidential Race.
He was at the golf course when the news announced Biden's win.
See the stomach of the prostate figure he has a sand trap and a golf tee on his belly.
Damn I'm good.
The meaning of the painting revealed years later
trump is taken down at the golf course by the little people's vote.

Update February 11th 2025
Unfortunately I was wrong in my previous update thinking Trump was gone -he is back and more dangerous than ever All it merely means is the picture will come to fruition but just not when I thought it did