The Incredibles Story line

Mr. Incredible (A.K.A. Bob Parr), and his wife Helen (A.K.A. Elastigirl), are the world’s greatest famous crime-fighting superheroes in Metroville. Always saving lives and battling evil on a daily basis. But fifteen years later, they have been forced to adopt civilian identities and retreat to the suburbs where they have no choice but to retire of being a superhero and force to live a “normal life” with their three children Violet, Dash and Jack-Jack (who were secretly born with superpowers). Itching to get back into action, Bob gets his chance when a mysterious communication summons him to a remote island for a top secret assignment. He soon discovers that it will take a super family effort to rescue the world from total destruction.

The Incredibles Details

Rated PG | 115 Minutes | Animation

Studio/Year: Pixar Animation Studios | 2004
Directors: Brad Bird
Voices: Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Jason Lee, Dominique Louis, Teddy Newton, Jean Sincere, Wallace Shawn, Spencer Fox, Lou Romano, Sarah Vowell
Genre: Adventure, Comedy, Family
 
 
 
 

The Incredibles Review

WOW! What a movie. I can honestly say this is in my top ten movies of all time, how do Pixar continue to out do themselves at every movie release?

The Incredibles is a fantastic story, wonderfully scripted and with the most stunning animation you have ever seen, it provides a perfectly rounded story with plenty of action, laughs and (almost) tears.

Basically, this is a story of a man encountering a mid life crisis and leaping headlong into it without a care or a thought for his family, proving exceedingly selfish and failing to see the good in his life. Meanwhile the wife is left to try and look after the family. Really, that’s the story. Now, what Pixar have done is drop in the idea that the parents are Superheroes, banned from being Super many years previously by the Government and the people, trying to live a normal life. Add to the mix that some of their children have inherited their own powers and that the Super villains are planning a comeback, and you have this wonderful movie.

I can’t begin to convey how wonderful the animation is, it’s perfect. I mean you’ll always be looking at it knowing it’s animation, but when the story takes you along you’ll suddenly realize you’re still watching animation. The subtle difference is that you forget, and there are parts (for instance when the father is cheering his son during the race) that you actually think it is real. The effects for water, fire (two of the hardest things to recreate in animation) and lava are wonderful to watch and caught me drawing a breath when I first saw them.

The characters and acting are wonderful, and you will find yourself caring about them as real people. At some points I could feel a big swallow coming up and a wavering adams apple, obviously due to the food earlier, nothing to do with the movie.

I often find that movies aren’t paced well, that they either have too long or too short an introduction to the characters, or the events that lead up to the pivotal point of the movie are unbalanced against the climax, all sorts of combinations. Not here, this move is perfect and well balanced, the story takes you along just when you are ready, and there were no points where I wished we could move on, or something could happen quicker. My only frustration were at the kids, and this was only because they were behaving exactly as real kids would.

It was interesting to see the comparisons and links to other famous Superheroes through comic-lore. Definitely with nods to The Fantastic Four, Silver Surfer and huge nods to The Watchmen. My only concern is that there is so much similarity to The Watchmen that those who haven’t read the graphic novel will be saying “That’s the Incredibles movie” when Watchmen finally comes to fruition.

The short film showing before this was wonderful in itself, and had the audience laughing out loud loads. Excellent, and once again, outdoes every short that they’ve produced before. Boundin’ was beautifully animated and wonderfully told. Guaranteed to bring a huge big smile to your face.

All in all I think this movie is perfect and truly incredible.

Written By: Richard Brunton (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Finding Nemo Story line

A clown fish named Marlin lives in the Great Barrier Reef loses his son, Nemo. After he ventures into the open sea, despite his father’s constant warnings about many of the ocean’s dangers. Nemo is abducted by a boat and netted up and sent to a dentist’s office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist’s office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist’s fish tank plot a way to return to Sydney Harbor to live their lives free again.

Finding Nemo Details

Rated G | 100 Minutes | 3D Animation

Studio/Year: Pixar Animation Studios | 2003
Directors: Andrew Stanton, Lee Unkrich
Voices: Ellen DeGeneres, Albert Brooks, Alexander Gould, Willem Dafoe, Brad Garratt, Allison Janney, Austin Pendleton, Stephen Root, Vicki Lewis, Joe Ranft, Geoffrey Rush, Andrew Stanton, Elizabeth Perkins, Nicolas Bird, Bob Peterson
Genre: Adventure, Comedy, Family
 
 

Finding Nemo Review

I have enjoyed most of the computer-animated films made so far, ranging from Pixar films like “Toy Story” and “The Incredibles” to DreamWorks films like “Shrek.” But “Finding Nemo” is the one that remains unparalleled, not because of its comedy or creativity, both of which are equaled in the “Toy Story” movies and in “Monsters Inc.,” but because it truly, more than any of the previous computer-animated features, reinvents the genre of the children’s animated film.

Humor in traditional animation is usually based on broad slapstick and physical exaggeration. There are occasional nods to this brand of humor in “Finding Nemo,” as when a flock of seagulls ram into a boat and we see their beaks crowing on the other side of the sail. But such sequences only call attention to how far this movie generally departs from old cartoon conventions. Instead, the movie invests its world of sentient animals with a surprisingly scientific texture. All of the animals are based on real species. The fish tank is constructed out of real devices. There is a strong sense of locale, as Marlin (Albert Brooks) travels across the Pacific to Australia, where even the animals speak with an Australian accent. In a scene that I’m sure Gary Larson of “Far Side” fame loved, a pelican discusses with a group of fish the intricate details of dentistry. The fact that the animals talk and understand what’s going on is treated as though it were a natural feature of the world. The realism is so striking that by the end of the film, you’ll almost believe it possible for fish to plot an escape from a tank.

Far from making the film pedantic, this approach results in an intelligent but still entertaining picture. Most of the humor is based on parodies of human behavior: repentant sharks start a club that’s like Alcoholics Anonymous, a school of fish act like obnoxious DJs while forming themselves into spectacular patterns, and a four-year-old girl behaves like most kids that age, oblivious and destructive. The manner in which Marlin finds his way to his son is so inventive that we can forgive the film for the number of coincidences involved.

The story employs the same basic formula used in “Toy Story,” in which two characters, one uptight and the other clueless, are thrown together as they’re forced to journey through a world populated by creatures that are a lot more knowing than the humans realize. This movie, however, creates a unique character in Dory (Ellen DeGeneres), a fish with short-term memory loss. To give a cartoon character a real human disorder is risky, to say the least, and I’m glad the filmmakers didn’t lose the nerve to include this ingenious device, which not only generates some of the film’s biggest laughs, but reinforces the character interaction that is so central to the story. This is in fact the only Pixar film to feature true character development. In the course of his voyage, Marlin learns to be more adventurous, getting parenting tips from a surfer-dude turtle voiced by the film’s director Andrew Stanton, while his son Nemo learns to be self-reliant.

Of course, none of the sharks, jellyfish, whales, gulls, pelicans, lobsters, and humans that Marlin encounters along the way really mean any harm. They’re just doing what they do. As Nigel the Pelican tells Nemo at one point, “Fish gotta swim, birds gotta eat.” That’s perhaps the film’s most interesting insight, that there are no true villains, just creatures that act according to their nature, and a few that transcend it.

Written By: Kylopod (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Monsters, Inc. Story line

A city of monsters with no humans called Monstropolis centers around the city’s power company, Monsters, Inc. The lovable, confident, tough, furry blue behemoth-like giant monster named James P. Sullivan (better known as Sulley) and his wisecracking best friend, short, green cyclops monster Mike Wazowski, discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed “Boo,” who accidentally sneaks into the monster world with Sulley one night. And now it’s up to Sulley and Mike to send Boo back in her door before anybody finds out, especially two evil villains such as Sulley’s main rival as a scarer, chameleon-like Randall (a monster that Boo is very afraid of), who possesses the ability to change the color of his skin, and Mike and Sulley’s boss Mr. Waternoose, the chairman and chief executive officer of Monsters, Inc.

Monsters, Inc. Details

Rated G | 92 Minutes | Animation

Studio/Year: Pixar Animation Studios | 2001
Directors: Peter Docter, David Silverman, Lee Unkrich
Voices: John Goodman, Billy Crystal, Mary Gibbs, Steve Buscemi, James Coburn, Jennifer Tilly, Bob Peterson, John Ratzenberger, Frank Oz, Bonnie Hunt, Jeff Pidgeon
Genre: Adventure, Comedy, Family, Fantasy
 
 
 

Monsters, Inc. Review

While monsters in the closet may seem to be a scary reality for some children, `Monsters, Inc.’ makes it light hearted by showing them it’s all in a night’s work. The characters are as charming as the cast that speaks for them.

It’s a learning experience children get to see how an industry works. Monsters, Inc. is an in-genius corporation that has scientifically learned how to channel children’s screams into energy that is used for electrical power. It has monster employees, an assembly line of doors (which give monsters access to children’s bedrooms), a top-flight training program and some of the top Monsters in the scaring business.

There’s a colorful Metropolis, filled with houses, buildings, businesses, cars and everything that makes a city run smoothly along with a population of colorful creatures. One of the colorful groups of creatures is the yellow swat team. Their job is to protect the Metropolis of Monsters, Inc. from human contamination.

But what happens when a human child mysteriously gets through the bedroom door and terrorizes the city with screams and boo’s. It’s wondrous and funny. In the mist of all this is industrial crime, brought on by greed. But, the story ends on a very happy note.

John Goodman is the voice of `Sulley’ a colorful large blue-green ape like monster who’s the star Monsters, Inc. employee. He’s some type of monster, cut, cuddly, and he has a conscience that leads him to feelings of regret about scarring children. He becomes attached to Boo (voice of Mary Gibbs) a cute, little big-eyed girl who is mysteriously brought to Monsters, Inc. and in his quest to return her home becomes very attached to her.

Sulley’s best friend is Mike (voice of Billy Crystal) who’s a funny looking green ball with stick legs and one huge eye. His comedy is seen through out the movie. Mike is Sulley’s driving force, acting as his agent. Mike’s job is to make sure Sulley remains the top Monsters, Inc. employee. But when it comes to laughter Mike proves he’s on top.

Mike’s girl friend Celia (voice of Jennifer Tilley) is the stylish employee who has Mike’s best interest at heart. Her job is to keep him out of trouble.

I give Monsters, Inc. a ten. It is an animated movie that can be enjoyed by the whole family. It makes for great family fun.

Written By: Ahill-1 (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Toy Story 2 Story line

While Andy is away at summer camp Woody has been toynapped by Al McWiggin, a greedy collector and proprietor of “Al’s Toy Barn”! In this all-out rescue mission, Buzz and his friends Mr. Potato Head, Slinky Dog, Rex and Hamm springs into action to rescue Woody from winding up as a museum piece. They must find a way to save him before he gets sold in Japan forever and they’ll never see him again!

Toy Story 2 Details

Rated G | 92 Minutes | Animation

Studio/Year: Pixar Animation Studios | 1999
Directors: John Lasseter, Ash Brannon, Lee Unkrich
Voices: Tom Hanks, Tim Allen, Joan Cusack, Kelsey Grammer, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, Wayne Knight, John Morris, Laurie Metcalf, Estelle Harris, R. Lee Ermey, Jodi Benson
Genre: Adventure, Comedy, Family, Fantasy
 
 
 

Toy Story 2 Review

The first Toy Story was largely confined to little Andy’s room and his dreaded neighbor’s house. When we pick up the story in “Toy Story 2,” Buzz Lightyear is in outer space where he meets his arch-nemesis, Emperor Zurg. In a cheeky opening, the rules devised by Lasseter and his Pixar staff are laid out: There are no rules.

Buzz flies through caverns, enters Zurg’s stronghold, and gets defeated (gasp) by the evil Zurg! Is this the end of our hero?….Nah, it’s just Rex playing the Buzz Lightyear video game and losing. It is Yard Sale Day and the toys are understandably tense. You see, Yard Sale Day means that the old toys go out to the sale. Woody has reason to be nervous, he’s starting to show his age. He’s got a ripped arm thanks to Andy’s dog, whom we got introduced to at the end of the first Toy Story. Sure enough, one of the toy troop gets taken. Poor Weezie the Penguin was laid forgotten on Andy’s bookcase and he promptly gets put in the sale box. It’s up to Woody to save him, which he does. But he gets picked up by a greedy toy-collector named Al and taken to Al’s Toy Barn. Seems Woody is pretty valuable and Al wants to sell him to a toy auction. Can Buzz and friends save him in time?

Ho-hum, sounds like a harmless little kid’s movie, doesn’t it? But remember Lassetter and the rules, or lack thereof? Well, things take quite a poignant turn.

In a magical sequence that’s an homage to Howdy-Doody, Woody learns that he was part of an old 1950s children’s puppet show along with some other toys from the show, the salty Prospector Pete (Kelsey Grammar), Jessie the Yodelling Cowgirl (played brilliantly by Joan Cusack), and Woody’s faithful steed. As Pete tells Woody, toy collecting means immortality. Woody and his new friends will be preserved in cases for admiring eyes to faun over. Woody’s days with Andy are numbered. This point is further emphasized by a heartbreaking song sung by Sarah Maclachlan that tells the story of how Jessie’s owner abandoned her because, well, she grew up. Pete says, “Do you really think Andy will take you to his high school graduation or to college?” Talk about a bind. Does Woody go back to Andy and have fleeting fun or stay preserved in predictable permanence?

Meanwhile, Andy’s gang have their own awakenings to paths not taken. Mr. Potato Head sees temptation incarnate in some friendly Barbies (“I’m a married spud! I’m a married spud!”) and Buzz comes face to face with a new Buzz Lightyear figure….who turns out to be as self-delusional as he was. You mean, they’re all like this?! And the knockout punch: Buzz faces his mortal foe, Emperor Zurg and confronts a shattering secret. Hint: Think “Star Wars.”

Pixar has come a long way since the first “Toy Story.” The computer animation is absolutely amazing as the toys have much more dimension and realism in the details than the original. Once again everyone is terrific, especially Cusack who injects soul in the spunky and slighted Jessie. References abound, from “2001″ to “Star Wars.” Plus some inside jokes concerning Toy Story’s lack of merchandise production also make their way. Even a sly suggestive joke or two slips in. Hint: Watch Buzz’s wings at the end.

I cannot say enough about one sequence in particular with Buzz and the gang crossing the street. Lasseter directs this scene with great skill and comic placement. I was in tears at this point, and this was a “kid’s” movie!

But, as with the first one, what really got me engaged was the story, as affecting a story as I have seen live or animated. If I can make an outlandish statement, Toy Story seems to be reaching for something akin to the “Star Wars Trilogy” or even the “Godfather Trilogy.” Not so much for epicness, but for how the story gets deeper and richer as it goes along. “Star Wars” was an entertaining space opera, “Empire Strikes Back” was a mythic, dark, operatic chapter in a saga. “Godfather” was an exciting and classically-influenced masterwork, “Godfather Part II” was a quiet, dark, character study that reveals Michael’s moral bankruptcy and the decline of the Corleone empire.

Lasseter’s plan intrigues me. With “Toy Story”, the plot revolved around a buddy picture that showed the bond between an old toy and new toy, and that being a toy is the best thing in the world. This bittersweet second chapter addresses what happens after the toys aren’t needed anymore. What happens now? Where will I go? Will I be loved again? I wonder if with the third, if there is one, we’ll see what makes a toy timeless. What separates a Woody or Buzz from Rex the Dinosaur or Slinky the Dog? And I wonder what the ultimate fate of our friends actually is. I’m hoping they get passed on to Andy’s children and his grandchildren, throughout all the generations. I wouldn’t worry about Buzz and Woody, though. They’re already timeless.

Written By: Tallgent (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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A Bug’s Life Story line

Every year, a bunch of grasshoppers come to the anthill and eat what the ants have gathered for them. The “offering”, as the ants call the ritual, is a part of their fate. One day in spring, when the offering’s preparation has just been finished, Flik, unliked inventor ant, accidentally drops the whole offered seeds into the river. The grasshoppers come and give the ants a second chance to collect food until fall. Flik sets off to find bugs that are willing to fight the grasshoppers (nobody expects him to succeed anyway) and, due to a double misinterpretation, returns with a circus crew, giving everybody new hope. When the misunderstanding finally gets cleared out, there is only little time left for a new plan

A Bug’s Life Details

Rated G | 95 Minutes | Animation

Studio/Year: Pixar Animation Studios | 1998
Directors: John Lasseter, Andrew Stanton
Voices: Kevin Spacey, Dave Foley, Julia Louis-Dreyfus, Harden Panettiere, Phyllis Diller, Richard Kind, Dacid Hyde Pierce, Joe Ranft, Denis Leary, Jonathan Harris, Madeline Kahn, Bonnie Hunt, Michael McShane, John Ratzenberger, Brad Garrett
Genre: Adventure, Comedy, Family
 
 
 

A Bug’s Life Review

Okay, first off, I’m 26 years old, have a job, go to school, and have a fiance’. So maybe I’m nuts and just really good at hiding it…but not only did I NOT come away from A Bug’s Life exhausted or dazed, it wasn’t until I saw it the second time that I could even begin to truly appreciate the artistry and humour of the spectacular visuals–because the first time I went to see this movie, I got so wrapped up in the story and the characters that I FORGOT that I was supposed to be sitting there being “wowed” by each frame visually.

How can you not empathize with Flik and his road-to-heck-paved-with-good-intentions life? “Heck” indeed, I found myself identifying with that little ant (not to mention some of the other bugs) in a lot more ways than one…and that, in itself, says more to me about what an incredible movie this is than a whole book on its beautiful eye candy. Of course, it’s beautiful (every blade of grass, the tree, the rain…). Of course, what they can do with technology is amazing (you can read their lips! try it!). But this movie is not just a masterpiece of art and tech, not just an dazzling explosion of movement and color. No, A Bug’s Life would be static if it were all that and no story.

I’m glad to say, it’s not! A Bug’s Life has real heart. Yes, there’s a lot going on, storyline-wise as well as visually, but that’s because the story and characters actually have some depth to them! Just because it’s a kids’ movie doesn’t mean you should have to turn off your brain at the theatre door–kids are smarter than you think! Besides that, I think that the PIXAR crew made this for themselves, even before their kids…and it shows, in the amount of heart in has. This movie is moving, touching, funny, intriguing, and generally engrossing.

The character development in such an ensemble cast is amazing, there’s a major amount of character growth, and not just of the main character–so rare in animation and often in movies in general. It doesn’t hit you over the head with its points once it’s made them–every scene, every frame has a reason in the storyline for being there, and there are no gratuitous shots. Not always stating explicitly in words exactly what is going on means subtlety, to me, folks; it means not “dumbing down” your movie and assuming the audience is stupid, which it mostly is not.

All I can think is, if you can see A Bug’s Life and not feel anything at all, then you must have never made a big mistake, hurt your friends, had a crush, fallen in love, been frustrated that no one would listen to you, lied to someone you care about, felt like a social misfit, gotten excited over a new idea, come up with a great idea, had what you thought was a great idea backfire, been awkward one moment and confident the next, felt the pressure of responsibility, stood up for yourself and your loved ones, stood alone against the crowd, felt like a failure, felt like a big success, felt the need to make a difference with your life in the lives of others…well, you get the point.

Final words: A+ rating from me; please, if you’re going to see it try to see it in the theatre (pan and scan video is NOT going to work for this movie); if you loved Toy Story you’ll most likely love this (PIXAR knows how to make movies with heart); if you do love it see it multiple times or you STILL won’t know what you’re missing (the amount of detail and subtlety here is considerable); and whenever you’re feeling really low, just pretend it’s a seed, okay?

Written By: Jennifer W. Webster (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Toy Story Story line

A little boy named Andy loves to be in his room, playing with his toys, especially his doll named “Woody”. But, what do the toys do when Andy is not with them, they come to life. Woody believes that he has life (as a toy) good. However, he must worry about Andy’s family moving, and what Woody does not know is about Andy’s birthday party. Woody does not realize that Andy’s mother gave him an action figure known as Buzz Lightyear, who does not believe that he is a toy, and quickly becomes Andy’s new favorite toy. Woody, who is now consumed with jealousy, tries to get rid of Buzz. Then, both Woody and Buzz are now lost. They must find a way to get back to Andy before he moves without them, but they will have to pass through a ruthless toy killer, Sid Phillips.

Toy Story Details

Rated G | 81 Minutes | Animation

Studio/Year: Pixar Animation Studios | 1995
Directors: John Lasseter
Voices: Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, John Harris, Erik von Detten, Laurie Metcalf, R. Lee Ermey, Sarah Freeman, Penn Jillette
Genre: Adventure, Comedy, Family, Fantasy
 
 
 

Toy Story Review

Children play with toys. It is a known fact. At one time or another, we all played with toys, whether they were action figures, dolls, little green soldiers, etc… But what if toys were real? What if they could talk?

Pixar and Disney serve us this theory in what was the first full-length computer-animated film ever, ‘Toy Story,’ chronicling the events in the life of a cowboy doll, Woody (voiced by Tom Hanks).

Woody is the favorite toy of his owner, a small child named Andy. Andy brings Woody everywhere, and cherishes him, as we see in the beginning of the film. However, this all changes on Andy’s birthday when Andy gets a new toy: a Buzz Lightyear doll (voiced by Tim Allen). Woody is suddenly forgotten, left with the rest of his friends: Mr. Potato Head (Don Rickles), Rex (Wallace Shawn), Slinky Dog (Jim Varney, better known as Ernest) and Ham (see if you can guess the voice of this one? I’ll give you a hint: ‘Cheers’).

But after Buzz accidentally gets knocked out an upstairs window, Woody is the prime suspect. Now, after Woody and Buzz end up next door, in toy killer Sid’s house, Woody must prove his innocence by getting both Buzz and him back to Andy’s house safely.

‘Toy Story’ builds on an element we all shrug off carelessly and thoughtlessly. Much like they did last year with monsters under the bed, Pixar took the theory of live toys to a new level in ‘Toy Story,’ filling our minds with endless possibilities.

What Pixar does is a strange thing. It doesn’t just try to expand our mind, but also out world. I respect and enjoy that. In ‘Monsters, Inc.,’ Pixar managed to preach to us ‘What if monsters under the bed are real, and what if they have a world much like ours, and have feelings like humans,’ while never forgetting the equally important formula of humor. Much is the same with their earlier film ‘Toy Story.’ What if those wooden and plastic toys we all played with as kids are real? What if they have feelings, emotions, voices, and human qualities? An interesting idea by itself, but when mixed with a wicked sense of humor and reality, you’ve got yourself one of the best films ever.

Tom Hanks is perfect as Woody. Pixar must have modeled the doll’s expressions and movements after Hanks, because after a while, I feel like I AM watching Hanks on screen, and NOT a computer-generated image. When you get to the point of not being able to tell animation from reality, you know that the voices are good.

The same goes for Tim Allen, though the body gestures were most likely not modeled after Allen’s physical expressions (Buzz is a short, pot-bellied toy).

The rest of the cast is excellent, all very believable and entertaining. You begin to love each character for their distinguishing traits, and that is always refreshing.

I can safely say that I have not enjoyed animated films quite so much over the years as I have enjoyed Pixar films.

Written By: Movie Addict 2013 (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Snow White and the Seven Dwarfs Story line

A simple story of a charming little princess saved from the evil deeds of her wicked step-mother, the queen, by a group of seven adorable dwarfs.

Snow White and the Seven Dwarfs Details

Rated G | 83 Minutes | Animation

Studio/Year: Walt Disney Animation | 1937
Directors: William Cottrell, David Hand, Wilfred Jackson, Larry Morey, Perce Pearce, Ben Sharpsteen
Voices: Adriana Caselotti, Harry Stockwell, Lucille La Verne
Genre: Adventure, Family, Fantasy, Musical, Romance
 
 
 
 

Snow White and the Seven Dwarfs Review

There isn’t much that hasn’t already been said about “Snow White and the Seven Dwarfs”, Walt Disney’s first feature length animated film. Suffice it to say that it not only fulfilled the studio’s hopes beyond their wildest dreams, it made possible the Disney films that followed it. From the famous Grimm fairy tale about a beautiful princess who flees her jealous stepmother and finds refuge with seven friendly dwarfs, Walt Disney created a cinematic milestone. At the time the film was in production until the day it was released, rival producers were supposedly referring to it as “Disney’s Folly”.Although this myth has been recently debunked in film historian JB. Kaufman’s magnificent new book (”The Fairest One Of All:The Making Of Walt Disney’s Snow White And The Seven Dwarfs”Weldon Owen/Disney Press, 2012)it’s true that only after it’s huge success, did fellow movie makers attempt their own full-length cartoon features. Upon it’s debut, at Hollywood’s Carthay Circle theater, (December 21, 1937)the film was embraced both by critics and audiences, grossing many times it’s then record (for an animated film) $1.5 million budget. Eight successful reissues have kept the movie in the public consciousness now for over six decades, during which time the field of animation has grown by leaps and bounds. Still. despite the cinematic advances and the passage of time, “Snow White” stands alone. While the classic story is but a framework for the film (a fact which troubled me for years), “Snow White” can be fully enjoyed for the pioneer it truly is.

Along with a splendid cast of voices headed by Adriana Caselotti (Snow White) Harry Stockwell (father of Guy and Dean, as the Prince) and Lucille La Verne (The Queen), there are songs which can truly be called timeless: “Whistle While You Work”, “Heigh Ho”, “Some Day My Prince Will Come”, etc.). Much time and effort went toward developing the characters of the Seven Dwarfs and giving each a distinct personality (absent in the original story) which went a long way in making audiences care for Snow White’s plight. Interestingly enough, although the fairy tale was toned down considerably to make it more “family friendly”, the overzealous way in which the film makers transformed the Wicked Queen into a hideous hag at the climax was the subject of an incredible amount of controversy at the time. In fact, it was under a partial ban in England which made it off-limits to children under 16 years of age! Nevertheless, it was the recipient of a special Academy Award in 1938.

To go on about the impact made by the film would be redundant. It simply must be seen to be appreciated. In 2001, it was released on DVD as the first of Disney’s “Platinum Editions”. And many months before it was in stores, there was great speculation about the content. All the anticipation was justified when the DVD finally arrived. Critics and consumers were overwhelmed (just like the audiences back in 1937) with both the content and the painstaking restoration (beyond that done for it’s 50th anniversary reissue) and made it THE DVD for the subsequent holiday season. Without going into detail, it looks as if it were made yesterday, and sounds better than a film of this vintage could ever be expected to. But the streamlining has not diminished it’s charm–only accentuated it. And when you think (before you are drawn into the story, and you ARE) that “Snow White”, unlike today’s computer-drawn animated features was entirely done by hand, that makes it even more of a miracle.In one scene, when Snow White is scrubbing the steps of the Castle, and pours water from a bucket on them, the effect is remarkable-and that one, near the beginning, is just one small sample of the film’s artistry.Back to the DVD. Instead of listing the already well publicized bonus features, let me say that this “Platinum Edition” is like a self-contained history of the film, with hours worth of delights the most astounding being a pieced-together commentary by Walt Disney himself. Out of print for years, it is well worth the effort and expense to find. And although Disney made it a point to announce that they planned to go even further with their subsequent “Platinum Editions”, they have yet to top this one. And I doubt they ever will. Incidentally, this year marks the film’s 75th anniversary, and I can think of no better way to celebrate this movie milestone than picking up Professor Kaufman’s beautiful new books The second volume ” Snow White And The Seven Dwarfs:The Art And Creation Of Walt Disney’s Classic Animated film”is also published by Weldon Owen/Disney Press.It’s a very extensive and fully detailed catalog of the ”Snow White” exhibition,(currently at the Walt Disney museum in San Francisco,California).Here, the emphasis is more on the beautiful art as well as rough sketches and background paintings. Along with it’s companion book ”The Fairest One Of All” it will educate and enchant anyone who cares about the history of Film, Disney Animation and especially ”Snow White” They are, without a doubt,the definitive tributes to a Timeless Classic, and together, they make perfect souveniers for both the film’s 75th Anniversary and and a once in a lifetime event.

Written By: Phillindholm (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Pinocchio Story line

Inventor Gepetto creates a wooden marionette called Pinocchio. His wish that Pinocchio be a real boy is unexpectedly granted by a fairy. The fairy assigns Jiminy Cricket to act as Pinocchio’s “conscience” and keep him out of trouble. Jiminy is not too successful in this endeavor and most of the film is spent with Pinocchio deep in trouble.

Pinocchio Details

Rated G | 88 Minutes | Animation

Studio/Year: Walt Disney Animation | 1940
Directors: Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen
Voices: Dickie Jones, Christian Rub, Mel Blanc
Genre: Adventure, Drama, Family, Fantasy, Musical
 
 
 
 
 

Pinocchio Review

I think Pinocchio is Disney’s best animated movie ever made (as already speculated by many other cartoon fans). The movie just so happens to be an artistic advancement over Snow White, the movie of which the Disney artists initiated their most expensive animation techniques at the time. Pinocchio is partially known as the film of which they successfully mastered the multi-plane camera filming, which gives the background art breathtaking strokes of realism.

Pinocchio has much more than beautiful artwork. It also has creative writing (borrowed respectively from the original novel), great character development, fresh humor, wonderful music, and emotional impact.

Every character, ranging from Pinocchio and Jiminy Cricket to Stromboli, the Coachman, and Monstro, has helped make this a milestone in American filmography. I like Pinocchio, because his innocence is used instead of ignorance as the cause for his downfall in both incidents (first with Stromboli, and later with his trip to Pleasure Island). This personifies how many bad things we might do in life are derived from our GOOD intentions, instead of bad. But my favorite character would have to be Jiminy Cricket, who’s probably the smartest character in this whole presentation.

The story itself is so emotionally compelling, one would wonder if Carlo Collodi used the Bible for a little inspiration. A lot of what we see in Pinocchio would seem like it. The protagonist (Pinocchio) is brought to life upon his dad’s (Geppetto) wish, but must prove himself a good person before he can become a real boy. The one who witnesses his coming-to-life (Jiminy Cricket) is appointed his conscience by the life-bearer (The Blue Fairy). Pinoke is tempted to do bad, what seems good at the time (by Honest John, Gideon, Stromboli, and the Coachman), and befriends one who is eventually condemned from following the wrong path (Lampwick). Pinoke narrowly escapes from being completely condemned, and has to use his mind to save his father from the beast (Monstro). Along with Figaro & Cleo as supporting players, this storyline goes on and on bringing joy where there’s joy, grief where there’s grief, fear where there’s fear, and so on, to the point of stimulating the notion that Pinocchio is a morality tale derived from the Bible. We may never know for sure.

Walt Disney has conquered the art of retelling classic novels more than twice, and here he especially succeeds with flying colors. Pinocchio went on to win 2 Academy Awards following its 1940 debut, and several other states of recognition as recently as the mid-1990′s. This is also one of the many pieces of evidence proving how wonderful Walt Disney was.

Written By: BBethel 66 (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Fantasia Story line

Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. “The Sorcerer’s Apprentice” features Mickey Mouse as an aspiring magician who oversteps his limits. “The Rite of Spring” tells the story of evolution, from single-celled animals to the death of the dinosaurs. “Dance of the Hours” is a comic ballet performed by ostriches, hippos, elephants, and alligators. “Night on Bald Mountain” and “Ave Maria” set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day.

Fantasia Details

Rated G | 125 Minutes | Animation

Studio/Year: Walt Disney Animation | 1940
Writers: Joe Grant, Dick Hunter, Lee Blair, Elmer Plummer, Phil Dike, Sylvia Moberly-Holland, Norman Wright, Albert Heath, Bianca Majolie, Graham Heid, Perce Pearce, Carl Fallberg, William Martin, Leo Thiele, Robert Sterner, John McLeish, Otto Englander, Webb Smith, Joseph Sabo, Bill Peet, Vernon Stallings, Campbell Grant, Arthur Heinemann, Phil Dike
Voices: Leopold Stokowski, Deems Taylor, Corey Burton
Genre: Adventure, Family, Fantasy, Musical

Fantasia Review

There cannot be one verdict on “Fantasia”. There must be eight: one for each of the seven segments, and an eighth for the film as a whole – for, varied though the seven segments are, they undeniably belong together. And, alas, space does not permit me to lay out all eight verdicts. I shall have to confine myself to details representative of the whole. At any rate, I shall try.

We learn the modus operandi of “Fantasia”, the linking theme, in the second segment – an abridged version of Tchaikovsky’s “Nutcracker” suite. (Missing are the overture and the march.) Tchaikovsky’s ballet involves anthropomorphising inanimate things, plus the odd tiny animal. So does Disney’s “Nutcracker”. But Disney has thrown out the particular details. The Chinese Dance is danced by mushrooms (who look, but are not, Chinese); the Arabian Dance by “Arabian” goldfish; the Russian dance by “Russian” thistles and orchids. Sometimes it goes further: “Waltz of the Flowers” shows two entire changes of seasons, with leaves, fairies, seed pods, seeds, snowflakes – everything but flowers. But in ignoring the letter of the instructions Disney is perfectly true to the spirit. Indeed he is more true to the spirit than the original ballet – for, let’s face it: stage ballet is a degenerate and over-formalised art, which makes some of the world’s most exciting music dull as wallpaper. Disney’s amazing images express Tchaikovsky’s sense of motion more than earthbound dancers ever could. This, one feels, is the kind of thing ballet music was TRULY designed for. The same goes to a lesser extent for the other two pieces of ballet music on the program.

This basic device – ignoring explicit instructions, but remaining true to the spirit – is carried through into every segment. (Some segments are better than others, but none can be called a failure.) Dukas’s “The Sorcerer’s Apprentice” has been turned into a Mickey Mouse cartoon – but it’s the best Mickey Mouse cartoon ever made; and we realise that the story of the Sorcerer’s Apprentice is really the archetype that all of the best Mickey Mouse cartoons had been reaching towards, all along. The Pastoral Symphony adheres to Beethoven’s program but moves everything from the woods of Central Europe to a dreamland from classical mythology. (The second movement – the section with the courting centaurs – is a failure. For once the spirit as well as the letter of Beethoven is ignored. Unfortunately some critics cannot see beyond this movement to the superb interpretations that flank it on either side.)

I doubt that so much genuine creative work has gone into a film, before or since – even if you don’t count the contributions made by the composers. What’s my favourite film? I really don’t know. But if you tell me that I must sit in a large dark cinema for two hours; and ask me what I would like to occupy my eyes and ears over those two hours, I would answer, without hesitation, Fantasia.

Written By: Spleen (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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Dumbo Story line

The stork delivers a baby elephant to Mrs Jumbo, veteran of the circus, but the newborn is ridiculed because of his truly enormous ears and dubbed “Dumbo”. Dumbo is relegated to the circus’ clown acts; it is up to his only friend, a mouse, to assist Dumbo to achieve his full potential.

Dumbo Details

Rated G | 64 Minutes | Animation

Studio/Year: Walt Disney Animation | 1941
Directors: Samuel Armstrong, Norman Ferguson, Wilfred Jackson, Jack Kinney, Bill Roberts, Ben Sharpsteen
Voices: Sterling Holloway, Edward Brophy, James Baskett
Genre: Adventure, Family, Musical
 
 
 
 

Dumbo Review

All the other elephants shun Dumbo for his gigantic ears, and his mother has been locked up for protecting him, so he’s all alone in the world… until Timothy Q Mouse shows up.

A beautiful piece of work. At just 60 mins, it is short and sweet. But it also contains some of Disney’s best visual poetry. Dumbo’s not saying a single word means his entire character is created through the physical. The entire opening sequence, till the gossipy elephants start talking, plays out without words, and its like the best silent movies. Simply beautiful.

Mrs Jumbo rearing up and destroying the big top to protect Dumbo from taunting kids is an incredible scene. Dumbo’s mother spends the movie imprisoned in a carriage labelled “mad elephant” – and surely one of the most beautiful, heartbreaking scenes i’ve ever seen plays out when Dumbo and his mother have contact only by touching trunks, through the bars in the window of her cell. A beautiful sequence begins: the beautiful song “Baby Mine” plays as she cradles him in her trunk, and when Dumbo leaves she can’t see him, and she stretches her trunk as far as she can out the window to try and reach him, and… oh, its too much!

The pink elephants sequence is as close to trippy Disney ever got – and its brilliant. One of the best, most inventive sequences in animation history. Great song, too.

Written By: Ben Cheshire (IMDB user review)

Review by Brandon at Latest Animated Movies is coming soon.

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