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	<title>Kunstkritikk — International Edition</title>
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	<link>http://www.kunstkritikk.com</link>
	<description>Kunstkritikk is Norway's leading online art journal.</description>
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        <title>Kunstkritikk</title>
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        <description>Kunstkritikk is Norway's leading online art journal.</description>
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            <item>
            <title>Kunstkritikk Becomes an International Journal</title>
            <link>http://www.kunstkritikk.com/nyheter/kunstkritikk-becomes-an-international-journal/</link>
            <pubDate>Tue, 29 Jan 2019 12:02:33 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/190128-kk-lansering-2100x1400-3-ah-1150x767.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Kunstkritikk relaunches with a new design and an expanded international edition – with substantial support from the New Carlsberg Foundation.</p>
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            <title>Kunsthal Aarhus Brings Its A Game in Diagnostic Exhibition</title>
            <link>http://www.kunstkritikk.com/kritikk/kunsthal-aarhus-brings-its-a-game-in-diagnostic-exhibition/</link>
            <pubDate>Mon, 28 Jan 2019 11:36:18 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-511x341.jpeg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-511x341.jpeg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-158x105.jpeg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-334x223.jpeg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-768x512.jpeg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-246x164.jpeg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/snehvide-1150x767.jpeg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>With <em>Post Institutional Stress Disorder</em>, Jacob Fabricius offers an empathic diagnosis of our present day, and challenges the exhibition medium with aplomb.</p>
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            <title>Nordic News Weekly – January 25th</title>
            <link>http://www.kunstkritikk.com/nyheter/nordic-news-weekly-january-25th/</link>
            <pubDate>Fri, 25 Jan 2019 13:01:20 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/amanda-lind-2-1150x767.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Sweden’s new cultural minister says “creativity should flow freely,” and in Denmark there is new evidence of the museum sector’s contribution to society.</p>
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            <title>Spring Sonata – Norway</title>
            <link>http://www.kunstkritikk.com/kommentar/spring-sonata-norway/</link>
            <pubDate>Thu, 24 Jan 2019 08:08:06 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img src="http://www.kunstkritikk.com/wp-content/uploads/2019/01/Dan-Flavin-monument-for-V.-Tatlin-1968-511x382.jpeg" />
<div style="max-width:511px"><p>It’s time to stop grieving over the National Gallery and look forward to a new era for the Norwegian art world. Here are the must-see exhibitions coming up in the months ahead.</p>
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            <title>The Not-So-New Alphabet</title>
            <link>http://www.kunstkritikk.com/artikler/the-not-so-new-alphabet/</link>
            <pubDate>Tue, 22 Jan 2019 09:39:08 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="287" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-511x287.png" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-511x287.png 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-158x89.png 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-334x188.png 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-768x432.png 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-246x138.png 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Judas_Sohar_Helge_Roboter-1150x647.png 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Haus der Kulturen der Welt in Berlin has started the last chapter of the broad-reaching trilogy that started with The Anthropocene Project in 2013. This time, it is all about the alphabet. </p>
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            <title>Spring Sonata – Sweden</title>
            <link>http://www.kunstkritikk.com/kommentar/spring-sonata-sweden-2/</link>
            <pubDate>Mon, 21 Jan 2019 13:03:04 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="369" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-511x369.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-511x369.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-158x114.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-334x241.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-768x555.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-246x178.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Christen_Kobke_Dansk_Guldalder_SMK_64a1f3fb14518c489d0d01779fad1bb9-1150x831.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>In Sweden, the spring season is dominated by some of Norway’s most acclaimed artists. And at Nationalmuseum, the Danish golden age is recreated.</p>
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            <title>Nordic News Weekly – January 18th</title>
            <link>http://www.kunstkritikk.com/nyheter/nordic-news-weekly-january-18th/</link>
            <pubDate>Fri, 18 Jan 2019 11:26:32 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="320" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-511x320.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-511x320.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-158x99.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-334x209.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-768x480.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-246x154.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o-1150x719.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/49213474_10218035535825718_2550296450164588544_o.jpg 1250w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>After a new government was formed in Sweden today, state museums will remain free of charge. Also in the news: An art plan for Oslo and Elmgreen &#038; Dragset in <em>The Simpsons</em>.</p>
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            <title>Spring Sonata – Denmark</title>
            <link>http://www.kunstkritikk.com/kommentar/spring-sonata-denmark-2/</link>
            <pubDate>Fri, 18 Jan 2019 10:01:31 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/vårsonate-Sonja-Ferlov-1150x767.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>The upcoming general elections are unlikely to change the dazed confusion of Danish cultural politics. But an exhibition about the EU and a Sonja Ferlov Mancoba retrospective look promising.</p>
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            <title>Nordic News Weekly – January 11th</title>
            <link>http://www.kunstkritikk.com/nyheter/nordic-news-weekly-january-11th/</link>
            <pubDate>Fri, 11 Jan 2019 14:37:46 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="383" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-511x383.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-511x383.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-158x119.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-334x251.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-768x576.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-246x185.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary-1150x863.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Clara-Collman_performance_Sanctuary.jpg 1600w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>A workshop for artists reopens in Oslo, Nasty Women exhibits in Stockholm, and the Norwegian National Museum reveals a new visual identity.</p>
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            <title>Gastro-Pornographic Resistance</title>
            <link>http://www.kunstkritikk.com/kritikk/gastro-pornographic-resistance/</link>
            <pubDate>Wed, 09 Jan 2019 11:56:26 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="354" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-511x354.jpeg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-511x354.jpeg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-158x110.jpeg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-334x232.jpeg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-768x532.jpeg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-246x171.jpeg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3-1150x797.jpeg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/After-the-Finish-Line_2018_installation-view_3.jpeg 1200w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Helga Christoffersen’s delectable group show at Galleri Susanne Ottesen leaves me angry, excited, and hungry.</p>
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            <title>Opacity at the Bottom of the Mirror</title>
            <link>http://www.kunstkritikk.com/kritikk/opacity-at-the-bottom-of-the-mirror/</link>
            <pubDate>Tue, 08 Jan 2019 08:14:12 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="351" src="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-511x351.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-511x351.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-158x108.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-334x229.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-768x527.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-246x169.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2019/01/Cover3-1150x790.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>At a time when Sami artists are increasingly visible, Britta Marakatt-Labba’s unsettling of ties between biography, identity, and content feels both necessary and urgent.</p>
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            <title>Make Bergen Great Again</title>
            <link>http://www.kunstkritikk.com/kommentar/make-bergen-great-again/</link>
            <pubDate>Fri, 21 Dec 2018 14:26:04 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/1_Kobie-Nel_Apple-Puma_Installation25_BergenKjøtt.jpg 1100w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Bergen’s plans for becoming an international cultural city overlooks the fact that the city already is.</p>
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            <title>Masslessness for the Masses</title>
            <link>http://www.kunstkritikk.com/nyheter/masslessness-for-the-masses/</link>
            <pubDate>Thu, 20 Dec 2018 15:06:56 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s-1150x767.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/Amos-Rex-Art-Museum_c-Tuomas-Uusheimo-24s.jpg 1200w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>A digital installation by the Japanese collective teamLaB has brought Helsinki’s new art museum Amos Rex twice as many visitors as expected.</p>
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            <title>Art in the age of Black Power</title>
            <link>http://www.kunstkritikk.com/kritikk/art-in-the-age-of-black-power/</link>
            <pubDate>Fri, 14 Dec 2018 12:46:46 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="376" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-511x376.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-511x376.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-158x116.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-334x246.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-768x565.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-246x181.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11-1150x846.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/SIGNATURE-IMAGE_EL162.531_PS11.jpg 1201w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>‘Soul of a Nation’ at the Brooklyn Museum is an outstanding exposé of the art that emerged in tandem with the promotion of black collective interests in the 1960s and 70s.</p>
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            <title>Messy Ecologies</title>
            <link>http://www.kunstkritikk.com/kritikk/messy-ecologies/</link>
            <pubDate>Mon, 03 Dec 2018 16:57:19 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-768x513.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922-1150x768.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/12/DSC_8922.jpg 1200w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p><em>On Circulation</em> at Bergen Kunsthall reveals symbiotic relations between living and dead matter. It is an art that critically opens up to the future.</p>
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            <title>Northern State of Mind</title>
            <link>http://www.kunstkritikk.com/kritikk/a-northern-state-of-mind/</link>
            <pubDate>Fri, 30 Nov 2018 09:16:59 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="341" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-511x341.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-511x341.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-158x105.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-334x223.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-768x512.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-246x164.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/5.LAP-SEE-1150x767.jpg 1150w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>For the 16th Luleå Biennial, the darkness of the polar night is imbued with dreams of new forms of aesthetic and political resistance. </p>
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            <title>A Taste for Heaven</title>
            <link>http://www.kunstkritikk.com/kritikk/a-taste-for-heaven/</link>
            <pubDate>Fri, 23 Nov 2018 13:01:03 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="332" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-511x332.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-511x332.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-158x103.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-334x217.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-768x499.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-246x160.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2-1150x748.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/2.jpg 1280w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Art historian T. J. Clark’s new book sketches a vision for a new political Left through the affective registers and subtleties of painting. </p>
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            <title>The Spleen of the Periphery</title>
            <link>http://www.kunstkritikk.com/artikler/the-spleen-of-the-periphery/</link>
            <pubDate>Wed, 21 Nov 2018 11:44:41 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="287" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-511x287.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-511x287.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-158x89.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-334x188.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-768x432.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-246x138.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2-1150x647.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/AngelaMelitopoulos_Crossings_2.jpg 1200w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>– Catastrophe is a recurring figure in Greek history, says Angela Melitopoulos, the artist behind the solo exhibition opening tonight at Kunsthal Charlottenborg in Copenhagen.</p>
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            <title>(Un)happy Memories of Situationism</title>
            <link>http://www.kunstkritikk.com/kritikk/unhappy-memories-of-situationism/</link>
            <pubDate>Mon, 19 Nov 2018 11:01:37 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="331" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-511x331.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-511x331.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-158x102.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-334x216.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-768x498.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961-246x159.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/COVER-Jorn-Strid-NAsh-Debord-Martin-Jong-Zimmer-Prem-Sturm_oT_1961.jpg 1148w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>Compact exhibition in Malmö shows an inclusive and pluralistic interpretation of Situationism while a giant exhibition in Berlin appears absorbed by the idea of the movement’s exclusivity.</p>
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            <title>Nordic News Weekly – November 16th</title>
            <link>http://www.kunstkritikk.com/nyheter/nordic-news-weekly-november-16th/</link>
            <pubDate>Fri, 16 Nov 2018 10:39:01 +0000</pubDate>
            <dc:creator></dc:creator>
            
			                        
                        
            <description><![CDATA[<img width="511" height="315" src="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-511x315.jpg" class="attachment-large size-large wp-post-image" alt="" srcset="https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-511x315.jpg 511w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-158x97.jpg 158w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-334x206.jpg 334w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-768x474.jpg 768w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-246x152.jpg 246w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP-1150x709.jpg 1150w, https://kunstkritikk.s3.amazonaws.com/uploads/2018/11/Tue-Greenfort-Milk-demonstration-2014-photo-Roman-März-Courtesy-KÖNIG-GALERIE-CROP.jpg 1200w" sizes="(max-width: 511px) 100vw, 511px" /><div style="max-width:511px"><p>ARoS Art Museum under fire for not paying artists, anti-fascist conference at the Luleå Biennial, and other news from the Nordic art field this week.</p>
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