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    <title>Keith Kahn-Harris</title>
    <link>http://www.kahn-harris.org</link>
    <description>I can't think of a witty subheading - any suggestions?</description>
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      <pubDate>Thu, 23 Feb 2012 02:24:00 -0800</pubDate>
      <title>Launching new book: 'Despatches from the Invisible Revolution' </title>
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      <description>&lt;p&gt;
	&lt;p&gt;I'm thrilled to announce that the book edited by &lt;a href="http://dougald.co.uk" target="_blank"&gt;Dougald Hine&lt;/a&gt; and myself, 'Despatches from the Invisible Revolution', &lt;a href="http://pediapress.com/books/show/07ebb0bdddb0412af5bfc25bc35d2a/"&gt;is now available&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The collection consists of a series of reflections on the extraordinary year that was 2011. The book was conceived last November and has been put together quickly using print on demand publishers Pedia Press. There is a preview of the first few pages on &lt;a href="http://pediapress.com/books/show/07ebb0bdddb0412af5bfc25bc35d2a/"&gt;the Pedia Press page&lt;/a&gt; and on the same page there are links to the individual essays' wiki pages.&lt;/p&gt;
&lt;p&gt;There will be a launch event at the Free Word Centre, 60 Farringdon Road,  London at 6.30-8.00pm, Wednesday 29th February 2012. This is a free and  open event, but &lt;a href="http://invisiblerevolution.eventbrite.com/"&gt;please book on Eventbrite&lt;/a&gt; to let us know you&amp;rsquo;re coming. Tickets are going fast but we may open up more places if there is demand.&lt;/p&gt;
&lt;p&gt;The book is (hopefully) the first publication by the &lt;a href="http://newpublicthinkers.org/"&gt;New Public Thinking&lt;/a&gt; project that Dougald conceived and that I've been involved in since last year.&lt;/p&gt;
&lt;p&gt;Here's the blurb from the New Public Thinking page:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;In the Industrial Revolution, you could point at a steam  engine and ask: &amp;lsquo;What on earth is that?&amp;rsquo; What defines the Invisible  Revolution is that there&amp;rsquo;s nothing to point at, no totemic object that  conveys the power and the strangeness of the forces changing our lives.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;A wave of networked disruption swept across the world in 2011, taking  with it the idea that today&amp;rsquo;s social technologies are only about  throwing sheep at each other, or hiding away in Second Life. The new  social forms which ride the network now make their entrance on the stage  of history; yet the grain of networked reality remains puzzlingly  elusive. Much of the activity which makes up the network seems too loose  and haphazard to be significant, by the standards of the world in which  we grew up.&lt;/p&gt;
&lt;p&gt;&amp;lsquo;Despatches  from the Invisible Revolution&amp;rsquo; &amp;ndash; which launches on 29th February 2012  at the Free Word centre in London &amp;ndash; is both a reflection on the puzzling  nature of the network and an instance of the new forms it makes  possible.&lt;/p&gt;
&lt;p&gt;The 24 contributors to the book responded to &lt;a href="http://newpublicthinkers.org/?p=123"&gt;a post on this blog&lt;/a&gt;,  inviting readers to reflect on their experience of 2011. Some were  deeply involved in events most of us only followed in the news (or,  increasingly, on Twitter) &amp;ndash; like the Icelandic activist Sm&amp;aacute;ri McCarthy,  who writes about his experiences providing tech support to  revolutionaries in Tunisia, Egypt and Syria. For others, the frontline  of change lies further from the attention of the media, in the everyday  realities of home, school, community projects, local and national  politics.&lt;/p&gt;
&lt;p&gt;These are not essays written at leisure, but despatches from the  middle of events that are still unfolding. But out of them emerges a  picture of the elusive forces of the network &amp;ndash; and perhaps some clues to  the changes which lie ahead, as its tide continues to rise.&lt;/p&gt;
&lt;p&gt;&amp;lsquo;Despatches from the Invisible Revolution&amp;rsquo; is the first book to come  out of New Public Thinking, an online and offline network in search of a  better public conversation. New Public Thinking aims to encourage a  culture of thinking together and thinking aloud, where public discourse  is not automatically framed as an opposition between rehearsed  arguments, where we are willing to change our minds, to risk being wrong  and to learn from each other.&lt;/p&gt;
&lt;p&gt;The book has been edited by Dougald Hine and Keith Kahn-Harris.  Contributors include Pat Kane, Bridget McKenzie, Keri Facer, Andy  Gibson, Pamela McLean, Nick Stewart, Vinay Gupta, Tessy Britton, Mike  Small, Eleanor Saitta, Noah Raford, Chris T-T, Laura Burns, Anna  Bj&amp;ouml;rkman, Sm&amp;aacute;ri McCarthy, Jeppe Graugaard, Andy Broomfield, Alex  Fradera, Neil Cantwell and Andrew Taggart.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/blockquote&gt;
	
&lt;/p&gt;

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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
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        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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      <pubDate>Sun, 12 Feb 2012 13:59:00 -0800</pubDate>
      <title>Argument outsourcing - the EUMC definition</title>
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      <description>&lt;p&gt;
	&lt;p&gt;For several years I've been working to try and improve the civility of intra-Jewish debates over Israel. It hasn't been easy work and I would not claim any clear victories. The issue is complex and so is the solution. I've been working on a book on the subject for a year now and it may take another year to finish.&lt;/p&gt;
&lt;p&gt;But I think there are some 'low hanging fruit' - things that are relatively easy to do that would have a substantial impact. One of these is to desist from what I will call 'argument outsourcing'. That is, rather than making a case for something yourself, pointing to someone else's argument and treating it as the last word on the subject.&lt;/p&gt;
&lt;p&gt;Argument outsourcing can be found on all points of the political spectrum but I will briefly highlight one particularly striking version of it: the use of the 2005 EUMC (&lt;span style="color: #000000;"&gt;European Union Monitoring Centre on Racism and Xenophobia) &lt;/span&gt;definition of antisemitism. You can download the full definition &lt;a href="http://fra.europa.eu/fraWebsite/material/pub/AS/AS-WorkingDefinition-draft.pdf"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I take no position here on what the EUMC definition says and how it should be applied. What I am interested in is how the EUMC definition has become the most commonly used one in UK pro-Israel circles. It is particularly relevant to debates on Israel as pro-Israel campaigners who draw on the definition claim that the definition classes anti-Zionism as anti-semitism - which clearly has big implications for how the boundaries around acceptable and unacceptable discourse on Israel are framed.&lt;/p&gt;
&lt;p&gt;Using a particular definition of antisemitism is not problematic in and of itself. What is striking though is that the EUMC definition is often treated as the last word on the subject. The definition is seen as an absolute one as if simply pointing to it will end any argument. But I have rarely actually seen campaigners explain exactly why the EUMC definition is correct.&lt;/p&gt;
&lt;p&gt;For instance, the pro-Israel CiFWatch blog has a page &lt;a href="http://cifwatch.com/how-we-define-antisemitism/"&gt;'How we define antisemitism'&lt;/a&gt; that points to the EUMC definition as the correct definition. Although it goes into some detail as to how the EU and other bodies adopted the definition and although it explains what the definition says, nowhere do CiFWatch explain why the definition is correct on its own terms.&lt;/p&gt;
&lt;p&gt;Another example: the pro-Israel campaigner Jonathan Hoffman recently published &lt;a href="http://www.thejc.com/blogs/jonathan-hoffman/liberal-rabbi-danny-rich-and-zf"&gt;a criticism of Rabbi Danny Rich&lt;/a&gt; for, amongst other things, tolerating one-staters - and one-staters are by definition anti-semitic according to the EUMC definition. Again, the argument as to why this is the case is not made - it is outsourced to the EUMC.&lt;/p&gt;
&lt;p&gt;I am not necessarily challenging the EUMC definition or how it is used. What I am suggesting is that it is often used in such a way that its validity is automatically assumed, as though that argument doesn't need to be made. I would like to know why Jonathan Hoffman or CiFWatch believe the definition is correct and not simply with reference to what bodies or countries have adopted the definition. I want to hear it justified with reference to its content. &lt;em&gt;I want to hear what they themselves actually believe.&amp;nbsp;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Argument outsourcing is not just something that pro-Israel campaigners use. You see it among anti-occupation activists, for example, in the mantra-like references to the settlements being illegal. Again,this may or may not be the case - what I want to hear is why the occupation is wrong, not outsourcing to international law. Another example: the justification of BDS as 'the Palestinians have called for it'. That is not a justification, it is outsourcing.&lt;/p&gt;
&lt;p&gt;So what's wrong with argument outsourcing anyway? The problem is that it prevents dialogue from occuring. When you exclusively use someone else's definition or opinion to justify your beliefs, you are hiding what you yourself believe. You become a cypher, not a person, and no one can argue with a cypher. Argument outsourcing closes down dialogue before it even begins. It builds impenetrable walls that cannot be breached. It does not convince or seek to convince, it only defends.&lt;/p&gt;
&lt;p&gt;The only way to really create a connection with someone - and convince them of your argument - is by owning what you yourself say. Stopping argument outsourcing might not solve conflicts over Israel, but it could certainly lead to a more productive debate.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/argument-outsourcing-the-eumc-definition"&gt;Permalink&lt;/a&gt; 

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      <pubDate>Fri, 10 Feb 2012 09:59:00 -0800</pubDate>
      <title>Heavy metal Jewish water skiing</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/PN26nrFPZpI/heavy-metal-jewish-water-skiing</link>
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      <description>&lt;p&gt;
	&lt;p&gt;I am interested in unexpected intersections. That's one of the reasons why I blog about Jews and metal. It's how the whole best water skiewr in Luxembourg thing came about.&lt;/p&gt;
&lt;p&gt;In an idle moment recently I wondered how far these intersections could go. Is there a crossover between metal, Jews, water skiing and Luxembourg (other than me?). Google suggests not. Heavy metal water skiing perhaps? This is more likely - I'm sure some people are into both, although I can find no direct evidence of this. Jews and water skiing? Again, I'm sure plenty of Jews water ski and there appears to be water skiing in Israel. Jews, water skiing and Luxembourg? Two of the top water skiers in Luxembourg in the 60s, whom I interviewed for my book, married Jews who also water ski.&lt;/p&gt;
&lt;p&gt;But I guess these intersections aren't really at the top of anyone's cultural imagination. I did find this semi-amusing cartoon &lt;a href="http://shadma.com/water-ski-p-6.html"&gt;online&lt;/a&gt; though:&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="Water-skiing_haredim" height="410" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2012-02-10/akgBrDuCFhByEiGGddBtBvwzjvtHvsGgcpzsIsnFtnjDpBtxdDeHmFkBegjm/Water-Skiing_Haredim.jpg.scaled500.jpg" width="500" /&gt;
&lt;/div&gt;
&lt;/p&gt;
	
&lt;/p&gt;

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      <pubDate>Mon, 06 Feb 2012 09:25:00 -0800</pubDate>
      <title>My recent review of the Atzmon and Landy books in the Jewish Quarterly</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/t2o81i3El5Q/my-recent-review-of-the-artzmon-and-landy-boo</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote&gt;
&lt;div&gt;
&lt;p /&gt;
&lt;h3&gt;Non Jewish Jews&lt;/h3&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;&lt;span&gt;January 31, 2012&lt;/span&gt; by&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;h3&gt;The Wandering Who? A Study of Jewish Identity Politics&lt;/h3&gt;
&lt;h5&gt;By Gilad Atzmon&lt;/h5&gt;
&lt;h6&gt;Zero Books 2011&lt;/h6&gt;
&lt;h3&gt;Jewish Identity and Palestinian Rights&lt;/h3&gt;
&lt;h5&gt;By David Landy&lt;/h5&gt;
&lt;h6&gt;Zed Books 2011&lt;/h6&gt;
&lt;p&gt;So contested has the issue of antisemitism become and so promiscuously is the term used that it is increasingly difficult tofind clarity amid the fog of frenzied debate. The publication of these two recent books provides a much needed opportunity to map out exactly where the borderline between disillusionment with Israel, anti-Zionism and antisemitism actually lies.&lt;/p&gt;
&lt;p&gt;David Landy, an Irish-Jewish academic and Palestinian solidarity activist offers a sympathetic but not uncritical analysis of Jewish pro-Palestinian activism, based on extensive interviews. Through these he demonstrates that &amp;lsquo;Israel critical Jews&amp;rsquo;, as he calls them, are often motivated by a desire to reclaim their Jewish identity from Zionism, and it is through pro-Palestinian activism that many have actually come closer to their Jewishness. Further, some see themselves as providing a kind of guard against anti-Semitism within the wider pro-Palestinian movement. In these respects, most of Landy&amp;rsquo;s interviewees refute the criticism often made that Israel critical Jews are cynically &amp;lsquo;using&amp;rsquo; their Jewishness.&lt;/p&gt;
&lt;p&gt;The book raises complex questions about Jewish activists: Should they concentrate on convincing other Jews and transforming the Jewish community? Should they support groups within Israel itself? Should Jews support the Palestinians as Jews at all? Should Palestinians be the ones to set the agenda for activism? These are difficult questions, and the seriousness and sensitivity with which Landy and his interviewees address them does them credit, even if one disagrees (as I do) with some of the positions they take.&lt;/p&gt;
&lt;p&gt;Israel critical Jews are subject to vituperative criticism from other Jews. They are accused of treachery, of being superficial &amp;lsquo;AsAJews&amp;rsquo; and &amp;mdash; most seriously &amp;mdash; of being apologists for antisemitic anti-Zionism. Sometimes these accusations have merit and sometimes they are simply part of a self-perpetuating circle of intra-Jewish conflict. Amid these inflamed passions, the recent controversy over Gilad Atzmon&amp;rsquo;s now notorious book The Wandering Who?&amp;nbsp; superficially looks like another example of an Israel critical Jew being hung out to dry. In fact, Atzmon is a very different character and much more than a Jewish anti-Zionist.&lt;/p&gt;
&lt;p&gt;The Wandering Who? is full of bluster, pompous verbiage and heroic posturing as Atzmon, an acclaimed jazz saxophonist and one of the disillusioned, self-exiled Israelis whose creative cynicism enriches the British cultural scene, seeks to explain his total rejection of Jewish identity. His argument is based upon the premise that Jews fall into three types: &amp;lsquo;those who follow Judaism&amp;rsquo;, &amp;lsquo;those who regard themselves as human beings who happen to&amp;nbsp;be of Jewish origin&amp;rsquo; and &amp;lsquo;those who put their Jewish-ness over and above all of their other traits&amp;rsquo;. The first two types are &amp;lsquo;harmless and innocent&amp;rsquo; but &amp;lsquo;third category&amp;rsquo; Jews are the real &amp;lsquo;problem&amp;rsquo;.&lt;/p&gt;
&lt;p&gt;For Atzmon, in the post-emancipation era it is positively archaic and poisonous for Jews to maintain their &amp;lsquo;tribal&amp;rsquo;, marginal identities. Atzmon claims to be against what he considers the &amp;lsquo;myth&amp;rsquo; of identity, and any kind of minority identity politics. We are all nothing more than human beings. While such a monolithic universalism may be oppressive and in any case unachievable, it doesn&amp;rsquo;t have to be anti-Semitic as any group identity would be invalid. But Atzmon only singles out one other group for his opprobrium &amp;mdash; separatist lesbian feminists &amp;mdash; and refrains from mentioning any other ethnic, religious or national minority identity as problematic. It seems that it is only Jews that destructively cling on to their identities.&amp;nbsp; By clinging onto Jewish identity, &amp;lsquo;third category&amp;rsquo; Jews become part of a global network that &amp;lsquo;is all about commitment, one that pulls more and more Jews into an obscure, dangerous and unethical fellowship&amp;rsquo;. Zionism is just one part of a &amp;lsquo;unique political identity&amp;rsquo; that is responsible for Western expansionism, and even the credit crunch (which Atzmon calls the &amp;lsquo;Ziopunch&amp;rsquo;).&amp;nbsp; Ultimately, Jews care only for achieving power and dominance, through Zionism and other means.&lt;/p&gt;
&lt;p&gt;Atzmon reserves his greatest contempt for secular, left-wing, anti-Zionist Jews.&amp;nbsp; To campaign for universal values while identifying as a Jew is contradictory at best and mendacious at worst. To campaign as a Jew for the Palestinians and against Zionism is to automatically invalidate one&amp;rsquo;s own argument.&amp;nbsp; Since Jewish identity is the cause of Palestinian oppression, it cannot contribute to Palestinian liberation. Only through the renunciation of Jewish identity can those who are born Jewish bring peace and justice to the world.&lt;/p&gt;
&lt;p&gt;Atzmon argues that the politics of anti-Zionist Jews, neo-cons and every other kind of Jew are simply part of one interdependent Jewish political identity, engendered by what Atzmon calls the &amp;lsquo;holocaust religion&amp;rsquo;. This predates the actual holocaust (which in any case Atzmon appears to be skeptical about, while not actually denying) assuming the latter actually took place and is a religion based upon an imagined fear of gentile hostility designed to perpetuate separation of the Jews from the rest of humanity. The holocaust religion, according to Atzmon, requires Jews to infiltrate all of society and politics. Jewish anti-Zionists and neo-cons alike are simply ensuring that Jews cover all the bases in their quest for political ubiquity.&lt;/p&gt;
&lt;p&gt;The book is a peculiar mix of polemic, philosophising and personal narrative which creates a veneer of radicalism and up to date thinking. But, beneath it all, Atzmon is more conventional that he thinks he is. Ultimately, The Wandering Who? boils down to a number of hoary old anti-semitic tropes:&lt;/p&gt;
&lt;p&gt;When Jews appear to be assimilating, they are really infiltrating and subverting.&lt;/p&gt;
&lt;p&gt;When Jews identify themselves as Jews, they are primitive separatists.&lt;/p&gt;
&lt;p&gt;Jews are obsessively concerned with attaining power and influence.&lt;/p&gt;
&lt;p&gt;Jews are responsible for the hatred they attract.&lt;/p&gt;
&lt;p&gt;The holocaust myth is simply a Jewish strategy to gain power through the world&amp;rsquo;s guilt.&amp;nbsp; The Wandering Who? is an anti-Semitic book certainly, but is it a dangerous book? So ludicrous are his arguments and so pompous is his tone that it is tempting to dismiss Atzmon as a crank. More genuinely disturbing is the fact that this book was published at all. Zero Books is a small company that has published some excellent quirky philosophy and intellectually rigorous criticism; they should have seen the book for what it was. (The book is endorsed by figures like Richard Falk, John Mearsheimer and Karl Sabbagh who, while strong critics of Israel and Zionism, should have heard alarm bells ringing when they saw the chapter entitled &amp;lsquo;Swindler&amp;rsquo;s List&amp;rsquo;). Ironically, it is precisely Atzmon&amp;rsquo;s Jewish background that gains him this platform, providing an alibi for his antisemitism.&lt;/p&gt;
&lt;p&gt;Perhaps Atzmon has done us a service by illustrating exactly where anti-Zionism becomes antisemitism. In fact, anti-Zionist Jews, like Tony Greenstein, are among Atzmon&amp;rsquo;s most severe critics. Perhaps agreement over Atzmon might even provide the basis for a productive dialogue on antisemitism between Zionist and anti-Zionist Jews.&lt;/p&gt;
&lt;p&gt;To the extent that Landy&amp;rsquo;s book is mostly carefully argued and certainly not antisemitic, it is perhaps unfair to compare it to Atzmon&amp;rsquo;s.&amp;nbsp; But both of them demonstrate the weakness of a certain kind of contemporary Jewish critique of Jewishness: it develops in ignorance of Judaism and the contemporary Jewish world.&amp;nbsp; To give one example of both authors&amp;rsquo; ignorance, Landy says that Reform Judaism &amp;lsquo;may be developing into a syncretic Judeo-Christian religion&amp;rsquo; and Atzmon doesn&amp;rsquo;t acknowledge that it even exists in his blanket statement that &amp;lsquo;Judaism is a non-reformable religion&amp;rsquo;.&amp;nbsp; Atzmon sees the apparent divisions between Jews as irrelevant, and Landy lumps all Zionist Jews into one monolithic bloc. Landy&amp;rsquo;s caricature of the Jewish community as filled with fervent Zionists who live in denial of the Palestinian plight may not be as antisemitic as Atzmon&amp;rsquo;s caricature of Jews as a clan of power-crazed paranoids is, but they are both caricatures nonetheless.&lt;/p&gt;
&lt;p&gt;It is vital that Jews, Judaism and Jewishness be subjected to critique in order to stay alive and dynamic. There is a long and distinguished history of Jewish heretics and mavericks, from Elisha Ben Abuya, through Spinoza to Walter Benjamin. But the ones who really made a mark were those who were steeped in the traditions they rebelled against. Critiques founded on ignorance and fantasies will always fail.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;div&gt;
&lt;p&gt;&lt;span&gt;Tags: &lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
--&amp;gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://jewishquarterly.org/2012/01/non-jewish-jews/"&gt;jewishquarterly.org&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/t2o81i3El5Q" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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    <item>
      <pubDate>Mon, 06 Feb 2012 09:22:00 -0800</pubDate>
      <title>Appearance on Sounds Jewish Podcast</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/7OpzwDW5NDg/appearance-on-sounds-jewish-podcast</link>
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      <description>&lt;p&gt;
	&lt;p&gt;I appeared on &lt;a href="http://www.guardian.co.uk/commentisfree/belief/audio/2012/feb/03/sounds-jewish-podcast-february-2012" target="_blank"&gt;this month's Guardian Sounds Jewish Podcast&lt;/a&gt; talking about the Jewish Chronicle/London Citizens controversy and much else.&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/appearance-on-sounds-jewish-podcast"&gt;Permalink&lt;/a&gt; 

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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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    <item>
      <pubDate>Mon, 06 Feb 2012 08:08:00 -0800</pubDate>
      <title>Attack on Souciant</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/jNCSQ6Zbn9o/attack-on-souciant</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/attack-on-souciant</guid>
      <description>&lt;p&gt;
	&lt;p&gt;&lt;a href="http://www.souciant.com" target="_blank"&gt;Souciant&lt;/a&gt;, one of my favourite web publications, for which I've written a number of times, is currently fighting off an attack on its website. Although, it's not yet entirely clear whether this an intentional ideological attack or not. Still, it's worrying whatever the reason and the site is still not back up at the time of writing. Here is a statement by Joel Schalit, Souciant's managing editor and co-founder. Feel free to share.&lt;/p&gt;
&lt;p style="padding-left: 30px;"&gt;On Sunday morning, Souciant was attacked and taken offline The culprit is a hacker, who, as we were informed today, placed malicious code in our backend, causing havoc inside of our website.&lt;/p&gt;
&lt;p class="MsoPlainText" style="padding-left: 30px;"&gt;If this was done intentionally (not all malicious hacking is) it was done for ideological reasons. Souciant's commissions on Israeli foreign policy, US politics, and European multiculturalism, are particularly popular on social media sites such as Reddit. Not always for positive reasons. Still, we're grateful for the attention. If we're being punished because of the quality of our publications, we must be doing something right.&lt;/p&gt;
&lt;p class="MsoPlainText" style="padding-left: 30px;"&gt;Souciant was founded in 2010 by journalists, designers, and publishers with backgrounds at firms such as&lt;span&gt;&amp;nbsp; &lt;/span&gt;the BBC, Yahoo!, Sub Pop records, and Punk Planet. Its staff are volunteers. Launched on March 15th last year, without funding, Souciant boasts eleven thousand dedicated monthly readers, primarily in North America and Europe. Souciant's articles have been translated into French, Hebrew and Korean.&lt;/p&gt;
&lt;p class="MsoPlainText" style="padding-left: 30px;"&gt;Souciant publishes one feature a day. The idea is less is more. That is, higher profiles for Souciant's contributors, and wider recognition of their work. The fact that our publications are progressive - our last two articles were on Roberto Bola&amp;ntilde;o's newly translated novel about Nazi role playing, and a piece advocating the translation of German newspapers for immigrants - is exactly the approach that's required.&lt;/p&gt;
&lt;p class="MsoPlainText" style="padding-left: 30px;"&gt;Please help spread the word about what's happened. Because we're small and independent, Souciant is an obvious target. One shot like this, and we're down.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/attack-on-souciant"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/jNCSQ6Zbn9o" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
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        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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      <pubDate>Fri, 27 Jan 2012 10:17:00 -0800</pubDate>
      <title>Very cool column on women in metal</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/18reYiCz0KQ/very-cool-column-on-women-in-metal</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
      &lt;blockquote class="posterous_long_quote"&gt;&lt;em&gt;Girls Don’t Like Metal&lt;/em&gt; is a new column by Natalie Zed (aka Natalie Zina Walschots), developed exclusively for &lt;em&gt;Canada Arts Connect Magazine&lt;/em&gt;. This biweekly column examines gender issues, feminism and sexuality within heavy metal music. Each post will come in the form of an interview with a member of the heavy metal community, including artists, writers, magazine and website editors, road crew members, merch folks, sound techs and fans. Interview subjects may identify as female/femme/trans/genderqueer or be allies, and share a deep love of, and commitment to, heavy metal.&lt;/blockquote&gt;

&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://canadaartsconnect.com/magazine/2012/01/girls-dont-like-metal-interviews-grim-kim-kelly/"&gt;canadaartsconnect.com&lt;/a&gt;&lt;/div&gt;
    &lt;p&gt;Well worth checking out&lt;/p&gt;&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/very-cool-column-on-women-in-metal"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/18reYiCz0KQ" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
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      <pubDate>Tue, 10 Jan 2012 07:58:00 -0800</pubDate>
      <title>Metal Rules The Globe is out! And there's a chapter by me on Israeli metal...</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/V92rlmv_UEk/metal-rules-the-globe-is-out-and-theres-a-cha</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/metal-rules-the-globe-is-out-and-theres-a-cha</guid>
      <description>&lt;p&gt;
	&lt;p&gt;&lt;a href="http://www.amazon.co.uk/gp/product/0822347334/ref=as_li_ss_il?ie=UTF8&amp;amp;tag=keithkahnharr-21&amp;amp;linkCode=as2&amp;amp;camp=1634&amp;amp;creative=19450&amp;amp;creativeASIN=0822347334"&gt;&lt;img src="http://ws.assoc-amazon.co.uk/widgets/q?_encoding=UTF8&amp;amp;Format=_SL160_&amp;amp;ASIN=0822347334&amp;amp;MarketPlace=GB&amp;amp;ID=AsinImage&amp;amp;WS=1&amp;amp;tag=keithkahnharr-21&amp;amp;ServiceVersion=20070822" border="0" alt="" /&gt;&lt;/a&gt;&lt;img src="http://www.assoc-amazon.co.uk/e/ir?t=keithkahnharr-21&amp;amp;l=as2&amp;amp;o=2&amp;amp;a=0822347334" border="0" height="1" alt="" style="border: none !important; margin: 0px !important;" width="1" /&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;After a publishing process that took over half a decade, &lt;a href="http://www.amazon.co.uk/gp/product/0822347334/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=keithkahnharr-21&amp;amp;linkCode=as2&amp;amp;camp=1634&amp;amp;creative=19450&amp;amp;creativeASIN=0822347334"&gt;Metal Rules the Globe: Heavy Metal Music Around the World&lt;/a&gt;&lt;img src="http://www.assoc-amazon.co.uk/e/ir?t=keithkahnharr-21&amp;amp;l=as2&amp;amp;o=2&amp;amp;a=0822347334" border="0" height="1" alt="" style="border: none !important; margin: 0px !important;" width="1" /&gt; is finally out. It's well worth waiting for. The collection includes chapter on metal in such places as China, Indonesia,&amp;nbsp; Malta, Nepal and Easter Island. I contributed a chapter on metal in Israel. It does repeat a few things I have said elsewhere but also contains some new material.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/metal-rules-the-globe-is-out-and-theres-a-cha"&gt;Permalink&lt;/a&gt; 

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        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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      <pubDate>Tue, 10 Jan 2012 07:46:00 -0800</pubDate>
      <title>Musical futurology</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/pjrUvVStrNo/musical-futurology</link>
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      <description>&lt;p&gt;
	&lt;p&gt;The ever excellent Souciant webzine has &lt;a href="http://souciant.com/2012/01/nostalgia-is-hell/?mid=5750#" target="_blank"&gt;a fascinating article on the future of hardcore&lt;/a&gt; by Oliver Sheppard. Sheppard reuminates on how music today is dominated by nostalgia and revivals. Against this backdrop he attempts to imagine future scenarios for the development of hardcore:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As far as the current backwards-looking trend of music goes, I&amp;rsquo;ve  always felt that if there was a Hell, at least one of its circles would  consist of an eternal &amp;ldquo;80s night.&amp;rdquo; Having said that, there are a few  trajectories I can see punk rediscovering to move ahead. As far as pop  music goes, I don&amp;rsquo;t have a dog in that fight. No one can predict the  direction that that will take. (Justin Bieber or Katy Perry?) But  hardcore punk? Here are some scenarios:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;1. Industrial punk&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Do you remember Pailhead and Lard? What happened to bands like that? I  don&amp;rsquo;t mean 90s industrial metal like Fear Factory or Chemlab or Gravity  Kills. I mean full-bore, no-holds-barred, aggressive, fast, political,  industrial hardcore punk. In the late 1980s this seemed like a possible  and viable way to go forward, hence why people like Ian MacKaye, Jello  Biafra, and others (temporarily) signed up. Optimum Wound Profile  notably seemed eager to plow ahead in this direction (see &lt;a href="http://souciant.com/2012/01/nostalgia-is-hell/ww.youtube.com/watch?v=sfvuT09pErs&amp;amp;feature=youtu.be"&gt;Tranqhead&lt;/a&gt;&amp;nbsp;from Optimum Wound Profile&amp;rsquo;s &lt;a href="http://www.deadtide.com/reviews/albums/page.php?id=4352"&gt;Lowest&amp;nbsp;Common Denominator&lt;/a&gt; LP on Roadrunner, a Crass-ish, yet accessible, industrial punk release  weirdly ignored while the mainstream music press was masturbating over  Nine Inch Nails.)&lt;/p&gt;
&lt;p&gt;Remember Nausea&amp;rsquo;s &lt;a href="http://www.youtube.com/watch?v=ftNKCoj7e8c"&gt;Cybergod&lt;/a&gt;?  Christdriver and Titwrench also made some compelling lo-fi, hi-tech  industrial thrashcore songs. Neurosis and even the Swans (&amp;ldquo;I Am the  Sun&amp;rdquo;) seemed primed to go in this direction, too, until a lot of them  went off into &amp;ldquo;post-rock&amp;rdquo; territory. Wire&amp;rsquo;s &lt;em&gt;Read and Burn&lt;/em&gt;, Killing Joke&amp;rsquo;s &amp;rsquo;90s material, and the 2005 PESD &lt;a href="http://www.youtube.com/watch?v=mW2GBbKR3Ww"&gt;POLITIKAREPOIZONEKURVAE &lt;/a&gt;LP,  on Prank Records, also remind us of the potential left laying at rest  in this under-explored niche of music. It&amp;rsquo;s sonic territory that remains  to be fleshed out, but is full of promise.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;2. Modern Post-Hardcore&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Bands like Kim Phuc and The Conversions are doing a new kind of  update on 90s post-hardcore that has taken into account the dark, d-beat  experience of the past decade. Check out the 2011 &lt;em&gt;Copsucker&lt;/em&gt; LP  by Kim Phuc, a band that contains ex-members of Aus Rotten. It sounds  like 90s post-hardcore &amp;ndash; and, yet, it doesn&amp;rsquo;t. Iceage also tread this  terrain brilliantly. Kim Phuc&amp;rsquo;s &lt;a href="http://youtu.be/rlqTdzX19KY"&gt;Animal Mother/Local Round-up&lt;/a&gt;&amp;nbsp;is as good a song from the hardcore scene of 2011 as I&amp;rsquo;ve heard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;3. Acoustic Neofolk?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This might seem counter-intuitive, but given the &amp;ldquo;MTV unplugged&amp;rdquo; nature of bands like Ian MacKaye&amp;rsquo;s &lt;a href="http://www.youtube.com/watch?v=X082AXpyCKw"&gt;The Evens&lt;/a&gt; &amp;ndash; described as &amp;ldquo;post-post-hardcore&amp;rdquo; by some writers &amp;ndash; it might not be  that far of a stretch. Death in June are as popular as ever even though  the act consists of the singer (Douglas P.) merely strumming an acoustic  guitar, sitting on a bar stool &amp;ndash; albeit in WWII camouflag garb. Zounds&amp;rsquo;  Steve Lake made a similar &amp;ldquo;stripped to the acoustic basics&amp;rdquo; concert  tour recently. And bands like Sonne Hagal, Rome, and Darkwood are  basically coming on stage with acoustic guitars, kettle drums, and a Joy  Division-esque appearance, claiming roots with punk bands in the past.  Coffeeshop postpunk? The Evens would never say they are neofolk, but  what is the current interest in back-to-basics, guitar-driven melodic  music &amp;ndash; yet in the context of punk or alt-underground &amp;ndash; indicative of?  Billy Bragg has been there all along.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;4. Post-Black Metal&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Bands like Hateful Abandon, Lifelover, Bone Awl, and the newer  Darkthrone releases have been combining a kind of dark postpunk with 90s  black metal and garage music. Witness the recent Darkthrone cover of  Siouxsie and the Banshees&amp;rsquo; &amp;ldquo;love in a Void,&amp;rdquo; for better or worse. The  Lost Sounds&amp;rsquo; &lt;em&gt;Memphis is Dead&lt;/em&gt; 1999 LP on Empty Records could be  seen as a precursor of this particular cocktail of postpunk, deathrock,  and black metal. (See &lt;a href="http://www.youtube.com/watch?v=dXU0_BFkPKc"&gt;Satan Bought Me&lt;/a&gt;&amp;nbsp;and other tracks off that &lt;em&gt;Lost Sounds&lt;/em&gt; release:.) Acephalix from San&amp;nbsp;Francisco and Tyrant from Sweden have  taken their cues from Hellhammer and Darkthrone but are also mindful of  influences from Naked Raygun and the Wipers, too.&lt;/p&gt;
&lt;p&gt;The cross-pollination between postpunk, hardcore, and black metal is  an especially interesting area of current music germination, and it  remains to be seen what can be wrought from this fertile cultural  matrix. Circle of Ouroborous have recently pulled off some incredibly  dreary, melancholic tracks that simultaneously recall Joy Division and  Darkthrone. (See their &lt;a href="http://youtu.be/fPF19nmHdEs"&gt;Demon in Iron&lt;/a&gt;, something that sounds like it could be a 1979 Joy Division demo if Ian Curtis had just listened to Burzum.)&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I don't know how accurate Sheppard's predictions will prove. What I'm interested in is how his article suggests that music critics attempt a kind of futurology. It seems to me that, given the unstoppable flood of music that the internet revolution has unleashed and given the increasing tendency for musical genres to feed on themselves, that musical futurology is going to become an increasingly important 'discipline'. In fact I would go further and suggest that we shouldn't content ourselves with predicting the future, we should attempt to shape it by suggesting new kinds of possibilities. Maybe a future role for critics could be to set challenges for musicians to follow. So, to take a challenge at random, what would metal look like if it abandoned distorted guitars and tritones?&lt;/p&gt;
&lt;p&gt;Of course, musicians are usually resistant to critics telling them what to do? Still, I want to explore this idea in the future. I will be giving a keynote at a metal conference in Ohio in 2013 and I talk more about musical futurology then.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
    <feedburner:origLink>http://www.kahn-harris.org/musical-futurology</feedburner:origLink></item>
    <item>
      <pubDate>Sun, 08 Jan 2012 09:28:00 -0800</pubDate>
      <title>Great new Gevolt video</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/U1ha2-JBEyI/great-new-gevolt-video</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/great-new-gevolt-video</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
      &lt;iframe allowfullscreen="true" src="http://www.youtube.com/embed/i04pQR4ICPs?wmode=transparent" frameborder="0" height="417" width="500"&gt;&lt;/iframe&gt;

&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.youtube.com/watch?v=i04pQR4ICPs"&gt;youtube.com&lt;/a&gt;&lt;/div&gt;
    &lt;p&gt;The ever wonderful Israeli-Russian Yiddish metallers have a new video out. What I love is the lack of shtick - they make Yiddish metal seem like an organic  musical development. There's real energy, real commitment, real heaviness together with a lightness of touch that never falls into lazy irony. Gevolt for Limmud? I can dream...&lt;/p&gt;&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/great-new-gevolt-video"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/U1ha2-JBEyI" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://posterous.com/images/profile/missing-user-75.png</posterous:userImage>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
    <feedburner:origLink>http://www.kahn-harris.org/great-new-gevolt-video</feedburner:origLink></item>
    <item>
      <pubDate>Sat, 07 Jan 2012 14:11:30 -0800</pubDate>
      <title>Thank you internet</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/x0en_VsgcHY/thank-you-internet</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/thank-you-internet</guid>
      <description>&lt;p&gt;
	&lt;p&gt;&lt;span style=""&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="Image001" height="320" src="http://getfile3.posterous.com/getfile/files.posterous.com/kkahnharris/fhorQlFXmQyaALrBh3d6NfSnwW81LtM6JCVthsJ5vNVQY9YRMTPMF0x8HX0x/image001.png" width="228" /&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/thank-you-internet"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/x0en_VsgcHY" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://posterous.com/images/profile/missing-user-75.png</posterous:userImage>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
      <media:content type="image/png" height="320" width="228" url="http://getfile3.posterous.com/getfile/files.posterous.com/kkahnharris/fhorQlFXmQyaALrBh3d6NfSnwW81LtM6JCVthsJ5vNVQY9YRMTPMF0x8HX0x/image001.png">
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      </media:content>
    <feedburner:origLink>http://www.kahn-harris.org/thank-you-internet</feedburner:origLink></item>
    <item>
      <pubDate>Fri, 06 Jan 2012 09:32:00 -0800</pubDate>
      <title>Great article on civility</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/zNHYkpWl8Hs/great-article-on-civility</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/great-article-on-civility</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote&gt;
&lt;p /&gt;
&lt;/blockquote&gt;
&lt;div&gt;
&lt;div&gt;Charlie Bertsch's &lt;a href="http://souciant.com/2012/01/death-of-a-promise-keeper/#" target="_blank"&gt;wonderful article published on the Souciant website &lt;/a&gt;describes how he  developed a convivial and respectful relationship with a neighbour who's  political views were the polar opposite of his. It's important to be  reminded from time to time that everyday relationships can subvert the  ideological chasms dividing us. People who cannot live side by side in  the abstract can sometimes live side by side in reality. Here's an excerpt:&lt;/div&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;div&gt;
&lt;p&gt;...despite taking a dim view of my neighbor&amp;rsquo;s ideological commitments, I am deeply grateful for having had him &lt;em&gt;as&lt;/em&gt; my neighbor and especially for having taught me how to be a &lt;em&gt;good&lt;/em&gt; neighbor. I may not feel as comfortable as I once did telling my fellow leftists to stop preaching to the converted, but this caution goes hand in hand with more modest advice. Outreach has to start with the search for common ground.&lt;/p&gt;
&lt;p&gt;You already share one thing with your neighbors. The challenge is to use that fate, the accident of proximity, as the basis for finding others. As sympathetic as I am to the critique of humanism, my experiences living in Arizona have taught me that sometimes it&amp;rsquo;s still worth insisting that our humanity has the potential to transcend all political and economic divisions. At bottom, the concept of the good neighbor is a testament to this belief.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://souciant.com/2012/01/death-of-a-promise-keeper/"&gt;souciant.com&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/great-article-on-civility"&gt;Permalink&lt;/a&gt; 

	| &lt;a href="http://www.kahn-harris.org/great-article-on-civility#comment"&gt;Leave a comment&amp;nbsp;&amp;nbsp;&amp;raquo;&lt;/a&gt;

&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/zNHYkpWl8Hs" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://posterous.com/images/profile/missing-user-75.png</posterous:userImage>
        <posterous:profileUrl>http://posterous.com/users/hesapi2wdceEO</posterous:profileUrl>
        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
    <feedburner:origLink>http://www.kahn-harris.org/great-article-on-civility</feedburner:origLink></item>
    <item>
      <pubDate>Thu, 05 Jan 2012 09:44:00 -0800</pubDate>
      <title>The politics of engagement and the Jewish Chronicle</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/6gLszZh7vdE/the-politics-of-engagement-and-the-jewish-chr</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/the-politics-of-engagement-and-the-jewish-chr</guid>
      <description>&lt;p&gt;
	&lt;p&gt;Over the last few months, the &lt;a href="http://www.thejc.com/comment-and-debate/analysis/60374/jihad-and-jews-dont-go-together"&gt;Jewish Chroncile's Martin Bright has been conducting a campaign &lt;/a&gt;against the involvment of some Jewish groups, and in particular&lt;a href="http://www.nnls-masorti.org.uk/"&gt; New North London Synagogue&lt;/a&gt;, in &lt;a href="http://en.wikipedia.org/wiki/London_Citizens" target="_blank"&gt;London Citizens&lt;/a&gt;. Bright has pointed out that a key player in London Citizens is the &lt;a href="http://www.eastlondonmosque.org.uk/" target="_blank"&gt;East London Mosque&lt;/a&gt;, in which some very unplesant extremists seem to be involved.&lt;/p&gt;
&lt;p&gt;I've been in two minds about this whole issue: on the one hand the dangers of legitimising fundamentalism through groups like London Citizens are real, on the other hand to refuse to have anything to do with a mosque with a very large membership (at least a proportion of which are definitely not extremists) seems to be a foolhardy act.&lt;/p&gt;
&lt;p&gt;But in the last week or two I have been increasingly disturbed by Bright and the JC's stance due to the highly agressive and personal language that&amp;nbsp; has been used and the clear failure to even attempt to understand where New North London Synagogue and other Jewish stakeholders in LC are actually coming from. Further, this has seemed to me to be symptomatic of a Jewish Chronicle that, under Stephen Pollard's editorship, has become disconnected from the community and foregrounds a few issues (Israel, antisemitism, Islamism) while relegating others to second place.&lt;/p&gt;
&lt;p&gt;Following a speach I made at a Limmud session (called, unfortunately, 'Is the JC waging a Jihad against British Jews', not a title I would have chosen) in which I strongly criticised the JC, Stephen Pollard got in touch and invited me to write something in the paper.&lt;a href="http://www.thejc.com/comment-and-debate/comment/61479/pollard-and-brights-islamist-fear-betrays-our-communitys-values?utm_source=twitterfeed&amp;amp;utm_medium=twitter"&gt; It has now been published.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Fair play to Stephen for opening up the paper to some quite personal (though I hope, not uncivil) criticisms. Martin Bright has also responded &lt;a href="http://www.thejc.com/comment-and-debate/comment/61478/acting-cover-extremism-real-problem"&gt;here&lt;/a&gt;. It's clear we have very different views. Just to pick up on a couple of things he wrote:&lt;/p&gt;
&lt;blockquote class="posterous_short_quote"&gt;
&lt;p&gt;Engagement for the sake of engagement is pointless and intellectually  lazy. In order to engage, it is essential to know with whom you are  engaging.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Very true, but a) it's quote possible that NNLS and other Jewish groups do know with whom they are engaging and have weighed the risks of doing so, only to come to a conclusion that Martin Bright disagrees with, b) the type of engagement is crucial in this case - London Citizens is not a forum for dialogue so much as a means for different faith groups to collaborate on matters of mutual concern, c) there are risks of not engaging here as well, given that a refusal to engage with a v large mosque may well alienate an often marginalised community.&lt;/p&gt;
&lt;p&gt;Engagement, it is true, can be an incredibly vague term. It needs unpacking. &lt;a href="http://newpublicthinkers.org/?p=31" target="_blank"&gt;I have tried to do this in this article I published last year.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The choice, as Martin and perhaps some of his opponents at NNLS also see it, is a stark one - between engagement and refusal. But there are other choices, between different forms of engagement. One of the things that has upset me about the JC's coverage is that it has prevented the kind of nuanced conversation that needs to happen over how Jews engage with Muslims.&lt;/p&gt;
&lt;p&gt;Martin also says:&lt;/p&gt;
&lt;blockquote class="posterous_medium_quote"&gt;
&lt;p&gt;I am told I would take a different approach if I had better contacts  within New North London Synagogue. Mr Kahn-Harris might want to ask  himself who it was that raised questions about London Citizens if not  concerned members of that congregation.&lt;/p&gt;
&lt;p&gt;I would be happy to develop the relationship further, but have not  been invited by anyone within the Masorti movement to share the  intelligence I and others have about their unsavoury partners.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Well, I am aware that it was indeed people within NNLS that contacted Martin, but supporting one side in an intra-communal dispute is hardly evidence of the broad kind of contacts that a journalist working on a Jewish newspaper needs to have. Martin would like 'to develop the relationship further' but, given the langauge used (on both sides) this is unlikely to happen. Again though, Martin's complaint that he has 'not  been invited by anyone within the Masorti movement to share the  intelligence' is hardly evidence of a willingness to develop a proper dialogue. NNLS certainly need to listen to Martin's concerns - they are serious ones that must be taken seriously - but Martin also needs (or rather needed as it's unlikely to happen now) to listen to them.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;This whole issue has got me thinking about how one criticises communities. I certainly do not believe that communities are sacrosanct and that no one outside them should say anything - that's how child abuse became endemic in the Irish Catholic church. I do believe though that to be effective it makes sense for critics to have deep connections in the communities they criticise. I've tried to do this myself: I have been strongly critical of sexism in the metal scene for example and because I spent years writing for a metal magazine, my concerns have been heard to an extent.&lt;/p&gt;
&lt;p&gt;I guess this controversy will run and run. My relationship with Martin Bright, which I value, is still just about surviving. Given that I write and promote civility it's been hard to know how to criticise named individuals while not being abusive. I've tried my best though...&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/the-politics-of-engagement-and-the-jewish-chr"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/6gLszZh7vdE" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://posterous.com/images/profile/missing-user-75.png</posterous:userImage>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
    <feedburner:origLink>http://www.kahn-harris.org/the-politics-of-engagement-and-the-jewish-chr</feedburner:origLink></item>
    <item>
      <pubDate>Wed, 04 Jan 2012 08:16:00 -0800</pubDate>
      <title>Naming the movement redux</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/U5MsEH6V7dw/naming-the-movement-redux</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/naming-the-movement-redux</guid>
      <description>&lt;p&gt;
	&lt;p&gt;There's a &lt;a href="http://www.guardian.co.uk/world/2012/jan/03/how-the-revolution-went-viral" target="_blank"&gt;fascinating piece by Paul Mason published in the Guardian today&lt;/a&gt; on the global unrest of the last 18 months or so. The article summarises &lt;em&gt;&amp;nbsp;&lt;/em&gt;the arguments of his new book &lt;em&gt;Why It's Kicking Off Everywhere: The New Global Revolutions&lt;/em&gt; which I haven't yet read so I will refrain from commenting until I do.&lt;/p&gt;
&lt;p&gt;Mason mentions me in passing in the article:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Sociologist &lt;a href="http://www.kahn-harris.org/"&gt;Keith Kahn-Harris&lt;/a&gt; calls what we're seeing the "movement without a name": a&amp;nbsp;trend, a  direction, an idea-virus, a&amp;nbsp;meme, a source of energy that can be traced  through a large number of&amp;nbsp;spaces and projects.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It's very flattering to be mentioned in this way. Mason is referring to an article I wrote for Open democracy a few months ago called &lt;a href="http://www.opendemocracy.net/keith-kahn-harris/naming-movement" target="_blank"&gt;Naming The Movement&lt;/a&gt;. It engendered a reasonable amount of discussion at the time and I'm glad that it's got more publicity.&lt;/p&gt;
&lt;p&gt;Looking back on my article, what's fascinating is that I was writing before Occupy started and when the Arab Spring was only just getting goiong. It's not that I was particularly prescient, it's that I was mostly thinking about social innovation and creativity when I wrote about the article and only partially about radical politics and social change. While my arguments do apply to Occupy et al, it's important to bear in mind that the nameless meme we are talking about is broader and deeper than the radicalism Mason is interested in. Hopefully that's the source of its power.&lt;/p&gt;
&lt;p&gt;I'd also like to remind readers of &lt;a href="http://www.opendemocracy.net/keith-kahn-harris/2011-year-between-worlds" target="_blank"&gt;another piece I had published in Open Democracy in December&lt;/a&gt; that revists the same themes from a slightly different angle. In addition, &lt;a href="http://newpublicthinkers.org/?p=123" target="_blank"&gt;I'm co-editing a book looking back on 2011&lt;/a&gt; and we are still accepting submissions.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/naming-the-movement-redux"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/U5MsEH6V7dw" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://posterous.com/images/profile/missing-user-75.png</posterous:userImage>
        <posterous:profileUrl>http://posterous.com/users/hesapi2wdceEO</posterous:profileUrl>
        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Mon, 02 Jan 2012 13:20:37 -0800</pubDate>
      <title>Superficially metal-sounding band names that aren't metal at all</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/7JrFFdGmTng/superficially-metal-sounding-band-names-that</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/superficially-metal-sounding-band-names-that</guid>
      <description>&lt;p&gt;
	&lt;div&gt;Pragmatist (Meshuggah-style djent)&lt;/div&gt;&lt;div&gt;Menopauze (80s glam metal)&lt;/div&gt;&lt;div&gt;Psychophant (funk metal circa 1990)&lt;/div&gt;&amp;nbsp;&lt;br /&gt;&lt;div&gt;I can only think of three.&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/superficially-metal-sounding-band-names-that"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/7JrFFdGmTng" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Mon, 02 Jan 2012 07:38:00 -0800</pubDate>
      <title>Appearance on VH1's Metal Evolution</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/E_VWe2-Hv5k/appearance-on-vh1s-metal-evolution</link>
      <guid isPermaLink="false">http://www.kahn-harris.org/appearance-on-vh1s-metal-evolution</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
      &lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="" src="http://vh1.mtvnimages.com/sitewide/promoimages/vh1_classic/metal_evolution/promos/610x360.jpg?height=289&amp;amp;width=490&amp;amp;quality=0.9" /&gt;
&lt;/div&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.vh1.com/shows/metal_evolution/series.jhtml"&gt;vh1.com&lt;/a&gt;&lt;/div&gt;
    &lt;p&gt;I'm featured as a talking head on the Thrash episode of VH1's Metal Evolution series. I haven't seen it yet as it's only available in the US. Looks good though&lt;/p&gt;&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.kahn-harris.org/appearance-on-vh1s-metal-evolution"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/E_VWe2-Hv5k" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Fri, 30 Dec 2011 10:51:00 -0800</pubDate>
      <title>Welcome to my new site!</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/HkUzVJ8lb8w/welcome-to-my-new-site</link>
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      <description>&lt;p&gt;
	&lt;p&gt;Those who've visited my website before will notice that the site have changed. I've included a blog on the front page and integrated my Metal Jew blog into the site as a separate page. The site still needs a fair bit of work so bear with me...&lt;/p&gt;
	
&lt;/p&gt;

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/HkUzVJ8lb8w" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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    <item>
      <pubDate>Tue, 20 Dec 2011 12:45:00 -0800</pubDate>
      <title>The Best Water Skier in Luxembourg - in the Luxembourg media</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/lLNCm7W5yQ4/the-best-water-skier-in-luxembourg-in-the-lux</link>
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      <description>&lt;p&gt;
	&lt;p&gt;I was interviewed about the project in a couple of English-language media outlets in Luxembourg:&lt;/p&gt;
&lt;p&gt;In &lt;a href="http://www.wort.lu/wort/web/en/culture/articles/2011/11/168188/index.php" target="_blank"&gt;wort.lu&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;In &lt;a href="http://www.352luxmag.lu/?p=magazine" target="_blank"&gt;352LuxMag Issue 123 (no direct link I'm afraid)&lt;/a&gt;&lt;/p&gt;
	
&lt;/p&gt;

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/KeithKahn-harris/~4/lLNCm7W5yQ4" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Keith</posterous:firstName>
        <posterous:lastName>Kahn-Harris</posterous:lastName>
        <posterous:nickName>kkahnharris</posterous:nickName>
        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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      <pubDate>Tue, 20 Dec 2011 12:38:00 -0800</pubDate>
      <title>The Best Water Skier in Luxembourg: Tales of Big Fish in Small Ponds</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/J49IhPSrkrk/the-best-water-skier-in-luxembourg-tales-of-b</link>
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      <description>&lt;p&gt;
	

&lt;p&gt;I am currently working on a book to be entitled&amp;nbsp;'The Best Water Skier in Luxembourg: Tales of Big Fish in Small Ponds'&lt;span&gt; &lt;/span&gt;.  The book will be something of an adventure for me -&amp;nbsp; I will travel to a  number of places to investigate experts and champions in small fields in  small countries. As the title of the book suggests, I will start with a  chapter on water skiing in Luxembourg. After which I aim to  investigate:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The Icelandic special forces&lt;/li&gt;
&lt;li&gt;The top bassoonist in Finland&lt;/li&gt;
&lt;li&gt;The most popular heavy metal band in Botswana&lt;/li&gt;
&lt;li&gt;The most powerful politician on St Helena&lt;/li&gt;
&lt;li&gt;The greatest living Surinamese novelist&lt;/li&gt;
&lt;li&gt; Malta&amp;rsquo;s favourite soft drink&lt;/li&gt;
&lt;li&gt; The greatest living expert on Cornish&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The book is being funded through a new crowd-funding publishing platform called&lt;span&gt; &lt;/span&gt;&lt;a href="http://www.unbound.co.uk/" target="_self"&gt;Unbound&lt;/a&gt; where writers take their book pitches directly to  readers. If readers like the pitch they pledge to support the project  and if enough people do so the book gets written.&amp;nbsp;The link to my pitch  and video is&lt;span&gt; &lt;/span&gt;&lt;a href="http://unbound.co.uk/books/9" target="_self"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The first chapter has now been funded and in December 2011 I visited Luxembourg to conduct research. The chapter will be published by next spring, after which I will be seeking funding for the rest of the book.&lt;/p&gt;
&lt;p&gt;Scroll down for updates on the project (this post will stay on the top of the page for the time being).&lt;/p&gt;


	
&lt;/p&gt;

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        <posterous:lastName>Kahn-Harris</posterous:lastName>
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        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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    <item>
      <pubDate>Tue, 20 Dec 2011 12:32:00 -0800</pubDate>
      <title>Call for Contributions: Reflections on 2011</title>
      <link>http://feedproxy.google.com/~r/KeithKahn-harris/~3/EyfIGsueid0/call-for-contributions-reflections-on-2011</link>
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      <description>&lt;p&gt;
	&lt;p&gt;[Cross posted from &lt;a href="http://newpublicthinkers.org/?p=123" target="_blank"&gt;New Public Thinking&lt;/a&gt;]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;We are looking for contributions to our first New Public Thinking  book, a moment of reflection at the end of a year of networked  disruption. More from Keith Kahn-Harris and &lt;a href="http://dougald.co.uk/"&gt;Dougald Hine&lt;/a&gt;&amp;hellip;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;2011 has been an extraordinary year. It was the year of Occupy, the  Arab Spring, Wikileaks and the humbling of Rupert Murdoch. It was also  the year of the meltdown of the Eurozone and the Fukushima reactor, both  part of an eruption of risk and collapse.&lt;/p&gt;
&lt;p&gt;More personally, both of us have experienced 2011 as a year of  excitement and inspiration. We found ourselves impressed and energised  by new possibilities: new ways of finding each other, coming together  and making things happen, embodied in a torrent of innovative start-ups,  projects, initiatives and movements. We have tried to make some  contributions to this wave of creativity, through our involvement in the  &lt;a href="http://theuniversityproject.org.uk/"&gt;University Project&lt;/a&gt;, &lt;a href="http://newpublicthinking.org/"&gt;New Public Thinking&lt;/a&gt;, &lt;a href="http://unbound.co.uk/"&gt;Unbound&lt;/a&gt; and much else.&lt;/p&gt;
&lt;p&gt;So what did it all mean? What exactly has happened? We feel a strong  need to mark 2011 in some way. We want to take stock and look around us  at the world that is being remade, moment by moment. We also want to  look at what failed to happen and what didn&amp;rsquo;t change, at the limitations  of the changes we have witnessed. Was the energy and vitality that we  drew on in 2011 ultimately just playing at the edges of a collapsing  global system?&lt;/p&gt;
&lt;p&gt;We are also concerned that our own efforts in 2011 to make an impact  on a fast-changing situation are in danger of getting lost in the flood  of work. We are aware that some of the projects we started never quite  took off, as we struggled with burnout and the ever-changing reality. We  want to create some kind of modest legacy to this year that may provide  a starting point and a conceptual structure for what comes next.&lt;/p&gt;
&lt;p&gt;So this is our plan: we are going to assemble a collection of our own  and others&amp;rsquo; responses to 2011. These will be short, impressionistic and  provisional. The collection will be published as an e-book and possibly  as a hard copy too. We will work fast and collaboratively, deliberately  avoiding setting up elaborate plans that we cannot complete. We aim to  complete our work by February/March.&lt;/p&gt;
&lt;p&gt;We therefore invite you to send us your responses to 2011, taking  these brief reflections as a starting point. Do you share our sense that  something extraordinary happened? How do you make sense of the events  that surround us, within the experience of your own life? What hopes or  warnings do you have as we head into 2012?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Contributions should be up to 3000 words and should reach us by December 31st. Please send them to &lt;em&gt;&lt;a href="mailto:ReflectionsOn2011@gmail.com"&gt;ReflectionsOn2011@gmail.com&lt;/a&gt;&lt;/em&gt;.&lt;/strong&gt;&lt;/p&gt;
	
&lt;/p&gt;

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        <posterous:displayName>Keith Kahn-Harris</posterous:displayName>
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