<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4604633216132628212</id><updated>2026-07-26T12:00:00.117+02:00</updated><category term="LOSSLESS"/><category term="FILM MUSIC"/><category term="SUITE"/><category term="FULL ALBUM"/><category term="Hans Zimmer"/><category term="TV MUSIC"/><category term="OUT OF PRINT"/><category term="Georges Delerue"/><category term="10th Anniversary Collection"/><category term="DCS"/><category term="Ennio Morricone"/><category term="Star Trek"/><category term="CLASSICAL"/><category term="320 Kbits/s"/><category term="Marvel Cinematic Universe"/><category 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Lewis"/><category term="Michel Colombier"/><category term="Michel Magne"/><category term="Mike Einziger"/><category term="Monty Norman"/><category term="Moon Knight"/><category term="Ms. Marvel"/><category term="Nami Melumad"/><category term="Nick Cave"/><category term="Omar Rodriguez-Lopez"/><category term="Omer Benyamin"/><category term="Ottorino Respighi"/><category term="Patrick Cassidy"/><category term="Paul Haslinger"/><category term="Paul Hertzog"/><category term="Peter Plum"/><category term="Phil Green"/><category term="Philip Glass"/><category term="Philippe Sarde"/><category term="Pierre Adenot"/><category term="Pierre Bachelet"/><category term="Pierre Dutour"/><category term="Pietro Mascagni"/><category term="Pinar Toprak"/><category term="Pól Brennan"/><category term="Rael Jones"/><category term="Ralph Vaughan Williams"/><category term="Ralph Vaughan-Williams"/><category term="Ray Ellis"/><category term="Reinhold Heil"/><category term="Richard Adler"/><category term="Richard Gibbs"/><category term="Richard Harvey"/><category term="Richard Strauss"/><category term="Richard Wagner"/><category term="Rob Simonsen"/><category term="Robert Busby"/><category term="Robert Lopez"/><category term="Robert Lydecker"/><category term="Robert Mersey"/><category term="Robert Schumann"/><category term="Roger Barsotti"/><category term="Roger Bourdin"/><category term="Roger Eno"/><category term="Roy Webb"/><category term="Ryuichi Sakamoto"/><category term="Samuel Matlovsky"/><category term="Sara Barone"/><category term="Scott Joplin"/><category term="Secret Invasion"/><category term="Serge Franklin"/><category term="Shang-Chi"/><category term="She-Hulk"/><category term="Simon Boswell"/><category term="Sinclair Logan"/><category term="Son Lux"/><category term="Stanislas Syrewicz"/><category term="Stephen Graziano"/><category term="Stephen Hilton"/><category term="Stephen Warbeck"/><category term="Steven Doar"/><category term="The Defenders"/><category term="The Four Lads"/><category term="The Newton Brothers"/><category term="Thomas Bergersen"/><category term="Thunderbolts"/><category term="Tom Tykwer"/><category term="Tomaso Albinoni"/><category term="Tony Tamburello"/><category term="Toto"/><category term="Trevor Horn"/><category term="VIDEOGAME MUSIC"/><category term="Victor Young"/><category term="Vision"/><category term="Wanda"/><category term="Warren Ellis"/><category term="Yann Tiersen"/><category term="Yuji Koseki"/><category term="index"/><title type='text'>LE BLOG DE CHIEF DUNDEE</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default?start-index=26&amp;max-results=25'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1389</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-888318844502571904</id><published>2026-07-26T12:00:00.000+02:00</published><updated>2026-07-26T12:00:00.113+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="Sergei Prokofiev"/><title type='text'>ROMEO &amp; 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&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?gxkyuc3ys862kiooa8vo&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?14rhesofy6q07qrsozfu&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;span style=&quot;white-space: normal;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Romeo &amp;amp; Juliet, Op. 64&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;white-space: normal;&quot;&gt;&lt;b&gt;Ballet in four acts and nine scenes&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;ACT ONE&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1-1. No. 1 - Introduction (2:49)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 1&lt;/b&gt;&lt;/div&gt;&lt;div&gt;1-2. No. 2 - Romeo (&lt;i&gt;Reflective&lt;/i&gt;): Andante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:31)&lt;/div&gt;&lt;div&gt;1-3. No. 3 - The Street Awakens: Allegretto&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:21)&lt;/div&gt;&lt;div&gt;1-4. No. 4 - Morning Dance: Allegro&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:08)&lt;/div&gt;&lt;div&gt;1-5. No. 5 - The Quarrel: Allegro Brusco&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:48)&lt;/div&gt;&lt;div&gt;1-6. No. 6 - The Fight: Presto&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:52)&lt;/div&gt;&lt;div&gt;1-7. No. 7 - The Prince&#39;s Decree: Andante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:15)&lt;/div&gt;&lt;div&gt;1-8. No. 8 - Interlude: Andante Pomposo (L&#39;istesso Tempo)&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:16)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 2&lt;/b&gt;&lt;/div&gt;&lt;div&gt;1-9. No. 9 - Preparations For The Ball (&lt;i&gt;Juliet And The Nurse&lt;/i&gt;): Andante Assai. Scherzando&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:17)&lt;/div&gt;&lt;div&gt;1-10&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;. No. 10 - Juliet The Young Girl: Vivace&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:26)&lt;/div&gt;&lt;div&gt;1-11.&amp;nbsp;No. 11 - Arrival Of The Guests (&lt;i&gt;Minuet&lt;/i&gt;): Assai Moderato&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;4:00)&lt;/div&gt;&lt;div&gt;1-12. No. 12 - Masks (&lt;i&gt;Romeo, Mercutio And Benvolio In Masks&lt;/i&gt;): Moderato Marciale&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:43)&lt;/div&gt;&lt;div&gt;1-13. No. 13 - The Knight&#39;s Dance (&lt;i&gt;Juliet And Paris&#39;s Dance&lt;/i&gt;): Allegro Pesante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;5:18)&lt;/div&gt;&lt;div&gt;1-14. No. 14 - Juliet&#39;s Variation: Moderato&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:52)&lt;/div&gt;&lt;div&gt;1-15. No. 15 - Mercutio: Allegro Giocoso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:18)&lt;/div&gt;&lt;div&gt;1-16&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;. No. 16 - Madrigal (&lt;i&gt;Romeo And Juliet&lt;/i&gt;): Andante Tenero&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:43)&lt;/div&gt;&lt;div&gt;1-17.&amp;nbsp;No. 17 - Tybalt Recognizes Romeo: Allegro&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:11)&lt;/div&gt;&lt;div&gt;1-18. No. 18 - Gavotte (&lt;i&gt;Departure Of The Guests&lt;/i&gt;): Allegro&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:40)&lt;/div&gt;&lt;div&gt;1-19. No. 19 - Balcony Scene: Larghetto (3:24)&lt;/div&gt;&lt;div&gt;1-20. No. 20 - Romeo&#39;s Variation: Allegretto Amoroso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:37)&lt;/div&gt;&lt;div&gt;1-21. No. 21 - Romeo And Juliet&#39;s Love Dance: Andante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;6:03)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;ACT TWO&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 3&lt;/b&gt;&lt;/div&gt;&lt;div&gt;1-22. No. 22 - Folk Dance: Allegro Giocoso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:52)&lt;/div&gt;&lt;div&gt;1-23. No. 23 - Romeo And Mercutio: Andante Teneroso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:18)&lt;/div&gt;&lt;div&gt;1-24. No. 24 - Dance Of The Five Couples: Vivo&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:54)&lt;/div&gt;&lt;div&gt;1-25. No. 25 - Dance With Mandolins: Vivace&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:50)&lt;/div&gt;&lt;div&gt;2-1. No. 26 - The Nurse (&lt;i&gt;Looking For Romeo&lt;/i&gt;): Adagio Scherzoso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:04)&lt;/div&gt;&lt;div&gt;2-2. No. 27 - The Nurse Delivers Juliet&#39;s Letter To Romeo: Vivace&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;0:54)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 4&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-3. No. 28 - Romeo At Friar Laurence&#39;s: Andante Espressivo&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:57)&lt;/div&gt;&lt;div&gt;2-4. No. 29 - Juliet At Friar Laurence&#39;s: Lento&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:22)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 5&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-5. No. 30 - The People Continue To Make Merry: Vivo&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;3:17)&lt;/div&gt;&lt;div&gt;2-6. No. 31 - More Merrymaking (&lt;i&gt;Folk Dance Repeated&lt;/i&gt;): Allegro Giocoso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:36)&lt;/div&gt;&lt;div&gt;2-7. No. 32 - Tybalt Meets Mercutio: Moderato&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:00)&lt;/div&gt;&lt;div&gt;2-8. No. 33 - Tybalt And Mercutio Fight: Precipitato&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:27)&lt;/div&gt;&lt;div&gt;2-9. No. 34 - Mercutio Dies: Moderato&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:30)&lt;/div&gt;&lt;div&gt;2-10. No. 35 - Romeo Resolves To Avenge Mercutio&#39;s Death: Andante. Animato - Presto&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:05)&lt;/div&gt;&lt;div&gt;2-11. No. 36 - Finale Of Act II (&lt;i&gt;Cortège With Tybalt&#39;s Body&lt;/i&gt;): Adagio Dramatico&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:50)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;ACT THREE&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2-12. No. 37 - Introduction (1:14)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 6&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-13. No. 38 - Romeo And Juliet: Lento (1:20)&lt;/div&gt;&lt;div&gt;2-14. No. 39 - The Last Farewell: Andante - Adagio&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;5:22)&lt;/div&gt;&lt;div&gt;2-15. No. 40 - The Nurse (&lt;i&gt;Announces Juliet&#39;s Parents And Paris&lt;/i&gt;): Andante Assai - Più Mosso Con Effetto&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:01)&lt;/div&gt;&lt;div&gt;2-16. No. 41 - Juliet Refuses To Marry Paris: Vivace - Allegro Pesante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:26)&lt;/div&gt;&lt;div&gt;2-17. No. 42 - Juliet Alone: Adagio&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:24)&lt;/div&gt;&lt;div&gt;2-18. No. 43 - Interlude: Adagio (L&#39;istesso Tempo)&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:37)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 7&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-19. No. 44 - At Friar Laurence&#39;s (&lt;i&gt;Friar Laurence Gives Juliet A Sleeping-Potion&lt;/i&gt;): Andante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;4:52)&lt;/div&gt;&lt;div&gt;2-20. No. 45 - Interlude: L&#39;istesso Tempo&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;1:37)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 8&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-21. No. 46 - Juliet&#39;s Bedroom: Moderato Tranquillo - Andante Dolente&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:40)&lt;/div&gt;&lt;div&gt;2-22. No. 47 - Juliet Alone (&lt;i&gt;The Sleeping-Potion&lt;/i&gt;): Andante - Adagio - Andante&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;4:16)&lt;/div&gt;&lt;div&gt;2-23. No. 48 - Morning Serenade (&lt;i&gt;With Mandolin&lt;/i&gt;): Andante Giocoso&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:34)&lt;/div&gt;&lt;div&gt;2-24. No. 49 - Dance Of The Young Girls With The Lilies: Andante Con Eleganza&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:11)&lt;/div&gt;&lt;div&gt;2-25. No. 50 - At Juliet&#39;s Bedside (&lt;i&gt;Juliet&#39;s Apparent Death&lt;/i&gt;): Andante - Adagio&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;2:04)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;ACT FOUR&lt;span style=&quot;white-space: pre;&quot;&gt;	&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Scene 9&lt;/b&gt;&lt;/div&gt;&lt;div&gt;2-26.&amp;nbsp;No. 51 - Juliet&#39;s Funeral (&lt;i&gt;And Romeo&#39;s Death&lt;/i&gt;): Adagio Funebre&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;5:29)&lt;/div&gt;&lt;div&gt;2-27. No. 52 - Death Of Juliet: Adagio (Meno Mosso Del Tempo Precedente)&lt;span style=&quot;white-space: pre;&quot;&gt; (&lt;/span&gt;4:27)&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;BOSTON SYMPHONY ORCHESTRA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;SEIJI OZAWA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Recording: Boston, Symphony Hall, 10/1986&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/888318844502571904/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/888318844502571904?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/888318844502571904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/888318844502571904'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/07/romeo-juliet-sergei-prokofiev.html' title='ROMEO &amp; JULIET - Sergei Prokofiev'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4LoZ-00ja1xZOyaMSd07M0b5fPVS3O-wRnfD2ALAxalu6s_zos9yFEqh92c7UqslayBNdyswjVtEM1hjvZRBTRBkXiQ-Dhka1GbLhTU70JS5IoTR3pxpdl274x_g19nqTi_AfuaM5cHPw-yNEofGoU99yvXQAJEhk7z4tHrsPQrGYleJIRrpL17o/s72-w640-h546-c/Cover.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-8416244348127218085</id><published>2026-07-19T12:00:00.000+02:00</published><updated>2026-07-21T12:11:22.990+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Benjamin Britten"/><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="Ralph Vaughan Williams"/><category scheme="http://www.blogger.com/atom/ns#" term="Sir Edward Elgar"/><title type='text'>MUSIC FOR STRINGS - Edward Elgar / Ralph Vaughan Williams / Benjamin Britten</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8VXhEHuKEjRMFqnqSs7lCV9i59TnkNHHIGLsX1nTqzT-ZYkEffWD_ZT0xzDPTqef9bVtVpY2IFP4U6WwUlCz_HkVQisRljQrSnudmmMOEHFfvaPv_Dq4pA17Mm4CSK_QkxtScejRaEVhxuo9qLzvSECAlLWDjt7CYPSQeky_L-hkGcGEQ4Jz-3s/s1408/Cover.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1404&quot; data-original-width=&quot;1408&quot; height=&quot;638&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8VXhEHuKEjRMFqnqSs7lCV9i59TnkNHHIGLsX1nTqzT-ZYkEffWD_ZT0xzDPTqef9bVtVpY2IFP4U6WwUlCz_HkVQisRljQrSnudmmMOEHFfvaPv_Dq4pA17Mm4CSK_QkxtScejRaEVhxuo9qLzvSECAlLWDjt7CYPSQeky_L-hkGcGEQ4Jz-3s/w640-h638/Cover.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?rgivjs8ieh3v7xli4blu&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;EDWARD ELGAR&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1. Introduction and Allegro for Strings, Op 47 (14:08)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;RALPH VAUGHAN WILLIAMS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2. Fantasia on a Theme by Thomas Tallis&amp;nbsp; (14:26)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;BENJAMIN BRITTEN&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Variations on a Theme of Frank Bridge, Op 10&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;3. I. Introduction and Theme (1:43)&lt;/div&gt;&lt;div&gt;4. II. Variation 1 - Adagio (2:17)&lt;/div&gt;&lt;div&gt;5. III. Variation 2 - March (1:02)&lt;/div&gt;&lt;div&gt;6. IV. Variation 3 - Romance (1:25)&lt;/div&gt;&lt;div&gt;7. V. Variation 4 - Aria Italiana (1:17)&lt;/div&gt;&lt;div&gt;8. VI. Variation 5 - Bourrée classique (1:16)&lt;/div&gt;&lt;div&gt;9. VII. Variation 6 - Wiener Walzer (2:39)&lt;/div&gt;&lt;div&gt;10. VIII. Variation 7 - Moto perpetuo (1:07)&lt;/div&gt;&lt;div&gt;11. IX. Variation 8 - Funeral March (3:47)&lt;/div&gt;&lt;div&gt;12. X. Variation 9 - Chant (1:50)&lt;/div&gt;&lt;div&gt;13. XI. Variation 10 - Fugue and Finale (7:02)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LONDON SYMPHONY ORCHESTRA STRING ENSEMBLE&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;ROMAN SIMOVIC&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Recorded live, 3 February 2016 at the Barbican, London&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/8416244348127218085/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/8416244348127218085?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/8416244348127218085'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/8416244348127218085'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/07/music-for-strings-edward-elgar-ralph.html' title='MUSIC FOR STRINGS - Edward Elgar / Ralph Vaughan Williams / Benjamin Britten'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8VXhEHuKEjRMFqnqSs7lCV9i59TnkNHHIGLsX1nTqzT-ZYkEffWD_ZT0xzDPTqef9bVtVpY2IFP4U6WwUlCz_HkVQisRljQrSnudmmMOEHFfvaPv_Dq4pA17Mm4CSK_QkxtScejRaEVhxuo9qLzvSECAlLWDjt7CYPSQeky_L-hkGcGEQ4Jz-3s/s72-w640-h638-c/Cover.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-4390117169800815680</id><published>2026-07-12T12:00:00.000+02:00</published><updated>2026-07-19T10:47:04.306+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="Ralph Vaughan-Williams"/><category scheme="http://www.blogger.com/atom/ns#" term="Sir Edward Elgar"/><title type='text'>THE WASPS / GREENSLEEVES - Ralph Vaughan Williams // ENIGMA VARIATIONS - Sir Edward Elgar</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgkJ8zVRJvY-ZfAwF_jVJay4GerpAIVLKaWkwXTAemwaNJPiHNcQAFGZMQwvyCsPhT1537-wMFW0dILDiZhso9zXbo3tidlfOGcsNZxzmVS5jTTeaJ3b0W9h8KiI_9fEEWUbVAYnosTMVZnc-75IRfNte-6rWhJwzfXuhUfu9QICsYu2bNo_Yb1zc/s1414/Cover.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1414&quot; data-original-width=&quot;1413&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgkJ8zVRJvY-ZfAwF_jVJay4GerpAIVLKaWkwXTAemwaNJPiHNcQAFGZMQwvyCsPhT1537-wMFW0dILDiZhso9zXbo3tidlfOGcsNZxzmVS5jTTeaJ3b0W9h8KiI_9fEEWUbVAYnosTMVZnc-75IRfNte-6rWhJwzfXuhUfu9QICsYu2bNo_Yb1zc/w640-h640/Cover.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?0cas6p8xb4x0gisuvoym&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;RALPH VAUGHAN WILLIAMS&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;The Wasps - Aristophanic Suite&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1. Overture (8:51)&lt;/div&gt;&lt;div&gt;2. Entr&#39;acte, molto moderato (2:48)&lt;/div&gt;&lt;div&gt;3. March Past of the Kitchen Utensils (3:02)&lt;/div&gt;&lt;div&gt;4. Entr&#39;acte, andante (4:11)&lt;/div&gt;&lt;div&gt;5. Ballet and Final Tableau (6:22)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;6. Fantasia on &quot;Greensleeves&quot; (4:33)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;SIR EDWARD ELGAR&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Variations on an Original Theme &quot;Enigma&quot;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;7. Variation I (C.A.E.) (3:18)&lt;/div&gt;&lt;div&gt;8. Variation II (H.D. S.-P.) (0:48)&lt;/div&gt;&lt;div&gt;9. Variation III (R.B.T.) (1:30)&lt;/div&gt;&lt;div&gt;10. Variation IV (W.M.B.) (0:32)&lt;/div&gt;&lt;div&gt;11. Variation V (R.P.A.) (2:09)&lt;/div&gt;&lt;div&gt;12. Variation VI (Isabel) (1:15)&lt;/div&gt;&lt;div&gt;13. Variation VII (Troyte) (0:59)&lt;/div&gt;&lt;div&gt;14. Variation VIII (W.N.) (1:53)&lt;/div&gt;&lt;div&gt;15. Variation IX (Nimrod) (4:25)&lt;/div&gt;&lt;div&gt;16. Variation X (Dorabella) (2:39)&lt;/div&gt;&lt;div&gt;17. Variation XI (G.R.S.) (0:59)&lt;/div&gt;&lt;div&gt;18. Variation XII (B.G.N.) (2:41)&lt;/div&gt;&lt;div&gt;19. Variation XIII (***): Romanza (2:56)&lt;/div&gt;&lt;div&gt;20. Variation XIV (E.D.U.): Finale(5:16)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;KANSAS CITY SYMPHONY&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;MICHAEL STERN&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Recorded May 4-6, 2011, Community of Christ Auditorium, Independence, Missouri&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/4390117169800815680/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/4390117169800815680?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/4390117169800815680'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/4390117169800815680'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/07/the-wasps-greensleeves-ralph-vaughan.html' title='THE WASPS / GREENSLEEVES - Ralph Vaughan Williams // ENIGMA VARIATIONS - Sir Edward Elgar'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgkJ8zVRJvY-ZfAwF_jVJay4GerpAIVLKaWkwXTAemwaNJPiHNcQAFGZMQwvyCsPhT1537-wMFW0dILDiZhso9zXbo3tidlfOGcsNZxzmVS5jTTeaJ3b0W9h8KiI_9fEEWUbVAYnosTMVZnc-75IRfNte-6rWhJwzfXuhUfu9QICsYu2bNo_Yb1zc/s72-w640-h640-c/Cover.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-5543593795168835080</id><published>2026-07-05T12:00:00.000+02:00</published><updated>2026-07-12T11:50:49.047+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="Gerald Finzi"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><title type='text'>ORCHESTRAL WORKS - Gerald Finzi</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7lO6qvoIGJ0eelj9G5FV0TR6Y5FoVIrA7ceMMnPvd4rlcCsFTIb4fWd_9n3zncWW6bFpE9WeHj527RnV7tJEHRvpYXFQGmALd-QLg6t3Xic_9nkCKhhaQk6dK6CgjEn9eafcTTfP091PmSixLDy1X4q04TZbQVhFyc3njYnDfkXf5o7SGV5KMKMU/s1431/Cover.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1406&quot; data-original-width=&quot;1431&quot; height=&quot;629&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7lO6qvoIGJ0eelj9G5FV0TR6Y5FoVIrA7ceMMnPvd4rlcCsFTIb4fWd_9n3zncWW6bFpE9WeHj527RnV7tJEHRvpYXFQGmALd-QLg6t3Xic_9nkCKhhaQk6dK6CgjEn9eafcTTfP091PmSixLDy1X4q04TZbQVhFyc3njYnDfkXf5o7SGV5KMKMU/w640-h629/Cover.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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1. A Severn Rhapsody Op. 3 (6:14)
&lt;div&gt;2. Nocturne (New Year Music) Op. 7 (10:23)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Three Soliloquies for small orchestra&lt;/b&gt;&lt;/div&gt;&lt;div&gt;(From the &lt;i&gt;Suite Love&#39;s Labours Lost&lt;/i&gt; Op. 28)&lt;/div&gt;&lt;div&gt;3. I. Grazioso (1:40)&lt;/div&gt;&lt;div&gt;4. II. Adagio (1:34)&lt;/div&gt;&lt;div&gt;5. III. Allegro Graziozo (1:19)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;6. Romance for string orchestra Op. 11 (8:08)&lt;/div&gt;&lt;div&gt;7. Prelude for string orchestra Op. 25 (5:16)&lt;/div&gt;&lt;div&gt;8. The Fall of the Leaf, Elegy for orchestra Op. 20 (9:14)&lt;/div&gt;&lt;div&gt;9. Introit for small orchestra and solo violin Op. 6 (9:48)&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;RODNEY FRIEND, solo violin&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LONDON&amp;nbsp; PHILHARMONIC ORCHESTRA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;SIR ADRIAN BOULT, conductor&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;10. Eclogue for piano and string orchestra Op. 10 (10:33)&lt;/div&gt;&lt;div&gt;11. Grand Fantasia &amp;amp; Toccata for piano and Orchestra Op. 38 (15:14)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;PETER KATIN, piano&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;NEW PHILHARMONIA ORCHESTRA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;VERNON HANDLEY, conductor&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;288&quot; data-original-width=&quot;287&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcycF4u27hjH9IjW6NyTg1OQ1q84RGME4wY7j1AA8zgtN7uumYyuwEV9h209wYy6mdNAKlD1TmdPYIdM2trFue-dIv6bmvSRe1KrWz-ZnPYe_5PXhZWPUh4STFUDc7oe5XWM92oyFIN7wzDAl68IE6zpZnDyqOOf43THhHgqHnhziOludWIrZM7U/s1600/Finzi%20Boult.jpg&quot; width=&quot;320&quot; /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;img border=&quot;0&quot; data-original-height=&quot;600&quot; data-original-width=&quot;600&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1cayl_VDlMwgEpNEz9NQRVJyFSw2DHcfGFzWSdc-tmAoQ7xRhWx6TnOLR8oDVdUHhaX6fwA5l_HXssqhrw6LC2_9vdLv4W41KHbIdvcOF5zOFHO42r5pruiBM4BE9QpBTl0rCafEf-qanszTRP2LA0aSQLvG5dbJe0ZNntKU-Iz7eGz5yEmWSwMM/s320/Finzi%20Handley.jpg&quot; width=&quot;320&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/5543593795168835080/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/5543593795168835080?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/5543593795168835080'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/5543593795168835080'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/07/orchestral-works-gerald-finzi.html' title='ORCHESTRAL WORKS - Gerald Finzi'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7lO6qvoIGJ0eelj9G5FV0TR6Y5FoVIrA7ceMMnPvd4rlcCsFTIb4fWd_9n3zncWW6bFpE9WeHj527RnV7tJEHRvpYXFQGmALd-QLg6t3Xic_9nkCKhhaQk6dK6CgjEn9eafcTTfP091PmSixLDy1X4q04TZbQVhFyc3njYnDfkXf5o7SGV5KMKMU/s72-w640-h629-c/Cover.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-8329204655849721691</id><published>2026-06-28T12:00:00.000+02:00</published><updated>2026-07-06T10:45:10.543+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="George Gershwin"/><category scheme="http://www.blogger.com/atom/ns#" term="Leonard Bernstein"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><title type='text'>RHAPSODY IN BLUE / AN AMERICAN IN PARIS - George Gershwin // WEST SIDE STORY Symphonic Dances / ON THE WATERFRONT Symphonic Suite - Leonard Bernstein</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNmk2XirZJY6PTzKmRQHnwsLU0v4zGozf8hwkWtzQVcCX5I41EkT-Ob3pQBJAheFtBpyAtRgzx1mBqjbeqPSVnkp_LYJsCbbtfvVnXvvRFioUidEDDQsKCvKJ_udVUw5lKTgmfjp9xoHynpXI4Qu52Gk5mpWx_Cgi0bHs6g-raRVY_eORwyjyBb0U/s1417/Gershwin%20Rhapsody%20in%20Blue;%20An%20American%20in%20Paris%20-%20sleeve.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1417&quot; data-original-width=&quot;1417&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNmk2XirZJY6PTzKmRQHnwsLU0v4zGozf8hwkWtzQVcCX5I41EkT-Ob3pQBJAheFtBpyAtRgzx1mBqjbeqPSVnkp_LYJsCbbtfvVnXvvRFioUidEDDQsKCvKJ_udVUw5lKTgmfjp9xoHynpXI4Qu52Gk5mpWx_Cgi0bHs6g-raRVY_eORwyjyBb0U/w640-h640/Gershwin%20Rhapsody%20in%20Blue;%20An%20American%20in%20Paris%20-%20sleeve.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?ti26xparce3nev1ft81m&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
GEORGE GERSHWIN&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1. Rhapsody in Blue (16:34)&lt;/div&gt;&lt;div&gt;&lt;i&gt;Orchestration : Ferde Grofé&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Recorded at St. George Hotel, Brooklyn, New York City, USA, June 23, 1959&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;COLUMBIA SYMPHONY ORCHESTRA&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LEONARD BERNSTEIN, pianist &amp;amp; conductor&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;2. An American in Paris (18:23)&lt;/div&gt;&lt;div&gt;Recorded at St. George Hotel, Brooklyn, New York City, USA, December 15, 1958&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LEONARD BERNSTEIN&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Symphonic Dances from &lt;i&gt;West Side Story&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Orchestration : Sid Ramin and Irwin Kostal&lt;/i&gt;&lt;/div&gt;&lt;div&gt;Recorded at Manhattan Center, New York City, USA, March 6, 1961&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;3. Prologue. Allegro moderato (4:07)&lt;/div&gt;&lt;div&gt;4. &quot;Somewhere&quot;. Adagio (3:53)&lt;/div&gt;&lt;div&gt;5. Scherzo. Vivace leggiero (1:17)&lt;/div&gt;&lt;div&gt;6. Mambo. Presto (2:15)&lt;/div&gt;&lt;div&gt;7. Cha-Cha (&quot;Maria&quot;). Andantino con grazia (0:58)&lt;/div&gt;&lt;div&gt;8. Meeting Scene. Meno mosso (0:43)&lt;/div&gt;&lt;div&gt;9. &quot;Cool&quot; Fugue. Allegretto (3:04)&lt;/div&gt;&lt;div&gt;10. Rumble. Molto allegro (1:53)&lt;/div&gt;&lt;div&gt;11. Finale. Adagio (2:54)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Symphonic Suite from &lt;i&gt;On the Waterfront&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Recorded at Manhattan Center, New York City, USA, March 16, 1960&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;12. Andante (with dignity) -  Presto barbaro (2:58)&lt;/div&gt;&lt;div&gt;13. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (2:18)&lt;/div&gt;&lt;div&gt;14. Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento (4:53)&lt;/div&gt;&lt;div&gt;15. Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso (4:25)&lt;/div&gt;&lt;div&gt;16. Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso (2:50)&lt;/div&gt;&lt;div&gt;17. A tempo (Poco più&amp;nbsp;sostenuto) (2:07)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;NEW YORK PHILHARMONIC&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;LEONARD BERNSTEIN, conductor&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;
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Feste Romane, P. 157&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;b&gt;Poema Sinfonico per Orchestra&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1. I. Circenses (4:16)&lt;/div&gt;&lt;div&gt;2. II. Giubilio (6:30)&lt;/div&gt;&lt;div&gt;3. III. L&#39;Ottobrata (7:51)&lt;/div&gt;&lt;div&gt;4. IV. La Befana (5:15)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Fontane di Roma, P. 106&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;Poema Sinfonico per Orchestra&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;5. I. La fontana di Valle Giulia all&#39;alba (4:17)&lt;/div&gt;&lt;div&gt;6. II. La fontana del Tritone al mattino (2:23)&lt;/div&gt;&lt;div&gt;7. III. La fontana di Trevi al meriggio (3:04)&lt;/div&gt;&lt;div&gt;8. IV. La fontana di Villa Medici al tramonto (5:15)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;b&gt;Pini di Roma, P. 141&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Poema Sinfonico per Orchestra&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;9. I. I pini di Villa Borghese (2:39)&lt;/div&gt;&lt;div&gt;10. II. I pini presso una catacomba (6:40)&lt;/div&gt;&lt;div&gt;11. III. I pini del Gianicolo (6:43)&lt;/div&gt;&lt;div&gt;12. IV. I pini della Via Appia (5:12)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;SINFONIA OF LONDON&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;JOHN WILSON&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/4961591837807210664/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/4961591837807210664?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/4961591837807210664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/4961591837807210664'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/06/roman-trilogy-ottorino-respighi.html' title='ROMAN TRILOGY - Ottorino Respighi'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhANiNH_ir0hwGQ74mEGV_XYzlPFEiSsAzd3XNt83d_7XM5YIzC5Qm5mnnA8s4rncVUzjGg5J1sJH4qTZD2V4Td0gOErt09Abhm4xTattEcZxkIXWnluhyzZ7QBDwLwnch99jaRIEFOFDfDVb-WjCaQ1e5mjwGmCe3CfC1MTO2A9gbMyi4QzbXBYiw/s72-w640-h635-c/Cover.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-7991154636428188820</id><published>2026-06-14T12:00:00.000+02:00</published><updated>2026-06-21T09:39:10.703+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="CLASSICAL"/><category scheme="http://www.blogger.com/atom/ns#" term="FULL ALBUM"/><category scheme="http://www.blogger.com/atom/ns#" term="Gustav Holst"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="Richard Strauss"/><title type='text'>THE PLANETS - Gustav Holst / ALSO SPRACH ZARATHUSTRA - Richard Strauss</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-BcLIKA5ySE4mHYFSsLOlF7OUgf-Rag9XqFdxqeW6Q___oFTnAZzx-viFM8IMkgbyU1tHJ7ImzpF2s_RT383QM55IxHRVvlIkE0rG96IP6Qo_urDd0Ak0GmGctKJbP-UX1ibhEOo_RNBS_qfydtbiyzOtLw5CCs0CK-E6m6eB4Nh32vJAI6JcWxk/s1417/Folder.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;1417&quot; data-original-width=&quot;1417&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-BcLIKA5ySE4mHYFSsLOlF7OUgf-Rag9XqFdxqeW6Q___oFTnAZzx-viFM8IMkgbyU1tHJ7ImzpF2s_RT383QM55IxHRVvlIkE0rG96IP6Qo_urDd0Ak0GmGctKJbP-UX1ibhEOo_RNBS_qfydtbiyzOtLw5CCs0CK-E6m6eB4Nh32vJAI6JcWxk/w640-h640/Folder.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?i7cmdu05me83wgp8bjwy&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;RICHARD STRAUSS&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;

Also Sprach Zarathustra Op. 30&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;b&gt;Tone-poem for Large Orchestra&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1. Einleitung (Introduction) (2:00)&lt;/div&gt;&lt;div&gt;2. Von den Hinterweltern (Of the Backworldsmen) (3:16)&lt;/div&gt;&lt;div&gt;3. Von der Großen Sehnsucht (Of the Great Longing) (1:42)&lt;/div&gt;&lt;div&gt;4. Von den Freuden und Leidenschaften (Of Joys and Passions) (1:56)&lt;/div&gt;&lt;div&gt;5. Das Grablied (The Song of the Grave) (1:57)&lt;/div&gt;&lt;div&gt;6. Von der Wissenschaft (Of Science and Learning) (4:13)&lt;/div&gt;&lt;div&gt;7. Der Genesende (The Convalescent) (4:39)&lt;/div&gt;&lt;div&gt;8. Das Tanzlied (The Dance-Song) (6:34)&lt;/div&gt;&lt;div&gt;9. Nachtwandlerlied (Song of the Night Wanderer) (3:38)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;GUSTAV HOLST&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The Planets Op. 32&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;10. Mars, The Bringer Of War - Allegro (6:37)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;11. Venus, The Bringer Of Peace - Adagio – Andante – Animato – Tempo I (7:25)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;12. Mercury, The Winged Messenger - Vivace (3:59)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;13. Jupiter, The Bringer Of Jollity - Allegro Giocosso – Andante Maestoso – Tempo I – Maestoso – Lento Maestoso – Presto (8:01)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;14. Saturn, The Bringer Of Old Age - Adagio – Andante (7:45)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;15. Uranus, The Magician - Allegro – Lento – Allegro – Largo (5:24)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;16. Neptune, The Mystic - Andante – Allegretto (6:47)&lt;/div&gt;&lt;div style=&quot;text-align: right;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;

&lt;audio controls=&quot;controls&quot;&gt; &lt;source src=&quot;https://1fichier.com/?jxxxxy93wtew9zjf3fqh&quot; type=&quot;audio/mpeg&quot;&gt;&lt;/source&gt;  &lt;embed height=&quot;80px&quot; width=&quot;100px&quot;&gt;&lt;/embed&gt;  Your browser does not support this audio &lt;/audio&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;BOSTON SYMPHONY ORCHESTRA&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;WILLIAM STEINBERG

&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;627&quot; data-original-width=&quot;627&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0EPLjI0X2jlATw12rvPhSV8hdnawwMoGdtg_oBZO_ZCxai8jLtMwYFtM2_tW6U0u1gjF8R2XugSHnUH84iDD6gG0Ka8Ou9PKTh_KCu2PC5ElYh_dga7IWUPCAANTe8aZqyjbaBFfZ8SpYF0uk-1EOIRI9G22mUaYizUnyawzUT8EkNK1I2uFOc94/s320/Also%20sprach%20Zarathustra.jpg&quot; width=&quot;320&quot; /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;img border=&quot;0&quot; data-original-height=&quot;886&quot; data-original-width=&quot;886&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6WuMzZcnIH_39kT559CfOdTzajmwItIyxN4K7KE_7LuJS2pfY2nQHQcWtRmKpxgzBOegQx7qKetXN3wq-LaxYqEcdyu1T-NJB-iWpPLXukZ2d2Chzz2nd-6LPorg2pGG2J0-TQ_ZLVydcjJ-DFQ9n4B2uDDBB8TWsO6qbDuxqwAh48xAad7yeuEI/s320/The%20Planets.jpg&quot; width=&quot;320&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;Recording : Boston Symphony Hall&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;3/1971&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; 9 &amp;amp; 10/1970&lt;/div&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/7991154636428188820/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/7991154636428188820?isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/7991154636428188820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/7991154636428188820'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/06/the-planets-gustav-holst-also-sprach.html' title='THE PLANETS - Gustav Holst / ALSO SPRACH ZARATHUSTRA - Richard Strauss'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-BcLIKA5ySE4mHYFSsLOlF7OUgf-Rag9XqFdxqeW6Q___oFTnAZzx-viFM8IMkgbyU1tHJ7ImzpF2s_RT383QM55IxHRVvlIkE0rG96IP6Qo_urDd0Ak0GmGctKJbP-UX1ibhEOo_RNBS_qfydtbiyzOtLw5CCs0CK-E6m6eB4Nh32vJAI6JcWxk/s72-w640-h640-c/Folder.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-4491722388641052865</id><published>2026-06-07T12:00:00.000+02:00</published><updated>2026-06-07T12:00:00.114+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="FILM MUSIC"/><category scheme="http://www.blogger.com/atom/ns#" term="Hans Zimmer"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="SUITE"/><title type='text'>F1 Suite - Hans Zimmer</title><content type='html'>&lt;div class=&quot;separator&quot; 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</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/8391978809158650345/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/8391978809158650345?isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/8391978809158650345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/8391978809158650345'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/04/prehistoric-planet-suite-n2-anze-rozman.html' title='PREHISTORIC PLANET Suite N.2 - Anže Rozman / Kara Talve / Hans Zimmer'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc1n2BbyIcvZBuaYiiABi8Ag2RiNHDMlDBG880LnNLdgRMvuzFbS0e2ESZW0uVsKId9NDuwTXeMGg1mJbebEkR7k1xLYsX2jQPzvjDG3Zp6k5-8al2Tx6b16PkbRqbk-UnDCUi-1mHmBT84_E7ZDBg8R0G7erI7KOEfkz6wdxVb2B1uH00MyqIfZ8/s72-w640-h640-c/Prehistoric%20Planet%202%201600.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-6314177161105371635</id><published>2026-03-29T12:00:00.000+02:00</published><updated>2026-03-29T12:00:00.114+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="David Fleming"/><category scheme="http://www.blogger.com/atom/ns#" term="Hans Zimmer"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="SUITE"/><category scheme="http://www.blogger.com/atom/ns#" term="TV MUSIC"/><title type='text'>THE NIGHT LOGAN WOKE UP Suite - Hans Zimmer / David Fleming</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6XfF9Y95szU98r71abIh-QQroCj5x9auTUlPoDM2poHqUiLfLgyQZmEpY8m7J9hIH4iDN9lvM8OMj9P-H8VpWjBYp4E7UkYfjKHsrl_VzbxQg10VFGip-rCMLaiG-g22DhqviVOPv_ZHr3GxQDu9Gw4i3Eot_nnT9R70YTNpsz-nkYexpOTry8M/s3555/The%20Night%20Logan%20Woke%20Up.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;3555&quot; data-original-width=&quot;3555&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6XfF9Y95szU98r71abIh-QQroCj5x9auTUlPoDM2poHqUiLfLgyQZmEpY8m7J9hIH4iDN9lvM8OMj9P-H8VpWjBYp4E7UkYfjKHsrl_VzbxQg10VFGip-rCMLaiG-g22DhqviVOPv_ZHr3GxQDu9Gw4i3Eot_nnT9R70YTNpsz-nkYexpOTry8M/w640-h640/The%20Night%20Logan%20Woke%20Up.jpg&quot; width=&quot;640&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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</content><link rel='replies' type='application/atom+xml' href='http://chiefdundee.blogspot.com/feeds/1279013074154459477/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/4604633216132628212/1279013074154459477?isPopup=true' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/1279013074154459477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4604633216132628212/posts/default/1279013074154459477'/><link rel='alternate' type='text/html' href='http://chiefdundee.blogspot.com/2026/03/the-survivor-suite-hans-zimmer.html' title='THE SURVIVOR Suite - Hans Zimmer'/><author><name>ChiefDundee</name><uri>http://www.blogger.com/profile/16500426953176240370</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='//blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwqP_6378yhdHJP7plW7dV4OfkIgRBqARiKX7uEyBToVWsrh9StZv87QW0BvrqRPgLKBnoB8034yohpNhyEByfcRhvQTduCfnGZqnLYPbITL0wOK46j7lpq8IffV0Fw/s113/Square.bmp'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOnKsq7X259JMrIcM8BslqAUFVNsscAZGhfk5IR21mZuYii2AvV8mFL3QilWiGZN1iMqnqwx91eyemVJLQ5u4G1SMplVHbKSTMyqERVWGvuh8eqA5CaGrHeKyCzCCOJmjNLj1yc18U-atQ_xqFJRDnvX_zvL4mHfDhMY02_iiERywKyyHZB_tUfS4/s72-w639-h640-c/The%20Survivor.jpg" height="72" width="72"/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4604633216132628212.post-3207666504293085322</id><published>2026-02-22T12:00:00.000+01:00</published><updated>2026-02-22T12:00:00.115+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hans Zimmer"/><category scheme="http://www.blogger.com/atom/ns#" term="Lorne Balfe"/><category scheme="http://www.blogger.com/atom/ns#" term="LOSSLESS"/><category scheme="http://www.blogger.com/atom/ns#" term="SUITE"/><category scheme="http://www.blogger.com/atom/ns#" term="TV MUSIC"/><title type='text'>SAINTS &amp; STRANGERS Suite - Lorne Balfe / Hans Zimmer</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn84U6XZ8CZEHV28kWDIAmsG6cDZu74Lbqs-Autzo6OxXL9TcxUyZpljW6_Gtsi31jKo9INNC7I6-jgPlW0M3bfASgaRTLDe0E2hlHcRwO_muWbUmNcZWLwS4xD558BcNlAaIE6Rr47vs_pM7OBb_xEwk1pegULKmT6DvHLzXIw6FgSfQaa_3tYUA/s2479/Saints%20and%20Strangers.jpg&quot; style=&quot;display: block; padding: 1em 0px; text-align: center;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; data-original-height=&quot;2479&quot; data-original-width=&quot;2469&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn84U6XZ8CZEHV28kWDIAmsG6cDZu74Lbqs-Autzo6OxXL9TcxUyZpljW6_Gtsi31jKo9INNC7I6-jgPlW0M3bfASgaRTLDe0E2hlHcRwO_muWbUmNcZWLwS4xD558BcNlAaIE6Rr47vs_pM7OBb_xEwk1pegULKmT6DvHLzXIw6FgSfQaa_3tYUA/w638-h640/Saints%20and%20Strangers.jpg&quot; width=&quot;638&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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