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    <title type="text">Laurence Kaye on Digital Media Law</title>
    
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    <link rel="service.post" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=333718" title="Laurence Kaye on Digital Media Law" /> 
    <id>tag:typepad.com,2003:weblog-333718</id>
    <updated>2012-01-17T16:35:21Z</updated>
    <subtitle>This is a blog about the future of digital media law from Laurie Kaye, Laurence Kaye Solicitors.</subtitle>
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        <title>UK ENTERPRISE INVESTMENT SCHEME ("EIS")</title>
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        <published>2012-01-17T16:35:21+00:00</published>
        <updated>2012-01-17T16:35:21Z</updated>
        <summary>Dear reader The EIS scheme is a very significant inducement for investors in start-up and early stage companies in the UK's creative industries. So, I thought I'd take the opportunity to depart from my usual posts on digital media law...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>The EIS scheme is a very significant inducement for investors in start-up and early stage companies in the UK's creative industries. So, I thought I'd take the opportunity to depart from my usual posts on digital media law and, thanks to my friend Bob Wexler, an expert lawyer in this field, provide all my cash rich investors (!) with a handy summary of the rules governing EIS investments.</p>
<p>Bob's in transition from Leeds to London but can be contacted on : 07896 713 982. So here are the rules:</p>
<p>The EIS is generally intended to encourage investment in the ordinary shares of unquoted trading companies but there is an exception for UK listed AIM and PLUS companies. The UK government is encouraging UK taxpayers to invest in EIS companies  in order to help stimulate the UK economy. It has recently substantially improved  the  UK EIS tax benefits for this tax year and next year (which should continue in subsequent years) in an effort to ameliorate the recent tax increase for income from 40 to 50%( for income in excess of £150,000 ) , and capital gains rate increases from 18 to 28%.</p>
<p>The EIS rules are technical and need to be complied with. When a "qualified"  individual subscribes for eligible shares in a qualifying company, the amount subscribed is a tax reduction, i.e., <strong>tax credit, saving income tax at 30% </strong>(was 20% last year). The shares must be newly issued, fully paid up ordinary shares which carry no preferential rights to dividends, assets, or redemption in the three years from the date of issue. The maximum total investment per investee that can qualify for income tax relief in the current tax year is £500,000, or £150,000 of tax credits. The total amount that a company can receive in EIS funds this year is £2,000,000. Tax relief is given in the year the investment is made, or can be carried back to the prior year. Relief must be claimed within 12 months of HMRC authorising the company to issue a certificate to the investor that the share issue qualifies for relief.</p>
<p>If an individual disposes of shares within three years of their issue, the tax reduction obtained may be wholly or partly withdrawn.  Alternatively, if shares are disposed of  <strong>after three years</strong> <strong>from issue</strong>, the tax reduction is not withdrawn.  <strong>If there is a capital gain, it is exempt</strong>, and any loss for capital gains purposes is restricted by reducing the issue price, i.e., the cost, by the tax relief not withdrawn (but not so as to  create a gain).</p>
<p>A <strong>qualifying individual investor</strong> is a UK resident taxpayer not connected with the company at any time from two years before the issue to three years  after the issue.  An individual is connected with the company if:</p>
<p> 1            he holds (with other associates) more than 30% of the ordinary  shares;</p>
<p> 2            on a winding up of the company he is entitled to more than 30% of the assets;</p>
<p> 3            he is  an employee or a non-qualifying director of the company or of a subsidiary;  or</p>
<p> 4            a partner of the company or of a subsidiary.</p>
<p>A qualifying director who is also an employee is not treated as connected. A qualifying director generally is one who only receives reasonable remuneration from the company.</p>
<p>A <strong>qualifying company</strong>  is one that:</p>
<p> 1            carries on one or more qualifying trades;</p>
<p> 2            it does not control any other company except for qualifying 90% subsidiaries and it is not under the control of another company;</p>
<p> 3            the assets of the company must not exceed £7 million immediately before and £8 million immediately after the issue;</p>
<p> 4            the company must have fewer than 50 full-time employees; and</p>
<p> 5            the company must have raised less than £2 million from EIS type funds in the previous 12 months.</p>
<p> A <strong>qualifying trade</strong> is one carried on commercially with a view to a profit, and excludes, generally, financial activities, legal and accountancy services, property development, hotel management or operation, operating or managing residential care homes or nursing homes, farming,  dealing in stocks and securities,  and dealing in goods other than in an ordinary  trade of wholesale  or  retail distribution.<strong> Solar energy deals with feed in tariffs only qualify for the current tax year. Poland does not have feed in tariffs (it has green certificates) so solar energy deals can be done this year and in future years. Poland also has grant money and low interest loans which can be used in solar deals.</strong></p>
<p>A recent significant change to the EIS is the European Union requirement that a qualifying EIS company <strong>need only have a "permanent establishment" in the UK</strong>, rather than requiring it to have wholly or a substantial part of its business carried on in the UK. The term "permanent establishment" generally includes a place of management, a branch, an office, a factory, a workshop, and a place of extraction of natural resources. Consequently, there is now an opportunity to use the UK EIS for <strong>non UK operating companies</strong>, e.g., companies only with UK permanent  establishments that are primarily doing business in non UK countries, such as the United States. UK individual investors would get EIS tax benefits by investing in such companies which can also be publicly traded AIM or PLUS companies.</p>
<p><strong>The EIS is considered by the UK government to be a legal tax avoidance scheme. EIS investors/companies can get HMRC preapproval that the EIS regime applies.</strong></p>
<p>The EIS rules will be further liberalised starting on 1 April, 2012, as follows:</p>
<p>1)   250 employees, up from 50;</p>
<p>2)    no more than £15,000,000  gross assets before investment (was £7,000,000), £16,000,000 after the investment;</p>
<p>3)   £10,000,000 maximum EIS investment (was £2,000,000); and</p>
<p>4)  £1,000,000 individual annual limit (was £500,000).</p>
<p>As you can see, EIS is complex and shouldn't be tried at home - get expert advice!</p>
<p>Have a great week</p>
<p>Laurie Kaye</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/kkQuZQe-mPM" height="1" width="1" /></div></content>


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    <entry>
        <title>Predictions for 2012</title>
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        <published>2012-01-13T10:23:18+00:00</published>
        <updated>2012-01-13T10:23:19Z</updated>
        <summary>Dear reader Just thought I'd look into my crystal ball and share with you my predictions for 2012. These were published, amongst other predictions, in this month's issue of SCL's Computers &amp; Law Magazine. The term "Transmedia", the child of...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>Just thought I'd look into my crystal ball and share with you my predictions for 2012.  These were published, amongst other predictions, in this month's issue of SCL's Computers &amp; Law Magazine.</p>
<ul>
<li>The term "Transmedia", the child of multimedia, will enter the lexicon of digital media.  It's a phrase I recently heard Jeff Gomez (Starlight Runner) use to get people to think about stories and narratives rather than formats.  It is the notion of stories or narratives being expressed across a range of paltforms in ways suited to each platform, whether as an online game, book, interactive site, film, TV programme or otherwise.  This new thinking applies to the entire process from creation through to business and contractual models.</li>
</ul>
<ul>
<li>Comeptition and anti-trust law will be at the top of Amazon, Google and Apple's legal agenda.</li>
</ul>
<ul>
<li>The forthcoming EU review of the Data Protection Directive will spur industry into making data protection compliance more easy and effective.  (A hope or an expectiation?).</li>
</ul>
<ul>
<li>The biggest challenge - and opportunity - in the creative indistries is creating new, innovative business models.</li>
</ul>
<ul>
<li>The real value of the Hargreaves' big idea, the Digital Copyright Exchange, will be in driving all the media and technology industries to work collaboratively to develop standards so that all the different rights exchanges - film, music, publishing etc. - can speak to each other 'machine to machine'.  This is the key to solving problems of rights clearance and unleasing the potential of new digital content services.</li>
</ul>
<ul>
<li>I used to think about ABS as just being about my car's braking system.  No more.</li>
</ul>
<p>If you have any digital media predictions for 2012 of your own, we'd love to hear them!</p>
<p>Have a great day,</p>
<p>Laurie</p>
<p> </p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/CeIXgYRGg54" height="1" width="1" /></div></content>


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    <entry>
        <title>Laurence Kaye vs Laurence Kaye: the pirate and the lawyer in conversation</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/I08DTuPNZP8/laurence-kaye-vs-laurence-kaye-the-pirate-and-the-lawyer-in-conversation.html" />
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        <id>tag:typepad.com,2003:post-6a00d8354ed10569e201675fe7ee70970b</id>
        <published>2012-01-03T16:30:59+00:00</published>
        <updated>2012-01-03T16:30:59Z</updated>
        <summary>Dear reader Happy New Year! I hope that the weight of your 'Inbox' hasn't made entry into 2012 too painful. It's one of life's little ironies that the Chairman of the UK Pirate Party (aka Loz Kaye) and I share...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Current Affairs" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>Happy New Year! I hope that the weight of your 'Inbox' hasn't made entry into 2012 too painful.</p>
<p>It's one of life's little ironies that the Chairman of the UK Pirate Party (aka Loz Kaye) and I share exactly the same name. Name sharing v. file sharing!</p>
<p>Olivia Solon of 'Wired' magazine recently interviewed Loz and me on a range of digital media law issues. You can find the piece published today in 'Wired'<a href="http://www.wired.co.uk/news/archive/2012-01/03/kaye-versus-kaye?page=all" target="_blank"> here</a>.</p>
<p>Although we disagreed a quite a few issues (e.g. Digital Economy Act), we also had a lot in common, especially our recognition of the role that the creative industries can play in getting UK plc out of the current economic mess.</p>
<p>I hope you enjoy the read. If you want any more detail on any of the points discussed, just let me know.</p>
<p>Have a good week.</p>
<p>Laurie Kaye</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/I08DTuPNZP8" height="1" width="1" /></div></content>


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    <entry>
        <title>Reflections on yesterday's 'FutureBook' conference </title>
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        <id>tag:typepad.com,2003:post-6a00d8354ed10569e20162fd6fd4df970d</id>
        <published>2011-12-06T15:54:34+00:00</published>
        <updated>2011-12-06T15:54:34Z</updated>
        <summary>Dear reader "New business models", "responding to customer needs", "DRM", "Outsourcing" - not phrases from yesterday's very stimulating #FutureBook Conference. I talked about them in my presentation at 'e-Pub@ London Book Fair' in March 2004. But although change may not...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Copyright happenings" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>"New business models", "responding to customer needs", "DRM", "Outsourcing" - not phrases from yesterday's very stimulating #<a target="_blank" title="http://www.futurebook.net/content/live-futurebook-2011">FutureBook </a>Conference. I talked about them in my presentation at 'e-Pub@ London Book Fair' in March 2004. But although change may not rapid, it is definitely happening now - that was the clear impression from yesterday's conference which was full of creative thinking.</p>
<p>So here are my 10 key takeaways' from the FutureBook conference, most of which stem from the fact that for trade publishers in the digital world, the customer is the reader, not the retailer. When reading, bear in mind that a lot of this focuses on trade publishing and the shift from 'B2B' to 'B2C'. That said, many of the points apply to other sectors of publishing industry.</p>
<ol>
<li> The key question for publishers to ask themselves is: <em>"How can we be of most value and use in the conversation between writers and readers?" </em>(Stephen Page, ceo., Faber and Faber @stephenpub).</li>
<li>Publishers need to focus on building brands, with multiple products across every platform. (Charlie Redmayne, c.e.o., Pottermore). (Sounds more like the entertainment business than publishing? You bet it does!). </li>
<li>'One size fits all pricing' is dead. (Nicholas Lovell, founder, Games Brief @nicholaslovell).</li>
<li>Whilst the big online distributors build vertical distribution models - cloud storage &gt;  device &gt; purchase and payment - it's still the publishers move - content is king. (But don't hang around too long to figure out the move!).</li>
<li>As we transition from print to digital + print, we are caught between the print world of territoriality and the online world where world language rights will be the norm. Managing that transition effectively - and perhaps treating print and digital differently - is essential.</li>
<li>As the next three points show, understanding the relationship and interaction between technology and content is key to the future of publishing....</li>
<li>Google's change to its search ranking algorithm - <a target="_blank" title="http://www.guardian.co.uk/technology/2011/dec/05/google-panda-update-endangered-species?newsfeed=true">'Panda'</a> - reduces the importance of in-bound links and increases that of site content. So, once again, 'Content is King'.</li>
<li>For the right market (e.g. education), creating a developer ecosystem by allowing developers access via API to a publisher's content is the way to build the market. (That was illustrated by Diana Stepner, head of future technologies, Pearson - @dianas).</li>
<li>Publishing online requires an agile and iterative approach to product development, based on user needs. (Sounds like the software industry? You bet it does!).</li>
<li>That leads to another point - we have to accept that the price for innovation is accepting failure (but not to repeat the same mistakes!).</li>
</ol>
<p>In my next post, I'll reflect on how this all impacts from the legal angle.</p>
<p>Have a good week</p>
<p>Laurie Kaye</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/LNdw2mAdZvk" height="1" width="1" /></div></content>


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    <entry>
        <title>Digital Copyright Exchange update</title>
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        <id>tag:typepad.com,2003:post-6a00d8354ed10569e2015393713068970b</id>
        <published>2011-11-23T12:25:58+00:00</published>
        <updated>2011-11-23T12:25:58Z</updated>
        <summary>Dear reader Hot off the press is news about the Richard Hooper's appointment by Business Secretary Vince Cable yesterday announced the appointment of Richard Hooper to lead a feasibility study on developing a Digital Copyright Exchange (DCE) in the UK:...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Copyright happenings" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p> Hot off the press is news about the Richard Hooper's appointment by Business Secretary Vince Cable yesterday announced the appointment of Richard Hooper to lead a feasibility study on developing a Digital Copyright Exchange (DCE) in the UK: <a href="http://nds.coi.gov.uk/content/Detail.aspx?ReleaseID=422173&amp;NewsAreaID=2">http://nds.coi.gov.uk/content/Detail.aspx?ReleaseID=422173&amp;NewsAreaID=2</a>  </p>
<p> Whilst a feasibility study is not, of itself, going to unleash the potential for the market for trading in rights in digital content, it's a step in the right direction. But let's remember that there are already rights exchanges developing in the audio-visual, publishing and other creative industry sectors. In my view, what we are missing is the 'glue' or links to make them all speak to each other to allow rights trading on a machine to machine basis.</p>
<p>I also think one of the really interesting areas is how public/private partnerships could develop to facilitate increased access to digital content by libraries, museums and other public bodies and by commercial providers of digital content services.</p>
<p>Anyway, here's the announcement about Richard Hooper's announcement as summarised by the IPO:</p>
<p>"A DCE has the potential to boost economic growth in the creative sector by lowering the costs of licensing and giving businesses and consumers easier access to copyrighted material. The recommendation to create a DCE was put forward by Professor Ian Hargreaves in his report; Digital Opportunity: A Review of Intellectual Property and Growth. The review suggested that an exchange has the potential to grow the UK economy by over £2 billion.</p>
<p>Richard Hooper said: "There are people all across the creative sector trying to develop ways of licensing works using new digital technologies. We need to bring that enthusiasm and talent together to create a universal system that benefits everyone. This work is about helping the industry to do more, to do it quicker and grow the economy.</p>
<p>“My work will be in two distinct phases. First I want to talk to people across and outside the sector to find out how they see the licensing challenges facing them.  As part of that process, I'll be looking to meet the key players and to provide opportunities for all those interested to air their views. We will then be able to forge some common understanding so that I can look to produce appropriate industry-led solutions which respond to the spirit of Hargreaves’ vision.”</p>
<p><strong>Interested in following Hargreaves Implementation? Subscribe to updates at</strong> <a href="http://www.ipo.gov.uk/types/ipreview-whatsnew-rss.xml">http://www.ipo.gov.uk/types/ipreview-whatsnew-rss.xml</a>"</p>
<p>Have a good week (and weekend)</p>
<p>Laurie Kaye</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/4m7WYxJ-cPU" height="1" width="1" /></div></content>


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    <entry>
        <title>Cyber-Bullying and online grooming</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/qllDEYb5FuU/cyber-bullying-and-online-grooming.html" />
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        <id>tag:typepad.com,2003:post-6a00d8354ed10569e2015436caa0cf970c</id>
        <published>2011-11-11T09:04:44+00:00</published>
        <updated>2011-11-11T09:04:44Z</updated>
        <summary>Dear reader Here's a report really worth reading, produced by ENISA (European Network &amp; Information Security Agency) on helping to protect against the risks of cyber-bullying and online grooming, featuring a scenario on data mining / profiling of data available...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="E-Commerce" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>Here's a report really worth reading, produced by ENISA (European Network &amp; Information Security Agency) on helping to protect against the risks of cyber-bullying and online grooming, featuring a scenario on data mining / profiling of data available on the Internet.</p>
<p><span class="asset  asset-generic at-xid-6a00d8354ed10569e2015436ca99a6970c"><a href="http://laurencekaye.typepad.com/files/enisa-report---cyberbullying_v3-31.pdf">Download ENISA Report - Cyberbullying_v3 31</a></span></p>
<p><span class="asset  asset-generic at-xid-6a00d8354ed10569e2015436ca99a6970c">Have a good weekend. I'll be at the Society of Young Publisher's <a href="http://www.thesyp.org.uk/conference/programme.php" target="_blank">Annual Conference</a>, speaking with Lynette Owen, copyright Director of Pearson Education, on 'The Changing World of Rights".</span></p>
<p><span class="asset  asset-generic at-xid-6a00d8354ed10569e2015436ca99a6970c">Thought for the weekend: "11:11:11" is a palindrome which occurs once every 100 years. Is this the day for taking big decisions?</span></p>
<p><span class="asset  asset-generic at-xid-6a00d8354ed10569e2015436ca99a6970c">Regards</span></p>
<p><span class="asset  asset-generic at-xid-6a00d8354ed10569e2015436ca99a6970c">Laurie Kaye</span></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/qllDEYb5FuU" height="1" width="1" /></div></content>


    <feedburner:origLink>http://laurencekaye.typepad.com/laurence_kayes_blog/2011/11/cyber-bullying-and-online-grooming.html</feedburner:origLink></entry>
    <entry>
        <title>Transmedia - multimedia re-visited?</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/_6DnxyPKlqY/transmedia-multimedia-re-visited.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=333718/entry_id=6a00d8354ed10569e2015436b87460970c" title="Transmedia - multimedia re-visited?" />
        <link rel="replies" type="text/html" href="http://laurencekaye.typepad.com/laurence_kayes_blog/2011/11/transmedia-multimedia-re-visited.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8354ed10569e2015436b87460970c</id>
        <published>2011-11-08T16:03:22+00:00</published>
        <updated>2011-11-08T16:03:22Z</updated>
        <summary>Dear reader With video interviews embedded in online newsites, and music and film clips in enhanced e-books, the idea of multi-media is no longer new. Licensing rights from book to film to TV and merchandising is well-established. But in the...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>With video interviews embedded in online newsites, and music and film clips in enhanced e-books, the idea of multi-media is no longer new. Licensing rights from book to film to TV and merchandising is well-established.</p>
<p>But in the digital world, new thinking is needed for stories or narratives which have the potential to be expressed across a range of platforms in ways suited to each platform, whether as an online game, book, interactive site, film, TV programme or otherwise. This new thinking applies to the entire process from creation through to business and contractual models.</p>
<p>Think narrative, think IP, think cross platform. That's the theme of the presentation on <a href="http://thepixelreport.org/2011/11/01/the-power-of-transmedia-storytelling/" target="_self">'The Power of Transmedia Storytelling'</a>, given by Jeff Gomez, CEO of CEO of Starlight Runner Entertainment, at Power to the Pixel’s <a href="http://powertothepixel.com/events-and-training/pttp-events/london-forum-2011" target="_self">Cross Media Forum</a> held in London last month.</p>
<p>Whilst not every single work has the quality of a story or narrative that works in this way, many do and the need for 'joined up' thinking has never been greater. So do listen to Jeff's presentation. There's real food for thought.</p>
<p>Have a good week,</p>
<p>Laurie Kaye</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/_6DnxyPKlqY" height="1" width="1" /></div></content>


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    <entry>
        <title>Copyright giveth - and taketh away</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/KFoCDoKmj_I/dear-reader-the-lord-giveth-the-lord-taketh-away-or-in-uscopyright-law-it-can-be-the-author-who-can-terminate-rights-prev.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=333718/entry_id=6a00d8354ed10569e2015392937ac4970b" title="Copyright giveth - and taketh away" />
        <link rel="replies" type="text/html" href="http://laurencekaye.typepad.com/laurence_kayes_blog/2011/10/dear-reader-the-lord-giveth-the-lord-taketh-away-or-in-uscopyright-law-it-can-be-the-author-who-can-terminate-rights-prev.html" thr:count="1" thr:when="2011-11-14T08:34:21Z" />
        <id>tag:typepad.com,2003:post-6a00d8354ed10569e2015392937ac4970b</id>
        <published>2011-10-31T16:00:26+00:00</published>
        <updated>2011-11-09T09:43:39Z</updated>
        <summary>Dear Reader Away from the ever changing/developing world of digital media law, sometimes well established law can present some nasty surprises. So imagine you're proposing to buy or exploit an old archive to digitise and put online. If you're looking...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Copyright happenings" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear Reader</p>
<p>Away from the ever changing/developing world of digital media law, sometimes well established law can present some nasty surprises. So imagine you're proposing to buy or exploit an old archive to digitise and put online.</p>
<p>If you're looking at the US market, you could find that rights that you or your predecessors acquired under contract can be whisked away from you by the creator or their successor by virtue of termination rights under US Copyright law. We used to have similar provisions in UK copyright law where rights could revert to an author's estate 25 years after death. These reversionary rights were abolished in the UK's Copyright Act 1956. But even in the UK, you need to watch out if there was a contract to acquire rights entered into between 1911 and 1956.</p>
<p>But this is very much a live issue in the US. My good friends at leading New York-based entertainment law firm <a href="http://www.fkks.com" target="_blank">Frankfurt Kurnit Klein &amp; Selz PC</a> have written a very useful summary reproduced with their permission below. Although targeted at the creator, it makes useful reading for agents, publishers and other rights users. They'd be happy to provide further info and have promised not to terminate rights to use the article!<br /><br />"<strong>Can You Recapture Valuable Grants of Rights?</strong></p>
<p>If you are an author, musician, artist, or other creator of intellectual property (or the heir to such a person), it’s a good time to learn whether you are taking full advantage of your ability to “recapture” certain grants of rights made years ago.  While everyone’s business deals are different, we urge you to consider the quick summary below: you may have untapped sources of valuable intellectual property.</p>
<p><em>The law in brief</em>. To help protect artists and their families from deals that, in hindsight, may not have been optimal, the Copyright Act of 1976 provides that certain persons may terminate grants of copyright interests -- including licenses and assignments -- after the passage of specified time periods. This means that in certain circumstances, grants such as a license to a publisher of the right to publish a book, a screenwriter’s sale of rights to a movie studio, or a musician’s license of music publishing rights can be terminated irrespective of the terms of any contract.</p>
<p>But the Copyright Act language governing termination rights is quite complex. And the right to terminate depends largely on when -- and by whom -- the original grant was made. Here’s a summary:</p>
<ul>
<li>Grants made before January 1, 1978:</li>
</ul>
<ul>
<li>May be terminated between 56 and 61 years after copyright was secured.  </li>
</ul>
<ul>
<li>May be terminated by the author or by certain successors to the author’s rights. </li>
</ul>
<ul>
<li>May be terminated only if proper notice is given to the person or entity to whom the grant was made (two to ten years prior to the effective date of termination) and the notice is filed with the Copyright Office.</li>
</ul>
<ul>
<li>Grants made on or after January 1, 1978 (but only grants made by the author of the copyrighted work): </li>
</ul>
<ul>
<li>May be terminated between 35 and 40 years after the grant was made (except for publishing rights, where the time period may be slightly different).</li>
</ul>
<ul>
<li>May be terminated by the author or by successors specified by the Copyright Act.</li>
</ul>
<ul>
<li>May be terminated only if proper notice is given to the person or entity to whom the grant was made (two to ten years prior to the effective date of termination) and the notice is filed with the Copyright Office.</li>
</ul>
<p>It’s important to note that in some cases, the rights do not completely revert; the Copyright Act has rules concerning the continued right of certain business partners to continue to exploit previously granted rights after termination.   Also, works made for hire cannot be terminated. And the termination rules only apply to grants in the United States; grants with respect to rights in foreign countries remain unaffected.  Finally, don’t let the sweeping language of an earlier agreement dissuade you from exploring these potential rights: the right to terminate exists irrespective of “agreements to the contrary” that may have been entered into by the copyright owner.</p>
<p>There are many other nuances to the termination rights, including specifics as to what work can be terminated, who owns the termination right, what happens after notice of termination is served, and the practical effect of termination.   Not knowing your termination rights means an important asset could slip away.</p>
<p>If you have any questions about any of the issues raised in this alert or other copyright issues, please contact Edward Rosenthal at 212.826.5524 or <a href="mailto:erosenthal@fkks.com">erosenthal@fkks.com</a>, Rich Heller at 212.826.5533 or <a href="mailto:rheller@fkks.com">rheller@fkks.com</a>, Lisa Davis at 212.826.5530 or <a href="mailto:ldavis@fkks.com">ldavis@fkks.com</a> or any other member of the <a href="http://fkks.com/practicegroups.asp?pageID=5">Frankfurt Kurnit Intellectual Property Group</a>.</p>
<p>And don't forget the small print:</p>
<p><em><strong>Disclaimer and Opt-Out.</strong></em> <em>This alert provides general coverage of its subject area. We provide it with the understanding that Frankfurt Kurnit Klein &amp; Selz is not engaged herein in rendering legal advice, and shall not be liable for any damages resulting from any error, inaccuracy, or omission. Our attorneys practice law only in jurisdictions in which they are properly authorized to do so. We do not seek to represent clients in other jurisdictions."</em></p>
<p>Have a good week</p>
<p>Laurie</p>
<div>
<hr size="2" />
</div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/KFoCDoKmj_I" height="1" width="1" /></div></content>


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    <entry>
        <title>The New Consumer Rights Directive</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/fboLlMg_3mg/the-new-consumer-rights-directive.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=333718/entry_id=6a00d8354ed10569e20154365f0860970c" title="The New Consumer Rights Directive" />
        <link rel="replies" type="text/html" href="http://laurencekaye.typepad.com/laurence_kayes_blog/2011/10/the-new-consumer-rights-directive.html" thr:count="2" thr:when="2011-11-22T04:46:37Z" />
        <id>tag:typepad.com,2003:post-6a00d8354ed10569e20154365f0860970c</id>
        <published>2011-10-24T13:15:20+01:00</published>
        <updated>2011-10-24T12:15:20Z</updated>
        <summary>Dear reader My colleague Sherif Malak has been busy ploughing his way through the new Consumer Rights Directive, which merges 4 existing EU consumer directives into one set of rules (including the Distance Selling Directive ), was final adopted by...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="E-Commerce" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear reader</p>
<p>My colleague Sherif Malak has been busy ploughing his way through the new <a href="http://register.consilium.europa.eu/pdf/en/11/pe00/pe00026.en11.pdf">Consumer Rights Directive</a>, which merges 4 existing EU consumer directives into one set of rules (including the Distance Selling Directive ), was final adopted by Europe’s Council of Ministers earlier this month. </p>
<p><strong>Bottom line</strong>: this Directive takes some important  steps to harmonising consumer protection for online purchases. It should - at least in theory - make it easier for e-tailers trading cross border to have a common, pan European set of rules in certain key areas of consumer protection such as cooling periods and the provision of information online to consumers. Whilst member states have two years to implement it, e-traders would be well advised to be aware now of what's coming down the compliance track.</p>
<p>The Directive, infamous for extending the cooling-off period for consumers by generally allowing them with 14 days to withdraw from purchases from distance sellers, further updates and upgrades a number of provisions in the previous directives, as well as providing new rules to “ensure a high level of consumer protection and establishing the real retail internal market, making it easier and less costly for traders to sell cross border and providing consumers with a larger choice and competitive prices.”</p>
<p>Most significantly it seeks to do this by harmonising consumer law not only by providing a minimum level of protection for consumers but, perhaps more unusually, by going further and, subject to a few specific areas, prohibiting Member States from introducing or maintaining <span style="text-decoration: underline;">more</span> stringent protections.  Of equal note is its bringing of consumer rights into the 21<sup>st</sup> century, by targeting e-commerce (including m-commerce) by express reference to online and digital services and content.</p>
<p>So what’s new protections will be available for consumers?  Some main ones are:</p>
<ul>
<li>An extended 14 day cooling-off period to withdraw from purchases made at a distance if consumers change their mind (and which is extended to a year if they are not duly informed of this right).</li>
<li>A 14 day period by which traders must provide a refund (including original delivery costs) following a consumer’s withdrawal.</li>
<li>The banning of pre-ticked boxes for “extra services” and of charging consumers for credit card fees and hotlines in excess of the actual cost to the trader (a certain airline should take particular note!)</li>
<li>Greater clarify with respect to information provided for digital content including hardware and software compatibility requirements and details of technological protection methods.</li>
<li>A right to withdraw from purchases of digital content before it is actually downloaded (as opposed to when it is made available for download e.g. via a link in an email). </li>
</ul>
<p>Together with the <a href="http://www.mirror.co.uk/news/city-news/2011/10/22/e-on-under-pressure-to-stop-cold-callers-after-scottish-power-scraps-doorstep-selling-115875-23505695/">recent announcements</a> from 5 of the “big 6” energy companies that they will end cold calling door-stop selling practices and the extension of the <a href="http://www.asa.org.uk/Regulation-Explained/Online-remit.aspx">Advertising Standard Authority’s remit</a> earlier this year in March to cover the digital non-paid for space, many might 2011 looks like it is shaping up to be the “year of the consumer”.</p>
<p>However, before despairing at the potential additional costs, traders would do well to keep the following points in mind:</p>
<ul>
<li>Traders, especially e-tailers, will now have a reduced legal compliance burden when targeting more than one EU country: the Directive creates a level playing field with respect to the requirements of consumer law in each Member State.</li>
<li>The Directive finally acknowledges that a trader may withhold a refund until the cancelled goods have been returned (or failing that, proof from the consumer that they have been sent back).</li>
<li>A model withdrawal form and cancellation instructions can be used by traders to make compliance with the rules easier.</li>
<li>The extension to the cooling off period is, in effect, 5 calendar days, and not double!  This is because  previous cancellation period was 7 <span style="text-decoration: underline;">working</span> days i.e. a minimum of 9 <span style="text-decoration: underline;">calendar</span> days (possibly more during periods with public holidays). </li>
<li>Customers will now be under a time-limited statutory duty to return cancelled goods within 14 days.</li>
<li>If a consumer has opted for anything other than the least expensive delivery option, the trader only need refund the latter in the case of cancellation.</li>
<li>The Directive explicitly acknowledges that consumers will be liable for any diminished value of goods resulting from their handling (other than handing required for inspection and testing).</li>
<li>The initially proposed requirement for traders to pay for return postage for cancelled purchases over 40 euros has been scrapped.</li>
<li>So too has the requirement that traders must deliver purchases to consumers in any Member State (which together with the ECJ’s recent rulings in the FAPL cases, could struck another blow for territoriality).</li>
</ul>
<p>So, all in all, there appears to be enough advantages for traders in ushering the new regime of consumer rights that will soon be upon us!</p>
<p>Have a good week</p>
<p>Laurie Kaye / Sherif Malak</p>
<p> </p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/LaurenceKayeOnDigitalCopyright/~4/fboLlMg_3mg" height="1" width="1" /></div></content>


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    <entry>
        <title>Hargreaves Review - Prof Jacobs drills into the detail</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LaurenceKayeOnDigitalCopyright/~3/R6S3CTgXW8Q/hargreaves-review-prof-jacobs-drills-into-the-detail.html" />
        <link rel="service.edit" type="application/atom+xml" href="http://www.typepad.com/t/atom/weblog/blog_id=333718/entry_id=6a00d8354ed10569e20162fbc899a4970d" title="Hargreaves Review - Prof Jacobs drills into the detail" />
        <link rel="replies" type="text/html" href="http://laurencekaye.typepad.com/laurence_kayes_blog/2011/10/hargreaves-review-prof-jacobs-drills-into-the-detail.html" thr:count="1" thr:when="2011-12-30T06:24:43Z" />
        <id>tag:typepad.com,2003:post-6a00d8354ed10569e20162fbc899a4970d</id>
        <published>2011-10-20T08:53:13+01:00</published>
        <updated>2011-10-24T12:03:20Z</updated>
        <summary>Dear Reader Usually, I like to comment and analyse things digital, but thanks to my good friends at DeHavilland political intelligence services , I'm doing a spot of reporting. I've reproduced the DeHavilland Report on the evidence given by Prof...</summary>
        <author>
            <name>LaurenceKaye</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Copyright happenings" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Digital Media" />
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://laurencekaye.typepad.com/laurence_kayes_blog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Dear Reader</p>
<p>Usually, I like to comment and analyse things digital, but thanks to my good friends at <a href="http://www1.dehavilland.co.uk/home" target="_blank">DeHavilland political intelligence services </a>, I'm doing a spot of reporting. I've reproduced the DeHavilland Report on the evidence given by <a href="http://www.ucl.ac.uk/laws/academics/profiles/index.shtml?jacob" target="_self">Prof Sir Robin Jacob</a> to the Business, Innovation and Skills Commmittee on the <a href="http://www.ipo.gov.uk/ipreview.htm" target="_self">Hargreaves Review</a> on Tuesday. It makes really interesting reading and supports the view that wholesale changes in UK IP law is neither necessary nor likely. </p>
<p>You'll quickly get the flavour of Prof Jacobs' views, and he's an influential figure.</p>
<p>Laurie Kaye</p>
<p><strong>"Overview</strong></p>
<p>The Hargreaves Review had been far too general, and had been given too large a remit in too small a timeframe, MPs heard today.</p>
<p>Prof Sir Robin Jacob, currently Sir Hugh Laddie Chair of Intellectual Property Law at UCL and before that an Appeals Court Judge, said that “it is not possible to do the whole of IP in six months”.</p>
<p>Giving evidence to the Business, Innovation and Skills Select Committee, he called for an 18 month study of the specific issue of online copyright.</p>
<p>Furthermore, he said that conclusive studies were not possible without draft legislation.</p>
<p>On enforcing online copyright, he said that he wanted a detailed understanding of whether technical steps from ISPs were possible before decisions were taken on the best approach.</p>
<p>However, he said that he felt that the only way to protect music, film and book rights online would be for steps to be taken within ISPs.</p>
<p>Copyright law was best enforced within civil proceedings, not as part of the criminal justice system, he said. Sir Robin did not believe that the police were good at working on this, and that the speedier civil courts were more effective.</p>
<p>Although not opposed in principle to a Digital Rights Exchange, he said that this would only work at an EU level.</p>
<p>Even then, he believed that altering the arrangements for injunctions and thus passing more cases to the Copyright Tribunal was a better solution.</p>
<p>On orphan works, he again felt that copyright tribunals were the best system, allowing a small fee to be paid if rights holders identified themselves.</p>
<p>Sir Robin strongly supported an exemption to copyright laws to allow data mining, stressing that he had spoken to medical researchers at UCL who said medical advances were being stopped by the lack of this facility.</p>
<p><strong>Summary</strong></p>
<p>Prof Sir Robin Jacob was a barrister at what was then known as the Patent Bar (now known as the IP Bar), and until last year sat as a judge on the Court of the Appeal.</p>
<p>He now teaches at UCL. Sir Robin stressed the international nature of his work on IP, noting that only a minority of his students came from the UK.</p>
<p>Opening the session, the chair of the committee, Labour MP Adrian Bailey asked for the witness’ general perspective on the issue of Intellectual Property.</p>
<p>Replying, Sir Robin said that “many of the problems which are said to be new are not new at all”, and had in fact been around for centuries.</p>
<p>One example of this, he said, was ‘patent thickets’ (of which the Hargreaves Review had said they “obstruct entry to some markets and so impede innovation”).</p>
<p><strong>Assessment of the Hargreaves Report</strong></p>
<p>Asked what he thought of the Hargreaves report, Sir Robin said that he was “astonished” when it was announced, given that there had been a similar report just two years earlier.</p>
<p>The current trend, he said, was for Government and “non-lawyers” to view intellectual property as one single issue.</p>
<p>He argued that there were in fact a range of laws addressing “quite different sorts of things”.</p>
<p>It was “not possible”, he said, “to do the whole of IP in six months”.</p>
<p>Though he thought that Hargreaves had done a “pretty good job” in the circumstances, he complained that the discussion had been “fairly general”, with too little investigation into specific details.</p>
<p>There was a need, he argued, for a serious review of what could be done to address the breakdown of copyright on the internet.</p>
<p>Patents were now a “purely European question”, he said, on which the UK had “almost no room for manoeuvre”. The same applied to trademarks, he added (despite his own reservations about the direction of trademark policy within the EU).</p>
<p>However, he said that the problem of internet and copyright – though a worldwide problem – was something the UK could consider.</p>
<p>Later, Conservative MP Brian Binley said that it seemed to him like “Hargreaves wrote the report the Government wanted”, and therefore wondered if the problem was in fact the terms of reference.</p>
<p>Though he said that he had not read the terms of reference, Sir Robin said that he thought that IP should not be considered as a whole and could not be considered within six months.</p>
<p><strong>Online copyright</strong></p>
<p>Sir Robin suggested that the ISPs and other people involved in money transactions, including banks and credit card companies, might be targeted for their role in the sale of counterfeited goods.</p>
<p>This should be looked at, he said, although he stressed that he was not calling for these organisations to be targeted before a detailed investigation.</p>
<p>Copyright had always been a response to technology, he said. It always addressed problems after they had initially arisen, he stressed.</p>
<p>Hargreaves had considered trying to make copyright law future-proof, he noted.</p>
<p>Mr Jacob said that he did not “really understand” what was being floated in that section of the report, and felt that a general rule that allowed courts to assess fair use would be “fairly rough and ready”.</p>
<p>One of the problems in copyright was that it was too powerful, he said. There ought to be cases, he argued, where the answer was “a small amount of money changing hands”, rather than an injunction being issued.</p>
<p>If copyright was too powerful (in either direction), it was bad for the economy, he said.</p>
<p>He said that the French adopted a more restrictive example of copyright, because they tended to see creative works as an extension of a personality.</p>
<p>In the UK and the US, he explained, copyright was seen primarily as an economic tool to encourage the publication of works.</p>
<p>Conservative MP Brian Binley referred to a paragraph in the Hargreaves Report which suggested that there was not a difference between a printed work being lent and recorded works being shared online. He wondered if digital recordings and books should be placed together in this way.</p>
<p>Mr Jacob said that online file-sharing was not in any way comparable to lending someone a printed book, because it involved making a copy. He agreed with Mr Binley that this section of the report was odd.</p>
<p>Later on, asked how copyright law should be changed to incorporate the digital environment, Sir Robin repeated what he had said earlier. He said that it needed to be looked at in much greater detail.</p>
<p>He felt that there was a technical question about what was physically possible.</p>
<p>“This is something that really ought to be looked at not from the point of view of a general study, but from specific proposals and draft legislation”, he said. “Doing it too generally is not helping anybody”.</p>
<p>Asked by Labour MP Paul Blomfield what his approach would be, he said that he would look to review the Copyright Act with a particular emphasis on changing the law specifically for the internet.</p>
<p>He said that he would expect anyone conducting this exercise to actually draft the changes in advance.</p>
<p>More information was needed about the technical abilities of the internet service providers, he said. “If you can’t do, there’s not much point passing a law”, he said.</p>
<p>He felt that measures within ISPs were just about the only way you would be able to protect sound recordings, films and books.</p>
<p>Asked what progress could be made at a national level, Sir Robin said that there was “not all that much”.</p>
<p>Pressed on whether there should be a wholesale revision of the 1988 Copyright Act, Sir Robin said that there should be.</p>
<p>He said that a “tough chairman - I have someone in mind but I won’t name them now – should be put in place and given time from his current job”. He said that he felt such a review should last 18 months.</p>
<p>The problem with the Hargreaves Review, he said again, was that it was too general and did not look at specific activities he wanted to stop or encourage.</p>
<p><strong>Policy making process</strong></p>
<p>Replying to Conservative MP Nadhim Zahawi, Sir Robin said that the Hargreaves Report’s statement that IP was falling behind was wrong. He said that there was no evidence at all that patents or trademarks were falling behind.</p>
<p>He said that the area that needed to be looked at was copyright on the internet, where issues such as enforcement, format shifting and international rights needed to be considered in more detail.</p>
<p>Mr Zahawi then asked what the challenges were for establishing evidence-based policy.</p>
<p>Replying, Sir Robin said that he was “not entirely sure what evidence is” in this context.</p>
<p>He said that “some amazing numbers” were in the Hargreaves Review and the Government response. He said that he did not believe that there were “any reliable numbers in any of those”.</p>
<p>Responding to this, Mr Zahawi stressed that Prof Hargreaves had identified this as a problem, having referred to “lobby-nomics” and a lack of reliable peer reviewed evidence from interest groups.</p>
<p>He referred to reforms to trademarks in the past where numerical predictions had proven entirely unfounded.</p>
<p>“Some of the law on intellectual property is done by gut instinct or gut feeling”, he said. He said that Silicon Valley grew up in the US without anyone enforcing any patents.</p>
<p>Sir Robin said that he could not distinguish any reliable evidence in the lobbying by interest groups within this area.</p>
<p><strong>Need for criminal legislation</strong></p>
<p>Mr Zahawi asked if the Government should look at criminal legislation rather than civil legislation, given the scope of the digital platform that allowed for copyright infringement.</p>
<p>Replying, Sir Robin said that some copyright law was already criminal. However, he said that the police were not good at investigating copyright.</p>
<p>“I’m not in favour of criminal prosecutions at all”, he said. He noted that there had been consideration of criminalising patent law in Spain, but stressed that the UK had done this since the 1700s.</p>
<p>Making this issue criminal “wouldn’t achieve anything useful”, he said.</p>
<p>Sir Robin said that the civil courts were powerful, because the owners of copyright were best placed to identify counterfeits and because these courts moved much more quickly.</p>
<p><strong>Digital Copyright Exchange</strong></p>
<p>Conservative MP Margot James asked about the large volume of archive material, such as that owned by the BBC and the British Museum, which could not be used because the owners could not be identified.</p>
<p>Replying, Sir Robin said that he doubted the Hargreaves proposals would allow any significant change.</p>
<p>He said that turning copyright into a registration system was contrary to the fundamental principles of the Berne Convention for the Protection of Literary and Artistic Works.</p>
<p>However, he felt that Hargreaves had not considered a potential middle ground where content could be used, but that a payment should be made.</p>
<p>Sir Robin said that he understood the BBC’s worry that someone would “come along with an injunction and mess up their archives”.</p>
<p>Courts needed to the power to resist an injunction and instead pass the matter to a copyright tribunal, who would decide on a fee, he argued. He expected this fee to be very small in most cases.</p>
<p>“I don’t think people should be able to abandon copyrights and then resurface years and years later”, he said. He saw the 70 years after death copyright rule as being “ridiculous”.</p>
<p>Ms James then asked about the idea of having different legal remedies depending on whether the work is registered.</p>
<p>Sir Robin said that he had not looked into the fine details of this, but that it was a “reasonable hypothesis” to say this would be very complicated.</p>
<p>He said that the European law would make this very complicated, because of the alternative approach taken in France.</p>
<p>Therefore, he said that this proposal needed to be examined in much more detail.</p>
<p>Asked if this was as important a policy priority as European Financial Services, Sir Robin said that he would not “put it in the same box” as that.</p>
<p>But, he wanted the EU to “get its act together”. He had particular concerns about the application of trademark litigation at an EU level, which had been a “bonanza for lawyers”.</p>
<p>Asked if the DCE would alter the legal landscape positively by clarifying legal rights earlier, Sir Robin said that “I can’t say that it would”.</p>
<p>He emphasised how many creative works contained a number of different rights, such as sound copyright, production copyright, writing copyrights and film copyrights.</p>
<p>Asked if the UK should develop this independently from the rest of Europe, Sir Robin said “no”.</p>
<p>He said he doubted that a “UK specific” system would be “useful to industry”. A European Rights Exchange would be better, he said.</p>
<p>But, he said that his earlier proposal of creating an intermediary for injunctions would be much more powerful.</p>
<p>Mr Javid said that the Premier League were very concerned about the implications of an all encompassing exchange, because they had generated great value selling rights around the world.</p>
<p>This depended on what the exchange was intended for, he said. If it was merely to make the owners of copyright easier to locate, then it would not be problem, he said.</p>
<p>He said that he did not think that Hargreaves was proposing any kind of requirement for license, and suggested that the Premier League did not need to be concerned by the Hargreaves proposals.</p>
<p>On the specific issue of Greek decoder cards, Mr Hargreaves said that there were options, such as charging the Greeks more.</p>
<p>He said that a bigger problem was Albania, where cards came into the UK from outside the EU. He also felt that a technical development would soon mean a code was needed instead of a card.</p>
<p>Asked what the Government should do, Sir Robin said that this related to the broader question was the extent to which the EU should act as a driver towards a common market.</p>
<p><strong>Orphan Works</strong></p>
<p>Conservative MP Rebecca Harris then asked what Sir Robin thought the proposals on orphan works were, and if they would work legally.</p>
<p>Sir Robin said that his report had been so general he could not understand what the specific proposals were.</p>
<p>He said that what he would propose was a law that required a “reasonable search”, and then if the owner ever emerges, a reasonable amount of compensation can be claimed “which won’t be a lot of money”.</p>
<p>He believed that the level of search required should be determined by what use was intended. He said that people organising a village fete should not be obliged to make as extensive a search as someone wanting to publish it into a national newspaper.</p>
<p>Pressed further on secondary use where a newspaper used something they’d picked up at a village fete, Sir Robin said that the newspaper would have to pay more, as determined by the copyright tribunal.</p>
<p>At present, he said that some people “took a chance” and published things that might be challenged.</p>
<p>The problem, he said, were the people who did not “take a chance”.</p>
<p>He said that if the BBC did release it archives, he expected 99.9% of the works released not to be challenged. However, he also accepted that the BBC was not in a position to break copyright on a large scale.</p>
<p>Asked if an orphan work became a bestseller, he said that in that circumstance the author should get a “reasonably large amount of money”, but he did not think laws should be made for these “one off” cases. These should be settled at the Copyright Tribunal.</p>
<p>The Hargreaves Review had not considered the work of the Copyright Tribunal in enough detail, he said.</p>
<p>On moral rights, Sir Robin said that he had not seen what proposals anyone had made to strengthen these arrangements.</p>
<p>Asked about the draft EU directive on orphan works, he said that it was “too modest” and “doesn’t really solve the problem”.</p>
<p>“A lot of the EU stuff isn’t terribly well thought through on intellectual property”, he said.</p>
<p>The most important thing was to make the system as “simple as possible”. “This subject has got far too complex in my lifetime”, he said.</p>
<p>In particular, he singled out the EU Database Directive as far too complicated.</p>
<p><strong>Design rights and patents</strong></p>
<p>Sir Robin then gave a detailed explanation of how design rights worked, and said that “nobody in their right mind would have such a complicated system”.</p>
<p>He estimated that seven different systems applied overall.</p>
<p>But, he said that nobody knew how much this actually affected designers. He said that he would remove the British system and rely on European law, but he did not know whether the system either helped or hindered designers.</p>
<p>He wanted those involved in the law to assess more carefully what commercial problems were faced, because he did not think it was worth changing a system simply because it was untidy.</p>
<p><strong>Content Mining</strong></p>
<p>Asked by Mr Binley about an exception for content mining, Sir Robin said that he had discussed this with colleagues in his university.</p>
<p>It was “a matter of huge concern” that the law was perceived to be getting in the way of important medical work, he said.</p>
<p>He wanted an exception, because he did not think the content affected would have much value. He said much of this content should be “basically free”.</p>
<p><strong>Patent law</strong></p>
<p>Asked about patents, Sir Robin said that the current law was set by the European Patent Convention, which included 38 European members.</p>
<p>He wanted this system to be sorted out at a European level, and hoped that the UK would address this.</p>
<p>It was “untidy” that the rulings from the European Patent Convention were passed in Munich, but were then litigated at a national level, he said.</p>
<p>However, he said that the proposal to establish a super-national court for patents were very concerning, especially as they were being rushed through and could happen within a year. He said that he agreed with those in British industry who had lined up in opposition to this.</p>
<p>He did not think this would achieve its intended outcome of establishing a uniform system across Europe.</p>
<p>On patent thickets, Sir Robin said that he did not see how this could be avoided. He said that patentees would naturally seek as much protection as they could get with their innovations.</p>
<p>Patent compliance was “hugely expensive”, he said, and he suggested that time limits might be changed to make this less complicated.</p>
<p>However, he said that he not seen any evidence of little companies being taken advantage of by little companies, and argued that the patent system was broadly working well.</p>
<p>“Nobody can afford to ignore somebody else’s IP rights”, he said.</p>
<p>However, he said that there was a problem with the cost of patent litigation, which had existed for many years. He argued that cases involving two “little guys” should be resolved more quickly, even if this meant “slightly rougher justice”.</p>
<p>Replying to a further question from Labour MP Katy Clark on patent courts, Sir Robin said that the biggest problems came when big companies came up against smaller companies, saying that “the little guys are more likely to get it wrong”.</p>
<p>He said that the work on patents at a county court level was “pretty good at the moment”.</p>
<p>One problem was that the “patents court was quite vexed by some ludicrous claims”, he said.</p>
<p>Asked how British patent lawyers helped British businesses, Sir Robin said that he thought there was very good advice available from this part of the legal profession. He said that his only complaints were that they did not take enough students on and were not large enough.</p>
<p>He saw no potential for establishing a lower cost advice centre. “It’s just not going to happen”, he remarked.</p>
<p><strong>Independent advice on IP law</strong></p>
<p>The application of IP law was too complicated to allow for low cost advisors, he said, especially if they were also to offer business advice. He saw this as one of the most impractical parts of the Hargreaves proposals.</p>
<p>“Is it realistic to expect competing IP practitioners to provide buddying and mentoring services”, asked Mr Bailey.</p>
<p>Sir Robin said that he did not think it would be.</p>
<p><strong>Collecting societies</strong></p>
<p>Finally, asked if there was anything that the committee had not asked about but which he thought was important, Sir Robin referred to “collecting societies”, such as the PRS and the MPCS, where the administration of rights was assigned to a particular society.</p>
<p>He said that different societies charged different rates for different things, and felt that this was complicated and often poorly understood.</p>
<p>He saw the differences between the UK system and that in countries like France as “not making much sense within a modern European Union”.</p>
<p>Though he did not expect the committee to propose any changes at this stage, he hoped they would recommend an investigation into this."</p>
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