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	<title>WEISSES WERK</title>
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	<description>IN THE SWARM</description>
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		<title>WEISSES WERK</title>
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	<itunes:explicit>no</itunes:explicit><itunes:image href="http://farm2.static.flickr.com/1315/1019030472_fbda09dd07_o.jpg"/><itunes:keywords>federico,federici,antonio,diavoli,poetry,literature,contemporary,art</itunes:keywords><itunes:summary>critics, contemporary literature, poetry, prose, theater</itunes:summary><itunes:subtitle>critics, contemporary literature, poetry, prose, theater</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Literature"/></itunes:category><itunes:author>antonio diavoli, federico federici</itunes:author><item>
		<title>ten writings for porous surfaces – n.1</title>
		<link>https://leserpent.wordpress.com/2026/06/08/ten-writings-for-porous-surfaces-n-1/</link>
					<comments>https://leserpent.wordpress.com/2026/06/08/ten-writings-for-porous-surfaces-n-1/#respond</comments>
		
		
		<pubDate>Mon, 08 Jun 2026 13:34:00 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[N.A.S.T.R.O.]]></category>
		<category><![CDATA[ai]]></category>
		<category><![CDATA[artificial-intelligence]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[asemic writing]]></category>
		<category><![CDATA[chatgpt]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[intelligenza-artificiale]]></category>
		<category><![CDATA[neural network]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[visual poetry]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13725</guid>

					<description><![CDATA[conversation about the bag (or: the minor object of)]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13725</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>

		<media:content medium="image" url="https://leserpent.wordpress.com/wp-content/uploads/2025/08/cover-nastro-eng.jpg?w=633"/>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Notes for the use and consumption of the public (and of the soil)</title>
		<link>https://leserpent.wordpress.com/2026/06/01/notes-for-the-use-and-consumption-of-the-public-and-of-the-soil/</link>
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		<pubDate>Mon, 01 Jun 2026 09:47:09 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[N.A.S.T.R.O.]]></category>
		<category><![CDATA[ai]]></category>
		<category><![CDATA[artificial-intelligence]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[asemic writing]]></category>
		<category><![CDATA[chatgpt]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[intelligenza-artificiale]]></category>
		<category><![CDATA[neural network]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[visual poetry]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13713</guid>

					<description><![CDATA[How to recognize the true research writer.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13713</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>

		<media:content medium="image" url="https://leserpent.wordpress.com/wp-content/uploads/2025/08/cover-nastro-eng.jpg?w=633"/>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Vincenzo Frungillo su “Stanze dei non risorti”</title>
		<link>https://leserpent.wordpress.com/2026/05/14/vincenzo-frungillo-su-stanze-dei-non-risorti/</link>
					<comments>https://leserpent.wordpress.com/2026/05/14/vincenzo-frungillo-su-stanze-dei-non-risorti/#respond</comments>
		
		
		<pubDate>Thu, 14 May 2026 04:48:03 +0000</pubDate>
				<category><![CDATA[stanze dei non risorti]]></category>
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					<description><![CDATA[Stanze dei non risorti, with a note by Paolo Giovannetti, Adamàs series curated by Tommaso Di Dio, Vincenzo Frungillo, and Ivan Schiavone, La Vita Felice, Milan, 2026, ISBN 978-8893469845 [it] / buy:&#160;la vita felice&#160;&#124;&#160;amazon Stanze dei non risorti di Federico Federici è una nuova tappa dell’autore nelle scritture verbo-visive. Qui, il confronto è con il &#8230; <a href="https://leserpent.wordpress.com/2026/05/14/vincenzo-frungillo-su-stanze-dei-non-risorti/" class="more-link">Continue reading <span class="screen-reader-text">Vincenzo Frungillo su &#8220;Stanze dei non&#160;risorti&#8221;</span></a>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13708</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>

		<media:content medium="image" url="https://leserpent.wordpress.com/wp-content/uploads/2026/05/snr.jpg?w=791"/>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>The Patient’s Record [B]</title>
		<link>https://leserpent.wordpress.com/2026/05/13/the-patients-record-b/</link>
					<comments>https://leserpent.wordpress.com/2026/05/13/the-patients-record-b/#respond</comments>
		
		
		<pubDate>Wed, 13 May 2026 06:18:52 +0000</pubDate>
				<category><![CDATA[gigs exhibitions press]]></category>
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					<description><![CDATA[«Meniscus», Jen Webb, Ginna Brock editors, University of Canberra, volume 14, issue 1, 2026.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13705</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Asemic Data and the Conditions of Semantization</title>
		<link>https://leserpent.wordpress.com/2026/04/22/asemic-data-and-the-conditions-of-semantization/</link>
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		<pubDate>Wed, 22 Apr 2026 16:18:24 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[gigs exhibitions press]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[asemic writing]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[federico federici]]></category>
		<category><![CDATA[visual poetry]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13700</guid>

					<description><![CDATA[Suspended semantics: what happens when marks or data lose their frame? Asemic writing and a contextless numerical matrix share the same condition—structure without reference. They are not meaningless; they are underdetermined. Interpretation cannot be recognised, only constructed. Asemicity, asemantization, semantizability: three ways to think how meaning is deferred, stripped, or re-imposed through metrics—visual, statistical, phonetic. &#8230; <a href="https://leserpent.wordpress.com/2026/04/22/asemic-data-and-the-conditions-of-semantization/" class="more-link">Continue reading <span class="screen-reader-text">Asemic Data and the Conditions of&#160;Semantization</span></a>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13700</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>

		<media:content medium="image" url="https://substackcdn.com/image/fetch/$s_!o5RG!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa5014779-8848-4a00-b775-d9464c0fd460_871x493.png"/>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Silence and Void: Toward an Aesthetics of Metrics</title>
		<link>https://leserpent.wordpress.com/2026/04/02/silence-and-void-toward-an-aesthetics-of-metrics/</link>
					<comments>https://leserpent.wordpress.com/2026/04/02/silence-and-void-toward-an-aesthetics-of-metrics/#respond</comments>
		
		
		<pubDate>Thu, 02 Apr 2026 11:59:26 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[asemic writing]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[federico federici]]></category>
		<category><![CDATA[postmodern]]></category>
		<category><![CDATA[semiotics]]></category>
		<category><![CDATA[vispo]]></category>
		<category><![CDATA[visual poetry]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13695</guid>

					<description><![CDATA[Silence and void are often treated as absences, but this view is misleading. They are not empty containers, but structured, relational conditions. Space is not a passive receptacle; even the vacuum is defined by fields, fluctuations, and measurable effects. Likewise, silence is not a null state, but depends on thresholds, perception, and context.
The same applies to signs. What appears discrete and well-defined dissolves under closer examination into zones of indeterminacy shaped by noise and variation. Boundaries are not fixed lines but fields of interaction.
Rather than substances or absences, we encounter networks of relations defined by metrics. Objects, sounds, and signs are not primary, but emerge as stabilized configurations within these relational fields.
→ Full essay: Void and Silence: Toward an Aesthetics of Metrics]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13695</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Die Leere Mitte – Issue 28</title>
		<link>https://leserpent.wordpress.com/2026/04/01/die-leere-mitte-issue-28/</link>
					<comments>https://leserpent.wordpress.com/2026/04/01/die-leere-mitte-issue-28/#comments</comments>
		
		
		<pubDate>Wed, 01 Apr 2026 12:45:50 +0000</pubDate>
				<category><![CDATA[dlm]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[vispo]]></category>
		<category><![CDATA[visual poetry]]></category>
		<category><![CDATA[die leere mitte]]></category>
		<category><![CDATA[concrete]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[asemantic]]></category>
		<category><![CDATA[asemiotic]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13688</guid>

					<description><![CDATA[In this issue: Werner Preuß, Patrick Sweeney, Matt Dennison, Lucien Levant, Glenn Bach, Sharon Reeber, Max Roque, Samuel Goldsmith, Joseph Salvatore Aversano, Joshua Martin, Bob Lucky, Jack Sullivan.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13688</post-id>
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			<media:title type="html">federico federici</media:title>
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		<media:content medium="image" url="https://archive.org/download/dlm-28/KDPCover.jpg"/>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>a plant enters the supermarket</title>
		<link>https://leserpent.wordpress.com/2026/03/23/a-plant-enters-the-supermarket/</link>
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		<pubDate>Mon, 23 Mar 2026 09:04:57 +0000</pubDate>
				<category><![CDATA[gigs exhibitions press]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13684</guid>

					<description><![CDATA[a plant enters the supermarket, «3:AM Magazine», Daniel Davis Wood editor, March 16, 2026.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13684</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Field Notes (from an Invisible Crossing)</title>
		<link>https://leserpent.wordpress.com/2026/02/18/field-notes-from-an-invisible-crossing/</link>
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		<pubDate>Wed, 18 Feb 2026 16:10:54 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13681</guid>

					<description><![CDATA[Ink against ink: only pressure, only residue that condenses. Like charged particles crossing a chamber of supersaturated air, signs precipitate in a supersaturated language. Trails—sentences—appear only where a blank equilibrium has been disturbed, leaving the trace of an event. The work does not present itself; it exposes only the conditions of its own existence.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13681</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>

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	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>The Dispositive of Selection</title>
		<link>https://leserpent.wordpress.com/2026/02/11/the-dispositive-of-selection/</link>
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		<pubDate>Wed, 11 Feb 2026 17:34:20 +0000</pubDate>
				<category><![CDATA[critics]]></category>
		<category><![CDATA[call for submissions]]></category>
		<category><![CDATA[editorial]]></category>
		<category><![CDATA[magazines]]></category>
		<category><![CDATA[submission]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13677</guid>

					<description><![CDATA[A Theoretical Reading of Contemporary Editorial Practices Contemporary literary magazines, particularly those with significant international visibility, present themselves as sites of critical discernment, claiming to evaluate form, style, and literary value. Yet, a closer inspection of quantitative data they provide reveals a misalignment between this normative claim and the operational conditions under which textual selection &#8230; <a href="https://leserpent.wordpress.com/2026/02/11/the-dispositive-of-selection/" class="more-link">Continue reading <span class="screen-reader-text">The Dispositive of&#160;Selection</span></a>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13677</post-id>
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			<media:title type="html">federico federici</media:title>
		</media:content>
	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Instructions without Manual</title>
		<link>https://leserpent.wordpress.com/2026/02/06/instructions-without-manual/</link>
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		<pubDate>Fri, 06 Feb 2026 08:48:30 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[gigs exhibitions press]]></category>
		<category><![CDATA[art theory]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[asemic writing]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[federico federici]]></category>
		<category><![CDATA[post modernism]]></category>
		<category><![CDATA[vispo]]></category>
		<category><![CDATA[visual poetry]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13671</guid>

					<description><![CDATA[This talk, given at the Cambridge Creation Lab, unfolds as a sustained inquiry into numbers, signs, and memory, approaching computation, notation, and writing as generative rather than instrumental media. Moving between algebra, asemic writing, physics, and typographic practice, Federici reframes numbers as aesthetic entities, silence as a relational medium, and writing as an experimental apparatus—where &#8230; <a href="https://leserpent.wordpress.com/2026/02/06/instructions-without-manual/" class="more-link">Continue reading <span class="screen-reader-text">Instructions without Manual</span></a>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13671</post-id>
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			<media:title type="html">federico federici</media:title>
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	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Authorship as Spectral Reduction</title>
		<link>https://leserpent.wordpress.com/2026/01/28/authorship-as-spectral-reduction/</link>
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		<pubDate>Wed, 28 Jan 2026 12:07:41 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[ai]]></category>
		<category><![CDATA[art theory]]></category>
		<category><![CDATA[artificial-intelligence]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[intelligenza-artificiale]]></category>
		<category><![CDATA[post modernism]]></category>
		<category><![CDATA[vispo]]></category>
		<category><![CDATA[visual poetry]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13663</guid>

					<description><![CDATA[Dispersion, triggering, and writing as a play of signals within artificial networks.]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13663</post-id>
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			<media:title type="html">federico federici</media:title>
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	<dc:creator>antonio diavoli, federico federici</dc:creator></item>
		<item>
		<title>Profilo minore – p. 142</title>
		<link>https://leserpent.wordpress.com/2026/01/16/profilo-minore-p-142/</link>
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		<pubDate>Fri, 16 Jan 2026 06:39:10 +0000</pubDate>
				<category><![CDATA[profilo minore]]></category>
		<category><![CDATA[Andrea Cortellessa]]></category>
		<category><![CDATA[I domani]]></category>
		<category><![CDATA[Nino Aragno Editore]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13661</guid>

					<description><![CDATA[Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga prendere parte al temponel corpo, sentirsi addossocrescere le ossa, tirare viala pelle, ridursi a una misura:una falange un mese,un’unghia un’ora o pocopiù sul guscio una fessura,sul cranio lacero al pensieroperdere le parti esposteal vuoto, deporre i pesiripudiati, di polvere, di &#8230; <a href="https://leserpent.wordpress.com/2026/01/16/profilo-minore-p-142/" class="more-link">Continue reading <span class="screen-reader-text">Profilo minore &#8211; p.&#160;142</span></a>]]></description>
		
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			<media:title type="html">federico federici</media:title>
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	<dc:creator>antonio diavoli, federico federici</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga prendere parte al temponel corpo, sentirsi addossocrescere le ossa, tirare viala pelle, ridursi a una misura:una falange un mese,un’unghia un’ora o pocopiù sul guscio una fessura,sul cranio lacero al pensieroperdere le parti esposteal vuoto, deporre i pesiripudiati, di polvere, di &amp;#8230; Continue reading Profilo minore &amp;#8211; p.&amp;#160;142</itunes:subtitle><itunes:author>antonio diavoli, federico federici</itunes:author><itunes:summary>Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga prendere parte al temponel corpo, sentirsi addossocrescere le ossa, tirare viala pelle, ridursi a una misura:una falange un mese,un’unghia un’ora o pocopiù sul guscio una fessura,sul cranio lacero al pensieroperdere le parti esposteal vuoto, deporre i pesiripudiati, di polvere, di &amp;#8230; Continue reading Profilo minore &amp;#8211; p.&amp;#160;142</itunes:summary><itunes:keywords>federico,federici,antonio,diavoli,poetry,literature,contemporary,art</itunes:keywords></item>
		<item>
		<title>Profilo minore – p. 137</title>
		<link>https://leserpent.wordpress.com/2026/01/12/profilo-minore-p-137/</link>
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		<pubDate>Mon, 12 Jan 2026 12:37:00 +0000</pubDate>
				<category><![CDATA[profilo minore]]></category>
		<category><![CDATA[Andrea Cortellessa]]></category>
		<category><![CDATA[I domani]]></category>
		<category><![CDATA[Nino Aragno Editore]]></category>
		<guid isPermaLink="false">http://leserpent.wordpress.com/?p=13655</guid>

					<description><![CDATA[Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga adagio ritmare, rimare la pietra, prima che facciaargine al fosso, rotolatasulla riga scura d’acquache ricopre i solchi, tuttaarsura di licheni e frammistaai pieni, ai vuoti, vacui motividella gravità, dove peso avràe radici l’erba scossa secca*adagio ritmar, rimarla pedra, abans que &#8230; <a href="https://leserpent.wordpress.com/2026/01/12/profilo-minore-p-137/" class="more-link">Continue reading <span class="screen-reader-text">Profilo minore &#8211; p.&#160;137</span></a>]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">13655</post-id>
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			<media:title type="html">federico federici</media:title>
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	<dc:creator>antonio diavoli, federico federici</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga adagio ritmare, rimare la pietra, prima che facciaargine al fosso, rotolatasulla riga scura d’acquache ricopre i solchi, tuttaarsura di licheni e frammistaai pieni, ai vuoti, vacui motividella gravità, dove peso avràe radici l’erba scossa secca*adagio ritmar, rimarla pedra, abans que &amp;#8230; Continue reading Profilo minore &amp;#8211; p.&amp;#160;137</itunes:subtitle><itunes:author>antonio diavoli, federico federici</itunes:author><itunes:summary>Traduzioni in lingua catalana a cura di Marta Vilardaga e Josep Porcar. Voce: Marta Vilardaga adagio ritmare, rimare la pietra, prima che facciaargine al fosso, rotolatasulla riga scura d’acquache ricopre i solchi, tuttaarsura di licheni e frammistaai pieni, ai vuoti, vacui motividella gravità, dove peso avràe radici l’erba scossa secca*adagio ritmar, rimarla pedra, abans que &amp;#8230; Continue reading Profilo minore &amp;#8211; p.&amp;#160;137</itunes:summary><itunes:keywords>federico,federici,antonio,diavoli,poetry,literature,contemporary,art</itunes:keywords></item>
		<item>
		<title>White Noise n.2</title>
		<link>https://leserpent.wordpress.com/2026/01/09/white-noise-n-2/</link>
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		<pubDate>Fri, 09 Jan 2026 13:40:30 +0000</pubDate>
				<category><![CDATA[asemics and other visual metrics]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[art theory]]></category>
		<category><![CDATA[artificial intelligence]]></category>
		<category><![CDATA[asemic]]></category>
		<category><![CDATA[concrete poetry]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[intelligenza-artificiale]]></category>
		<category><![CDATA[post modernism]]></category>
		<category><![CDATA[vispo]]></category>
		<category><![CDATA[visual poetry]]></category>
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					<description><![CDATA[not-quite-archive of errata &#124; signal loss &#124; unwritten &#124; data co/ordinates : misreading asemic writing as kitsch: scientific forms and structural depth; ten olivetti tables; first study about farfalla; first study across silence; warten auf god; rooks, knights (and other probabilities); negotiating authorship in the age of AI; [ controlled ] generative drift; two letter &#8230; <a href="https://leserpent.wordpress.com/2026/01/09/white-noise-n-2/" class="more-link">Continue reading <span class="screen-reader-text">White Noise n.2</span></a>]]></description>
		
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			<media:title type="html">federico federici</media:title>
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