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<rss version="2.0"><channel><title>Kyle Fox: Notes</title><link>http://kylefox.ca/notes/</link><description>Notes and other miscellany from kylefox.ca</description><language>en-us</language><lastBuildDate>Mon, 07 Jun 2010 22:56:28 -0000</lastBuildDate><item><title>Espresso, Intelligentsia</title><link>http://kylefox.ca/notes/2010/jan/19/espresso-intelligentsia/</link><description>
&lt;p&gt;&lt;a href="http://www.intelligentsiacoffee.com"&gt;Intelligentsia&lt;/a&gt; is a coffee bar in Venice, California, where espresso is &amp;#8220;taken very seriously.&amp;#8221;  It makes me happy that people and places like this exist.  In the video below, one of their baristas explains how to craft a perfect cup of espresso.  The video is the first in an &lt;a href="http://dptdddd.com/projects/intelligentsia-coffee/"&gt;ongoing series&lt;/a&gt; by &lt;a href="http://dptdddd.com/"&gt;Dpt4D&lt;/a&gt;, who aim to &amp;#8220;documents [their] search for the ultimate tastemakers.&amp;#8221;  I&amp;#8217;m not sure what that means, but it&amp;#8217;s definitely&amp;nbsp;intriguing.
&lt;/p&gt;
&lt;p&gt;&lt;object width="521" height="293"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8709313&amp;amp;server=vimeo.com&amp;amp;show_title=0&amp;amp;show_byline=0&amp;amp;show_portrait=0&amp;amp;color=ffffff&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=8709313&amp;amp;server=vimeo.com&amp;amp;show_title=0&amp;amp;show_byline=0&amp;amp;show_portrait=0&amp;amp;color=ffffff&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="521" height="293"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;p&gt;&lt;a href="http://vimeo.com/8709313"&gt;Espresso, Intelligentsia&lt;/a&gt; from &lt;a href="http://vimeo.com/dptdddd"&gt;Department of the 4th Dimension&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;
&lt;/p&gt;
&lt;p&gt;Here&amp;#8217;s the video on &lt;a href="http://vimeo.com/8709313"&gt;Vimeo&lt;/a&gt;.  You might also want to follow &lt;a href="http://twitter.com/intelligentsia"&gt;@intelligentsia&lt;/a&gt; on the Twitter.  Their &lt;a href="http://blackcatcoffee.com/"&gt;Black Cat Espresso&lt;/a&gt; is &lt;em&gt;very&lt;/em&gt;&amp;nbsp;tasty.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2010/jan/19/espresso-intelligentsia/</guid></item><item><title>Everything reduced to essentials</title><link>http://kylefox.ca/notes/2009/dec/08/everything-reduced-to-essentials/</link><description>
&lt;p&gt;&lt;a href="http://www.contemporist.com"&gt;Contemporist&lt;/a&gt; (my new favorite blog) posted photos of &lt;a href="http://www.contemporist.com/2009/12/07/house-in-pozuelo-de-alarcon-by-a-cero-architects/"&gt;an amazing house&lt;/a&gt; designed by &lt;a href="http://www.a-cero.com/"&gt;A-cero Architects&lt;/a&gt;:
&lt;/p&gt;
&lt;img src="http://www.contemporist.com/photos/acero_071209_01.jpg" /&gt;

&lt;p&gt;&lt;blockquote style="font-style:italic;width:80%;padding:0 20px;margin:0 auto;border-left:3px solid #eee;"&gt;&lt;p&gt;&lt;span class="dquo"&gt;&amp;ldquo;&lt;/span&gt;The balance on which rest the three principles defining this construction, beauty, firmness and utility give us the key to confront its forcefulness, which emerges as a great sculptural work. It is a plastic reality: the singularity of the house defines a researching purpose that places value on aesthetic originality and artistic excellence. It stands out for its geometric purity, material sophistication and compositional&amp;nbsp;elegance.&amp;rdquo;&lt;/p&gt;&lt;/blockquote&gt;
&lt;/p&gt;
&lt;img src="http://www.contemporist.com/photos/acero_071209_06.jpg" style="margin-bottom:20px" /&gt;

&lt;img src="http://www.contemporist.com/photos/acero_071209_08.jpg" style="margin-bottom:20px" /&gt;

&lt;p&gt;&lt;p style="margin: 0"&gt;&lt;img src="http://www.contemporist.com/photos/acero_071209_010.jpg" style="margin-bottom:0" /&gt;&lt;/p&gt;
   &lt;p style="font-size:11px;font-style:italic;text-align:center;"&gt;The courtyard looks like &amp;#8220;a soft rug dotted with abundant planters and&amp;nbsp;flowerbeds&amp;#8221;.&lt;/p&gt;
&lt;/p&gt;
&lt;img src="http://www.contemporist.com/photos/acero_071209_017.jpg" style="margin-bottom:20px" /&gt;

&lt;img src="http://www.contemporist.com/photos/acero_071209_018.jpg" style="margin-bottom:20px" /&gt;

&lt;p&gt;I love everything about this house: the marble exterior, the library, the huge windows that protrude at sharp angles; but perhaps what&amp;#8217;s most appealing about this building is how it manages to be strictly geometric &amp;#8212; almost lego-like &amp;#8212; without feeling sterile or predictable.  Each angle offers it&amp;#8217;s own perspective, from which you notice all sorts of different shapes: squares, prisms, triangles, as well as lines intersecting in different places and defining new forms.  I could look at this house for&amp;nbsp;hours.
&lt;/p&gt;
&lt;p&gt;Definitely make sure to check out the &lt;a href="http://www.contemporist.com/2009/12/07/house-in-pozuelo-de-alarcon-by-a-cero-architects/"&gt;full post&lt;/a&gt; for more photos of this spectacular building. &lt;a href="http://www.a-cero.com/"&gt;A-cero&amp;#8217;s website&lt;/a&gt; is also worth a&amp;nbsp;look.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/dec/08/everything-reduced-to-essentials/</guid></item><item><title>Ski Free</title><link>http://kylefox.ca/notes/2009/nov/25/ski-free/</link><description>
&lt;p&gt;I spent most of my high school computer class playing an awesome game called &lt;a href="http://en.wikipedia.org/wiki/SkiFree"&gt;Ski Free&lt;/a&gt;.  I didn&amp;#8217;t realize everyone else was playing it, too.  Apparently it&amp;#8217;s wide spread enough to be featured  in today&amp;#8217;s &lt;a href="http://xkcd.com/"&gt;xkcd&lt;/a&gt;&amp;nbsp;comic:
&lt;/p&gt;
&lt;p&gt;&lt;a href="http://xkcd.com/667/"&gt;&lt;img src="http://imgs.xkcd.com/comics/skifree.png" title="And from that day on, I wore this little 'F' key pendant everywhere I went." title="Ski Free" /&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;And apparently this prompted someone to write a &lt;a href="http://www.timelessname.com/canvas/skifree/"&gt;JavaScript clone&lt;/a&gt; of the original game.  I love how &lt;em&gt;everything&lt;/em&gt;, no mater how obscure, has a cult following on the good old&amp;nbsp;Internet.
&lt;/p&gt;
&lt;p&gt;You can find out more about Ski Free on the &lt;a href="http://www.speakeasy.org/~ihoc/ski/"&gt;The Most Officialest SkiFree Home&amp;nbsp;Page!&lt;/a&gt;
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/nov/25/ski-free/</guid></item><item><title>LOL at AOL</title><link>http://kylefox.ca/notes/2009/nov/23/lol-at-aol/</link><description>
&lt;p&gt;For those of you who missed it, &lt;span class="caps"&gt;AOL&lt;/span&gt; just announced a &lt;a href="http://www.logodesignlove.com/aol-logo"&gt;completely new&amp;nbsp;brand:&lt;/a&gt;
&lt;/p&gt;
&lt;img src="http://kylefox-awesome-stuff.s3.amazonaws.com/aol.jpg" alt="New AOL logos" /&gt;

&lt;p&gt;Now, I&amp;#8217;m no branding expert, but to me these logos look &lt;em&gt;terrible&lt;/em&gt;.  The images are simply horrid; it looks like they were found with Google Image Search, or possibly chopped out of a photo by an intern using Photoshop&amp;#8217;s magic wand tool.  The concept behind this new brand is that the wordmark can be superimposed over all sorts of&amp;nbsp;images:
&lt;/p&gt;
&lt;p&gt;&lt;blockquote style="background:#eee;padding:10px;margin: 0 auto;width:80%;"&gt;&lt;p style="margin:0"&gt;“The new &lt;span class="caps"&gt;AOL&lt;/span&gt; brand identity is a simple, confident logotype, revealed by ever-changing images. It’s one consistent logo with countless ways to&amp;nbsp;reveal.&lt;/p&gt;&lt;/blockquote&gt;
&lt;/p&gt;
&lt;p&gt;Hopefully, for &lt;span class="caps"&gt;AOL&lt;/span&gt;&amp;#8217;s sake, the images above are simply a poorly executed&amp;nbsp;proof-of-concept.
&lt;/p&gt;
&lt;p&gt;It turns out the company behind the new brand, &lt;a href="http://www.wolffolins.com/"&gt;Wolff Olins&lt;/a&gt;, has some pretty impressive previous&amp;nbsp;work:
&lt;/p&gt;
&lt;div style="overflow:hidden;"&gt;

&lt;p&gt;&lt;div style="float:left;width:49%;"&gt;
   &lt;a href="http://www.underconsideration.com/brandnew/archives/that_wacky_wacom.php"&gt;&lt;img src="http://kylefox-awesome-stuff.s3.amazonaws.com/wacom_logo.gif" alt="Wacom" /&gt;&lt;/a&gt;
   &lt;p style="text-align:center;font-size:11px;color:#999;"&gt;&lt;a href="http://www.underconsideration.com/brandnew/archives/that_wacky_wacom.php"&gt;That Wacky&amp;nbsp;Wacom&lt;/a&gt;&lt;/p&gt;
   &lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;&lt;div style="float:right;width:49%;"&gt;
   &lt;a href="http://www.davidairey.com/london-2012-olympic-logo-disaster/"&gt;&lt;img src="http://kylefox-awesome-stuff.s3.amazonaws.com/london2012_logo.gif" height="195" alt="London 2012" /&gt;&lt;/a&gt;
   &lt;p style="text-align:center;font-size:11px;color:#999;"&gt;&lt;a href="http://www.davidairey.com/london-2012-olympic-logo-disaster/"&gt;London 2012 Olympics logo&amp;nbsp;disaster&lt;/a&gt;&lt;/p&gt;
   &lt;/div&gt;
&lt;/p&gt;
&lt;/div&gt;

&lt;p&gt;(You really need to see the London 2012 logo &lt;a href="http://www.london2012.com/"&gt;in action&lt;/a&gt; to fully appreciate the monstrosity of this&amp;nbsp;logo.)
&lt;/p&gt;
&lt;p&gt;I really have no idea how Wolff Olins managed to sell such terrible logos to these huge organizations.  The various &lt;a href="http://corp.aol.com/press-releases/2009/11/aol-previews-new-brand-identity-its-future-independent-content-driven-company"&gt;news releases&lt;/a&gt; are chock-full of branding &lt;span class="amp"&gt;&amp;amp;&lt;/span&gt; identity drivel, and only further my suspicion that &lt;del&gt;the majority of&lt;/del&gt; some branding experts are only a few degrees of separation from the social media&amp;nbsp;experts.
&lt;/p&gt;
&lt;p&gt;&lt;a href="http://en.wikipedia.org/wiki/Jack_Donaghy"&gt;Jack Donaghy&lt;/a&gt; would be jittering with&amp;nbsp;excitement.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/nov/23/lol-at-aol/</guid></item><item><title>Japanese Simplicity</title><link>http://kylefox.ca/notes/2009/nov/20/blockquotep-central-aesthetic-principle-japan-simp/</link><description>
&lt;p&gt;&lt;a href="http://www.flickr.com/photos/tub_am/2678661420/"&gt;&lt;img src="http://farm4.static.flickr.com/3181/2678661420_9735b79879.jpg" /&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;span class="dquo"&gt;&amp;#8220;&lt;/span&gt;A central aesthetic principle in Japan is simplicity, but it is different from simplicity in the West. Let me explain the difference by comparing cooking knives. The knives made by the German company, Henckel, for example, are well crafted and easy to use because they are highly ergonomic. The thumb automatically finds its place when you grab the&amp;nbsp;knife.&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;/p&gt;
&lt;p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;span class="dquo"&gt;&amp;#8220;&lt;/span&gt;Japanese cooks who have special skills prefer knives without any ergonomic shape. A flat handle is not seen as raw or poorly crafted. On the contrary, its perfect plainness is meant to say, “You can use me whichever way suits your skills.” The Japanese knife adapts to the cook’s skill (not to the cook’s&amp;nbsp;thumb).&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;/p&gt;
&lt;p&gt;Via &lt;a href="http://jackcheng.tumblr.com/post/250367876/kenya-hara-simplicity"&gt;Notes to Self&lt;/a&gt; (&lt;a href="http://www.flickr.com/photos/tub_am/2678661420/"&gt;photo credit&lt;/a&gt;)
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/nov/20/blockquotep-central-aesthetic-principle-japan-simp/</guid></item><item><title>Google Closure: How not to write JavaScript</title><link>http://kylefox.ca/notes/2009/nov/15/interesting-article-sitepointhttpwwwsitepointcombl/</link><description>
&lt;p&gt;An &lt;a href="http://www.sitepoint.com/blogs/2009/11/12/google-closure-how-not-to-write-javascript/"&gt;interesting article on SitePoint&lt;/a&gt; in which &lt;a href="http://dmitry.baranovskiy.com/"&gt;Dmitry Baranovskiy&lt;/a&gt;, creator of the Raphaël JavaScript library, talks about the &amp;#8220;terrible code&amp;#8221; behind &lt;a href="http://code.google.com/closure/"&gt;Google Closure&lt;/a&gt; and describes Closure as &amp;#8220;a JavaScript library written by Java developers who clearly don’t &lt;em&gt;get&lt;/em&gt;&amp;nbsp;JavaScript.&amp;#8221;
&lt;/p&gt;
&lt;p&gt;I love the part where Dmitry compares JavaScript’s global scope to a public&amp;nbsp;toilet:
&lt;/p&gt;
&lt;p&gt;&lt;blockquote style="padding: 0 10px; margin: 0 10px;font-style:italic;border-left:3px solid #ddd;"&gt;&lt;p style="font-family:Georgia, serif;font-size:18px;line-height:1.6em;color:#999"&gt;&lt;span class="dquo"&gt;&amp;#8220;&lt;/span&gt;You can’t avoid going in there, but try to limit your contact with surfaces when you&amp;nbsp;do.&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;/p&gt;
&lt;p&gt;Even if you&amp;#8217;re not interested in Google Closure specifically, this article still illustrates some general best-practices for writing good&amp;nbsp;JavaScript.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/nov/15/interesting-article-sitepointhttpwwwsitepointcombl/</guid></item><item><title>Sexy bathroom fixtures</title><link>http://kylefox.ca/notes/2009/oct/29/davroc/</link><description>
&lt;p&gt;I don&amp;#8217;t need any tubs, showerheads or bathroom fixtures, but when I do I&amp;#8217;ll head to &lt;a href="http://www.interiors.davroc.co.uk/signorini/"&gt;Davroc&lt;/a&gt;.
&lt;/p&gt;
&lt;img style="border:5px solid #f4f4f4;padding: 1px;" src="http://www.interiors.davroc.co.uk/assets/images/dream/big/dream_shower_99667.jpg" /&gt;

&lt;img style="border:5px solid #f4f4f4;padding: 1px;" src="http://www.interiors.davroc.co.uk/assets/images/dream/big/signorini_tap_44265.jpg" /&gt;

&lt;p&gt;Especially cool is the &lt;a href="http://www.interiors.davroc.co.uk/aquavision/]"&gt;Aquavision&lt;/a&gt;, a &amp;#8220;luxury, waterproof and in-wall television&amp;#8221; that comes with a floatable, waterproof remote&amp;nbsp;control.
&lt;/p&gt;
&lt;img style="border:5px solid #f4f4f4;padding: 1px;" src="http://www.interiors.davroc.co.uk/assets/images/aquavision/big/aqua_wet_screen.jpg" /&gt;

&lt;p&gt;They have a pretty nice website,&amp;nbsp;too.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/oct/29/davroc/</guid></item><item><title>100,000 Users And So Can You</title><link>http://kylefox.ca/notes/2009/oct/22/carbonmade/</link><description>
&lt;p&gt;An inspiring article by Spencer Fry, co-founder of &lt;a href="http://carbonmade.com"&gt;Carbonmade.&lt;/a&gt;  He discusses the history of their company  and challenges they experienced transitioning from a client-project agency to a product company.

&lt;p&gt;I find this quote particularly&amp;nbsp;insightful:&lt;/p&gt;

&lt;blockquote style="font-family:Georgia, serif;font-size:14px;line-height:1.8em;color:#999;padding: 0 10px; margin: 0 10px;font-style:italic;border-left:3px solid #ddd;"&gt;&lt;p&gt;While our good fortune continues, we are working at a fever pitch on our new version. It’s taking longer than expected, but we don’t subscribe to the &amp;#8220;Release Early, Release Often&amp;#8221; philosophy. Admittedly, we’re perfectionists to a fault, but when you’ve got 158,000 pleased users, you can’t simply disrupt things with a series of bells-and-whistles updates just to follow a silly&amp;nbsp;motto.&lt;/p&gt;&lt;/blockquote&gt;

&lt;p&gt;It really hit close to home because, as you might know, I&amp;#8217;ve been working on &lt;a href="http://myfotojournal.com"&gt;fotojournal&lt;/a&gt; for a &lt;em&gt;long&lt;/em&gt; time now.  We certainly don&amp;#8217;t have 158,000 users, but it&amp;#8217;s nice to know we&amp;#8217;re not crazy because we&amp;#8217;ve chosen to take our time rather than release short bursts of incremental&amp;nbsp;improvements.&lt;/p&gt;

&lt;p&gt;Source: &lt;a href="http://spencerfry.com/100000-users-and-so-can-you"&gt;100,000 Users And So Can You: A history of&amp;nbsp;Carbonmade.&lt;/a&gt;&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/oct/22/carbonmade/</guid></item><item><title>Shut up! Announcing your plans makes you less motivated to accomplish them.</title><link>http://kylefox.ca/notes/2009/oct/01/shut-up/</link><description>
&lt;p&gt;&lt;span class="dquo"&gt;&amp;ldquo;&lt;/span&gt;People who talk about their intentions are less likely to make them&amp;nbsp;happen.
&lt;/p&gt;
&lt;p&gt;Announcing your plans to others satisfies your self-identity just enough that you&amp;#8217;re less motivated to do the hard work&amp;nbsp;needed.&amp;rdquo;
&lt;/p&gt;
&lt;p&gt;Great insight from &lt;a href="http://sivers.org/zipit"&gt;Derek Sivers&lt;/a&gt;.  When I have a new idea I find it very hard to keep it to myself.  I like seeing other people get excited by what I&amp;#8217;m &amp;#8220;going to do.&amp;#8221;  But doing so does take some fire out of my motivation to actually finish.  It would be much more fun to say &amp;#8220;look what I &lt;em&gt;did&lt;/em&gt;&amp;#8220;.
&lt;/p&gt;
&lt;p&gt;Starting now, I&amp;#8217;m going to &lt;em&gt;stop announcing my intentions&lt;/em&gt; and just follow through with them.  Err, wait a second&amp;mdash; okay, starting &lt;em&gt;now.&lt;/em&gt;
&lt;/p&gt;
&lt;p&gt;Via &lt;a href="http://www.contrast.ie/blog/try-to-shut-up/"&gt;contrast.ie&lt;/a&gt;, which offers further insight on the&amp;nbsp;article.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/oct/01/shut-up/</guid></item><item><title>Why are so many Americans opposed to public healthcare?</title><link>http://kylefox.ca/notes/2009/sep/18/it-baffles-me-little-excerpt-illustrates-ldquo-mor/</link><description>
&lt;p&gt;It baffles me.  As this little excerpt&amp;nbsp;illustrates:
&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&lt;span class="dquo"&gt;&amp;ldquo;&lt;/span&gt;This morning I was awoken by my alarm clock, powered by electricity generated by the public power monopoly regulated by the &lt;span class="caps"&gt;US&lt;/span&gt; Department of Energy. I then took a shower in the clean water provided by the municipal water utility. After that, I turned on the &lt;span class="caps"&gt;TV&lt;/span&gt; to one of the &lt;span class="caps"&gt;FCC&lt;/span&gt; regulated channels to see what the National Weather Service of the National Oceanographic and Atmospheric Administration determined the weather was going to be like using satellites designed, built, and launched by the National Aeronautics and Space Administration. I watch this while eating my breakfast of &lt;span class="caps"&gt;US&lt;/span&gt; Department of Agriculture inspected food and taking the drugs which have been determined as safe by the Food and Drug&amp;nbsp;Administration.
&lt;/p&gt;
&lt;p&gt;At the appropriate time as regulated by the &lt;span class="caps"&gt;US&lt;/span&gt; Congress, and kept accurate by the National Institute of Standards and Technology and the &lt;span class="caps"&gt;US&lt;/span&gt; Naval Observatory, I get into my National Highway Traffic Safety Administration approved automobile and set out to work on the roads built by the local, state, and federal Departments of Transportation, possibly stopping to purchase additional fuel of a quality level determined by the Environmental Protection Agency, using legal tender issued by the Federal Reserve Bank. On the way out the door, I deposit any mail I have to be sent out via the &lt;span class="caps"&gt;US&lt;/span&gt; Postal Service and drop the kids off at the public&amp;nbsp;school.
&lt;/p&gt;
&lt;p&gt;After work, I drive my &lt;span class="caps"&gt;NHTSA&lt;/span&gt; bar back home on &lt;span class="caps"&gt;DOT&lt;/span&gt; roads, to a house which has not burned down in my absence because of the state and local building codes and Fire Marshal’s inspection, and which has not been plundered of all its valuables thanks to the local police&amp;nbsp;department.
&lt;/p&gt;
&lt;p&gt;I then log on to the internet which was developed by the Defense Advanced Research Projects Administration and post of FreeRepublic.com and Fox News forums about how &lt;span class="caps"&gt;SOCIALISM&lt;/span&gt; in medicine is &lt;span class="caps"&gt;BAD&lt;/span&gt; because the government can’t do anything&amp;nbsp;right.&amp;rdquo;
&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;I recently heard that &lt;strong&gt;medical expeses are the #1 cause of bankruptcy in America.&lt;/strong&gt;  I don&amp;#8217;t have a citation for this, but if it&amp;#8217;s true&amp;#8230;just&amp;nbsp;wow.
&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://nick.quaran.to/post/162402309/this-morning-i-was-awoken-by-my-alarm-clock"&gt;quaranto&lt;/a&gt;)
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/18/it-baffles-me-little-excerpt-illustrates-ldquo-mor/</guid></item><item><title>First subpixel typeface, ever.</title><link>http://kylefox.ca/notes/2009/sep/16/subpixel-typeface/</link><description>
&lt;blockquote&gt;&lt;p&gt;It has x-height of 3 pixels, it is italic, inspired by old masters and most important – made by hand. You must not look too closely, because colors get visible. It’s work in&amp;nbsp;progress. 
&lt;/p&gt;
&lt;/blockquote&gt;&lt;p&gt;&lt;img src="http://typophile.com/files/sbpx_3996.png" title="Subpixel Typeface" alt="Subpixel Typeface"/&gt;
&lt;/p&gt;
&lt;p&gt;Designed primarily for use in favicons, and comes in bold and bold-italic&amp;nbsp;variants.
&lt;/p&gt;
&lt;p&gt;Even more amazing, the designer is using colour to achieve hinting and letterform legibility, with &lt;em&gt;zero&lt;/em&gt; space between glyphs.  Check out this extreme&amp;nbsp;closeup:
&lt;/p&gt;
&lt;p&gt;&lt;img src="http://typophile.com/files/ipsum_3674.png" alt="Subpixel closeup"/&gt;
&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://typophile.com/node/61920"&gt;Typophile&lt;/a&gt;)
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/16/subpixel-typeface/</guid></item><item><title>WebGL: JavaScript bindings for OpenGL</title><link>http://kylefox.ca/notes/2009/sep/16/webgl/</link><description>
&lt;p&gt;WebGL is an effort to bring native, high-performance 3D graphics to web browsers by offering a JavaScript &lt;span class="caps"&gt;API&lt;/span&gt; to OpenGL &lt;span class="caps"&gt;ES&lt;/span&gt;, which draws onto the &lt;code&gt;&amp;lt;canvas&amp;gt;&lt;/code&gt; element.  Very&amp;nbsp;cool.
&lt;/p&gt;
&lt;p&gt;Jeff Rosen happened to notice support for WebGL in the latest Webkit codebase and whipped up &lt;a href="http://blog.wolfire.com/2009/09/preview-of-webkits-webgl-canvas3d/"&gt;some&amp;nbsp;demos.&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;Google, FireFox and Opera are also part of the &lt;a href="http://www.khronos.org/news/press/releases/khronos-webgl-initiative-hardware-accelerated-3d-graphics-internet/"&gt;WebGL Working Group&lt;/a&gt; and have plans to implement similar 3D graphics capabilities.  Not sure what Microsoft&amp;#8217;s plans to offer with Internet Explorer&amp;#8212;we&amp;#8217;ll probably get stuck with WebDirectX or something&amp;nbsp;:(
&lt;/p&gt;
&lt;p&gt;Who knows how long it will be until there is widespread support for native 3D graphics in web browsers.  But seeing this kind of cooperation and progress makes me pretty&amp;nbsp;optimistic.
&lt;/p&gt;
&lt;p&gt;(via &lt;a href="http://ajaxian.com/archives/webgl-webkit"&gt;ajaxian&lt;/a&gt;)
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/16/webgl/</guid></item><item><title>Yahoo! has an analytics tool?</title><link>http://kylefox.ca/notes/2009/sep/10/just-discovered-yahoo-web-analytics/</link><description>
&lt;p&gt;Just discovered &lt;a href="http://web.analytics.yahoo.com/"&gt;Yahoo! Web Analytics&lt;/a&gt;.  As you can imagine, it&amp;#8217;s a website stats/reporting tool, similar to &lt;a href="https://www.google.com/analytics/"&gt;Google Analytics&lt;/a&gt;.  However, as the &lt;a href="http://web.analytics.yahoo.com/features.php"&gt;Features page shows&lt;/a&gt;, &lt;span class="caps"&gt;YWA&lt;/span&gt; has some pretty cool stuff&amp;#8212;merchandise reporting, visual visitor click paths  and ad hoc sales-funnels&amp;#8212;which Google Analytics does&amp;nbsp;not.
&lt;/p&gt;
&lt;p&gt;One of the items in their News &lt;span class="amp"&gt;&amp;amp;&lt;/span&gt; Announcements links to an article claiming that &lt;a href="http://www.cmswatch.com/About/Press/2009WebAnalytics-Yahoo-Google/"&gt;Yahoo! Web Analytics Leaps Ahead of Google Analytics for Enterprise Use&lt;/a&gt;.  I think it&amp;#8217;s pretty cool that Yahoo! gives you the ability to export out your raw, unaggregated data (whereas Google Analytics apparently does&amp;nbsp;not).
&lt;/p&gt;
&lt;p&gt;Google Analytics works great for me.  But if you&amp;#8217;re running a high-traffic e-commerce site, Yahoo! Web Analytics may offer you a bit&amp;nbsp;more.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/10/just-discovered-yahoo-web-analytics/</guid></item><item><title>Was HTML5 worth it?</title><link>http://kylefox.ca/notes/2009/sep/09/latest-version-my-site-which-obviously-isnt-finish/</link><description>
&lt;p&gt;This latest version of my site (which obviously isn&amp;#8217;t finished :) seemed like the perfect opportunity to experiment with &lt;span class="caps"&gt;HTML5&lt;/span&gt;.  It&amp;#8217;s quite satisfying to markup a blog post inside the &lt;code&gt;&amp;lt;article&amp;gt;&lt;/code&gt; tag, and the site navigation in a &lt;code&gt;&amp;lt;nav&amp;gt;&lt;/code&gt; tag, but beyond that I&amp;#8217;m start to question the benefits of&amp;nbsp;&lt;span class="caps"&gt;HTML5&lt;/span&gt;.
&lt;/p&gt;
&lt;p&gt;Other than browser compatibility&amp;#8212;which can be &lt;a href="http://html5doctor.com/how-to-get-html5-working-in-ie-and-firefox-2/"&gt;remedied&lt;/a&gt;&amp;#8212;there aren&amp;#8217;t any technical issues with &lt;span class="caps"&gt;HTML5&lt;/span&gt;.  I&amp;#8217;m simply having a hard time determining what I&amp;#8217;ve &lt;em&gt;gained&lt;/em&gt; by using &lt;span class="caps"&gt;HTML5&lt;/span&gt; instead of&amp;nbsp;&lt;span class="caps"&gt;XHTML1&lt;/span&gt;.
&lt;/p&gt;
&lt;p&gt;I still need some time to sort out my thoughts about &lt;span class="caps"&gt;HTML5&lt;/span&gt;.  In the meantime I suggest you read what &lt;a href="http://www.bigcontrarian.com/2009/09/04/tagged/"&gt;other&lt;/a&gt; &lt;a href="http://visitmix.com/Opinions/The-HTML5-Semantics-Debate"&gt;people&lt;/a&gt; &lt;a href="http://www.bigcontrarian.com/2009/09/09/boring-right/"&gt;are&lt;/a&gt; &lt;a href="http://www.alistapart.com/articles/semanticsinhtml5"&gt;saying&lt;/a&gt;.
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/09/latest-version-my-site-which-obviously-isnt-finish/</guid></item><item><title>Raphaël: JavaScript Drawing Library</title><link>http://kylefox.ca/notes/2009/sep/08/raphaelhttpraphaeljscom-very-slick-looking-javascr/</link><description>
&lt;p&gt;&lt;a href="http://raphaeljs.com"&gt;Raphaël&lt;/a&gt; is a very slick looking JavaScript library for drawing and animating vector graphics with JavaScript.  The &lt;span class="caps"&gt;API&lt;/span&gt; is simple and well thought-out and it supports all major browsers, including Internet Explorer 6.  I&amp;#8217;m especially impressed by how well it performs&amp;#8212;the animations are extremely smooth.  And because each graphic object is also a &lt;span class="caps"&gt;DOM&lt;/span&gt; object, you can add interaction using normal JavaScript event&amp;nbsp;handlers.
&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m quite excited by how quickly JavaScript graphics capabilities are advancing.  I think over the next year we&amp;#8217;re going to see a &lt;em&gt;lot&lt;/em&gt; of cool&amp;nbsp;stuff.
&lt;/p&gt;
&lt;p&gt;Here are a couple demos showing just how smooth the animations&amp;nbsp;look:
&lt;/p&gt;
&lt;ul&gt;
 &lt;li&gt;
     &lt;a href="http://raphaeljs.com/animation.html"&gt;Tween-like&amp;nbsp;animations&lt;/a&gt;
 &lt;/li&gt;

 &lt;li&gt;
     &lt;a href="http://raphaeljs.com/chart.html"&gt;Animated&amp;nbsp;Chart&lt;/a&gt;
 &lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;(via &lt;a href="http://ajaxian.com/archives/raphael-10-rc-get-your-graphics-on"&gt;ajaxian&lt;/a&gt;)
&lt;/p&gt;</description><guid>http://kylefox.ca/notes/2009/sep/08/raphaelhttpraphaeljscom-very-slick-looking-javascr/</guid></item></channel></rss>