It’s been some time since those lyrics came out of speakers everywhere. Yet, mail, in its many forms, is still an important means of communication. Today, of course, we use email. In previous versions of Lightroom there was an email export preset that helped to gather images that we could attach to our emails. We soon discovered that some email clients would accept the output of the export preset and we added them as the Post-processing action and that smoothed the workflow a bit.

Lightroom 4 Beta has added an email feature which promises to develop into a nice workflow solution. At first glance it is still very much in the beginning phase. That is it is marginally useful. However, the fact that the Lightroom team has added the feature is encouraging. So let’s take a look at how it works.

Suppose we have done some headshots for an up and coming actor. We’ve talked about the shots and he has asked to see the final image, a soft proof, and a black & white version for a poster. We select the images in preparation for emailing smaller versions in order to get some feedback.

Once selected we get to the new Email Photos… feature by right clicking on one of the images and choosing it from the contextual menu.

You can also reach it from the File menu.

Lastly, you could use the keyboard shortcut Shift+Command+M (Shift+CTRL+M in Windows). This will open the email dialog.

At the top you can add a Cc field, Bcc field, or access your address list (1). You can set up multiple email accounts to send from and choose them from the dropdown (2). There are full formatting features available as well as an optional ruler (3). The images you have chosen appear below the message body. If you have captioned your images you can elect to include those captions as descriptive labels (4). And, finally, you can decide what size and quality the images should be when attached.

All this is pretty neat. One of the things at the moment that makes this a bit less useful than it could be is the address list. Right now it is a totally independent list that does not read from your address book, doesn’t automatically remember addresses you send emails to, and has no provision for synching to any other address list. Disappointing. But as I said, this is a first step.

Back to our example. Here is our finished email to the client.

On the receiving end we can see the email, the 500px medium quality images, complete with descriptive labels! (I’ve cut off the image but trust me, all three were attached. )

If the attachment presets provided don’t meet your needs you can define your own. When you are in the email dialog pull down the Preset menu and choose Create new Preset option.

This will bring you to the familiar Export preset dialog.

Here we’ve created a preset that adds our watermark to the images. Save your preset. Now when you are in the email dialog that preset is available.

Now our images have a watermark!

I mentioned that you could set up multiple email accounts. If you click the From dropdown you will see an option to go to the Email Account Manager.

Once there you can define a new email account by pressing the Add button.

Lightroom can fill in the server details for you for AOL Mail, Gmail, Hotmail, and Yahoo Mail. If you are setting up an account on your own server choose Other and provide the details. Put in your address and password then press Validate.

If everything is in order your should see the green light and Validated will appear below the account name. Now that account is available from the dropdown in the email dialog.

One more thing to note. If you choose a native email client (such as Apple Mail, Outlook, Thunderbird, etc.) then the message body field will not be presented. Instead, once you fill out the remaining options Lightroom will hand off the email to your email client for you to enter a message and send.

It’s a start! I hope this feature gets some attention from the team and grows in its functionality. In any event, give it a try and let me know what you think.

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I mentioned that this wasn’t a solution for the multi-photographer studio but it could be useful if your images are housed on an external drive and you like to work from multiple computers. The cloud based catalog has the advantage that all of the changes you make reside there and are accessible to your various computers. If you are using a free Dropbox account (you get 2GB free when you sign up!) you will run out of room quickly as your previews file grows. The .lrdata file gets big if you use 1:1 previews and like to keep them.

Since I wrote that article, Dropbox has added a feature called Selective Sync. A Lightroom Secrets reader, David Balder, sent me an email pointing out that this new feature removes the preview bloat issue and can give you more room to store your catalog. Thanks, David! That’s a brilliant suggestion!

David suggests that you use Selective Sync to exclude the .lrdata file from the Dropbox sync. The downside here is that you will lose your previews. However, Lightroom will happily build them as needed when you start to work in your catalog. So there’s the tradeoff: a little more time to build a preview in exchange for more room in your free account to store a catalog.

Here is how to implement David’s suggestion. Start by clicking the Dropbox icon in your menu bar to access Preferences…

In the preferences dialog go to the Advanced tab and choose Change Settings for Selective Sync.

If you aren’t already there, choose Switch to Advance View at the bottom of the resulting dialog.

Once you are in Advanced View you can navigate to your .lrdata folder and uncheck the box.

This will remove it from your Dropbox sync going forward. Press the update button and you will be reminded of that.

Press update again and you’re all set.

Thanks again, David!

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One of the exciting new features in Lightroom 4 Beta is its enhanced video capabilities! If you’ve had a chance to play with this feature you have already discovered that a few of the adjustments for video are only contained in the Develop module. This presents a problem since video itself is not supported directly in the Develop module. The current solution to this mentioned on the many sites covering Lightroom is to take a still from the video, bring that into the Develop module, and apply the additional adjustments to that still image. Once you are satisfied with the result you can create a preset. Back in the Library module you can now apply that preset to your video. Then, those settings only available in Develop will be applied to your video.

This is a great workaround. However, Sean McCormack has come up with an even better solution. It is quicker and more elegant. In fact, it’s rather ingenious! Well, I won’t spoil the surprise. Head on over to Sean’s article at pixiq.com and watch the video. I think you’ll be impressed too!

Thanks Sean!

On another note – Sean has been hard at work updating his excellent plugins for Lightroom 4 Beta. Check them out at http://lrbplugins.com/.

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Happy Birthday Lightroom! How nice of you to give us a gift on your special day!

That’s right, Lightroom 4 Beta is ready for you to play with. You can download your copy at http://labs.adobe.com/technologies/lightroom4/. As you discover new things and want to get involved in the conversation then head over to http://forums.adobe.com/community/labs/lightroom4/. The Lightroom team is eager to hear what you have to say, good or bad, so don’t be shy!

As a reminder THIS IS BETA SOFTWARE!!!!! So please do not use this against any of your original images. Make separate copies of some images you want to experiment with so that your originals are protected. I can’t stress this enough. Whenever a new Beta is released I hear from a handful of readers who didn’t heed this warning. It’s not always a happy ending. So, one more time, THIS IS BETA SOFTWARE!!!!! OK. Now that that’s out of the way let’s do the quick tour of what’s new in Lightroom 4 Beta!

The broad categories are:

• Better Video Support
• Geolocation capabilities
• Simplified Basic Adjustments
• New Shadow & Highlight controls
• New local adjustments
• Soft Proofing!!!
• Photo Book creation
• Email capabilities

Two new modules!

The new Map module brings elegant geolocation capabilities to Lightroom! Now you can easily:

• Tag images with a location using drag and drop or saved location assignment
• Search for locations
• Create Saved Locations
• Managed privacy settings for saved locations
• Load GPX tracklogs and auto tag images based on date/time stamps

Locations can be defined for a certain radius (1) and images placed on the map are highlighted in the filmstrip (2) when the marker is selected. A preview window is available right on the map (3) and positions and groups are easily identified at a glance (4). This should be loads of fun!

Another highly requested feature makes its appearance with the Book module! Now you can create books right inside Lightroom! And these are state of the art layouts!

• Flexible auto-layout tool with the ability to save and use customized layout presets
• Over 180 professionally designed page layouts
• Intuitive drag and drop behaviors for reordering pages or swapping image locations
• Helpful layout guides and page bleed information
• Incredible flexibility for text and photo cells
• Dynamically located photo captions based on existing metadata or manual text entry
• Powerful type tools
• Customizable background color
• Elegant background graphics to enhance the style of your books
• Tight integration with Blurb book printing service
  • Set size, cover, paper quality directly within Lightroom
  • Price estimate dynamically provided during book creation
• PDF Export options include size, resolution, color profile and output sharpening

And let’s not forget Video! With the proliferation of onboard video in today’s cameras (from point and shoot to professional DSLR) Lightroom is the natural place to store them all.

• Video can now be played within Lightroom
• You can trim the start and end of the video
• Set Video poster frame
• Extract single frames as JPEG files
• Most popular DSLR, compact camera and smart phone video formats supported including AVCHD
• Videos can be adjusted with a subset of the image controls
  • White Balance (JPEG Equivalent)
  • Basic Tone
    • Exposure
    • Contrast
    • White Clipping
    • Black Clipping
    • Saturation
    • Vibrance
  • Tone Curve
  • Color Treatment (HSL)
  • Black and White
  • Split Toning
  • Process Version and Calibration

You won’t have to leave Lightroom to do basic video operations anymore!

It just keeps getting better and better! Remember all those round trips to Photoshop so you could get an accurate soft proof before wasting all that expensive paper? Those days are OVER! Soft proofing has come to Lightroom! I have been waiting for this for soooo long!

• Paper and ink simulation
• Choose between perceptual and relative intent
• Intuitive virtual copy creation for profile-specific adjustments
• Profile and Monitor gamut warnings
• Print module brightness/contrast option to address differences between monitor and paper characteristics

Whew! We’re nowhere near done!

Another of the enhancements that caught my eye is the new direct email capability. Yes, we could export for email before. And we could direct the output to email programs. But now you can set up your native email client as well as Gmail, Hotmail, Yahoo mail, AOL and go direct!

So easy and quick!

Remember that long scrolling unending list of presets you had to deal with? No longer. Hierarchical presets come to Lightroom.

Much more manageable.

A new Process Version debuts in Lightroom 4 Beta and with it come new features. New local adjustments.

Curves for each channel! Get at your R-G-B channels directly in Lightroom!

There are even more new things to talk about. Here’s a list of the other enhancements in Lightroom 4 Beta:

Develop Module Enhancements

• Simplified controls in the Basic panel
  • Exposure, Contrast, Highlights, Shadows, Whites, Blacks
• Powerful, content aware, shadow and highlight controls
• Updated Clarity adjustment for superior results without the artifacts
• Updated Chromatic Aberration correction

Enhanced DNG options

• Embed Fast Load Data options dramatically improves image loading performance in the Develop module
• Lossy compression option provides significant file savings with minimal quality impact. (Ideal for archiving outtakes or reducing the size of time lapse projects without losing the flexibility of raw)
• Resolution reduction via export provides the ability to share lower resolution versions of the original raw file without losing the capabilities offered by raw.
• Metadata and filter options available for DNG file types

Publish Collections can now include video publishing

Export to Adobe Revel (aka Carousel) functionality

Enhanced output model for saving and storing settings used in the Web, Slideshow, Print, and Book modules.

Additional new features:

• New Zoom ratios (1:8 and 1:16)
• Mac version now includes a language selection option via preferences
• Move multiple folders from volume to volume
• White balance sample grid is now zoom-level sensitive
• Noise reduction adjustment is always displayed
• Collapse the tether toolbar down to the shutter button by Option or Alt clicking the close button
• Module picker can be customized
• Saved or unsaved metadata property for filtering
• Hierarchical Develop Preset display in Quick Develop
• Layout overlay for tethered shooting workflow
• Photos in publish collections that have been modified can be set to not republish
• Additional Metadata controls on export
• Disk burning now available on Windows 64-bit systems
• Flag status is now ‘global’ (One setting per image regardless of location in folder or collection)
• Stacking is now possible in collections
• Flash galleries are now color managed
• Per module walkthrough tips

We are going to have a lot of fun exploring all the new features in Lightroom 4 Beta of the next few weeks and months. So what are you waiting for… Download your copy now!

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Lightroom 1 “Shadowland”

Lightroom 2 “Silvertone”

Lightroom 3 “Strangelove”

Happy Birthday, Lightroom! And many more!

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Welcome to 2012! Are you ready for a new year? Did you get everything accomplished in 2011 that you set out to do? If you are like most humans on the planet you probably have some things on your 2011 list that still need doing. One of the nice things about a new year is the fresh outlook we can apply to the upcoming twelve months. If we didn’t get to everything on our list we can reassess and determine if they were really worth doing or if they should be brought forward to this year’s list.

Here are some Lightroom suggestions to add to your 2012 list:

• Update your watermarks and metadata presets. It’s a new year. If you use the year in your copyright notices (i.e. Copyright © 2011) then remember to change the year to 2012 in all your presets and watermarks.
• Make 2012 your keyword year. Make a commitment to keywording in 2012. Go through your current keywords. Make sure there aren’t duplicates because of number or case. Look for things like cat, cats, Cats, etc. Keywords can really make your catalog function like a well-oiled machine! If you aren’t familiar with the power of keywording start with Peter Krogh’s excellent article on keywords at dpBestflow.
• Review 2011. Take some time and review your images from 2011. Gather the best together into a collection. Consider sharing these on your social networking sites. Whether it’s flickr, Facebook, Google+, 500px or… let the world see your work. Be proud of your accomplishments.
• Get to know the Lightroom Community. Thanks for reading Lightroom Secrets! If you haven’t yet had a chance take a look at some of the sites listed on the sidebar under Interesting Sites. Seán McCormack put together a great twitter list at http://www.pixiq.com/article/lightroom-twitter.
• Learn, learn, learn. You can never learn enough about photography and Lightroom. Take a look at the Lightroom videos at Adobe TV. Check out the great free tips from the National Association of Photoshop Professionals (NAPP) at http://www.photoshopuser.com/lightroom (while you’re at it why not consider joining NAPP?) Take some courses at Lynda.com. Play with Lightroom and learn all you can!
• Try something new. Try a new processing technique in Lightroom. Try shooting a different way. If you never take night shots try that! If you never use the adjustment brushes then give them a try. There’s bound to be something you can try in 2012. Have fun doing it and don’t worry about the outcome. 100 terrible shots may lead to that masterpiece! You won’t know unless you try.
• Have fun! Always remember Rule 5. Don’t take yourself too seriously. Experiment. Go on a photo walk or two. Join a local camera club or user group.

The new year is filled with bright and shining possibilities! But, we can only look back on the year positively if we take the initiative now. Time passes us by rather quickly. Don’t wait for tomorrow or next month. Get out there now and capture those priceless images. Be positive. Be courageous. You won’t regret it!

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Lens Effects is a plugin that contains a variety of creative blurring effects, as well a number of traditional lens filter effects. Examples include things like a Tilt-Shift lens preset, motion blurring, a Graduated Neutral Density preset, and something called Creative Blur, which is the preset we will focus on in this tutorial. The objective is to take a silhouette image of a cliff diver at sunset, and use a combination of creative focus and some selective processing in Lightroom to create a scene that draws the viewers eye to the divers without taking away too much detail or color.

Quick Setup Tips

To access Topaz Labs plugins from Lightroom, you need to do two things. First, install the Lens Effects plugin as you normally would, then, install an add-on program (should be available from the same installer) called “Fusion Express 2″. Once you’ve done that, go to Lightroom’s Preferences and under “External Editing”, select the Fusion Express 2 app and apply the settings shown below.

Before you start, tell Lightroom where to find Topaz Fusion 2...

From this point, you can right-click on any image thumbnail in the Library module, in the Filmstrip, or on any open image in the Develop module, and choose Edit In > Edit in Topaz Fusion Express 2. When you do this, you will be greeted with a dialog that lets you choose the specific Topaz plugin you want to use  (shown later).

First Steps

For this photograph it was necessary to perform some edits in the Basic panel as well as the Details panel, in order to smooth out the over-exposed sky a bit, ensure there was a more more detail in the water and a lot less noise. I also desaturated it slightly because the original orange cast in the sky was so strong it distracted from the main compositional element (the diver and cliff). The settings I used are shown below.

Initial Lightroom settings to handle sky, water, color and noise.

The next step is to open this image into Topaz Lens Effects. Right-click on the preview as described earlier and choose Edit In > Edit in Topaz Fusion Express 2. Before the Topaz dialog shows up, you will see the standard Lightroom dialog, asking if you wish to edit a copy or the original. Choose Edit Copy with Lightroom Adjustments. I also opt to “Stack with Original” so I don’t lose track of the file when it’s opened later  in Lightroom. Once you do that and click Edit, the Lens Effects window opens. Here I have collapsed the right side initially to maintain a larger preview.

Lens Effects offers many creative presets

The top-most preset list shows the different types of effects, whether relating to lens blur simulations or lens filter simulations. The lower list provides different variations of the specific preset you have chosen. For this example let’s scroll down and take a look at the Lens – Creative Blur option and choose the Cornered – Top Right option. This will put the default focus region somewhere near the cliff. Because the cliff itself was slightly blurred in the original, we’ll need to move the center point next.

The initial look of the Lens - Creative preset

Customizing the Effect

The final steps in customizing the preset are quite simple. For many of the Lens Effects options there are just a few sliders to adjust, in order to achieve the look you’re going for. The first thing I like to do is reposition the Effect Center. Do this by clicking the Effect Center button and then with the crosshair cursor, click the spot on the document that you would like to have more focus, including the immediately neighboring areas. Here I clicked below the diver’s feet, just above the cliff outcrop. As you can see the diver is now more in focus.

Moving the focus point or Effect Center is important..

All that remained from this point was to set the general focus level, and “push” the blur effect away from the cliff and horizon a little bit, so that enough water details showed through to give the composition better context. This can be accomplished using the Blur Amount, and Focus Width / Focus Height settings respectively. As you boost the height and width slider values, the focus area will expand (in effect), allowing you to position it more precisely. The shot below shows the final settings before applying the effect and moving the shot back into Lightroom for final tweaks.

The final settings for Lens-Creative

One you click OK, the effect will be applied to your image copy and sent back into Lightroom. For one last creative tweak I opened HSL and shifted the hues in the sky and water to make it a bit more yellow, and I using the Split Toning panel to make the shadows more blue (that is, make the water and a bit of the sky more blue).

The Final Cliff Diver Image ©Dan Moughamian, 2011

This tutorial provides just one example of the useful effects you can apply with Topaz Lens Effects via Lightroom, but hopefully you can see how powerful it is and how easy it is to expand Lightroom’s capabilities with this plugin. Give it a try! If you enjoyed this tutorial, keep an eye on Colortrails.com in the weeks ahead as I’ll have a bunch of new stuff to share with you!

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One of my favorites is Terry White’s Adobe Creative Suite Video Podcast. I really recommend that you subscribe to this FREE podcast in iTunes. Just click here to learn more and subscribe.

In the last two episodes, Terry talked about a very clever use of Smart Collections with Publish Services. He shows us how to create smart collections that tie into a regular collection and duplicate the content across several Publish Services. In his example, he has a regular collection in which he keeps 24 of his most recent portfolio level shots. He wants this same set published out to Flickr, Facebook, SmugMug, Google+, etc. without having to manually recreate those collections in each Publish service. Terry walks through the steps to set this up.

If you want to see these videos without subscribing (although I don’t know why you wouldn’t subscribe) you can check them out on his site. The first video is How to Use Lightroom 3′s Smart Collections in Publish Services. The second talks about doing this for Google+: How to Publish your Photos From Lightroom Directly to Google+.

If you’ve been keeping current with you podcast viewing this may be old news. But, I thought is was rather clever and wanted to share it with you in case you missed it. Enjoy!

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While it is always a good idea to compose your shots and get it right in the camera there are still many instances where you will want to crop out some of the extraneous material from your image. Perhaps there is a trash can in the far right edge. Or your horizon splits the frame right across the middle and you’d like more sky than land. Crop tool to the rescue.

In addition to the usual uses for the crop tool, there is also an artistic aspect. Some shots can yield several final images. In fact, there is a whole world of cropping just waiting for you. Don’t believe me? Just take a look at Rikk Flohr’s excellent site all about cropping – Holy Crop!

OK. On to the crop tool. Just under the histogram in the Develop module you’ll find the crop tool. Click it and its panel will appear.

Hey! There’s a lot here! Let’s walk through it.

1. This is the crop tool. Like other tools in Lightroom (such as the White Balance eyedropper) you can click on the circle to pick up the tool. However, in the case of the crop tool this really isn’t necessary since it is the default tool once you open the panel.
2. Here is a dropdown where you can choose the aspect ratio of your crop. This allows you to select an area of your image and keep the length and width of the crop area in a constant ratio. We’ll look more at this in a bit.
3. The aspect lock works in conjunction with the aspect ratio. When it’s locked your aspect ratio remains fixed. If you unlock it you are free to crop in any ratio you like – a freeform crop.
4. This is the straighten tool. It is also known as the level tool. When you have a crooked horizon or a not so perpendicular flagpole then this will help you automatically straighten that out and adjust the crop accordingly.
5. If you prefer, you can adjust the angle of your image using this slider to achieve the same results as the straighten tool.
6. The Constrain To Warp checkbox is perplexing to many users. It is tied to another checkbox down in the Lens Correction panel and we’ll visit this later. The short description is that it assists you in making sure your crop has image data in it.
7. Finally we have the Reset and Close buttons. These are fairly self-explanatory.

When you enter the crop tool a box showing the current crop appears on top of your image. If you haven’t cropped the image yet the box is the same size as your image. There are eight handles you can drag to adjust the crop – one in each corner and one in the middle of each side. By default you will also see a rule of thirds overlay to assist you I’m composing your crop. (Actually, the handles are decorative since you can grab a side anywhere to move it.)

To crop the image you can grab a handle and move it. The area of your image outside the crop will appear darkened. Remember that Lightroom is a non-destructive environment so your “cropped off” areas will always remain so you can readjust the crop later. An alternative way to crop is simply drag out a rectangle on your image to define the crop. For an interesting way to crop tap the L key twice to enter full lights out mode. Now all you see is the cropped area of your image without other distractions.

If you move your cursor outside the cropped area the cursor will change to a curved double-arrow. Now dragging the cursor will rotate the crop and the overlay switched to a grid to assist you in lining things up. Move the cursor inside the cropped area and it changes to a hand. Now you can drag the image around to change which part falls into the crop.

One of the things new users of Lightroom need to get used to is that when you work with the crop tool the image moves around and the crop remains fixed on the screen. For some, that’s backwards. But after a while it makes sense and seems right.

The aspect ratio and the aspect lock work hand in hand. Choose a ratio and the lock will prevent you from changing it. Lightroom has several default aspect ratios that translate to popular print sizes.

You can define your own custom aspect ratios by clicking on the Enter Custom… choice at the bottom. You’ll get a dialog where you can enter the ratio.

You can enter as many as you like but only the most recent five will remain on the dropdown menu for later use.

If you unlock the aspect lock then you are free to crop at any ratio you like. Just crop away without regard to the aspect ratio.

In addition to rotating the image with the curved double-arrow cursor you can also use the angle slider or enter an exact number in the angle field just past the slider. To make things easier for you when you have a crooked horizon or a wall that’s askew you can use the level or straighten tool. Pick up the tool by clicking on it (in the same way you pick up the spray can or white balance eyedropper) then drag a line along the part of the image that should be level (or perpendicular).

A quick way to do this while you are cropping is to simply hold down the Command key (CTRL on a PC) and the crop tool switches to the level. Drag out the line and release. Either way, Lightroom will now level the image and crop it to fit leaving small parts outside the crop.

That’s one of the nice things about Lightroom’s crop tool, it auto-adjusts so you can’t crop the image beyond its own borders. That is if there isn’t a warp involved. We’ll talk about the Constrain to Warp checkbox in a little while.

If you get carried away and want to start the crop over just press the Reset button at the bottom of the dialog.

This tool comes with quite a few keyboard shortcuts! You can speed your editing up by learning these.

• R selects the crop tool from any module
• X will change the crop orientation from landscape to portrait and back again
• A locks and unlocks the aspect lock
• Shift A applies the most recently used crop. When you enter the tool you are usually at the original aspect ratio. This shortcut flips to the last aspect ratio you used. Useful for applying the same ratio to a series of images.
• Option (ALT on a PC) hold this key down will crop from the center. That is, as you drag one side the other moves in the opposite direction to keep the center of the crop fixed.
• Command Option R (CTRL ALT R) resets the crop.
• O cycles through the overlay grids
• Shift O changes the orientation of the overlays that have orientations

Wait. There’s more than one overlay grid? Of course! In fact there are six basic overlays.

There is the default Rule of Thirds:

Press O and you get the Golden Ratio:

Next is the diagonal. The diagonal pairs merge when the crop is square.

Another Golden overlay is next – the Golden Triangle and this is one of the overlays that has orientation which responds to the Shift O shortcut. This overlay also becomes simple diagonal lines in a square crop.

We’re not done yet! There is the Golden Spiral coming up next. This overlay has eight orientations!!! Use Shift O to access them.

And finally, the grid.

There is also an overlay control button in the toolbar below the image.

The default is Always which will show the overlay at all times. Never turns the overlay off. Auto only shows the overlay when you actively interact with the image. When this is set to Auto or Never then pressing the O key will switch it to Always.

Are you still with me? Good.

The last thing we’ll discuss is that Constrain to Warp checkbox. This is useful when you have been making manual adjustments in the Lens Correction panel. This can lead to blank areas within the image borders after you warp the image.

Rather than trying to figure out how to crop to keep pixel data within the crop, check the box and Lightroom automatically adjusts the crop keeping the edges within the pixel area.

So there’s a lot more to this little tool than meets the eye! If you’d like to see the crop tool in action David Marx of The Lightroom Lab has an excellent article (complete with some videos) called Preparing Files for Printing at a Photo Lab Using Adobe Photoshop Lightroom’s Export Module.

Now go and get your crop on and enhance your images in new ways!

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