<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3339266702768647397</atom:id><lastBuildDate>Fri, 01 Nov 2024 10:34:28 +0000</lastBuildDate><category>Library</category><category>libraries</category><category>Ancient Signs</category><category>Andis Kaulins</category><category>Kaulins</category><category>NYPL</category><category>New York Public Library</category><category>alphabet</category><category>ancient</category><category>civilizations</category><category>origins of writing</category><category>periodicals</category><category>20th Century</category><category>Ancient Signs The Alphabet and the Origins of Writing</category><category>Anthony Marx</category><category>Berlin</category><category>Germany</category><category>Kittie Henderson</category><category>Marcel Breuer Digital Archive</category><category>Miriam Kreinin Souccar</category><category>New York City</category><category>Raymond Pun</category><category>Stephen Bosch</category><category>Syracuse</category><category>Syracuse University Library</category><category>alphabet origins</category><category>ancient cultures</category><category>ancient scripts</category><category>architecture</category><category>arts</category><category>buying power</category><category>civilization</category><category>cultures</category><category>democracy</category><category>digitization</category><category>epubli</category><category>epubli.com</category><category>epubli.de</category><category>furniture design</category><category>library architecture</category><category>library budgets</category><category>library financing</category><category>library renovation</category><category>public libraries</category><category>serials</category><category>serials prices</category><category>writing</category><title>LibraryPundit</title><description>Libraries&#xa;Librarians&#xa;Library.Users</description><link>http://librarypundit.blogspot.com/</link><managingEditor>noreply@blogger.com (Unknown)</managingEditor><generator>Blogger</generator><openSearch:totalResults>67</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-6527292994275523257</guid><pubDate>Thu, 25 Feb 2016 12:58:00 +0000</pubDate><atom:updated>2020-09-16T16:43:33.578+02:00</atom:updated><title>Carla Hayden Nominated by President Obama as Librarian for the Library of Congress</title><description>Carla Hayden was nominated by President Obama to be the nation&#39;s top librarian as the head of the Library of Congress.&lt;br /&gt;
&lt;br /&gt;
See the article at NPR by Elizabeth Blair in &lt;a href=&quot;http://www.npr.org/sections/thetwo-way/2016/02/24/468010750/obama-nominates-carla-hayden-to-lead-library-of-congress&quot; target=&quot;_blank&quot;&gt;Obama Nominates Carla Hayden To Lead Library Of Congress&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Hayden would be the first woman and first black to hold the position.&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2016/02/carla-hayden-nominated-by-president.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-1486453783101308286</guid><pubDate>Thu, 25 Feb 2016 12:52:00 +0000</pubDate><atom:updated>2016-02-25T13:52:15.001+01:00</atom:updated><title>Library Cutbacks and Expensive Journals Tempt Academics to Try Alternative Access Routes That Bypass Copyrights</title><description>ACI reports on a new problem facing academic research, namely, that &lt;a href=&quot;http://scholar.aci.info/view/14d0b34b01b00100005/152ff01323200014c21&quot; target=&quot;_blank&quot;&gt;Expensive Journals Drive Academics To Break Copyright Law&lt;/a&gt;. As written there:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&quot;&lt;span style=&quot;color: #0b5394;&quot;&gt;A
 new pirate website called Sci-Hub [in Russia] allows free access to 
academic journals behind paywalls. Heather Joseph, an advocate for legal
 open access, explains the situation to Linda Wertheimer...&lt;/span&gt;&quot;&lt;/blockquote&gt;
Registration is required at ACI to access the above explanation.&lt;br /&gt;&lt;br /&gt;Hat tip to &quot;ACI Focus Posts: Select Posts from the ACI Team&quot; at &lt;a href=&quot;http://aci.info/&quot;&gt;http://aci.info/&lt;/a&gt;.</description><link>http://librarypundit.blogspot.com/2016/02/library-cutbacks-and-expensive-journals.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-873235936565391560</guid><pubDate>Fri, 28 Dec 2012 23:24:00 +0000</pubDate><atom:updated>2012-12-29T00:24:32.430+01:00</atom:updated><title>The Library Question from the New York Times</title><description>What about the future of the public library?&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.nytimes.com/roomfordebate/2012/12/27/do-we-still-need-libraries/?nl=opinion&amp;amp;emc=edit_ty_20121228&quot;&gt;Do We Still Need Libraries? - Room for Debate - NYTimes.com&lt;/a&gt;</description><link>http://librarypundit.blogspot.com/2012/12/the-library-question-from-new-york-times.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-4887189500992597014</guid><pubDate>Thu, 04 Oct 2012 13:53:00 +0000</pubDate><atom:updated>2012-10-04T15:56:43.949+02:00</atom:updated><title>Library Law: Copyrights, Fair Use and Copying of Copyrighted Materials for Educational Use: Course Reserves via Digital Delivery of Supplemental Materials (Electronic Reserves, E-Reserves) </title><description>What is done is not always allowed, and what is allowed is not always done.&lt;br /&gt;
&lt;br /&gt;
Which
 copyrighted materials -- and how much of any copyrighted publication --
 can be copied and used freely as &quot;fair use&quot; in teaching? or research? 
10%? 15%? What about digital copies? and what about their distribution?&lt;br /&gt;
&lt;br /&gt;
A recent landmark case involves digital supplemental online reading materials (so-called &quot;course reserves&quot; viz. e-reserves) at &lt;a href=&quot;http://www.gsu.edu/&quot; target=&quot;_blank&quot;&gt;Georgia State University&lt;/a&gt;. That case is &lt;a href=&quot;http://www.complexip.com/wp-content/uploads/2012/06/Cambridge-v-Becker-GA-State-Opinion-May2012.pdf&quot; target=&quot;_blank&quot;&gt;Cambridge University Press v. Becker&lt;/a&gt; (Case No. 1:08-cv-01425, N.D. of Georgia, May 11, 2012), &lt;b&gt;which according to &lt;a href=&quot;http://www.publishersweekly.com/pw/by-topic/digital/copyright/article/53887-publishers-appeal-ruling-in-gsu-e-reserves-case-.html&quot; target=&quot;_blank&quot;&gt;Publishers Weekly&lt;/a&gt; has been appealed 
to the 11th Circuit Court of Appeals&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
The Georgia State case should serve to better define what is allowed and 
what is not allowed in terms of digital fair use educational copying.&lt;br /&gt;
&lt;br /&gt;
Indeed,
 we think the case may be reversed because the laws and precedents 
indicate that &quot;individual&quot; fair use copying for educational purposes in 
the physical classroom (or digital classroom) is seen much differently 
than &quot;mass&quot; copying or perhaps &quot;crowd&quot; e-reserves, which are essentially
 means of avoiding existing commercial licensing markets and/or 
permission channels.&lt;br /&gt;
&lt;br /&gt;
Where does one draw the &quot;fair use&quot; line in a legal landscape that allows no &quot;&lt;a href=&quot;http://arttechlaw.com/the-top-ten-supreme-court-copyright-holdings&quot; target=&quot;_blank&quot;&gt;bright line&lt;/a&gt;&quot; rules to be drawn? Looking at the &lt;a href=&quot;http://www.copyright.com/Services/copyrightoncampus/basics/teach.html&quot; target=&quot;_blank&quot;&gt;Teach Act&lt;/a&gt;
 -- which specifically DOES NOT apply to &quot;electronic reserves, 
coursepacks (electronic or paper) or 
                  interlibrary loan (ILL)&quot; -- it nevertheless provides 
us with some broad copyright guidelines that can be extrapolated to the 
Georgia State case.&lt;br /&gt;
&lt;br /&gt;
As written at &lt;a href=&quot;http://library.stanford.edu/using/copyright-reminder/distance-education&quot; target=&quot;_blank&quot;&gt;Stanford University Libraries&lt;/a&gt;:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot; style=&quot;color: #3d85c6;&quot;&gt;
&lt;span style=&quot;font-size: large;&quot;&gt;&quot;Georgia Harper, an attorney with the University of Texas&#39;s library system has developed an excellent &lt;a href=&quot;http://copyright.lib.utexas.edu/teachact.html&quot; target=&quot;_blank&quot;&gt;checklist to determine whether you are &quot;ready to use the TEACH Act.&lt;/a&gt;&quot;&lt;/span&gt;&lt;/blockquote&gt;
Take a look at the last link and look at the checklist. Harper writes (&lt;a href=&quot;http://copyright.lib.utexas.edu/teachact.html&quot; target=&quot;_blank&quot;&gt;we have excerpted this material considerably from the original&lt;/a&gt;):&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&quot;&lt;span style=&quot;color: #3d85c6;&quot;&gt;Copyright law provides educators           with a &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;separate set of rights in addition to fair use, to display (show)             and perform (show or play) others&#39; works &lt;i&gt;in the classroom&lt;/i&gt;&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;. These           rights are in Section 110(1) of the Copyright Act and &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;apply to any work,&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt; regardless of the medium....&lt;/span&gt;&lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;[A]n educator may show or perform any work related to the curriculum, regardless of the medium, face-to-face in the classroom&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt; - still images, music of every kind, even movies. There are no limits and no permission required. &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;Under 110(2)&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;, however, even as revised and expanded, &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;the same educator would have to pare down some of those materials to show them to distant students&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt; or make them available over the Internet to face-to-face students. The &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;audiovisual works and dramatic musical works may only be shown as clips&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt; -- &quot;reasonable and limited portions,&quot; the Act says....&lt;br /&gt;&lt;br /&gt;[P]utting anything online requires  making a copy of it. The &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;TEACH
 Act authorizes us to digitize works for use in digital distance 
education, but only to the extent we are authorized to use those works 
in Section 110(2)&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;, &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;and&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt; so long as they are &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;not available digitally in a format free from technological protection&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;....&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: #3d85c6;&quot;&gt;Fair use ... remains important because the in-classroom activities (even if the classroom is virtual) the TEACH Act ... covers &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;in class performances and displays&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;, &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;not&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;, for example, &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;digital delivery of supplemental reading, viewing, or listening materials&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;. For those activities, as well as many others, we&#39;ll need to continue to rely on fair use.&lt;/span&gt; &lt;b style=&quot;color: #cc0000;&quot;&gt;Remember, however, when relying on fair use, the &lt;a href=&quot;http://copyright.lib.utexas.edu/copypol2.html#test&quot;&gt;fair use test is sensitive to harm to markets&lt;/a&gt;. This means that in general, where there is an established 
market for permissions, there will often be a narrower scope for fair use.&lt;/b&gt; &lt;span style=&quot;color: #3d85c6;&quot;&gt;&lt;b style=&quot;color: #cc0000;&quot;&gt;In
 practical terms, this means that where it&#39;s easy to get permission, for
 example, to put text materials on reserve, our reliance on fair use 
should be limited&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;....&lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;&lt;br /&gt;&lt;br /&gt;Not everyone, nor every work, is covered&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;. Section 110(2) &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;only applies to accredited nonprofit educational institutions. &lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;The rights granted do &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;not &lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;extend to the use of &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;works primarily produced or marketed for in-class use in the digital distance             education market; works &lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;the instructor knows or has reason to believe were &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;not lawfully made or acquired&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;; or &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;textbooks&lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;, &lt;/span&gt;&lt;b style=&quot;color: #3d85c6;&quot;&gt;coursepacks &lt;/b&gt;&lt;span style=&quot;color: #3d85c6;&quot;&gt;and other materials typically purchased by students individually.&quot;&lt;/span&gt; &lt;b style=&quot;color: #990000;&quot;&gt;[emphasis added by LawPundit]&lt;/b&gt;&lt;/blockquote&gt;
So now, what about that recent landmark case involving Georgia State? In that case, &lt;a href=&quot;http://www.complexip.com/wp-content/uploads/2012/06/Cambridge-v-Becker-GA-State-Opinion-May2012.pdf&quot; target=&quot;_blank&quot;&gt;Cambridge University Press v. Becker&lt;/a&gt;, which has been appealed to the 11th Circuit Court of Appeals, the court wrote:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;div style=&quot;color: #783f04;&quot;&gt;
&quot;Almost
 all of the 75 excerpts at issue were assigned&amp;nbsp; as supplemental readings
 in graduate level or upper level undergraduate courses....&lt;br /&gt;&lt;br /&gt;The
 excerpts were selected by 23 professors for 29 courses in three 
semesters in 2009.&amp;nbsp; On average these excerpts were 10.1% of the pages in
 the copyrighted books....&lt;br /&gt;&lt;br /&gt;Between
 2004 and early 2009 Georgia State had a copyright policy ... which 
described the prohibitions on copying in the Copyright Act and the basic
 elements of fair use. While the policy did not state what percentage of
 a copyrighted work could legitimately be copied, some professors who 
testified at trial believed (and, the Court infers, others did as well) 
that copying as much&amp;nbsp; as&amp;nbsp; 20%&amp;nbsp; of&amp;nbsp; a&amp;nbsp; copyrighted&amp;nbsp; work&amp;nbsp; was&amp;nbsp; 
acceptable&amp;nbsp; as&amp;nbsp; fair&amp;nbsp; use....&lt;br /&gt;&lt;br /&gt;On
 February 17, 2009 the Board of Regents introduced a new copyright 
policy for University System of Georgia schools, including Georgia 
State....&lt;br /&gt;&lt;br /&gt;....
 Professors ... were told that there was no across-the-board answer ... 
but that under fifteen percent would likely be safe and that under ten 
percent would be &quot;really safe&quot;....&lt;br /&gt;&lt;br /&gt;The
 trial evidence showed that unlicensed copying of excerpts of 
copyrighted&amp;nbsp; books at colleges and universities is a widespread practice
 in the United States.... many schools&#39; copyright policies allow more 
liberal unlicensed copying than does Georgia State&#39;s 2009 Copyright 
Policy....&lt;br /&gt;&lt;br /&gt;Plaintiffs
 allege that Defendants have infringed their copyrights by allowing 
portions of Plaintiffs&#39; works to be electronically distributed to users 
of Georgia State&#39;s electronic reserves system without obtaining 
permissions, in violation of the federal Copyright Act, 17 U.S.C. § 101 
et seq....&lt;br /&gt;&lt;br /&gt;Defendants
 contend that all of Plaintiffs&#39; infringement claims are barred by the 
doctrine of fair use, pursuant to 17 U.S.C. § 107....&lt;br /&gt;&lt;br /&gt;Defendants bear the burden of proving that each use was a fair use under the statute.&lt;span style=&quot;color: #783f04;&quot;&gt;&lt;br /&gt;&lt;br /&gt;The Supreme Court&#39;s most recent and most important fair use opinion is &lt;/span&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Campbell_v._Acuff-Rose_Music,_Inc.&quot; style=&quot;color: #783f04;&quot; target=&quot;_blank&quot;&gt;Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994)&lt;/a&gt;&lt;span style=&quot;color: #783f04;&quot;&gt;.&quot;&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
We
 are very philosophically sympathetic to the judge&#39;s holding in this 
case in favor of the defendants, i.e. against the publishers, but doubt 
on a legal basis that such wide-scale excerpting on a digital basis will
 be upheld upon appeal, involving as it does materials for which the 
mechanism for permissions exists. After all, &quot;use&quot; of educational&amp;nbsp; 
materials OFTEN does not involve use of an &lt;i&gt;&lt;b&gt;entire&lt;/b&gt;&lt;/i&gt; 
textbook, but only one or more chapters, or parts of those chapters, 
i.e. excerpts, so that viewing a book in terms of 10%, 15% or 20% used 
as &quot;fair use&quot; is not the correct standard. E-reserves serve as a means 
to get around buying copyrighted books and/or getting permissions and/or
 licenses and harm the copyright holders accordingly. When you use maybe
 one PAGE of a book, that might be fair use, but not whole chapters. In 
such a case, the law should probably require that you have to buy the 
book or get permission.&lt;br /&gt;
&lt;br /&gt;
Take a look at the case of &lt;a href=&quot;http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/chapter7/7-a.html&quot; target=&quot;_blank&quot;&gt;academic coursepacks&lt;/a&gt; which are NOT &quot;free use&quot; in terms of the copyright laws according to cases such as:&lt;br /&gt;
&lt;a href=&quot;http://fairuse.stanford.edu/primary_materials/cases/c758FSupp1522.html&quot; target=&quot;_blank&quot;&gt;&lt;i&gt;Basic Books Inc. v. Kinko’s Graphics Corp.&lt;/i&gt;&lt;/a&gt;, 758 F. Supp. 1522 (S.D.N.Y. 1991)&lt;br /&gt;
&lt;a href=&quot;http://bulk.resource.org/courts.gov/c/F3/60/60.F3d.913.92-9341.1479.html&quot; target=&quot;_blank&quot;&gt;American Geophysical Union v. Texaco Inc.&lt;/a&gt;, 60 F.3d 913, 919 (2nd Circ. 1994)&lt;br /&gt;
&lt;i&gt;&lt;a href=&quot;http://www.law.cornell.edu/copyright/cases/99_F3d_1381.htm&quot; target=&quot;_blank&quot;&gt;Princeton Univ. v. Michigan Document Servs&lt;/a&gt;.&lt;/i&gt;, 99 F.3d 1381 (6th Circ. 1996).&lt;br /&gt;
&lt;br /&gt;
By the way, the applicable &quot;fair use&quot; statute under American law provides under &lt;a href=&quot;http://www.law.cornell.edu/uscode/text/17/107?quicktabs_8=1#quicktabs-8&quot; target=&quot;_blank&quot;&gt;17 USC § 107 - Limitations on exclusive rights: Fair use&lt;/a&gt; as follows:&lt;br /&gt;
&lt;blockquote style=&quot;color: #3d85c6;&quot;&gt;
&quot;Notwithstanding
 the provisions of sections 106 and 106A, the fair use of a copyrighted 
work, including such use by reproduction in copies or phonorecords or by
 any other means specified by that section, for purposes such as 
criticism, comment, news reporting, teaching (including multiple copies 
for classroom use), scholarship, or research, is not an infringement of 
copyright. In determining whether the use made of a work in any 
particular case is a fair use the factors to be considered shall 
include—&lt;br /&gt;
(1) the purpose and character of the use, including 
whether such use is of a commercial nature or is for nonprofit 
educational purposes;&lt;br /&gt;
(2) the nature of the copyrighted work;&lt;br /&gt;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and&lt;br /&gt;
(4) the effect of the use upon the potential market for or value of the copyrighted work.&lt;br /&gt;
The
 fact that a work is unpublished shall not itself bar a finding of fair 
use if such finding is made upon consideration of all the above 
factors.&quot;&lt;/blockquote&gt;
See&lt;br /&gt;
&lt;br /&gt;
Andrew Albanese at Publishers Weekly in &lt;a href=&quot;http://www.publishersweekly.com/pw/by-topic/digital/copyright/article/53887-publishers-appeal-ruling-in-gsu-e-reserves-case-.html&quot; target=&quot;_blank&quot;&gt;Publishers Appeal Ruling in GSU E-Reserves Case&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.complexip.com/ten-percent-is-fair-use-for-educational-institutions-copyright-owners-disappointed/&quot; target=&quot;_blank&quot;&gt;Ten Percent Is Fair Use For Educational Institutions – Copyright Owners Disappointed&lt;/a&gt;, ComplexIP.com &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://blogs.library.duke.edu/scholcomm/2012/10/02/the-six-million-dollar-fair-use-standard/&quot;&gt;The six million dollar fair use standard&lt;/a&gt;, Scholarly Communications @ Duke&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.the-digital-reader.com/2012/09/11/georgia-state-fair-use-lawsuit-plaintiffs-file-appeal/#.UGzQocWnzU0&quot;&gt;Georgia State Fair Use Lawsuit Plaintiffs File Appeal&lt;/a&gt;, The Digital Reader, Chris Meadows&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://chronicle.com/blogs/ticker/judge-denies-publishers-request-for-relief-in-georgia-state-u-e-reserves-case/46809&quot;&gt;Judge Denies Publishers’ Request for Relief in Georgia State U. E-Reserves Case&lt;/a&gt;, The Ticker at The Chronicle of Higher Education&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://copyright.musiclibraryassoc.org/Resources/Decisions&quot; target=&quot;_blank&quot;&gt;Copyright Court Decisions&lt;/a&gt;, Yi Hong Sim, Music Library Association &lt;br /&gt;
&lt;br /&gt;
Memorandum
 from Randolph D. Moss, Acting Assistant Attorney General, to Andrew J. 
Pincus, General Counsel, Department of Commerce, on &lt;a href=&quot;http://www.loc.gov/flicc/gc/fairuse.html&quot; target=&quot;_blank&quot;&gt;Whether
 Government Reproduction of Copyrighted Materials Invariably is a &quot;Fair 
Use&quot; under Section 107 of the Copyright Act of 1976 &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Crossposted at &lt;a href=&quot;http://lawpundit.blogspot.com/2012/10/education-law-copyrights-fair-use-and.html&quot; target=&quot;_blank&quot;&gt;LawPundit&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/10/library-law-copyrights-fair-use-and.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-5627873671885777760</guid><pubDate>Thu, 31 May 2012 08:13:00 +0000</pubDate><atom:updated>2012-05-31T10:13:08.898+02:00</atom:updated><title>Public Library Services Threatened by Budget Cuts</title><description>At the Huffington Post, Christian Zabriskie in &lt;a href=&quot;http://www.huffingtonpost.com/christian-zabriskie/threat-to-public-library_b_1547123.html?ref=divo&quot;&gt; Confronting The Biggest Threat To The Public Library&lt;/a&gt; writes inter alia that:&lt;br /&gt;
&lt;blockquote style=&quot;color: #3d85c6;&quot;&gt;&quot;The biggest threat to the public library in American culture is limited hours. In the new budget reality if libraries are forced to dramatically decrease their hours then they will be drastically reduced in their ability to serve their public.&quot;&lt;/blockquote&gt;&lt;a href=&quot;http://www.huffingtonpost.com/christian-zabriskie/threat-to-public-library_b_1547123.html?ref=divo&quot;&gt;Read the whole piece here&lt;/a&gt;.</description><link>http://librarypundit.blogspot.com/2012/05/public-library-services-threatened-by.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-6530012373958688187</guid><pubDate>Wed, 09 May 2012 19:14:00 +0000</pubDate><atom:updated>2012-05-09T21:15:01.611+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">20th Century</category><category domain="http://www.blogger.com/atom/ns#">architecture</category><category domain="http://www.blogger.com/atom/ns#">arts</category><category domain="http://www.blogger.com/atom/ns#">digitization</category><category domain="http://www.blogger.com/atom/ns#">furniture design</category><category domain="http://www.blogger.com/atom/ns#">Marcel Breuer Digital Archive</category><category domain="http://www.blogger.com/atom/ns#">Syracuse</category><category domain="http://www.blogger.com/atom/ns#">Syracuse University Library</category><title>Syracuse University Library and the Marcel Breuer Digital Archive: Architecture and Furniture Design 20th Century : Digitization</title><description>&lt;br /&gt;
&lt;a href=&quot;http://breuer.syr.edu/&quot;&gt;Marcel Breuer Digital Archive&lt;/a&gt;&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot; style=&quot;color: orange;&quot;&gt;
&quot;The Marcel Breuer Digital Archive represents a collaborative 
effort headed by Syracuse University Library to digitize over 30,000 
drawings, photographs, letters and other materials related to the career
 of Marcel Breuer, one of the most influential architects and furniture 
designers of the twentieth century.&quot;&lt;/blockquote&gt;</description><link>http://librarypundit.blogspot.com/2012/05/syracuse-university-library-and-marcel.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-2212204460648779687</guid><pubDate>Wed, 09 May 2012 15:01:00 +0000</pubDate><atom:updated>2012-05-09T17:01:31.423+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">civilization</category><category domain="http://www.blogger.com/atom/ns#">democracy</category><category domain="http://www.blogger.com/atom/ns#">libraries</category><category domain="http://www.blogger.com/atom/ns#">Library</category><category domain="http://www.blogger.com/atom/ns#">Miriam Kreinin Souccar</category><category domain="http://www.blogger.com/atom/ns#">New York Public Library</category><category domain="http://www.blogger.com/atom/ns#">NYPL</category><category domain="http://www.blogger.com/atom/ns#">periodicals</category><category domain="http://www.blogger.com/atom/ns#">Raymond Pun</category><title>NYPL Periodicals Librarian Raymond Pun Sees Library as a Powerful Symbol of Democracy and Civilization</title><description>&lt;br /&gt;
At Crain&#39;s New York Business, Miriam Kreinin Souccar presents the New York Public Libary (NYPL) periodicals librarian Raymond Pun as someone who sees libraries as powerful symbols of democracy and civilization.&lt;br /&gt;
&lt;br /&gt;
See&lt;br /&gt;
&lt;a href=&quot;http://www.crainsnewyork.com/article/20120415/NONPROFITS/304159992&quot;&gt;Gotham Gigs: Periodicals librarian is the answer man&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/05/nypl-periodicals-librarian-raymond-pun.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-1844490973503840547</guid><pubDate>Wed, 09 May 2012 14:55:00 +0000</pubDate><atom:updated>2012-05-09T21:15:29.769+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Anthony Marx</category><category domain="http://www.blogger.com/atom/ns#">libraries</category><category domain="http://www.blogger.com/atom/ns#">Library</category><category domain="http://www.blogger.com/atom/ns#">library architecture</category><category domain="http://www.blogger.com/atom/ns#">library renovation</category><category domain="http://www.blogger.com/atom/ns#">New York City</category><category domain="http://www.blogger.com/atom/ns#">New York Public Library</category><category domain="http://www.blogger.com/atom/ns#">NYPL</category><category domain="http://www.blogger.com/atom/ns#">public libraries</category><title>New York Public Library $300 Million Proposed Anthony Marx Renovation</title><description>&lt;br /&gt;
Read it at the New York Times in&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.nytimes.com/2012/05/09/opinion/a-library-for-the-future.html?_r=1&amp;amp;partner=rss&amp;amp;emc=rss&quot;&gt;A Library for the Future&lt;/a&gt;</description><link>http://librarypundit.blogspot.com/2012/05/new-york-public-library-300-million.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-7816509718319868144</guid><pubDate>Wed, 09 May 2012 14:23:00 +0000</pubDate><atom:updated>2012-05-09T16:23:56.799+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alphabet</category><category domain="http://www.blogger.com/atom/ns#">alphabet origins</category><category domain="http://www.blogger.com/atom/ns#">ancient</category><category domain="http://www.blogger.com/atom/ns#">Ancient Signs</category><category domain="http://www.blogger.com/atom/ns#">Ancient Signs The Alphabet and the Origins of Writing</category><category domain="http://www.blogger.com/atom/ns#">Andis Kaulins</category><category domain="http://www.blogger.com/atom/ns#">Berlin</category><category domain="http://www.blogger.com/atom/ns#">civilizations</category><category domain="http://www.blogger.com/atom/ns#">epubli</category><category domain="http://www.blogger.com/atom/ns#">epubli.com</category><category domain="http://www.blogger.com/atom/ns#">epubli.de</category><category domain="http://www.blogger.com/atom/ns#">Germany</category><category domain="http://www.blogger.com/atom/ns#">Kaulins</category><category domain="http://www.blogger.com/atom/ns#">origins of writing</category><title>Ancient Signs The Alphabet and the Origins of Writing: epubli Publisher Pages Now Available in English Language</title><description>&lt;br /&gt;
The Berlin publisher -- epubli -- of my recently published book,&lt;br /&gt;
&lt;a href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;Ancient Signs The Alphabet and the Origins of Writing&lt;/a&gt;,&lt;br /&gt;
now has its pages up in English&lt;br /&gt;
for those of you who have been considering&lt;br /&gt;
getting a print or ebook copy of &lt;a href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot; target=&quot;_blank&quot;&gt;Ancient Signs&lt;/a&gt;.
&lt;br /&gt;
&lt;br /&gt;
The English-language pages are now at &lt;a href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;epubli.com&lt;/a&gt;&lt;br /&gt;
while the German-language pages are at epubli.de.&lt;br /&gt;
&lt;br /&gt;
Happy reading viz. happy lending!</description><link>http://librarypundit.blogspot.com/2012/05/ancient-signs-alphabet-and-origins-of.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-3482079534968766139</guid><pubDate>Wed, 09 May 2012 14:11:00 +0000</pubDate><atom:updated>2012-05-09T16:11:27.928+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">buying power</category><category domain="http://www.blogger.com/atom/ns#">Kittie Henderson</category><category domain="http://www.blogger.com/atom/ns#">libraries</category><category domain="http://www.blogger.com/atom/ns#">Library</category><category domain="http://www.blogger.com/atom/ns#">library budgets</category><category domain="http://www.blogger.com/atom/ns#">library financing</category><category domain="http://www.blogger.com/atom/ns#">periodicals</category><category domain="http://www.blogger.com/atom/ns#">serials</category><category domain="http://www.blogger.com/atom/ns#">serials prices</category><category domain="http://www.blogger.com/atom/ns#">Stephen Bosch</category><title>Libraries Struggling with Stagnant Budgets and Steady Serials Price Increases in 2012</title><description>The Library Journal has the story by Stephen Bosch and Kittie Henderson at &lt;a href=&quot;http://lj.libraryjournal.com/2012/04/funding/coping-with-the-terrible-twins-periodicals-price-survey-2012/&quot;&gt;Coping with the Terrible Twins | Periodicals Price Survey 2012&lt;/a&gt;&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot; style=&quot;color: #3d85c6;&quot;&gt;
&quot;&lt;b&gt;Stuck between the rock&lt;/b&gt; (stagnant budgets) and the hard place 
(steady serials price increases) ... libraries are nearing the end of 
their ability to leverage shrinking buying power.&quot;&lt;/blockquote&gt;
&lt;a href=&quot;http://lj.libraryjournal.com/2012/04/funding/coping-with-the-terrible-twins-periodicals-price-survey-2012/&quot;&gt;Read the entire posting&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Crossposted at &lt;a href=&quot;http://lawpundit.blogspot.com/2012/05/library-blues-libraries-struggling-with.html&quot; target=&quot;_blank&quot;&gt;LawPundit&lt;/a&gt;.</description><link>http://librarypundit.blogspot.com/2012/05/libraries-struggling-with-stagnant.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-9080685026715509477</guid><pubDate>Sat, 21 Apr 2012 14:18:00 +0000</pubDate><atom:updated>2012-04-21T16:27:16.421+02:00</atom:updated><title>A Piece of Blue Sky: The Dynamics of Faith by Darrel E. Berg, Zondervan Publishing House, Grand Rapids, Michigan</title><description>&lt;br /&gt;
I am currently reading the Reverend Darrel E. Berg,&lt;a href=&quot;http://www.abebooks.de/servlet/SearchResults?kn=A+piece+of+blue+sky%3B%3A+The+dynamics+of+faith&amp;amp;sts=t&amp;amp;x=51&amp;amp;y=4&quot; target=&quot;_blank&quot;&gt; A Piece of Blue Sky: The Dynamics of Faith&lt;/a&gt;, Zondervan Publishing House, Grand Rapids, Michigan, 1965. &lt;br /&gt;
&lt;br /&gt;
In the chapter &quot;&lt;b&gt;Not for Sale&lt;/b&gt;&quot;, Darrel E. Berg refers to Nobel Prize winner &lt;a href=&quot;http://www.nobelprize.org/nobel_prizes/peace/laureates/1952/schweitzer-bio.html&quot; target=&quot;_blank&quot;&gt;Albert Schweitzer&lt;/a&gt; as a role model for his ministry as man morally &quot;not for sale&quot;, who turned his back on riches to be a medical missionary in Africa:&lt;br /&gt;
&quot;&lt;span style=&quot;color: #3d85c6;&quot;&gt;A man who &#39;has it made&#39; ministers to those who have no claim on him.&lt;/span&gt;&quot;&lt;br /&gt;
-- &lt;a href=&quot;http://www.facebook.com/darrel.berg&quot; target=&quot;_blank&quot;&gt;Darrel E. Berg&lt;/a&gt;, &lt;a href=&quot;http://www.amazon.co.uk/piece-blue-sky-dynamics-faith/dp/B0007FFK1W/ref=sr_1_1_title_0_main?s=books&amp;amp;ie=UTF8&amp;amp;qid=1335014418&amp;amp;sr=1-1&quot; target=&quot;_blank&quot;&gt;A Piece of Blue Sky: The Dynamics of Faith&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
What does it mean to be &quot;&lt;b&gt;not for sale&lt;/b&gt;&quot; morally? &lt;a href=&quot;http://www.amazon.co.uk/piece-blue-sky-dynamics-faith/dp/B0007FFK1W/ref=sr_1_1_title_0_main?s=books&amp;amp;ie=UTF8&amp;amp;qid=1335014418&amp;amp;sr=1-1&quot; target=&quot;_blank&quot;&gt;Darrel addresses&lt;/a&gt; not only his own congregation, but the congregations of all churches:&lt;br /&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;blockquote class=&quot;tr_bq&quot; style=&quot;color: #3d85c6;&quot;&gt;
&quot;[W]e need to remember that the greatest testing may come to us after we have gotten what we wanted....Then it is that the King of Sodom comes making his approach, appealing to our selfishness, &quot;Keep the spoil for yourself, keep your money for yourself, keep your prestige for yourself; don&#39;t risk it for those who don&#39;t deserve it. Keep your schools to yourselves, and your churches, your clubs and your neighborhoods.&quot; That is the way the King of Sodom talks, and if we listen to him we sometimes sell all that we are to him.&lt;br /&gt;
&lt;br /&gt;
The great battles are not the military, political or business battles, but the moral battles. Abraham won a surprising victory over the forces of the ancient King Chedorloamer, but it was not more important than his victory over the King of Sodom on the way home. In the conquest, he showed that all that he stood for was unique and sacred and not for sale.&lt;br /&gt;
&lt;br /&gt;
It was important for us to win over the Nazi, but it would be a shame for us to have won that struggle and then fail to win the moral struggle with racial injustice, crime and corruption in which we are now involved. It is important for us to win the battle to make a living, but it is even more important for us to win the battle to &lt;i&gt;be&lt;/i&gt; what we are called to be. It was important for Samson to defeat the Philistines, but it was a shame that on the way home he had to fall prey to Delilah. It is important for us to win the argument with the Communists, but it would be sad if we lost our souls to Sodom before we could carry home the trophy.&quot;&lt;/blockquote&gt;
&lt;/div&gt;
Indeed, the Nazis and the Communists have by and large been defeated, but are &quot;we in America&quot; losing the trophy on our way home? by filling our coffers more and more at the expense of our neighbors? by opposing health care for all? by keeping our spoils of the battle to make a living only for ourselves?&lt;br /&gt;
&lt;br /&gt;
Crossposted from &lt;a href=&quot;http://lawpundit.blogspot.com/2012/04/dynamics-of-faith-morally-not-for-sale.html&quot;&gt;LawPundit&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/04/piece-of-blue-sky-dynamics-of-faith-by.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-6476915324181891223</guid><pubDate>Thu, 19 Apr 2012 21:22:00 +0000</pubDate><atom:updated>2012-04-19T23:22:17.180+02:00</atom:updated><title>Fiction Pulitzer 2012 NOT Awarded! German Library Users Would Put in a Vote for Nele Neuhaus as an Alternative Prize Winner</title><description>&lt;br /&gt;
[crossposted from &lt;a href=&quot;http://bookpundit.blogspot.com/2012/04/pulitzer-prize-for-fiction-not-awarded.html&quot; target=&quot;_blank&quot;&gt;BookPundit&lt;/a&gt;]&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.pulitzer.org/citation/2012-Fiction&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;b&gt;NOooo&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-size: large;&quot;&gt; &lt;a href=&quot;http://themoderatevoice.com/144662/no-2012-pulitzer-prize-in-fiction-why-not/&quot; target=&quot;_blank&quot;&gt;Pulitzer Prize for Fiction in 2012&lt;/a&gt;?&lt;/span&gt;&lt;br /&gt;
No problem.&lt;br /&gt;
&lt;br /&gt;
How about an alternative reward for &lt;a href=&quot;http://www.neleneuhaus.de/&quot;&gt;Nele Neuhaus&lt;/a&gt;, Germany&#39;s best-selling crime novelist?&lt;br /&gt;
&lt;br /&gt;
As written at &lt;a href=&quot;http://agencehoffman.de/authors_fiction.html&quot; target=&quot;_blank&quot;&gt;Agence Hoffman&lt;/a&gt;:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;span style=&quot;color: #3d85c6;&quot;&gt;&quot;Nele Neuhaus is the most successful German crime 
writer. She took the bestseller lists by storm with SCHNEEWITTCHEN MUSS 
STERBEN/Snow White must die and WER WIND SÄT&lt;span style=&quot;color: black;&quot;&gt;&lt;/span&gt;.&lt;b style=&quot;color: black;&quot;&gt;*&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Nele Neuhaus&#39; gripping 
novels are set in the Taunus mountains, where the author lives. www.neleneuhaus.de&quot;&lt;/span&gt;&lt;/blockquote&gt;
* We add here our footnote translation of &quot;Wer Wind Sät&quot; as&lt;span style=&quot;color: #3d85c6;&quot;&gt; &lt;/span&gt;&quot;If You Sow Wind&quot;, based on the German phrase that whoever sows wind, will reap a whirlwind.&lt;br /&gt;
&lt;br /&gt;
So we herewith award &lt;b&gt;The BookPundit Fiction Prize for 2012&lt;/b&gt; to Nele Neuahus, who writes &quot;Taunus, Germany-based&quot; complex crime novels in German dealing with modern topics such as wind energy and environmental politics, for example, which she then weaves into the magically interlaced substance of her marvelous criminal mystery novels. The results are outstanding.&lt;br /&gt;
&lt;br /&gt;
This award, by the way, is not connected with any other benefit other than this simple recognition of her excellent book writing. &lt;br /&gt;
&lt;br /&gt;
We initially became aware of the works of Nele Neuhaus after asking at the local library what novels were currently being borrowed the most and was told &quot;the crime series of books of Nele Neuhaus&quot;. Well, so we loaned out a book.&lt;br /&gt;
&lt;br /&gt;
Her books are a series of crime squad investigations led by Inspector Oliver von Bodenstein and his colleague Pia Kirchhoff. The books are well researched and the author works together with real crime investigation professionals to get the crime details right. A truly great, almost natural gift for writing adds the rest.&lt;br /&gt;
&lt;br /&gt;
Our own bookseller regards &lt;a href=&quot;http://www.amazon.de/Tiefe-Wunden-dritte-Bodenstein-Kirchhoff/dp/3548609023&quot; target=&quot;_blank&quot;&gt;Tiefe Wunde&lt;/a&gt; (&quot;Deep Wounds&quot;) as the best book by Nele Neuhaus thus far and it is the third book in the series. &lt;a href=&quot;http://translate.google.com/&quot;&gt;Google Translator translates&lt;/a&gt; the short description of Tiefe Wunde at &lt;a href=&quot;http://www.amazon.de/Tiefe-Wunden-dritte-Bodenstein-Kirchhoff/dp/3548609023&quot;&gt;Amazon.de&lt;/a&gt; as follows:&lt;br /&gt;
&lt;blockquote class=&quot;tr_bq&quot;&gt;
&lt;div style=&quot;color: #3d85c6;&quot;&gt;
&quot;The 92-year-old Holocaust survivor David Joshua Goldberg is killed at his home in the Taunus with a neck shot. At autopsy, the doctor makes a strange discovery: Goldberg&#39;s arm bears the remains of a blood group tattoo, as it was customary for members of the SS. Then ... two more murders [occur], executions. What mystery linked the victims to each other? The investigations lead ... Chief Inspector Oliver Bodenstein and his colleague Pia Kirchhoff far into the past ...[to] East Prussia in January 1945 ...&amp;nbsp;&lt;/div&gt;
&lt;span style=&quot;color: #3d85c6;&quot;&gt;Nearly 200 enthusiastic readers ... on 22 August 2009, [experienced] the book launch of &#39;Deep Wounds&#39; at the Kempinski Hotel in Königstein [in the Taunus].&quot;&lt;/span&gt;&lt;/blockquote&gt;
Well, if you read German, you are lucky, because you can enjoy the Neuhaus crime novels. We assume the publisher will bring English-language versions soon, but we can not guarantee it.&lt;br /&gt;
&lt;br /&gt;
Maybe the best thing they could do this year was not to award the Pulitzer Prize for Fiction. They would have missed Neuhaus anyway.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/04/fiction-pulitzer-2012-not-awarded.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-3140520371016350659</guid><pubDate>Sun, 15 Apr 2012 12:57:00 +0000</pubDate><atom:updated>2012-04-15T14:57:10.151+02:00</atom:updated><title>The Library Igloo?</title><description>&lt;br /&gt;
The Library Igloo?&lt;br /&gt;&lt;br /&gt;
See&lt;br /&gt;
&lt;a href=&quot;http://milerlagos.com/en/proyectos/24/&quot;&gt;Miler Lagos&lt;/a&gt;&lt;br /&gt;
and &lt;a href=&quot;http://media.milerlagos.com/static/img_up/proyectos/home_02_jpg_450x340_q85.jpg&quot;&gt;this photograph&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/04/library-igloo.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-3820686074835474311</guid><pubDate>Sat, 24 Mar 2012 21:18:00 +0000</pubDate><atom:updated>2012-03-24T22:18:59.470+01:00</atom:updated><title>Just Finished Reading Dewey : The Small-Town Library Cat Who Touched the World</title><description>&lt;br /&gt;
Just finished reading&lt;br /&gt;
&lt;h1&gt;
&lt;a href=&quot;http://www.hachettebookgroup.com/books_9781600243820.htm&quot;&gt;Dewey&lt;/a&gt;&lt;/h1&gt;
&lt;a href=&quot;http://www.hachettebookgroup.com/books_9781600243820.htm&quot;&gt;&lt;span class=&quot;sub_header&quot;&gt;The Small-Town Library Cat Who Touched the World&lt;/span&gt;&lt;/a&gt;
&lt;br /&gt;
&lt;br /&gt;
Is the world really all about cats? To cat owners, yes.&lt;br /&gt;&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/03/just-finished-reading-dewey-small-town.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-8217908959493410814</guid><pubDate>Fri, 16 Mar 2012 09:54:00 +0000</pubDate><atom:updated>2012-05-09T16:18:04.267+02:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alphabet</category><category domain="http://www.blogger.com/atom/ns#">ancient</category><category domain="http://www.blogger.com/atom/ns#">ancient cultures</category><category domain="http://www.blogger.com/atom/ns#">ancient scripts</category><category domain="http://www.blogger.com/atom/ns#">Ancient Signs</category><category domain="http://www.blogger.com/atom/ns#">Andis Kaulins</category><category domain="http://www.blogger.com/atom/ns#">civilizations</category><category domain="http://www.blogger.com/atom/ns#">cultures</category><category domain="http://www.blogger.com/atom/ns#">Kaulins</category><category domain="http://www.blogger.com/atom/ns#">origins of writing</category><category domain="http://www.blogger.com/atom/ns#">writing</category><title>Ancient Signs : The Alphabet and the Origins of Writing</title><description>&lt;b&gt;Ancient Signs: The Alphabet and the Origins of Writing&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;by Andis Kaulins is now available in 4 versions&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;(b/w, color, and both of those also as ebooks)&lt;/b&gt;&lt;br /&gt;
at&lt;br /&gt;
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&lt;br /&gt;
In Ancient Signs, the author traces the origins of writing and the alphabet 
to syllabic writing systems in ancient cultures and shows that these 
have one common origin.&lt;br /&gt;
&lt;br /&gt;
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&lt;div&gt;
&lt;b&gt;print b/w version&lt;/b&gt; black and white inside&lt;br /&gt;
B/W inside&lt;br /&gt;
200 pages, 90 gram paper&lt;br /&gt;
Price: €35.99 (about US $47 on day of posting)&lt;br /&gt;
for the B/W print version of &lt;a href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;Ancient Signs&lt;/a&gt;&lt;br /&gt;
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to syllabic writing.&lt;br /&gt;
Softcover - print b/w, cover in color&lt;br /&gt;
&lt;br /&gt;
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&lt;div&gt;
&lt;b&gt;eBook b/w version&lt;/b&gt; black and white version &lt;br /&gt;
B/W inside&lt;br /&gt;
200 pages&lt;br /&gt;
Price: €27.99 (about US $37 on day of posting)&lt;br /&gt;
for the B/W eBook version of &lt;a href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;Ancient Signs&lt;/a&gt;&lt;br /&gt;
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&amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;b&gt;color print version&lt;/b&gt; color inside &lt;br /&gt;
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for the color print version of &lt;a class=&quot;nolink&quot; href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;Ancient Signs&lt;/a&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;div&gt;
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200 pages&lt;br /&gt;
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for the color inside eBook version of &lt;a class=&quot;nolink&quot; href=&quot;http://www.epubli.com/shop/autor/Andis-Kaulins/3682&quot;&gt;Ancient Signs&lt;/a&gt;&lt;br /&gt;
Ancient Signs traces the origins of the alphabet

to syllabic writing.&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
Enjoy Reading.
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/03/ancient-signs-alphabet-and-origins-of.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-576631085485645367</guid><pubDate>Thu, 23 Feb 2012 21:44:00 +0000</pubDate><atom:updated>2012-02-23T22:44:54.734+01:00</atom:updated><title>eBook News: Digital Galleys Used by Librarians</title><description>Dianna Dilworth at eBookNewser writes that &lt;a href=&quot;http://www.mediabistro.com/ebooknewser/59-of-librarians-use-digital-galleys-to-find-titles_b20479&quot;&gt;59% Of Librarians Use Digital Galleys To Find Titles&lt;/a&gt;.</description><link>http://librarypundit.blogspot.com/2012/02/ebook-news-digital-galleys-used-by.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-7325642444825238740</guid><pubDate>Thu, 23 Feb 2012 21:39:00 +0000</pubDate><atom:updated>2012-02-23T22:39:22.046+01:00</atom:updated><title>Law and the Library of Alexandria: Getting a Grip on Gigantic Databases</title><description>&lt;br /&gt;
Nice library reference here to Alexandria in the course of discussing the gigantic database of law.&lt;br /&gt;
&lt;br /&gt;See the product review of Practice Advisor by Attorney at Work at &lt;a href=&quot;http://www.attorneyatwork.com/less-is-more-focused-lexis-practice-advisor/&quot;&gt;Less Is More Focused: Lexis Practice Advisor - Attorney at Work&lt;/a&gt; where Jared Correia writes inter alia in an introduction we liked because of its mention of ancient library history:&lt;br /&gt;
&lt;blockquote style=&quot;color: #3333ff;&quot;&gt;
&quot;The
 thing about gigantic databases, like the great library at Alexandria, 
is that it can be hard to find exactly what you’re looking for, unless 
you really know what you’re doing. LexisNexis’s research engine is a 
modern-day labyrinthine library. But with a new product release, Lexis 
endeavors to make things easier to find, by providing “on-point” access 
for transactional attorneys.&lt;br /&gt;&lt;br /&gt;In advance of the LegalTech New York
 show for 2012, Lexis has released its new Practice Advisor product. 
Practice Advisor is Lexis’s answer to the overwhelming girth of its 
content search engine.&quot;&lt;/blockquote&gt;
&lt;a href=&quot;http://www.attorneyatwork.com/less-is-more-focused-lexis-practice-advisor/&quot;&gt;Read the whole thing here&lt;/a&gt;.&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2012/02/law-and-library-of-alexandria-getting.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-8694863740731030727</guid><pubDate>Mon, 19 Dec 2011 11:07:00 +0000</pubDate><atom:updated>2011-12-19T12:08:56.170+01:00</atom:updated><title>Law Library Technology and the Librarian in the Holiday Season</title><description>&lt;br /&gt;
Anne Ellis reports at the ABA Journal&lt;br /&gt;
&lt;br /&gt;
in&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.abajournal.com/advertorial/article/what_technology_is_your_law_librarian_thinking_about_this_season&quot;&gt;What Technology Is Your Law Librarian Thinking About This Season?&lt;/a&gt;.&lt;br&gt;&lt;br&gt;</description><link>http://librarypundit.blogspot.com/2011/12/law-library-technology-and-librarian-in.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-2860270929588397581</guid><pubDate>Fri, 14 Oct 2011 11:13:00 +0000</pubDate><atom:updated>2011-10-14T13:13:49.156+02:00</atom:updated><title>Library Closings in London Lead to Demonstrations and Raise Questions About Society Priorities: Sports vs. Libraries?</title><description>&lt;br /&gt;
You can tell a lot about a society by its choices about where 
to &quot;save money&quot;, especially in the current economic situation, where 
government cuts are seen as necessary by many governments, also in the 
United Kingdom.&lt;br /&gt;
&lt;br /&gt;
A High Court decision affirming the right of the Brent Council -- Brent is where &lt;a href=&quot;http://www.brent.gov.uk/wembley.nsf&quot;&gt;Wembley&lt;/a&gt;
 is located in London -- to make library closures in Kensal Rise, Barham
 Park, Preston Road, Neasden, Cricklewood and Tokyngton has led to a 
wave of protests and demonstrations -- as reported by Benedict 
Moore-Bridge and Miranda Bryant in &lt;a href=&quot;http://www.thisislondon.co.uk/standard/article-23998132-families-form-human-shields-to-stop-libraries-being-shut-down.do&quot;&gt;Families form human shields to stop libraries being shut down&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
See also the &lt;a href=&quot;http://www.brent.gov.uk/home.nsf/news/LBB-1502&quot;&gt;Brent Council page&lt;/a&gt; and the &lt;a href=&quot;http://www.dailymail.co.uk/news/article-2048784/Councils-right-close-libraries-rules-High-Court-judge-despite-protests-services-decimated.html?ito=feeds-newsxml&quot;&gt;DailyMail&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
The
 legal argument raised against the library closures was that they 
discriminate against minorities, the disabled and the elderly, who have 
difficulty getting to more distantly located city libraries, such as the
 one at Wembley, which is to be turned into a &quot;mega-library&quot;, in part 
with the savings made by smaller library closures.&lt;br /&gt;
&lt;br /&gt;
The 
High Court found to the contrary, however, that the Brent Council had 
the right to close libraries if it so decided and that its decision did 
not contradict the Equality Act 2010.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.publiclibrariesnews.com/p/useful-links-and-information.html&quot;&gt;Public Libraries News&lt;/a&gt; discusses all of the possible challenges in the UK to library closings, including provisions of the &lt;a href=&quot;http://www.legislation.gov.uk/ukpga/1964/75&quot;&gt;1964 Public Libraries and Museums Act&lt;/a&gt; which requires authorities to run a &quot;comprehensive and efficient&quot; public library service.&lt;br /&gt;
&lt;br /&gt;
Presumably, one reason the libraries in Brent are coming under the axe is because of the &lt;a href=&quot;http://www.brent.gov.uk/wembley.nsf&quot;&gt;Wembley Regeneration&lt;/a&gt;
 that includes the recently constructed 90,000 capacity Wembley National
 Stadium, which will host the upcoming 2012 Olympic football matches and
 the 2013 UEFA Champions League Final.&lt;br /&gt;
&lt;br /&gt;
Life is a matter of priorities.&lt;br /&gt;
&lt;br /&gt;
We
 are great sports fans ourselves, but city councils should not 
construct, maintain and/or modernize athletic facilities at the cost of 
libraries. That sends the wrong message to the people of any country, 
especially the youth.&lt;br /&gt;
&lt;br /&gt;</description><link>http://librarypundit.blogspot.com/2011/10/library-closings-in-london-lead-to.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-100388774032122643</guid><pubDate>Fri, 23 Sep 2011 13:14:00 +0000</pubDate><atom:updated>2011-09-23T15:14:43.676+02:00</atom:updated><title>The American Legal Scene: The Oxford Introductions to U.S. Law: Constitutional Law, Contracts, Torts and Property: Forthcoming: Intellectual Property and Income Tax Law</title><description>The &lt;a href=&quot;http://www.oup.com/us/catalog/general/series/OxfordIntroductionstoUSLaw/?view=usa&quot;&gt;Oxford Introductions to U.S. Law&lt;/a&gt; is a series of books on specific fields of law. They are currently available in paperback in four subject areas: Constitutional Law, Contracts, Torts and Property. Our review of this series is based on the information value of these volumes and let us say this -- &lt;b&gt;this is a lot of knowledge at a bargain price&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.amazon.com/Oxford-Introductions-U-S-Law-Constitutional/dp/0195370031&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://ecx.images-amazon.com/images/I/31222MUP5XL._SL500_AA300_.jpg&quot; /&gt;&lt;/a&gt;    &lt;a href=&quot;http://www.amazon.com/Oxford-Introductions-U-S-Law-Contracts/dp/0199740186/ref=pd_bxgy_b_img_b&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://ecx.images-amazon.com/images/I/3123yu2ehNL._SL500_AA300_.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.amazon.com/Oxford-Introductions-U-S-Law-Torts/dp/0195373979/ref=pd_sim_b_7&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://ecx.images-amazon.com/images/I/41r%2BI6sG9YL._SL500_AA300_.jpg&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;http://www.amazon.com/Oxford-Introductions-U-S-Law-Property/dp/019531476X/ref=pd_sim_b_9&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://ecx.images-amazon.com/images/I/31p6sXssHwL._SL500_AA300_.jpg&quot; /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Each volume is written by one or more legal experts in the respective legal field: &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780195370034&quot;&gt;Constitutional Law&lt;/a&gt; by Michael C. Dorf with Trevor W. Morrison, &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780199740185&quot;&gt;Contracts&lt;/a&gt; by Randy E. Barnett, &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/Torts/?view=usa&amp;amp;ci=9780195373974&quot;&gt;Torts&lt;/a&gt; by John C.P. Goldberg and Benjamin C. Zipursky and &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/PropertyLandLaw/?view=usa&amp;amp;ci=9780195314762&quot;&gt;Property&lt;/a&gt; by Thomas W. Merrill and Henry E. Smith.&lt;br /&gt;
&lt;br /&gt;
Scheduled for publication in December 2011 are two additional volumes under editor Dennis Patterson: &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780195340600&quot;&gt;Intellectual Property&lt;/a&gt; by Daniel Hunter and &lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780195376715&quot;&gt;Income Tax Law&lt;/a&gt; by Edward McCaffery.&lt;br /&gt;
&lt;br /&gt;
For those interested, Oxford Law at Oxford University Press also 
maintains a Law Librarian Newsletter and E-Alerts on these and selected other areas of 
legal interest which can be &lt;a href=&quot;http://www.oup.com/us/corporate/publishingprograms/law/?view=usa&quot;&gt;subscribed to here&lt;/a&gt;.
 Currently available E-Alerts are: 1) Arbitration &amp;amp; Litigation, 2) 
Banking, Insurance, and Securities, 3) Commercial, 4) Communications 
&amp;amp; Internet, 5) Competition, 6) Constitution Law, 7) Corporate 
Finance, 8) Customs, 9) Environmental, 10) Ethics, 11) European Union, 
12) Human Rights, 13) Intellectual Property, 14) International Criminal 
Law, 15) International Trade, 16) Legal Reference, 17) 
Maritime/Shipping, and 18) Public International Law.&lt;br /&gt;
&lt;br /&gt;
We have obtained complimentary review copies of the four available books in the series, each of which can be viewed as a &lt;b&gt;primer&lt;/b&gt; in the respective legal field and each of which is thus intended for students, but is in fact also suitable for reading by just about anyone who wants to get a good grasp of the legal fundamentals in a chosen area of American law.&lt;br /&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780195370034&quot;&gt;The Oxford Introductions to U.S. Law: Constitutional Law&lt;/a&gt;, by Michael C. Dorf and Trevor W. Morrison in paperback covers 268 pages, &lt;span class=&quot;bookDimensions&quot;&gt;5-1/2 x 8-1/4 inches (&lt;a href=&quot;http://www.edsebooks.com/paper/naukeupaper.html&quot;&gt;close to DIN A5 in size&lt;/a&gt;), Index,&lt;/span&gt; ISBN13: 9780195370034, ISBN10: 0195370031, and is priced very affordably at $19.95 a copy.&lt;br /&gt;
&lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/ConstitutionalLaw/?view=usa&amp;amp;ci=9780195370034&quot;&gt;The &lt;b&gt;Authors&lt;/b&gt; in this case (in the editorial version by the publisher of the Oxford Introductions to U.S. Law&lt;/a&gt;) are: &lt;br /&gt;

&lt;blockquote&gt;
&quot;&lt;b style=&quot;color: #b45f06;&quot;&gt;&lt;span class=&quot;star-caretcode-b&quot;&gt;Michael C. Dorf&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt;   is the Robert S. Stevens Professor of Law at Cornell University Law  School.... &lt;/span&gt;&lt;br /&gt;
&lt;span class=&quot;star-caretcode-b&quot; style=&quot;color: #b45f06;&quot;&gt;&lt;b&gt;Trevor W. Morrison&lt;/b&gt; &lt;/span&gt;&lt;span style=&quot;color: #b45f06;&quot;&gt; is Professor of Law at Columbia Law School.... &lt;/span&gt;&lt;/blockquote&gt;
Dorf is more the Constitutional Law theoretician and Morrison more the legal pragmatist, and that is how they have have divided up the chapters. Although the two authors use what is described as &quot;&lt;span style=&quot;color: #783f04;&quot;&gt;the plural authorial voice&lt;/span&gt;&quot;,
 i.e. &quot;we&quot;, Dorf is considered the principal author, having penned 
chapters 1-4 (Who Decides?, Judicial Review, Constitutional 
Interpretation, Federalism) and 6-8 (Equal Protection, Enumerated 
Rights: The First Amendment, Unenumerated Rights), while Morrison penned
 chapter 5 (Separation of Powers) and chapters 9-10 (Congressional 
Enforcement of Constitutional Rights, Beyond the Courts).&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The editorial abstract to this volume reads:&lt;/b&gt;&lt;br /&gt;
&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&quot;&lt;b&gt;The Oxford 
Introductions to U.S. Law: Constitutional Law&lt;/b&gt;&amp;nbsp; presents an accessible 
introduction to the enduring topics of American constitutional law, 
including judicial review, methods of interpretation, federalism, 
separation of powers, equal protection, and individual liberties....&lt;br /&gt;
&lt;br /&gt;
This
 introduction to American constitutional law critically examines the 
work of the Supreme Court of the United States, which has resolved 
thousands of constitutional controversies based on the shortest national
 constitution on the planet. The authors also look beyond the Supreme 
Court, exploring the arguments for and against judicial review and 
various versions of popular constitutionalism.&quot; &lt;/blockquote&gt;
&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/?view=usa&amp;amp;ci=9780199740185&quot;&gt;The Oxford Introductions to U.S. Law: Contracts&lt;/a&gt;, by Randy E. Barnett in paperback covers 284 pages, &lt;span class=&quot;bookDimensions&quot;&gt;5-1/2 x 8-1/4 inches (&lt;a href=&quot;http://www.edsebooks.com/paper/naukeupaper.html&quot;&gt;close to DIN A5 in size&lt;/a&gt;), Index,&lt;/span&gt; ISBN13: 9780199740185, ISBN10: 0199740186, and is priced very affordably at $19.95 a copy:&lt;br /&gt;&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&lt;span class=&quot;star-caretcode-b&quot;&gt;&quot;Randy E. Barnett&lt;/span&gt; is the Carmack Waterhouse Professor of Legal Theory at Georgetown University Law Center.&quot;&lt;/blockquote&gt;
Randy Barnett presents us with the &quot;big picture&quot; of contracts, synthesizing key doctrines and cases and presenting a clear and concise view of the evolution and rationale of contacts law.&lt;br /&gt;
&lt;br /&gt;
Individual consent is at the basis of civilization and democracy in our modern 
world and in the book &quot;consent&quot; is the basic philosophical rationale that serves as 
the governing principle for modern contract law.&lt;br /&gt;
&lt;br /&gt;
Barnett has an author&#39;s posting on this book at &lt;a href=&quot;http://volokh.com/2010/08/27/oxford-introduction-to-u-s-law-contracts/&quot;&gt;The Volokh Conspiracy&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The editorial abstract to this volume reads:&lt;/b&gt;&lt;br /&gt;
&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&quot;&lt;b&gt;The Oxford Introductions to U.S. Law: Contracts&lt;/b&gt; provides students with 
ready access to the basic doctrines of contract law, the story behind 
their evolution, and the rationales for their continued existence. An 
engaging book that allows students to grasp the “big picture” of 
contract law, it is organized around the principle that lies at the 
heart of contracts: consent. Beginning with the premise of “consent,” 
the book provides a cohesive framework in which to understand the 
various aspects of contract law.&quot;&lt;/blockquote&gt;
&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/Torts/?view=usa&amp;amp;ci=9780195373974&quot;&gt;The Oxford Introductions to U.S. Law: Torts&lt;/a&gt;, by John C.P. Goldberg and Benjamin C. Zipursky in paperback covers 436 pages, &lt;span class=&quot;bookDimensions&quot;&gt;5-1/2 x 8-1/4 inches (&lt;a href=&quot;http://www.edsebooks.com/paper/naukeupaper.html&quot;&gt;close to DIN A5 in size&lt;/a&gt;), Index,&lt;/span&gt; ISBN13: 9780195373974, ISBN10: 0195373979, and is priced very affordably at $19.95 a copy.&lt;br /&gt; &lt;br /&gt;
Torts is a word taking its origin from a meaning of &quot;injury&quot; and applies to a &quot;wrong&quot; inflicted on a person by another via breach of a civil -- rather than a contractual -- duty. For example, if someone is injured in an auto accident due to negligence, that is a tort. Libel and defamation are torts. Copyright infringement is a tort. It is different than a criminal violation against the State, which is a breach of a specific duty to society in general.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The editorial abstract to this volume reads:&lt;/b&gt;&lt;br /&gt;


&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&quot;&lt;b&gt;The Oxford 
Introductions to U.S. Law: Torts&lt;/b&gt; provides a clear and comprehensive 
account of what tort law is, how it works, what it stands to accomplish,
 and why it is now much-disputed. Goldberg and Zipursky--two of the 
world&#39;s most prominent tort scholars--carefully analyze leading judicial
 decisions and prominent tort-related legislation, and place each event 
into its proper context. Topics covered include products liability, 
negligence, medical malpractice, intentional torts, defamation and 
privacy torts, punitive damages, and tort reform.&quot;&lt;/blockquote&gt;
Torts and tort reform are a controversial field in modern law. In their handling of &quot;Damages and Apportionment&quot;, for example, Goldberg and Zipursky devote quite a number of pages to a discussion of punitive damages in torts, writing at the outset that:&lt;br /&gt;
&lt;blockquote&gt;
&lt;span style=&quot;color: #b45f06;&quot;&gt;&quot;Punitive damages -- also known as &quot;exemplary&quot; or &quot;vindictive&quot; damages -- are at the center of contemporary battles over tort law and tort reform.&quot;&lt;/span&gt;&lt;/blockquote&gt;
Goldberg and Zipursky give a fair and balanced presentation of this controversial topic about which the LawPundit has blogged extensively. See &lt;a href=&quot;http://lawpundit.blogspot.com/2011/08/punitive-damages-completey-failed-tort.html&quot;&gt;Punitive Damages: A Completey Failed Tort Doctrine Without Sensible Foundation in Legal Theory or Deterrent Fact&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;

Just as an aside, it is interesting that law books can now also be touted via Twitter and this is one example -- see &lt;a href=&quot;http://twitter.com/#%21/law_book/status/15386719496&quot;&gt;@law_book&lt;/a&gt;.&lt;br /&gt;

&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;http://www.oup.com/us/catalog/general/subject/Law/PropertyLandLaw/?view=usa&amp;amp;ci=9780195314762&quot;&gt;The Oxford Introductions to U.S. Law: Property&lt;/a&gt;, by Thomas W. Merrill and Henry E. Smith in paperback covers 284 pages, &lt;span class=&quot;bookDimensions&quot;&gt;5-1/2 x 8-1/4 inches (&lt;a href=&quot;http://www.edsebooks.com/paper/naukeupaper.html&quot;&gt;close to DIN A5 in size&lt;/a&gt;), Index,&lt;/span&gt; ISBN13: 9780195314762, ISBN10: 019531476X, and is priced very affordably at $19.95 a copy.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The editorial abstract to this volume reads:&lt;/b&gt;&lt;br /&gt;
&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&lt;span class=&quot;star-caretcode-i&quot;&gt;&quot;&lt;b&gt;The Oxford Introductions to U.S. Law: Property&lt;/b&gt;&lt;/span&gt;
 provides both a bird&#39;s eye overview of property law and an introduction
 to how property law affects larger concerns with individual autonomy, 
personhood, and economic organization. Written by two authorities on 
property law, this book gives students of property a coherent account of
 how property law works, with an emphasis on describing the central 
issues and policy debates. It is designed for law students who want a 
short and theoretically integrated treatment of the subject, as well as 
for lawyers who are interested in the conceptual foundations of the law 
of property.&quot;&lt;/blockquote&gt;
Merrill and Smith discuss for example the question of what &quot;property&quot; actually means in the real world, viewing &quot;Owners as Gatekeepers&quot;:&lt;br /&gt;&lt;blockquote style=&quot;color: #b45f06;&quot;&gt;
&quot;Once an owner has acquired property, either by original acquisition or by transfer from a previous owners, the question becomes what exactly does such an owner have? ... The owner, as gatekeeper, has broad discretion to decide who has access to the property and and what terms....&quot;&lt;/blockquote&gt;
&lt;/li&gt;
&lt;/ol&gt;
It is much like owning one or more volumes of this series of books on U.S. law.&amp;nbsp; Once you have them, YOU decide what to do with them and their value rests on your decisions.&lt;b&gt; &lt;/b&gt;A law student, for example, who&lt;b&gt; &lt;/b&gt;has these books at his or her disposal, &lt;b&gt;and reads them&lt;/b&gt;, should better understand the legal issues under discussion. My view as a student always was, to better understand what the professors are speaking, read what they are writing.&lt;br /&gt;
&lt;br /&gt;
We can, in any case, heartily recommend these books as useful tools and as great deals offering a lot of knowledge at a bargain price.&lt;br /&gt;
__________&lt;br /&gt;
&lt;br /&gt;
crossposted from &lt;a href=&quot;http://lawpundit.blogspot.com/2011/09/oxford-introductions-to-us-law.html&quot;&gt;LawPundit&lt;/a&gt;</description><link>http://librarypundit.blogspot.com/2011/09/american-legal-scene-oxford.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-2752912110464104799</guid><pubDate>Wed, 14 Sep 2011 00:08:00 +0000</pubDate><atom:updated>2011-09-14T02:08:46.327+02:00</atom:updated><title>Authors Guild Sues Five Universities and a Library Partnership Organization for Copyright Infringement via Google Books Library Project</title><description>At Computerworld, Juan Carlos Perez writes that &lt;a href=&quot;http://www.computerworld.com/s/article/9219966/Authors_Guild_sues_universities_over_Google_book_scanning&quot;&gt;Authors Guild sues universities over Google book scanning&lt;/a&gt;.&lt;br /&gt;
Really, where would the world be without the Authors Guild? and their greedy publishers?&lt;br /&gt;
Think about it.&lt;br /&gt;
They are battling -- out of commercial greed -- for the public&#39;s right to know -- nothing.&lt;br /&gt;
The march of progress is always being held back by people who are totally out of line with the modern world.&lt;br /&gt;
&lt;br /&gt;
Crossposted from &lt;a href=&quot;http://lawpundit.blogspot.com/2011/09/authors-guild-sues-five-universities.html&quot;&gt;LawPundit&lt;/a&gt;.</description><link>http://librarypundit.blogspot.com/2011/09/authors-guild-sues-five-universities.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-903672365140573940</guid><pubDate>Sun, 08 May 2011 22:58:00 +0000</pubDate><atom:updated>2011-05-09T00:58:13.901+02:00</atom:updated><title>E-Book Readers, Tablet PCs, and the Law: Attorneys, Courts, Legal Research, Law Libraries</title><description>Print, print, print? Not so much in the not so distant future of law.&lt;br /&gt;
&lt;br /&gt;
John Edwards has a piece investigating tablet PCs and e-book readers for attorneys at LawTechnology News (LTN) in &lt;a href=&quot;http://www.law.com/jsp/lawtechnologynews/PubArticleFriendlyLTN.jsp?id=1202485337389&amp;amp;slreturn=1&amp;amp;hbxlogin=1&quot;&gt;Tablet or E-Book Reader? It Depends&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.lexisnexis.com/community/litigationresourcecenter/blogs/productupdate/archive/2010/08/17/introducing-lexisnexis-ebooks.aspx&quot;&gt;LexisNexis&lt;/a&gt; introduced e-books last year and has a website presence at &lt;a href=&quot;http://www.lexisnexis.com/ebooks/&quot;&gt;LexisNexis eBooks&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://web.resourceshelf.com/go/resourceblog/55482&quot;&gt;WestLaw&lt;/a&gt; introduced 30 of their titles as e-books in 2009 and David Holt at Law Library Technology informs us on &lt;a href=&quot;http://lawlibrarytech.wordpress.com/2010/04/12/using-westlaw-next-with-your-e-book-reader/&quot;&gt;Using WestLaw Next with your e-book reade&lt;/a&gt;r.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://bookshop.blackwell.co.uk/jsp/bisac/-165185/LAW/Law&quot;&gt;Blackwell&#39;s Law Ebooks in the UK&lt;/a&gt;, for example, already has e-books devoted to the law as a fixed category.&lt;br /&gt;
&lt;br /&gt;
It will not be surprising down the road, we think, to find Justices of the U.S. Supreme Court or judges of lower courts at oral argument or in other circumstances where quick reference to legal codes, case law, academic commentary or other document information is required, to consult their law, fact and case-filled Tablet PC or E-Book Reader (or a similar electronic research and book and document reading technology).&lt;br /&gt;
&lt;br /&gt;
E-book readers are becoming more widespread and the &lt;a href=&quot;http://www.ebookreadersreview.co.uk/6-inch-ebook-reader-comparison-matrix/&quot;&gt;EBook Readers Review&lt;/a&gt; in the UK has a nice comparison table of popular models: Amazon, Sony, BeBook, Barnes and Noble, Bookeen, and more. See the Wikipedia &lt;a href=&quot;http://en.wikipedia.org/wiki/Comparison_of_e-book_readers&quot;&gt;Comparison of e-book reader&lt;/a&gt;s for a comprehensive table.&lt;br /&gt;
&lt;br /&gt;
Of course, all such e-book readers are subject to the copyright laws.&lt;br /&gt;
&lt;br /&gt;
Ken LaMance, Attorney at Law, LegalMatch Law Library Managing Editor, examines  &lt;a href=&quot;http://www.legalmatch.com/law-library/article/e-book-readers-and-copyright-laws.html&quot;&gt;E-Book Readers and Copyright Laws&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Jay Rivera, also at LegalMatch, goes into &lt;a href=&quot;http://lawblog.legalmatch.com/2010/05/04/digital-storytelling-copyright-law-and-e-book-audio-readers/&quot;&gt;Digital Storytelling: Copyright Law and E-book Audio Readers&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
Peter Hirtle at the LibraryLaw Blog discusses the legality of &lt;a href=&quot;http://blog.librarylaw.com/librarylaw/2010/06/may-a-library-lend-e-book-readers.html&quot;&gt;library lending&lt;/a&gt; of e-book readers.</description><link>http://librarypundit.blogspot.com/2011/05/e-book-readers-tablet-pcs-and-law.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-5858641509066910407</guid><pubDate>Fri, 05 Nov 2010 15:36:00 +0000</pubDate><atom:updated>2010-11-05T16:36:25.688+01:00</atom:updated><title>Google Books Search</title><description>&lt;a href=&quot;http://lawprofessors.typepad.com/law_librarian_blog/2010/11/how-does-google-books-search-work.html?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A+LawLibrarianBlog+%28Law+Librarian+Blog%29&quot;&gt;Law Librarian Blog: How Does Google Books Search Work&lt;/a&gt;</description><link>http://librarypundit.blogspot.com/2010/11/google-books-search.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-2389136826837283834</guid><pubDate>Tue, 27 Jul 2010 12:48:00 +0000</pubDate><atom:updated>2010-07-27T14:50:23.890+02:00</atom:updated><title>Library of Congress Designates Six Classes of Works as Exempt from DMCA Prohibition of Circumvention of Technology and e.g. Permits Users to Bypass iPhone, iPod or iPad Controls to Run Lawfully Obtained Software</title><description>Debra Cassens Weiss at the ABA Journal Law News Now in &lt;a href=&quot;http://www.abajournal.com/news/article/library_of_congress_allows_iphone_jailbreaking_turns_aside_apples_ip_object/&quot;&gt;Library of Congress Allows iPhone ‘Jailbreaking,’ Turns Aside Apple’s IP Objection&lt;/a&gt; writes in citing to a &lt;a href=&quot;http://onespot.wsj.com/gadgets/2010/07/26/a/667769452-us-government-legalizes-iphone-jailbreaking/&quot;&gt;WSJ article&lt;/a&gt; via Neil Hughes&#39; article at &lt;a href=&quot;http://www.appleinsider.com/articles/10/07/26/us_government_legalizes_iphone_jailbreaking_for_unauthorized_apps.html&quot;&gt;AppleInsider&lt;/a&gt; re &lt;a href=&quot;http://news.yahoo.com/s/ap/20100726/ap_on_hi_te/us_tec_digital_copyright&quot;&gt;the article of Joelle Tessler of the AP at Yahoo News&lt;/a&gt; that the Library of Congress has exercised its power to carve exemptions to the DMCA (Digital Millennium Copyright Act) and has inter alia issued a final rule that:&lt;br /&gt;
&lt;blockquote style=&quot;color: #996633;&quot;&gt;&quot;[G]ives iPhone&lt;span style=&quot;color: black;&quot;&gt; [and iPod and iPad] &lt;/span&gt;users the freedom to bypass controls on the devices without fear of running afoul of copyright law.... “jailbreaking” is permissible to run lawfully obtained software....&quot;&lt;/blockquote&gt;Jenna Wortham at &lt;a href=&quot;http://news.yahoo.com/s/ap/20100726/ap_on_hi_te/us_tec_digital_copyright&quot;&gt;New York Times Technology&lt;/a&gt; has a link to the &lt;a href=&quot;http://www.copyright.gov/1201/2010/Librarian-of-Congress-1201-Statement.html&quot;&gt;relevant Library of Congress statement&lt;/a&gt;, which carves out &lt;span style=&quot;font-weight: bold;&quot;&gt;additional exemptions (six in total which we have highlighted below)&lt;/span&gt;:&lt;br /&gt;
&lt;blockquote style=&quot;color: #783f04;&quot;&gt;&lt;b&gt;&lt;br /&gt;
Statement of the  Librarian of Congress Relating to Section 1201 Rulemaking&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Section 1201(a)(1)  of the copyright law requires that every  three years I am to determine whether  there are any classes of works  that will be subject to exemptions from the  statute’s prohibition  against circumvention of technology that effectively  controls access to  a copyrighted work.  I  make that determination at the conclusion of a  rulemaking proceeding conducted  by the Register of Copyrights, who  makes a recommendation to me.  Based on that proceeding and the  Register’s  recommendation, I am to determine whether the prohibition on  circumvention of  technological measures that control access to  copyrighted works is causing or  is likely to cause adverse effects on  the ability of users of any particular classes of  copyrighted works to  make noninfringing uses of those works. The classes of works that I  designated in  the previous proceeding expire at the end of the current  proceeding unless proponents  of a class prove their case once again.&lt;br /&gt;
&lt;br /&gt;
This is the fourth  time that I have made such a determination.  Today I have designated six classes of works. &lt;span style=&quot;font-weight: bold;&quot;&gt;Persons who circumvent  access controls in  order to engage in noninfringing uses of works in  these six classes will not be  subject to the statutory prohibition  against circumvention.&lt;/span&gt; &lt;span style=&quot;color: black;&quot;&gt;[emphasis added by &lt;a href=&quot;http://lawpundit.blogspot.com/2010/07/library-of-congress-designates-six.html&quot;&gt;LawPundit&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
As I have noted at the conclusion of  past proceedings, it is  important to understand the purposes of this  rulemaking, as stated in  the law, and the role I have in it. This is not a  broad evaluation of  the successes or failures of the DMCA. The purpose of the  proceeding is  to determine whether current technologies that control access to   copyrighted works are diminishing the ability of individuals to use  works in  lawful, noninfringing ways. The DMCA does not forbid the act  of circumventing  copy controls, and therefore this rulemaking  proceeding is not about  technologies that control copying. Nor is this  rulemaking about the ability to  make or distribute products or services  used for purposes of circumventing  access controls, which are governed  by a different part of section 1201.&lt;br /&gt;
&lt;br /&gt;
In this rulemaking, the Register of Copyrights  received 19  initial submissions proposing 25 classes of works, many of them   duplicative in subject matter, which the Register organized into 11  groups and  published in a notice of proposed rulemaking seeking  comments on the proposed  classes.  Fifty-six comments were  submitted.   Thirty-seven witnesses  appeared during the four days of public  hearings in Washington  and in Palo Alto, California. Transcripts of the  hearings,  copies of all of the comments, and copies of other  information received by the  Register have been posted on the Copyright  Office&#39;s website.&lt;br /&gt;
&lt;br /&gt;
The six classes of works are:&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;font-weight: bold;&quot;&gt;(1)  Motion pictures on  DVDs that are lawfully made and acquired  and that are protected by the Content  Scrambling System when  circumvention is accomplished solely in order to  accomplish the  incorporation of short portions of motion pictures into new  works for  the purpose of criticism or comment, and where the person engaging in   circumvention believes and has reasonable grounds for believing that   circumvention is necessary to fulfill the purpose of the use in the  following  instances:&lt;/div&gt;&lt;blockquote style=&quot;font-weight: bold;&quot;&gt;(i) Educational  uses by college and university professors and by college and university film  and media studies students;&lt;br /&gt;
&lt;blockquote&gt;(ii) Documentary  filmmaking;&lt;br /&gt;
(iii)  Noncommercial videos&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;div style=&quot;font-weight: bold;&quot;&gt;(2) Computer  programs that enable wireless telephone handsets to  execute software  applications, where circumvention is accomplished for  the sole purpose of  enabling interoperability of such applications,  when they have been lawfully  obtained, with computer programs on the  telephone handset.&lt;/div&gt;&lt;div style=&quot;font-weight: bold;&quot;&gt;(3) Computer  programs, in the form of firmware or software, that  enable used wireless  telephone handsets to connect to a wireless  telecommunications network, when  circumvention is initiated by the  owner of the copy of the computer program  solely in order to connect to  a wireless telecommunications network and access  to the network is  authorized by the operator of the network.&lt;/div&gt;&lt;div style=&quot;font-weight: bold;&quot;&gt;(4) Video  games accessible on personal computers and protected  by technological  protection measures that control access to lawfully  obtained works, when  circumvention is accomplished solely for the  purpose of good faith testing for,  investigating, or correcting  security flaws or vulnerabilities, if:&lt;/div&gt;&lt;blockquote style=&quot;font-weight: bold;&quot;&gt;(i) The  information derived from the security testing is used  primarily to promote the  security of the owner or operator of a  computer, computer system, or computer  network; and&lt;br /&gt;
(ii) The  information derived from the security testing is used or  maintained in a manner  that does not facilitate copyright infringement  or a violation of applicable  law.&lt;/blockquote&gt;&lt;div style=&quot;font-weight: bold;&quot;&gt;(5) Computer  programs protected by dongles that prevent access  due to malfunction or damage  and which are obsolete.  A dongle shall   be considered obsolete if it is no longer manufactured or if a  replacement or  repair is no longer reasonably available in the  commercial marketplace; and&lt;/div&gt;&lt;div style=&quot;font-weight: bold;&quot;&gt;(6) Literary  works distributed in ebook format when all existing  ebook editions of the work  (including digital text editions made  available by authorized entities) contain  access controls that prevent  the enabling either of the book’s read-aloud  function or of screen  readers that render the text into a specialized format.&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt; [emphasis added by &lt;a href=&quot;http://lawpundit.blogspot.com/2010/07/library-of-congress-designates-six.html&quot;&gt;LawPundit&lt;/a&gt;]&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;blockquote style=&quot;color: #783f04;&quot;&gt;All of these classes of works find their  origins in classes that  I designated at the conclusion of the previous  rulemaking proceeding,  but some of the classes have changed due to differences  in the facts  and arguments presented in the current proceeding.  For example, in the  previous proceeding I  designated a class that enable film and media  studies professors to engage in  the noninfringing activity of making  compilations of film clips for classroom  instruction.  In the current  proceeding,  the record supported an expansion of that class to enable  the incorporation of  short portions of motion pictures into documentary  films and noncommercial  videos for the purpose of criticism or  comment, when the person engaging in circumvention reasonably  believes  that it is necessary to fulfill that purpose.  I agree with the Register  that the record  demonstrates that it is sometimes necessary to  circumvent access controls on  DVDs in order to make these kinds of fair  uses of short portions of motion  pictures.&lt;br /&gt;
&lt;br /&gt;
U.S. Copyright Office&lt;br /&gt;
101 Independence Avenue SE&lt;br /&gt;
Washington, DC 20559-6000&lt;br /&gt;
(202) 707-3000&lt;br /&gt;
Revised:     23-Jul-2010&lt;/blockquote&gt;</description><link>http://librarypundit.blogspot.com/2010/07/library-of-congress-designates-six.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3339266702768647397.post-7606047288480461107</guid><pubDate>Tue, 27 Jul 2010 12:44:00 +0000</pubDate><atom:updated>2010-07-27T14:44:02.228+02:00</atom:updated><title></title><description></description><link>http://librarypundit.blogspot.com/2010/07/blog-post.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item></channel></rss>