Litera.co.uk

Maya Angelou

2009-11-11T21:55:04+01:00

Insomniac

There are some nights when
sleep plays coy,
aloof and disdainful.
And all the wiles
that I employ to win
its service to my side
are useless as wounded pride,
and much more painful.

Henry Wadsworth Longfellow

2009-11-11T21:45:14+01:00

Hiawatha's Friends

Two good friends had Hiawatha,
Singled out from all the others,
Bound to him in closest union,
And to whom he gave the right hand
Of his heart, in joy and sorrow;
Chibiabos, the musician,
And the very strong man, Kwasind.
Straight between them ran the pathway,
Never grew the grass upon it;
Singing birds, that utter falsehoods,
Story-tellers, mischief-makers,
Found no eager ear to listen,
Could not breed ill-will between them,
For they kept each other's counsel,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.
Most beloved by Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers.
Beautiful and childlike was he,
Brave as man is, soft as woman,
Pliant as a wand of willow,
Stately as a deer with antlers.
When he sang, the village listened;
All the warriors gathered round him,
All the women came to hear him;
Now he stirred their souls to passion,
Now he melted them to pity.
From the hollow reeds he fashioned
Flutes so musical and mellow,
That the brook, the Sebowisha,
Ceased to murmur in the woodland,
That the wood-birds ceased from singing,
And the squirrel, Adjidaumo,
Ceased his chatter in the oak-tree,
And the rabbit, the Wabasso,
Sat upright to look and listen.
Yes, the brook, the Sebowisha,
Pausing, said, "O Chibiabos,
Teach my waves to flow in music,
Softly as your words in singing!"
Yes, the bluebird, the Owaissa,
Envious, said, "O Chibiabos,
Teach me tones as wild and wayward,
Teach me songs as full of frenzy!"
Yes, the robin, the Opechee,
Joyous, said, "O Chibiabos,
Teach me tones as sweet and tender,
Teach me songs as full of gladness!"
And the whippoorwill, Wawonaissa,
Sobbing, said, "O Chibiabos,
Teach me tones as melancholy,
Teach me songs as full of sadness!"
All the many sounds of nature
Borrowed sweetness from his singing;
All the hearts of men were softened
By the pathos of his music;
For he sang of peace and freedom,
Sang of beauty, love, and longing;
Sang of death, and life undying
In the Islands of the Blessed,
In the kingdom of Ponemah,
In the land of the Hereafter.
Very dear to Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers;
For his gentleness he loved him,
And the magic of his singing.
Dear, too, unto Hiawatha
Was the very strong man, Kwasind,
He the strongest of all mortals,
He the mightiest among many;
For his very strength he loved him,
For his strength allied to goodness.
Idle in his youth was Kwasind,
Very listless, dull, and dreamy,
Never played with other children,
Never fished and never hunted,
Not like other children was he;
But they saw that much he fasted,
Much his Manito entreated,
Much besought his Guardian Spirit.
"Lazy Kwasind!" said his mother,
"In my work you never help me!
In the Summer you are roaming
Idly in the fields and forests;
In the Winter you are cowering
O'er the firebrands in the wigwam!
In the coldest days of Winter
I must break the ice for fishing;
With my nets you never help me!
At the door my nets are hanging,
Dripping, freezing with the water;
Go and wring them, Yenadizze!
Go and dry them in the sunshine!"
Slowly, from the ashes, Kwasind
Rose, but made no angry answer;
From the lodge went forth in silence,
Took the nets, that hung together,
Dripping, freezing at the doorway;
Like a wisp of straw he wrung them,
Like a wisp of straw he broke them,
Could not wring them without breaking,
Such the strength was in his fingers.
"Lazy Kwasind!" said his father,
"In the hunt you never help me;
Every bow you touch is broken,
Snapped asunder every arrow;
Yet come with me to the forest,
You shall bring the hunting homeward."
Down a narrow pass they wandered,
Where a brooklet led them onward,
Where the trail of deer and bison
Marked the soft mud on the margin,
Till they found all further passage
Shut against them, barred securely
By the trunks of trees uprooted,
Lying lengthwise, lying crosswise,
And forbidding further passage.
"We must go back," said the old man,
"O'er these logs we cannot clamber;
Not a woodchuck could get through them,
Not a squirrel clamber o'er them!"
And straightway his pipe he lighted,
And sat down to smoke and ponder.
But before his pipe was finished,
Lo! the path was cleared before him;
All the trunks had Kwasind lifted,
To the right hand, to the left hand,
Shot the pine-trees swift as arrows,
Hurled the cedars light as lances.
"Lazy Kwasind!" said the young men,
As they sported in the meadow:
"Why stand idly looking at us,
Leaning on the rock behind you?
Come and wrestle with the others,
Let us pitch the quoit together!"
Lazy Kwasind made no answer,
To their challenge made no answer,
Only rose, and slowly turning,
Seized the huge rock in his fingers,
Tore it from its deep foundation,
Poised it in the air a moment,
Pitched it sheer into the river,
Sheer into the swift Pauwating,
Where it still is seen in Summer.
Once as down that foaming river,
Down the rapids of Pauwating,
Kwasind sailed with his companions,
In the stream he saw a beaver,
Saw Ahmeek, the King of Beavers,
Struggling with the rushing currents,
Rising, sinking in the water.
Without speaking, without pausing,
Kwasind leaped into the river,
Plunged beneath the bubbling surface,
Through the whirlpools chased the beaver,
Followed him among the islands,
Stayed so long beneath the water,
That his terrified companions
Cried, "Alas! good-by to Kwasind!
We shall never more see Kwasind!"
But he reappeared triumphant,
And upon his shining shoulders
Brought the beaver, dead and dripping,
Brought the King of all the Beavers.
And these two, as I have told you,
Were the friends of Hiawatha,
Chibiabos, the musician,
And the very strong man, Kwasind.
Long they lived in peace together,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

Anatole France

2009-11-11T21:15:02+01:00

I love reason, but I am no fanatic in my love. Reason is our guide and beacon-light; but when you have made a divinity of it, it will blind you and instigate you to crime.

Philip G. Hamerton

2009-11-11T21:10:02+01:00

Have you ever observed that we pay much more attention to a wise passage when it is quoted than when we read it in the original author?

Arthur Symons

2009-11-11T20:40:03+01:00

Love and Sleep

I have laid sorrow to sleep;
Love sleeps.
She who oft made me weep
Now weeps.

I loved, and have forgot,
And yet
Love tells me she will not
Forget.

She it was bid me go;
Love goes
By what strange ways, ah! no
One knows.

Because I cease to weep,
She weeps.
Here by the sea in sleep,
Love sleeps.

W. H. Auden

2009-11-11T20:10:07+01:00

O Tell Me The Truth About Love

Some say love's a little boy,
And some say it's a bird,
Some say it makes the world go around,
Some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't over there;
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

Mark Jenkins

2009-11-11T20:10:04+01:00

Maps encourage boldness. They're like cryptic love letters. They make anything seem possible.

Edward Thomas

2009-11-11T20:05:05+01:00

The Glory

The glory of the beauty of the morning, -
The cuckoo crying over the untouched dew;
The blackbird that has found it, and the dove
That tempts me on to something sweeter than love;
White clouds ranged even and fair as new-mown hay;
The heat, the stir, the sublime vacancy
Of sky and meadow and forest and my own heart: -
The glory invites me, yet it leaves me scorning
All I can ever do, all I can be,
Beside the lovely of motion, shape, and hue,
The happiness I fancy fit to dwell
In beauty's presence. Shall I now this day
Begin to seek as far as heaven, as hell,
Wisdom or strength to match this beauty, start
And tread the pale dust pitted with small dark drops,
In hope to find whatever it is I seek,
Hearkening to short-lived happy-seeming things
That we know naught of, in the hazel copse?
Or must I be content with discontent
As larks and swallows are perhaps with wings?
And shall I ask at the day's end once more
What beauty is, and what I can have meant
By happiness? And shall I let all go,
Glad, weary, or both? Or shall I perhaps know
That I was happy oft and oft before,
Awhile forgetting how I am fast pent,
How dreary-swift, with naught to travel to,
Is Time? I cannot bite the day to the core.

William Carlos Williams

2009-11-11T20:00:02+01:00

But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.

Kobayashi Issa

2009-11-11T18:50:04+01:00

Ducks bobbing on the water

Ducks bobbing on the water--
are they also, tonight,
hoping to get lucky?

Philip Levine

2009-11-11T18:25:04+01:00

The Drunkard

from St. Ambrose

He fears the tiger standing in his way.
The tiger takes its time, it smiles and growls.
Like moons, the two blank eyes tug at his bowels.
"God help me now," is all that he can say.

"God help me now, how close I've come to God.
To love and to be loved, I've drunk for love.
Send me the faith of Paul, or send a dove."
The tiger hears and stiffens like a rod.

At last the tiger leaps, and when it hits
A putrid surf breaks in the drunkard's soul.
The tiger, done, returns to its patrol.
The world takes up its trades; the man his wits,
And, bottom up, he mumbles from the deep,
"Life was a dream, Oh, may this death be sleep."

William Cullen Bryant

2009-11-11T18:15:09+01:00

The Constellations

O constellations of the early night,
That sparkled brighter as the twilight died,
And made the darkness glorious! I have seen
Your rays grow dim upon the horizon's edge,
And sink behind the mountains. I have seen
The great Orion, with his jewelled belt,
That large-limbed warrior of the skies, go down
Into the gloom. Beside him sank a crowd
Of shining ones. I look in vain to find
The group of sister-stars, which mothers love
To show their wondering babes, the gentle Seven.
Along the desert space mine eyes in vain
Seek the resplendent cressets which the Twins
Uplifted in their ever-youthful hands.
The streaming tresses of the Egyptian Queen
Spangle the heavens no more. The Virgin trails
No more her glittering garments through the blue.
Gone! all are gone! and the forsaken Night,
With all her winds, in all her dreary wastes,
Sighs that they shine upon her face no more.
No only here and there a little star
Looks forth alone. Ah me! I know them not,
Those dim successors of the numberless host
That filled the heavenly fields, and flung to earth
Their guivering fires. And now the middle watch
Betwixt the eve and morn is past, and still
The darkness gains upon the sky, and still
It closes round my way. Shall, then, the Night,
Grow starless in her later hours? Have these
No train of flaming watchers, that shall mark
Their coming and farewell? O Sons of Light!
Have ye then left me ere the dawn of day
To grope along my journey sad and faint?
Thus I complained, and from the darkness round
A voice replied--was it indeed a voice,
Or seeming accents of a waking dream
Heard by the inner ear? But thus it said:
O Traveller of the Night! thine eyes are dim
With watching; and the mists, that chill the vale
Down which thy feet are passing, hide from view
The ever-burning stars. It is thy sight
That is so dark, and not the heaens. Thine eyes,
Were they but clear, would see a fiery host
Above thee; Hercules, with flashing mace,
The Lyre with silver cords, the Swan uppoised
On gleaming wings, the Dolphin gliding on
With glistening scales, and that poetic steed,
With beamy mane, whose hoof struck out from earth
The fount of Hippocrene, and many more,
Fair clustered splendors, with whose rays the Night
Shall close her march in glory, ere she yield,
To the young Day, the great earth steeped in dew.
So spake the monitor, and I perceived
How vain were my repinings, and my thought
Went backward to the vanished years and all
The good and great who came and passed with them,
And knew that ever would the years to come
Bring with them, in their course, the good and great,
Lights of the world, though, to my clouded sight,
Their rays might seem but dim, or reach me not.

Edith Wharton

2009-11-11T18:05:02+01:00

Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.

Seymour Skinner

2009-11-11T17:55:02+01:00

There's nothing more exciting than science. You get all the fun of sitting still, being quiet, writing down numbers, paying attention. Science has it all.

Claude McKay

2009-11-11T17:45:03+01:00

On Broadway

About me young careless feet
Linger along the garish street;
Above, a hundred shouting signs
Shed down their bright fantastic glow
Upon the merry crowd and lines
Of moving carriages below.
Oh wonderful is Broadway -- only
My heart, my heart is lonely.

Desire naked, linked with Passion,
Goes trutting by in brazen fashion;
From playhouse, cabaret and inn
The rainbow lights of Broadway blaze
All gay without, all glad within;
As in a dream I stand and gaze
At Broadway, shining Broadway -- only
My heart, my heart is lonely.

William Shakespeare

2009-11-11T17:40:04+01:00

Sonnet 58: That god forbid, that made me first your slave

That god forbid, that made me first your slave,
I should in thought control your times of pleasure,
Or at your hand th' account of hours to crave,
Being your vassal bound to stay your leisure!
O, let me suffer, being at your beck,
Th' imprisoned absence of your liberty,
And patience tame to sufferance, bide each check,
Without accusing you of injury.
Be where you list, your charter is so strong
That you your self may privilage your time
To what you will; to you it doth belong
Your self to pardon of self-doing crime.
I am to wait, though waiting so be hell,
Not blame your pleasure, be it ill or well.

Po Bronson

2009-11-11T17:40:04+01:00

As I get older, I've learned to listen to people rather than accuse them of things.

Heather McHugh

2009-11-11T17:35:05+01:00

With Due Respect To Thor

The dog has shrunk between the brake and clutch.
His shaking shakes a two-ton truck. From a God

so furious, he cannot hide his hide. Outside,
in the world at large, black hours are being

pearled and shafted. A tree stands out
spectacularly branched; the mind's eye

grows alert. This thing can hurt.
It had us once, it's having volts

of big idea again�about
thirteen a minute. Do we need

to know more? Are we sure?
Just wait�a brain this insecure

may need another bolt be driven in it.

Edwin Arlington Robinson

2009-11-11T17:20:15+01:00

Aunt Imogen

Aunt Imogen was coming, and therefore
The children�Jane, Sylvester, and Young George�
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two. But those great bites of time
Made all September a Queen"s Festival;
And they would strive, informally, to make
The most of them.�The mother understood,
And wisely stepped away. Aunt Imogen
Was there for only one month in the year,
While she, the mother,�she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child"s eyes
And thought; and she had thought of many things.

There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time. And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive�
Even to her sister"s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood"s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl"s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.

There was the feminine paradox�that she
Who had so little sunshine for herself
Should have so much for others. How it was
That she could make, and feel for making it,
So much of joy for them, and all along
Be covering, like a scar, and while she smiled,
That hungering incompleteness and regret�
That passionate ache for something of her own,
For something of herself�she never knew.
She knew that she could seem to make them all
Believe there was no other part of her
Than her persistent happiness; but the why
And how she did not know. Still none of them
Could have a thought that she was living down�
Almost as if regret were criminal,
So proud it was and yet so profitless�
The penance of a dream, and that was good.
Her sister Jane�the mother of little Jane,
Sylvester, and Young George�might make herself
Believe she knew, for she�well, she was Jane.

Young George, however, did not yield himself
To nourish the false hunger of a ghost
That made no good return. He saw too much:
The accumulated wisdom of his years
Had so conclusively made plain to him
The permanent profusion of a world
Where everybody might have everything
To do, and almost everything to eat,
That he was jubilantly satisfied
And all unthwarted by adversity.
Young George knew things. The world, he had found out,
Was a good place, and life was a good game�
Particularly when Aunt Imogen
Was in it. And one day it came to pass�
One rainy day when she was holding him
And rocking him�that he, in his own right,
Took it upon himself to tell her so;
And something in his way of telling it�
The language, or the tone, or something else�
Gripped like insidious fingers on her throat,
And then went foraging as if to make
A plaything of her heart. Such undeserved
And unsophisticated confidence
Went mercilessly home; and had she sat
Before a looking glass, the deeps of it
Could not have shown more clearly to her then
Than one thought-mirrored little glimpse had shown,
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist.
The blow that she had vaguely thrust aside
Like fright so many times had found her now:
Clean-thrust and final it had come to her
From a child"s lips at last, as it had come
Never before, and as it might be felt
Never again. Some grief, like some delight,
Stings hard but once: to custom after that
The rapture or the pain submits itself,
And we are wiser than we were before.
And Imogen was wiser; though at first
Her dream-defeating wisdom was indeed
A thankless heritage: there was no sweet,
No bitter now; nor was there anything
To make a daily meaning for her life�
Till truth, like Harlequin, leapt out somehow
From ambush and threw sudden savor to it�
But the blank taste of time. There were no dreams,
No phantoms in her future any more:
One clinching revelation of what was
One by-flash of irrevocable chance,
Had acridly but honestly foretold
The mystical fulfilment of a life
That might have once � But that was all gone by:
There was no need of reaching back for that:
The triumph was not hers: there was no love
Save borrowed love: there was no might have been.

But there was yet Young George�and he had gone
Conveniently to sleep, like a good boy;
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane;
And there was Jane the sister, and the mother,�
Her sister, and the mother of them all.
They were not hers, not even one of them:
She was not born to be so much as that,
For she was born to be Aunt Imogen.
Now she could see the truth and look at it;
Now she could make stars out where once had palled
A future"s emptiness; now she could share
With others�ah, the others!�to the end
The largess of a woman who could smile;
Now it was hers to dance the folly down,
And all the murmuring; now it was hers
To be Aunt Imogen.�So, when Young George
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him,
"T was only in old concord with the stars
That she took hold of him and held him close,
Close to herself, and crushed him till he laughed.

Emily Dickinson

2009-11-11T16:50:04+01:00

I often passed the village
When going home from school --
And wondered what they did there --
And why it was so still --

I did not know the year then --
In which my call would come --
Earlier, by the Dial,
Than the rest have gone.

It's stiller than the sundown.
It's cooler than the dawn --
The Daisies dare to come here --
And birds can flutter down --

So when you are tired --
Or perplexed -- or cold --
Trust the loving promise
Underneath the mould,
Cry "it's I," "take Dollie,"
And I will enfold!

Hannah Arendt

2009-11-11T16:50:03+01:00

The most radical revolutionary will become a conservative the day after the revolution.

Albert Einstein

2009-11-11T16:35:02+01:00

"My religion consists of a humble admiration of the illimitable superior spirit who reveals himself in the slight details we are able to perceive with our frail and feeble mind.

Wayne Dyer

2009-11-11T16:00:10+01:00

Simply put, you believer that things or people make you unhappy, but this is not accurate. You make yourself unhappy.

Emily Dickinson

2009-11-11T15:50:03+01:00

I had some things that I called mine

I had some things that I called mine --
And God, that he called his,
Till, recently a rival Claim
Disturbed these amities.

The property, my garden,
Which having sown with care,
He claims the pretty acre,
And sends a Bailiff there.

The station of the parties
Forbids publicity,
But Justice is sublimer
Than arms, or pedigree.

I'll institute an "Action" --
I'll vindicate the law --
Jove! Choose your counsel --
I retain "Shaw"!

Maya Angelou

2009-11-11T15:45:03+01:00

Refusal

Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body's haste.
Without the promise
Of one more sweet encounter
I will not deign to die.