<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CkMAQXg8eCp7ImA9WhRRFEk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458</id><updated>2011-11-27T16:34:00.670-08:00</updated><category term="papaya" /><category term="ecualizacion" /><category term="sonido" /><category term="acorde disminuido" /><category term="notas" /><category term="acorde aumentado" /><category term="bombo" /><category term="requintos" /><category term="pmu" /><category term="grados atractivos" /><category term="modo menor" /><category term="bajar" /><category term="plumilla" /><category term="pentagrama" /><category term="inversiones" /><category term="mexico" /><category term="música" /><category term="gratis" /><category term="armonía" /><category term="acorde septimo" /><category term="acordes mayores" /><category term="melodía" /><category term="teoria musical" /><category term="bateria" /><category term="cadencia" /><category term="Cmay7" /><category term="definicion" /><category term="Cm" /><category term="tonica" /><category term="acordes" /><category term="metepec" /><category term="claves" /><category term="¿qué escala puedo utilizar para hacer un requinto cuando se usa X acorde?" /><category term="sostenido" /><category term="acorde menor" /><category term="mamaya" /><category term="grados modales" /><category term="mexico fungus grosella" /><category term="musica" /><category term="bemol" /><category term="dominante" /><category term="acorde" /><category term="partituras" /><category term="el vagoloko el vagolocomusica" /><category term="ritmo" /><category term="el vago loko" /><category term="acorde de novena" /><category term="técnica" /><category term="bajo" /><category term="teoría" /><category term="muselite" /><category term="acorde mayor" /><category term="ejercicios" /><category term="enfoke" /><category term="grados" /><category term="intervalos" /><category term="menor" /><category term="unyanta" /><category term="lectura bateria" /><category term="elvagoloko13" /><category term="el vagoloko" /><category term="escalas" /><category term="tonalidad" /><category term="modo mayor" /><category term="la otra mirada del rock" /><category term="supertonica" /><category term="acorde perfecto" /><category term="alteraciones" /><category term="partitura" /><category term="grados tonales" /><category term="guitarra" /><category term="mayor" /><category term="la otra lokura" /><category term="batería" /><category term="tecnica" /><title>la música... la otra lokura sin kura!!!</title><subtitle type="html">espacio dedicado 100% a la música: teoría, técnica y ejecución de los instrumentos musicales. Este lugar pretende revelar los secretos más intimos que se puedan encontrar en la música.</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://solamentedemusica.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://solamentedemusica.blogspot.com/" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>16</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/LaMsicaLaOtraLokuraSinKura" /><feedburner:info uri="lamsicalaotralokurasinkura" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;DkICSXs4eSp7ImA9Wx5WF0w.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-8670111591650540001</id><published>2010-09-28T15:56:00.000-07:00</published><updated>2010-09-28T15:56:08.531-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-09-28T15:56:08.531-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="muselite" /><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="ejercicios" /><category scheme="http://www.blogger.com/atom/ns#" term="batería" /><category scheme="http://www.blogger.com/atom/ns#" term="ecualizacion" /><title /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/8670111591650540001?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/8670111591650540001?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/8Hlz2U6RyB8/al-probar-la-ecualizacion-de-la-bateria.html" title="" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><content type="html">






Al probar la ecualización de la batería contamos con poco tiempo que debe ser aprovechado al máximo para poder identificar si todo el set de nuestra batería se escucha bien. A continuación pongo  la estructura de lo grabado esperando les sirva de algo.
Toda la grabación esta en 4/4 a  120 bpm; el primer compás o intro  comienza con figuras de  32avos. Combinando 4 golpes BD con 4  SD, 4 
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&lt;a href="http://feedads.g.doubleclick.net/~a/PPABvQQEu_rYQ7b_qQGU-7_shsQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PPABvQQEu_rYQ7b_qQGU-7_shsQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/8Hlz2U6RyB8" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2010/09/al-probar-la-ecualizacion-de-la-bateria.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUMBRnoyeCp7ImA9WxBRFk4.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-2304186792209718168</id><published>2010-01-04T11:23:00.000-08:00</published><updated>2010-01-04T11:30:57.490-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-01-04T11:30:57.490-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="grados tonales" /><category scheme="http://www.blogger.com/atom/ns#" term="modo mayor" /><category scheme="http://www.blogger.com/atom/ns#" term="grados atractivos" /><category scheme="http://www.blogger.com/atom/ns#" term="menor" /><category scheme="http://www.blogger.com/atom/ns#" term="modo menor" /><category scheme="http://www.blogger.com/atom/ns#" term="mayor" /><category scheme="http://www.blogger.com/atom/ns#" term="escalas" /><category scheme="http://www.blogger.com/atom/ns#" term="tonalidad" /><category scheme="http://www.blogger.com/atom/ns#" term="grados modales" /><title>Teoría musical básica 2</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2304186792209718168?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2304186792209718168?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/jKnooAUIaR4/teoria-musical-basica-2.html" title="Teoría musical básica 2" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_ie1b3FCBj5I/S0I_awrrLuI/AAAAAAAAB2M/qsYsUXKqzCo/s72-c/escala+mayor2.jpg" height="72" width="72" /><content type="html">Tonalidad: Relación que existe entre los grados de una escala (tonales, modales y atractivos) en base a la Tónica, pudiendo ser en modo mayor o modo menor. El modo mayor y menor se deriva del intervalo entre la tónica (I) y  la mediante (III). Para el estudio de las escalas mayores se utiliza la tonalidad de C y para las menores se utiliza la escala de Am porque tienen todos su sonidos naturales.
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&lt;a href="http://feedads.g.doubleclick.net/~a/uCLnyncAGSERwMB2IbCmjUdUAjs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uCLnyncAGSERwMB2IbCmjUdUAjs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/jKnooAUIaR4" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2010/01/teoria-musical-basica-2.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A04EQ3k8fCp7ImA9WxBREE8.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-5886236814484730545</id><published>2009-12-28T11:47:00.000-08:00</published><updated>2009-12-28T11:51:42.774-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-28T11:51:42.774-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="el vagoloko" /><category scheme="http://www.blogger.com/atom/ns#" term="plumilla" /><category scheme="http://www.blogger.com/atom/ns#" term="grados" /><category scheme="http://www.blogger.com/atom/ns#" term="el vago loko" /><category scheme="http://www.blogger.com/atom/ns#" term="enfoke" /><category scheme="http://www.blogger.com/atom/ns#" term="guitarra" /><category scheme="http://www.blogger.com/atom/ns#" term="acordes" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><category scheme="http://www.blogger.com/atom/ns#" term="técnica" /><category scheme="http://www.blogger.com/atom/ns#" term="partitura" /><title>guitarra: técnica de plumilla</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5886236814484730545?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5886236814484730545?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/zsi79te7NAk/guitarra-tecnica-de-plumilla.html" title="guitarra: técnica de plumilla" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_ie1b3FCBj5I/SzkK0aY0FyI/AAAAAAAAB18/T4iOouKpomo/s72-c/guitarra13.jpg" height="72" width="72" /><content type="html">En este ejercicio se utilizaran solamente las cuerdas 2,3 y 4. La mano derecha deberá subir y bajar de manera fluida y constante. 







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&lt;a href="http://feedads.g.doubleclick.net/~a/zEuJyoDh6IG7Vuahl3SdZlBAubo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zEuJyoDh6IG7Vuahl3SdZlBAubo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/zsi79te7NAk" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/guitarra-tecnica-de-plumilla.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0IHSXY8eSp7ImA9WxBSFkU.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-7097698740618348540</id><published>2009-12-24T10:52:00.000-08:00</published><updated>2009-12-24T11:05:38.871-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-24T11:05:38.871-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="el vagoloko" /><category scheme="http://www.blogger.com/atom/ns#" term="metepec" /><category scheme="http://www.blogger.com/atom/ns#" term="música" /><category scheme="http://www.blogger.com/atom/ns#" term="mexico fungus grosella" /><category scheme="http://www.blogger.com/atom/ns#" term="el vagoloko el vagolocomusica" /><category scheme="http://www.blogger.com/atom/ns#" term="unyanta" /><category scheme="http://www.blogger.com/atom/ns#" term="papaya" /><category scheme="http://www.blogger.com/atom/ns#" term="pmu" /><category scheme="http://www.blogger.com/atom/ns#" term="mamaya" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><title>historia musical delvagoloko13</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7097698740618348540?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7097698740618348540?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/qvcXBJh6OzQ/historia-musical-delvagoloko13.html" title="historia musical delvagoloko13" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><content type="html">Grupo: Papaya, Mamaya, Unyanta
Nombre de la canción: a la escuela... ¿marchando?
integrantes: elvagoloko13





Grupo: uncounscious ape
Nombre de la canción: La comala
Integrantes: fungus grosella: bajo; roma: guitarra y voz; elvagoloko13: batak


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&lt;a href="http://feedads.g.doubleclick.net/~a/f1O4vUlbz5nXsYwwbfUsL5gDRMY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/f1O4vUlbz5nXsYwwbfUsL5gDRMY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/qvcXBJh6OzQ" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/historia-musical-delvagoloko13.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkAFRHYyeyp7ImA9WxBSFEk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-1750406936803201955</id><published>2009-12-18T10:14:00.000-08:00</published><updated>2009-12-21T16:11:55.893-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-21T16:11:55.893-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="¿qué escala puedo utilizar para hacer un requinto cuando se usa X acorde?" /><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="el vagoloko" /><category scheme="http://www.blogger.com/atom/ns#" term="Cm" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde aumentado" /><category scheme="http://www.blogger.com/atom/ns#" term="el vago loko" /><category scheme="http://www.blogger.com/atom/ns#" term="escalas" /><category scheme="http://www.blogger.com/atom/ns#" term="acordes" /><category scheme="http://www.blogger.com/atom/ns#" term="Cmay7" /><category scheme="http://www.blogger.com/atom/ns#" term="requintos" /><title>¿qué escala puedo utilizar para hacer un requinto cuando se usa X acorde?</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/1750406936803201955?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/1750406936803201955?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/S2BM2qDbsks/que-escala-puedo-utilizar-para-hacer-un.html" title="¿qué escala puedo utilizar para hacer un requinto cuando se usa X acorde?" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_ie1b3FCBj5I/SyvGC_RoH4I/AAAAAAAAB1M/Xpe20xjL0ek/s72-c/acordes+C.jpg" height="72" width="72" /><content type="html">¿qué escala puedo utilizar para hacer un requinto cuando se usa X acorde?

ejemplo en C, transporta al tono que requieras.
utilizaremos la escala de C para los acordes  Cmay7, Cmay9, Cmayll y Cmayl3; la escala de G para cualquier parte que utilice Cmay9#ll Cmayl3 #ll; la escala de F para cualquier parte que utilice C7, C9, Cll, Cl3; la escala de Bb  para cada parte que utilice Cml3, Cm7, Cm9, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/MigcAzWigAV7d17PPphLc798JuI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MigcAzWigAV7d17PPphLc798JuI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/MigcAzWigAV7d17PPphLc798JuI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MigcAzWigAV7d17PPphLc798JuI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/S2BM2qDbsks" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/que-escala-puedo-utilizar-para-hacer-un.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkEHSXk-cSp7ImA9WxBTGE8.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-7190777973335087730</id><published>2009-12-14T11:57:00.000-08:00</published><updated>2009-12-14T11:57:18.759-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-14T11:57:18.759-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="guitarra" /><category scheme="http://www.blogger.com/atom/ns#" term="musica" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><category scheme="http://www.blogger.com/atom/ns#" term="acordes mayores" /><title>Guitarra: acordes mayores</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7190777973335087730?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7190777973335087730?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/pb2B02xXuRs/guitarra-acordes-mayores.html" title="Guitarra: acordes mayores" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_ie1b3FCBj5I/SyaRnNZDwJI/AAAAAAAAB08/-imCxB6aHhI/s72-c/acordes+mayores1.jpg" height="72" width="72" /><content type="html">

&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ggcpWdoOoi9pfwOTFyCB0k5UTYw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ggcpWdoOoi9pfwOTFyCB0k5UTYw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ggcpWdoOoi9pfwOTFyCB0k5UTYw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ggcpWdoOoi9pfwOTFyCB0k5UTYw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/pb2B02xXuRs" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/guitarra-acordes-mayores.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck8MQXc-eCp7ImA9WxBTGE8.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-5753645619757963648</id><published>2009-12-10T11:29:00.000-08:00</published><updated>2009-12-14T12:01:20.950-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-14T12:01:20.950-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="armonía" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra lokura" /><category scheme="http://www.blogger.com/atom/ns#" term="grados" /><category scheme="http://www.blogger.com/atom/ns#" term="teoría" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde perfecto" /><category scheme="http://www.blogger.com/atom/ns#" term="musica" /><category scheme="http://www.blogger.com/atom/ns#" term="bajo" /><title>acordes: inversiones 6, 64</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5753645619757963648?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5753645619757963648?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/n7I6oJfAn7U/acordes-inversiones-6-64.html" title="acordes: inversiones 6, 64" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_ie1b3FCBj5I/SyFLjtyeHeI/AAAAAAAABzo/r8shmYz0eqo/s72-c/inversiones.jpg" height="72" width="72" /><content type="html">Acordes: Inversiones
Todo acorde perfecto tiene dos inversiones: la primera se le denomina acorde de sexta y se indica con el numero seis, la segunda se le llama acorde de cuarta y sexta y se indica con 6 y 4






                                                                                      6                                                             6

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&lt;a href="http://feedads.g.doubleclick.net/~a/9gHTFTS7pRf5N7Fi0OeFyCDkhyA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9gHTFTS7pRf5N7Fi0OeFyCDkhyA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/n7I6oJfAn7U" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/acordes-inversiones-6-64.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D08CSXc4fCp7ImA9WxNaGEo.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-5725078795957535347</id><published>2009-12-03T10:04:00.000-08:00</published><updated>2009-12-03T13:31:08.934-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-03T13:31:08.934-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="metepec" /><category scheme="http://www.blogger.com/atom/ns#" term="sostenido" /><category scheme="http://www.blogger.com/atom/ns#" term="mexico" /><category scheme="http://www.blogger.com/atom/ns#" term="intervalos" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde septimo" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde menor" /><category scheme="http://www.blogger.com/atom/ns#" term="definicion" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde de novena" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde mayor" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde aumentado" /><category scheme="http://www.blogger.com/atom/ns#" term="alteraciones" /><category scheme="http://www.blogger.com/atom/ns#" term="música" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde disminuido" /><category scheme="http://www.blogger.com/atom/ns#" term="acordes" /><title /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5725078795957535347?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/5725078795957535347?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/TshCzBGA-5A/acordes-perfectos-acordes-compuestos.html" title="" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_ie1b3FCBj5I/SxgrUsn6llI/AAAAAAAABzI/CMkrqiWM2N0/s72-c/acordes.jpg" height="72" width="72" /><content type="html">ACORDES PERFECTOS

Acordes compuestos  por la tónica, mediante o modal y dominante. Dependiendo los intervalos que lo compongan estos acordes pueden ser: mayor, menor, disminuido y    aumentado. 

Acorde mayor 
Formado por la tónica, modal y dominante. El intervalo entre la tónica y la mediante debe ser de una tercera mayor y el intervalo entre la mediante y la dominante deberá ser de una tercera
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&lt;a href="http://feedads.g.doubleclick.net/~a/wUtp1xgdXRugUhG5juD1cMAz_oQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wUtp1xgdXRugUhG5juD1cMAz_oQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/TshCzBGA-5A" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/acordes-perfectos-acordes-compuestos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUYCR3k_eip7ImA9WxNaFkQ.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-867675991931245184</id><published>2009-12-01T11:19:00.000-08:00</published><updated>2009-12-01T11:52:46.742-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-01T11:52:46.742-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="teoria musical" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde de novena" /><category scheme="http://www.blogger.com/atom/ns#" term="inversiones" /><category scheme="http://www.blogger.com/atom/ns#" term="intervalos" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde perfecto" /><category scheme="http://www.blogger.com/atom/ns#" term="acorde septimo" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><category scheme="http://www.blogger.com/atom/ns#" term="definicion" /><title>Acorde</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/867675991931245184?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/867675991931245184?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/Quie9NJ5gTk/acorde.html" title="Acorde" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_ie1b3FCBj5I/SxVu9F1lrUI/AAAAAAAAByg/ruh6Q898Weg/s72-c/part1.jpg" height="72" width="72" /><content type="html">ACORDE .Se le denomina acorde cuando se tocan dos  o mas notas simultáneamente,  el orden de las notas tocadas determinará el tipo de acorde, pudiendo ser:  acorde fundamental, acorde en primera inversión y  acorde en tercera inversión.  ACORDE FUNDAMENTAL.Se llama acorde fundamental cuando la secuencia de las notas forman intervalos de terceras y se encuentran en el siguiente orden:Tónica, 
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&lt;a href="http://feedads.g.doubleclick.net/~a/HcTgxjqm0kDhhrExoPRuVrqu0tw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HcTgxjqm0kDhhrExoPRuVrqu0tw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/Quie9NJ5gTk" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/12/acorde.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkYNSHgzeyp7ImA9WxNaGEo.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-2200433793519323387</id><published>2009-10-03T11:53:00.000-07:00</published><updated>2009-12-03T11:56:39.683-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-03T11:56:39.683-08:00</app:edited><title>lo encontraste?</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2200433793519323387?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2200433793519323387?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/Bf88XTAw3xo/lo-encontraste.html" title="lo encontraste?" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><content type="html">
  var googleSearchIframeName = "cse-search-results";
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&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/37EvfEZap0_AzU0osoF0vrlG7FA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/37EvfEZap0_AzU0osoF0vrlG7FA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/37EvfEZap0_AzU0osoF0vrlG7FA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/37EvfEZap0_AzU0osoF0vrlG7FA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/Bf88XTAw3xo" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/10/lo-encontraste.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkcHRHY-cSp7ImA9WxBREE4.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-3155407315066584075</id><published>2009-07-25T10:54:00.000-07:00</published><updated>2009-12-28T11:53:55.859-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-28T11:53:55.859-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="el vagoloko" /><category scheme="http://www.blogger.com/atom/ns#" term="ejercicios" /><category scheme="http://www.blogger.com/atom/ns#" term="el vago loko" /><category scheme="http://www.blogger.com/atom/ns#" term="bateria" /><category scheme="http://www.blogger.com/atom/ns#" term="partituras" /><category scheme="http://www.blogger.com/atom/ns#" term="gratis" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><title>Batería... Técnica Ritmos</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/3155407315066584075?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/3155407315066584075?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/I4RSUuWYGmo/bateria-tecnica-ritmos.html" title="Batería... Técnica Ritmos" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_ie1b3FCBj5I/SmtHkvbW0FI/AAAAAAAABtI/X0sFMd2SW7c/s72-c/tecnica+ritmos+1.jpg" height="72" width="72" /><content type="html">Para realizar estos ejercicios te recomiendo:

usar metrónomo
practicar cada ejercicio 30 minutos (cada 5 minutos incrementar la velocidad del metrónomo 5 golpes: 100, 105,110,etc)
cuidar la técnica así como los acentos de compás y los acentos de figura de nota.
con el tiempo incrementaremos ejercicios y vídeos.









































s























&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/KH7lNkTY2tWJt3deopPD6u8-w2A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KH7lNkTY2tWJt3deopPD6u8-w2A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/KH7lNkTY2tWJt3deopPD6u8-w2A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KH7lNkTY2tWJt3deopPD6u8-w2A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/I4RSUuWYGmo" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/07/bateria-tecnica-ritmos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0cBQHs8eyp7ImA9WxJbFUk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-2451995742586886452</id><published>2009-07-25T10:44:00.000-07:00</published><updated>2009-07-25T11:04:11.573-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-07-25T11:04:11.573-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="supertonica" /><category scheme="http://www.blogger.com/atom/ns#" term="ejercicios" /><category scheme="http://www.blogger.com/atom/ns#" term="tecnica" /><category scheme="http://www.blogger.com/atom/ns#" term="metepec" /><category scheme="http://www.blogger.com/atom/ns#" term="mexico" /><category scheme="http://www.blogger.com/atom/ns#" term="enfoke" /><category scheme="http://www.blogger.com/atom/ns#" term="melodía" /><category scheme="http://www.blogger.com/atom/ns#" term="musica" /><category scheme="http://www.blogger.com/atom/ns#" term="alteraciones" /><category scheme="http://www.blogger.com/atom/ns#" term="dominante" /><category scheme="http://www.blogger.com/atom/ns#" term="grados" /><category scheme="http://www.blogger.com/atom/ns#" term="tonica" /><category scheme="http://www.blogger.com/atom/ns#" term="bateria" /><category scheme="http://www.blogger.com/atom/ns#" term="bemol" /><category scheme="http://www.blogger.com/atom/ns#" term="gratis" /><category scheme="http://www.blogger.com/atom/ns#" term="escalas" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><title>Batería... Técnica Manos</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2451995742586886452?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/2451995742586886452?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/erm3IiAlOLI/bateria-tecnica-manos.html" title="Batería... Técnica Manos" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_ie1b3FCBj5I/SmtFt7dy8-I/AAAAAAAABsA/rhAtw3dCZm0/s72-c/tecnica+manos+cuartosa.jpg" height="72" width="72" /><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5Vi0URT0d2QvnWMsXTRUe10NVLc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5Vi0URT0d2QvnWMsXTRUe10NVLc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5Vi0URT0d2QvnWMsXTRUe10NVLc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5Vi0URT0d2QvnWMsXTRUe10NVLc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/erm3IiAlOLI" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/07/bateria-tecnica-manos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0cGQ3g8eip7ImA9WxJbFUk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-861061089224074373</id><published>2009-07-25T10:35:00.001-07:00</published><updated>2009-07-25T11:03:42.672-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-07-25T11:03:42.672-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="tecnica" /><category scheme="http://www.blogger.com/atom/ns#" term="bateria" /><category scheme="http://www.blogger.com/atom/ns#" term="enfoke" /><category scheme="http://www.blogger.com/atom/ns#" term="partituras" /><category scheme="http://www.blogger.com/atom/ns#" term="gratis" /><category scheme="http://www.blogger.com/atom/ns#" term="musica" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><category scheme="http://www.blogger.com/atom/ns#" term="bombo" /><title>Batería... Técnica Bombo (bd)</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/861061089224074373?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/861061089224074373?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/DNHhM7imTCo/bateria-tecnica.html" title="Batería... Técnica Bombo (bd)" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_ie1b3FCBj5I/SmtC2t04zTI/AAAAAAAABrw/DGCH-hdlIVE/s72-c/tecnica+bombo+octavocon+puntillo.jpg" height="72" width="72" /><content type="html">Con el tiempo se actualizaran los ejercicios de esta sección.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ZVKaDQpYhjqf8Ze-NdYDnMTeu7s/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZVKaDQpYhjqf8Ze-NdYDnMTeu7s/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ZVKaDQpYhjqf8Ze-NdYDnMTeu7s/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZVKaDQpYhjqf8Ze-NdYDnMTeu7s/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/DNHhM7imTCo" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/07/bateria-tecnica.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk4MQn4-fip7ImA9WxJbFUk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-7783921452933240780</id><published>2009-07-25T10:28:00.001-07:00</published><updated>2009-07-25T11:03:03.056-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-07-25T11:03:03.056-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="ejercicios" /><category scheme="http://www.blogger.com/atom/ns#" term="lectura bateria" /><category scheme="http://www.blogger.com/atom/ns#" term="bateria" /><category scheme="http://www.blogger.com/atom/ns#" term="enfoke" /><category scheme="http://www.blogger.com/atom/ns#" term="bajar" /><category scheme="http://www.blogger.com/atom/ns#" term="gratis" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><title>Batería... lectura</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7783921452933240780?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7783921452933240780?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/on77Ju8R5Pw/bateria-lectura.html" title="Batería... lectura" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_ie1b3FCBj5I/SmtBCdSsM8I/AAAAAAAABrg/E-lLlbbt-zo/s72-c/lectura+1.jpg" height="72" width="72" /><content type="html">Con el tiempo se actualizaran los ejercicios de esta sección. dudas o comentarios:pmurockparapeques@yahoo.com.mxpmurockparapeques@terra.com.mx
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5UWqYMQhWAoP3q64yD1z9qZPBlc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5UWqYMQhWAoP3q64yD1z9qZPBlc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5UWqYMQhWAoP3q64yD1z9qZPBlc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5UWqYMQhWAoP3q64yD1z9qZPBlc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/on77Ju8R5Pw" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/07/bateria-lectura.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk8MQHs5cCp7ImA9WxJbFUk.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-6100176805216363525</id><published>2009-07-22T17:42:00.000-07:00</published><updated>2009-07-25T11:01:21.528-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-07-25T11:01:21.528-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="supertonica" /><category scheme="http://www.blogger.com/atom/ns#" term="metepec" /><category scheme="http://www.blogger.com/atom/ns#" term="mexico" /><category scheme="http://www.blogger.com/atom/ns#" term="dominante" /><category scheme="http://www.blogger.com/atom/ns#" term="grados" /><category scheme="http://www.blogger.com/atom/ns#" term="tonica" /><category scheme="http://www.blogger.com/atom/ns#" term="escalas" /><category scheme="http://www.blogger.com/atom/ns#" term="cadencia" /><category scheme="http://www.blogger.com/atom/ns#" term="musica" /><category scheme="http://www.blogger.com/atom/ns#" term="la otra mirada del rock" /><title>Armonía... Cadencias, definición</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/6100176805216363525?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/6100176805216363525?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/vOG07rslu2A/cadencias.html" title="Armonía... Cadencias, definición" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_ie1b3FCBj5I/SmeykcNx6PI/AAAAAAAABqo/6fI-VBsO6F8/s72-c/DSC0x0x104+(1).jpg" height="72" width="72" /><content type="html">Una cadencia es una función armónica caracterizada por una modulación (o encadenamiento) de acordes que suele desembocar en el acorde de tónica o acorde base. Las diferentes cadencias se clasifican, en función de la tensión que acompaña a cada movimiento, en conclusivas, si generan cierto grado de estabilidad o reposo, y suspensivas, si generan inestabilidad o tensión.Según como termine la 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/XvIpgQI_t5Wh3oXhSZv3YtD2QIo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XvIpgQI_t5Wh3oXhSZv3YtD2QIo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/XvIpgQI_t5Wh3oXhSZv3YtD2QIo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XvIpgQI_t5Wh3oXhSZv3YtD2QIo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/LaMsicaLaOtraLokuraSinKura/~4/vOG07rslu2A" height="1" width="1"/&gt;</content><feedburner:origLink>http://solamentedemusica.blogspot.com/2009/07/cadencias.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C04FQnc7eSp7ImA9WxNaF0U.&quot;"><id>tag:blogger.com,1999:blog-7368631341367270458.post-7065793485359969003</id><published>2009-07-22T17:03:00.000-07:00</published><updated>2009-12-02T11:25:13.901-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-12-02T11:25:13.901-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="elvagoloko13" /><category scheme="http://www.blogger.com/atom/ns#" term="armonía" /><category scheme="http://www.blogger.com/atom/ns#" term="sostenido" /><category scheme="http://www.blogger.com/atom/ns#" term="alteraciones" /><category scheme="http://www.blogger.com/atom/ns#" term="sonido" /><category scheme="http://www.blogger.com/atom/ns#" term="música" /><category scheme="http://www.blogger.com/atom/ns#" term="notas" /><category scheme="http://www.blogger.com/atom/ns#" term="bemol" /><category scheme="http://www.blogger.com/atom/ns#" term="melodía" /><category scheme="http://www.blogger.com/atom/ns#" term="claves" /><category scheme="http://www.blogger.com/atom/ns#" term="ritmo" /><category scheme="http://www.blogger.com/atom/ns#" term="pentagrama" /><title>Teoría Musical Básica</title><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7065793485359969003?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7368631341367270458/posts/default/7065793485359969003?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaMsicaLaOtraLokuraSinKura/~3/9nH6vzjZHrI/teoria-basica.html" title="Teoría Musical Básica" /><author><name>elvagoloko13</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://bp2.blogger.com/_ie1b3FCBj5I/RyNGk44qCRI/AAAAAAAAADk/CanJgz6b2qo/s400/logosoGelatina.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_ie1b3FCBj5I/SmeraSQrkiI/AAAAAAAABqA/J6_lJrq4TVI/s72-c/hc_004.jpg" height="72" width="72" /><content type="html">Música: Arte y ciencia de los sonidos.
Sonido: Resultado de las vibraciones de un cuerpo sonoro.

Cualidades del Sonido: Altura, Intensidad, Timbre.
a) Altura del sonido. Nos permite distinguir entre los sonidos agudos y graves. Esto se debe a al numero de vibraciones que emite un cuerpo sonoro. Entre mas vibraciones emita por segundo el sonido es mas agudo y a menor numero de vibraciones por 
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