tag:blogger.com,1999:blog-2044627788673274962012-01-08T02:52:21.759-08:00hello rockers !!!! this site its about rock community ... helping each other on this GUITAR WORLD !!!!!!!!!!rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-204462778867327496.post-82259075574737753102011-03-11T05:36:00.000-08:002011-03-11T05:38:16.478-08:002011-03-11T05:38:16.478-08:00 <p><a href="http://feedads.g.doubleclick.net/~a/W6041XH-DEPw6v22RI6s6prKKLk/0/da"><img src="http://feedads.g.doubleclick.net/~a/W6041XH-DEPw6v22RI6s6prKKLk/0/di" border="0" ismap="true"></img></a><br/> <a href="http://feedads.g.doubleclick.net/~a/W6041XH-DEPw6v22RI6s6prKKLk/1/da"><img src="http://feedads.g.doubleclick.net/~a/W6041XH-DEPw6v22RI6s6prKKLk/1/di" border="0" ismap="true"></img></a></p>i have collect all these setting from differents sites ( www.ultimate-guitar.com forums and more ) and i give all here ... thank you !<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/204462778867327496-8225907557473775310?l=rockwaved.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/KeepRocking/~4/ayi1l8M35Gk" height="1" width="1"/>rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.com0http://rockwaved.blogspot.com/2011/03/welcome.htmltag:blogger.com,1999:blog-204462778867327496.post-58024239379024749722009-06-15T05:13:00.001-07:002009-06-15T05:13:14.619-07:002009-06-15T05:13:14.619-07:00 <p><a href="http://feedads.g.doubleclick.net/~a/-Jv5SMfOzG0FBThsse10U-fjzb8/0/da"><img src="http://feedads.g.doubleclick.net/~a/-Jv5SMfOzG0FBThsse10U-fjzb8/0/di" border="0" ismap="true"></img></a><br/> <a href="http://feedads.g.doubleclick.net/~a/-Jv5SMfOzG0FBThsse10U-fjzb8/1/da"><img src="http://feedads.g.doubleclick.net/~a/-Jv5SMfOzG0FBThsse10U-fjzb8/1/di" border="0" ismap="true"></img></a></p>Jimi Hendrix of Jimi Hendrix Experience<br />Gain - 4<br />Treble - 5<br />Mid - 5<br />Bass - 8<br />Reverb - 5<br /><br />John Petrucci of Dream Theatre<br />1)Clean Channel:<br />Preamp Mode: Rhythm 1 Yellow<br />Gain: 6<br />Treble: 6.5<br />Middle: 3.5<br />Bass: 3<br />Lead 1 Drive: 0<br />Lead 2 Drive: 0<br />Master: 5.5<br />Presence: 8<br />Dynamic Voice: 7<br />Power Amps set on Deep And Modern<br /><br />2)Main Distortion Channel:<br />Preamp Mode: Lead 1 Red<br />Gain: 6<br />Treble: 6<br />Middle: 6<br />Bass: 4.5<br />Lead 1 Drive: 4.5<br />Lead 2 Drive: 0<br />Master: 4<br />Presence: 6.5<br />Dynamic Voice: 6.5<br />Power Amps set on Deep And Modern<br /><br />3)Lead Channel:<br />Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)<br />Gain: 7.5<br />Treble: 4.5<br />Middle: 4<br />Bass: 5.5<br />Lead 1 Drive: 0<br />Lead 2 Drive: 6.5 Master: 6<br />Presence: 0<br />Dynamic Voice: 3<br /><br />4)EFFECTS CHAIN:<br />Clean Sound - basic chorus sound<br />Lead Sound - 602 and 460 millisecond delay with 3 repeats<br />Crunch - 26 milliseconds delay<br /><br />Tom Morello of Audioslave/Rage Against the Machine<br />Gain - 7<br />Treble - 10<br />Mid - 4<br />Bass - 4<br />Reverb - 0<br /><br />Eric Clapton of Eric Clapton<br />Gain - 7<br />Teble - 5<br />Mid - 7<br />Bass - 7<br />Presence - 8<br /><br />Mick Thompson of Slipknot<br />Gain - 9-10<br />Treble - 8<br />Mid - 7<br />Bass - 8<br />Reverb - 2<br />Note tuning of B F B E Gsharp Csharp (low to high)<br /><br />Jimmy Page of Led Zeppelin<br />Gain - 4<br />Treble - 8<br />Mid - 3<br />Bass - 7<br />Reverb - 2<br /><br />Kurt Cobain of Nirvana<br />Gain - 7<br />Treble - 7<br />Mid - 4<br />Bass - 3<br />Reverb - 2<br /><br />Eddie Van Halen of Van Halen<br />Gain - 6<br />Treble - 4<br />Mid - 3<br />Bass- 9<br />Reverb - 4<br /><br />John Frusciante of Red Hot Chili Peppers<br />Gain - 4<br />Treble - 8<br />Mid - 2<br />Bass - 6<br />Reverb - 7<br /><br />Kirk Hammet of Metallica<br />Gain - 7<br />Treble - 7<br />Mid - 2<br />Bass - 7<br />Reverb - 2<br /><br />Keith Richards of Rolling Stones<br />Gain - 4.5<br />Treble - 4.5<br />Mid - 6.5<br />Bass - 5.5<br />Reverb - 1.5<br />Note use of open G tuning, D G D G B D (low to high)<br /><br />The Edge of U2<br />Gain - 1.5<br />Treble - 7<br />Mid - 5<br />Bass - 3<br />Reverb - 8.5<br /><br />Brian May of Queen<br />Gain - 8.5<br />Treble - 4<br />Mid - 9<br />Bass - 5.5<br />Reverb - 4<br />Note Brian famously uses old sixpences to pick the strings of his guitar.<br /><br />Jack White of The White Stripes<br />Gain - 8<br />Treble - 7<br />Mid - 5<br />Bass - 8<br />Prescence - 8<br /><br />Slash of Velvet Revolver<br />Gain - 6.5<br />Treble - 4.5<br />Mid - 7<br />Bass - 7<br />Presence - 8<br /><br />Justin Hawkins of The Darkness<br />bass- 6<br />treble-8<br />mid-8<br />gain-7<br />reverb-5<br /><br />Dimebag Darrel of Pantera<br />Gain - 7<br />Treble - 10<br />Mid - 4<br />Bass - 9<br />Reverb - 0<br /><br />Billie Joe Armstrong (newer) of Green Day<br />Drive - 6<br />Treble - 10<br />Mid - 8<br />Bass - 5<br />Reverb ? 3<br /><br />Billie Joe Armstrong (older) of Green Day<br />Gain:9<br />Treble:10<br />Mid:8<br />Bass:5<br />Reverb:3<br /><br />Dave Murray of Iron Maiden<br />Drive - 7<br />Treble - 9<br />Mid - 7<br />Bass - 4<br />Reverb - 0<br />Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially<br /><br /><br />Gary Moore of Thin Lizzy<br />Bass 7<br />Treble 7<br />Mids 8-10<br />Gain 5-7 depends on song<br />Coutour at 3-4 not so high to suck the mids but not os low to sound crappy<br />maybe a splash of reverb<br />Neck pickup<br /><br />Dave Grohl of Foo Fighters<br />Distortion:8<br />Treble:7<br />Middle:5<br />Bass:3<br />Reverb:3 (room)<br /><br />Joe Walsh of Eagles<br />Treble: 7<br />Bass:3<br />Mid: 4<br />Master:3<br />Reverb:2<br />Presence:3<br /><br />Billy Corgan of Smashing Pumpkins<br />For songs like 1979:<br /><br />Bass: 8<br />Mid: 7<br />High/Treble: 6<br />Pickup Position: 2 or 4 (Strat)<br /><br />For heavier songs like Zero or Jellybelly:<br /><br />Bass: 10<br />Mid: 4<br />High/Treble: 8<br /><br />Use a thick heavy distortion with medium tone and a lot of sustain.<br /><br />Angus Young of AC/DC<br />Gain - 5<br />Treble - 10<br />Mid - 10<br />Bass - 5<br /><br />Gary Rossington of Lynyrd Skynyrd<br />Treble - 5<br />Mid - 10<br />Bass - 5<br />Gain - 2-3<br /><br />Mark Tremonti of Creed/Alter Bridge<br />Gain:10<br />Treb.:6<br />Mid.:3 or 4<br />Bass:7<br />Presence:6<br /><br />Mike McCready of Pearl Jam<br />Treble: 7<br />Mid: 7<br />Low: 5<br /><br />Daron Malakian of System of a Down<br />Amp Used: Crate VFX5212<br />Gain: 8<br />Treble: 6-7<br />Mids: 3-5<br />Bass: 10<br />Presence: 8<br />Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)<br /><br />Tony Iommi of Black Sabbath<br /><br />Gain - 7 or 8<br />Bass - 6<br />Middle - 6<br />Treble - 6<br />Channel - Overdrive<br /><br />Mick Mars of Motley Crue<br />Gain - 3<br />Bass - 2-3<br />Contour - 2-3<br />Treble - 10<br />Channel - Overdrive<br /><br />Kurt Cobain - Chorus Effect bits of Nirvana<br />Effects/Other - Ibanez CF-7 Pedal<br />Speed- 10<br />Depth- 5<br />Delay Time- 0 or 1.5<br />Regen- 3<br /><br />Mick Thompson of Slipknot<br /><br />Gain - 9-10<br />Treble - 8<br />Mid - 7<br />Bass - 8<br />Reverb - 2<br />Effects/Other - Tuning of B F B E G# C# (low to high)<br />Channel - Distortion<br /><br />Noel Gallagher of Oasis<br /><br />Gain- 5.5<br />Volume- 10<br />Treble- 7<br />Middle- 5.5<br />Bass- 4.5<br /><br />Ray Davies of The Kinks<br /><br />Gain- 7.5<br />Volume- 10<br />Treble- 10<br />Middle- 6<br />Bass- 4<br /><br />Steve Jones of Sex Pistols<br /><br />Gain- 7<br />Volume- 10<br />Treble- 8.5<br />Middle- 6<br />Bass- 4<br /><br />Alex Laiho of Children of Bodom<br />Treble: 9<br />Mid: 4<br />Bass: 7<br />Gain: 8<br />Reverb: 4<br />(on guitar)<br />Tone: 10<br />Pickup: Bridge<br /><br />David Gilmour of Pink Floyd<br />Bass: 10<br />Middle: 6.5<br />Treble: 10<br />Gain: 1.5<br /><br />or<br /><br />Gain-2-3<br />Treble- 7-8<br />Mids- 9-10<br />Bass- 5-6<br />Reverb- 60-70%<br /><br />Mark Tremonti of Creed/Alter Bridge<br />Gain: 7<br />Bass: 6<br />Mids: 4<br />treble: 7.5<br />Reverb: 1-2<br /><br />Carlos Santana of Carlos Santana<br />gain 7<br />treble 10<br />mid 6<br />bass 5<br />reverb 2<br /><br />Jerry Cantrell of Alice in Chains<br />Gain 6-7<br />Treble 6-7<br />Mids 5-6<br />Bass 5-6<br />Reverb 3<br /><br />Joe Perry of Aerosmith<br />Gain: 5.5<br />Treble: 2<br />Mid: 7<br />Bass: 2<br />Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)<br /><br />Pete Willis of Def Leppard<br />Gain- 4<br />Bass-4<br />Mid- 5<br />Treble-7<br />Reverb-4<br /><br />Billy Gibbons of ZZ Top<br />Treble: 3<br />Middle: 10<br />Bass: 10<br />Prescense: 10<br />Gain: about 5 (crunchy type of sound)<br />Use a Les Paul guitar with not to much output in the pups and select both!<br /><br />Buckethead of Buckethead<br />Bass: 5-6<br />Mids: 5-7<br />Treble: 7-8<br />Presence: 6<br /><br />Boost clean channel with an OD<br />Tone: 5-6<br />Volume: 5-8 (have it boost the volume of the amp a little)<br />Distortion: 0<br /><br />Randy Rhoads of Ozzy Osbourne<br />Gain 7<br />Bass 7<br />Mids 7<br />Treble 10<br />Reverb 0<br /><br /><br />Stevie Ray Vaughan of Stevie Ray Vaughan<br />Low 10 (full)<br />Mid 7.5<br />High 5<br /><br />Steve Vai<br />Clean:<br />Treble: 8<br />Mid: 5<br />Bass: 4<br /><br />Lead:<br />Presence: 6<br />Treble: 6<br />Mid: 7<br />Bass: 7<br />Gain: 8<br /><br />Sublime<br />General<br />Treble 9-10<br />mid:0<br />bass: 7<br />with a hint of chorus...on clean<br /><br />Slayer<br />Gain: 7<br />Treble: 7<br />Mid: 2<br />Bass: 9<br /><br />Kerry King<br />Gain - 9-10<br />Treble - 10<br />Mid - 4<br />Bass - 6-7<br />Reverb – 3<br /><br />Opeth<br />Amp EQ settings:<br />Mids: 4:30 o' clock<br />High:10:30 o'clock<br />Low: 7 (barely above 0)<br />Presence: 0<br />Resonance: 8(barely above 0)<br /><br />Drapery Falls Intro Tone(for Boss GT-6):<br />Only things that are on are:<br />-Reverb(set to 75)<br />-Overdrive/Distortion(Metal>Heavy Metal Preset)<br />-Overdrive/Distortion Drive and Level set to 100<br />-Equalizer:<br />Low EQ +1 dB<br />Lo-Mid f 500Hz<br />Lo-Mid Q 2<br />Lo-Mid EQ +2 dB<br />Hi-Mid f 4.00 kHz<br />Hi-Mid Q 2<br />Hi-Mid EQ +2 dB<br />High EQ +2 dB<br />Level +2 dB<br />-Pedal Assign: Exp Pedal ON, Foot vol min 0<br /><br />Opeth Distortion:<br />Only things switched on are:<br />-Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation)<br />-Overdrive/Distortion Drive and Level: 100<br />-Reverb: 25<br />-Pedal Assign: Exp Pedal ON, Foot vol min 0<br />-MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION<br /><br />Graham Coxon of Blur<br />Gain 7<br />Treble 7<br />Mid 6<br />Bass 5<br />Reverb 0<br /><br />Atreyu<br />Gain - 8<br />Bass -8<br />Mid - 2 - 3<br />Tremble – 9<br /><br />Nickelback<br />Gain 9<br />Bass 8.5<br />Mid 1<br />Treble 5.5<br /><br />Rage Against The Machine<br />Drive: 6<br />Treble: 8<br />Middle: 0<br />Bass: 6<br />Reverb: 2 (Distortion)<br /><br />Rush<br />Gain - 6<br />Bass - 8<br />Mid - 6<br />Treble – 4<br /><br />Neil Young<br />Bass: 5<br />Middle: 10<br />Treble: 10<br />Presence: 10<br />Gain: 5<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/204462778867327496-5802423937902474972?l=rockwaved.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/KeepRocking/~4/uFtq6Ld3ZTk" height="1" width="1"/>rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.com0http://rockwaved.blogspot.com/2009/06/more-settings_15.htmltag:blogger.com,1999:blog-204462778867327496.post-61473341706165326992009-06-15T04:37:00.001-07:002009-06-15T04:37:25.984-07:002009-06-15T04:37:25.984-07:00 <p><a href="http://feedads.g.doubleclick.net/~a/0A5LLkS74NM1dV8m3pGN9XQsT6o/0/da"><img src="http://feedads.g.doubleclick.net/~a/0A5LLkS74NM1dV8m3pGN9XQsT6o/0/di" border="0" ismap="true"></img></a><br/> <a href="http://feedads.g.doubleclick.net/~a/0A5LLkS74NM1dV8m3pGN9XQsT6o/1/da"><img src="http://feedads.g.doubleclick.net/~a/0A5LLkS74NM1dV8m3pGN9XQsT6o/1/di" border="0" ismap="true"></img></a></p>Steve Vai<br /><br />Clean Channel Settings #1<br />Reverb 0<br />Treble 9<br />Mid 5<br />Bass 3<br /><br />Clean Channel Settings #2<br />Reverb 0<br />Treble 8<br />Mid 4 ½<br />Bass 4<br /><br />Lead Channel Settings #1<br />Presence 6<br />Treble 6<br />Mid 8<br />Bass 7 ½<br />Drive 9<br /><br />Lead Channel Settings #2<br />Presence 6 ½<br />Treble 6 ½<br />Mid 6<br />Bass 7 ½<br />Drive 8<br /><br />Lead Channel Settings #3<br />Presence 6<br />Treble 6<br />Mid 6<br />Bass 7<br />Drive 8<br /><br />Lead Channel Settings #4<br />Presence 6<br />Treble 6<br />Mid 7<br />Bass 7 ½<br />Drive 8<br /><br />Adam Gontier/Barry Stock of Three Days Grace<br />Gain: 7<br />Treble: 10<br />Middle: 2<br />Bass: 2<br />Reverb: 6<br />Channel: Overdrive<br /><br />Joe Satriani<br />1.) Gain 7<br />Treble 6<br />Mid 10<br />Bass 6<br />Reverb 1<br /><br />2.) gain: 7<br />Treble: 6<br />Middle: 3<br />Bass: 6<br />Reverb: 0 (Distortion)<br /><br />3.) Gain: 6<br />Treble: 7<br />Bass: 9<br />Mids:0<br /><br />Bullet for my valentine<br />High-Gain amp Model.<br />Bass-6<br />Mid-5<br />Treble-8<br /><br />Wolfmother<br />Gain: 7<br />Bass: 6<br />Mid: 6<br />Treble: 4<br />Reverb: 2<br /><br />Megadeth<br />Gain 10<br />Bass 4<br />Contour 10<br />Treble 10<br /><br />AFI<br />General<br />Early AFI<br />Treble: 9<br />mid: 7<br />bass: 5<br />gain: 10.<br /><br />Middle AFI<br />Treble: 8<br />middle: 5<br />bass: 7<br />gain: half<br /><br />New AFI<br />Treble: 7.5<br />middle: 6<br />bass: 6<br />Gain: just before half<br /><br />The Strokes<br />Gain 4<br />Treble 8<br />Mid 4-6<br />Bass 6<br />USing the bridge pickup when using dist and neck pickup when clean<br /><br />Jerkyll and hyde ultimate overdrive settings<br />Drive full, turn down for softer songs l<br />tone full<br />volume set to desire<br /><br />Distortion<br />Drive 3 oclock for songs like juicebox, heavy songs ect turned down for softer songs<br />tone 10 - 11 o'clock<br />EQ 7 - 8 o'clock<br />volume set to desire<br /><br />Rhcp- under the bridge tone<br />Black 2x12<br />Gain- 9 o'clock<br />Volume- max<br />Treble- max<br />Middle- 3/4 o'clock<br />Bass- 9/10 o'clock<br />Use compressor effect as well<br /><br />Classic rock ie. led zepplin<br />AC30TB setting<br />Gain- 2 o'clock<br />Volume- max<br />Treble- 3 o'clock<br />Middle- 1 o'clock<br />Bass- 10/11 o'clock<br />Reverb obviously works well too.<br /><br />Kinks tone<br />UK 70's setting<br />Gain- 4 o'clock<br />Volume- max<br />Treble- max<br />Middle- 2 o'clock<br />Bass- 10/11 o'clock<br /><br />Sex pistols tone<br />AC30TB setting<br />Gain- 2/3 o'clock<br />Volume- max<br />Treble- 4/5 o'clock<br />Middle- 2/3 o'clock<br />Bass- 10 o'clock<br /><br />New indie type tone e.g. futureheads, bloc party, razorlight<br />AC30TB setting<br />Gain- 10/11 o'clock (mess around with this to get the right amount for a particular band<br />Volume- max<br />Treble- max<br />Middle- 3 o'clock<br />Bass- 9 o'clock<br /><br />Lake Bodom - CHildren of Bodom<br />Treble: 9<br />Mid: 4<br />Bass: 7<br />Gain: 8<br />Reverb: 4<br />(on guitar)<br />Tone: 10<br />Pickup: Bridge<br /><br /><br />Pink Floyd-Comfortably Numb<br />BASS: 10<br />MIDDLE: 6.5<br />TREBLE: 10<br />GAIN: 1.5<br /><br /><br />Greg Ginn from Black Flag (not o'clocks)<br />Gain:10<br />Bass:10<br />Middle:10<br />Treble:5<br />Contour(if applicable):8<br />Effects:none<br />Reverb: 0<br />Channel: Overdrive<br /><br />David Gilmour- Dark Side of the Moon<br />Gain-2-3<br />Volume-10<br />Treble- 7-8<br />Mids- 9-10<br />Bass- 5-6<br />Reverb- 60-70%<br />Fuzz- 100%<br />Phaser- 40%<br />Delay- about 310ms<br /><br /><br />Adam Jones-Laterlarus<br />Gain- 5<br />Volume- 10<br />Treble- 8<br />Mids- 5-6<br />Bass- 7<br />Reverb -variable, usually below 40%<br /><br />Offspring-Come Out and Play<br />Treble: 8<br />Mids: 3<br />Bass: 5<br />Reverb: 3<br />Dist: 10<br /><br />Matt Heafy from Trivium<br />Treble- 8.5<br />Mid-6.5<br />Bass-6<br />Gain-7.5<br />Reverb-none<br /><br />Avenged Sevenfold<br />Low - 7<br />Mid - 6<br />High - 8<br />Drive - 10 (on a Boss DS-1)<br />Reverb - 2 or 3<br /><br />Daron Malakian of System Of A Down (newer)<br />Pre-Amp: 7<br />Gain: 5<br />Trebble: 8<br />Mid:9<br />Bass: 7.5<br />Presence: 9<br /><br /><br />Sum 41- Fat lip<br />Scooped Mids<br />Gain 6-10<br />Bass 5-8<br />Mids 0-2<br />Treble8-10<br /><br />Killswitch Engage<br />Reverb:4<br />Bass:6<br />Mid:6<br />Treble:4 or 7 depending on song.<br />Gain:8<br /><br />Random Speed/Power metal settings<br />Gain: 4<br />Bass: 4<br />Mid: 8<br />Treble: 4<br />Reverb: 3<br /><br />Gain: 7<br />Bass: 8<br />Mid: 3<br />Treble: 7<br />Reverb: 3<br /><br /><br />Hank Marvin of The Shadows<br />Gain - 2<br />Treble - 6<br />Mid - 9<br />Bass - 9<br />Reverb - 10<br /><br />MORE Metallica (Hetfield and Hammet, with specific amps, effects, and years)<br />James Hetfield<br /><br />Mesa/Boogie Triaxis<br /><br />Late 90's<br /><br />Program/Channel- Main Crunch<br />Gain- 7<br />Bass- 4.5<br />Middle- 0<br />Treble- 6.5<br />Drive 1- 0<br />Drive 2- 6.5<br />Master- 5<br />Presence- 6.5<br />Dynamic Voice- 0<br />Mode- LD2 Yellow<br /><br />Program/Channel- Clean<br />Gain- 2<br />Bass- 4<br />Middle- 2<br />Treble- 5<br />Drive 1- 0<br />Drive 2- 0<br />Master- 5.5<br />Presence- 5.5<br />Dynamic Voice- 0<br />Mode- Rhy 1 Yellow<br /><br />2003<br /><br />Program/Channel- Frantic<br />Gain- 8<br />Bass- 5<br />Middle- 3<br />Treble- 6<br />Drive 1- 0<br />Drive 2- 6<br />Master- 6<br />Presence- 5<br />Dynamic Voice- 0<br />Mode- LD2 Yellow<br /><br />Diezel VH-4<br /><br />Gain- 6<br />Volume- 8<br />Bass- 9<br />Middle- 3<br />Treble- 8<br />Volume- 6<br />EFX Mix- 5<br />Presence- 6<br />Deep- 5<br /><br />Gain- 8<br />Volume- 8<br />Bass- 10<br />Middle- 4<br />Treble- 8.5<br />Volume- 6<br />EFX Mix- 5<br />Presence- 6<br />Deep- 5<br /><br />Triple Rectifier<br /><br />Clean<br /><br />Master- 2<br />Presence- 8<br />Bass- 5<br />Mid- 6<br />Treble- 6<br />Gain- 2<br /><br />Dirty<br /><br />Master- 5<br />Presence- 6<br />Bass- 5<br />Mid- 4.5<br />Treble- 6<br />Gain- 5<br /><br />Kirk Hammett:<br /><br />Triaxis<br /><br />Clean<br />Gain- 1<br />Bass- 1<br />Middle- 5<br />Treble- 4<br />Lead 1- 0<br />Lead 2- 0<br />Master- 10<br />Presence- 6<br />Dynamic Voice- 6.5<br />Mode- Rhy. Green<br /><br />Solo<br />Gain- 9<br />Bass- 5<br />Middle- 7<br />Treble- 3<br />Lead 1- 0<br />Lead 2- 1<br />Master- 2<br />Presence- 2<br />Dynamic Voice- 8<br />Mode- Ld.2 Green<br /><br />Garage Inc. 1<br />Gain- 10<br />Bass- 10<br />Middle- 7<br />Treble- 5<br />Lead 1- 0<br />Lead 2- 0<br />Master- 10<br />Presence- 6<br />Dynamic Voice- 6.5<br /><br />Garage Inc. 2<br />Gain- 4<br />Bass- 8<br />Middle- 4<br />Treble- 5<br />Lead 1- 0<br />Lead 2- 0<br />Master- 10<br />Presence- 6<br />Dynamic Voice- 4.5<br /><br />Dual Rectifier<br /><br />Clean<br />Presence- 7<br />Bass- 7.5<br />Middle- 1.5<br />Treble- 8.5<br />Gain- 5<br /><br />Dirty<br />Master- 4<br />Presence- 2<br />Bass- 5<br />Middle- 3.5<br />Treble- 5.5<br />Gain- 5-7<br /><br />TS-9 Tube Screamer<br />Drive- 1 o'clock<br />Level- 12 o'clock<br />Tone- 1 o'clock<br /><br />Pete Townshend of The Who<br />Gain: 5<br />Treble: 10<br />Middle: 10<br />Bass: 10<br />Reverb: 3<br /><br />Cradle Of Filth<br />Gain: 10<br />Bass: 10<br />Mids: 1<br />Treble: 10<br />Volume: 10<br /><br />Boston settings<br />Gain - 5<br />Treble - 5<br />Mid - 10<br />Bass - 3<br />Reverb - 0<br /><br /><br />Rammstein<br />Bass: 9-10<br />Mids: 4-5<br />Treble: 9-10<br />Gain: 10<br /><br />Phish- Chalkdust torture<br />Gain:6<br />Bass:8<br />Mid:7<br />treble:4<br />reverb:3<br /><br />Dez Cadena of The Misfits<br />Gain: 9<br />Bass: 9.5<br />Mid: 6<br />Treble: 5<br />Post gain: 5<br /><br />Zakk Wylde of Black Label Society<br />Preamp: 10<br />Volume: 4-6<br />Bass: 10<br />Middle: 4-6<br />Treble: 4-6<br />Presence: 2<br /><br />John Squire of The Stone Roses<br />Gain 7<br />Bass 7<br />Mids 7<br />Treble 3<br />Reverb 5<br /><br />Andy Summers of The Police<br />Gain 5<br />Bass 7<br />Mids 5<br />Treble 5<br />Reverb 5<br /><br />Paul Weller<br />Gain 7<br />Bass 10<br />Mids 10<br />Treble 10<br />Reverb 3<br /><br />Strapping Young Lad<br />Gain 7<br />Bass 8<br />Mids 6<br />Treble 7<br />Reverb 0<br /><br />Darkest Hour<br />Gain-6<br />Bass-7-8<br />Middle-7<br />Treble-5<br />Presence-7<br /><br />Allan Holdswoth<br />Gain: 2 o'clock<br />Treble: 2 o'clock<br />Middle: 2 o'clock<br />Bass: 0<br />Presence: 10 o'clock<br /><br />Dethklok<br />Gain- 8-9<br />Treb-5-6<br />Mid-6<br />Bass-8<br /><br />10 Years<br />Gain:8<br />Treble:6<br />Bass:7<br />Mids:5<br />Reverb:2<br /><br />Jeff Beck<br />Gain - 10<br />Bass - 6<br />Mid - 5<br />Treble - 7<br />Reverb - 4<br /><br />Tool<br />Bass: 4<br />Mid: 4<br />Treble: 8<br />Gain: 7.5<br /><br />Testament<br />Bass- 6-7<br />Mids- 2-3<br />Treble- 4<br />Presence- 7-8<br />Gain- 5-7<br /><br />John 5<br />Gain- 3-5<br />Bass-10<br />Mids-4<br />Treble- 8<br /><br />Savatage<br />Gain 9<br />Treb 6<br />Mid 2<br />Bass 5<br />Presence 6<br /><br />Thurston Moore of Sonic Youth<br />Gain 6<br />Treble 8<br />Mid 3-4<br />Bass 6<br /><br />Radiohead - My Iron Lung<br />Drive: 10<br />Treble: 6<br />Middle: 7<br />Bass: 6<br />Reverb: 3<br /><br />Herman Li of Dragonforce<br />gain- 10<br />bass- 8<br />mid- 5<br />treble 7<br /><br />Nevermore<br />Pre Gain- 6-9<br />Low- 4-7<br />Mid- 5-7.<br />High- 5-7<br />Post Gain- 7-10.<br />Presence- 5-7<br /><br />Yngwie Malmsteen<br />Bass 5-7<br />Mid 2-5<br />Treble 6-8<br />Presence 4-6<br />Volume 10<br /><br />Paul Gilbert of Racer-X<br />Gain 7<br />Bass 7<br />Mid 5<br />Treble 7<br /><br />Misery Signals<br />Distortion channel<br />gain-5<br />bass-6<br />mid-5<br />treble-6<br />resonance-5<br />presence-6<br /><br />clean<br />gain-2 or 3<br />bass-8<br />mid-5<br />treble-4<br />resonance-8<br />presence-3<br /><br />Norma Jean<br />gain:7-8<br />bass:7<br />mid:4<br />treble:6<br /><br />Queens Of The Stone Age<br />Gain: 7<br />Treble: 3<br />Mid: 8<br />Bass: 6<br />Reverb: 0<br /><br />Linkin Park (older)<br />Bass = 2-3 o clock<br />Treble - 1-2 o clock<br />Mid - 10.5-11 o clock<br />Gain - 3-4<br /><br />George Thorogood<br />Drive: 6.5<br />Bass: 2.5<br />Mids: 7<br />Treble: 8<br />Chan. Vol.: 7.5<br /><br />Slash of Velvet Revolver<br />Gain: 5-7<br />Treble: 4-6<br />Mid: 7-8<br />Bass: 6-8<br /><br />Parkway Drive<br />bass 10<br />treble 9<br />gain 8<br />high 9<br />low 10<br />mid 9<br />mid frequency 6<br /><br />Mattias Eklundh of Freak Kitchen:<br />Drive 7<br />Gain 7<br />Bass 10<br />Middle 4.5<br />Treble 4.5<br />Reverb 0<br />Presence 4<br /><br />Tom Morello's exact amp setting on his Marschall JCM 800 2205:<br /><br />Master section:<br />Presence: 7<br />Volume: 9<br />Reverb: 0<br /><br />Boost section:<br />Bass: 9<br />Middle: 6<br />Treble: 1<br />Volume: 8<br />Gain: 9<br /><br />Normal section:<br />Bass: 10<br />Treble: 10<br />Volume: 10<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/204462778867327496-6147334170616532699?l=rockwaved.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/KeepRocking/~4/xR2HJtPdKeE" height="1" width="1"/>rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.com0http://rockwaved.blogspot.com/2009/06/and-moooreeee-settingssss.htmltag:blogger.com,1999:blog-204462778867327496.post-43295475161052784142009-06-15T04:28:00.000-07:002009-06-15T04:29:13.312-07:002009-06-15T04:29:13.312-07:00 <p><a href="http://feedads.g.doubleclick.net/~a/fegPopW0pKBQZnQ4xIdXUjunADc/0/da"><img src="http://feedads.g.doubleclick.net/~a/fegPopW0pKBQZnQ4xIdXUjunADc/0/di" border="0" ismap="true"></img></a><br/> <a href="http://feedads.g.doubleclick.net/~a/fegPopW0pKBQZnQ4xIdXUjunADc/1/da"><img src="http://feedads.g.doubleclick.net/~a/fegPopW0pKBQZnQ4xIdXUjunADc/1/di" border="0" ismap="true"></img></a></p>MUST HAVE AMP SETTINGS<br /><br />AC/DC BACK IN BLACK<br /><br />drive at 6<br />treble at 5<br />mid at 6<br />bass at 8<br />reverb at 3<br />overdrive on<br /><br /><br />BLACK SABBATH - PARANOID<br /><br />DRIVE AT 7<br />treble at 3<br />mid at 6<br />bass at 6<br />reverb at 4<br />distortion on<br /><br /><br />BLINK 182 - ALL THE SMALL THINGS<br /><br />drive at 5<br />treble at 7<br />mid at 4<br />bass at 8<br />reverb at 1<br />distortion on<br /><br /><br />DEEP PURPLE - SMOKE ON THE WATER<br /><br />drive at 7<br />treble at 3<br />mid at 7<br />bass at 9<br />reverb at 3<br />with overdrive<br /><br /><br />GUNS AND ROSES - SWEET CHILD OF MINE<br /><br />drive at 10<br />treble at 3<br />mid at 5<br />bass at 7<br />reverb at 3<br />with overdrive<br /><br /><br />JIMMY HENDRIX - PURPLE HAZE<br /><br />drive at 8<br />treble at 7<br />mid at 9<br />bass at 6<br />reverb at 3<br />with overdrive<br /><br /><br />JOE SATRIANI - SURFING WITH THE ALIEN<br /><br />drive at 7<br />treble at 6<br />mid at 3<br />bass at 6<br />reverb at 0<br />with distortion<br /><br /><br />LED ZEPPELIN - WHOLE LOTTA LOVE<br /><br />drive at 7<br />treble at 3<br />mid at 6<br />bass at 7<br />reverb at 5<br />with overdrive<br /><br /><br />METALLICA - ENTER SANDMAN<br /><br />drive at 7<br />treble at 8<br />mid at 3<br />bass at 3<br />reverb at 2<br />play clean<br /><br /><br />MUSE - PLUG IN BABY<br /><br />drive at 9<br />treble at 8<br />mid at 7<br />bass at 3<br />reverb at 1<br />with distortion<br /><br /><br />NIRVANA - SMELLS LIKE TEEN SPIRIT<br /><br />drive at 6<br />treble at 7<br />mid at 4<br />bass at 3<br />reverb at 2<br />with overdrive<br /><br /><br />PENTERA - COWBOYS FROM HELL<br /><br />drive at 10<br />treble at 10<br />mid at 0<br />bass at 5<br />reverb at 0<br />with distortion<br /><br /><br />PINK FLOYD - MONEY<br /><br />drive at 5<br />treble at 6<br />mid at 7<br />bass at 7<br />reverb at 4<br />with distortion<br /><br /><br />RAGE AGAINST THE MACHINE - KILLING IN THE NAME<br /><br />drive at 6<br />treble at 8<br />mid at 0<br />bass at 6<br />reverb at 2<br />with distortion<br /><br /><br />RED HOT CHILI PEPPERS - UNDER THE BRIDGE<br /><br />drive at 2<br />treble at 6<br />mid at 7<br />bass at 7<br />reverb at 0<br />with overdrive<br /><br /><br />STEVE VAL - THE ANIMAL<br /><br />drive at 6<br />treble at 6<br />mid at 5<br />bass at 8<br />reverb at 3<br />with overdrive<br /><br /><br />VAN HALEN - AIN'T TALKIN BOUT LOVE<br /><br />drive at 6<br />treble at 5<br />mid at 3<br />bass at 9<br />reverb at 4<br />with distortion<br /><br /><br />STEVE VAL AMP SETTINGS<br /><br />Clean #1<br /><br />reverb at 0<br />treble at 9<br />mid at 5<br />bass at 3<br />vol. at 2<br /><br />clean #2<br /><br />reverb at 0<br />treble at 8<br />mid at 4/5<br />bass at 4<br />vol at 6<br /><br />LEAD 31 settings<br /><br />presence at 6<br />treble at 6<br />mid at 8<br />bass at 7/8<br />drive at 9<br />vol at 4<br /><br />LEAD 3 2 settings<br /><br />presence at 6/7<br />treble at 6/7<br />mid at 6<br />bass at 7/8<br />drive at 8<br />vol at 6<br /><br />LEAD 33 settings<br /><br />presence at 6<br />treble at 6<br />mid at 6<br />bass at 7<br />drive at 8<br />vol at 6<br /><br />LEAD 34 settings<br /><br />presence at 6<br />treble at 6<br />mid at 7<br />bass at 7<br />drive at 7<br />vol at 8<br /><br /><br />HEAVY METAL SETTING<br /><br />bass at 10<br />mid at 2<br />treble at 10<br />reverb at 3<br />with Boss Metalzone set at<br />level at half<br />low boost<br />high at half<br />distortion at max<br /><br /><br />HEAVY METAL SETTING<br /><br />gain at 8<br />presence at 3/4<br />bass at 9<br />mid at 3<br />treble at 7<br />reverb at 1/2<br />with DOD metal X set at<br />level at 4<br />low at 8<br />high at 9<br />distortion at 7/8<br /><br /><br />HEAVY METAL SETTING<br /><br />everything at max<br />DOD deathmetal set at<br />level at 5<br />low at 5<br />mid at 0<br />high at 6/7<br /><br /><br />HEAVY METAL SETTING<br /><br />treble at 9<br />mid at 4<br />bass at 10<br />Boss metal zone set at<br />high just under 1<br />low at max<br />mid at just under 1<br />mid freg. distortion at max<br />vol set at arrest level<br /><br /><br />PUNK SETTING<br /><br />low at 10<br />mid at 10<br />high at 3/4<br />with distortion pedal set at<br />tone high<br />distortion at max<br /><br /><br />SULTANS OF SWING SETTINGS<br /><br />presence at 4<br />treble at 5<br />nid at 5<br />bass at 5<br />reverb 2/3<br />master at 10<br /><br /><br />YNGWIES SETTING<br /><br />vol at 10<br />bass at 5/7<br />mid at 2/5<br />treble at 6/8<br />presence at 4/6<br /><br /><br />BONE GRINDER GRUNDGE<br /><br />pregain at 2/3<br />low at 8<br />mid at 5<br />high at 8<br />presence at 6/7<br />master at 6<br />output level at 80%<br />you can add to this<br />phaser at slow with EQ for bass punch<br />or a chorus with EQ for sharpness<br /><br /><br />COUNTRY BLUES SOUND<br /><br />bass at 6/7<br />mid at 6/7<br />treble at 8/10<br />reverb at 3<br /><br /><br />BLUES SETTING<br /><br />treble at 5/7<br />bass at 5/6<br />mid at 0<br />use with a tube screamer<br /><br /><br />ZAKK WYLDE<br /><br />treble at 10<br />mid at 3<br />bass at 10<br />presence at 2/3<br />vol. at 10<br />master vol at 6/7<br /><br /><br />RANDY RHODES<br /><br />presence at 10<br />bass at 1<br />mid at 4/5<br />treble at 2<br />vol at 9<br />played with MXR distortion pedal<br /><br /><br />Another ZAKK WYLDE<br /><br />gain at 6/8<br />presence low<br />mid at 4/6<br />treble at 9/10<br />bass at 9/10<br /><br /><br />METALLICA<br /><br />Gain at 9<br />treble at 10<br />mid at 2<br />bass at 7<br />reverb at 3<br /><br /><br />TONI IOMMI<br /><br />bass at 6<br />treble at 6<br />mid at 6<br />gain at 7/8<br /><br /><br />THICK METAL CRUNCH<br /><br />gain at 7<br />bass at 8<br />mid at 6<br />treble at 7<br /><br /><br />JIMI HENDRIX<br /><br />gain at 4<br />treble at 5<br />mid at 5<br />bass at 8<br />reverb at 5<br /><br /><br />TOM MORELLO<br /><br />gain at 7<br />treble at 10<br />mid at 4<br />bass at 4<br />reverb at 0<br /><br /><br />ERIC CLAPTON<br /><br />gain at 7<br />treble at 5<br />mid at 7<br />bass at 7<br />presence at 8<br /><br /><br />JIMMY PAGE<br /><br />gain at 4<br />treble at 8<br />mid at 3<br />bass at 7<br />reverb at 2<br /><br /><br />Posted: Jan 31, 2006 02:00 AM<br /><br />--------------------------------------------------------------------------------<br /><br /><br />A BLUES SETTING<br /><br />set your knobs at 40 to 50 percent, gain low<br /><br />POWER BLUES SETTTING<br /><br />gain - 1<br /><br />reverb - 1<br /><br />treble - 7<br /><br />bass - 6<br /><br />middle - 7<br /><br />RHYTHM BLUES SETTINGS<br /><br />gain - 6 to 8<br /><br />treble - 4 to 6<br /><br />bass - 4 to 6<br /><br />mid - 4 to 6<br /><br />reverb - 3<br /><br />presence - 2<br /><br /><br /><br /><br />STONE ROSES<br /><br /><br />gain 7<br />bass 7<br />mid 7<br />treble 3<br />reverb 5<br /><br /><br />RANDY RHODES Over The Mountain<br /><br /><br />gain 7<br />bass 7<br />mid 7<br />treble 10<br /><br /><br />ALICE COOPER Schools Out<br /><br />gain 7<br />bass 6<br />mid 10<br />treble 10<br />reverb 4<br /><br /><br />THE POLICE Walking On The Moon<br /><br />gain 5<br />bass 7<br />mid 5<br />treble 5<br />reverb 5<br /><br /><br />DARKEST HOUR<br /><br />gain 6<br />bass 7/8<br />mid 7<br />treble 5<br />presence 7<br /><br /><br />PAUL GILBERT<br /><br />bass 10<br />mid, less then 1<br />treble 6/8<br />presence - way up<br /><br /><br />ALICE IN CHAINS<br /><br />gain 6/7<br />treble 6/7<br />mid 5/6<br />bass 5/6<br />reverb 3<br /><br /><br />PHISH Chalkdust Torture<br /><br />gain 6<br />bass 8<br />mid 7<br />treble 4<br />reverb 3<br /><br /><br />ALMAN BROTHERS One Way Out<br /><br />gain 5<br />bass 6<br />mid 6<br />treble 8<br />reverb 3<br /><br /><br />THE MISFITS<br /><br />gain 9<br />bass 9/10<br />mid 6<br />treble 5<br />post gain 5<br /><br /><br />PUNK ROCK<br /><br />gain 7<br />bass 3<br />mid 4<br />treble 7<br />contour 8<br />overdrive 7<br /><br /><br />ZZ TOP<br /><br />bass 10<br />mid 10<br />treble 3<br />presence 5<br />preamp 5<br />gain 6<br /><br /><br />SYNSTER GATES<br /><br />drive 8<br />treble 6<br />mid 5<br />bass 6<br /><br />ALICE IN CHAINS<br /><br />drive 5<br />treble 5<br />mid 6<br />bass 6<br /><br /><br />METAL SETTING for line 6 spider 2 amp<br /><br />drive 7<br />bass 5/6<br />mid 4<br />treble 10<br /><br /><br />NEIL YOUNG Rockin In The Free World<br /><br />bass 5<br />mid 10<br />treble 10<br />presence 10<br />gain 5<br /><br /><br />AVENGED SEVENFOLD Beast Harlot<br /><br />gain 8<br />treble 7<br />mid 6<br />bass 7<br /><br /><br />CRADLE OF FAITH Filthy Little Secret<br /><br />gain 10<br />bass 10<br />mid 1<br />treble 10<br />vol 10<br />contour 1<br /><br /><br />DAN DONEGAN<br /><br />gain 8<br />bass 10<br />mid 7/8<br />treb;e 7/8<br /><br /><br />KERRY KING<br /><br />gain 9/10<br />treble 10<br />mid 4<br />bass 6/7<br />reverb 3<br /><br /><br />COWBOYS FROM HELL<br /><br />gain 9<br />bass 7<br />mid 3<br />treble 8<br />reverb 2<br /><br /><br />DEATH TRASH SETTINGS On a Peavey Amp<br /><br />lead channel<br />bass 6<br />mid 5/7<br />treble 7<br />gain 11<br /><br /><br />BEATLES Day Tripper<br /><br />Channel A<br />master vol. 4<br />gain 4/5<br />presence 3<br />bass 10<br />mid 5<br />treble 5<br />mode low<br /><br /><br />STEPPENWOLD Born To Be Wild<br /><br />Channel B<br />master vol 2<br />lead gain 8<br />reverb 1/2<br />presence 4<br />bass 8<br />mid 9<br />treble 6<br />mode low<br /><br /><br />CLASSIC ROCK For Solid State Amp<br /><br />bass 10<br />mid 5<br />treble 7<br />presence 7<br />resonance 5<br />reverb 3<br />distortion<br /><br /><br />CLASSIC ROCK On A Tube Amp<br /><br />gain 8<br />bass 7<br />mid 5<br />treble 5<br /><br /><br />SRV On a Fender Blues Jr amp<br /><br />reverb 3<br />master vol 3<br />treble 10<br />mid 10<br />low 4<br />fat switch on<br />vol 8<br /><br /><br /><br />PETE TOWNSEND<br /><br />gain 9/10<br />bass 7<br />mid 4<br />treble 10<br />reverb 2<br /><br /><br />SLAYER<br /><br />gain 7<br />treble 7<br />mid 2<br />bass 9<br /><br /><br />KORN<br /><br />overdrive/gain 10<br />bass 3/5<br />mid 5<br />high 5/8<br /><br /><br />STROKES<br /><br />gain 4<br />treble 8<br />mid 4/6<br />bass 6<br />bridge with distortion<br />or neck clean<br /><br /><br />RADIOHEAD My Iron Ling<br /><br />drive 10<br />treble 6<br />mid 7<br />bass 6<br />reverb 3 (clean)<br /><br /><br />JOE PERRY<br /><br />gain 5/6<br />treble 2<br />mid 7<br />bass 2<br /><br /><br />DEP LEPPARD<br /><br />gain 4<br />bass 4<br />mid 5<br />treble 7<br />reverb 4<br /><br /><br />DAVE MUSTAINE<br /><br />GAIN 9/10<br />bass 8/9<br />mid 7<br />treble 8/9<br />presence 10<br />master vol 5/6<br /><br /><br />PEARL JAM<br /><br />gain 2<br />treble 6<br />bass 7<br />mid 7<br />reverb 3<br /><br /><br />DEP LEPPARD Rock Of Ages<br /><br />gain 4<br />treble 7<br />bass 5<br />mid 4<br />reverb 4<br /><br /><br />JEFF BECK Blow by Blow<br /><br />gain 10<br />bass 6<br />mid 5<br />treble 7<br />reverb 4<br /><br /><br />BOSTON<br /><br />bass 3<br />mid 10<br />treble 5<br />gain 5<br /><br /><br />DEEP PURPLE Highway Star<br /><br />bass 8<br />mid 5<br />treble 7<br />gain 4<br /><br /><br /><br />GREEN DAY<br /><br />gain 8<br />treble 6<br />mid 4/5<br />bass 8<br />reverb 2<br /><br /><br />SLIPNOT<br /><br />treble 8<br />mid 2/3<br />bass 8<br />gain max<br /><br /><br />DEEP PURPLE Smoke On the Water<br /><br />drive 7<br />treble 3<br />mid 7<br />bass 9<br />reverb 3<br />overdrive on<br /><br /><br />SRV Texas Flood<br /><br />drive 6<br />treble 6<br />mid 5<br />bass 8<br />reverb 3<br />overdrive on<br /><br /><br />PUNK Using a Marshall MG amp<br /><br />gain max<br />treble 9<br />mid 7<br />bass 5<br /><br /><br />SATCH<br /><br />gain 7<br />vol 3<br />treble 6<br />mid 10<br />bass 6<br />reverb 1<br /><br /><br />THE SHADOWS<br /><br />gain 2<br />treble 6<br />mid 9<br />bass 10<br />reverb 10<br /><br /><br />METALLICA<br /><br />mid 0<br />bass high<br />treble high<br /><br />guitar tuned to drop C<br /><br />Boss Metal Zone Pedal set to<br /><br />level 8/9 o clock<br />mid 7 o clock<br />treble 4/5 o clock<br />distortion max<br />bass 3/4 o clock<br /><br /><br />GRUNGE PEDAL SETTING FOR Kurt Cobain<br /><br />loud 9 o clock<br />low 3 o clock<br />high 12 o clock<br />grunge max<br /><br /><br />SANTANA<br /><br />clean<br />gain 7<br />treble 10<br />mid 6<br />bass 5<br />reverb 2<br /><br /><br />DAVID GILMOUR<br /><br />strat neck pickup<br />clean tube amp<br />gain 2/3<br />vol 10<br />treble 7/8<br />mid 9/10<br />bass 5/6<br />reverb 60 to 70%<br />fuzz 100% use fuzz pedal, big muff or rat<br />phaser pedal 40%<br />delay pedal 310ms<br /><br /><br />LED ZEPPLIN on a Vox ad30vt amp<br /><br />gain 2 o clock<br />treble 3 o clock<br />vol max<br />mid 1 o clcok<br />bass 10/11 o clock<br />reverb<br /><br /><br />SEX PISTOLS On a Vox ad30vt amp<br /><br />gain 2/3 o clock<br />vol max<br />treble 4/5 o clock<br />mid 2/3 o clock<br />bass 10 o clock<br /><br /><br />THE DARKNESS solo settings<br /><br />overdrive on<br />gain 7<br />treble 8<br />mid 8<br />bass 8<br />reverb 5<br />with tube screamer<br /><br /><br />SLASH<br /><br />gain 6/7<br />treble 4/5<br />mid 7<br />bass 7<br />presence 8<br />overdrive on<br /><br /><br />GOOD TRASH SOUND<br /><br />drive 10<br />vol 5<br />bass 0<br />mid 0<br />treble 10<br />tone off on guitar<br />use bridge pickup<br /><br /><br />CHILDREN OF BODOM<br /><br />treble 9<br />mid 4<br />bass 7<br />gain 8<br />reverb 4<br />guitar tone max<br />use bridge pickup<br /><br /><br /><br />BLUES TONE for a Vox ad30vt amp<br /><br />treble 7<br />mid 6<br />bass 3<br />gain 10<br /><br /><br />METAL TONE for a Vox ad30vt amp<br /><br />gain 10<br />treble 8<br />mid 2<br />bass 6<br /><br /><br />PANTERA on a line 6 spider 2 amp<br /><br />amp model green insane<br />bass 7<br />mid 2<br />treble 8<br />drive 12 o clock<br />add a bit of flanger<br />reverb 4<br />add a noise gate<br /><br /><br />LED ZEPPLIN On a spider 2 amp<br /><br />amp model either crunch<br />bass 8<br />mid 3<br />treble 9<br />drive 10<br />reverb 3<br /><br /><br /><br />Location: Bar Harbor, ME<br />Posted: May 21, 2007 03:22 AM<br /><br />--------------------------------------------------------------------------------<br /><br /><br />--------------------------------------------------------------------------------<br /><br />AC/DC BACK IN BLACK<br /><br />drive at 6<br />treble at 5<br />mid at 6<br />bass at 8<br />reverb at 3<br />overdrive on<br /><br /><br />BLACK SABBATH - PARANOID<br /><br />DRIVE AT 7<br />treble at 3<br />mid at 6<br />bass at 6<br />reverb at 4<br />distortion on<br /><br /><br />BLINK 182 - ALL THE SMALL THINGS<br /><br />drive at 5<br />treble at 7<br />mid at 4<br />bass at 8<br />reverb at 1<br />distortion on<br /><br /><br />DEEP PURPLE - SMOKE ON THE WATER<br /><br />drive at 7<br />treble at 3<br />mid at 7<br />bass at 9<br />reverb at 3<br />with overdrive<br /><br /><br />GUNS AND ROSES - SWEET CHILD OF MINE<br /><br />drive at 10<br />treble at 3<br />mid at 5<br />bass at 7<br />reverb at 3<br />with overdrive<br /><br /><br />JIMMY HENDRIX - PURPLE HAZE<br /><br />drive at 8<br />treble at 7<br />mid at 9<br />bass at 6<br />reverb at 3<br />with overdrive<br /><br /><br />JOE SATRIANI - SURFING WITH THE ALIEN<br /><br />drive at 7<br />treble at 6<br />mid at 3<br />bass at 6<br />reverb at 0<br />with distortion<br /><br /><br />LED ZEPPELIN - WHOLE LOTTA LOVE<br /><br />drive at 7<br />treble at 3<br />mid at 6<br />bass at 7<br />reverb at 5<br />with overdrive<br /><br /><br />METALLICA - ENTER SANDMAN<br /><br />drive at 7<br />treble at 8<br />mid at 3<br />bass at 3<br />reverb at 2<br />play clean<br /><br /><br />MUSE - PLUG IN BABY<br /><br />drive at 9<br />treble at 8<br />mid at 7<br />bass at 3<br />reverb at 1<br />with distortion<br /><br /><br />NIRVANA - SMELLS LIKE TEEN SPIRIT<br /><br />drive at 6<br />treble at 7<br />mid at 4<br />bass at 3<br />reverb at 2<br />with overdrive<br /><br /><br />PENTERA - COWBOYS FROM HELL<br /><br />drive at 10<br />treble at 10<br />mid at 0<br />bass at 5<br />reverb at 0<br />with distortion<br /><br /><br />PINK FLOYD - MONEY<br /><br />drive at 5<br />treble at 6<br />mid at 7<br />bass at 7<br />reverb at 4<br />with distortion<br /><br /><br />RAGE AGAINST THE MACHINE - KILLING IN THE NAME<br /><br />drive at 6<br />treble at 8<br />mid at 0<br />bass at 6<br />reverb at 2<br />with distortion<br /><br /><br />RED HOT CHILI PEPPERS - UNDER THE BRIDGE<br /><br />drive at 2<br />treble at 6<br />mid at 7<br />bass at 7<br />reverb at 0<br />with overdrive<br /><br /><br />STEVE VAL - THE ANIMAL<br /><br />drive at 6<br />treble at 6<br />mid at 5<br />bass at 8<br />reverb at 3<br />with overdrive<br /><br /><br />VAN HALEN - AIN'T TALKIN BOUT LOVE<br /><br />drive at 6<br />treble at 5<br />mid at 3<br />bass at 9<br />reverb at 4<br />with distortion<br /><br /><br />STEVE VAL AMP SETTINGS<br /><br />Clean #1<br /><br />reverb at 0<br />treble at 9<br />mid at 5<br />bass at 3<br />vol. at 2<br /><br />clean #2<br /><br />reverb at 0<br />treble at 8<br />mid at 4/5<br />bass at 4<br />vol at 6<br /><br />LEAD 31 settings<br /><br />presence at 6<br />treble at 6<br />mid at 8<br />bass at 7/8<br />drive at 9<br />vol at 4<br /><br />LEAD 3 2 settings<br /><br />presence at 6/7<br />treble at 6/7<br />mid at 6<br />bass at 7/8<br />drive at 8<br />vol at 6<br /><br />LEAD 33 settings<br /><br />presence at 6<br />treble at 6<br />mid at 6<br />bass at 7<br />drive at 8<br />vol at 6<br /><br />LEAD 34 settings<br /><br />presence at 6<br />treble at 6<br />mid at 7<br />bass at 7<br />drive at 7<br />vol at 8<br /><br /><br />HEAVY METAL SETTING<br /><br />bass at 10<br />mid at 2<br />treble at 10<br />reverb at 3<br />with Boss Metalzone set at<br />level at half<br />low boost<br />high at half<br />distortion at max<br /><br /><br />HEAVY METAL SETTING<br /><br />gain at 8<br />presence at 3/4<br />bass at 9<br />mid at 3<br />treble at 7<br />reverb at 1/2<br />with DOD metal X set at<br />level at 4<br />low at 8<br />high at 9<br />distortion at 7/8<br /><br /><br />HEAVY METAL SETTING<br /><br />everything at max<br />DOD deathmetal set at<br />level at 5<br />low at 5<br />mid at 0<br />high at 6/7<br /><br /><br />HEAVY METAL SETTING<br /><br />treble at 9<br />mid at 4<br />bass at 10<br />Boss metal zone set at<br />high just under 1<br />low at max<br />mid at just under 1<br />mid freg. distortion at max<br />vol set at arrest level<br /><br /><br />PUNK SETTING<br /><br />low at 10<br />mid at 10<br />high at 3/4<br />with distortion pedal set at<br />tone high<br />distortion at max<br /><br /><br />SULTANS OF SWING SETTINGS<br /><br />presence at 4<br />treble at 5<br />nid at 5<br />bass at 5<br />reverb 2/3<br />master at 10<br /><br /><br />YNGWIES SETTING<br /><br />vol at 10<br />bass at 5/7<br />mid at 2/5<br />treble at 6/8<br />presence at 4/6<br /><br /><br />BONE GRINDER GRUNDGE<br /><br />pregain at 2/3<br />low at 8<br />mid at 5<br />high at 8<br />presence at 6/7<br />master at 6<br />output level at 80%<br />you can add to this<br />phaser at slow with EQ for bass punch<br />or a chorus with EQ for sharpness<br /><br /><br />COUNTRY BLUES SOUND<br /><br />bass at 6/7<br />mid at 6/7<br />treble at 8/10<br />reverb at 3<br /><br /><br />BLUES SETTING<br /><br />treble at 5/7<br />bass at 5/6<br />mid at 0<br />use with a tube screamer<br /><br /><br />ZAKK WYLDE<br /><br />treble at 10<br />mid at 3<br />bass at 10<br />presence at 2/3<br />vol. at 10<br />master vol at 6/7<br /><br /><br />RANDY RHODES<br /><br />presence at 10<br />bass at 1<br />mid at 4/5<br />treble at 2<br />vol at 9<br />played with MXR distortion pedal<br /><br /><br />Another ZAKK WYLDE<br /><br />gain at 6/8<br />presence low<br />mid at 4/6<br />treble at 9/10<br />bass at 9/10<br /><br /><br />METALLICA<br /><br />Gain at 9<br />treble at 10<br />mid at 2<br />bass at 7<br />reverb at 3<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/204462778867327496-4329547516105278414?l=rockwaved.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/KeepRocking/~4/FJEX-Y9dhy8" height="1" width="1"/>rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.com0http://rockwaved.blogspot.com/2009/06/amp-settings-guys-must-have.htmltag:blogger.com,1999:blog-204462778867327496.post-81765074168882718702009-06-15T04:17:00.003-07:002009-06-15T04:17:59.182-07:002009-06-15T04:17:59.182-07:00 <p><a href="http://feedads.g.doubleclick.net/~a/pk-yR6jQb9ZmG6CAPjm9ZJvVOfc/0/da"><img src="http://feedads.g.doubleclick.net/~a/pk-yR6jQb9ZmG6CAPjm9ZJvVOfc/0/di" border="0" ismap="true"></img></a><br/> <a href="http://feedads.g.doubleclick.net/~a/pk-yR6jQb9ZmG6CAPjm9ZJvVOfc/1/da"><img src="http://feedads.g.doubleclick.net/~a/pk-yR6jQb9ZmG6CAPjm9ZJvVOfc/1/di" border="0" ismap="true"></img></a></p>http://www.youtube.com/watch?v=s2BplUvH4dk<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/204462778867327496-8176507416888271870?l=rockwaved.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/KeepRocking/~4/4uv25nXg6eY" height="1" width="1"/>rockwavehttp://www.blogger.com/profile/15411097270920667158noreply@blogger.com0http://rockwaved.blogspot.com/2009/06/this-is-my-video-on-youtube.html